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Explore every episode of the podcast Master Your Mix Podcast

Dive into the complete episode list for Master Your Mix Podcast. Each episode is cataloged with detailed descriptions, making it easy to find and explore specific topics. Keep track of all episodes from your favorite podcast and never miss a moment of insightful content.

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TitlePub. DateDuration
Neal Cappellino: Know What You're Solving For21 oct. 202601:12:06

Originally from Rochester, NY, producer/engineer Neal Cappellino is the owner of The Doghouse Studio in Nashville, TN. A lifelong musician, he completed his formal education with a B.S. in Electrical Engineering from Worcester Polytechnic Institute (’87).

Neal is a 5-time Grammy® Award recipient with a discography that includes Dolly Parton, Alison Krauss & Union Station, Robert Plant, Vince Gill, T Bone Burnett, Avicii, and Kygo. He is a member of The Recording Academy, the Audio Engineering Society, and Leadership Music Class of ’15.

He has served on the Advisory Board for the School of Arts & Sciences at WPI and was the 2022 recipient of their Robert H. Goddard Award for outstanding achievement in the professional field. He previously served on the board of directors for The Melodic Caring Project, a nonprofit organization that dedicates live-streamed music events to the hospital rooms of critically ill children.

IN THIS EPISODE YOU’LL LEARN:

  • Why your monitors don't need to sound impressive; they just need to make you do the right thing
  • The listening check Neal runs on every mix before he calls it done, away from his main room
  • How he actually tracks down what's making a mix sound muddy, instead of guessing with EQ
  • How he knows when a mix has gone past the point where more tweaking is helping
  • The headphone setup he built specifically for Alison Krauss, and why it mattered
  • The difference between giving a vocalist real feedback and just telling them it sounds good
  • The one question he asks himself before making any move on a mix
  • How to record great vocals
  • The psychology of coaching a vocalist

To learn more about Neal Cappellino, visit https://www.nealcappellino.com/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

https://masteryourmix.com/amplitude/

Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:


Get the latest plugins from Carve Audio:


ALL PODCAST LISTENERS GET 25% OFF. USE PROMO CODE: PODCAST25

Check out our Sponsors:

Download Waves Plugins here: https://waves.alzt.net/EK3G2K

Subscribe to the show:


Have questions you’d like answered on the show?

Send them to questions@masteryourmix.com

Please leave a rating and review:

https://masteryourmix.com/review/

Thanks for listening!

Damian Taylor: Structure, Self-Doubt, and Finishing Music14 oct. 202601:14:15

Damian Taylor is a Grammy-nominated producer, mixer, programmer and songwriter who spent six years as Björk's personal engineer and programmer, working on Volta and Biophilia and touring the world with her on stage. His credits include The Prodigy's Invaders Must Die, The Killers' Battle Born, Arcade Fire, The Temper Trap, Odette, Bomba Estéreo's Grammy-nominated Deja, and Dizzy's Juno-winning Baby Teeth. Known for a hand-built approach to editing and sound design that was years ahead of standard workflows, he now teaches producers through The Complete Producer Network and his Mix Accelerator Process.

IN THIS EPISODE YOU’LL LEARN:

  • Why imposter syndrome is a sign you care
  • The legendary producer who still needed a pep talk before sessions
  • Feeling qualified enough to release music
  • Why done is better than perfect
  • His "Preset Roulette" approach to building creativity
  • Working with artists like Björk and The Prodigy
  • Having structure for the benefit of creativity
  • The signal Damian uses to know a song is finished

To learn more about Damian Taylor, visit: https://www.youtube.com/@HereIsDamian

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

https://masteryourmix.com/amplitude/

Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:


Get the latest plugins from Carve Audio:


ALL PODCAST LISTENERS GET 25% OFF. USE PROMO CODE: PODCAST25

Check out our Sponsors:

Download Waves Plugins here: https://waves.alzt.net/EK3G2K

Subscribe to the show:


Have questions you’d like answered on the show?

Send them to questions@masteryourmix.com

Please leave a rating and review:

https://masteryourmix.com/review/

Thanks for listening!

Peter Craft: Intentionality is Everything07 oct. 202601:14:37

Peter Craft is the owner and chief engineer of Boxer Lodge, a destination recording studio in the hills above Napa Valley. A former software engineer and patent-holding tech architect, Craft left that career to build records full time, first from a San Francisco garage and now from a purpose-built studio centered on a 32-channel API 1608 console. He's engineered and mixed for Noelle & The Deserters, New Earth Farmers, and Strange Cities, and in 2024 hosted a session for reunited trip-hop pioneers Halou. A lifelong drummer, Craft often plays on the records he's running the board for.

IN THIS EPISODE YOU’LL LEARN:

  • Owning a destination studio
  • Leaving a successful job to follow your passions
  • Taking a chance on yourself to lean into your passions
  • The importance of connecting to your community
  • The pros and cons of niching down
  • The one question he asks before touching a single fader
  • Why copying a famous mixer's exact chain rarely works
  • What two mixers with completely opposite styles taught him about staying in his lane
  • The specific mistake that made his guitars sound thin for years
  • Feeling connected to analog gear
  • Knowing your genres before tracking
  • Having a North Star to follow
  • Creating contrast in a mix
  • Choosing reverbs for vibe versus filling space
  • Why piling on reverb can shrink your mix instead of opening it up
  • Being intentional with every decision
  • His parallel vocal chain

To learn more about Peter Craft, visit: boxerlodge.com

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

https://masteryourmix.com/amplitude/

Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:


Get the latest plugins from Carve Audio:


ALL PODCAST LISTENERS GET 25% OFF. USE PROMO CODE: PODCAST25

Check out our Sponsors:

Download Waves Plugins here: https://waves.alzt.net/EK3G2K

Subscribe to the show:


Have questions you’d like answered on the show?

Send them to questions@masteryourmix.com

Please leave a rating and review:

https://masteryourmix.com/review/

Thanks for listening!

Chris Collier: Earning Creative Freedom30 sept. 202601:20:06

Chris Collier is a producer, mixer, mastering engineer, and multi-instrumentalist based in Las Vegas, operating as CMC21 Productions. Across nearly three decades in hard rock and metal, he's engineered and produced for Korn, earning a promotion to producer on 2022's Requiem after years behind the board on the band's records, plus Prong, Lynch Mob, KXM, and Whitesnake, whose classic catalog he's remixed. On Mick Mars' 2024 solo debut, The Other Side of Mars, he played bass on every track in addition to mixing and mastering it. He's currently mixing and producing new material for Nonpoint, Society1, and Gunshine.

IN THIS EPISODE YOU’LL LEARN:

  • Why being a "button pusher" gets you replaced
  • The real line between an engineer's input and a producer's input
  • Keeping a band's identity intact while still pushing them forward
  • What changes in the room the moment a band actually trusts you
  • Why quad-tracking guitars usually backfires
  • The sidechain trick Chris uses instead of EQ to fix a fighting kick and bass
  • Why fewer tracks means fewer decisions later
  • Balancing speed vs quality
  • A simple pre-record exercise that gets two guitarists playing tight
  • How much editing is too much editing on a guitar take

To learn more about Chris Collier, visit: https://www.cmc21productions.com/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

https://masteryourmix.com/amplitude/

Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:


Get the latest plugins from Carve Audio:


ALL PODCAST LISTENERS GET 25% OFF. USE PROMO CODE: PODCAST25

Check out our Sponsors:

Download Waves Plugins here: https://waves.alzt.net/EK3G2K

Subscribe to the show:


Have questions you’d like answered on the show?

Send them to questions@masteryourmix.com

Please leave a rating and review:

https://masteryourmix.com/review/

Thanks for listening!

Tim Dolbear: Building a Remote Mixing Business23 sept. 202601:12:13

Tim Dolbear is an award-winning mixing and mastering engineer with more than 25 years of professional experience and the owner of Eclectica Studios in Nashville, Tennessee, which he founded in 1999. He specializes in music mixing, mastering, and audio post-production for film, television, podcasts, and streaming, delivering high-resolution stereo, surround, and Dolby Atmos mixes for clients around the world.

Tim’s work has appeared on productions for NBC, Discovery, Prime Video, HBO, Netflix, and YouTube, including projects with millions of views. He has also mixed records for Grammy and Dove Award-winning artists. Through Eclectica Studios, Tim combines decades of experience with modern production techniques to create polished, high-impact audio that translates across everything from theatrical and broadcast environments to streaming platforms and Apple Digital Masters.

IN THIS EPISODE YOU’LL LEARN:

  • Why moving Eclectica Studios across three cities taught Tim more about client psychology than gear
  • The one thing that made clients trust him before he ever proved himself
  • How to make good money off of Fiverr
  • The unusual gig idea that got him noticed in a flooded market
  • What his response time has to do with how many new clients he gets
  • What separates a Fiverr gig people actually search for from one that gets lost in the noise
  • The pricing mistake Tim says cost him the most early in his career
  • Automating the boring parts of your process
  • Why "boring" work like corporate video mixing quietly became his most profitable niche
  • The line Tim won't cross when a client tries to take a Fiverr relationship off-platform

To learn more about Tim Dolbear, visit: timdolbear.com

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join: https://masteryourmix.com/amplitude/

Want additional help with your music productions?

For tips on how to improve your mixes, visit https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:


Get the latest plugins from Carve Audio:


ALL PODCAST LISTENERS GET 25% OFF. USE PROMO CODE: PODCAST25

Subscribe to the show:


Have questions you’d like answered on the show?

Send them to questions@masteryourmix.com

Please leave a rating and review:

https://masteryourmix.com/review/

Thanks for listening!

Howard Bilerman: Not Letting Production Hide the Song16 sept. 202601:24:23

Howard Bilerman is a Grammy-nominated musician, sound engineer & record producer who has been recording bands for over 30 years. As co-owner & head engineer of the hotel2tango recording studio in Montreal, Bilerman has enjoyed working with some of Canada’s most talented artists, as well as others from the USA, the UK, France, Italy, Scotland, Africa, Spain, Ireland, Switzerland, Portugal & Australia.

These include Leonard Cohen, Godspeed You! Black Emperor, The Arcade Fire, Coeur de Pirate, Peter Peter, U.S. Girls, Charlotte Cornfield, The Weather Station, Thalia Zedek, Vic Chesnutt, A Silver Mt. Zion, Basia Bulat, Nap Eyes, Murray Lightburn, Lhasa de Sela, British Sea Power, Bassekou Kouyate, Sam Roberts, Patrick Watson, Adam Cohen, Lou Doillon, The Webb Sisters, The Dears, Wolf Parade, Titus Andronicus, and many more.

He has been credited on over 500 records to date, including as an engineer on Leonard Cohen’s Grammy-winning song “You Want It Darker.” Bilerman has been a regular faculty member at Banff Centre, having helped to create their groundbreaking Indie Residency & Singer Songwriter programs.

Bilerman’s recordings have received international critical praise, and the hotel2tango is seen by many as being at the center of Montreal’s independent musical community.

IN THIS EPISODE YOU’LL LEARN:

  • Troubleshooting audio for video
  • What happens when you record with only 4 tracks instead of 40
  • The one job you have as a producer
  • How effects can date a record
  • What "convenience over sound quality" actually means when picking tools
  • When gear selection actually does matter (and when it doesn't)
  • Why a track that sounds bad in solo can be exactly right in the mix
  • The crowded-room analogy for why too many tracks kill clarity
  • Why using the same compressor on everything erases identity instead of building it
  • The difference between corrective and artistic effects, and why mixing up the two matters

To learn more about Howard Bilerman, visit: https://howardbilerman.com/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join: https://masteryourmix.com/amplitude/

Want additional help with your music productions?

For tips on how to improve your mixes, visit https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:


Get the latest plugins from Carve Audio:


ALL PODCAST LISTENERS GET 25% OFF. USE PROMO CODE: PODCAST25

Subscribe to the show:


Have questions you’d like answered on the show?

Send them to questions@masteryourmix.com

Please leave a rating and review:

https://masteryourmix.com/review/

Thanks for listening!

Eric Stenman: Having an “always mixing” approach to production09 sept. 202601:05:29

Eric Stenman is an LA-based producer, mixer, and engineer whose four-decade credit list runs from Deftones, Thrice, and Weezer to Daniel Caesar's Grammy-nominated Freudian and every AWOLNATION album since 2011's Megalithic Symphony. A decade running Red Bull Studios in Los Angeles gave way to overseeing AWOLNATION's own Malibu studio, where Stenman has helped engineer some of alternative rock's biggest, guitar-built (and famously bass-guitar-free) low end. Most recently, he's stepped from behind the board into the band itself, co-founding the metallic-hardcore project The Barbarians of California with longtime collaborator Aaron Bruno.

IN THIS EPISODE YOU’LL LEARN:

  • Why "I'll fix it in the mix" usually means more work later, not less
  • How Eric commits to compression and tone while tracking, instead of capturing it flat and safe
  • What changes once you start picturing the finished mix while you're recording
  • Why more experience means fewer decisions get pushed down the road
  • How this mindset shift cuts down on retracking and rebuilding sounds from scratch
  • How treating a song as a whole (instead of piece by piece) keeps a mix from falling apart
  • Why he avoids soloing individual tracks during a mix
  • How stepping away from a mix for a week changes what you hear when you come back
  • How he decides a mix is done, even when a client keeps sending notes
  • How Eric fills low end without ever touching a real bass guitar
  • What "translating" actually means across car speakers, earbuds, and Bluetooth speakers

To learn more about Eric Stenman, visit: https://ericstenman.com/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

https://masteryourmix.com/amplitude/

Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:


Get the latest plugins from Carve Audio:


ALL PODCAST LISTENERS GET 25% OFF. USE PROMO CODE: PODCAST25

Check out our Sponsors:

Download Waves Plugins here: https://waves.alzt.net/EK3G2K

Subscribe to the show:


Have questions you’d like answered on the show?

Send them to questions@masteryourmix.com

Please leave a rating and review:

https://masteryourmix.com/review/

Thanks for listening!

Jon Estes: Working to make the song succeed02 sept. 202601:18:31

Jon Estes is a Nashville producer, mixing engineer, and multi-instrumentalist who works roughly 200 sessions a year, often as bassist, engineer, and producer on the same record. He's played on Kesha's Grammy-nominated Rainbow and Robyn Hitchcock's self-titled album, and produced and mixed full-length records for Jessie Baylin, Dara Tucker, and Langhorne Slim, most recently engineering and mixing rising country breakout Waylon Wyatt's 2026 debut Dustpiles. He also scores for TV (NBC, HBO, Disney) and video games (Fortnite). Estes runs a hybrid analog/digital studio in Nashville built around a 1" tape machine and a deep collection of vintage instruments.

IN THIS EPISODE YOU’LL LEARN:

  • The road to becoming a session musician
  • The plugin Jon calls his best mixing hack, and it's not an EQ or a compressor
  • What it actually means when you cringe listening back to your own mix
  • Why sending a mix out too soon has "no reward," even on a deadline
  • Why Jon calls some of the most famous mixes in music history "insanely bad," and doesn't mean it as an insult
  • Why he sometimes works to make a mix sound worse, on purpose
  • How to force objectivity when you’re wearing multiple hats on a project
  • The reason a different guitar or a different pick can beat any plugin move

To learn more about Jon Estes, visit: https://jonestes.com/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

https://masteryourmix.com/amplitude/

Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:


Get the latest plugins from Carve Audio:


ALL PODCAST LISTENERS GET 25% OFF. USE PROMO CODE: PODCAST25

Check out our Sponsors:

Download Waves Plugins here: https://waves.alzt.net/EK3G2K

Subscribe to the show:


Have questions you’d like answered on the show?

Send them to questions@masteryourmix.com

Please leave a rating and review:

https://masteryourmix.com/review/

Thanks for listening!

Craig Parker Adams: Adapting to every client26 août 202601:33:19

Craig Parker Adams is a Los Angeles-based recording and mixing engineer, producer, and guitarist with over 25 years of studio experience at his Hollywood-based Winslow Ct. Studio. He's contributed to 8 Grammy-nominated projects with 2 wins across Blues, Folk, Americana, and Latin Pop, including co-producing and engineering Dave & Phil Alvin's Common Ground and recording Gaby Moreno's ¡Spangled! with Van Dyke Parks. Since 2014, he's served as the exclusive mixing engineer for the Zappa Family Trust, overseeing archival releases drawn from Frank Zappa's legendary Vault, including The Hot Rats Sessions and The Mothers 1971.

IN THIS EPISODE YOU’LL LEARN:

  • Why he staggers when each band member walks in the door
  • The moment a legendary drummer got offended by his notes, and what happened next
  • What it's like mixing for a listener who catches every single mistake
  • What goes into mixing over a thousand Frank Zappa songs
  • Why adding your own take can quietly work against someone else's vision
  • The real reason clients send referrals before they've even heard the mix
  • Why he had to learn an entirely new recording system in five days

To learn more about Craig Parker Adams, visit: https://craigparkeradams.com/ and http://www.winslowctstudio.com/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

https://masteryourmix.com/amplitude/

Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:


Get the latest plugins from Carve Audio:


ALL PODCAST LISTENERS GET 25% OFF. USE PROMO CODE: PODCAST25

Check out our Sponsors:

Download Waves Plugins here: https://waves.alzt.net/EK3G2K

Subscribe to the show:


Have questions you’d like answered on the show?

Send them to questions@masteryourmix.com

Please leave a rating and review:

https://masteryourmix.com/review/

Thanks for listening!

Howie Beck: The Advantages of Working with Limitations19 août 202601:14:54

Howie Beck is a Toronto-based mixer and producer whose credits include Feist, Barenaked Ladies, Ron Sexsmith, Walk Off The Earth, and Charlotte Day Wilson, whose breakout single "Work" he mixed and co-produced. Before turning to mixing full-time, Beck built a cult following as a solo artist, writing, performing, and recording every instrument on albums like Hollow and How to Fall Down in Public himself. He's been nominated for three Juno Awards in three separate categories: Album, Recording Engineer, and Producer of the Year, a rare spread that reflects his range. He now runs Studio H, a Dolby-approved Atmos mix room in Toronto's Queen West.

IN THIS EPISODE YOU’LL LEARN:

  • How four-track and ADAT recording forced him to commit to musical decisions
  • Why unlimited tracks can work against the editing process instead of helping it
  • The Prince song with no bass on it, and what it says about restraint
  • How Howie stays objective when working on his own music
  • Why he goes to tape for certain projects and what it changes sonically
  • His drums-first mixing workflow and the reasoning behind it
  • How he approaches vocal depth and space to make vocals feel forward in a mix
  • The tradeoffs of heavy vocal compression (breaths, sibilance, mouth pops)
  • Why he pulls up an artist's rough mix before he opens the real session
  • How demoitis shows up more today than it used to, and how he talks clients through it
  • Training his ears and body to trust his monitoring environment at different volumes

To learn more about Howie Beck, visit: https://www.howiebeck.com/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

https://masteryourmix.com/amplitude/

Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:


Get the latest plugins from Carve Audio:


ALL PODCAST LISTENERS GET 25% OFF. USE PROMO CODE: PODCAST25

Check out our Sponsors:

Download Waves Plugins here: https://waves.alzt.net/EK3G2K

Subscribe to the show:


Have questions you’d like answered on the show?

Send them to questions@masteryourmix.com

Please leave a rating and review:

https://masteryourmix.com/review/

Thanks for listening!

Brendan Dekora: Understanding an Artist’s Vision12 août 202600:57:24

Brendan Dekora is a Los Angeles-based mixing engineer and producer whose two-decade climb through top studios like EastWest culminated in a full-time engineering post for Trent Reznor and Atticus Ross, earning him a Grammy for his work on Pixar's Soul score. His credits also include Foo Fighters' Concrete and Gold, Steven Wilson's Hand. Cannot. Erase., Billy Idol, Danzig, Muse, and Deafheaven. He now mixes and produces independently from his home studio, focused on rock and art-rock artists.

IN THIS EPISODE YOU’LL LEARN:

  • The two questions he asks every client before touching a single fader
  • What he does when a client hands him references that contradict each other
  • How to pick the right reference tracks
  • Why "I don't want to sound like anyone else" is the hardest brief he gets
  • How he decides whether to keep a "wrong" sound in a mix or fix it
  • Why he considers "putting his own stamp on everything" a mistake, not a selling point
  • Working with Trent Reznor and Atticus Ross on Nine Inch Nails tracks and film scores
  • How he balances his own creative instincts against what the artist is actually asking for

To learn more about Brendan Dekora, visit: https://www.brendandekora.com/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

https://masteryourmix.com/amplitude/

Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:


Get the latest plugins from Carve Audio:


ALL PODCAST LISTENERS GET 25% OFF. USE PROMO CODE: PODCAST25

Check out our Sponsors:

Download Waves Plugins here: https://waves.alzt.net/EK3G2K

Subscribe to the show:


Have questions you’d like answered on the show?

Send them to questions@masteryourmix.com

Please leave a rating and review:

https://masteryourmix.com/review/

Thanks for listening!

Steven Lee Tracy: Mixing Fast To Stay Objective05 août 202601:04:32

Steven Lee Tracy is the owner, producer, and mixing engineer at Saint Cecilia Studios in Tucson, Arizona. Before he was behind the board, he was on stage: a decade as guitarist and songwriter in Seattle indie-rock band The Myriad, whose single "A Clean Shot" became MTV's most-played video in spring 2008 after the band won MTV2's Dew Circuit Breakout. That artist-first background shapes his mixing today; a self-described "production-style" approach built for records that sound like the artist's favorite albums, not just a polite balance of tracks. At Saint Cecilia, Tracy has worked with acts spanning Seattle indie rock to Tucson's Latin-music scene, including Orkesta Mendoza and the Morrissey tribute act Mexrrissey, alongside sync and commercial work for MTV, Adobe, and Axon.

IN THIS EPISODE YOU’LL LEARN:

  • Why your 50th listen is lying to you about what's wrong with the mix
  • The one thing Steven does in the first 30 seconds of every new song
  • Why he builds drums, bass, and vocals in the same order every single time
  • What separates a song that needs help from a song you just need to get out of the way of
  • The mistake Steven made early on that he'd undo if he could start over
  • Why lower overhead led to better work, not less of it
  • What changed the moment he stopped saying “yes” to every opportunity

To learn more about Steven Lee Tracy, visit: https://www.saintceciliastudios.com/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join: https://masteryourmix.com/amplitude/

Want additional help with your music productions?

For tips on how to improve your mixes, visit https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:


Get the latest plugins from Carve Audio:


ALL PODCAST LISTENERS GET 25% OFF. USE PROMO CODE: PODCAST25

Subscribe to the show:


Have questions you’d like answered on the show?

Send them to questions@masteryourmix.com

Please leave a rating and review:

https://masteryourmix.com/review/

Thanks for listening!

Joe Caithness: Mastering for Video Game Soundtracks29 juil. 202601:24:21

Joe Caithness is a mastering, transfer, and restoration engineer based in Nottingham, UK, with over 18 years of experience and more than 1,500 completed projects to his name. He's become the go-to engineer for video game soundtrack vinyl and digital releases, having mastered over 260 titles for Laced Records alone, including Resident Evil, Bloodborne, Borderlands, and Dead Cells. In 2025, he mastered the vinyl edition of The Legend of Zelda: Breath of the Wild for Nintendo and Laced Records the first official Nintendo physical music release in the West in generations and worked on the physical rollout of the Clair Obscur: Expedition 33 soundtrack, which went on to hit #1 on the physical albums charts in both the UK and France.

IN THIS EPISODE YOU’LL LEARN:

  • Why passion for music matters when becoming an audio engineer
  • Why mastering attracts introverts
  • What mastering for video game soundtracks involves
  • The specific technical challenges of turning a game score into a listenable album release
  • The tools Joe uses to rescue overprocessed, hard-limited mixes/masters
  • Why Joe starts with his limiter before touching any EQ or compression
  • The gain-normalization step he does before any processing and why it makes everything easier
  • Why mastering is really about context and consistency, not stereo processing
  • How he creates cohesion across 9+ hours of wildly varied audio
  • His approach to vinyl QC
  • Why he tells clients not to listen to their masters in their studio

To learn more about Joe Caithness, visit: https://www.joecaithnessmastering.com/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

https://masteryourmix.com/amplitude/

Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:


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Bruno Barcella: The Analog Sound in a Digital Mix22 juil. 202600:56:14

Bruno "Brown" Barcella is a recording, mixing, and production engineer based in northern Italy. He got his start behind a drum kit, touring the US and Europe with bands like Miss Chain & The Broken Heels before crossing to the other side of the glass. After studying sound engineering in Milan, he joined TUP Studio in Brescia in 2011, an analog-focused room built around a Neotek console and Studer 2" tape where he's spent the better part of 15 years crafting records rooted in garage rock, punk, and rock 'n' roll. He's the engineer behind the catalogs of Bee Bee Sea, The Peawees, Faz Waltz, The Apers, and dozens more. In 2020 he launched his freelance career, collaborating with studios across northern Italy, doing live sound for artists, clubs, and festivals, and increasingly mixing records remotely for artists from around the world.

IN THIS EPISODE YOU’LL LEARN:

  • The one-monitor rule: why Bruno mixes exclusively on Sennheiser HD 650s and never switches between sources while working
  • The tools he adds to headphone mixing to get closer to a speaker-like experience
  • The arc every mixer goes through for getting good
  • Why artists shouldn't be in the room during a mix session
  • How doing less usually gets you better mixes
  • Getting mixes to feel warm, but not muddy
  • The benefit of using analog saturation plugins across multiple tracks in a mix
  • How he thinks about blending saturated and clean microphone signals together
  • Why he aims for low-tuned, dry drums, and how that affects the saturation and tone decisions he makes
  • Why being willing to fail is still the most important thing a young engineer can do

To learn more about Bruno Barella, visit https://brownbarcella.com/

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Toby Lloyd: The Studio As A Therapeutic Space15 juil. 202601:13:53

Toby Lloyd is a Music Producer, Studio Owner, Mixing Engineer, Artist, and Film Score Mixer from New Zealand who has worked with artists such as Shapeshifter, Nightmares on Wax, Hollie Smith, Blindspott, and Stan Walker, and has also worked on films like Avatar 2, The Hobbit Trilogy, and Hunt For The Wilderpeople. He runs Tiny Triumph Recordings, a bespoke rooftop recording studio in the heart of New Zealand's capital city, Wellington. He has also started releasing music under the artist name Paper Mountains, which blends folk, soul, and pop music, and is about to release his debut album in July.

IN THIS EPISODE YOU’LL LEARN:

  • Why he almost quit the industry entirely and what stopped him
  • The one thing that makes or breaks your relationship with clients (it's not your mix)
  • Why the studio is a therapeutic space, and what that means for how you work with artists
  • Why your mixes feel flat even when the individual sounds are good
  • The low-end approach Toby uses to stop kick and bass from fighting each other
  • What film audio teaches you about stereo mixing that most engineers never learn
  • Why he EQs guitars based on what it does to the vocal, not what it does to the guitar

To learn more about Toby Lloyd, visit: https://www.tinytriumphrecordings.com/

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Justin Cortelyou: From Intern to Directing Paul McCartney08 juil. 202601:19:00

Justin Cortelyou is a Grammy-award nominated, multi-platinum mixing engineer/producer. Justin started his career working with Chuck Ainlay at Soundstage Studios in Nashville before moving to Los Angeles to work with mix-master Mike Shipley at The Animal House. Justin teamed up with artist/producer Tommy Henriksen and in 2008, moved their operation back to Nashville and began working with legendary producer, Bob Ezrin.

Through the years, Justin has worked with artists Paul McCartney, Alice Cooper, Ke$ha, Taylor Swift, Jerrod Niemann, Phish, Chingy, Vince Gill, Andrea Bocelli, U2, Randy Travis, KISS, Will I Am, Lady Gaga, and many others.

IN THIS EPISODE YOU’LL LEARN:

  • The ice maker moment that turned his internship into a job
  • What the Mike Shipley editing process taught him about standards
  • Why the engineers who get the biggest clients keep raising the bar long after they've "made it"
  • The moment Justin had to tell Paul McCartney to do another take — and what happened next
  • What constructive feedback actually sounds like when it's working
  • Why being great at your craft isn't enough to build a career
  • The hard lesson about putting 90% of your work with one client

To learn more about Justin Cortelyou, visit: https://www.justincortelyou.com/

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Sam Moses: How to Know What a Mix Needs Before Listening01 juil. 202601:30:05

Sam Moses is a Nashville-based mastering engineer and owner of Moses Mastering, with roughly 15 years in the business. He describes his work in short as helping artists "finish their record and bring peace of mind that it's ready for release." He is a multi-RIAA Platinum and Gold Record mastering engineer, a voting member of the Grammy Recording Academy and AES, and a Grammy NEXT class alumnus.

Most notably, Moses is a Grammy Award–winning mastering engineer for Brandon Lake and Jelly Roll's "Hard Fought Hallelujah," which won Best Contemporary Christian Music Performance/Song at the 2026 Grammy Awards. He is also a multi-Dove Award winner and 10-time Dove Award nominee, with wins spanning Brandon Lake/Jelly Roll's "Hard Fought Hallelujah" and Blessing Offor's "Brighter Days." His client list spans Christian/worship (Brandon Lake, Phil Wickham, Skillet, Tenth Avenue North, Kari Jobe, Passion), mainstream pop and rock (The Aces, Smallpools, Nightly, Joan, Underoath), and country/mainstream artists (Dolly Parton, Kesha, Billy Ray Cyrus, Ashley McBryde, Maddie & Tae).

IN THIS EPISODE YOU’LL LEARN:

  • The three-meter system: how RMS, dynamic range, and momentary LUFS reveal the tonal balance of any song before you touch a plugin
  • What RMS values tell you about low-end weight
  • Why LUFS momentary reflects top-end brightness, not just loudness
  • Why Spotify normalization doesn't make songs sound equally loud and what actually causes perceived volume differences
  • Why Sam never aims for a target LUFS and what he looks for instead
  • Why Sam uses only limiters, not compressors, and how he approaches mid-range
  • How to compare your meters against a commercial reference using normalization off in Spotify
  • How to know when a master is done (and why most engineers don't have a clear answer)
  • The advice Joe Barresi and Andrew Scheps gave Sam that led him to move to Nashville
  • Why niching down to mastering only was the career decision that changed everything
  • How Sam's mentor taught him to listen first and ignore the gear entirely
  • Why the most important question Sam asks every client is one most of them have never thought about

To learn more about Sam Moses, visit: https://www.mosesmastering.com/

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Dave McNair: Reinventing His Career, Again and Again24 juin 202601:28:59

Dave McNair is a mastering engineer, producer, and recording engineer with over four decades in the music industry and more than 900 credits spanning rock, blues, country, pop, and world music. Originally from Corpus Christi, Texas, he came up through the working-studio world of New York City, including a stint at The Hit Factory, before spending years producing and engineering in Los Angeles and Austin. He's now based in Winston-Salem, North Carolina, where he operates Dave McNair Mastering from a studio in his own home, monitored on a high-end audiophile playback system.

What sets McNair apart is the breadth of his pre-mastering career. He toured as a drummer with indie/alt-country band The Silos, engineered and mixed landmark sessions with Stevie Ray Vaughan and Cyndi Lauper, and produced artists like Buddy Guy and Kelly Willis in the Austin music scene. That lived-in understanding of how records are made from the ground up, tracking, arranging, mixing, deeply informs his mastering philosophy. His approach emphasizes what he calls "mastering with mixing in mind," treating the bass and vocals as the true anchors of any record.

McNair's audiophile background is equally distinctive. He spent time working the sales floor at high-end audio retailers Innovative Audio and Sound By Singer in NYC, and that world of critical listening hardware never left him, he credits it with transforming his approach to monitoring and sound judgment. His 2024 Grammy nomination for Best Engineered Album (Non-Classical) for Bokanté's History represents recent recognition, but his catalog, which includes David Bowie's The Next Day, Shovels & Rope's Little Seeds, and mixed credits on SRV's In Step, reflects decades of work at the highest level.

IN THIS EPISODE YOU’LL LEARN:

  • The moment he realized a mentor's "amazing room sound" was actually a tiny dead room and a heavily compressed mic
  • Why losing head-to-head comparisons to another engineer became one of his biggest learning tools
  • What changed in his approach after sitting in on a session with one of the most respected mixers in the business
  • The exact moment Dave knew he needed to change direction, and what tipped him off
  • Why he didn't tell any of his old clients he was getting into mastering until he felt ready
  • How 20 years of sitting in on other people's mastering sessions became the foundation for his new career
  • Why he says the chasing and reinventing never really stops, even now

To learn more about Dave McNair, visit: https://www.davemcnairmastering.com/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

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Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

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Greg Gordon: Putting the Groove First17 juin 202601:04:40

Greg hails from Detroit’s vibrant rock scene. He’s lived in New York and Los Angeles. In 2015, he relocated to Pittsburgh, producing and mixing at his Wood Hollow studio, and recording and exploring ATMOS mixing at The Vault studios.

Greg Gordon has produced, engineered, and mixed a wide spectrum of classic ‘big beat’ groups and artists of every genre. His discography reads like a three-decade history of cutting-edge music. Embracing all types of passionate sonic expression, Greg thrives on using his knowledge of music and recording techniques to build a foundation of traditional integrity and cross-pollinate elements to introduce unexpected, ear-opening events.

Greg’s #1 piece of advice to any new engineer/mixer - “Listen for the record - it’s easy to get caught up with the technology and possibilities, and lose sight of the song… The record will reveal itself if you’re listening for it. There will be a moment when you forget that you’re working on a track, and you’re just listening to a favorite record … PRINT!!!!!!”

IN THIS EPISODE YOU’LL LEARN:

  • Jumping into opportunities even when you're scared
  • How the old-school mixing approach as a performance changes the way your mixes feel
  • How Jimi Hendrix treated the studio as an instrument, not a documentation tool
  • What it actually means to "capture the moment of discovery" when tracking
  • Why Greg avoids click tracks and how that affects the energy of a performance
  • How stepping away and returning to a mix creates the objectivity you can't get from staring at it for hours
  • Why producers weren't allowed in the room for Motown sessions
  • How your headphone mix affects whether a singer nails the pitch or misses it
  • The automation trick that makes mixes feel like live performances instead of static playback

To learn more about Greg Gordon, visit: http://www.gregordon.com/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

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Austin Seltzer: Breaking the Loudness Rules10 juin 202601:27:32

Austin Seltzer is a multi-platinum mixing and mastering engineer whose work bridges the gap between modern pop polish and emotionally impactful, dynamic sound. After getting his start in electronic ghost production, Austin refined his craft through formal studio training at The Blackbird Academy in Nashville. During his time there, he learned from renowned engineers and producers who appeared as guest mentors, including Andrew Scheps, Jacquire King, Vance Powell, and Dave Pensado. After graduating, he expanded into cinematic music, further developing the sense of depth, scale, and emotion that now defines his mixing style.

Now based in Oklahoma, he has built a reputation for creating mixes that feel simultaneously expansive, powerful, and deeply musical. Austin’s profile rose significantly after mixing and mastering Dasha’s global breakout hit “Austin (Boots Stop Workin’),” one of the defining crossover records of 2024. In addition to his work with Dasha, he has collaborated with artists including LE SSERAFIM, Maggie Lindemann, Natalie Jane, BloodPop, A.G. Cook, and Hudson Mohawke.

IN THIS EPISODE YOU’LL LEARN:

- Why he starts every mix with the loudest section

- Why he intentionally clips his mixes six dB over zero during the entire mixdown

- How to balance your low end while intentionally clipping the output

- Why most limiters destroy the punch in your kick and snare

- How to create cinematic width without using the LCR method

- Why treating people well matters more than your technical skills

- How he completes professional mixes in 90 minutes or less

- Why he only listens to the full mix once during the mixing process

- The next-morning routine that catches problems before sending to clients

- How he uses multiband stereo width to create cinematic depth

- How hitting compressors 10-20 dB actually makes vocals sound better

- Why he moved from LA to Oklahoma, and his work increased

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

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Chris Athens: Creating Traction With Your Career (Revisited)03 juin 202601:29:53

Chris Athens is a mastering engineer with over 30 years in the industry. Formerly working at Sony Music Studios and Sterling Sound, he has founded his own studio, Chris Athens Masters in Austin Texas. Chris has mastered for some of the biggest names in hip-hop such as DJ Khaled, Drake, and Mac Miller as well as some rock artists including Coheed & Cambria, Architects, and Of Mice and Men.

IN THIS EPISODE, YOU’LL LEARN ABOUT:

  • Taking chances, even when you don’t feel prepared
  • Learning from mistakes
  • Surrounding yourself with the right people
  • Work/life balance
  • Working to the point of burnout
  • Why you need to get good at networking and marketing
  • Inheriting clients vs. creating clients
  • Finding people to partner with for your studio business
  • Knowing your own strengths and weaknesses
  • The advantages of working quickly
  • How to preserve your objectivity
  • Broad-stroke vs. surgical EQ
  • Getting big clear low end

To learn more about Chris Athens, visit: https://chrisathensmasters.com/

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Jason Perry: Making Records Without Musical Theory27 mai 202600:48:35

Jason Perry is a UK-based record producer, mixer, and songwriter known for shaping the sound of modern rock and alternative music. He first made his mark as the frontman of the band A, before transitioning behind the scenes to build a highly successful production career.

Over the years, Jason has worked with a wide range of artists including Don Broco, You Me At Six, Trash Boat, McFly, and Mallory Knox, helping them craft records that balance raw energy with a polished, contemporary edge. His productions are known for their punchy drums, tight arrangements, and powerful, radio-ready vocals.

Bringing an artist’s perspective into the studio, Jason is especially respected for his collaborative approach and his ability to push bands to deliver their strongest performances—both creatively and technically. His work has played a key role in defining the sound of the current UK rock scene.

IN THIS EPISODE YOU’LL LEARN:

  • Why Jason never uses vocal booths or talkback mics when tracking singers
  • How not knowing how to play an instrument can be a superpower as a producer
  • The first-listen method he uses to find every weak point in a song
  • Why most bands overcomplicate their bridge sections (and what causes it
  • How he produces himself on his own records without losing objectivity
  • Why he starts recording vocals on day two instead of waiting for the band to finish tracking
  • The pep talk he gives every band before starting a session
  • Why placing limits on yourself forces better creative decisions
  • What actually makes a great song when you strip away all the technique

To learn more about Jason Perry, visit: https://www.jasonperry.london/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

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Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

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Brian Howes: The "Swedish Math" Behind Hit Songs13 mai 202601:02:15

Brian Howes is a Canadian producer, songwriter, and former recording artist known for crafting commercially successful rock and pop records with a strong emphasis on melody, structure, and radio appeal. After beginning his career as a frontman in bands like DDT and Closure, he transitioned into production and quickly made a name for himself with breakthrough projects such as Hinder’s Extreme Behavior and Hedley’s self-titled debut. His work is characterized by hook-driven songwriting, polished arrangements, and a seamless blend of rock energy with pop sensibility.

Over the course of his career, Howes has collaborated with a wide range of major artists, including Skillet, Daughtry, Nickelback, Simple Plan, and Boys Like Girls, earning multiple JUNO Awards for Producer of the Year along with Grammy and Dove Award recognition. Based in Vancouver, he operates largely from his own studio, where he combines songwriting and production into a single, integrated process. Known for his analytical approach to hit-making—often described as studying the “math of songwriting”—Howes continues to be a sought-after collaborator for artists aiming to achieve a polished, radio-ready sound.

IN THIS EPISODE YOU’LL LEARN:

  • How “Swedish math" is responsible for shaping hit songs
  • The three-hook chorus structure Brian uses on radio records
  • Why melody should drive the arrangement, not the other way around
  • How to map tempo and BPM to vocal cadence
  • The most common songwriting mistakes producers need to fix
  • Knowing when to get out of the way
  • How Brian approaches pre-production with bands who are married to their demos
  • Why Hinder’s “Lips of an Angel” broke all the rules and still became a massive hit
  • Making the switch from being an artist to producer
  • How to give "punk rock energy" in soccer-mom music
  • Working on Airbourne's new record

To learn more about Brian Howes, visit: https://en.wikipedia.org/wiki/Brian_Howes

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

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David Trumfio: The Future of Studio Ownership06 mai 202601:30:43

Dave Trumfio doesn’t just make records, he builds the rooms where records come alive. A Los Angeles–based producer, mixer, engineer, and musician, Trumfio has quietly shaped decades of indie and alternative music, with a sonic fingerprint that runs through artists like Wilco, Built to Spill, OK Go, and Sia.

He first broke through in the 90s as co-founder of The Pulsars, a cult synth-pop duo with his brother Harry that earned a spot on Rolling Stone’s list of greatest one-album wonders. At the same time, he embedded himself in the underground as bassist and co-songwriter for the long-running post-punk collective The Mekons, adding grit to an already unruly legacy.

Behind the console, Trumfio became a go-to architect for artists chasing character over polish, with credits spanning My Morning Jacket, The Jesus and Mary Chain, and Dogstar. But his biggest innovation might be the spaces themselves. As founder of Kingsize Soundlabs, he pioneered a modern “producer-driven” studio model, later expanding that vision through partnerships with Gold-Diggers and 64 Sound, blending hospitality, community, and high-end recording into a new creative ecosystem.

Outside the studio, he channels his restless energy into Damaged Disco, a label and LA event series steeped in post-punk and darkwave, while continuing to release music as Nervous Boy and perform electronic sets as DAT68.

Trumfio’s career is less a straight line and more a feedback loop, artist, engineer, entrepreneur, repeat. The common thread: a lifelong obsession with sound, and the instinct to build the culture around it, not just capture it.

IN THIS EPISODE YOU’LL LEARN:

  • Should you start your own studio or use existing studios?
  • Why he sold a $300K+ Neve console and what he replaced it with
  • The 5-year industry cycle that dictates which studios survive
  • Why the "if you build it, they will come" mentality kills most studios
  • The real reason big studios are disappearing (and what's replacing them)
  • Why "greatest hits" gear beats boutique esoteric pieces every time
  • How AI is pushing everything toward perfection will create demand for raw, human recordings
  • The one thing you need to invest in if you're starting a studio today
  • Future-proofing your studio

To learn more about David Trumfio, visit: https://www.kingsizesoundlabs.com/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

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Mike Schuppan: Why Great Engineers Don't Chase Perfection29 avr. 202601:04:47

Mike Schuppan is a Los Angeles–based mix engineer, recording engineer, and producer with over 20 years of experience working across alternative, pop, electronic, and experimental music. Originally from Nashville, he developed his career through hands-on studio work and long-term collaborations with producer and multi-instrumentalist Justin Meldal-Johnsen, contributing to both recording sessions and live touring environments.

Over the years, Schuppan has built a diverse and high-level discography, working with artists such as Paramore, M83, Lady Gaga, Poppy, Jimmy Eat World, and Ziggy Marley. His credits span major-label releases, Grammy-winning projects, and records that have achieved gold and platinum status. His work on Paramore’s self-titled album and After Laughter, along with M83’s Fantasy, highlights his ability to navigate sonically dense, emotionally driven productions while maintaining clarity and musicality.

Schuppan is known for a mix style that emphasizes feel, depth, and translation—balancing modern polish with the integrity of the original performance. Whether working on layered pop productions or more organic alternative records, he focuses on preserving emotional intent while ensuring mixes translate across streaming platforms and playback systems.

In addition to music releases, he has also contributed to film and television projects as a score mixer and engineer, reflecting a broader technical range that extends beyond traditional record production. His career represents a hybrid of classic studio engineering and modern mixing workflows, making him especially relevant to today’s generation of producers working across both analog and in-the-box environments.

IN THIS EPISODE YOU’LL LEARN:

  • Why Mike records way more microphones than he'll ever use (and how it saves his mixes later)
  • The exact session layout he borrowed that he still uses on every project
  • How he decides when to go minimal vs. using complex setups
  • Why thinking about the mix during tracking is the only way to avoid "fix it later" disasters
  • His approach to creating space and depth without losing clarity in dense productions
  • Finding problematic, masking frequencies
  • How he knows when a mix is actually done
  • Why his goal is to never be "the best" at anything
  • The one frequency range he's obsessed with on bass
  • His go-to bass micing setup
  • Working with artists like Paramore, Ziggy Marley, and M83
  • Incorporating feedback into your process

To learn more about Mike Schuppan, visit: https://www.mikeschuppan.com/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

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Sonny DiPerri: Why the Best Engineers Get Out of the Way22 avr. 202601:19:24

As a producer, engineer, and mixer, Sonny DiPerri has worked alongside artists such as Nothing, She’s Green, Julie, Narrowhead, Wisp, DIIV, Animal Collective, Late Night Drive Home, These New Puritans, Deradoorian, Protomartyr, Emma Ruth Rundle, Portugal. The Man, Lord Huron, The Drums, Dirty Projectors, and many more.

A third-generation drummer, DiPerri started playing in bands and studying music at an early age. He quickly discovered he was fascinated by the studio, leaving band life behind and pursuing a career as an engineer. He moved from Boston to LA, quickly landing an apprenticeship for legendary British record producer Flood, working with 30 Seconds to Mars. Excited by the experience and atmosphere of the studio, he took Flood up on the offer of an assistant position, moving to London, where he assisted both Flood and Alan Moulder.

Upon his return to Los Angeles, Sonny worked as an engineer for Trent Reznor, My Bloody Valentine, M83, Dave Sardy, and David Longstreth of Dirty Projectors, among others. Sonny now splits his time between producing and mixing.

IN THIS EPISODE YOU’LL LEARN:

  • How Sonny went from zero studio experience to apprenticing under Flood on a 30 Seconds to Mars record as his first ever credit.
  • The session prep approach he's used for nearly two decades
  • Why he never dials in a sound in solo
  • Why he spends more time in pre-production than he does actually making the album — and how that makes tracking faster and more focused
  • What the "inversions" process with Animal Collective actually looked like in practice
  • How he handled working alongside Trent Reznor, Atticus Ross, and Alessandro Cortini — running a room with multiple synchronized computers
  • The "overnight mix" technique
  • Why he thinks every engineer should make at least one record under serious limitations — and what that teaches you about commitment
  • Why you should always "mix like you're already getting fired"

To learn more about Sonny Diperri, visit: https://www.sonnyrecordsthings.com/

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Justin Gray: Breaking Into the Songwriting Industry15 avr. 202600:59:12

Justin Gray is a Canadian born/ LA based Songwriter, Producer & Composer. The breadth of credits & accolades during his 20+ year career has him considered among an elite group of creators in the music and entertainment landscape.

Accumulating 8+ billion global streams from his artist collaborations & development projects, Gray has found success with some of the world's biggest stars such as Mariah Carey, John Legend, Avril Lavigne & even Glen Campbell. Justin’s work has appeared on countless influential playlists, had multiple viral hits, Top 10 Shazamed songs, and dozens of global number ones with artists like New Zealand’s Six60, K-pop superstars NCT 127 and SuperM, as well as China’s Chris Lee and Roy Wong. Justin is also well-known as an early collaborator of Amy Winehouse and Joss Stone.

Beyond his frontline success, he has earned a reputation as a true developer of talent, as well as being one of the most sought-after songwriters and producers for Film and TV in the world.

His extensive reach in Sync licensing has landed 100’s of placements in Film, TV, Ads, and Video Games. Justin’s music and productions have appeared in trailers and in-picture on scores of projects, including Toy Story 4, Lego Movie: Ninjago, Hocus Pocus 2, Grey’s Anatomy, Bull, and The L Word; with key partners such as Netflix, Paramount, Hulu, Starz, and Disney. Some of the brands having used Justin’s music include Target, AT&T, Nissan, and NordicTrack.

2022 was a pivotal year, as Justin co-composed the score and wrote original music for the film, ‘Spinning Gold’ (a biopic of Casablanca Records Founder, Neil Bogart: only in theaters March 31, 2023), where he also serves as a co-producer on the film. He also wrote and performed the theme for Netflix Jr’s “Big Tree City Rescue.”

2023 finds Justin writing, producing, and composing the full original motion picture soundtrack and score with long-time creative collaborator Evan Bogart (and other half of Bogart & Gray) for the film “Verona” (currently in production), where again, he is not only an executive music producer, but also a co-producer of the film.

Being a successful creator is only part of this professional entrepreneur. Justin is also the Founder and CEO of a music tech start-up, SonifyMusic.ai, as well as Co-Founder of the music publishing & talent management venture, Anti Gravity Entertainment.

IN THIS EPISODE YOU’LL LEARN:

  • Why writing “bad” songs is actually the fastest way to improve
  • How to get into songwriting rooms (even if you’re not a great writer yet)
  • The importance of building a broad skillset—and how it makes you more valuable
  • How to figure out whether you should write for yourself or for others
  • Why community matters more than talent in the long run
  • How to start songwriting sessions without wasting hours
  • The hidden “hierarchy” in the room—and how to navigate it
  • When to push for your idea… and when to let it go

To learn more about Justin Gray, visit: https://www.iamjustingray.com/ and https://www.sonifymusic.ai/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

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Want additional help with your music productions?

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Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

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Dave Fortman: Focusing on the Song Above All Else08 avr. 202601:27:43

Dave Fortman is an American record producer, songwriter, and musician, recognized for his role as guitarist in the hard rock band Ugly Kid Joe and for producing and mixing albums for prominent acts in the rock and metal genres, including Evanescence's Fallen (2003), Slipknot's All Hope Is Gone (2008), and Godsmack's The Oracle (2010).

Born in Orlando, Florida, Fortman began his music career as a guitarist with Ugly Kid Joe, contributing to their albums America's Least Wanted (1992), which achieved double platinum status, Menace to Sobriety (1995), and Motel California (1996). The band's breakthrough hit "Everything About You" from America's Least Wanted reached No. 9 on the Billboard Hot 100 in 1992 after featuring in the film Wayne's World.

Transitioning to production, Fortman co-owned Balance Productions and worked on projects for metal and alternative rock artists, including Mudvayne's The New Game (2008), Superjoint Ritual's Use Once and Destroy (2002), and Eyehategod's Confederacy of Ruined Lives (2000). His production on Evanescence's debut album Fallen sold over 17 million copies worldwide and earned a Grammy nomination for Album of the Year at the 46th Annual Grammy Awards in 2004. Fortman's engineering and mixing credits also extend to 12 Stones, Boysetsfire, Crowbar, Otep, and Simple Plan.

IN THIS EPISODE YOU’LL LEARN:

  • Why most “mix problems” are actually arrangement problems
  • What to listen for when evaluating your own songs
  • How to make songs more engaging without adding more layers
  • The biggest mistake people make when giving feedback
  • How to suggest changes without killing the vibe in a session
  • Why referencing other songs is the fastest way to improve
  • Dave’s exact approach to pre-production and decision-making

To learn more about Dave Fortman, visit: https://www.davefortman.com/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

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Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

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Bobbi Giel: Knowing Your Gear01 avr. 202601:05:36

Bobbi Giel is a mastering engineer based in Nashville, Tennessee. She relocated to Nashville in October 2017 and spent four years at Georgetown Masters, where she trained under Chief Mastering Engineer Andrew Mendelson. In 2022, she was named Head Mastering Engineer at Welcome to 1979, a multi-faceted, analog-centric studio offering both digital and vinyl mastering services.

Bobbi began her career at The Hartt School at the University of Hartford, where she earned a Bachelor of Music in Music Production and Technology in 2015 with a concentration in Classical Piano and a minor in Business Administration. She then spent two years working across a range of recording and post-production studios in New York City, including MSR Studios (now Sound on Sound Studios in Montclair, New Jersey), Atlantic Records’ Atlantic Studios, and LVLY Studios.

In addition to her mastering work, Bobbi is a member of the Audio Engineering Society and the Producers & Engineers Wing of the Recording Academy. Her mastering credits - spanning both digital and vinyl formats - include artists such as Willie Nelson, Kenny Chesney, Luke Combs, Paramore, Kehlani, Tinashe, Zac Brown Band, and Tyler Bryant & The Shakedown.

IN THIS EPISODE YOU’LL LEARN:

  • Finding niche industries in audio
  • Learning production before mastering
  • Fixing mastering issues in the tracking stage vs later stages
  • Do your mix levels matter?
  • Boosting vs cutting with EQ
  • Finding the input gain sweetspot with gear/plugins
  • When to use analog vs digital gear in a hybrid mastering setup
  • How the level you listen at affects how you hear your mix
  • Finding reference tracks to compare your mix to
  • Prepping for vinyl cutting
  • The differences between digital and vinyl masters
  • Recording directly to vinyl

To learn more about Bobbi Giel, visit: https://welcometo1979.com/mastering/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

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Barrett Jones: Getting Mix-Ready Sounds During Tracking25 mars 202600:53:19

Barrett Jones is a veteran producer, engineer, Musician and studio owner whose work helped shape the sound of modern alternative rock. A native of Arlington, Virginia, Jones founded Laundry Room Studio in 1984 — originally built in the laundry room of his childhood home — and established the studio as a creative hub for D.C. punk and indie acts before relocating to Seattle in the early 1990s. Jones recorded early sessions with a young Dave Grohl and went on to produce three Nirvana tracks and to produce and engineer the Foo Fighters’ self-titled debut, an LP recorded over an intense five-day run in 1994. That debut later sold more than 1.5 million copies.

Across four decades, Jones has combined technical curiosity with a musician’s sensibility, moving seamlessly between tape-era tracking and modern production workflows. His credits span influential artists and scenes: Nirvana, Foo Fighters, Melvins, Jimmy Eat World, Presidents of the United States of America, and contributions from members of Pearl Jam and Red Hot Chili Peppers, among others. Jones has also toured as a live and studio engineer and served as drum tech and sound engineer on major tours early in his career.

Laundry Room Studio — the recording studio Jones has operated since the 1980s in multiple homes and locations between Arlington and Seattle — remains central to his work. Since 2007, Laundry Room studio has been located in a custom-built area in Barrett’s home in Seattle, featuring multiple live rooms, iso booths, and a large control room that attracts both established artists and rising acts. Recent and ongoing projects include work with musicians across rock, folk, and indie genres; Jones is known for his ability to capture raw performances while bringing clarity and musical balance to recordings.

With a lifelong commitment to hands-on recording, Jones blends old-school tape-era techniques with modern mixing and production tools, prioritizing performance, tone, and emotional immediacy. He remains active as a producer, mixer, and session musician, and continues to run Laundry Room Studio as a creative home for artists looking for an organic, performance-first approach to recording.

IN THIS EPISODE YOU’LL LEARN:

  1. Being a self-taught engineer
  2. Recording the first Foo Fighters record
  3. Being set up for efficiencies
  4. Getting the mix sound at the tracking stage
  5. His go-to approach for guitars and drums
  6. How to get fuzzy, yet articulate guitar tones
  7. The Can: The mysterious, rare amp used on the first Foo Fighters record, made out of a gas can
  8. The importance of room sounds for drums
  9. The mic trick he uses for getting small drum rooms to feel bigger

To learn more about Barrett Jones, visit: https://www.laundryroomstudio.com/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

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For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:

  1. The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.com
  2. The Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/


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Monte Vallier: Being Creative as a Differentiator18 mars 202601:03:08

Monte Vallier is a San Francisco–based producer, mixer, and audio engineer known for his adventurous approach to sound and his ability to bring out the character and identity of the artists he works with. His career began as a bassist in the early post-punk/indie scene, first touring with his band Half Church before joining the acclaimed 1990s group Swell. After years of recording and performing internationally, Vallier shifted his focus behind the console, developing a reputation for creative recording techniques, unconventional mic placements, and a deep commitment to capturing emotion and uniqueness in every project.

Today, Vallier operates Ruminator Audio, where he continues to collaborate with an eclectic range of artists, including Wax Idols, Weekend, The Soft Moon, Tommy Guerrero, Los Days, and Oxbow. His work spans production, recording, mixing, and mastering—reflecting a holistic understanding of the craft shaped by decades of experience both onstage and in the studio. Known for blending experimentation with meticulous sonic detail, Vallier is recognized as a versatile, artist-focused collaborator whose mixes and productions consistently elevate the musical vision at hand.

IN THIS EPISODE YOU’LL LEARN:

  1. Running a studio on your own terms vs working for someone else
  2. Using commercial work to cover the bills so you can afford to work with smaller bands
  3. The impact of AI in music licensing
  4. How to differentiate yourself from AI
  5. Embracing imperfections/uniqueness
  6. Using reamping as a creative tool
  7. Creating ambience in a mix
  8. Using contrast to evoke a 3D feel to a mix
  9. Creative ways to experiment with a track

To learn more about Monte Vallier, visit: https://ruminatoraudio.com/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

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Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:

  1. The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.com
  2. The Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/


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Brian Rajaratnam: Engineering Great Vocals11 mars 202601:08:57

Brian Rajaratnam is an American audio engineer best known for his Grammy-winning work on Flowers by Miley Cyrus. He won a Grammy Award at the 66th Annual Grammy Awards for his contributions to the global hit, collaborating alongside Kid Harpoon, Tyler Johnson, Michael Pollack, Spike Stent, and Joe LaPorta. The song became one of the most commercially successful releases of 2023, surpassing one billion streams on Spotify and earning six Grammy nominations. Rajaratnam received two nominations connected to the project and was ultimately recognized in the Best Engineer/Mixer category for his role in shaping the record’s polished, radio-dominant sound.

Born and raised in New Jersey to Sri Lankan parents who immigrated to the United States, Rajaratnam initially pursued a pre-med track in New York with aspirations of becoming a doctor, following a traditional path often encouraged within South Asian families. However, midway through his studies, he made the pivotal decision to leave medicine behind and commit fully to music—a passion rooted in childhood visits to Sri Lanka, where he first learned piano at his aunt’s home before expanding to multiple instruments. Determined to build a career in the music industry, he enrolled at Berklee College of Music, earning a degree in audio engineering in 2017. After graduation, he worked his way up through studio roles, eventually becoming an assistant to Kid Harpoon and contributing to major projects, culminating in his breakthrough success as an award-winning engineer on “Flowers.”

IN THIS EPISODE YOU’LL LEARN:

  1. Why “nothing really matters” when tracking
  2. Transitioning from pre-med studies to audio engineering
  3. Being open to diverse projects
  4. Building confidence in your skills
  5. Having flexibility with your workflow
  6. Anticipating the next move
  7. Working on Miley Cyrus’ “Flowers”
  8. Making revisions to your songs
  9. Compartmentalizing the stages of your workflow
  10. What great vocal engineering consists of
  11. Setting up your sessions for speed
  12. Recording Kings Of Leon
  13. Getting solid bass tones
  14. Tracking with compression

To learn more about Brian Rajaratnam, visit: https://www.soundbetter.com/profiles/278196-brian-rajaratnam

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

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Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:

  1. The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.com
  2. The Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/


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Nathan Yarborough: Engineering for Heavy Music04 mars 202601:01:27

Nathan Yarborough is a Grammy-nominated recording engineer based in Nashville, TN. His credits include albums from Deftones, Korn, Code Orange, Mastodon, Alice In Chains, and Halestorm. Nathan began his career as a musician who eventually realized he loved the craft of recording more than playing and performing. After attending recording school in North Carolina, he moved to Nashville to look for work in a recording studio. An internship at Blackbird Studio opened the door to a 20-year career and allowed him to learn from some of the best engineers and producers in the industry.

IN THIS EPISODE YOU’LL LEARN:

  1. How Nashville studios record 5 full songs in under 3 hours
  2. Tracking live off the floor vs. recording instruments separately
  3. Adapting your engineering to the production styles of different producers
  4. Preserving the signature sound of artists like Deftones, Korn, and Alice In Chains
  5. How to track drums with a focus on clarity, separation, and body.
  6. Finding weird places to put mics
  7. Spot-micing cymbals
  8. The challenge of maintaining phase relationships between multiple mics
  9. Capturing heavy guitar tones

To learn more about Nathan Yarborough, visit: http://nathanyarborough.com/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

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Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:

  1. The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.com
  2. The Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/


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Jason Livermore: Recording Punk Music (Revisited)25 févr. 202601:05:02

Jason Livermore received his first snare drum at the age of three. Years later, Jason took up bass and guitar, but returned to drums because he liked them better. In junior high, Jason discovered punk rock. His first vinyl purchase was the infamous “Milo Goes to College”. He played in various bands throughout high school and college, recording some of these himself. After college, he decided that recording was probably going to be cooler than selling beer for Miller, his job at the time.

Upon hearing that ALL was opening the Blasting Room in 1994, he moved to Fort Collins to land the job of a lifetime. Jason has been working at the studio ever since, and in 2015 he became co-owner alongside Bill Stevenson. He has worked on about 95% of the albums that have come out of the studio. Jason has also played drums for Wretch Like Me, Drag the River, Bill The Welder, Soul City Missionaries, and The Virginia Sisters.

IN THIS EPISODE YOU’LL LEARN:

  1. Finding trust in yourself that you know what you are doing
  2. Mixing punk drums
  3. How a drummer’s technique will change your approach to micing and tuning
  4. How to tune drums
  5. To polish your tracks or keep them raw? How to know when to edit
  6. Creating tempo maps
  7. How a particular type of guitar bridge cut his recording time in half
  8. Choosing string gauges for getting the most clarity with your guitars
  9. How to set up multi-amp blends
  10. Using phase alignment tools

To learn more about Jason Livermore, visit: https://theblastingroom.com/mastering/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

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Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:

  1. The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.com
  2. The Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/


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Ryan Ellery: Creating Comfort in the Studio18 févr. 202601:12:06

Ryan Ellery is a recording and mixing engineer based in Oakland, California, known for her work in the emo, punk, indie, and hardcore scenes. With over a decade of experience and credits on well over 100 releases, Ryan has worked with artists such as Mom Jeans, Self Defense Family, Graduating Life, Snooze, and many others. She operates primarily out of Sharkbite Studios, where she combines classic analog tools—like a Daking MKII Console—with modern digital workflows to capture performances that feel energetic, honest, and emotionally direct.

Ryan’s approach centers on collaboration and communication, adapting her recording and mixing methods to serve each artist’s vision rather than forcing a one-size-fits-all sound. Whether tracking bands live to preserve raw energy or taking a more detailed, layered approach, her goal is to balance clarity with character—especially in genres where authenticity and feel matter more than polish. As both an engineer and a musician, Ryan brings a performer’s perspective into the studio, helping artists translate their ideas into recordings that connect with listeners while still standing up sonically.

IN THIS EPISODE YOU’LL LEARN:

  1. You don’t know what you don’t know
  2. Working with Sam Pura
  3. Figuring out our personal workflow
  4. Working on genres you aren’t familiar with
  5. Adjusting your tracking approach to get the best out of an artist
  6. Questions to ask clients before entering the studio so that everyone is on the same page
  7. Capturing a live feel in recordings
  8. Knowing when/when not to use drum samples
  9. Working on multiple songs inside a single session
  10. Mixing fast and not sweating the small stuff

To learn more about Ryan Ellery, visit: https://www.ryanellery.com/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

https://masteryourmix.com/amplitude/

Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:

  1. The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.com
  2. The Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/

Check out our Sponsors:

Download Waves Plugins here: https://waves.alzt.net/EK3G2K


Subscribe to the show:

  1. Apple Podcasts: https://podcasts.apple.com/us/podcast/master-your-mix-podcast/id1240842781
  2. Spotify: https://open.spotify.com/show/5V4xtrWSnpA5e9L67QcJej
  3. Youtube: http://www.youtube.com/@MasterYourMix


Have questions you’d like answered on the show?

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Dan Malsch: Making Mixes With Clarity11 févr. 202601:18:07

Dan Malsch is a highly respected mixer and audio engineer with over two decades of experience helping artists bring their creative vision to life. Known for his meticulous attention to detail and deep musical sensibility, he has worked with everyone from emerging indie bands to internationally recognized acts.

With a strong foundation in both the technical and artistic sides of audio production, Malsch has built a reputation for clean, powerful mixes that preserve the emotion and authenticity of the performance, particularly in rock and metal. His work spans mixing, mastering, sound design, and immersive audio, where he continues to push his craft forward.

Throughout his career, he has collaborated with renowned producers and mixers, including Andy Wallace, David Bendeth, Toby Wright, Jim Morris, Ross Hogarth, and many others. In addition to his studio work, Malsch is a mentor to aspiring engineers, sharing his knowledge through workshops and educational programs.

His projects have received both critical and commercial acclaim, including two Grammy nominations for his work with Ghost, solidifying his reputation as a go-to engineer in modern music production.

IN THIS EPISODE YOU’LL LEARN:

  1. Overcoming self-doubt
  2. Investing in your craft/skills
  3. How to network properly
  4. Lessons learned from working with Andy Wallace
  5. Co-mixing
  6. Why he doesn’t use drum busses
  7. His master bus chain
  8. Being consistent with the gear you use
  9. Why it’s smart not to use extreme panning all the time
  10. Creating movement and excitement with automation
  11. The strategic ways he uses mono and stereo busses
  12. Being mindful of noise in plugins
  13. The importance of getting your hearing checked
  14. Why gear doesn’t matter
  15. The challenges of working with artists who don’t commit to their tones

To learn more about Dan Malsch, visit: https://www.danmalschmusic.com/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

https://masteryourmix.com/amplitude/

Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:

  1. The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.com
  2. The Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/


Check out our Sponsors:

Download Waves Plugins here: https://waves.alzt.net/EK3G2K


Subscribe to the show:

  1. Apple Podcasts: https://podcasts.apple.com/us/podcast/master-your-mix-podcast/id1240842781
  2. Spotify: https://open.spotify.com/show/5V4xtrWSnpA5e9L67QcJej
  3. Youtube: http://www.youtube.com/@MasterYourMix


Have questions you’d like answered on the show?

Send them to questions@masteryourmix.com


Please leave a rating and review:

https://masteryourmix.com/review/


Thanks for listening!

Ryan Ordway: Writing Songs for Sync04 févr. 202601:01:36

Ryan Ordway is a multifaceted artist, songwriter, producer, and audio engineer with over two decades of experience in recording, mixing, music licensing, session playing, and commercial studio management. Having recorded and produced nearly 1,000 songs across various genres, he has worked with internationally recognized artists and designed, built, and operated multiple recording studios. In 2020, he partnered with The Studio Portland in Portland, ME, overseeing an ambitious remodel completed in 2024. Under his direction, The Studio became home to 98.9 WCLZ’s Studio Z series, hosting artists such as Noah Kahan, Grace Potter, Lake Street Dive, Joy Oladokun, and Gregory Alan Isakov.

Ordway’s songwriting talents led him to record at the renowned Blackbird Studios in Nashville with legendary producer Ken Scott (The Beatles, Elton John, David Bowie). His song Easy Street was featured in Getting Started with Music Production (Hal Leonard, 2015). His work has been nominated for Producer of the Year at the New England Music Awards (2023) and Song of the Year for Back Again (2022).

Beyond the studio, Ordway’s music has been licensed in over 13 countries and featured on major platforms like Amazon Prime, Netflix, and Hulu, as well as in TV shows such as The Office, Happy Endings, and Raising Hope.

IN THIS EPISODE YOU’LL LEARN:

  1. Studying a producer/engineer’s entire workflows, rather than in bite-sized pieces
  2. Getting into music publishing
  3. What kinds of mixes you need to submit if you want your music to be licensed
  4. Why you should start your own music publishing company
  5. Songwriting splits: how to deal with them fairly
  6. Writing music for possible sync deals
  7. Embracing a “less is more” approach to songwriting and engineering
  8. Finding the right people to get into sync work
  9. Making fans by shaking hands
  10. Building your team for success

To learn more about Ryan Ordway, visit: https://theordways.com/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

https://masteryourmix.com/amplitude/

Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:

  1. The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.com
  2. The Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/


Check out our Sponsors:

Download Waves Plugins here: https://waves.alzt.net/EK3G2K


Subscribe to the show:

  1. Apple Podcasts: https://podcasts.apple.com/us/podcast/master-your-mix-podcast/id1240842781
  2. Spotify: https://open.spotify.com/show/5V4xtrWSnpA5e9L67QcJej
  3. Youtube: http://www.youtube.com/@MasterYourMix


Have questions you’d like answered on the show?

Send them to questions@masteryourmix.com


Please leave a rating and review:

https://masteryourmix.com/review/


Thanks for listening!

Duncan Ferguson: Investing in the Future of Audio28 janv. 202601:13:49

Duncan Ferguson is a Nashville-based mastering engineer and educator, best known as the founder of The Voltage Exchange, a mastering studio specializing in high-quality masters for digital, CD, and vinyl releases. With a Master’s degree in Sound Recording from McGill University, Duncan combines deep technical knowledge with refined critical listening, helping artists translate their mixes into competitive, release-ready records without sacrificing musical intent. His work spans a wide range of genres, and he’s known for a thoughtful, communicative approach that helps mixers and producers understand why their music sounds the way it does at the final stage.

In addition to his mastering work, Duncan teaches audio and mastering at SAE Institute Nashville, where he helps the next generation of engineers develop reliable listening skills, technical confidence, and a strong decision-making mindset. His dual role as a working mastering engineer and educator gives him a unique perspective on the most common mix issues, how small changes upstream can dramatically improve masters, and how home-studio producers can get closer to professional results before the mastering stage even begins.

IN THIS EPISODE YOU’LL LEARN:

  1. Continuing to learn new skills
  2. The future of mastering
  3. Immersive mastering
  4. New technologies that are making vinyl cutting more affordable/accessible
  5. Not letting perfection stop you
  6. Collaborating on the vision of a project
  7. Prepping for mastering by using Izotope RX
  8. When to use analog vs digital
  9. Solid state vs tube gear
  10. Duncan’s go-to tools for controlling low end

To learn more about Duncan Ferguson, visit: https://thevoltageexchange.com/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

https://masteryourmix.com/amplitude/

Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:

  1. The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.com
  2. The Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/


Check out our Sponsors:

Download Waves Plugins here: https://waves.alzt.net/EK3G2K


Subscribe to the show:

  1. Apple Podcasts: https://podcasts.apple.com/us/podcast/master-your-mix-podcast/id1240842781
  2. Spotify: https://open.spotify.com/show/5V4xtrWSnpA5e9L67QcJej
  3. Youtube: http://www.youtube.com/@MasterYourMix


Have questions you’d like answered on the show?

Send them to questions@masteryourmix.com


Please leave a rating and review:

https://masteryourmix.com/review/


Thanks for listening!

Pete Lyman: The Art of Commitment21 janv. 202601:06:32

Pete Lyman is a GRAMMY-nominated mastering engineer, and owner of Infrasonic. Pete’s digital and vinyl mastering career spans thousands of titles over the last two decades. He has mastered Grammy-award winning and Grammy-nominated albums for Chris Stapleton, Jason Isbell, Brandi Carlile, Halsey, Sturgill Simpson, John Prine, Weezer, Panic! At the Disco and more.

In 2005 Lyman opened Infrasonic West, a custom-built mastering facility in Echo Park, CA. Pete, and his 1956 Neumann AM32B Cutting Lathe, moved to Nashville, TN in 2018 and opened Infrasonic East. In 2022, Infrasonic West found its new home in Highland Park, CA. Since then, Pete has curated the Infrasonic roster to include engineers spanning everything from mixing to mastering to vinyl cutting to immersive and so much more.

IN THIS EPISODE YOU’LL LEARN:

  1. Why not committing to your mix is doing more harm than good
  2. The biggest problem people make with their editing
  3. Using room correction tools/software
  4. Why the level of your mix doesn’t matter as much as you think it does
  5. Why stem-mastering is stupid and you should avoid it
  6. Passive vs. active listening
  7. Preserving the character of a mix in mastering
  8. Knowing when to do nothing as part of your job as a mixing and mastering engineer
  9. How to let go of your personal tastes when working on something that doesn’t connect with you
  10. Understanding the needs of various genres

To learn more about Pete Lyman, visit: https://infrasonicsound.com/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

https://masteryourmix.com/amplitude/

Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:

  1. The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.com
  2. The Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/

Check out our Sponsors:

Download Waves Plugins here: https://waves.alzt.net/EK3G2K


Subscribe to the show:

  1. Apple Podcasts: https://podcasts.apple.com/us/podcast/master-your-mix-podcast/id1240842781
  2. Spotify: https://open.spotify.com/show/5V4xtrWSnpA5e9L67QcJej
  3. Youtube: http://www.youtube.com/@MasterYourMix


Have questions you’d like answered on the show?

Send them to questions@masteryourmix.com


Please leave a rating and review:

https://masteryourmix.com/review/


Thanks for listening!

Kevin Antreassian: Making Music Work14 janv. 202601:28:15

Kevin Antreassian is an American musician, producer, engineer, and studio owner based in New Jersey. He holds a Bachelor of Music in Audio Engineering from William Paterson University and is the founder and operator of Backroom Studios, a multifaceted recording and rehearsal facility established in 2007. Over his career, Antreassian has worked with a wide range of artists across rock and metal genres, providing production, recording, mixing/mastering, and technical services for both emerging and established acts.

As a guitarist, he is best known for his tenure with the influential mathcore band The Dillinger Escape Plan, performing with the group through their later period and contributing to their final shows and recordings, as well as other groups like The Sawtooth Grin and Knife the Glitter. In addition to his work in the studio and on stage, Antreassian has served as a touring guitar technician for notable acts, and he teaches music production and guitar tech at William Paterson University.

IN THIS EPISODE YOU’LL LEARN:

  1. Choosing between touring, corporate audio, and running a studio
  2. Why multiple income streams matter if you want long-term stability
  3. The not-so-glamorous truth about life on the road
  4. Avoiding burnout when you’re obsessed with making records
  5. How starting with minimal gear actually sharpens your skills
  6. Why he keeps outboard gear set to fixed settings
  7. How he uses templates for speed and consistency rather than tone
  8. Tuning out the marketing noise around gear so you can stay focused
  9. Creating clarity and focus in chaotic music
  10. How editing impacts the energy and feel of a performance
  11. When live-off-the-floor beats isolated tracking
  12. Why automation is the biggest separator between amateur and pro mixes

To learn more about Kevin Antreassian, visit: https://backroom.studio/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

https://masteryourmix.com/amplitude/

Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:

  1. The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.com
  2. The Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/


Check out our Sponsors:

Download Waves Plugins here: https://waves.alzt.net/EK3G2K


Subscribe to the show:

  1. Apple Podcasts: https://podcasts.apple.com/us/podcast/master-your-mix-podcast/id1240842781
  2. Spotify: https://open.spotify.com/show/5V4xtrWSnpA5e9L67QcJej
  3. Youtube: http://www.youtube.com/@MasterYourMix


Have questions you’d like answered on the show?

Send them to questions@masteryourmix.com


Please leave a rating and review:

https://masteryourmix.com/review/


Thanks for listening!

Shane Slack: Understanding the Impact of Proper Phase07 janv. 202601:09:08

Shane Slack is an Emmy-nominated mastering and post-production engineer, and the owner of Mono Theory, Inc., a Florida-based studio specializing in mastering, sound design, and Foley for music, television, and film. With credits spanning Apple TV+, Netflix, Disney+, CBS, and Showtime, Shane has helped shape the sound of high-profile projects including Ted Lasso, The Umbrella Academy, NCIS: LA, and Guardians of the Galaxy Vol. 3. A graduate of Valencia College’s Sound & Music Technology program, he’s also a member of the Recording Academy and the Audio Engineering Society, where he’s active in mastering education and diversity initiatives.

Drawing from early influences like Motown, reggae, and classic video game soundtracks, Shane’s work combines deep technical expertise with an ear for emotional storytelling. Whether mastering indie releases or handling sound for major media productions, he’s passionate about translating creative intent into mixes that connect across every playback system. Through Mono Theory, he continues to bridge the gap between art and acoustics—helping artists, producers, and filmmakers bring their sonic visions to life.

IN THIS EPISODE YOU’LL LEARN:

  1. Why learning about mastering first is a smart decision
  2. Production and mixing mistakes that often need to be fixed by a mastering engineer
  3. Understanding psychoacoustics
  4. How to double-track instruments for better translation and phase
  5. Why phase correction is so crucial for proper mix translation
  6. Checking mixes in mono
  7. Using mid-side EQ
  8. How to make mixing easier, simply by being careful with instrument voicing
  9. Why it’s better to use multiple compressors, rather than only one
  10. Developing your audio skills faster by taking your time
  11. Asking yourself “why” when you’re making the moves you’re making

To learn more about Shane Slack, visit: https://www.instagram.com/slackshane/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

https://masteryourmix.com/amplitude/

Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:

  1. The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.com
  2. The Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/


Check out our Sponsors:

Download Waves Plugins here: https://waves.alzt.net/EK3G2K


Subscribe to the show:

  1. Apple Podcasts: https://podcasts.apple.com/us/podcast/master-your-mix-podcast/id1240842781
  2. Spotify: https://open.spotify.com/show/5V4xtrWSnpA5e9L67QcJej
  3. Youtube: http://www.youtube.com/@MasterYourMix


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Please leave a rating and review:

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Aaron Rubin: Working on Blink-182's "One More Time" (Revisited)31 déc. 202501:19:59

Aaron Rubin is a mix engineer, producer, writer, manager and musician who has worked with some big names in the industry including Ilan Rubin, Angels & Airwaves, Frank Turner and Blink-182.

Aaron has worn many hats in the industry and got his start working with his brother Ilan playing in bands and later managing his music career. He has always been interested in the production side of music, which has led to his work with Tom Delonge and his various projects.

IN THIS EPISODE YOU’LL LEARN:

  1. Broadening your network
  2. Proving your value
  3. Working with Tom Delong and Blink-182
  4. Disagreeing with artists
  5. Recording the new Blink-182 record with an Axe FX
  6. How to get the Tom Delonge guitar tone
  7. Blending amp sounds
  8. The challenges of working on a record being made in multiple studios
  9. Session organization
  10. Updating mixes after an album has been released
  11. How AI is going to change the game for mixing
  12. The art of committing to sounds

Notable gear mentioned in this episode:

Stereo Manley Pultec: https://sweetwater.sjv.io/darLBk

To learn more about Aaron Rubin, visit: http://www.thisiscommand.com/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

https://masteryourmix.com/amplitude/

Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:

  1. The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.com
  2. The Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/


Check out our Sponsors:

Download Waves Plugins here: https://waves.alzt.net/EK3G2K


Subscribe to the show:

  1. Apple Podcasts: https://podcasts.apple.com/us/podcast/master-your-mix-podcast/id1240842781
  2. Spotify: https://open.spotify.com/show/5V4xtrWSnpA5e9L67QcJej
  3. Youtube: http://www.youtube.com/@MasterYourMix


Have questions you’d like answered on the show?

Send them to questions@masteryourmix.com


Please leave a rating and review:

https://masteryourmix.com/review/


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Kris Crummett: Using Automation for Exciting Mixes24 déc. 202501:13:48

Kris Crummett is a record producer and mastering engineer known for his amazing work in the metalcore, post-hardcore, and rock scenes. He has worked with artists such as Dance Gavin Dance, Sleeping With Sirens, Issues, and many more. He also owns Interlace Audio, which is a fantastic studio located in Portland, Oregon. His productions are well known for having massive tones while sounding polished and energetic.

IN THIS EPISODE YOU’LL LEARN:

  1. His secret weapon for getting toms to cut through a mix without sounding too boomy/muddy
  2. His step-by-step checklist for using automation to create energy in his mixes
  3. How he treats vocals to get them to sound super clear and up-front
  4. How to use track presets efficiently
  5. Balancing live drums vs samples
  6. His STL Tones ToneHub presets and the art behind making great amp sims
  7. Mastering your own tracks

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

https://masteryourmix.com/amplitude/

Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:

  1. The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.com
  2. The Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/


Check out our Sponsors:

Download Waves Plugins here: https://waves.alzt.net/EK3G2K


Subscribe to the show:

  1. Apple Podcasts: https://podcasts.apple.com/us/podcast/master-your-mix-podcast/id1240842781
  2. Spotify: https://open.spotify.com/show/5V4xtrWSnpA5e9L67QcJej
  3. Youtube: http://www.youtube.com/@MasterYourMix


Have questions you’d like answered on the show?

Send them to questions@masteryourmix.com


Please leave a rating and review:

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Thanks for listening!

Jeff Kolhede: Making Mixes That Are “Perfectly Imperfect”17 déc. 202501:14:15

Jeff Kolhede is a producer, audio engineer, and artist based in the San Francisco Bay Area. Having participated in multiple Grammy-nominated records, he operates primarily out of 25th Street Recording, the SF Bay Area’s premier recording facility, where he helps emerging and established artists.

Jeff’s composing work for film and advertisements has been featured for leading brands, including the trailer music for the Academy Award-winning film, Moonlight. This led him to co-found Gooroo Music, a bay area music house, where he directs a team of award-winning composers, mix engineers, and sound designers for film and advertisements. Recent work includes Billie Eilish, Youtube, Faherty, and Adobe campaigns.

Alongside his producing and engineering work is Jeff Kolhede’s artist project. His self-recorded Dismantle LP was released on November 24, 2023. The SF Chronicle noted that “The gorgeous ‘Wonder Why’ calls to mind Nick Drake, with Kolhede’s vocals shining atop a layered string arrangement…there’s both retro-minded and contemporary folk moments within Kolhede’s notable first effort.” This same single wonder why was featured on the Spotify official Fresh Finds folk playlist. bandcamp included the full album on their new and notable feature. His influences range from rock, singer-songwriter, indie, soul, and jazz with genres being defied by melodies, introspective lyricism, and his primary instruments; the sax and voice.

Jeff Kolhede remains committed to making a positive, creative, and inclusive impact by way of music and kindness.

IN THIS EPISODE YOU’LL LEARN:

  • Separating processes vs. doing them all at once
  • Gainstaging as if you're mixing
  • Making mixes that are “perfectly imperfect”
  • Allowing yourself to be objective
  • Making time for experimentation/skill development
  • Keeping things organic
  • Chasing gear
  • Capturing clean, dry, tight drum sounds
  • Using a “crotch mic”
  • Techniques for muffling drums
  • Achieving in your face, smooth vocals
  • Picking mics for a desired sound
  • Using clip gain vs. compression

To learn more about Jeff Kolhede, visit: https://www.jeffkolhede.com/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

https://masteryourmix.com/amplitude/

Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:



Check out our Sponsors:

Download Waves Plugins here: https://waves.alzt.net/EK3G2K


Subscribe to the show:



Have questions you’d like answered on the show?

Send them to questions@masteryourmix.com


Please leave a rating and review:

https://masteryourmix.com/review/


Thanks for listening!

Angel Marcloid: Rules Meant to be Followed & Broken10 déc. 202501:14:24

Angel Marcloid is a fearless, genre-melting musician, producer, and mixing/mastering engineer based outside Chicago, IL. She creates under a broad constellation of aliases, with Fire-Toolz as her flagship solo project and No Joy as her most recent collaborative venture.

Angel Hair Audio is her full-service audio production studio for artists whose work already leans leftfield or quietly wants to. She draws from a lifetime of listening, learning, and restless experimentation, carrying a huge musical vocabulary that reaches from her formative years immersed in AOR, prog, jazz fusion, and metal to the noise, industrial, grind, post-punk, krautrock, ambient, hardcore, and early-wave emo that shaped her adolescence.

Angel’s approach blends traditional technique informed by legendary engineers with contemporary and boundary-pushing production practices. She finds the emotional pressure points of a piece, then uncovers or amplifies what makes it distinctive, and sculpts it to be a worthy vehicle for an impassioned voice that deserves to be heard and felt.

IN THIS EPISODE YOU’LL LEARN:

  • Connecting with your community
  • Respecting the vibe of a song
  • Translation issues with mixes
  • Creating focus in a mix
  • Rules meant to be followed and broken
  • Why simplicity isn’t always a good thing
  • Creating width without stereo wideners
  • Focusing on individual instruments vs as a whole
  • Creating a hierarchy within your mixes

To learn more about Angel Marcloid, visit: https://angelhairaudio.com/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

https://masteryourmix.com/amplitude/

Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:



Check out our Sponsors:

Download Waves Plugins here: https://waves.alzt.net/EK3G2K


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Please leave a rating and review:

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Kurt Ballou: Executing Your Vision03 déc. 202501:21:35

Kurt Ballou is an American musician, producer, and recording engineer best known as the guitarist and founding member of the influential hardcore band Converge. Based in Salem, Massachusetts, he is also the owner and chief engineer of GodCity Studio, a world-renowned recording facility that has become a cornerstone of modern heavy music production. With a background in both engineering and performance, Ballou bridges the gap between raw creative energy and meticulous technical precision, helping define the sound of countless bands across the hardcore, punk, and metal scenes. His production work is celebrated for its intensity, clarity, and attention to sonic texture — hallmarks that have shaped genre-defining records for artists such as Have Heart, High on Fire, Trap Them, and Nails.

Beyond his engineering prowess, Ballou is recognized for his deep understanding of instrument tone and studio design. At GodCity, he merges analog warmth with modern fidelity, crafting recordings that feel both visceral and articulate. His dedication to DIY ethics and craft has made him a respected figure not only among musicians but also within the broader audio engineering community. Through his work, Ballou continues to inspire a generation of producers and home-studio creators to pursue authenticity, precision, and emotional truth in every mix.

IN THIS EPISODE YOU’LL LEARN:

  • Learning through revisiting old recordings
  • Why you can’t trust all you read on forums
  • Cheap vs. expensive gear: What really matters?
  • Mic vs. placement vs. preamps: Which is most important?
  • Mike and Kurt’s feelings on Atmos
  • The secret to Kurt’s great guitar tones
  • A simple trick for checking phase with multi-mic setups on guitar amps
  • Simplifying your approach to production
  • How to treat a 2-guitar band vs a 1-guitar band
  • Getting guitars and bass to feel balanced
  • Sidechaining guitars to vocals
  • Mixing his own records with Converge
  • Charging per song or by hour
  • Recording entire albums in one session

To learn more about Kurt Ballou, visit: https://kurtballou.com/

https://godcitystudio.com/

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Mark Lewis: Where Does Great Guitar Tone Come From?26 nov. 202501:06:34

Mark Lewis is a Nashville-based record producer, engineer, and mixer best known for shaping the sound of modern heavy metal and hard rock. He cut his teeth under producer Jason Suecof at Audiohammer Studios in Orlando. Over the years, he’s become a go-to name in the metal scene, working with genre-defining bands such as Trivium, The Black Dahlia Murder, DevilDriver, Whitechapel, and many others. His credits span production, mixing, engineering, and mastering, giving him a comprehensive understanding of the full recording process.

What sets Lewis apart is his meticulous approach to guitar tone, re-amping, and sonic detail, always striving to match technical precision with the raw energy of the bands he works with. Now operating out of his own Nashville studio, he continues to push the boundaries of heavy music, blending clarity and aggression in mixes that capture both the intensity and the musicality of metal. His work has helped countless bands refine their sound and stand out in an increasingly competitive genre, cementing his reputation as one of the most respected producers in heavy music today.

IN THIS EPISODE YOU’LL LEARN:

  • Recognizing your strengths
  • Working with Jason Suecof
  • How getting fired led to his career taking off
  • Why knowing the “rules” doesn’t mean you should always follow them
  • The secret to great guitar tone
  • How your speakers make a massive difference
  • Dispelling the Jim Lill tone tests
  • Keeping objectivity when chasing tone
  • When to reamp
  • How to get away from always sounding the same
  • Spending money to make money
  • Putting in the work to see success
  • A technique you may be doing that is killing the uniqueness of a band

To learn more about Mark Lewis, visit: https://marklewis.audio/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

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Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

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Jack Emblem: The Importance of Contrast19 nov. 202501:03:25

Jack Emblem is a GRAMMY-nominated mix engineer known for his versatility and ability to elevate every project he touches. Working seamlessly across all genres, Jack has established himself as a go-to mixer in today’s market.

In 2024, Jack received a GRAMMY nomination for Best Engineered Album, Non-Classical.

His clients include Snoh Aaelgra, Lauren Spencer Smith, Charlotte Day Wilson, DEAN, Wild Rivers, Katie Tupper, Aaron Paris, Jesse Gold and many more.

IN THIS EPISODE YOU’LL LEARN:

  • Learning from different areas of the industry
  • Understanding client expectations of your mixes
  • Sending clients file submission guides
  • Making sure songs grow throughout a mix
  • Automating plugins to create impact
  • Why separation can be overrated
  • Achieving clear, in-your-face vocals
  • Using pre-delay to create depth
  • Understanding the sound of different compressors
  • Creating contrast between elements of a mic
  • Leaving low-end alone

To learn more about Jack Emblem, visit: https://www.jackemblem.com/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

https://masteryourmix.com/amplitude/

 

Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:



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Scott Wiley: Asking “How Does it Sound?”12 nov. 202501:23:43

Scott Wiley is a music producer, engineer, musician, and owner of June Audio Recording Studio with over 2.1 billion streams. Scott studied music recording at USC and got to learn from some of the best producers and engineers in the industry during his years working in great Los Angeles studios like Sound Factory, Sunset Sound, Cello, and Conway Recording Studios. As an engineer and/or producer for the last 30 years, Scott has worked with The Killers, Neon Trees, Bonnie Raitt, Kaskade, David Archuleta, Tracy Chapman, The National Parks, and The Moth & The Flame, among many others. Scott has also taught recording and music business classes at UVU and BYU.

IN THIS EPISODE YOU’LL LEARN:

  • Being too “safe” with your process
  • Capturing authentic performances
  • Working with Tchad Blake
  • The rules of audio that are meant to be broken
  • Picking the right gear for the job
  • The expectations of clients and their understanding of the roles of producers and engineers
  • Factoring the mix while tracking
  • Mixing your own recordings vs. other’s
  • Achieving separation in a mix
  • How to direct a listener’s focus as they listen to your mixes

To learn more about Scott Wiley, visit: https://www.juneaudio.com/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

https://masteryourmix.com/amplitude/

Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:


Check out our Sponsors:

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John Paterno: The Importance of Trust and Exploration05 nov. 202501:10:00

John Paterno is a Grammy-winning producer, mixer, composer, engineer, mastering engineer, teacher, and musician who has worked with a diverse range of artists including Gov’t Mule, Robbie Williams, Steve Gadd Band, Soraya, Michael Landau, Band of Other Brothers, Robben Ford, Eros Ramazzotti, the Thrills, Tim McGraw, Bonnie Raitt, and Badly Drawn Boy, in his 30-plus-year career. 

Paterno moved to Los Angeles two weeks after graduating from the University of Miami's music engineering (MUE) program. A short period of freelance assisting concluded with a staff position at Sunset Sound/Sound Factory in Hollywood, where for five years he was exposed to many great engineers, producers, and artists. After breaking out of assisting, he worked with a wide range of producers, including Mitchell Froom, Joe Chiccarelli, Byron Gallimore, Celso Valli, and Stephen Duffy. He won a Latin Grammy for his work with artist/producer Soraya.

Paterno has produced or co-produced projects for Gov’t Mule, Michael Landau, Andrew Synowiec, the Black Mollys, Mitchell Froom, Lustra, Robbie Williams, the Lilac Time, and many other artists. He has also co-written songs with artists and written pieces for TV and film.

IN THIS EPISODE YOU’LL LEARN:

  • Lessons learned from working with Tchad Blake
  • The importance of focus
  • Why you don’t want people to feel like they’re in a recording studio
  • How to gain the trust of musicians
  • Why cell phones need to be banned from the studio
  • Coaching musicians to understand the difference between timing and groove
  • Why you should always do preproduction before entering the studio
  • Getting great drum sounds
  • When to avoid using compression
  • How Seinfeld and mixing have a lot in common

To learn more about John Paterno, visit: https://www.musicdafoz.com/

Looking for 1-on-1 feedback and training to help you create pro-quality mixes?

Check out my coaching program Amplitude and apply to join:

https://masteryourmix.com/amplitude/

 

Want additional help with your music productions?

For tips on how to improve your mixes, visit: https://masteryourmix.com/

Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/

Get your copy of my Amazon #1 bestselling books:



Check out our Sponsors:

Download Waves Plugins here: https://waves.alzt.net/EK3G2K


Subscribe to the show:



Have questions you’d like answered on the show?

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Please leave a rating and review:

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Thanks for listening!

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