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	Title	Pub. Date	Duration
	#219: Christine Tyler Hill — Noticing as a Creative Practice, Making Art From the Ordinary, and Not Waiting for Permission to Create	07 Nov 2026	01:11:25
Artist, naturalist, and crossing guard Christine Tyler Hill on turning a daily practice of noticing into The Cloud Report, how constraints and play sustain her work, accepting support as an artist, using social media without letting it steer the art, and not waiting for permission to create. You'll learn Why ordinary, overlooked places reward those who keep returning to them. How attention can become a creative practice, and a way of changing how you see the world. What a strict format and a monthly deadline can do for an overwhelmed creative mind. The role of play, experimentation, and feeling lost in making new work. A case for sincerity over polish when sharing your work. When accepting support for your art feels uncomfortable, and why it matters to let people help. What Leonard Woolf's irises can teach us about making art in dark times. How to use social platforms without letting them dictate the direction of the work. Writing about the things you love without worrying about being twee. Why it pays to start the project you need now, even when others don’t understand it. Resources & Links Interview Transcript (unedited) The Cloud Report: Christine's monthly printed newsletter, posted out each month Tender Dispatches: her weeklyish newsletter on what she's reading, loving and thinking about christinetylerhill.com: Christine's website and shop Bulletins from the Everyday: October's Writers' Hour Magazine contest, inspired by Christine's work Quilt Study, Christine's art book with Directangle Editions About Christine Tyler Hill Christine Tyler Hill is a multidisciplinary artist, naturalist, cyclist, and crossing guard based in Burlington, Vermont. She is the creator of The Cloud Report, a monthly printed newsletter featuring drawn and written observations from the intersection, the woods, the studio, the garden, and beyond, and Tender Dispatches, her weeklyish newsletter sharing three things she's reading, loving, or thinking about. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#218: Behind the Scenes With the UK’s Top Literary Agents — Abigail Bergstrom, Madeleine Milburn, Juliet Mushens on Playing the Long Game, Turning Ideas Into Author Brands, and Bouncing Back From Rejection \| Compilation	31 Oct 2026	00:46:49
Three of the UK’s leading literary agents — Abigail Bergstrom, Madeleine Milburn, and Juliet Mushens — on what happens after an agent says yes: building a writing career that lasts, turning an idea into a distinct author brand, and moving forward after both success and disappointment. You’ll learn What good author care looks like, especially when the news is bad. When the biggest advance isn’t the best offer. Why a writing career is a long game, from reinventing a stalled career to surviving the pressure of a big debut. How to find the unique lens that makes your idea worth writing. What turns an author into a brand, and a simple way to stay consistent without becoming gimmicky. A literary agent’s lessons from querying her own novel under a pseudonym. The marketing questions worth asking a publisher before you sign. What really happens on the call when an agent offers representation, and how to choose between agents. Balancing passion and the market when deciding what to write next. How to move forward when a book doesn’t sell, and why success can be just as tricky to handle. Episode Links #064: Madeleine Milburn — Catching an Agent’s Eye & Building an Author-First Agency #57: Abigail Bergstrom — Becoming a Literary Agent, Building an Author Brand, Inside the Publishing Industry, Recovering From Burnout #189: Juliet Mushens — Building Bestselling Writer Careers, Decoding Agent Feedback, and Why Writing for the Market Rarely Works Resources & Links Bergstrom Studio Something to Say, Abigail Bergstrom’s Substack What a Shame by Abigail Bergstrom Madeleine Milburn at the Madeleine Milburn Literary, TV & Film Agency Juliet Mushens at Mushens Entertainment About the Guests Abigail Bergstrom is a Welsh writer who has written for national magazines and broadsheets, including ELLE, Sunday Times Style, the Telegraph and Refinery29. Having worked in publishing for over a decade, she is an industry leader and an expert in navigating the cross-section between digital and print. She’s edited some of Britain’s most prominent feminist voices, was nominated for Literary Agent of the Year 2020, and was listed in The Bookseller 150. An intersectional feminist campaigner, she co-founded the campaign ‘This Doesn’t Mean Yes,’ which was covered in the media internationally. She founded Gleam Titles and now runs Bergstrom Studio, a literary agency and publishing consultancy, and writes the Substack newsletter Something to Say. She is the author of the novels What a Shame and Selfish Girls. Madeleine Milburn has been on the committee of the Association of Authors’ Agents (AAA). She has appeared on The Bookseller’s list of the 150 most influential people in the book trade every year since 2017. Since founding the agency in 2012, Madeleine was awarded Literary Agent of the Year at the British Book Awards in 2018 and was shortlisted again in 2020. She has been responsible for discovering some of the highest-selling and award-winning contemporary authors who consistently hit the bestseller lists in the New York Times, including Nita Prose (The Maid), Costa Book Award winner and multi-million copy bestseller Gail Honeyman (Eleanor Oliphant Is Completely Fine), Ashley Audrain (The Push), Elizabeth Macneal (The Doll Factory) and Holly Bourne. She represents multiple bestselling crime and thriller brands, too, including C.L. Taylor, C.J. Tudor and Mark Edwards. Juliet Mushens is the founder of Mushens Entertainment and has been a literary agent since 2011. More than a dozen of her clients are Sunday Times bestsellers, with more than half a dozen reaching the number one spot. Her clients include million-copy no. 1 bestseller Jessie Burton, multi-million copy NY Times bestseller Taran Matharu, and record-breaking multi-million copy no. 1 bestseller Richard Osman. The Times ran a piece recognising her as the first agent to represent the number 1, 2 and 3 UK bestsellers in the same week: ‘Star literary agent first to top the charts three times’, a feat she has since repeated. Juliet sits on the advisory board of Book Brunch, is President of the British Fantasy Society and sits on the board of the Women’s Prize Trust. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#217: Dawn O'Porter — Finding Your Voice, Writing as a Loyal Companion, Writing Memoir Without Exposing Others, and Success Beyond the Bank Balance	24 Oct 2026	01:01:30
Novelist, memoirist and broadcaster Dawn O'Porter on trusting her own voice, writing the book she had to get out of her system, drafting without a plan, protecting the people in her food memoir Hungry Eyes, and measuring success by what you create rather than what you earn. You'll learn Why writing can be the most loyal relationship in a creative career. The case for writing the story you're carrying before you write anything else. What immersive journalism can teach a novelist about not letting the reader down. Why some writers feel trapped by a plan, and what's worth knowing before you start instead. A simple trick for bringing a stubborn character to life. When a first draft can be far shorter than the finished book. How to know when a sentence has already said enough. How to write memoir when the people in your story don't want to be in it. The remark from a friend that became a writing mantra. What it means to measure success by what you've made, not what you've earned. Resources & Links 📄 Interview Transcript (unedited) Hungry Eyes: A Memoir of Appetite, Ambition and the Odd Bag of Wotsits for Dinner by Dawn O'Porter Paper Aeroplanes by Dawn O'Porter The Cows by Dawn O'Porter Cat Lady by Dawn O'Porter Honeybee by Dawn O'Porter Oranges Are Not the Only Fruit by Jeanette Winterson My Year of Rest and Relaxation by Ottessa Moshfegh The First Bad Man by Miranda July All Fours by Miranda July A Creative Compass by Emma Gannon dawnoporter.com — Dawn's website @hotpatooties — Dawn's Instagram Writing in Community — LWS Community Anthology About Lulu If you're self-publishing a book, Lulu now offers a Direct Buy Button that enables you to sell direct to your reader through a simple code. There's no cost to using it and it makes it easier to sell books directly from anywhere: your newsletter, social profile, website or podcast - and you don't have to worry about shipping or taxes. For more information head to lulu.com. About Dawn O'Porter Dawn O'Porter is a bestselling novelist, memoirist, journalist and broadcaster. She is the author of several novels exploring female friendship, identity and the complexities of women's lives, including Paper Aeroplanes, The Cows, So Lucky, Cat Lady and Honeybee. Her latest book, Hungry Eyes: A Memoir of Appetite, Ambition and the Odd Bag of Wotsits for Dinner, turns to nonfiction to explore food, memory, ambition and the experiences that have shaped her life. Alongside her books, Dawn has written widely on feminism and women's lives and built a career spanning journalism, documentary filmmaking and television. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#216: Sarah Gilbert — PR for Indie Authors, Thinking Like a Publicist, and Starting Small to Build Momentum	18 Oct 2026	00:50:51
Lulu PR Manager Sarah Gilbert on building a reader-first publicity plan, pitching the media as an indie author, and turning small grassroots wins into lasting momentum. You'll learn Why earned media carries more weight with readers than anything you pay for. The question every author should answer about their book before planning any publicity. How writing a press release can clarify what your book is really about, even if you never send it. When the story behind your book is more pitchable than the book itself. How to build a media list and write a pitch that offers something in return. Why starting small and local can open doors to bigger opportunities. How far ahead to start your publicity, and how long to keep it going. The difference between a media “hit” and a media “run,” and what to do with each. Ways to give your backlist new life long after launch. What to watch out for when hiring outside PR help, and the mistakes authors often make. Resources & Links Lulu This Naked Mind by Annie Grace #033: Joanna Penn on the LWS Podcast Writing in Community — LWS Community Anthology About Lulu If you're self-publishing a book, Lulu now offers a Direct Buy Button that enables you to sell direct to your reader through a simple code. There's no cost to using it and it makes it easier to sell books directly from anywhere: your newsletter, social profile, website or podcast - and you don't have to worry about shipping or taxes. For more information head to lulu.com. About Sarah Gilbert Sarah is the Public Relations Manager for Lulu.com, the publishing and print on demand company started in 2002 by Red Hat Founder Bob Young. With over 16 years experience in the publishing industry, Sarah is passionate about helping authors and publishers find ways to connect with their audience. In previous roles, she led author public relations campaigns and coached many in preparation for their book launches. When not in the office, she's trying to figure out her hobbies as an empty nester, gardening is in the lead. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#215: How to Go Indie — Joanna Penn, Orna Ross, Eleanor Anstruther on Owning Your Rights, Paying Yourself First, and Serialising Your Novel on Substack \| Compilation	10 Oct 2026	00:58:36
Indie authors Joanna Penn, Orna Ross, and Eleanor Anstruther on going direct to readers and protecting your rights, the business and money side of self-publishing, and building an audience by serialising on Substack. You'll learn Why curiosity and a willingness to experiment matter more than any credential when you go indie. Why the writers you admire may not make their money the way you think. What separates an independent author from someone who simply self-publishes. How a ten-poem experiment revealed what self-publishing really changes. The seven processes that make up the craft of publishing, and why production is only one of them. Where marketing connects to the book itself, and why outsourcing it too early rarely pays. A money principle every indie author should adopt from their very first sale. How years of rejection can become the foundation of an independent creative life. What a year of one-minute daily posts taught one writer about the fear of pressing publish. The non-negotiable rule for serialising a novel on Substack, and how to keep readers from losing their place. Episode Links #033: Joanna Penn — The Indie Writer Path, Web 3.0 & AI-Assisted Creativity #052: Orna Ross — How to Succeed as Indie Author, Marketing Essentials, Paying Yourself First #144: Eleanor Anstruther — The Book Industry Rejected Me. So I Built My Own Audience on Substack; Serialising Online, Writing Literary Fiction; Being an Independent Artist, Creating Your Artist DNA Resources & Links Eleanor Anstruther — website A Perfect Explanation by Eleanor Anstruther The Literary Obsessive on Substack Orna Ross — website Alliance of Independent Authors (ALLi) The Creative Penn Podcast Writing in Community — LWS Community Anthology About Lulu If you're self-publishing a book, Lulu now offers a Direct Buy Button that enables you to sell direct to your reader through a simple code. There's no cost to using it and it makes it easier to sell books directly from anywhere: your newsletter, social profile, website or podcast - and you don't have to worry about shipping or taxes. For more information head to lulu.com. About the Guests Joanna Penn is an award-winning, New York Times and USA Today bestselling thriller author as J.F. Penn, as well as writing non-fiction for authors. She has sold over a million books across 176 countries and 5 languages. Her podcast, The Creative Penn, has been downloaded over 10 million times in 228 countries. Orna Ross is a bestselling and award-winning author of historical fiction and inspirational poetry. She is also a creativity facilitator and the founder-director of the Alliance of Independent Authors (ALLi). She has been named one of The Bookseller's Top 100 people in publishing and advocates for self-publishing as an artistic expression and viable business option for authors. Eleanor Anstruther was born in London, educated at Westminster School and studied History of Art at Manchester University where she was distracted from finishing her degree by a trip to India. She was lost and found for the next twelve years, starting a commune and travelling the world before finally settling down to write. Her acclaimed debut novel, A Perfect Explanation (Salt Books), was long listed for the Desmond Elliott Prize and the 2019 Not The Booker Prize. Since then Eleanor has grown a significant following on Substack, concentrating her new work there where she serialises her novels ahead of publication, as well as running a hugely successful interview project called 8 Questions. Her memoir, A Memoir in 65 Postcards & The Recovery Diaries, and her second novel, In Judgement of Others, were both serialised on Substack before publication, and her latest novel, Fallout, was published by Empress Editions in April 2026. If you'd like to connect directly with Eleanor, come on over to The Literary Obsessive on Substack, and get in touch. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#214: Emma Gannon — Find Your Creative Compass, Let Go of People-Pleasing, Redefining Success, and Owning Your Work Through Self-Publishing (With Discoveries Prize)	03 Oct 2026	01:03:10
Sunday Times bestselling author Emma Gannon on healing burnout through play and joy, trusting your creative intuition over people-pleasing, and what she's learned from self-publishing alongside traditional publishing. You'll learn Why burnout might be healed through play and joy rather than by pushing harder. How some books arrive in a month while others take years, and why there's no single right way to write one. The case against selling a book before it's written. A squirrel-inspired method for gathering raw material and letting a book's themes reveal themselves. What to remember when you're tempted to talk yourself out of writing a book. When people-pleasing quietly drowns out your creative intuition, and how to hear it again. How small, everyday acts of creativity keep the spark alive between big projects. What to do on bleak days, and why your younger self might hold the answer. Self-publishing from the inside, including the numbers behind one book. How judging a major literary prize can stretch you as a reader. Resources & Links 📄 Interview Transcript (unedited) Emma's Substack, The Hyphen Emma Gannon's website Our previous podcast episode with Emma: #089: Emma Gannon — The Success Myth, Substack, Self-Publishing, Productivity Dysmorphia, The Arrival Fallacy, Being A Happy Creative A Creative Compass by Emma Gannon A Year of Nothing by Emma Gannon Table for One by Emma Gannon Big Magic by Elizabeth Gilbert City of Girls by Elizabeth Gilbert Gift from the Sea by Anne Morrow Lindbergh How to be Hopeful by Caitlin Moran The Pound Project Writing in Community — LWS Community Anthology About Lulu If you're self-publishing a book, Lulu now offers a Direct Buy Button that enables you to sell direct to your reader through a simple code. There's no cost to using it and it makes it easier to sell books directly from anywhere: your newsletter, social profile, website or podcast - and you don't have to worry about shipping or taxes. For more information head to lulu.com. In Partnership with Discoveries 2027 This episode was recorded in partnership with Discoveries 2027, the Women's Prize Trust's writer development programme for unagented and unpublished women writers. Discoveries is designed to empower new voices, unlock potential, build confidence, and increase writers' skills and knowledge. Submissions for Discoveries 2027 opened Tuesday, September 15. Submit here. About Emma Gannon Emma Gannon is the Sunday Times bestselling author of nine books, including A Year of Nothing and OLIVE, which was nominated for the Dublin Literary Award. Her second novel, Table for One (2025), was selected as People magazine's 'Fiction of the Week.' Emma also writes one of the UK's most popular Substack newsletters, The Hyphen, which has thousands of paid subscribers. In addition to her writing, she hosts creativity retreats around the world and served as a judge for the 2025 Women's Prize for Non-Fiction. Her latest book is A Creative Compass: Finding Your Way to a Creative Life. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#213: Anthony Anaxagorou — Thinking Like a Poet, Pushing Past Self-Doubt, and Treating Rejection as Part of the Job (From The Vault)	25 Sep 2026	00:51:19
Poet, publisher, and educator Anthony Anaxagorou on treating rejection as part of the job, pushing an idea to its edge without losing the reader, and ending a poem where it can keep travelling — a re-release of episode #012. You'll learn: Why walking away from writing for years doesn't necessarily mean you ever left it. How to treat rejection as part of the job rather than a verdict on your worth. What happens to your work when one stamp of validation starts to feel like an entitlement. How a restless, never-satisfied mind can become a creative engine. A morning listening exercise, borrowed from Lydia Davis, that can hand you the first line of a poem. What to do when you're stuck on a line and the answer is sitting on your bookshelf. Why “accessible” is one of the most loaded words in poetry. How far to push an idea before you lose the reader. Two ways to take a flat, literal line and make it tell the truth slant. Why your poem probably starts later and ends earlier than you think, and what the reader does with the space you leave. Resources & Links Original episode: #012 Anthony Anaxagorou — Push Past Self-Doubt and Think Like a Poet Anthony's website How to Write It After the Formalities Heritage Aesthetics Out-Spoken Out-Spoken Press “Tell all the truth but tell it slant” by Emily Dickinson About Anthony Anaxagorou Anthony Anaxagorou FRSL is a British-born Cypriot poet, fiction writer, essayist, publisher and poetry educator. His poetry has been published in POETRY, The Poetry Review, Poetry London, New Statesman, Granta, and elsewhere. His third collection, Heritage Aesthetics (Granta Poetry, 2022), won the 2023 RSL Ondaatje Prize. His second collection, After the Formalities, was shortlisted for the 2019 T.S. Eliot Prize and called a poetry book of the year by the Telegraph and Guardian. He was awarded the 2019 H-100 Award for writing and publishing, and the 2015 Groucho Maverick Award for his poetry and fiction, and in 2023 was elected a Fellow of the Royal Society of Literature. In 2012 Anthony set up one of London's leading poetry nights, Out-Spoken, a monthly poetry and music night now held at London's Southbank Centre, and established Out-Spoken Press – a publishing house that looks to challenge the lack of diversity in British poetry publishing. His craft book, How to Write It, was published by Penguin's #Merky Books in 2020. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#212: Marti Leimbach — The Art of Writing a Novel, Why Self-Doubt Is a Good Sign, Revising Without Losing Heart, and Surviving the Highs and Lows of Publishing (From The Vault)	20 Sep 2026	00:46:53
Bestselling novelist Marti Leimbach on the art of writing a novel, surviving early success and the long career that follows, and turning lived experience into fiction — a remastered version of episode #016. You'll learn Why your relationship to the page has to outrank every other voice in writing and publishing. How to tell apart the voice that says you're no good and the voice that says you're not finished. The case for admitting you're not up to the task before you sit down to write. What a genuinely good writing day looks like, and why a single sentence can count as one. Why no novel is ever perfect, and what Picasso understood about original work. How enormous early success actually lands on a writer, and what the morning after looks like. A way of finding the real story inside a draft that has grown far too big. When self-doubt is a sign of talent rather than a lack of it. Why some books have to be written as fiction rather than memoir. The trick of convincing yourself you have unlimited time when you clearly don't. Resources & Links Marti's Books on Amazon Marti's website Marti's Instagram Great On The Page — Marti's Substack Original episode: #016: Marti Leimbach — The Art of Writing a Novel About Marti Leimbach Marti Leimbach is known for her bestsellers, Dying Young, made into a film starring Julia Roberts, and Daniel Isn't Talking. She is interested in neurodiversity and has shared the stage with young inventors at the Human Genome Project (Toronto), the National Autistic Society, and the University of Oxford. Her interest in science influenced her YA thriller, Dragonfly Girl. She teaches on the Masters Programme in Creative Writing at the University of Oxford. Dragonfly Girl is her eighth novel, but her first for young adults. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#211: Laura Palmer & Jessie Sullivan — How to Market Your Book, from the Founders of Digital-First Publisher Pellerin Books, Finding the Readers Who Will Love Your Book, and Why the Best Book Still Wins	12 Sep 2026	00:50:10
Pellerin Books founders Laura Palmer and Jessie Sullivan on how readers discover books now, where to put your marketing money, and why the quality of the book still decides everything. You'll learn The rule that quietly decides which authors get a publisher’s time, budget and attention. Why the first question about marketing a book is never “how?” How to research your readers and your market without paying for a single tool. The metric that makes an ad campaign look like it is working when nothing is. What a cover and a developmental edit should cost, and the one place never to skimp. Why raising your ad budget too fast makes it perform worse, not better. How subscription reading changed what a sagging middle chapter costs a writer. Whether a publisher actually cares how many followers you have. Three books on writing that between them cover almost everything, and the two-word rule that keeps readers turning pages. Why you cannot keyword your way into a reader’s life in the age of AI search. Resources & Links 📄 Interview Transcript Pellerin Books K-Lytics Publisher Rocket Kindlepreneur Pellerin Submissions Bookbub Save the Cat! Writes a Novel: The Last Book On Novel Writing You’ll Ever Need by Jessica Brody On Writing by Stephen King A Swim in the Pond in the Rain by George Saunders Pellerin Publishing Advice About Pellerin Books Pellerin Books is a new independent publisher of popular fiction, built for the way readers discover and fall in love with books today. It publishes immersive, emotionally engaging stories readers can’t put down – from thrillers to romance, historical fiction to science fiction, saga to fantasy and everything in between. It is a digital-focus publisher, which means ebooks and audiobooks are at the heart of what it does, although all its titles are available in paperback for readers who love to hold a book in their hands. At Pellerin, we believe deeply in good books and the difference they can make. We became publishers because we believe in the craft of storytelling, the power to create living worlds and characters that reach beyond the page. Making books, for us, is a way to be part of that strange magic that binds reader and author when the right book gets into the right hands. About Laura Palmer & Jessie Sullivan Laura’s love of storytelling drew her into the publishing industry in 2007 as an assistant at Quercus Books, where she was part of the team that discovered and published Stieg Larsson. In 2010, she joined Corvus, where she rode the ebook boom, delivering sales previously unheard of for new authors, and was shortlisted for the Kim Scott Walwyn prize for women in publishing. In 2012, she co-founded Head of Zeus, alongside publishing veterans Anthony and Nicolas Cheetham. As executive director and fiction publisher, Laura ran three imprints and published more than a hundred authors at Head of Zeus. Bestselling authors she has worked with include Dani Atkins, JP Delaney, Dan Jones, Graham Masterton and Amanda Prowse. Jessie Sullivan has spent her career at the intersection of publishing and performance-led marketing. She is one of the most commercially effective marketers in modern publishing, with over £8 million in directly attributed revenue and more than £10 million in total marketing impact. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#210: Lily King — Emotional Arc, Women and Literary Ambition, Silencing the Inner Critic, and Why Patience Is a Writer's Real Craft	06 Sep 2026	00:56:17
Award-winning novelist Lily King on finding the emotional arc of a novel, writing the scene you keep avoiding, and making peace with ambition, self-criticism and the long road to a first book. You'll learn Why the scene you most want to avoid is usually the one your book needs. How a small change in the final pages of one section can rebuild an entire novel. What it means to think in emotional arc rather than theme. The difference between being hard on yourself about writing and being hard on yourself while you write. Why giving yourself permission to write about your own life can unlock everything that follows. When a middle section goes flat, and how to find the engine it's missing. How ambition shows up differently for women writers, and the shame that can come with it. A notebook method built on margins, timelines, and a daily writing log. Why a bad review can be more useful than praise. What nine years on a first novel teaches you about patience. Resources & Links 📄 Interview Transcript It's Not The End of the World by Judy Blume The Pleasing Hour by Lily King The English Teacher by Lily King Euphoria by Lily King Tom Lake by Ann Patchett Heart the Lover by Lily King Plot and Structure by James Scott Bell @lilykingbooks - Lily's Instagram The Correspondent by Virginia Evans About Lily King Lily King is the award-winning author of six novels. Her most recent novel, Heart the Lover, was published on September 30th, 2025. She has also published a collection of short stories, Five Tuesdays in Winter. Her 2020 novel, Writers & Lovers, won the New England Society Book Awards and was a New York Times Notable Book and chosen as a top-ten best book of 2020 by The Washington Post, NPR, People Magazine, and The Los Angeles Times. Her 2014 novel Euphoria won the Kirkus Prize, the New England Book Award, and was a finalist for the National Book Critics Circle Award. Euphoria was named one of the 10 Best Books of 2014 by The New York Times Book Review. It was included in TIME's Top 10 Fiction Books of 2014, as well as on Amazon, NPR, Entertainment Weekly, Publishers Weekly, and Salon's Best Books of 2014. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#209: Literary Agent Rachel Mann — What Makes an Agent Say Yes, Navigating the Submissions Process, and the Tension Between Art and Commerce	30 Aug 2026	00:50:49
CAA literary agent Rachel Mann on what makes her say yes to a manuscript, how to navigate the submissions process without losing control of your career, and why cutting is the work that makes prose land. You'll learn Why the recognition an agent needs is physical rather than analytical. What to do when you're not sure your manuscript is ready to send out. How to buy more time after a full manuscript request without killing the momentum. Why telling other agents about your requests works in your favour, even if it feels grubby. The realistic rhythm for chasing an agent who has gone quiet. Whether refusing to use social media can cost a writer representation. A question worth answering before you sign with anyone, and why the answer shapes the edit. The edit most manuscripts need before submission, and why it rarely means adding. How poetry's distillation applies to prose, whatever you write. What still gives an agent hope in a market where people are reading less. Resources & Links Rachel's Website Marianne Dreams by Catherine Storr Waterstones Puffin Jo Unwin Literary Agency Karolina Sutton agent Harriet Poland agent Sarah Harvey agent John Ash agent Boy Parts by Eliza Clark Ottessa Moshfegh author Society of Authors The Arvon Foundation To Query CAA: Email ukbooksubmissions@caa.com. To submit, please send a cover email, one-page synopsis and the first three chapters of your work, or the rough equivalent. About Rachel Mann Rachel Mann is a Literary Agent at CAA and represents a broad range of work – largely fiction, with some non-fiction — from commercial to literary, in adult, young adult, and middle-grade markets. Her clients include Eliza Clark, Caleb Femi, Jade LB and Aisling Rawle, and have won and been listed for major prizes, including the Granta Best Young British Novelist, the Forward Prize for Poetry, the Rathbones Folio Prize, the Jhalak Prize, the Waterstone’s Children’s Book Prize, the YA Book Prize, The Bookseller Discover Prize, and the Carnegie Medal. She spent ten years editing and commissioning fiction for young people at houses including Penguin Random House and Simon & Schuster, and was global publishing director at the Roald Dahl Story Company. She became an agent in 2018 and joined CAA in 2023. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#208: What Keeps Us Writing? Memoirist Deepa Paul, Essayist Gina Beach, and Novelist Daisy Buchanan on Finishing a Book an Hour at a Time, Writing in Community, and Taking Yourself Less Seriously	23 Aug 2026	00:45:13
In this special episode we go behind the scenes with memoirist Deepa Paul, essayist, cookbook author Gina Beach, and novelist Daisy Buchanan and talk about the two things that keep them going: the passion behind the work, and the practice that makes the work possible. From an essay that no editor wanted to a Women's Prize-longlisted memoir, a personal research rabbit hole that became a four-year book project, and the journey from idea to novel, this is a personal conversation with three writers about about why they write the things they write — and what kept them going. You'll learn Why an essay no editor wanted a decade ago turned out not to be an essay at all. How to break a book into tasks small enough to finish inside a single hour. The case for treating your own interior life as seriously as any grand subject. How a rabbit hole of personal research turned into a four-year book project. Why the hardest part of self-publishing has nothing to do with production. When procrastination is doing useful work, and when it's just filling the gaps. What changes in your writing once you stop trying to get it right. A reason to stop measuring a writing session by its word count. How sitting alongside other writers quietly rearranges your sense of your own work. The tidal metaphor that makes a bad writing day easier to let go of. Resources & Links Writers' Hour Ask Me: A Memoir of Daring to Love Differently by Deepa Paul Deepa Paul 'The power of an hour' — Deepa Paul interviewed by the Women's Prize Nurture: Oil-Free, Plant-Based Cooking for Health by Regina Beach Regina Beach All Grown Up: A hilarious and heartwarming new novel inspired by Little Women by Daisy Buchanan Daisy Buchanan — Creative Confidence Clinic About the Guests Deepa Paul is a Filipina-Indian author living in Amsterdam. Her writing explores the balance between being a mother, wife, girlfriend, daughter, adventurer, and herself – all at the same time. Her debut, Ask Me: A Memoir of Daring to Love Differently, was longlisted for the Women's Prize. Regina Beach is a disabled poet and essayist. Originally from the American midwest, she now calls the Welsh Valleys home. Her writing has appeared in Global Poemic, Boldly Mental, The Rail, Haiku by You, Five Minutes, Visual Verse, The Horror Tree, and Disoriented among others. She is the founder of the literary magazine Lesions \| Art + Words, which features the work of people living with chronic health conditions. Her book is Nurture: Oil-Free, Plant-Based Cooking for Health. Daisy Buchanan is an award-winning journalist, broadcaster and author of Insatiable (longlisted for the CWIP prize), Careering (as heard on BBC Sounds), Limelight and Pity Party, and the non-fiction titles How to Be A Grown Up, The Sisterhood and Read Yourself Happy. She writes for major newspapers and magazines from the Guardian to Grazia, and is host of the chart-topping podcast You're Booked. Her latest book is All Grown Up: A hilarious and heartwarming new novel inspired by Little Women. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#207: Writing Bestselling Middle-Grade Fiction — Jasmine Richards (Storymix), Natalie Doherty (Puffin and HarperCollins), Soman Chainani (The School for Good and Evil) on Standing Out on the Shelf and Writing Unputdownable Voice \| Compilation	16 Aug 2026	00:32:24
Children’s fiction studio founder Jasmine Richards (Storymix), publisher Natalie Doherty (Puffin and HarperCollins Children’s Books), and bestselling author Soman Chainani (The School for Good and Evil) on shaping an idea commercial enough to sell, what makes a children’s book impossible to put down, and trusting the unconscious to write it. You’ll learn Why the most commercial idea is the one that centres its reader from the very first thought. How a single pithy log line can carry a book all the way from the slush pile to the playground. The counterintuitive trick of starting your story at chapter three. How to read what children are reading now so your pacing keeps up with theirs. What a publisher is really looking for when a manuscript lands on the desk — and why voice comes before plot. How the categories from early readers to YA actually break down on the bookshop shelf. The difference between weaving in a message and writing a book that feels worthy. The case for never self-censoring in a first draft, and saving the negotiation for later. How tiring out your conscious mind can unlock a freer, more instinctive way to draft. Why the goal of writing should be the writing itself, not the bestseller list. Episode Links #050: Jasmine Richards — How to Pitch Commercial Children’s Fiction & The Business of Children’s Publishing #081: Natalie Doherty — The Magic of Writing for Children, Market Trends & Behind the Scenes of Publishing Children’s Books #035: Soman Chainani — Writing Dark Tales for Children & Balancing Creative Work with Discipline About the Guests Jasmine Richards is the author of over a dozen children’s books, ranging from picture books to teen fiction. Her most recent novel, Keeper of Myths, was published by HarperCollins. She has over 15 years of experience as an editor, including roles at Hamish Hamilton, Puffin, and Dutton Books in New York. Jasmine is the founder of Storymix, a children’s fiction studio, where she uses her unique experiences to develop new voices and inclusive stories. Natalie Doherty is a Publisher at Puffin, although during this interview she was at HarperCollins Children’s Books. She’s worked with award-winning and bestselling authors, including Tom Fletcher, Robin Stevens, R. J. Palacio, Tamzin Merchant, and Nazneen Ahmed Pathak. Before moving into editorial in 2010, she worked in Contracts and Rights at Hachette and holds a BA in Modern European Languages and an MA in Translation. Her recent middle-grade acquisitions include Simon Stephenson’s The Snowman Code and Philippa Leathley’s Inkbound. Soman Chainani’s debut series, The School for Good and Evil, has sold more than 3 million copies, been translated into 30 languages across 6 continents, and became a major motion picture from Netflix starring Charlize Theron, Laurence Fishburne, Kerry Washington, and Michelle Yeoh, with Chainani as an executive producer. Each of the six books in the series — The School for Good and Evil, A World Without Princes, The Last Ever After, Quests for Glory, A Crystal of Time, and One True King — debuted on the New York Times Bestseller list. A graduate of Harvard University, Soman created his own fairy-tale major before going on to an MFA in film at Columbia University. He has made films that have played all over the world, and his writing awards include honors from Big Bear Lake, the CAPE Foundation, and the Sun Valley Writers’ Fellowship. In Beasts & Beauty: Dangerous Tales, Soman reimagines old stories into fresh fairy tales for a new era. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#206: Maya C. Popa — Writing with Wonder, Surviving Rejection, and Building a Life in Poetry	09 Aug 2026	01:14:22
Poet Maya C. Popa on writing with wonder, the ruthless craft of revision, and building a sustainable life in poetry. You’ll learn Why wonder has more in common with the sublime — the beautiful and the terrible — than with simple delight. How a poem loses its charge the moment its ending is visible from the opening line. What “negative capability” asks of a writer stuck in the dark middle of a draft. The question worth asking when the work feels uncomfortable and you’re certain something has gone wrong. A ruthless method for finding a poem’s true entry point — often buried three-quarters of the way down. When to cut the images you love most, even the ones that took hours to invent. How to write about longing and love without collapsing into confession. Why asking your writing to carry your finances can quietly poison your relationship with it. What to guard at all costs while holding space for other writers. The freedom that arrives once rejection stops meaning anything at all. Resources & Links 📄 Interview Transcript If You Love That Lady by Maya C. Popa Gerard Manley Hopkins - Poetry Foundation Wound is the Origin of Wonder by Maya C. Popa Paradise Lost by John Milton Maya’s Substack Conscious Writers Collective Poetry Society of America Awards Maya’s ‘Five Things I Have Learned’ class About Maya C. Popa Maya C. Popa is a Romanian American poet. She holds a PhD on the role of wonder in poetry from Goldsmiths, University of London, where she was a recipient of a department bursary for exceptional merit, and previous degrees from Oxford University, New York University, and Barnard College. Popa is the author of If You Love That Lady (W. W. Norton, 2026); Wound Is the Origin of Wonder (W. W. Norton, 2022), named one of the Guardian’s Best Books of Poetry; and American Faith (Sarabande, 2019), a runner-up for the Kathryn A. Morton Prize, judged by Ocean Vuong, and winner of the North American Book Prize in 2020. She has also received awards from the Poetry Foundation and the Oxford Poetry Society. Popa is the poetry reviews editor at Publishers Weekly and is the founder of Conscious Writers Collective, where she teaches and oversees all literary programming for poets and prose writers. She lives in New York City. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#205: Casper ter Kuile — Sacred Writing, Turning Routine into Ritual, Rest as Creative Fuel, Moving Past Self-Doubt (From The Vault)	02 Aug 2026	00:46:55
Author Casper ter Kuile on transforming everyday writing into a sacred ritual, drawing on rest and reflection to fuel creativity, and moving past self-doubt to write as a gift for others. You'll learn Why the point of the work week might be the rest, not the other way around. How to turn an ordinary daily habit into a ritual using three simple ingredients. What a weekly tech sabbath can unlock in your most creative thinking. The reframe that turns a dreadful first draft into something you can build on. A piece of advice from a mentor that dissolves the pressure to say something new. How reading writers you love can quietly refill the tank when you're stuck. Why treating your writing as a gift changes the way you handle criticism. The practice for staying humble and kind toward yourself in equal measure. What sacred reading traditions can teach you about going deeper into any text. Why the smallest groups, not the biggest audiences, are where meaning actually forms. Resources & Links Casper ter Kuile's website The Power of Ritual by Casper ter Kuile The Nearness Harry Potter and the Sacred Text (podcast) Sacred Design Lab "How We Gather" report The Sabbath by Abraham Joshua Heschel Seth Godin About Casper ter Kuile Casper ter Kuile is the author of The Power of Ritual and the co-founder of The Nearness: a space to explore life's big questions with like-hearted others. Casper holds Masters in Public Policy and Divinity from Harvard University, is the former cohost of popular podcast Harry Potter and the Sacred Text, and loves harmony singing, the London Review of Books, and arriving at the pub after a long country walk. He lives with his husband in Brooklyn, NY. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#204: Secrets & Rituals of Building a Writing Practice — Seth Godin, Amie McNee, Mason Currey on Choosing Yourself, Protecting Your Writing Time, and Process Over Outcome \| Compilation	24 Jul 2026	00:32:05
Bestselling and award-winning writers Seth Godin (The Practice), Amie McNee (We Need Your Art) and Mason Currey (Daily Rituals) on choosing yourself before anyone else does, protecting the hour you actually have, and why the practice that works is the one that fits your life rather than someone else’s. You’ll learn Why "grow a thicker skin" is the wrong advice for a writer facing rejection. What shifts when you notice the harshest rejection you face each day is your own. The case for lowering your standards if your ambitions are big. How an hour that doesn’t look like writing can still be an hour of writing. What the word discipline shares with the word disciple, and why it changes how a project turns out. A quiet argument for half an hour a day over the perfect routine you can’t sustain. Why chasing the writer you think you should be pulls you away from the work. When a good outcome hides a bad decision, and what that means for your practice. The difference between talent and skill, and why only one of them applies to writing. Episode Links #158: Amie McNee — Creating Without Permission, Overcoming Self-Doubt, Facing Rejection, Building a Life on Your Own Terms, Embracing Social Media as an Artform #177: Mason Currey — Daily Routines and How Artists Work, Focus Time and Protecting Your Best Hours #150: Seth Godin — Obscurity Is the Enemy, Here’s How to Stop Seeking Validation, Find Your Audience and Build a Creative Practice About the Guests Amie McNee is a trained historian turned creativity coach, writer, and speaker best known for her popular Instagram account, @InspiredtoWrite, and The Unpublished Podcast. She’s self-published two historical fiction novels: The Rules Upheld by No One and Regrettably, I Am About to Cause Trouble. Her book We Need Your Art: Stop Fcking Around and Make Something is a manifesto on the vital, human importance of creating. Her most recent novel, To Kill a Queen, a queer historical mystery set in Elizabethan London, was published in 2025. Mason Currey is a writer and editor living in Los Angeles and the author of the Daily Rituals books. In addition to compiling the Daily Rituals books, Currey was a design-magazine editor for ten years, working as the managing editor of Metropolis, the executive editor of Print, a senior editor at Core77, and the programming chair for the 2015 Core77 Conference. His freelance writing has appeared in the New Yorker, the New York Times, the Wall Street Journal, the Atlantic, and Slate, and he has delivered talks on the creative process to high school and college students, writers’ groups, and the partners of the design consultancy IDEO. He sends out a fortnightly newsletter on routines, rituals, and wriggling through a creative life. His latest book, Making Art and Making a Living: Adventures in Funding a Creative Life, was published by Celadon Books in 2026. Seth Godin is the author of twenty-plus international bestsellers that have changed the way people think about work and have been translated into 39 languages – among them Unleashing the Ideavirus, Permission Marketing, Purple Cow, Tribes, The Dip, Linchpin, Poke the Box, and All Marketers Are Liars. He writes the most popular marketing blog in the world and speaks to audiences worldwide. He is the founder of the altMBA, the founder and former CEO of Squidoo.com, the former VP of Direct Marketing at Yahoo!, and the founder of the pioneering online startup Yoyodyne. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#203: Doireann Ní Ghríofa — Turning Archives into Narrative, Excavating History, Writing Poetry and Fiction, Why Writers Are Often Their Own Gatekeepers	18 Jul 2026	01:09:36
Irish writer Doireann Ní Ghríofa on turning archival fragments into living narrative, writing across the borders of genre, and giving voice to the forgotten lives of women committed to a Victorian asylum. You’ll learn Why the greatest gatekeeper between a writer and the page is often the writer themselves. How a single word buried in clinical notes can become a bridge to a silenced voice. What poetry can teach prose writers about immediacy and the shock of a strong opening. The case for pointing at the gaps in the record rather than papering over them. When a fleeting curiosity is worth following, and what happens once you treat it as real. How third person can give a writer just enough distance to keep going. A sense of fidelity to the reader you imagine standing at your shoulder. How the drowsy space between sleep and waking can become an engine for ideas. The ethics of using real names, and the difference between the dead and the long dead. How the act of leaving things out turns even “fact” into a story. Resources & Links Said the Dead by Doireann Ní Ghríofa A Ghost in the Throat by Doireann Ní Ghríofa About Doireann Ní Ghríofa Doireann Ní Ghríofa is an Irish writer devoted to exploring how the past makes itself felt within the present. 'A Ghost in the Throat' finds an 18th century poet haunting a young mother, leading her through visions of blood, milk, lust, and murder. Written on the roof of a multi-storey car park in Ireland, it went on to be described as "powerful" (New York Times), "captivatingly original" (The Observer), and a "masterpiece" (Sunday Business Post). 'A Ghost in the Throat' won the James Tait Black Prize and was voted overall Book of the Year at the Irish Book Awards, while the US edition was a finalist for the National Book Critics Circle Award and a New York Times Notable Book of the Year. It was translated into 20 further languages worldwide. Doireann is also the author of seven critically-acclaimed books of poetry, each a deepening exploration of birth, death, desire, and domesticity. Awards for her writing include a Lannan Literary Fellowship (USA), the Ostana Prize (Italy), a Seamus Heaney Fellowship, and the Rooney Prize for Irish Literature, among others. Her new book, Said the Dead, distils hundreds of hours of archival research into a polyphonic portrayal of a single institution — a derelict Victorian asylum in Cork, and the women once committed within its walls. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#202: Tara Menon — Writing a Debut Novel Over Eight Years, Moving From Critic to Novelist, and Surviving Self-Doubt as a Writer	12 Jul 2026	01:02:58
Debut novelist Tara Menon on writing friendship as a life-shaping bond, the emotional architecture of grief, and researching the natural world for her novel Under Water. You’ll learn Why a platonic friendship can shape a life as profoundly as any romance How to build tension in a story when the reader already knows what’s coming. What an unexpected sea creature reveals about writing the bonds between women. The difference between endless research and knowing just enough to write the scene. Why fiction demands a kind of surrender that criticism never asks for. How grief for a lost friend and grief for a vanishing natural world can become one story. When self-doubt is evidence you’re taking the work seriously. Why cutting a novel down to its essentials can matter more than what you leave in. A writing rhythm that looks nothing like “500 words every morning” (and works anyway). What finally makes the writing worth it, long before publication does. Resources & Links 📄 Interview Transcript Under Water Jane Austen collection Frankenstein by Mary Shelley Middlemarch by George Eliot In Memoriam by Lord Tennyson I Can’t Let Kobe Go by Tara Menon The Fall (2013) Tara’s Website About Tara Menon Tara Menon is an Assistant Professor in the Department of English at Harvard University. Her writing has appeared in the New York Times Book Review, Nation, Paris Review and Public Books, where she co-edits the Literary Fiction section. Tara was born in India, grew up in Singapore, spent a decade in New York, and currently lives in Cambridge, Massachusetts. Her debut, Under Water, is out now. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#201: Writing Bestselling Fantasy — Holly Black (The Cruel Prince) & Samantha Shannon (The Priory of the Orange Tree) on Magic Systems, Building Worlds From Research, and Writing Through Self-Doubt \| Compilation	05 Jul 2026	00:47:33
Bestselling fantasy authors Holly Black and Samantha Shannon on building believable magic systems, researching and constructing immersive worlds, and why the right book often only emerges once you’ve written the wrong one. You’ll learn Why the most convincing magic on the page often starts with something you once half-believed was real. How writing the wrong version of a book can be the only route to the right one. What the texture of a world quietly promises a reader before the plot even begins. Why putting a character through the worst is often the best thing you can do for a story. When the certainty that your draft is a disaster is just a normal part of the process. What early hype can do to a writer, and why other writers are the antidote. Where to draw the line between research that serves the book and a rabbit hole that doesn’t. A method for plotting a long series when you know the destination but not the route. What happens when a character starts refusing what you try to make it do. Episode Links Holly Black — original LWS episode: https://londonwriterssalon.simplecast.com/episodes/127-holly-black-crafting-bestselling-fantasy-world-building-character-development-and-the-prisoners-throne Samantha Shannon — original LWS episode: https://londonwriterssalon.simplecast.com/episodes/068-samantha-shannon-the-art-of-writing-fantasy-fiction-plotting-mental-health About the Guests Holly Black is the #1 New York Times bestselling author of fantasy books, including the Novels of Elfhame, The Coldest Girl in Coldtown, the Spiderwick Chronicles, her adult debut, Book of Night, as well as an Arthurian picture book called Sir Morien. She has been a finalist for an Eisner Award and the Lodestar Award, and the recipient of the Mythopoeic Award, a Nebula, and a Newbery Honor. Her books have been translated into 32 languages worldwide and adapted for film. She currently lives in New England with her husband and son in a house with a secret library. She invites you to visit her online at blackholly.com or follow her @Hollyblack @blackholly. Samantha Shannon is a New York Times and Sunday Times bestselling author of The Bone Season and The Priory of the Orange Tree. Born in West London, she studied English Language and Literature at St Anne’s College, Oxford, from 2010 to 2013, specialising in the poetry of Emily Dickinson and Principles of Film Criticism. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#200: Louise Dean — How to Finish a Novel, Why Most Writers Stall at 30,000 Words, and Why Storytelling Beats Beautiful Sentences, plus founding Novelry	28 Jun 2026	00:39:51
Award-winning novelist and founder of The Novelry Louise Dean on what separates storytelling from beautiful prose, planning a novel without killing the joy, and how to edit your own first draft. You'll learn Why learning to craft perfect sentences can quietly delay your path to publication. How a single shift from style to storytelling turns a promising writer into a published one. What treating each chapter like a short story does to the terror of a blank novel. The reason every novel is a moral journey (and why you have to throw rocks at your hero). A one-page planning method that steers a draft without smothering the joy of writing it. The one question every writer should be able to answer about their reader. Why your main character should never be a thinly veiled version of yourself. When you can’t afford an editor, how to run a developmental edit on your own work. What to do in the month after finishing a first draft A five-part structure built for the long moral journey of a novel, and why three acts fall short. Resources & Links 📄 Interview Transcript The Great Gatsby The Novelry The Novelry Blog Louise’s books The Novelry Contact — hello@thenovelry.com About Louise Dean Louise Dean is a British author, born in Hastings, who read History at Cambridge University. An award-winning novelist, she is the winner of the Betty Trask Prize and Le Prince Maurice Prize, and was longlisted for the Booker Prize. Her novels have been published internationally. The Wall Street Journal described Louise Dean as one of the world’s top five most under-rated authors. Louise is the founder of the creative writing school The Novelry. About The Novelry Founded by award-winning author Louise Dean, The Novelry is the only writing school where bestselling authors and Big Five editors guide you every step of the way. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#199: Katie da Cunha Lewin — How Space Shapes Creative Work, the Myth of the Perfect Writing Room, Building Creative Rituals, and Writing in Imperfect Conditions	20 Jun 2026	01:04:00
Writer Katie da Cunha Lewin on how physical spaces shape creative work, why the perfect writing room is a myth, and the rituals and routines that sustain a writing life. You'll learn Why the perfect writing space is largely a myth (and why that can set you free). How physical environments quietly shape creative practice and identity. What our fascination with visiting writers' houses reveals. The cultural baggage around “the writer's room,” and who it quietly excludes. The way motherhood compresses time and forces a new kind of creative discipline. A concept of psychological distance between domestic life and creative work. When creative rituals help (and when writers thrive without them). How to begin designing a writing space that actually works for you. What it takes to find the story inside a work of nonfiction. Why putting yourself on the page makes nonfiction stronger. Resources & Links 📄Interview Transcript Breakfast at Tiffany's (1961) Murder She Wrote (1984-1996) Underworld by Don DeLillo White Noise by Don DeLillo The Fitzcarraldo Editions Essay Prize A Room of One's Own by Virginia Woolf Lives of Houses Edited by Kate Kennedy and Hermione Lee Downhill All The Way, An Autobiography of the Years 1919 To 1939 By Leonard Woolf The British Library My Work by Olga Ravn The Accidentals by Guadalupe Nettel, Translated by Rosalind Harvey Amber Medland The Years by Annie Ernaux The Society of Authors About Katie da Cunha Lewin Katie da Cunha Lewin’s writing has appeared in leading publications such as The Times Literary Supplement, The White Review, Financial Times, Los Angeles Review of Books, and Prospect. She is the editor (with Kiron Ward) of Don DeLillo: Contemporary Critical Perspectives. Her book, The Writer’s Room: The Hidden Worlds That Shape the Books We Love, is out now. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#198: Mastering Young Adult Fiction — Krystal Sutherland (House of Hollow), Joanna Nadin (90+ Books for Kids & Teens), Moira Buffini (Songlight) on Finding Your Writing Home, Knowing Your Audience, Why Stories Matter to the Young \| Compilation	13 Jun 2026	00:48:39
YA masters Krystal Sutherland (The Invocations), Joanna Nadin (author of 90+ books for children and adults) and Moira Buffini (Songlight) on hooking teen readers from the very first page, plotting methods that tame a whole novel, and why stories matter so much to young people. You'll learn What sparks the magic system of a supernatural thriller. What it means to find your writing home, and how to know when you've arrived. Why readers decide within the first ten pages, and how visceral detail keeps them hooked. A pantser's case for careful plotting when you're juggling multiple points of view. The most common mistake adults make when writing for young readers. What screenwriters know about tight writing, and what teen TV can teach you about voice. Why treating writing as a job, not a calling, makes rejection survivable. Whether writers should think about their audience. How writing toward a feeling, not a plan, creates cliffhangers you don't see coming. Episode Links #105: Krystal Sutherland #61: Joanna Nadin #179: Moira Buffini About the Guests Krystal Sutherland is the New York Times and indie bestselling author of House of Hollow, A Semi-Definitive List of Worst Nightmares and Our Chemical Hearts, which was adapted into a film by Amazon Studios. Her books have been published in more than twenty countries and nominated for the Carnegie Medal and YA Book Prize, among others. Her latest YA novel, The Invocations — the centerpiece of this conversation — won the 2025 Prime Minister's Literary Award for young adult literature. Originally from Australia, she has lived on four continents and currently calls London home. Joanna Nadin has written more than 90 books for children and adults, including the Rachel Riley series, the Penny Dreadful series, and the Sunday Times bestselling Worst Class in the World series. She holds a doctorate in adolescent identity and YA literature and is an Associate Professor in Creative Writing at the University of Bristol. Her books have garnered a number of prizes including the Fantastic Book Award and the Surrey Book Award, and she has been shortlisted for the Roald Dahl Funny Prize, the Booktrust Best Book Award, the Telegraph Sports Book of the Year, the Hearst Big Book Awards, and Queen of Teen. She has been nominated six times for the CILIP Carnegie Medal, including for Everybody Hurts and for Joe All Alone, which was made into a BAFTA-winning and Emmy-nominated BBC drama series. Moira Buffini is an Olivier Award–winning UK playwright and BAFTA-nominated screenwriter, writing many plays for the National Theatre and the West End. Films include Tamara Drewe, Jane Eyre, Byzantium, and The Dig. She cocreated and was showrunner of Hulu's Harlots. Her YA debut Songlight — the first in The Torch Trilogy — won the 2025 YA Book Prize, and its sequel Torchfire is out now. She lives in London. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#197: Chris Pavone — Writing the Modern Thriller, Sustaining Tension Over Action, and Defining Success on Your Own Terms	07 Jun 2026	01:08:46
Edgar Award–winning novelist Chris Pavone on creating tension that never lets up, editing a book to make it bigger rather than just better, and turning a single apartment building into a portrait of a whole city. You'll learn Why every book has to be one clear thing before it can be anything else. How two decades of editing other people’s books prepares you to write your own. The offhand note from a legendary editor that quietly transformed a debut, and why the vaguest feedback can be the most useful. What it means to edit a book to make it bigger, not just to make it less bad. Why tension, not speed, is what truly keeps a reader turning pages. A counterintuitive case for telling readers what’s coming on page one, then making them wait for it. How to keep generating questions and withholding answers without ever feeling coy. The one-page document worth months of tinkering before a single chapter gets written. What turns a story set in a city into a genuine portrait of that city. When to separate your hopes from your expectations, and what success can actually look like for a working novelist. Resources & Links Chris Pavone’s Website Chris’ Newsletter The Doorman Ernest Hemingway Doubleday Publishing John Grisham The Expats Pat Conroy Jamaica Kincaid Knopf Publishing Adele Parks To Kill a Mockingbird by Harper Lee James Bond Films The Great Gatsby by F. Scott Fitzgerald Invisible Man by Ralph Ellison The Bonfire of the Vanities by Tom Wolfe Jack Reacher by Lee Child About Chris Pavone Chris Pavone is the New York Times bestselling author of The Doorman, Two Nights in Lisbon, The Paris Diversion, The Travelers, The Accident, and The Expats, winner of the Edgar and Anthony Awards for best first novel. He was a book editor for nearly two decades and lives in New York City with his family. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#196: Missouri Williams — Writing Strange and Ambitious Fiction, Doubt as a Generative Force, and Why Idleness Is Essential to Creativity	30 May 2026	00:51:59
Award-winning novelist Missouri Williams on writing strange and ambitious fiction, treating doubt as a generative force, and why idleness is essential to creative work. You'll learn How a destabilising illness and a new language can reshape a writer’s whole relationship to words. Why style isn’t something you construct so much as a way of seeing you’re partly stuck with. The case for drafting without thinking about the end result and keeping the stakes low. What an image you can’t stop returning to can reveal about the book you need to write. When idleness and empty, unproductive time become the most essential part of the work. How doubt can function as a generative engine rather than a block. A method for layering instability into a narrator who sounds completely in control. What a chorus can do on the page that a single narrator can’t. Why being placed outside your depth, where everything has to be relearned, can sharpen a writer. The difference between doubting your work and doubting your right to do it at all. Resources & Links 📑 Interview Transcript Missouri’s Instagram Sisters of Mercy’s song, “Flood II” The Vivisectors King Lear with Sheep The Doloriad Missouri’s Agent John Ash Samuel Beckett Ágota Kristóf 2023 Winner of Republic of Consciousness Foundation “Form Is Back” Meditations by René Descartes Dead Ink publisher The Faerie Queene by Edmund Spenser The Republic by Plato About Missouri Williams Missouri Williams is the author of The Doloriad, which won the 2023 Republic of Consciousness Prize, was shortlisted for the VCU Cabell First Novelist Award, and named a best book of 2022 by Vulture. Her work has also appeared in The Nation, The Baffler, The Believer, Granta, and The Drift. Her newest book is The Vivisectors. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#195: Holly Ringland — The Pain of Not Writing, Breaking Through Decades of Self-Doubt, Meeting the Inner Critic with the Inner Fan, and Building a Toolkit for the Creative Life	23 May 2026	01:07:24
Bestselling novelist Holly Ringland on writing from joy instead of fear, the toolkit she built to meet the inner critic with self-compassion, and finding the first true sentence of her debut after decades of silence. You'll learn Why the pain of not writing eventually outweighs the pain of writing. What grief and loss can crack open in a writer that nothing else can. How the first true line of a novel can arrive once you stop listening to the reasons you can't write it. A bullet-point approach to plotting that protects the nervous system from the blank page. What to ask for from early readers, and what to refuse. The distinction between self-doubt and the inner critic, and why it matters. Meeting the inner critic with an equal and opposite internalised force. Breaking procrastination by making the next step impossibly small. Fiction as the lie that tells the truth truest. Resources & Links 📄Interview Transcript The House That Joy Built The Artist’s Way by Julia Cameron Zeitgeist Agency Dangerous Writing Holly’s Substack About Holly Ringland Holly Ringland is a writer, storyteller and TV presenter. She is the author of the international bestseller The Lost Flowers of Alice Hart, which has been translated into thirty languages and adapted into a seven-part TV series starring Sigourney Weaver, produced by Amazon Prime and Made Up Stories. In 2019, The Lost Flowers of Alice Hart won the Australian Book Industry Award General Fiction Book of the Year. In 2021, Holly co-hosted an eight-episode ABC TV series, Back to Nature, with Aaron Pedersen. After living between Australia and the UK for ten years, Holly has been based in the Yugambeh region of southeast Queensland since 2020, where she wrote her second novel, The Seven Skins of Esther Wilding, in her 'office', a vintage caravan named Frenchie. Upon publication, The Seven Skins of Esther Wilding became an instant national bestseller, and it was named Booktopia's 2022 Book of the Year. Holly writes a bestselling Substack on the intersection of creativity and connection, The Joy Rise. Her latest book is The House That Joy Built. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#194: Finding Peak Writing Flow & Focus — Dr Gloria Mark, Oliver Burkeman & Charlie Hoehn on Designing Your Day Around Peak Attention, Embracing Imperfection, and the Power of Play (Compilation)	16 May 2026	00:46:39
Attention researcher Dr Gloria Mark (Attention Span), bestselling author Oliver Burkeman (Meditations for Mortals) and book strategist Charlie Hoehn (Play It Away) on designing your day around peak focus, embracing imperfection in creative work and bringing play back to the page. You'll learn The four states of attention every writer should know. Two daily peak focus windows, and a simple method to find your own. The reframe that gives writers permission — most writing isn't flow. How the success of one bestselling book can paralyse the next. A quantity-over-quality method that satisfies the inner perfectionist. Why free writing isn't a warm-up but the engine of the next draft. A counterintuitive trick for handling interruptions when you're trying to write. What play deprivation quietly does to creative output. A small experiment with play that resets your relationship to work. Why fighting your own nature as a writer is a losing game. Resources & Links Dr Gloria Mark Attention Span: A Groundbreaking Way to Restore Balance, Happiness and Productivity by Dr Gloria Mark Chronotype (Sleep Foundation) Morningness Eveningness Questionnaire Flow: The Psychology of Optimal Experience by Mihaly Csikszentmihalyi Yohaku no bi: The Beauty of Empty Space Gloria's website Gloria's newsletter Oliver Burkeman Meditations for Mortals Four Thousand Weeks: Time Management for Mortals The Imperfectionist (newsletter) Deep Freewriting by Stephen Lloyd Webber ILYS software Charlie Hoehn Play It Away The Power of Play \| Charlie Hoehn \| TEDxSantoDomingo Charlie's website Author Alliance Original Episode Links Dr Gloria Mark's original episode Oliver Burkeman's original episode Charlie Hoehn's original episode About the Guests Gloria Mark is Chancellor's Professor of Informatics at the University of California, Irvine. She received her PhD from Columbia University in psychology and studies the impact of digital media on people's lives. She has published over 200 articles, and in 2017 was inducted into the ACM SIGCHI Academy, which recognises leaders in the field of human-computer interaction. She has presented her work at SXSW and the Aspen Ideas Festival, and her research has appeared in the New York Times, Wall Street Journal, NPR, CNN, The Guardian, the Dax Shepard show, the Dave Asprey show and many others. She is the author of Attention Span: A Groundbreaking Way to Restore Balance, Happiness and Productivity. Oliver Burkeman worked for many years at The Guardian, where he wrote a popular weekly column on psychology, 'This Column Will Change Your Life.' His books include the New York Times bestseller Four Thousand Weeks: Time Management for Mortals and The Antidote: Happiness for People Who Can't Stand Positive Thinking. His latest book is Meditations for Mortals. Charlie Hoehn is a three-time New York Times bestselling editor, five-time author, and the founder of Author Alliance. For three years, Charlie was Tim Ferriss' Director of Special Projects and first full-time hire. Together, they launched The 4-Hour Body to #1 New York Times, #1 Barnes & Noble, and #1 Amazon overall. Previously, he was Head of Multimedia for Scribe Media, where he produced over 500 videos and 300 podcast episodes. He is a keynote speaker who has presented to groups at Microsoft, PepsiCo, the Pentagon, U.S. Military, Stanford, TEDx and HEC Paris. His ideas on work-play integration have been featured on NPR's TED Radio Hour, Fast Company, Forbes, Financial Times, Huberman Lab, Chase Jarvis Live, TEDx, and many others. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#193: Rebecca Fallon — Juggling Motherhood and Creative Ambition, Crafting Dual Timelines, Inhabiting Multiple Points of View	08 May 2026	00:55:06
Debut novelist Rebecca Fallon on ambition, motherhood, crafting dual timelines, and writing a novel built around the person who isn't there. We discuss Why quitting a stable job to write a novel can be framed as a calculated bet rather than a leap of faith. How to prototype the writer's life before fully committing to it. What genre fiction can teach a literary novelist about plotting and structure. How a single late-stage scene revealed who the actual protagonist of the book had been all along. The unsexy spreadsheet work behind a novel that moves between timelines. A method for getting inside a child's consciousness on the page. Why each character has to serve a distinct function—and what happens to the ones that don't. How music, photographs, and even PowerPoint can become tools for holding a character's voice. The difference between flow-state writing and the surgical work that comes after. What changes when you stop drafting airy scenes and start asking what each scene needs to earn its place. About Rebecca Fallon Rebecca Fallon is a New England-born Londoner and a graduate of Williams College and the University of Oxford. Family Drama is her debut novel. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#192: Steven Pressfield — The War of Art, Battling Resistance, Hearing the Call of the Muse, Writing Memoir (From The Vault)	02 May 2026	00:58:30
Bestselling author Steven Pressfield on what it means to have a creative calling, battling resistance, the role of faith in writing, and his memoir Govt Cheese. A remastered version of episode #058. You'll learn: Why a typewriter sat untouched in the back of a van for seven years before becoming a career. How self-sabotage shows up at the finish line, not just at the start. A rule of thumb for telling resistance apart from legitimate doubt. Why the more important a project is, the more terrifying it should feel. When you can finally write about pain, and why distance matters more than rawness. How an idea for a book might arrive as a single sentence and refuse to leave. A one-page method for outlining a novel, and why one page is enough. What John Keats's concept of negative capability can teach a writer in the dark middle of a draft. The metaphor that reframes writers as delivery drivers rather than creators. Why faith in the muse matters most when the writing feels too good to be your own. Resources & Links 📄 Transcript (unedited) Govt Cheese The War of Art Put Your Ass Where Your Heart Wants to Be Nobody Wants to Read Your Sht "This Might Not Work" – Seth Godin The Writer's Journey by Christopher Vogler Steve's 'passage through the wilderness' series on Instagram The Creative Act by Rick Rubin The Foolscap Method Instagram videos John Keats's concept of 'Negative Capability' Joanna Penn About Steven Pressfield* Steven Pressfield (@SPressfield) is the author of The War of Art, which has sold over a million copies globally and been translated into multiple languages. He is a master of historical fiction, with Gates of Fire being on the required reading list at West Point and the recommended reading list of the Joint Chiefs. His other books include A Man at Arms, Turning Pro, Do the Work, The Artist's Journey, Tides of War, The Legend of Bagger Vance, Last of the Amazons, Virtues of War, The Afghan Campaign, Killing Rommel, The Profession, The Lion's Gate, The Warrior Ethos, The Authentic Swing, An American Jew, Nobody Wants to Read Your Sht, The Knowledge, and his memoir Govt Cheese. Sponsor:* This episode is brought to you by our friends at Lulu. If you're interested in self-publishing, Lulu has the technology you need to turn your idea into a professionally published book. Our community anthologies are published using Lulu and we’ve used their direct ecommerce integration and on demand publishing to send the anthology all over the world. The editorial team has found it really intuitive to use. For more information head to lulu.com. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#191: Debra Curtis — Becoming a Novelist After Sixty, Surviving Hundreds of Rejections, Radical Forgiveness, and Not Giving Up as a Writer	25 Apr 2026	00:58:58
Debut novelist Debra Curtis on teaching herself to write by copying poems by hand as a dyslexic child, using contemporary novels as craft manuals to learn structure, meeting the Dalai Lama, the importance of radical forgiveness & publishing her first novel in her sixties after years of rejection. You'll learn: Why copying poems by hand into a composition notebook secretly teaches a dyslexic child to write. The hospital-bed moment with her dying father that became a three-decade family motto. A vision at a marina, a prescription bottle, and the woman who became her protagonist. What hundreds of rejections actually teach you about persistence. Using contemporary novels as instructional guides while drafting your own. How a psychic’s prophecy and a chance encounter in Paris both pointed toward the same agent. Finding your future agent’s name in the acknowledgments of a book you’ve never read. The big editorial note that hurts to hear, and why listening anyway is still the right call. Radical forgiveness as the emotional heart of a novel. The writing ritual built around a sleep mask, noise-cancelling headphones, and a sound machine. Resources & Links: 📄 Interview Transcript The Freeing of The Dust by Denise Levertov Laws of Love and Logic by Debra Curtis Olive Kitteridge by Elizabeth Strout Fates and Furies by Lauren Groff Lessons in Chemistry by Bonnie Garmus Publisher’s Marketplace Debra’s Instagram Debra’s TikTok About Debra Curtis: Debra Curtis is a retired professor of cultural anthropology at Salve Regina University, where she specialised in gender and sexuality. This is her first novel. She is the mother of grown-up twin girls and lives in Rhode Island with her husband and her English bulldog, Harry, who is the star of much of her TikTok content. TikTok: @EnglishHarry; FB: @DebCurtis; Instagram: @Deb.curtis.906. Sponsor: This episode is brought to you by our friends at Lulu. If you're interested in self-publishing, Lulu has the technology you need to turn your idea into a professionally published book. Our community anthologies are published using Lulu and we’ve used their direct ecommerce integration and on demand publishing to send the anthology all over the world. The editorial team has found it really intuitive to use. For more information head to lulu.com. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#190: Writing Hits for the Screen — Hannah Bos (Somebody Somewhere), Kim Krizan (Before Sunrise), Selina Lim (Sex Education) on Writing Partnerships, Character-First Screenwriting, Life in the Writers’ Room (Compilation)	20 Apr 2026	01:07:03
Screenwriters Hannah Bos (HBO’s Somebody Somewhere), Kim Krizan (Before Sunrise, Before Sunset) and Selina Lim (Sex Education, Hanna) on building writing partnerships, developing characters from the inside out, and finding your way into a writers’ room. You'll learn Why a writing partnership only works when you can separate your ego from your ideas. How seven years of making weird theatre in Brooklyn quietly set the stage for an HBO show. What it takes to write a quiet, character-driven show in a TV landscape built for plot. How a master’s thesis on a diarist turned into one of the most beloved screenplays of the nineties. How Before Sunrise was built from index cards on a living room floor. Why thinking about the product kills the work, and what to focus on instead. The case for starting with character before plot, and letting the story follow. What breaking into TV actually looks like. How to set the tone in a writers’ room so the ridiculous ideas can surface. A practical approach to dialogue. Episode Links #070: Hannah Bos — Writing TV From The Heart, HBO’s Somebody Somewhere, Artistic Partnerships, Writing Friendships For The Screen #99: Kim Krizan — Writing 'Before Sunrise' series, Crafting Memorable Characters For Ethan Hawke & Julie Delpy & Other Screenwriting Tips #013: Selina Lim — Writing Authentic Dialogue for TV, Writing about Sex, Love & Drama, and A Peek Into a Writers’ Room About the Guests Hannah Bos is a Brooklyn based writer who, along with her writing partner Paul Thureen, is the creator and showrunner of HBO’s Somebody Somewhere. The first season received an AFI Award and Peabody nomination, and Hannah and Paul were nominated for a 2022 Humanitas Prize for Comedy Teleplay for the pilot episode. Together they have also written for HBO’s High Maintenance and Amazon’s Mozart in the Jungle, and received an Independent Spirit Award nomination for Best First Screenplay for their feature Driveways (dir. Andrew Ahn), which premiered at the Berlin Film Festival. Along with Oliver Butler, Hannah and Paul were founders and co-Artistic Directors of The Debate Society, a multiple-Obie award-winning, Brooklyn-based theatre company. As an actor, Hannah has received a Drama Desk Award and Lortel Nomination. Contact: www.hannahbos.com Kim Krizan is the Academy Award-nominated writer of the films Before Sunrise and Before Sunset. Her book Original Sins: Trade Secrets of the Femme Fatale is a tongue-in-cheek examination of history’s dangerous women. She is also the author of Spy in the House of Anaïs Nin, an analysis of the life of the 20th-century rule-bending diarist. Krizan’s work has been hailed as insightful, penetrating, and profound. She lives and writes in Los Angeles, California. You can find her on Instagram and Patreon. Contact: www.instagram.com/kimkrizan Selina Lim is a BAFTA and BIFA-nominated screenwriter, with credits on Sex Education (Eleven/Netflix) and Hanna (Amazon/NBC). Her short films include Painkiller (BBC/B3 Media) starring Benedict Wong, Keeping Up with the Joneses (BFI/Lighthouse) with Maxine Peake and Adeel Akhtar, and BBC Studios/Green Door’s Five By Five starring Ruth Madeley. Selina has also written for Hollyoaks (Lime Pictures/Channel 4) and was in the writers’ room for The Night Manager Series 2 (The Ink Factory/AMC). Contact: www.curtisbrown.co.uk/client/selina-lim Sponsor: This episode is brought to you by our friends at Lulu. If you're interested in self-publishing, Lulu has the technology you need to turn your idea into a professionally published book. Our community anthologies are published using Lulu and we’ve used their direct ecommerce integration and on demand publishing to send the anthology all over the world. The editorial team has found it really intuitive to use. For more information head to lulu.com. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#189: Juliet Mushens — Building Bestselling Writer Careers, Decoding Agent Feedback, and Why Writing for the Market Rarely Works	10 Apr 2026	01:07:32
Literary agent Juliet Mushens on what makes her offer representation, how she builds bestselling careers from debut to long-term success, and why writers need a life outside of publishing. We discuss Why tension is the single most important quality an agent looks for in any genre of fiction. How personalized feedback from an agent signals you’re closer than you think. The editorial conversation that happens when an agent offers representation. What to consider when choosing between multiple agent offers, and why gut matters more than questionnaires. How some of today’s biggest bestsellers had their first and second books rejected — and what changed. Why writing for the market rarely produces the best books, and how to hold the tension between passion and positioning. The publishing myths that refuse to die, from social media requirements to green book covers. How agents negotiate contracts and why an escape clause matters. The concept of inconvenience over convenience and what it means for writers in the age of AI. Why building a sense of esteem outside writing is essential to surviving the highs and lows of publishing. Resources & Links Mushens Entertainment Submissions Mushens Entertainment Blog Get Started in Writing Young Adult Fiction by Juliet Mushens Juliet Instagram Mushens Entertainment Instagram About Juliet Mushens Juliet Mushens has been an agent for over a decade. More than a dozen of her clients are Sunday Times bestsellers, with half a dozen claiming the number one slot in the last two years alone. Her clients include million-copy no. 1 bestseller Jessie Burton, multi-million copy NY Times bestseller Taran Matharu, and record-breaking multi-million copy no. 1 bestseller Richard Osman. The Times ran a piece recognising her as the first agent to represent the number 1, 2, and 3 UK bestsellers in the same week: ‘Star literary agent first to top the charts three times’, a feat she repeated in 2022. Juliet sits on the advisory board of Book Brunch, is currently President of the British Fantasy Society, and sits on the board of the Women’s Prize Trust. You can find her on Twitter as @mushenska. Sponsor: This episode is brought to you by our friends at Lulu. If you're interested in self-publishing, Lulu has the technology you need to turn your idea into a professionally published book. Our community anthologies are published using Lulu and we’ve used their direct ecommerce integration and on demand publishing to send the anthology all over the world. The editorial team has found it really intuitive to use. For more information head to lulu.com. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#188: Josh Ritter — Songwriting as Exploration, Working Across Art Forms, Inviting the Muse In, and Sharing Work in Public	04 Apr 2026	00:58:32
Singer-songwriter and author Josh Ritter on writing songs for the muse instead of waiting for it, letting creative ideas find their shape across songwriting, painting, and fiction, and building a sustainable creative life over more than two decades. We discuss: Writing for the muse instead of waiting for it. Why working across multiple art forms keeps each one alive. The craft behind a single narrative song, from first image to finished track. Balancing creative compulsion with everyday life. What sharing work publicly teaches you about your own work. How the relationship between an artist and their audience evolves over decades. Mental health and the myth of the tortured creative. Getting through the dead stretch when nothing seems to come. The campfire model of building a creative career. Resources & Links: 📄Interview Transcript Josh’s Substack Hello Starling I Believe in You, My Honeydew Truth is a Dimension (Both Invisible and Blinding) About: Josh Ritter is an American singer-songwriter, musician, artist, and author. He performs and records with The Royal City Band. He writes on Substack at Josh Ritter’s Book of Jubilations. His latest album, I Believe In You, My Honeydew, is out now. Sponsor: This episode is brought to you by our friends at Lulu. If you're interested in self-publishing, Lulu has the technology you need to turn your idea into a professionally published book. Our community anthologies are published using Lulu and we’ve used their direct ecommerce integration and on demand publishing to send the anthology all over the world. The editorial team has found it really intuitive to use. For more information head to lulu.com. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#187: Lidia Yuknavitch — The Art of Memoir & Writing from the Body, Plus Breaking Narrative Form and Finding Core Metaphors	28 Mar 2026	00:53:31
Novelist, memoirist, and Corporeal Writing founder Lidia Yuknavitch on writing from the body, finding form in the natural world, and why the stories we need most come from the places we’ve been afraid to go. We discuss: Why the element that makes you vibrate — water, forest, rock, wind — might be the key to unlocking your creative access path. How to find your core metaphors through a body-based meditation practice. A practical portal for memoir writers. Why abandoning linear plot doesn’t mean abandoning form. The difference between prompts and portals. Why writers who’ve survived the hardest things carry a skillset the rest of the world urgently needs right now. A reframe for anyone afraid of writing badly. Resources & Links 📄Interview Transcript Corporeal Writing The Chronology of Water Thrust Meander, Spiral, Explode by Jane Alison She Had Some Horses by Jo Harjo Diving into the Wreck by Adrienne Rich Writers’ Hour About Lidia Yuknavitch is the National Bestselling author of four novels: Thrust, The Book of Joan, Dora: A Headcase, and The Small Backs of Children, winner of the 2016 Oregon Book Awards Ken Kesey Award for Fiction as well as the OBA Reader’s Choice Award. She has also published a critical book on war and narrative, Allegories Of Violence (Routledge). The Misfit’s Manifesto, a book based on her recent TED Talk, was published by TED Books in 2017. Verge, a collection of short fiction, was released in 2020. Her widely acclaimed memoir The Chronology of Water was adapted for film directed by Kristen Stewart. Her newest memoir, Reading the Waves, was published by Riverhead books in 2025. She founded the workshop series Corporeal Writing in Portland Oregon, where she teaches both in person and online. She received her doctorate in Literature from the University of Oregon. She is a very good swimmer. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#186: Jennifer Breheny Wallace — The Science of Mattering, Outrunning Your Inner Critic, Building a Writing Life Around Deep Work	22 Mar 2026	00:57:55
Award-winning journalist and bestselling author Jennifer Breheny Wallace on mattering, resilience through relationships, and the writing practices behind two New York Times bestselling nonfiction books. You’ll learn Why resilience as a writer has far less to do with self-care routines and far more to do with the people you surround yourself with. How to tell whether your idea is a series of articles or a book, and what structural test separates one from the other. A practical way to ask for feedback on your writing that actually leads to useful criticism instead of vague encouragement. Why putting yourself in a nonfiction book can transform it, even if every journalistic instinct tells you not to. The writing schedule that let a journalist with three kids produce two bestselling books, and why it starts at 4AM. Why your inner critic tends to sleep in, and how to take advantage of the hours before it wakes up. A visual trick involving artist sketches that can help you push through the frustration of early drafts. What a lesson from Morley Safer at 60 Minutes reveals about the tension between accuracy and storytelling in nonfiction. The surprising research behind mattering and why it goes deeper than self-esteem, belonging, or purpose on their own. A 30-second daily practice that can help you reconnect to your sense of purpose when long-term projects leave you feeling stuck. Resources & Links 📄Interview Transcript The Mattering Movement Mattering by Jennifer Breheny Wallace Never Enough by Jennifer Breheny Wallace Lives Well Lived Podcast Episode w/ Jennifer Breheny Wallace Julia Cameron on LWS Podcast The Oprah Podcast w/Jennifer Breheny Wallace Subscribe to Jennifer’s Newsletter Jennifer’s IG About Jennifer Breheny Wallace Jennifer Wallace is an award-winning journalist and author of the New York Times bestselling book Never Enough: When Achievement Culture Becomes Toxic — And What We Can Do About It, which was named an Amazon Best Book of the Year. Wallace has contributed to The Wall Street Journal and The Washington Post. Jennifer began her journalism career in television at “60 Minutes”. She lives in New York City. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#185: David Eagleman — The Neuroscience of Creativity, Navigating Genres, Protecting Your Brain in the Age of AI, plus The Lazy Susan Method	15 Mar 2026	00:56:10
Description: Neuroscientist and bestselling author David Eagleman on the brain science behind creativity, what actually causes writer's block, and how pre-commitment strategies like the Ulysses contract can help writers finish what they start. You'll learn: Why creativity isn't a rare gift, and what's actually happening in every brain when it absorbs and remixes the world around it. The three core algorithms behind creative thinking, and how to use them deliberately when you're stuck on a project. What's really going on in the brain when a writer feels blocked, and why the fix might be simpler than you think. A compelling case against the "shower idea" myth, and why sitting down to work may be where your best thinking actually happens. How a concept from ancient Greek literature can help you set up contracts with your future self to finish what you start. A surprising writing routine behind roughly a million published words, and why it happens at the same chain restaurant every time. A method for juggling multiple creative projects without losing momentum on any of them. Why switching genres and feeling like a beginner is one of the best things you can do for your brain as a writer. How to think about the difference between fiction and nonfiction when it comes to what AI can and can't replace. The moment at age 13 that shaped an entire career in science communication, and what it reveals about writing for an audience. Resources & Links: 📄 Interview Transcript David’s Website Inner Cosmos The Creative Brain Cosmos by Carl Sagan The Runaway Species Ulysses contract Sum David’s Substack About David Eagleman: David Eagleman is a neuroscientist at Stanford University and an internationally bestselling author. He is co-founder of two venture-backed companies, Neosensory and BrainCheck, and he also directs the Center for Science and Law, a national non-profit institute. He is best known for his work on sensory substitution, time perception, brain plasticity, synesthesia, and neurolaw. His books include Incognito: The Secret Lives of the Brain, Sum: Forty Tales from the Afterlives, The Runaway Species, and Livewired. He is the writer and presenter of the Emmy-nominated PBS series The Brain with David Eagleman and hosts the podcast Inner Cosmos with David Eagleman. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#184: How to Write Short Stories with Sarah Hall, Jonathan Escoffery & Niamh Mulvey — Building Worlds in Small Spaces, Research That Sparks Story, Writing Endings That Feel Inevitable (Compilation)	08 Mar 2026	00:40:59
Acclaimed short fiction writers Sarah Hall, Jonathan Escoffery, and Niamh Mulvey on building immersive worlds in compressed spaces, grounding stories in real human stakes, and writing openings and endings that transform both character and reader. Timestamps: (00:01:06) Sarah Hall, from Episode 161 (00:14:43) Jonathan Escoffery, from Episode 56 (00:26:40) Niamh Mulvey, previously unreleased conversation You'll learn: Sarah Hall's "keyhole" approach to short stories — and how the unseen world beyond the scene gives a story its depth. Why trusting your preoccupations beats forcing a theme, and how over-awareness of your own subject can kill the fiction. A technique for thickening a thin first draft: telescope into your character's childhood, then out to their future. Why Jonathan Escoffery believes stories without real-world stakes will lose to equally crafted stories that engage with the world, every time. How Escoffery pairs imagination with lived emotional experience to make unfamiliar settings resonate — and why personal growth feeds artistic growth. What choosing a linked story collection over a novel taught Escoffery about pacing, pause, and propulsive energy. Why Niamh Mulvey thinks showing off your best writing in an opening is a mistake — and what to do instead (start specific, name a character, put two people in relation). A prompt for finding your story's urgency: ask "why this moment?" and aim for the energy of really good gossip. How character desire shapes place and plot at the same time, so setting becomes what your character wants rather than backdrop. Mulvey's "third element" — a character, object, or event seeded early that can emerge later to unlock your ending. Resources & Links: Join our LWS community! Sarah's full episode and notes Jonathan's full episode and notes If I Survive You by Jonathan Escoffery Hearts and Bones: Love Songs for Late Youth by Niamh Mulvey The Amendments by Niamh Mulvey Sombrero Fallout by Richard Brautigan About Sarah Hall: Sarah Hall is one of the UK's most talented authors. Twice nominated for the Man Booker Prize, the first and only writer to win the BBC National Short Story Award twice, she has written ten highly acclaimed novels and short story collections. About Jonathan Escoffery: Jonathan Escoffery is the author of the linked story collection If I Survive You, a New York Times and Booklist Editor's Choice, an IndieNext Pick, and a National Bestseller. His stories have appeared in The Paris Review, Oprah Daily, Electric Literature, Zyzzyva, AGNI, Pleiades, American Short Fiction, Prairie Schooner, Passages North, and elsewhere. About Niamh Mulvey: Niamh Mulvey is from Kilkenny, Ireland. Her short fiction has been published in The Stinging Fly, Banshee and Southword and was shortlisted for the Seán O'Faoláin Prize for Short Fiction 2020. Her short story collection Hearts and Bones: Love Songs for Late Youth was published by Picador. The Amendments is her first novel. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#183: Curtis Chin — Landing National Press, Running 300+ Book Events, Booking Venues With Cold Emails, Making Book Tours Pay, Building Book Buzz Without a Marketing Team	01 Mar 2026	00:50:51
Memoirist and filmmaker Curtis Chin on pitching for national press, booking venues through cold emails, and making a high-volume book events strategy financially sustainable. You’ll learn: Why Curtis booked readings before his memoir released to drive pre-orders, and what that early push unlocked. How he found venues by researching programs and series online, then sending cold outreach without overcomplicating it. A practical way to define your “audience” so your outreach targets the right communities and institutions. How to write a venue email that creates urgency (a “hook” and a reason to say yes now), without sounding gimmicky. A press pitching approach that starts local, builds credibility, and then moves toward national outlets. What his spreadsheets are (and aren’t) for, and a lightweight way to track outreach and payments without building a complicated system. How he initially used a publisher budget, then supplemented it with community funding when the budget wasn’t enough. Why momentum compounds (your growing “resume” of events and media makes the next invitations easier), and how to lean into that effect. How he structures his day to keep writing, business logistics, and book marketing moving at the same time. How getting paid for talks changed the economics of touring, and why nonfiction subject expertise can create more paid speaking opportunities. Resources & Links: 📑 Interview Transcript Everything I Learned, I Learned in a Chinese Restaurant by Curtis Chin Asian American Writers’ Workshop Curtis’ NYT article Curtis’ Website About Curtis Chin: Curtis Chin is the author of the award-winning memoir, Everything I Learned, I Learned in a Chinese Restaurant. A co-founder of the Asian American Writers’ Workshop, Curtis Chin served as the non-profit’s first Executive Director. He went on to write comedy for network and cable television before transitioning to social justice documentaries. Chin has screened his films at over 600 venues in twenty countries. He has written for CNN, Bon Appétit, The Detroit Free Press and The Emancipator. A graduate of the University of Michigan, Chin has received awards from ABC/Disney Television, New York Foundation for the Arts, National Endowment for the Arts, and more. His essay in Bon Appétit was selected for Best Food Writing in America 2023 and his short doc, Dear Corky premiered on American Masters. He is currently working on a new docuseries on the history of Chinese restaurants in America. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#182: Morgan Cooper — Creative Audacity & Creating Your Own Opportunities, Making Bel-Air, Turning a Viral Short Film Into a Series, Producing with Will Smith & Writing Picture Books	22 Feb 2026	00:57:07
Writer and director Morgan Cooper on turning a self-funded Bel-Air short into a series, building creative audacity before opportunity arrives, and staying resourceful across drafts, collaboration, and a children’s picture book. You'll learn: Why “imperfect action” can be a practical antidote to creative paralysis, especially early in your craft. How he found a compelling dramatic lens by stripping away sitcom expectations and focusing on character archetypes and real-world stakes. What it can look like to invest commercial income back into self-initiated work to build a body of proof. Why “waiting for permission” often hides fear, and how starting anyway can change what’s possible. Why the “angle” of your idea matters, and how recalibrating it can be the difference between a draft that stalls and a draft that lands. How identifying the “big question” of a story can give your scenes direction and your revisions momentum. Simple ways to keep the creative channel open using a notes app, project scrap bins, and a journaling method that functions like index cards. How collaboration becomes part of the craft when you treat writing as iterative perspective-building, not a solitary performance. What writing a picture book can teach about economy, structure, and building an arc inside tight page limits. How designing a kid-led mission around resourcefulness can create momentum and emotional payoff in short form. Resources & Links: 📄Interview Transcript Cooper’s original Bel-Air concept trailer Bel-Air on Peacock The College Dropout - Kanye West Kind of Blue - Miles Davis I Can Make A Movie! Geneva Bowers - Illustrator and Artist Hair love - Matthew A. Cherry Film London Mediatrust.org - Mentoring Opportunities Dancing Ledge Productions - Mentoring Opportunities About Morgan Cooper: Morgan Stevenson Cooper is a Los Angeles-based writer and director and the creative force behind Bel-Air, the dramatic reimagining of The Fresh Prince of Bel-Air that grew out of his self-released short film in March 2019. After the film drew widespread attention, Will Smith and Westbrook Studios came on board as collaborators, and the series premiered in February 2022, with Cooper serving as creator, director, co-writer, and executive producer. He is a two-time Tribeca X winner for U Shoot Videos? and Pay Day, and is developing BLKCOFFEE as writer, director, and executive producer. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#181: Erica Stern — Writing Hybrid Nonfiction, Genre-Bending Memoir, Blending Research and Story, Finding A Publisher	15 Feb 2026	00:38:44
Essayist and fiction writer Erica Stern on writing hybrid nonfiction, weaving memoir with research and a ghost-story thread, and finding a publishing home for genre-defying work. You'll learn: What “hybrid nonfiction” can look like when memoir, research, and a fictional thread are all working toward one emotional truth. Ways to make a genre-bending draft feel cohesive, even when it’s built from multiple modes and timelines. How reverse outlining can help you figure out what each section is really doing, and tighten the book’s throughline in revision. Why “moving the pieces around” for a long time can be part of the process when the structure has to be discovered, not imposed. A mindset shift for writers making unconventional work: follow what the project needs first, before you worry about outcome or category. How to treat “weirdness” as an asset (not a liability) when the form is doing meaning, not just style. Practical publishing encouragement for genre-defying books: small presses can be a strong fit, and there’s a growing audience for hybrid forms. What it can look like to publish without chasing “bestseller” logic, and instead focus on reaching the right readers with the best version of the book. Why writing “for the market” isn’t the only path to publication—and how commitment to the story can be what ultimately helps it find a home. Resources & Links: 📑Interview Transcript Frontier: A Memoir and A Ghost Story by Erica Stern LWS Substack Bitter Water Opera by Nicolette Polek About Erica Stern: Erica Stern is an essayist and fiction writer whose debut memoir, Frontier, was published by Barrelhouse Books in 2025. Her work has appeared in the Mississippi Review, The Iowa Review, and Denver Quarterly, and she has been a finalist for the Noemi Press Book Awards and the Mississippi Review Prize. She has received fellowships and residencies from the Vermont Studio Center, Martha’s Vineyard Institute for Creative Writing, and the Virginia Center for the Creative Arts, and holds a BA in English from Yale University and an MFA from the School of the Art Institute of Chicago. She is from New Orleans and lives with her family in Evanston, Illinois. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#180: How to Write Historical Fiction with Maggie O'Farrell, Ruta Sepetys & Stacey Halls — Research that Sparks Story, Non-Linear Structure & Authentic Dialogue (Compilation)	08 Feb 2026	01:15:36
Novelists Maggie O’Farrell, Stacey Halls, and Ruta Sepetys on turning research into living scenes, building non-linear structure that still feels clear, and writing voice and dialogue that make the past feel immediate. Timestamps: 00:01:30 Maggie O’Farrell 00:26:14 Stacey Halls 00:49:33 Ruta Sepetys You’ll learn: The importance of "reading like a writer" to reverse-engineer time, tense, and technique from books you love. How to structure a non-chronological narrative using flowcharts and “breadcrumb trails” so readers never feel lost. Where to look for small, specific historical details that unlock character, scene, and momentum. A practical way to treat research as idea-generation, not “homework you must finish” before you start drafting. A simple plotting method (index cards + one-sentence scenes) that helps you see the whole book at a glance. Why a first draft is allowed to be rough, and how that mindset can help you write faster and finish. How “writing toward a feeling” can guide structure when you can’t see the whole plot in advance. Ways to keep going through the long middle by focusing on the work itself, not external noise. How to use collaboration and expert readers to pressure-test cultural and historical authenticity. Resources & Links: Join our LWS community! Maggie's full episode and notes Stacey's full episode and notes Ruta's full episode and notes About the authors: Maggie O’Farrell is the bestselling author of Hamnet and The Marriage Portrait, noted for lyrical prose and inventive structure; her craft insights span sentence-level cadence, non-linear timelines, and historically grounded voice. Note: Our episode with Maggie was done in collaboration with Arvon, the UK’s leading creative writing charity. Arvon believes everyone can benefit from the transformative power of creative writing. It hosts residential, online and community-based writing courses and events, embracing over 6,000 people each year, tutored by some of the most respected writers in the UK today. Find out more at arvon.org Stacey Halls is the UK author of The Familiars, The Foundling, and Mrs England, known for vivid period settings, propulsive plotting, and character-driven suspense; she outlines with index cards and drafts quickly before deep revision. Ruta Sepetys is a Lithuanian-American novelist (Between Shades of Gray, Salt to the Sea) whose work uncovers suppressed histories with YA-accessible clarity; she emphasizes collaboration, ethical research, and a clear “why” for every project. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#179: Moira Buffini — From Playwright to Novelist, Writing Dystopian YA, plus Creative Resilience and Sustaining a Long Creative Career	01 Feb 2026	00:54:51
Playwright and BAFTA-nominated screenwriter Moira Buffini on moving between theatre, film, and fiction, writing for yourself instead of the market, and shaping structure by rewriting toward the ending you want readers to feel. You’ll learn: Why “you are the audience” can be a practical rule for cutting through market noise and writing with conviction. A useful way to handle reviews and outside opinions without letting them steer the work. How to build story momentum when you can’t fully plot ahead, and why not knowing the next move can be a strength. A structure approach based on “writing toward a feeling” at the end, then layering drafts until the story clicks. What discipline looks like when you’re writing big worlds in prose, and how constraints can keep you from getting lost. How a dramatist’s instincts (plot, structure, obstacles) can transfer into long-form fiction and help sustain narrative drive. A grounded reminder about the “mundane” day-to-day of being a professional writer, and why that doesn’t cancel the magic. The practical foundations she names for keeping your mind working (sleep, movement, and treating the body as part of the instrument). What it can take to keep writing alongside caring responsibilities, and why persistence is often the hardest part. The simplest career advice she returns to: don’t accept the story that you “can’t,” and keep putting in the hours. Resources & Links: 📑Interview Transcript Moira’s Agent Website Moira’s screenwriting credits National Youth Theatre in London Caryl Churchill The National Theatre London Dinner (play) Byzantium (film) Jane Eyre by Charlotte Brontë Harlots (tv series) The Torch Trilogy: Songlight, Torchfire The Chrysalids by John Wyndham deus ex machina definition raconteur definition Robert Prosky The Dig (film) About Moira Buffini: Moira Buffini is an Olivier Award–winning UK playwright and BAFTA-nominated screenwriter, writing many plays for the National Theatre and the West End. Films include Tamara Drewe, Jane Eyre, Byzantium, and The Dig. She cocreated and was showrunner of Harlots. Songlight is her debut novel. She lives in London. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	Bonus: Dreaming Big in 2026 – Prompts for a Creative Year with Matt & Lindsey	29 Jan 2026	01:12:20
London Writers’ Salon co-founder Matt Trinetti and Head of Writer Experience Lindsey Trout Hughes share prompts from our Dreaming Big in 2026: Creative Goal Setting for Writers workshop – designed to help writers get clear on what they actually want from their writing life in 2026, and translate that desire into a plan that can survive reality in the first 1-3 months of the year. Through 8 steps – from identifying desire to committing to a 48-hour move – Matt and Lindsey step through over a dozen prompts, discuss why each is important for writers to think about, and share what’s coming up for them personally for the year ahead. Download the free workbook: community.londonwriterssalon.com/dreamingbig Timestamps: (00:00) Introduction (02:07) Step 0: Two Words (bringing in & leaving behind) (08:05) Step 1: Identifying what we truly desire (17:42) Step 2: Vision (translating desire into clear vision) (25:18) Step 3: Moving from wanting to deciding (34:35) Step 4: Building a project bank (42:02) Step 5: Finding a first season focus (47:32) Step 6: Designing your creative practice (59:00) Step 7: Your 30-day plan & 48-hour move (01:04:50) Step 8: Opening up to support (01:09:40) Conclusions and next steps You’ll learn: A simple “two words” ritual to decide what you’re bringing into 2026 (and what you’re leaving behind). Prompts to identify what you truly desire, including what you might feel embarrassed to say out loud. How to reframe desire as a helpful signal instead of something “selfish” you should downplay. How to build a project bank so you can choose one focus without feeling like you’re abandoning your other ideas. Ways to use simple lists to spark clearer project options. How to choose a first-season focus (a three-month container) so you’re not trying to hold the entire year at once. The importance of defining what “done” looks like for the season and setting milestones that make progress visible. How to design a writing practice while planning for obstacles before they derail you. How to set a measurable 30-day goal, choose your first moves, and turn intention into proof. About London Writers’ Salon: London Writers’ Salon is a community and membership that helps writers make meaningful progress on their work, stay committed to a writing practice, and find creative friends around the world. Members can build consistency through Writers’ Hour, develop craft through interviews and workshops, and connect with a global community of writers. Resources & Links: Download the free workbook at: community.londonwriterssalon.com/dreamingbig Join Writers’ Hour - daily silent writing sessions: writershour.com Attend live events and workshops – Become a Member: community.londonwriterssalon.com/membership For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#178: Haleh Liza Gafori — Rumi’s Wisdom for Modern Life, The Craft of Translation, Poetry as Liberation	25 Jan 2026	00:59:11
Translator, performance artist, writer, and educator Haleh Liza Gafori on translating Rumi with fidelity and music, and what his poetry can teach us about liberation, attention, and love. You’ll learn: Habits Haleh uses to re-centre and get quiet enough to work. How she learned to trust sound and rhythm first, and let meaning arrive through the ear. The moment she realised she needed to make her own translations, and what triggered that decision. A simple test for “is this translation working?”, including why one wrong image can flip the whole poem. Principles Haleh uses to keep translations clear, musical, and emotionally true in English. What an editor can mean by “find your voice,” and how to develop a consistent voice as a translator. How to work with old texts honestly, including naming what doesn’t align with your ethics today. What Rumi can teach modern readers about attention, ego, and compassion in daily life. How love shows up in Rumi as a discipline, not a vibe, and why that matters in hard times. What Haleh is building next, and how teaching can deepen (not dilute) your creative practice. Resources & Links 📄Interview Transcript Gold: Poems by Rumi Water: Poems by Rumi Rumi’s Secret by Brad Gooch Haleh’s Website Haleh’s Instagram About Haleh Liza Gafori: Haleh Liza Gafori is a New York City-born translator, performance artist, writer, and educator of Persian descent. A 2024 MacDowell fellow, she has translated the poetry of the Persian mystic and sage Rumi. Her book of translations, Gold: Poems by Rumi, was published by New York Review Books in 2022. Her second volume of translations, Water: Poems by Rumi, was released in 2025, also by NYRB Classics. Supported by an NYSCA grant, Gafori has created a musical and cross-media performance based on the book, and has presented her work through performances, lectures, and workshops at institutions such as Lincoln Center, Stanford University, the Academy of American Poets, and Sarah Lawrence College. Her book of translations Gold has been incorporated into curricula at universities across the country. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#177: Mason Currey — Daily Rituals: Building a Creative Life With Routine, Discipline, and Procrastination	18 Jan 2026	01:02:51
Writer and editor Mason Currey on what artists’ routines can teach us about focus, discipline, procrastination, and building a sustainable creative life. You'll learn: What led Mason to writing, and the early pressures that shaped his relationship with the work. Why he started Daily Routines as a side project, and what he was trying to solve with it. The moment the blog went viral, and what changed when an audience arrived. What it took to turn a quote-collecting blog into a book, including the research and structure behind it. Why routines work best when they’re personal and flexible rather than prescriptive. Ideas for protecting your best hours, including Nicholson Baker’s “double morning.” The difference between physical routine and creative routine, and why both matter. A realistic way to design an hour of writing, including what to do when “nothing happens.” What Worm Zooms are, and why “small progress” can be a powerful creative philosophy. The question underneath every routine: how artists make time for the work while paying the bills. Resources and Links: 📑Interview Transcript Nicholson Baker Books Making Art and Making a Living by Mason Currey Daily Rituals by Mason Currey Daily Rituals: Women at Work by Mason Currey Worm Zooms Death in Venice by Thomas Mann Mason’s Substack About Mason Currey Mason Currey is a writer and editor living in Los Angeles and the author of the Daily Rituals books. In addition to compiling the Daily Rituals books, Currey was a design-magazine editor for ten years, working as the managing editor of Metropolis, the executive editor of Print, a senior editor at Core77, and the programming chair for the 2015 Core77 Conference. His freelance writing has appeared in the New Yorker, the New York Times, the Wall Street Journal, the Atlantic, and Slate, and he has delivered talks on the creative process to high school and college students, writers’ groups, and the partners of the design consultancy IDEO. Currey is currently writing a new nonfiction book and sending out a fortnightly newsletter on routines, rituals, and wriggling through a creative life. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#176: Allison King — Breaking into Publishing as Debut Novelist, Writing Historical Fiction With Magical Realism, Plus Tools For Structure	11 Jan 2026	00:52:13
Debut novelist and 2023 Reese’s Book Club LitUp fellow Allison King on blending history with magical realism, and what it takes to build a writing life while navigating the modern publishing landscape. We discuss: Allison’s early relationship with stories and the role her grandmother played in shaping it. The path from fan fiction and short stories to publishing a debut novel. The dual timeline and braided structure of The Phoenix Pencil Company, moving between WWII-era Shanghai and contemporary Cambridge. Building a magic system at the heart of the novel, and why its consequences matter more than its mechanics. Pragmatic outlining and structural tools (including reverse outlining) for managing timeline-heavy drafts. Researching family history without turning the book into an autobiography. Writing about Alzheimer’s with care, and what Allison learned in revision about emotional precision. Resources and Links: Margo’s Got Money Troubles by Rufi Thorpe Redwall by Brian Jacques The Phoenix Pencil Company by Allison King Last Boat Out of Shanghai by Helen Zia LitUp Fellowship Once Upon a Time in Dollywood by Ashley Jordan My Brilliant Friend by Elena Ferrante A Tale For the Time Being by Ruth Ozeki About Allison King Allison King is an Asian American writer and software engineer based in Cambridge, Massachusetts. In technology, her work has ranged from semiconductors to platforms for community conversations to data privacy. Her short stories have appeared in Fantasy Magazine, Diabolical Plots, and LeVar Burton Reads, among others. She is also a 2023 Reese's Book Club LitUp fellow. The Phoenix Pencil Company is her first novel. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#175: Susan Magsamen and Ivy Ross — Your Brain on Art: Neuroaesthetics, Wellbeing, and Creative Practice, plus Finding Your Voice, Tapping Into Intuition	04 Jan 2026	01:10:28
Neuroaesthetics researcher Susan Magsamen and Google design leader Ivy Ross on creativity as a biological necessity, intuition, and the aesthetic mindset for a good life. You'll learn: Habits that Susan and Ivy turn to when they need to re-centre. What Susan and Ivy are trying to change in the world with their day jobs. The beginning of Susan and Ivy working together. Clear evidence that proved to Susan and Ivy that their work was needed. Advice for using your intuition to be more creative. How a writer might find their voice. Questions to ask yourself if you’re writing a similar book to Your Brain on Art. Principles that Susan and Ivy use to help them live a good life. The link between nature and neuroaesthetics. The transforming power of journaling. Resources and Links: 📄Interview Transcript Your Brain on Art: How the Arts Transform Us Website Neuroarts Resource Center About Susan Magsamen and Ivy Ross Susan Magsamen is the founder and director of the International Arts + Mind Lab, Center for Applied Neuroaesthetics at Johns Hopkins University School of Medicine, where she is a faculty member, and she co-directs the NeuroArts Blueprint. Ivy Ross is Vice President of Design for hardware product area at Google, leading an award-winning team, and is also an arts grant recipient and recognised creative leader. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#174: 3 Poets Read Their Work and Talk Craft Choices — Mary Jean Chan, David Whyte and Anthony Anaxagorou (Compilation)	28 Dec 2025	00:21:46
Poets Mary Jean Chan, David Whyte, and Anthony Anaxagorou read their work and unpack emotional truth, craft choices, and poems built from lived detail. You'll learn: How early “bad” poems can still be soothing and give you a way through angst. Why simplicity of voice can beat complexity when a poem needs clarity. How form and layout can carry a poem’s physicality, including a modern sonnet’s constraints. How to face writer’s block by writing directly about the ways you can’t write. Why repetition works in live readings, helping the audience “hear” what just landed. How to mine notebooks for strong lines, then iterate through multiple drafts and edits. A simple morning practice for capturing overheard language until you find where the poem starts. Resources and Links: Mary Jean Chan: maryjeanchan.com David Whyte: davidwhyte.com Anthony Anaxagorou: anthonyanaxagorou.com Our full episode with Mary Jean Chan, #170: https://podcast.londonwriterssalon.com/episodes/170-mary-jean-chan-emotional-truth-in-contemporary-poetry-imagery-juxtaposition-and-finding-the-right-form Our full episode with David Whyte, #32: https://londonwriterssalon.simplecast.com/episodes/032-david-whyte-poetic-imagination-the-way-of-the-poet-PdTckwKE Our full episode with Anthony Anaxagorou, #12: https://podcast.londonwriterssalon.com/episodes/012-anthony-anaxagorou-push-past-self-doubt-and-think-like-a-poet-fHa8ehM1 About the poets: Mary Jean Chan is the author of Flèche and Bright Fear (Faber), and their work has won and been shortlisted for major prizes. David Whyte is a poet and writer whose books include Consolations and The Bell and the Blackbird, alongside ongoing poetry and speaking work. Anthony Anaxagorou is a poet and publisher, founder of Out-Spoken, and author of After the Formalities and Heritage Aesthetics. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#173: Maggie Andersen — Memoir, Theatre and the Courage To Write	22 Dec 2025	00:54:00
What does it mean to turn a life of art, love, and loss into story? How do we write honestly about the people who shaped us? And what can theater teach us about the art of memoir? In her debut memoir No Stars in Jefferson Park (Northwestern University Press), writer and professor Maggie Andersen tells a Chicago coming-of-age story that alternates between the exhilaration of founding a theater company and the devastating realities of loss, resilience, and rebuilding. In this conversation with Maggie Andersen, we discuss the craft of storytelling at the intersection of theater and memoir, what it means to write through loss, and the risks and revelations of choosing your own story. Resources and Links: No Stars in Jefferson Park About Maggie Andersen Maggie Andersen has published fiction and nonfiction in magazines such as Salt Hill, Blood Orange, the Los Angeles Review, Creative Nonfiction, Grain, Cutbank, and DIAGRAM. She has been a finalist for the Montana Prize for Nonfiction and has been nominated twice for the Pushcart Prize. She is an Associate Professor of English at Dominican University and an ensemble member at the Gift Theatre. Her debut memoir, No Stars in Jefferson Park, was published by Northwestern University Press in October 2025. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#172: The Diary of a CEO’s Director of Trailers, Anthony Smith — Storytelling Through Video and Writing: Audience Psychology, Intrigue, and Retention	15 Dec 2025	00:52:06
The Diary of a CEO’s Director of Trailers, Anthony Smith, on capturing attention in the first few seconds, building cliffhangers and emotional momentum that keep audiences watching (or reading), and testing hooks and packaging without losing trust or story. You'll learn: Why you only have 3–5 seconds to earn attention, and what that changes about your opening lines and first scenes. How to take the guesswork out of hooks by testing titles and thumbnails to see what audiences actually care about. Ways to pull a more compelling later moment forward and work in reverse when the early material is setup. What makes a cliffhanger work across books and videos, and how to raise the stakes so people feel “gutted” not knowing the answer. How to build an “emotional rollercoaster” so the narrative never flatlines. Why sound and silence can help storytelling work, creating intensity and then giving the audience space to breathe. How to balance intrigue with respect for your audience by offering a “moment of value” instead of holding everything back. Why giving away too much can kill curiosity, and how to protect the reason someone keeps reading or watching. Resources and Links: 📄 Interview transcript Michael Bublé on The Diary of a CEO The Diary of a CEO YouTube Channel Jürgen Klopp on The Diary of a CEO Simon Kernick books Peter James Books Annie Jacobsen on The Diary of a CEO Creativity, Inc by Ed Catmull The Chimp Paradox by Steve Peters Increase Your Productivity! Playlist - The Diary of a CEO CapCut for Desktop Adobe Premiere Pro Anthony’s LinkedIn About Anthony Smith Anthony Smith is Director of Trailers at The Diary of a CEO with Steven Bartlett, where he leads storytelling through video for one of the world’s most-watched podcasts, and his work spans Disney, Marvel, Star Wars, Sky, and Netflix. Through talks and consulting, he helps creators and brands combine narrative craft with human psychology to make emotionally engaging, purposeful content. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!
	#171: Salena Godden — Spoken Word, Poetry, Memoir, and Novels: Turning Pain into Courage on the Page and Getting Published	07 Dec 2025	00:58:51
Poet, novelist, and broadcaster Salena Godden on turning love, grief, and fury into books and poems, surviving years in the wilderness before publication, and sustaining a boundaryless creative life through performance, early-morning writing, and community. You'll learn: Why you don’t have to be a “starving artist” and how to make powerful work while loving yourself and looking after your health. How to treat your story as uniquely yours, with material that no one else can reproduce. How Salena’s “rule of three” can help you balance meaning, generosity, and income in a creative career. Ways to draft poems and prose from an image or phrase and reshape darker early drafts into a final piece. How to write for “tomorrow you” first, using self-doubt and a critical future self as fuel for deeper revision. What it looks like to carry a memoir from years of rejection to publication without letting the work disappear. How to “compose on the lips” by walking, speaking drafts into your phone, and writing in the space between sleep and waking. Ways to ground yourself after writing emotionally charged work, including nature, slow rituals, and leaning on trusted loved ones. Resources and Links: 📑Interview Transcript Salena’s Books: Mrs Death Misses Death Pessimism is for Lightweights With Love, Grief and Fury Springfield Road - A Poet's Childhood Revisited Fishing in the Aftermath Salena's Instagram Poets, Musicians, and Authors mentioned: Jock Scott Shane MacGowan John Cooper Clarke Neneh Cherry Joelle Taylor Jenni Fagan Cider with Rosie by Laurie Lee Burning Eye Books National Theatre At Home - Medea (Greek Tragedy) Salena’s Roaring 20s Radio Show (Soho Radio) About Salena Godden: Salena Godden FRSL is an award-winning novelist, poet, and broadcaster of mixed Jamaican–Irish heritage, and the author of the acclaimed debut novel Mrs Death Misses Death, which won the Indie Book Awards for Fiction and the People’s Book Prize and was shortlisted for the British Book Awards and the Gordon Burn Prize. Her books include the poetry collections Pessimism is for Lightweights – 30 Pieces of Courage and Resistance and With Love, Grief and Fury, and the literary childhood memoir Springfield Road: A Poet’s Childhood Revisited, and she is a Fellow of the Royal Society of Literature, a Patron of Hastings Book Festival, and an Honorary Fellow of West Dean, Sussex. For show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.com. For free writing sessions, join free Writers’ Hours: writershour.com. * FOLLOW LONDON WRITERS’ SALON Twitter: twitter.com/WritersSalon Instagram: instagram.com/londonwriterssalon Facebook: facebook.com/LondonWritersSalon If you’re enjoying this show, please rate and review this show!

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