This Marvel Animation series revisits the iconic ’90s show with a retro-fresh look and more tales of this band of mutants who use their special gifts to protect a world that hates and fears them.

We talk about his workflow on the Netflix series as well as his involvement in mentoring other editors.

We spoke with Dan Dome, a veteran of late night comedy, about his post career and how his experience informed his current workflow for 'Late Night with Seth Meyers.'

This episodic director has a long list of credits, including 'NYPD Blue,' 'The West Wing,' Sons of Anarchy' and 'The Watcher.' He talks to writer Iain Blair about his process on while directing 'Dahmer — Monster: The Jeffrey Dahmer Story.'

We spoke to this long-time VFX supervisor about her work on Amazon Prime's 'Maisel,' how VFX and workflows have changed over the years, and her new Amazon project, "Étoile".

‘The Chi’ Editor Sean Linal joins us to talk about this path to episodic television, editing ‘The Chi’ and ‘Queen Sugar’ and giving back to the community.

'Wednesday' editor Jay Prychidny spoke with postPerspective collaborator Ben Mehlman about cutting the series, working with director Tim Burton, and making the most of comedy through the show’s freshman season.

Join us for a conversation with Corridor Digital director Niko Pueringer and Puget Systems' Matt Bach about AI, workstations and creating the popular web video Anime Rock, Paper, Scissors. (Content sponsored by Puget Systems.)

We spoke with Ramy Katrib, founder and CEO of Hollywood's DigitalFilm Tree about his origins in the industry, the evolution of his post studio and how they grew during Covid, including working on Ted Lasso while the world shut down and more.

postPerspective’s Iain Blair chatted with actor Eva Longoria about directing her first feature film, 'Flamin’ Hot'. They talk workflow, including cinematography, color grading and post.

Key members of the VFX team behind Paramount+'s 'Star Trek: Picard', Jason Zimmerman and Brian Tatosky, talk to postPerspective's Randi Altman about their path to visual effects, what inspires them and what it's like to work on such iconic programming.

Company 3 colorist Jill Bogdanowicz ("Joker," "John Wick 4," "Thor: Love and Thunder") talks with postPerspective's Randi Altman about her early influences, her family business (color science!), and where she draws her inspirations from.

This editor and producer on the Hulu docuseries walks us through his workflow - telling the 40-year story of the band.

postPerspective's Randi Altman recently hosted a conversation with the audio post team — Jon Greasley and Dan Gamache of King Soundworks — on Showtime's 'Your Honor,' starring Bryan Cranston. They talk about intensifying sounds and creating a soundscape that screams New Orleans. The show recently aired its season finale. 

Listen to our chat with frequent Alexander Payne collaborator, editor Kevin Tent, about his Oscar-nominated work on 'The Holdovers' as well as his role as president of the American Cinema Editors (ACE).

This veteran colorist, a regular collaborator of Clint Eastwood and many others, talks about her path to the color suite, the blend of technology and creative and what inspires her.

This Oscar-winning Swedish cinematographer walks us through his shooting process and working with director Emerald Fennell.

Jason Diamond joins us to discuss the brothers’ latest VR concerts: ‘Doja Cat: The Scarlet Tour’ and ‘BlackPink: A VR Encore’

Editor Kirk Baxter, a long-time collaborator with director David Fincher, discusses his process and how he works with the celebrated director. 

Tanya talks about her journey to 'The Late Show with Stephen Colbert', including her time on Comedy Central’s 'The Colbert Report,' which included a trip to Iraq during the war.

Helming three out of the four ‘Hunger Game’ films, including the newest ‘The Ballad of Songbirds and Snakes’, Frances Lawrence talks to us about the shoot, the edit, and the challenges of making the main character — who everyone knows turns bad — compelling.

After starting making car videos at an early age, Bleyer knew that creating and editing would be his path. These days he can be found in a variety of precarious positions in order to get the right shot.

In addition to executive producing this Netflix show, Ted Humphrey directed Episode 10 of Season 3. 

Kelly Lyon won an Emmy for cutting 'John Mulaney Presents Everybody's in LA.’ Here she talks about working in Portland, collaborating with comics, and offers up some best practices.

Dune VFX Supervisor Paul Lambert—winner of his fourth Oscar for Dune: Part Two—shares his approach to the sequel, collaboration workflows, and more.

'Conclave' Director Edward Berger speaks on recreating the Vatican, editing, VFX and much more.

Editor Jon Dudkowski, currently working on the series Star Trek: Starfleet Academy, discusses his career, his many collaborations with filmmaker/writer and Star Trek EP Alex Kurtzman and the future of AI.

Writer/director Ryan Coogler breaks down Sinners, a 1930s Deep South horror-thriller starring Michael B. Jordan as twin brothers, and shares how the film blends genre, VFX, and Delta blues to tell a uniquely American story.

Iain Blair sat down with Seth Rogen and Evan Goldberg, multiple Emmy winners and co-creators of the comedy/satire The Studio, a show inspired by their Hollywood experiences.

Randi Altman sits down with PBS Chief Digital and Marketing Officer Ira Rubenstein at NAB NY 2025 to discuss the network’s approach to distribution and marketing, as well as his career journey.

Emmy-winning editor Yan Miles talks with Ben Mehlman about cutting a full block of episodes, how the strikes shaped post, and his work with Tony Gilroy on Andor Season 2.

Writer Iain Blair talks with Bugonia director Yorgos Lanthimos and DP Robbie Ryan about making the film and navigating the post process.

Writer Ben Mehlman sits down with The Running Man director Edgar Wright to discuss bringing the Stephen King classic to life in his TV adaptation.

Writer Iain Blair speaks with filmmaker Chloé Zhao, the Oscar‑winning director of Nomadland, and editor Affonso Gonçalves, ACE (May December, Don’t Worry Darling), about their collaborative editing and post workflow on Hamnet.

Writer Jennifer Wolfe speaks with Walt Disney Animation Studios’ Head of Post, Berenice Robinson, on overseeing the finishing pipeline that unifies lighting, compositing, color, and delivery, anchored by FilmLight’s Baselight color grading system. 

The Pitt's editor Joey Reinisch and his assistant editor, Ross Wooldridge sit down with writer Ben Mehlman to discuss what it’s like to work on such a fast-paced show, and the surprising medical moment that called for the sound of a potato gun.

David C. Weldon Jr. walked through his recent work, including Jisoo’s 'Click' music video and Chick‑fil‑A projects, and broke down the workflows and VFX approaches that shaped both projects.

Katie Hinsen is using her experience as an artist, technologist and facility head to create what could be called "a post facility of the future" focusing on infrastructure for the freelance market.

Door G Productions, which is based in Rhode Island and houses a virtual production volume, is using AI for pre and post production to enhance the human touch on creative projects.

Ramy Katrib discusses work on shows such as Ted Lasso and Shrinking, new 3D Gaussian Splatting virtual‑production workflows, and ongoing post‑pipeline improvements in partnership with Dell and Nvidia.

These best friends, filmmakers, musicians and variety streamers embrace all platforms, but broadcast on Twitch full time.

Editor Randi Altman spoke with the editing team behind Vince Gilligan's latest series, Plurabis, which is streaming on Apple TV.

Editor Randi Altman sits down with Director and DP Wally Pfister to discuss his director-cinematographer partnership with Christopher Nolan and his own transition into directing.

Patrick Hogan talked about balancing sound work with indie filmmaking and broke down how he shot "Blindsided," using close‑ups and off‑camera sound to shape what the audience knows and doesn’t know.