Explore every episode of the podcast Martin Deeson UNLOADED

She shouted "Oi oi, Dickie!" at Richard Branson from the top floor of a Notting Hill squat, and by Monday he had put money into Kiss FM's bid to go legal. Years later she went to Ibiza with Radio 1, wandered off to the loo after Pete Tong told her to "stay close"... and didn't do the next show. Lisa I'Anson was there for three of the great revolutions in British music broadcasting: pirate Kiss FM going legal, the video boom at MTV Europe, and Matthew Bannister's mid-90s clear-out of Radio 1, where she became the first woman of colour to host a daytime show. She says she's too forgetful and "not that interesting" to write a book. Martin, born the same month and the same year, disagrees, and gets the stories out of her anyway. In this episode: How a Notting Hill squat, a shout of "Oi oi, Dickie!" and Richard Branson helped Kiss FM go from pirate to legal Three unpaid years on pirate Kiss alongside Norman Jay, Trevor Nelson, Gilles Peterson and Danny Rampling Manifesting her MTV Europe job from under a blimp at Notting Hill Carnival, clinging to Diana Ross ("please be my mum") and the day her flatmate hung up on Naomi Campbell Why she couldn't understand a single word James Brown said Saying no to Radio 1 three times, becoming its first Black daytime presenter, and the "two birds, one stone" moment she only saw in hindsight Fighting for one free play a week, and how long it took to get The Prodigy's Firestarter on air The 1998 Radio 1 Ibiza weekend: Pete Tong's "stay close", the wild rumours, and why she says she was never actually sacked Celebrity Big Brother 2005 with Bez, Brigitte Nielsen and Jackie Stallone, five weeks after losing her mum - and how her mother-in-law Erin Pizzey took on Germaine Greer Self-sabotage, getting sober in LA, and why 61 feels like the new 40 Her open pitch to Strictly Come Dancing Three things you'll take away: How a community of DJs, sound systems and the style press (The Face, i-D) pushed Kiss FM from pirate to legal, and forced Radio 1 to catch up. What being "the first" really looked like inside the BBC in the 1990s, seen with hindsight. Why Lisa thinks 61 is the new 40, and why she's ready to have another go at life. Original music by Chad Hobson. #LisaIAnson #KissFM #Radio1 Links & Mentions: UNLOADED: Spotify: https://open.spotify.com/show/4f8zXJ9K7LcFFG1YjYoo1O Apple: https://podcasts.apple.com/us/podcast/martin-deeson-unloaded/id1885169674 Youtube: https://www.youtube.com/@MartinDeesonUnloaded X: https://x.com/martindeeson Instagram: https://www.instagram.com/martindeeson/ Tiktok: https://www.tiktok.com/@martindeeson Website: https://www.unloadedpodcast.com/ All links - linktr.ee/martindeesonunloaded Lisa I’Anson: Lisa I'Anson on Instagram - @lisaianson Lisa's piece on her MTV years for Sir! magazine Kiss FM (Kiss 100), MTV Europe, BBC Radio 1 The MOBO Awards, founded by the late Kanya King CBE Celebrity Big Brother series 3 (January 2005) Ibiza Uncovered, which Lisa narrated Erin Pizzey, founder of the first women's refuge

Peter Greenaway, the director of The Cook, the Thief, His Wife & Her Lover, decided there was nothing after death when he was 13. Seventy-one years later, sitting in front of the Swiss Alps, he talks sex, death, ageing, his daughter's verdict on him and the films he will never get to make. Recorded at the St. Moritz Art Film Festival (SMAFF), where Greenaway was Guest of Honour, this special edition of Martin Deeson Unloaded sits down with one of British cinema's great provocateurs at 84. Trained as a painter, Greenaway broke through with The Draughtsman's Contract (1982), then made the run of films that defined arthouse cinema for a generation: A Zed & Two Noughts, The Belly of an Architect with Brian Dennehy, Drowning by Numbers with Joan Plowright, Juliet Stevenson and Joely Richardson, and The Cook, the Thief, His Wife & Her Lover, with Michael Gambon, Helen Mirren and Tim Roth, Jean Paul Gaultier costumes and a Michael Nyman score. Later came Prospero's Books with John Gielgud and The Pillow Book with Ewan McGregor. Martin saw The Cook, the Thief exactly once, at the Renoir cinema in Bloomsbury in 1989, and has never shaken it off. Thirty-seven years later he gets to ask the man who made it what he was up to. In this episode: Why he stopped believing in any afterlife at 13, and why he still isn't afraid of dying Sex and death: omnipresent in all of us, "even if you're a nun or a sex maniac" The Cook, the Thief as a portrait of Evil with a capital E, and whether the Thatcherite greed it satirised has won The sequel nobody knew existed: what happens to Helen Mirren's murderess after the final shot? Why every Greenaway film is designed to remind you that you're watching a Greenaway film The Greenaway Alphabet, Saskia Boddeke's film in which he is interviewed, and categorised, by his teenage daughter Pip Why he feels "equivocal" about AI, and why The Cook, the Thief belongs on a big screen, not a phone His new film, shot in Lucca with Dustin Hoffman and Helen Hunt Howard Marks, and the Palma restaurant that looked exactly like The Cook, the Thief The unmade films of Peter Greenaway, and what he'd do if he lived to 300 Unloaded Podcast: Apple: https://podcasts.apple.com/us/podcast/martin-deeson-unloaded/id1885169674 Youtube: https://www.youtube.com/@MartinDeesonUnloaded X: https://x.com/martindeeson Instagram: https://www.instagram.com/martindeeson/ Tiktok: https://www.tiktok.com/@martindeeson Website: https://www.unloadedpodcast.com/ Mentioned in this episode: The Greenaway Alphabet (dir. Saskia Boddeke, 2017) St. Moritz Art Film Festival (SMAFF) - https://smaff.org/ The Cook, the Thief, His Wife & Her Lover (1989); The Draughtsman's Contract (1982); Drowning by Numbers (1988); A Zed & Two Noughts (1985) Original music by Chad Hobson

Murray Lachlan Young walked off the Pyramid Stage at Glastonbury to find himself on the front page of the Daily Telegraph as the poet who had signed a million pound record deal. It made him the most talked-about poet in Britain, and very nearly broke him. Includes three poems performed in full: Simply Everyone's Taking Cocaine (with a brand-new verse), Don the sheepdog, and Everything's Under Control. In the 1990s Murray Lachlan Young went from Sunday nights at Ronnie Scott's to EMI, Glastonbury and every chat show going, on the strength of a Noël Coward voice and a poem called Simply Everyone's Taking Cocaine that caught the decade in a single, ahem, line. In this episode he tells Martin Deeson how the 90s music machine really worked, how he had already written a university dissertation on stardom before he found it, and what happened when he did. He performs three poems in full, including Simply Everyone's Taking Cocaine with a brand-new verse, and the conversation runs from Howard Marks, Orbital and Mary Berry to CERN, Mark Rylance's Globe, the Dalai Lama and a sheepdog who drove a tractor up the M74. Murray Lachlan Young is the author of the collected poems How Freaking Zeitgeist Are You?, a long-standing poet on BBC 6 Music, co-writer of the film of Under Milk Wood and of Rehab: The Musical, and one half of Hartnoll & Young with Orbital's Paul Hartnoll. Three things you will get from this episode: How the 90s fame machine actually worked, from a man who studied stardom at university and then watched a record deal turn him from a working artist into a media story overnight. A sharp take on why the 90s felt so different: the recession that cleared out the people who owned the 80s, and a country that for once wanted its people to succeed. What is left when the ego crashes: stage presence, losing it, and why surrender is the moment you get back in the game. In this episode: Martin's memory of pulling Murray's demo tape off the pile in the Loaded magazine office one Saturday Sunday nights at Ronnie Scott's, on the same bill as a pre-Bush Gavin Rossdale. Walking off Glastonbury's Pyramid Stage to a Telegraph front page, and the truth about the million pound deal. The 90s as a big “why not”: the Spice Girls, Oasis as the Beatles, Brett Anderson as Bowie, Jamie Oliver as a famous chef. Simply Everyone's Taking Cocaine performed in full, with a new verse featuring Keir Starmer, Emmanuel Macron and Friedrich Merz. Born in Washington DC, and the US draft letters that followed him home. School with Paul Hartnoll of Orbital, and their lockdown album The Virus Diaries: I Need a Haircut, Garden Centre, Bedtime. Why lockdown gave Britain its last truly shared experience. Japan's cleverest bear, and Don, the Lanarkshire sheepdog who drove a tractor onto the M74. The Dalai Lama getting booed at Glastonbury. Playing the exorcist in John Whiting's The Devils at the Edinburgh Festival, and the strangers who knelt for his blessing. Being booed at the Globe, and what happens when the energy goes. Everything's Under Control performed in full: the poem that came second in the competition. Unloaded Podcast: Apple: https://podcasts.apple.com/us/podcast/martin-deeson-unloaded/id1885169674 Youtube: https://www.youtube.com/@MartinDeesonUnloaded X: https://x.com/martindeeson Instagram: https://www.instagram.com/martindeeson/ Tiktok: https://www.tiktok.com/@martindeeson Website: https://www.unloadedpodcast.com/ Murray Lachlan Young and mentions: Murray Lachlan Young – https://www.murraylachlanyoung.co.uk/ How Freaking Zeitgeist Are You? – Murray's collected poems The Virus Diaries – Hartnoll & Young (Paul Hartnoll of Orbital and Murray Lachlan Young), 2021 Rehab: The Musical and Under Milk Wood (dir. Kevin Allen, with Rhys Ifans and Charlotte Church) Also on Martin Deeson Unloaded: the Keith Allen episode – https://youtu.be/QFjwbhA0ID8

She was 16, naked and sprayed gold in the Spandau Ballet video. A decade later she was pushing the trolley in Common People. Sadie Frost has been at the centre of British popular culture since 1983. She was in the two music videos that define the 80s and the 90s, she flew to Hollywood eight months after giving birth to audition for Francis Ford Coppola, and she spent a decade as the most photographed woman in north London. She is now a documentary director making a film about Quadrophenia with Pete Townshend. She talks to Martin Deeson about Gary Kemp, Kate Moss, Gary Oldman and Winona Ryder, Jude Law, Jarvis Cocker, Ray Winstone and Phil Daniels, and about growing up in Primrose Hill long before anybody called it a set. Why she was more nervous filming Common People than she was on set with Coppola, and the reason she couldn't work out how to push a supermarket trolley The truth about the Primrose Hill set, from someone who was actually born there, went to the local primary school, and watched the tabloids invent a narrative around a group of twentysomethings What happens after the crazy days. She gets up at quarter to five, goes to bed at nine, teaches yoga for free at the local community centre, and says something genuinely surprising about whether she ever enjoyed the partying in the first place Also: the borrowed dress and the stuffed bra that got her the part in Bram Stoker's Dracula, being told at 23 that she was too old to act, the muntjac deer she put in her car, and why she is still waiting to hear back from Sting. Chapters: 00:00 Trailer 01:07 Crazy Days 02:16 A sick child and a psychedelic father 09:01 Spandau Ballet, Gold, and meeting Gary Kemp 12:46 The call from Francis Ford Coppola 16:07 Common People and the Pulp video 19:10 The Primrose Hill set 23:12 Meeting Kate Moss 24:38 Getting sober, and never really liking the party 28:23 Yoga 33:00 Becoming a director: Quant and Twiggy 35:47 Quadrophenia, Pete Townshend and Sting 40:15 The deer in the car 41:11 Raising three sons 45:47 Rescue Links & Mentions: Unloaded Podcast: Apple: https://podcasts.apple.com/us/podcast/martin-deeson-unloaded/id1885169674 Youtube: https://www.youtube.com/@MartinDeesonUnloaded X: https://x.com/martindeeson Instagram: https://www.instagram.com/martindeeson/ Tiktok: https://www.tiktok.com/@martindeeson Website: https://www.unloadedpodcast.com/ Sadie frost: Sadie Frost on Instagram - instagram.com/sadiefrost RESCUE (documentary, exec produced by Sadie) - rescuefilm.com

The Word was the gateway drug to the 1990s, and everyone remembers Oliver Reed. Katie Puckrik was the one standing next to him, and this is the full behind-the-scenes story. Katie Puckrik arrived in London in 1984 expecting the future and found powdered milk, orange squash and restaurants advertising the fact that they had ice. Within seven years she had danced with Michael Clark, toured the world with the Pet Shop Boys, and beaten five thousand applicants to become one of the faces of The Word, the Channel 4 show Martin Deeson calls the gateway drug to the 1990s. She takes us inside the most notorious night in the show's history: Oliver Reed, a dressing room rigged with hidden cameras and stocked with booze, and Katie sent out to narrate it live while it happened. Her account of how he turned it around is not the one you have heard. She also tells the story of the note Liza Minnelli sent backstage at Radio City Music Hall, the day she sat down in the middle of Take That and found they were considerably less gay than advertised, and the moment she reveals to Martin that she is the person who coined the word ladette. Plus: she now fronts an Iggy Pop tribute band alongside the drummer from Blondie and the bassist from the Sex Pistols, and Iggy himself sent word back that he thought it was good. Three things you will get from this episode A first-hand account of the Oliver Reed night on The Word, from the presenter who was told to narrate it, and a reading of him that nobody else offers. The story behind one of the defining words of 90s British culture, told by the person who coined it. A working method for a life spent saying yes: how to walk into a room, distil yourself down, and get hired. Chapters: 1:10 Intro 2:49 How to interview someone: part diplomat, part prostitute 3:38 An army childhood: Moscow at the height of the Cold War 5:13 Scoliosis, a metal rod in the spine, and the end of ballet 6:02 Michael Clark, Leigh Bowery, The Fall and London's mid-80s avant garde 7:21 Moving to Britain to become a pop star 8:13 Kensington Market, Hyper Hyper and finding a scene before social media 10:40 Dancing on the Pet Shop Boys Performance tour 13:07 Radio City Music Hall, and the note Liza Minnelli sent her 14:51 Britain in 1984: powdered milk, orange squash and "we have ice" 18:55 Beating 5,000 applicants to a job on The Word 20:00 Piers Morgan digs for dirt at the Groucho 21:25 Famous overnight, and the girl on the till at Marks & Spencer 23:54 The audition day, and Take That 24:28 Celebrating the biggest job on television with a 50p Harrods scrunchie 25:44 Oliver Reed, the hidden cameras and "Wild Thing" with the Lemonheads 30:45 Terry Christian, Mark Lamarr and men who cannot stop talking 34:03 The BFI, Loaded, and the 90s being taken seriously 30 years on 37:12 Pyjama Party, The Girlie Show and inventing the word ladette 40:08 "She seems so intelligent": being told off for having fun 41:22 Yacht rock, and pitching it to Radio 2 43:32 On being a savourer 44:45 Lust for Life: singing Iggy with Kevin Armstrong, Glen Matlock and Clem Burke 48:25 What Iggy Pop actually said about it 49:34 Shame, vulnerability and girl testosterone Links & Mentions: Katie Puckrik live, September 2026 THE HISTORY OF THE WORLD IN 10 SMELLS. https://www.tickettailor.com/events/circleandstar/2307137 ZIGGYFEST 2026. https://www.eventbrite.co.uk/e/ziggyfest-2026-tickets-1995646334909 Katie Puckrik online: Instagram: https://www.instagram.com/katiepuckrik/ X: https://x.com/KatiePuckrik YouTube: https://www.youtube.com/katiepuckriksmells Martin Deeson Unloaded: Apple: https://podcasts.apple.com/us/podcast/martin-deeson-unloaded/id1885169674 Youtube: https://www.youtube.com/@MartinDeesonUnloaded X: https://x.com/martindeeson Instagram: https://www.instagram.com/martindeeson/ Tiktok: https://www.tiktok.com/@martindeeson Website: https://www.unloadedpodcast.com/

She killed Dirty Den and buried him under the Queen Vic. Then she ran Torchwood, got turned into a Cyberman, and lost a soap award to a small dog in a bow tie. Tracy-Ann Oberman has been in more of the things you love than almost anyone alive. EastEnders, Doctor Who, Toast of London, Friday Night Dinner, After Life, It’s a Sin, The Witcher, The Sandman, Ridley Road, the Royal Shakespeare Company and the new Harlan Coben series on Netflix. She joins Martin Deeson, who has known her since they were teenagers, for a very funny and occasionally jaw-dropping hour on fame, tabloids, antisemitism, Matt Berry, and why the best thing that ever happened to her career was being told she did not look right for the part. In this episode: Why the head of her drama school told her to change her name, and what she said back Reading the Toast of London pilot script and immediately ringing her agent to turn it down Matt Berry, Mrs Purchase, Clem Fandango, and why the dads at the school gates suddenly wanted to talk to her Auntie Val, Friday Night Dinner, Auntie Val Core trending on TikTok, and the dog cage she refused to come out of Ten days from audition to Albert Square, and the Selfridges spree with an unlimited budget What Leslie Grantham said to her in the EastEnders chemistry test, and what she said back Being told she was the Katharine Hepburn to his Spencer Tracy of Walford Killing Dirty Den, burying him under the Queen Vic, and then acting opposite him while he was under it Turning up to work on the Monday after a six-page tabloid expose of her co-star The small dog in a bow tie that beat her to a Soap Award, and why she thinks about it more than a BAFTA Russell T Davies, Dr Who, Yvonne Hartman, Torchwood, the Daleks, the Cybermen, and getting cybered It’s a Sin, and the friend whose family burned the bed sheets and buried the cutlery Ridley Road, Cable Street, and her great uncle put through a plate glass window by Mosley’s Blackshirts Becoming the first female Shylock in The Merchant of Venice 1936 Noel Coward’s Present Laughter reimagined with a female lead at Studio 54, opening at Bath Theatre Royal Three things you will take away: What it actually costs to join a soap at the height of the tabloid era How a jobbing actor turns a part she nearly refused into a cult classic Why she calls herself an accidental activist, and what she thinks that obliges her to do Apple: https://podcasts.apple.com/us/podcast/martin-deeson-unloaded/id1885169674 Youtube: https://www.youtube.com/@MartinDeesonUnloaded X: https://x.com/martindeeson Instagram: https://www.instagram.com/martindeeson/ Tiktok: https://www.tiktok.com/@martindeeson Website: https://www.unloadedpodcast.com/ Tracy-Ann Oberman on Instagram: https://www.instagram.com/tracyanno/ Present Laughter tickets - Theatre Royal Bath, then touring to Cambridge, Cheltenham, Malvern, Liverpool, York and Chichester: https://linktr.ee/PresentLaughterTour

In 1997 a young A&R man at London Records opened the post and found demos from two unsigned bands called Coldplay and Muse. He listened, shrugged, and decided Britain did not need another Radiohead. Episode Summary: John Niven spent the 1990s inside the record industry at London Records and Independiente, and then turned all of it into Kill Your Friends, the novel that caught the decade's greed, cocaine and moral collapse better than anything else written about it. In this episode he tells Martin Deeson about the demos he waved away, the American visitors his label laughed out of the building who turned out to be setting up Yahoo, the five broke years it took to become a novelist, the memoir he wrote about his brother's suicide, and why Oasis stitched themselves into the soul of the British people in a way Blur never could. John Niven is the author of eleven novels including Kill Your Friends, The Second Coming, Straight White Male and The Fathers, and the memoir O Brother. His first stage play, The Battle, is about the 1995 Blur and Oasis chart war. Three things you will get from this episode: The best explanation you will hear of why Oasis became bigger than Blur, from the man who has written a play about that summer. What it actually felt like inside a major record label at the peak of the money, from a man who was paid a fortune to be there and freely admits he was terrible at the job. A working writer's account of how you get there: the discipline, the poverty, the seventeen rejections, and why the first draft of Kill Your Friends had to be thrown away. In this episode: The Loaded job John Niven applied for and did not get, and the letter James Brown almost certainly binned Cocaine on the desk: why the music industry and the magazine industry behaved identically, and why only one of them was making real money Kingsley Amis on the moment lunch becomes dinner The truth about turning down Coldplay and Muse, and the photocopy of a photocopy line that ended up in Kill Your Friends Take That, East 17, Boyzone, Westlife, and underestimating the public's appetite for the same thing again The American visitors to London Records in 1994 who described streaming, wireless listening and the death of the CD, and got laughed out of the office The £50,000 investment London Records turned down, the second Menswear album they made instead, and the Yahoo fortune that got away Giving up the company car at 30 to write a novel, and being turned down by seventeen publishers Music from the Big Pink, drug dealers, private jets, and why that particular life curve rarely ends well Why the first draft of Kill Your Friends was unreadable until Steven Stelfox took over the telling Paul Schrader writing Taxi Driver on bourbon and cocaine, Bruce Robinson typing with his nose, and why John Niven could not write with a hangover Straight White Male, Irvine Welsh, and inhabiting men you would not want to be in a room with The Fathers, Dan and Jada, and the two versions of John Niven's own life O Brother, his brother's suicide, and the median peak age for male suicide Why books, films and music can be a lifeline for men in middle age, and what happens to the men who never had them The Battle: John Niven's play about the summer of 1995, Country House and Roll With It From Damon Albarn saying it should have been shared with Oasis at the Brits in February, to Noel Gallagher's AIDS remark by July Why the 90s revival has arrived exactly on schedule, thirty years on, just as the 60s did for the 90s 80,000 people at Wembley knowing every word, the magnetism of Liam Gallagher, and the Lennon and McCartney comparison Apple: https://podcasts.apple.com/us/podcast/martin-deeson-unloaded/id1885169674Youtube: https://www.youtube.com/@MartinDeesonUnloadedX: https://x.com/martindeesonInstagram: https://www.instagram.com/martindeeson/Tiktok: https://www.tiktok.com/@martindeesonWebsite: https://www.unloadedpodcast.com/

She narrated Eurotrash, starred in The Fast Show, and has spent thirty years sitting at the next table to everyone - Nigella, Graham Norton, Cilla Black, Salman Rushdie. But Maria McErlane didn’t come on to drop celebrity names; she came on to talk about how to actually live, and somehow we ended up discussing the two bottles of morphine in her fridge. Episode Summary: Martin Deeson sits down with Maria McErlane - Fast Show star, the unmistakable voice of Eurotrash, actress, journalist, Agony Aunt, and Graham Norton’s comedy partner on Radio 2, Virgin Radio and their hit podcast Wanging On. What starts as a tour through 90s comedy turns into one of the most quietly profound conversations of the series - on fame, mortality, ageing without bitterness, and finding the joy anyway. Three things you’ll take from it: how to develop a thick skin in an age that’s lost the knack; why “death is not a life ended, it’s a life completed” might be the most useful thing you hear all year; and how the people who treat fame as a licence to be horrible (yes, that story) always end up the loneliest in the room. In this episode: How Maria landed The Fast Show - replacing Caroline Aherne, recruited by Mark Williams “I’m Not Pissed,” “Suits you sir,” and the secret-alcoholic sketch The voice of Eurotrash - 16 seasons of Jean-Paul Gaultier, Antoine de Caunes and refusing to be cruel about Lolo Ferrari Why the women of 90s comedy were genuinely frightened of Loaded and James Brown’s mob Being a woman on the 90s circuit alongside Jenny Eclair, Jo Brand and Hattie Hayridge Her book Bumps in the Road - and why it’s a book of philosophy disguised as a showbiz memoir John Diamond, Nigella Lawson, and the vodka injected straight into the stomach The Salman Rushdie moleskine-pad story - “fuck off, I’ve got cancer” “Death is not a life ended, it’s a life completed” - and where the phrase came from The two bottles of 25-year-old morphine still in her fridge Meeting Graham Norton on Carnal Knowledge, and how he got famous overnight The three types of fame - and why Cilla Black made her call her “Miss Black” The Maureen Lipman “I’m sure you are” takedown Martin’s day from hell with Vinnie Jones, GQ and a helicopter to the dogs Howard Marks, the nicest man at Glastonbury John Cleese’s stem cells, ageing, and doing it all with grace

Rowland Rivron was there at the birth of alternative comedy, sharing stages and dressing rooms with Rik Mayall, French & Saunders, Alexei Sayle and The Comic Strip. In this episode he reveals what Soho was really like during the wild 1980s and 1990s, from The Young Ones to the Groucho Club and beyond. Episode Summary / Bullet Points In this episode of Martin Deeson Unloaded, Martin sits down with comedian, actor, writer, musician and broadcaster Rowland Rivron. Long before alternative comedy became mainstream, Rowland was part of the scene that transformed British entertainment. From living with Rik Mayall while The Young Ones was being written to performing alongside French & Saunders, Alexei Sayle and The Comic Strip, he found himself at the centre of one of the most influential cultural movements of modern Britain. The conversation also explores the legendary excesses of Soho, the Groucho Club, television in the Channel 4 golden era, life on the road with Jools Holland, and the infamous Loaded magazine Christmas stunt that left children convinced Father Christmas had been killed. Topics include: Rik Mayall and the creation of The Young Ones The Comic Strip and the birth of alternative comedy Working alongside French & Saunders Alexei Sayle and the early comedy circuit Jonathan Ross and Channel 4’s golden era Jools Holland and life as a touring musician The infamous Loaded magazine drunken Santa stunt Wild nights at the Groucho Club What Soho was really like in the 1980s and 1990s Why comedy, music and television were changing Britain Apple: https://podcasts.apple.com/us/podcast/martin-deeson-unloaded/id1885169674Youtube: https://www.youtube.com/@MartinDeesonUnloadedX: https://x.com/martindeesonInstagram: https://www.instagram.com/martindeeson/Tiktok: https://www.tiktok.com/@martindeesonWebsite: https://www.unloadedpodcast.com/

James Brown changed British culture when he launched Loaded magazine in the 1990s - and changed Martin Deeson’s life along with it. In this hilarious, emotional and frequently chaotic reunion, the founder of Loaded sits down with his former star writer for the first time in years to talk about magazine wars, addiction, creativity, grief, comedy, the Beastie Boys, Keanu Reeves, Irvine Welsh, Hunter S. Thompson journalism and the wild rise - and fall - of 90s culture. This episode is part reunion, part argument, part therapy session. Martin and James interrupt each other constantly, disagree repeatedly, laugh hysterically and revisit the stories behind one of the most influential magazines Britain ever produced. Topics include: The real origin story of Loaded magazine  Why the 1990s felt radically different from the 1980s  The explosion of comedy, music, rave culture and laddism  James Brown’s years at the NME before Loaded  Discovering writers, bands and cultural movements  Hanging out with the Beastie Boys and Keanu Reeves  Why Loaded connected with ordinary young men  Addiction in 90s media  The emotional toll behind the chaos  The infamous GQ champagne bottle incident  Howard Marks, Damien Hirst, Vic Reeves and Hunter S. Thompson  Why James eventually got sober  The strange legacy of Loaded today  Plus: Stephen Fry airport chaos  Cannes Film Festival disasters  Nuclear war paranoia in the 1980s  Stringfellows stories  Terrence Stamp telling Martin to go away  Why James thinks Martin was the funniest travelling companion imaginable  An unusually loose, funny and emotional conversation between two old comrades who helped define a decade - and somehow survived it. Apple: https://podcasts.apple.com/us/podcast/martin-deeson-unloaded/id1885169674Youtube: https://www.youtube.com/@MartinDeesonUnloadedX: https://x.com/martindeesonInstagram: https://www.instagram.com/martindeeson/Tiktok: https://www.tiktok.com/@martindeesonWebsite: https://www.unloadedpodcast.com/

Keith Allen joins Martin Deeson for a wild, funny and surprisingly moving conversation about punk, prison, Gazza, The Comic Strip, alternative comedy, World In Motion, the madness of 90s Britain and what it really felt like to live through the cultural explosion of Channel 4, rave culture and Cool Britannia. From opening for The Clash and Dexys Midnight Runners to smashing up a members club, going to prison, writing World In Motion with New Order and accidentally giving Rik Mayall a criminal record – this is Keith Allen at his absolute, outrageous best. In this episode of Martin Deeson Unloaded: Keith reveals the chaotic true story behind World In Motion Gazza “rapped but you couldn’t understand him” The birth of alternative comedy and The Comic Strip What Channel 4 was REALLY like in the 1980s Squatting in London during the punk years Going to prison after smashing up the Groucho Club Opening for Dexys and The Clash Working with Rik Mayall, Alexei Sayle and Ken Campbell The Hacienda, Tony Wilson and the Manchester explosion Fat Les, football culture and 90s Britain Why Keith believes institutions can be “fun” Growing older, fatherhood and staying creatively alive Plus: Stephen Fry, Damian Hirst, Alex James, Irvine Welsh, Derek Jarman, Michael Barrymore, Robbie Coltrane, New Order, Trainspotting, Twin Town and much more. Youtube: ⁠https://www.youtube.com/@MartinDeesonUnloaded⁠ Apple: https://podcasts.apple.com/us/podcast/martin-deeson-unloaded/id1885169674 X: https://x.com/martindeeson Instagram: https://www.instagram.com/martindeeson/ Tiktok: https://www.tiktok.com/@martindeeson Website: https://www.unloadedpodcast.com/

When people talk about 90s ladettes, they usually think of Sara Cox, Denise Van Outen or Zoe Ball. But before them came Jenny Eclair: PVC-clad, vodka in one hand and fag in the other. Before Jenny Eclair became a beloved comedy veteran, novelist, podcaster, artist and national treasure, she was one of the defining women of the 1990s: loud, filthy, funny, fearless, and right there at the start of the ladette era. In this episode, she joins Martin Deeson to look back at when she was guest editor of Loaded, on winning the Perrier Award, on fame, hangovers, reinvention and the complicated legacy of a decade that was enormous fun – until it wasn’t. Jenny Eclair is one of Britain’s most distinctive comic voices: the first woman to win the Perrier Award, star of Grumpy Old Women, author of novels and memoirs, podcaster, performer, and one of the few people who can talk about shame, sex, ageing, ambition. dog castration adverts and blow jobs in the same breath. In this funny, filthy, sharp and surprisingly revealing conversation, Martin and Jenny revisit the 1990s from the inside: the Loaded years, the ladette label, the pressure to be outrageous, and the emotional bill that went with it. In this episode: Jenny remembers winning the Perrier Award – and why the morning after was anything but glamorous. Martin and Jenny revisit her infamous guest-edit of Loaded magazine, including the bondage photo shoot in which she trussed him up like a chicken. They discuss the original ladette era, why the word was both powerful and a millstone, and how much of it was performance. Jenny reflects on being clever, funny, reckless, ambitious and sometimes deeply uncomfortable in the persona she had created. Martin and Jenny talk about the Loaded live tour, lad culture, the BBC documentary, and where the magazine’s legacy became more complicated. Jenny explains how she moved from PVC trousers and filthy stage persona to novels, Radio 4 monologues, Grumpy Old Women, podcasting and later-life reinvention. They discuss ageing, family, work ethic, addiction, anxiety, writing, performance, and whether it is ever too late to do your best work. This is a conversation about the 90s as they really felt from the inside: hilarious, excessive, clever, frightening, liberating, embarrassing and unforgettable. Youtube: https://www.youtube.com/@MartinDeesonUnloaded Apple: https://podcasts.apple.com/us/podcast/martin-deeson-unloaded/id1885169674X: https://x.com/martindeesonInstagram: https://www.instagram.com/martindeeson/ Tiktok: https://www.tiktok.com/@martindeeson Website: https://www.unloadedpodcast.com/ Jenny Eclair official website for tour dates, books, podcasts and more: https://jennyeclair.com/ Jenny Eclair — Older & Wider Podcast Jenny’s podcast with Judith Holder. https://jennyeclair.com/podcast Jokes, Jokes, Jokes: My Very Funny MemoirJenny’s memoir, which is heavily referenced in the episode available on amazon

He was the wildest man in 90s club culture - and by his own admission, probably would’ve “won the World Cup of caning. "I realised I was more scared of living without drugs than I was of dying with them.” In this raw, funny and unexpectedly moving conversation, Martin Deeson sits down with legendary DJ Brandon Block - the man synonymous with Ibiza, excess, and one of the most extreme lifestyles of the 1990s. But this isn’t just a chance to tell war stories. It’s a deep dive into addiction, recovery, dopamine, modern anxiety - and what happens when the party stops. How Brandon went from Ibiza icon to 28 grams of cocaine a day The moment he realised: “I can’t live like this anymore” Why addiction isn’t about substances — it’s about behaviour and dopamine The truth about anxiety: “It won’t kill you — but it will test you” The power of empathy — and how it shaped both his DJ career and his recovery work Why Gen X might be uniquely struggling in the modern world Ibiza, spirituality, and the strange magic of that era Follow Apple: https://podcasts.apple.com/us/podcast/martin-deeson-unloaded/id1885169674 Youtube: https://www.youtube.com/@MartinDeesonUnloaded X: https://x.com/martindeeson Instagram: https://www.instagram.com/martindeeson/ Tiktok: https://www.tiktok.com/@martindeeson Website: https://www.unloadedpodcast.com/

In the 1990s, Kathy Lloyd was everywhere. As three time Page Three Model of the Year she was one of the most recognisable faces in Britain - appearing in the country’s biggest newspaper and Loaded magazine. Then she disappeared from the media spotlight for twenty years. Until now. Episode Summary In this rare interview, Martin Deeson talks to Kathy Lloyd about fame, media culture and the surreal world surrounding the rise of Loaded magazine in the 1990s. Kathy recalls what it was like becoming a national sex symbol almost overnight, the strange experiences that came with Page Three fame, and the madness of touring with Loaded magazine - with Bez from the Happy Mondays. But the conversation also looks beyond the headlines. Kathy reflects on the reality behind the glamour, how that era shaped her life, and how she views the culture of the 1990s today. It’s a funny, honest and occasionally revealing conversation about one of the most extraordinary periods in British media history. Kathy Lloyd discusses: What life was really like as a Page Three star in the 1990s Touring the UK with Loaded magazine Partying with Bez from the Happy Mondays The world of 90s lad culture from the inside Why she decided to give her first interview in 20 years Spotify: https://open.spotify.com/show/4f8zXJ9K7LcFFG1YjYoo1OApple: https://podcasts.apple.com/us/podcast/martin-deeson-unloaded/id1885169674Youtube: https://www.youtube.com/@MartinDeesonUnloadedX: https://x.com/martindeesonInstagram: https://www.instagram.com/martindeeson/Tiktok: https://www.tiktok.com/@martindeesonWebsite: https://www.unloadedpodcast.com/

What really happened when Trainspotting exploded and suddenly the author was partying with Oasis at the height of Britpop? Irvine Welsh joins Martin Deeson to talk about fame, the chaos of the 1990s, and the single greatest party he ever witnessed. Episode Summary When Trainspotting became the defining novel and film of a generation, Irvine Welsh found himself at the centre of the cultural storm that was the 1990s. In this episode of Martin Deeson Unloaded, Irvine looks back on the era when literature, music and nightlife collided - from the rise of Oasis and the Britpop explosion to the surreal experience of sudden global fame. Along the way he tells the story of the Trainspotting launch party at the Cannes Film Festival – and reflects on how that decade shaped, and continues to shape, the people who lived through it. In this episode we talk about: What it felt like when Trainspotting suddenly became a cultural phenomenon The 1990s party culture that surrounded Britpop and Oasis Irvine’s memory of the most epic party he ever attended How the wild energy of the 90s still echoes through culture today How taking DMT live on camera turned him from an atheist into… something more mysterious. If you lived through the decade – or wish you had – this conversation captures the madness, creativity and excess of the 1990s from someone who was right in the middle of it. https://www.instagram.com/martindeeson https://martindeeson.substack.com