Chris Reifert remains one of the most important and recognizable figures in death metal history. After first making a major mark as the drummer on Death’s Scream Bloody Gore, he went on to found Autopsy in 1987, helping shape a far filthier, darker, and more depraved branch of the genre. With Autopsy, Reifert became central to the band’s unmistakable identity, combining savage drumming, sickened vocal delivery, and a songwriting approach that fused raw death metal with doom-laden atmosphere. Records like Severed Survival and Mental Funeral helped establish Autopsy as one of the most influential acts in extreme metal, with a sound that was ugly, crawling, primitive, and completely their own.

What has always separated Reifert from many of his peers is that Autopsy never felt like a museum piece. Even after decades in underground metal, the band has continued to create new material with the same diseased spirit that made them legends in the first place. Rather than simply trading on early classics, Autopsy has kept pushing forward, releasing later albums that still carry the band’s signature rot, heaviness, and warped sense of horror. Reifert’s long-running dedication to the genre has made him not only a pioneer, but also one of death metal’s most enduring lifers.

In my interview with Chris Reifert, he also made it clear that Autopsy is not standing still. He said the band plans to start work on a new album toward the end of the year, a detail that should excite longtime fans who have followed the group’s relentless run of grotesque and punishing releases. That comment speaks to what has always defined Reifert’s career: even after helping build death metal from the ground up, he is still focused on creating the next wave of sickness rather than living in the past.

For an interview introduction, Chris came across exactly as fans would expect: grounded, direct, and still completely committed to the underground spirit that made Autopsy essential in the first place. His reflections on the band’s legacy, past records, and future plans show that Autopsy continues to operate with purpose, and with the same morbid heart that has kept them vital for so many years.

In this interview, I spoke with HansFyrste (vocals) and Erik “HaaN” Sæther (guitars) of Svarttjern, the Oslo black metal band they founded in 2003. The conversation digs into the band’s history, their evolution from early demos into full-length releases like Misanthropic Path of Madness, Dødsskrik, and Shame Is Just a Word, and the path that has kept Svarttjern a respected name in Norwegian black metal.

No filler. Just a proper talk with both men about the band, the records, and the road behind Svarttjern.

In this episode, Dweezil Zappa returns to talk about his groundbreaking album Automatic, a record that showcases his evolution as a guitarist, composer, and producer. The album dives deep into modern instrumental rock, blending fierce technical skill with melodic and emotional precision.Dweezil discusses the creative process behind Automatic — how he approached writing and arranging songs that balance complexity with groove. He opens up about tone crafting, gear experimentation, and the influences that pushed him toward a more cinematic and expressive sound.Throughout the conversation, Dweezil shares insight into how Automatic bridges his past and present — a reflection of both his Zappa lineage and his own artistic voice. From shredding guitar lines to lush textures, the album proves why he remains one of the most inventive players in rock.We also touch on his recording techniques, the evolution of his playing over the years, and what fans can expect from future projects. It’s a deep, honest look at how Automatic became one of his most personal and technically refined works to date.Follow Dweezil Zappa:Website – dweezilzappa.comInstagram – @dweezilzappaofficialYouTube – Dweezil Zappa

Rock legend Angry Anderson of Rose Tattoo joins Laughingmonkeymusic to talk about his powerful new single “Hard Road” and what fans can expect from the band’s upcoming 2026 tour. Known for his raw energy, unmistakable voice, and hard-hitting attitude, Angry reflects on his decades in rock and the drive that keeps him going strong today.We also talk about how touring has changed, what it’s like to perform for generations of fans, and how new material like “Hard Road” keeps the fire alive. With 2026 shaping up to be a big year, Rose Tattoo’s return to the stage promises to be a celebration of pure, unfiltered rock ’n’ roll.Angry’s honesty, humor, and passion for the music shine through as he talks about legacy, inspiration, and what still fuels him after all these years. This is a conversation every rock fan will want to catch.Follow Angry Anderson / Rose Tattoo:Website – rosetattoo.com.auFacebook – Rose Tattoo OfficialInstagram – @rosetattoobandofficial

Dweezil Zappa joins Laughingmonkeymusic for a deep dive into one of his most iconic works — “My Guitar Wants to Kill Your Mama.” In this episode, Dweezil breaks down the song’s origins, its connection to his father Frank Zappa’s legacy, and how he reimagined it for a new generation of guitar fans.From tone and technique to songwriting and production, Dweezil walks us through the creative choices that shaped the track and the mindset behind his unique guitar voice. The conversation moves beyond nostalgia, touching on how he continues to evolve as a player and composer while honoring the Zappa name.We also get into Dweezil’s approach to recording, live sound, and how he balances the technical precision of his playing with emotional depth. His insight into gear, arrangement, and artistic intent gives fans a rare behind-the-curtain look at what makes his music tick.If you love guitar-driven rock, musical storytelling, and creative freedom, this episode is a must-watch.Follow Dweezil Zappa:Website – dweezilzappa.comInstagram – @dweezilzappaofficialYouTube – Dweezil Zappa

Bill Fisher has carved a fascinating path through modern rock and prog. Based in Nottingham, he first caught attention leading Church of the Cosmic Skull, the seven-piece band known for its lush harmonies, cosmic themes, and a theatrical mix of heavy riffs and vintage melodies. The band’s blend of progressive rock and psychedelic soul quickly earned them a devoted international following and a strong live reputation.As a solo artist, Bill pushed even further. His debut Mass Hypnosis and the Dark Triad mixed proto-metal and prog with sharp lyrical wit, while his 2024 album How to Think Like a Billionaire revealed a more refined sound—part folk-prog, part cinematic rock, and fully his own. Each release shows his ability to cross genres without losing his melodic backbone or emotional punch.Fisher’s work dives deep into human behavior, belief, and ambition—all wrapped in irresistible guitar tones and rich arrangements. His songs aren’t just heard; they’re experienced, inviting listeners to question everything from power to perception while nodding their heads to unforgettable hooks.This episode explores Bill’s creative process, his evolution from band leader to solo visionary, and how he manages to balance humor, heaviness, and heart. We also touch on the live side of his art—where his cosmic energy truly comes alive.Watch, listen, and dive into the mind of one of the most inventive rock songwriters around.Follow Bill Fisher:Website – billfisher.netBandcamp – billfisher.bandcamp.comInstagram – @churchofthecosmicskullChurch of the Cosmic Skull: https://cosmicskull.orgBill Fisher solo releases: https://billfisher.netMassive Hassle: https://massivehassle.tvDystopian Future Movies: https://dystopianfuturemovies.com

Michael Sweet, frontman of Stryper, returns with a full slate of new music. The band’s upcoming Christmas album The Greatest Gift Of All blends classic holiday songs with original tracks in true Stryper style — heavy guitars, harmony vocals, and messages of hope and faith. It’s a bold take on Christmas music from one of rock’s most enduring and faithful voices.

In addition, Sweet is preparing a new solo album focused on worship and spiritual reflection. This project offers a more personal side of his songwriting, showing how his faith continues to shape both his music and his message. It marks another chapter in his evolution as an artist who balances conviction, creativity, and craftsmanship.

Stryper is also writing their next studio album for a 2026 release. Sweet promises it will honor their signature sound while adding new ideas and depth. After four decades in music, he continues to deliver powerful songs and positive energy to fans worldwide.

Official Links:

Michael Sweet — michaelsweet.com

Stryper — stryper.com

Instagram — instagram.com/michaelsweetofficial

Facebook — facebook.com/TheMichaelSweet

X / Twitter — twitter.com/michaelhsweet

YouTube — youtube.com/@MichaelSweetOfficial

adventurous streak led her to a new path that would shape her life.In 1995, at just 19, she joined The Dandy Warhols in Portland, Oregon, despite having minimal formal music training. Her bold personality and willingness to learn made her an essential part of the band, evolving from keyboardist to a full-fledged multi-instrumentalist handling bass, percussion, and vocals. Zia’s style and charisma became a cornerstone of The Dandy Warhols’ distinctive blend of psychedelic rock and alternative cool that helped define an era of modern rock.Outside of the Dandys, Zia has kept her creative energy flowing in multiple directions. As DJ Rescue, she’s lit up clubs around the world with eclectic sets that mirror her wide-ranging musical tastes. She also performs with her country project, Brush Prairie, blending heartfelt songwriting with her love of roots music. Away from the stage, she has found success as a Portland real-estate broker, bringing her sense of community and authenticity to a completely different world.In addition to music and real estate, Zia has long hosted her own radio show, where she dives into the songs and stories that inspire her. She continues to be an active voice for creativity, equality, and the environment—never afraid to speak her mind or champion causes close to her heart.With a new Dandy Warhols record on the horizon for 2026 and several personal projects in motion, Zia McCabe remains as vital and multifaceted as ever. She continues to balance art, activism, and real life with the same fearless energy that first put her on stage. Keep up with her world through instagram.com/ziamccabetwitter.com/ziamccabefacebook.com/ZiaMcCabeOfficial

lKory Clarke is best known as the outspoken frontman and creative force behind Warrior Soul, the politically charged, no-filter hard rock band that rose from New York City’s underground in the late ’80s. Clarke’s mission from the start was clear: shake the system and wake the people.Blending punk attitude with metal power, Clarke led Warrior Soul through a run of killer albums — Last Decade Dead Century, Drugs, God and the New Republic, and Salutations from the Ghetto Nation — all loaded with rebellion, wit, and that “acid punk” energy that made them stand out. His lyrics hit like manifestos, railing against greed, control, and media corruption, long before those themes were trendy again.Even after lineup changes and label battles, Clarke kept pushing forward, reviving Warrior Soul in the 2000s and continuing to release new music that’s just as raw and fearless as ever — including Rock ’N’ Roll Disease and Out on Bail. He’s also an accomplished painter and poet, channeling that same defiant spirit into every art form he touches.With his gravel-and-gasoline voice, anti-establishment fire, and refusal to ever play it safe, Kory Clarke stands as one of rock’s true lifers — a rebel artist who never stopped believing that music could still mean something.Official band website: warriorsoul.com  • Bandcamp (music & downloads): koryclarkewarriorsoul.bandcamp.com  • Instagram (art + updates): @kory_clarke_art 

Dave Lee — founder of Signal Snowboards and creator of Cardboard Sessions — has turned a wild idea into a full-blown creative movement. What began as experiments in building snowboards and skateboards out of cardboard with Ernest Packaging evolved into playable guitars, basses, and drum kits. The result is Cardboard Sessions, a YouTube series where world-class musicians jam on fully functional cardboard instruments, blending craftsmanship, sustainability, and pure curiosity into one inventive concept.

A former pro snowboarder, Lee brings his same fearless “let’s try it” attitude to music and design. Each session captures spontaneous performances by artists like Billy Gibbons of ZZ Top, exploring what happens when expectations are stripped away — and replaced by creativity and play. Behind the fun lies serious engineering: layered cardboard, bio-resin, and pro-grade hardware combine to make instruments that don’t just look cool but sound surprisingly great.

More than a gimmick, Cardboard Sessions celebrates innovation, sustainability, and the joy of collaboration. Lee’s message is simple but powerful: when you mix passion with experimentation, you can turn almost anything — even cardboard — into art. It’s a refreshing reminder for creators of all kinds that the best ideas often start with a “what if?” and a willingness to build something just for the love of it.

Asaf Avidan joins us to talk about his brand-new album Unfurl, diving deep into the music, stories, and emotions behind the release. Known for his unmistakable voice and poetic songwriting, Asaf continues to push creative boundaries with a sound that blends raw honesty and cinematic atmosphere.Born in Jerusalem, Avidan first rose to fame with Asaf Avidan & The Mojos, earning international acclaim when “Reckoning Song” became a global hit through the remix “One Day / Reckoning Song.” Since then, his solo albums like Different Pulses, Gold Shadow, and The Study on Falling have established him as one of the most original voices in modern music.In this exclusive conversation, Asaf opens up about the making of Unfurl, his evolving creative process, and the personal reflections that shape his art today.

Listen & Follow Asaf Avidan:

🔗 Official Site

🔗 Spotify

🔗 YouTube

🔗 Instagram

John Haughm remains a big creative part of Agalloch, but in recent years he has also carved a singular path as a solo artist. His solo work explores ambient, experimental, folk, and spectral textures — often using minimalist instrumentation, field recordings, and layered atmospherics. You can find his releases, old and new, on his Bandcamp page: haughm.bandcamp.com At the same time, the Agalloch catalog has seen renewed life through reissues, remasters, and archival releases. EPs like The White and The Grey have been reissued to reach broader audiences, and classic albums have been re-pressed or remastered for new formats. (For example, Of Stone, Wind, & Pillor (Remastered) was reissued with expanded artwork via Eisenwald)  The band maintains a presence on Agalloch’s Bandcamp as well: agalloch.bandcamp.com Haughm and Agalloch also maintain active social media profiles to engage with fans. Agalloch’s official Facebook page (Agalloch – The Official Page) shares news, show announcements, and merch links. Their Instagram (@agalloch_official) similarly posts updates, visuals, and tour promos. John Haughm also posts on his Facebook about solo releases and special edition bundles (e.g. CD + shirt offerings) linking back to his Bandcamp. On the touring front, Haughm has continued to perform solo — offering intimate sets that reinterpret Agalloch material or present new compositions in a stripped setting. When Agalloch reunited (with original members plus a new drummer) in 2023, they began playing selected shows and full-album performances, weaving Haughm’s solo interludes into the larger live experience. For those interested in exploring Agalloch’s releases, much of their catalog is released through Dämmerung Arts and Eisenwald (among other labels). For example, The Serpent & The Sphere was issued via Dämmerung Arts / Eisenwald / Profound Lore depending on format and region. These labels help facilitate the reissues and physical editions that bring both Agalloch’s legacy and Haughm’s solo work to fans worldwide.

Corrosion of Conformity returns with Good God / Baad Man, a new double album born out of major change, loss, and a fresh creative surge. In this interview, Woody Weatherman talks about the making of the record, the writing sessions with Pepper Keenan in Mississippi, the album’s split personality between the heavier Good God side and the more rock-driven Baad Man side, and the band’s path forward after the loss of Reed Mullin and Mike Dean’s departure. The album also features Stanton Moore on drums, Bobby “Rock” Landgraf on bass, and was produced by Warren Riker. 

Uli Jon Roth is a German guitarist, composer, and visionary best known for his groundbreaking work with the Scorpions in the 1970s and for pioneering a neo-classical approach to rock guitar. Born on December 18, 1954, in Düsseldorf, Germany, Roth joined the Scorpions in 1973, helping shape their early sound on albums such as Fly to the Rainbow (1974), In Trance (1975), Virgin Killer (1976), and Taken by Force (1977). His emotive phrasing, fluid bends, and extended melodic solos set him apart from his contemporaries, influencing generations of guitarists including Yngwie Malmsteen, Kirk Hammett, and Steve Vai. Roth’s classical leanings and improvisational flair brought a sense of artistry and spirituality to the hard rock landscape of the time.

After leaving the Scorpions in 1978, Roth formed his own band, Electric Sun, which became the platform for him to explore a more personal and philosophical form of music. Albums such as Earthquake (1979), Fire Wind (1981), and Beyond the Astral Skies (1985) blended Hendrix-inspired rock with symphonic and spiritual elements, showcasing his evolution from guitar hero to musical poet. His lyrics and themes often touched on mysticism, universal consciousness, and the search for enlightenment—concepts that would define much of his later work.

Throughout the 1990s and 2000s, Roth expanded beyond rock, composing orchestral works and developing his own instrument, the Sky Guitar, which extends the range of a traditional electric guitar to encompass violin-like tones. This innovation allowed him to perform complex classical pieces alongside rock compositions, bridging two worlds few musicians had combined so seamlessly. His projects such as Metamorphosis of Vivaldi’s Four Seasons and Under a Dark Sky demonstrated his ambition to merge classical grandeur with electric intensity.

In the decades since, Uli Jon Roth has remained a respected figure in both rock and classical circles, often described as a philosopher with a guitar. He continues to tour internationally, performing retrospective concerts that celebrate both his Scorpions legacy and his later symphonic works. Revered for his technical mastery, tone, and spiritual depth, Roth’s influence endures as one of the most unique voices in the evolution of modern guitar music—a true bridge between the soul of classical composition and the freedom of rock improvisation.

https://ujr.info/

Dweezil Zappa was born on September 5, 1969, in Los Angeles, California, the son of legendary musician and composer Frank Zappa and Gail Zappa. Growing up in one of the most creatively charged households in rock history, Dweezil was surrounded by instruments, recording sessions, and a constant stream of innovative artists visiting the family home. Naturally drawn to music, he began playing guitar at a young age, inspired by players like Eddie Van Halen, who would later mentor him. By the time he was 12, Dweezil released his first single, “My Mother Is a Space Cadet,” with Eddie Van Halen producing and playing on it—a remarkable start for such a young artist.

Released in 1986 on Barking Pumpkin Records, Havin’ a Bad Day was Dweezil Zappa’s debut solo album and a bold introduction to his talent as both a guitarist and songwriter. Recorded largely at his father’s famed UMRK (Utility Muffin Research Kitchen) studio, the album captures Dweezil as a teenager experimenting with hard rock, glam metal, and pop influences that defined much of the decade. Produced by Frank Zappa and Bob Stone, the record showcases slick 1980s production values while allowing Dweezil’s guitar work to take center stage.

The album features nine tracks, including the title song “Havin’ a Bad Day,” “Blonde Hair, Brown Nose,” “Electric Hoedown,” and “I Want a Yacht.” The songs balance tongue-in-cheek humor and youthful energy, mirroring both his father’s satirical edge and the flashy guitar-driven sound of the era. Musicians like Scott Thunes and Chad Wackerman—both members of Frank’s touring bands—provided bass and drums, while other family members, including Moon Unit and Gail Zappa, contributed backing vocals, adding to the album’s homegrown atmosphere.

While Havin’ a Bad Day didn’t make major commercial waves, it served as an important artistic statement for a young guitarist stepping out from a legendary shadow. Critics noted Dweezil’s technical skill and melodic instincts, though many recognized he was still finding his voice as a songwriter. Today, the album stands as a fascinating snapshot of his early years—part youthful exuberance, part serious musicianship—and the first step in a career that would see him evolve into one of rock’s most respected modern guitarists.

Geoff Tate emerged from the Seattle music scene in the early 1980s, co-founding Queensrÿche in 1982. His dynamic tenor voice and dramatic delivery quickly set him apart, helping the band stand out in the rising heavy metal landscape. Their self-titled debut EP gained international traction and laid the foundation for a career built on ambitious, thought-provoking music.The band’s early albums The Warning (1984) and Rage for Order (1986) earned critical acclaim, but it was Operation: Mindcrime (1988) that defined Tate’s legacy. The politically charged concept record became one of metal’s most celebrated works. Success continued with Empire (1990), featuring the hit “Silent Lucidity,” which earned Grammy recognition and cemented Queensrÿche’s place in mainstream rock.Through the 1990s and 2000s, Tate led Queensrÿche through stylistic evolution, exploring progressive, alternative, and modern sounds. Albums like Promised Land (1994) revealed a darker, introspective side, while later releases such as Tribe (2003) highlighted collaboration and experimentation. Though not all projects matched earlier commercial highs, Tate’s voice remained the band’s defining element.Following his departure from Queensrÿche in 2012, Tate pursued a solo career and later formed the project Operation: Mindcrime. This new venture allowed him to continue his passion for conceptual rock while touring globally. His solo releases and collaborations further demonstrated his range and commitment to musical storytelling beyond the Queensrÿche catalog.Today, Geoff Tate is celebrated as one of rock’s most distinctive vocalists, known for his soaring range, theatrical style, and ability to merge heavy music with narrative depth. He continues to tour internationally, often performing complete renditions of Operation: Mindcrime and Empire, keeping his legacy alive for new and longtime fans alike.https://www.geofftate.com

In this episode, we dive into the story of The O’Reillys and the Paddyhats, the German folk-punk powerhouse that blends Celtic tradition with rock energy. From their beginnings as a small duo to becoming festival favorites across Europe, the band’s history is filled with passion, reinvention, and a love for music that gets crowds moving.

We explore their early days, the evolution of their sound, and how they carved out a place in the international folk-punk scene with albums like Green Blood, Dogs on the Leash, and their re-imagined collection In Strange Waters. Their creative journey reflects a fearless spirit — one that respects tradition while daring to experiment.

A major part of the conversation centers on the 2022 singer change, when founding member Sean O’Reilly stepped away and Paddy Maguire took the mic. We talk about how that shift impacted the band, how fans reacted, and how the new voice has shaped their latest work, including the acclaimed 2024 release Coming Home.

Listeners will also hear about the band’s raucous live shows, where fiddles, guitars, and chants collide in an atmosphere of celebration. Whether in clubs or major festivals, The Paddyhats are known for shows that leave no shirt dry and no audience standing still.

Join us as we trace their journey from pub corners to international stages, unpack the challenges of change, and celebrate the enduring energy that keeps The O’Reillys and the Paddyhats at the forefront of the folk-punk scene.

Steph Paynes & Lez ZeppelinSteph Paynes is the visionary guitarist and founder of Lez Zeppelin, the all-female powerhouse that has redefined what a tribute band can be. More than just a faithful recreation, Lez Zeppelin brings the spirit, swagger, and intensity of Led Zeppelin’s music into a new light, guided by Paynes’ fiery guitar work and her dedication to channeling the emotional risk and raw energy of Jimmy Page’s playing. Since its inception, the project has drawn praise worldwide — even earning acknowledgement from Page himself.As a guitarist, Paynes is known for her technical mastery, tonal precision, and fearless improvisation. She has spent years studying the intricacies of Zeppelin’s catalog, not to mimic but to interpret, embracing the unpredictability and dynamic shifts that made the originals so compelling. Her performances often blur the line between homage and reinvention, breathing new vitality into riffs and solos that remain timeless while bearing her own unmistakable touch.With Lez Zeppelin, Paynes has overseen ambitious projects that go beyond the stage. Their debut album, produced by legendary engineer Eddie Kramer, captured the raw spirit of Zeppelin while showcasing the band’s own unique voice. Later, the group recreated Led Zeppelin I using the same vintage equipment and recording methods as the original sessions — a daring undertaking that proved their commitment to authenticity and artistry. These ventures set Lez Zeppelin apart as a band that respects tradition while pushing boundaries.Touring has always been at the heart of Paynes’ mission with Lez Zeppelin. The band’s live shows are known for their thunderous energy, dynamic setlists, and the sense of surrender Steph describes as essential to the music. Audiences around the globe have experienced their electric presence, from major festivals to historic theaters. In 2025, the band embarks on a special tour celebrating the 50th anniversary of Physical Graffiti, performing the album in its entirety alongside other Zeppelin classics, ensuring fans old and new can immerse themselves in a once-in-a-lifetime experience.Steph Paynes continues to prove that Lez Zeppelin is more than a tribute — it is a living, breathing incarnation of rock’s most enduring legacy. Through her artistry, leadership, and dedication, she keeps the music alive not just as nostalgia but as a vital, evolving force. Whether on record or on stage, Paynes and Lez Zeppelin deliver performances that honor the past while igniting the present, reminding audiences why Led Zeppelin’s music — and her interpretation of it — will always matter.

https://lezzeppelin.com/

Dweezil Zappa – Go With What You KnowDweezil Zappa, the son of legendary composer and guitarist Frank Zappa, has carved out his own path as a musician, producer, and guitarist with a distinctive voice. Known for his virtuosic guitar playing and wide-ranging musical tastes, Dweezil blends elements of rock, jazz, funk, and experimental textures, always infusing his work with both technical skill and personality. By the time he released Go With What You Know in 2006, he had already built a reputation for adventurous guitar work and innovative projects, both as a solo artist and collaborator.Go With What You Know stands as a showcase of Dweezil’s ability to merge complex musicianship with accessible grooves. The record features a mix of instrumental tracks and vocal numbers, highlighting his intricate guitar lines and keen ear for arrangement. While some songs lean into heavy rock energy, others reveal jazz fusion influences and melodic, atmospheric passages, creating a dynamic listening experience.Among the standout tracks are “Love Ride,” a fiery instrumental displaying Zappa’s trademark precision and flair, and “All Roads Lead to Inca,” which reflects his deep connection to his father’s musical legacy while stamping it with his own unique style. The title itself—Go With What You Know—suggests an embrace of authenticity, channeling what comes naturally rather than chasing trends. It’s a philosophy that resonates throughout the album’s shifting moods and textures.The album also includes contributions from a strong cast of musicians, underscoring Dweezil’s collaborative spirit. Yet it is his guitar work that anchors the record, weaving through complex harmonies, soaring solos, and unexpected rhythmic turns. Whether tearing through rapid-fire lines or settling into a soulful melodic phrase, his playing is consistently inventive and engaging.Go With What You Know serves as both a personal statement and an artistic milestone, reminding listeners that Dweezil Zappa is not simply carrying on a family name, but expanding on a legacy in his own voice. The album blends reverence for tradition with fearless exploration, offering a rewarding listen for guitar fans and music lovers alike.

Formed in Los Angeles in 1988, Rhino Bucket emerged as one of the most unrelenting purveyors of stripped-down, no-frills hard rock. With a sound often compared to AC/DC due to its raw guitar riffing and gravel-voiced delivery, the band built a reputation for keeping rock ‘n’ roll honest and powerful at a time when the music scene was shifting toward glam and alternative trends. Led by Finnish-born frontman Georg Dolivo, Rhino Bucket quickly carved out their place with a dedication to pure, riff-driven songs built for both the stage and the stereo.

The group’s self-titled debut album, released in 1990, showcased their straightforward, hard-hitting style and quickly gained traction among fans of classic hard rock. Their follow-up, Get Used to It (1992), solidified the band’s identity with tracks that captured the grit and swagger of old-school rock while resonating with newer audiences. By the mid-1990s, Rhino Bucket had toured extensively, earning a loyal following despite the changing tides of the rock world.

After a hiatus in the late 1990s, the band reemerged with a revitalized energy in the 2000s, releasing albums such as And Then It Got Ugly (2006) and The Hardest Town (2009). Their music continued to embrace the same no-compromise philosophy, blending relentless guitar riffs, stomping rhythms, and Dolivo’s signature raspy vocals. This consistency reinforced Rhino Bucket’s identity as a band for true rock loyalists—undistracted by trends and uncompromising in sound.

Rhino Bucket’s music has also appeared beyond the stage, with tracks featured in films like Wayne’s World and on various soundtracks that helped expose their raw energy to wider audiences. Their inclusion in media underscored the timeless appeal of their sound—straightforward, catchy, and unapologetically loud. The band remained a strong touring act, delivering performances that were as direct and powerful as their studio recordings.

Over the decades, Rhino Bucket has maintained their reputation as one of the most authentic hard rock acts to come out of Los Angeles. With a catalog that celebrates the essence of riff-driven rock and a stage presence rooted in grit and electricity, they stand as proof that rock ‘n’ roll doesn’t need frills to make an impact. Their legacy is one of loyalty to the craft—music that hits hard, keeps it simple, and never loses its bite.

https://www.rhinobucket.rocks/

Udo Dirkschneider is making waves again with Dirkschneider & The Old Gang (often shortened to DATOG), a new all-star collaboration that draws deep from his legendary roots in Accept and U.D.O. The group includes longtime comrades Peter Baltes (bass, ex-Accept), Stefan Kaufmann (guitar, ex-Accept & U.D.O.), Mathias Dieth (guitar, Sinner/U.D.O.), his son Sven Dirkschneider (drums), and singer Manuela Bibert. Together, they’ve released singles such as “Where The Angels Fly”, “Face Of A Stranger”, “Every Heart Is Burning”, and more recently “Time To Listen”. The excitement builds toward their debut DATOG album Babylon, due out in October 2025 via Reigning Phoenix Music. Alongside the DATOG project, Udo is revisiting the Accept catalog in powerful ways. Most notably, the album Balls to the Wall has been re-recorded in a version titled Balls to the Wall Reloaded, celebrating that pivotal Accept record’s 40th anniversary. He’s also touring with that tour, playing classic Accept songs and giving fans both nostalgia and renewed versions of these heavy metal staples. Udo’s story is as rich as the music. Born in 1952, he rose to fame as the original singer of Accept, helping shape the band’s signature sound with albums like Breaker, Restless and Wild, Metal Heart, Russian Roulette, and of course Balls to the Wall. In 1987 he left Accept and founded U.D.O., carrying on with his powerful voice and songwriting. Over the decades he’s released many U.D.O. albums: Animal House (1987), Mean Machine, Faceless World, Timebomb, Solid, No Limits, Holy, Man and Machine, Thunderball, Mission No. X, Mastercutor, Dominator, Rev-Raptor, Steelhammer, Decadent, Steelfactory, We Are One, Game Over (2021), Touchdown (2023), plus other projects such as cover albums. Touring has always been central to Udo’s work, both with Accept (in its classic days) and with U.D.O. In recent years he’s done tours dedicated to Accept’s legacy: for example the Back to the Roots tour (performed under the name Dirkschneider) where he played many of the classic Accept songs. Now, with Balls to the Wall Reloaded and the upcoming DATOG album Babylon, fans can expect shows that mix the old and the new: classic Accept tracks, newer U.D.O. material, and fresh DATOG songs. What emerges is an artist still vital, still shaping how his past dialogues with his present. Udo’s voice (literally and metaphorically) bridges decades of heavy metal: the pioneering Accept era, the evolution of U.D.O., and now the DATOG venture. For longtime fans and newcomers alike, what’s coming promises both homage and innovation — new compositions rooted in a storied history, re-engaged performances of classics, and that unmistakable Udo Dirkschneider spirit at the heart of it all.⸻You can check out his official site for tour dates, news, and more here: Udo Dirkschneider Official Website

Nick Oliveri, born October 21, 1971 in Los Angeles, is an American bassist, vocalist, and songwriter best known for his work in the desert and stoner rock scenes. He began playing in early bands in the Palm Desert area, including Katzenjammer, which evolved into Sons of Kyuss and later Kyuss, where he appeared on the albums Wretch and Blues for the Red Sun.In 1997 he founded Mondo Generator, a project that allowed him to combine elements of punk, metal, and heavy rock into a distinct sound. Around the same time, he joined Queens of the Stone Age, contributing as bassist and vocalist from 1998 through 2004. His work with the band was central to the albums Rated R and Songs for the Deaf, where his aggressive playing and distinctive vocals became defining features.Beyond these roles, Oliveri has remained highly active as a collaborator and performer. He has recorded and toured with The Dwarves, Moistboyz, Svetlanas, and Big Scenic Nowhere, among others, and has also pursued solo work. His solo releases include Demolition Day (2004), the acoustic-based Death Acoustic (2009), and Leave Me Alone (2014) under the name Nick Oliveri’s Uncontrollable.Oliveri has also released the ongoing compilation series N.O. Hits at All, showcasing the breadth of his collaborations across various projects. Throughout his career, he has maintained a reputation as a versatile and energetic musician, bridging the worlds of punk, hard rock, and desert rock with a distinctive sound and presence.

https://www.mondogenerator.net/

Episode 595 brings an extraordinary deep dive into one of the most ambitious and creative works from guitarist, composer, and producer Dweezil Zappa. In this exclusive conversation, Dweezil revisits his 1991 album Confessions, guiding listeners through a rare track-by-track exploration. Known for his technical brilliance and fearless approach to blending rock, jazz, funk, and experimental textures, Dweezil provides not only a look at the music but also the personal and creative moments that shaped each song.Released at a pivotal point in his career, Confessions showcased Dweezil Zappa’s evolution from guitar prodigy into a fully realized artist with a distinct voice. With its mix of virtuosic solos, clever arrangements, and genre-defying songwriting, the album cemented his reputation beyond the shadow of his legendary father, Frank Zappa. In this episode, Dweezil reflects on the musical climate of the early ’90s and how Confessions fit into that landscape, offering listeners insight into both the challenges and triumphs of creating such a bold record.The conversation takes listeners through Confessions one track at a time, unpacking the stories, techniques, and inspirations behind each song. From the high-energy guitar-driven anthems to the more experimental and introspective cuts, Dweezil reveals the details of the writing and recording process. He shares anecdotes about studio sessions, collaborators, and the gear that shaped the album’s sound, offering fans an intimate glimpse into the craftsmanship behind the music.What makes this breakdown truly compelling is Dweezil's honesty and perspective. He speaks candidly about the lessons learned from making Confessions, how the album was received, and how his own understanding of the songs has evolved over time. These reflections give the episode its heart, revealing not just the technical brilliance of the record but also the emotional journey behind it. For longtime fans, it’s a chance to reconnect with a classic album; for new listeners, it’s an invitation to discover a hidden gem in Zappa’s discography.Episode 595 is both a celebration of artistry and a masterclass in the creative process. By breaking down Confessions song by song, Dweezil Zappa reintroduces his album with fresh context and appreciation, showing how its music continues to resonate decades later. Whether you’re a dedicated Zappa fan, a guitar enthusiast, or simply someone who loves hearing the story behind the songs, this episode offers a rare and rewarding journey into the mind of one of rock’s most innovative musicians.

Today on the show I’m talking with Tonino Baliardo of Gipsy Kings as the band celebrates the new album Historia. Across a career that has included 25 million albums sold, a GRAMMY Award, global touring, and enduring classics like “Bamboléo” and “Djobi, Djoba,” the Gipsy Kings have built one of the most recognizable sounds in modern flamenco and rumba. Their recent run also included a widely praised Glastonbury 2024 performance that The Times said gave tired festival legs “a new lease of life.” 

What makes this story even stronger is where it started. The group came up from Arles, France, where they played streets, weddings, bars, beaches, and restaurants before worldwide success arrived. That rise grew out of a deep family tradition connected to flamenco, Catalan gipsy culture, and the musical legacy surrounding José Reyes and Manitas de Plata. 

With Historia, Tonino says he wanted both “an adventurous spirit” and a record that reflects the story of the Gipsy Kings—including what happened when their signature songs became global hits. The album also continues the band’s long commitment to carrying those traditions forward, now with the next generation involved, including Tonino’s sons. More at the official website: gipsykings.com 

Mark Lettieri is a Grammy Award–winning guitarist, composer, and producer whose work has established him as one of the most versatile and dynamic musicians of his generation. Best known for his role in the genre-defying collective Snarky Puppy, Lettieri has also built a thriving solo career that highlights his singular voice as a guitarist and bandleader. His music seamlessly blends elements of rock, funk, soul, jazz, and roots, offering listeners a sound that is both contemporary and timeless.As a member of Snarky Puppy, Lettieri has toured extensively across the globe, performing on some of the world’s most prestigious stages and contributing to the band’s acclaimed recordings. His playing, marked by both technical mastery and expressive subtlety, has been central to the ensemble’s sound, helping the group earn multiple Grammy Awards and a devoted international following.Beyond his work with Snarky Puppy, Lettieri has released a series of acclaimed solo albums that showcase his unique musical perspective. His projects explore a wide range of sonic landscapes—from rhythmically driven funk to cinematic textures—demonstrating his ability to innovate while remaining deeply rooted in groove. His releases have garnered praise from critics, fellow musicians, and fans alike for their originality and musicianship.Lettieri is also a highly sought-after session player and collaborator, having worked with a diverse roster of artists spanning multiple genres. His adaptability and creativity have made him a trusted contributor in both live and studio settings, where his guitar work adds depth, character, and distinction to any project.Balancing his roles as performer, composer, and educator, Mark Lettieri continues to expand his artistic reach. Whether on stage, in the studio, or through his recordings, he brings a deep passion for music that resonates with audiences worldwide. His artistry, marked by a dedication to groove and innovation, ensures his standing as a leading voice in modern guitar music.

https://www.marklettieri.com/

Since their debut in 2022, A.D.A.M. Music Project has built a worldwide following with more than 60 songs inspired by video games, fan-favorite characters, and the gaming culture that connects people across the globe. Their sound blends hard rock, metal, classic rock, and powerful ballads—driven by heavy riffs, soaring vocals, and explosive energy.This commitment to bold, guitar-driven rock has allowed the band to carve out a unique space in the music world, appealing to both gamers and rock fans alike. Each new release reflects their growth and creativity, while their fanbase continues to expand across continents. With momentum on their side, A.D.A.M. Music Project has established themselves as innovators in a style they’ve made entirely their own.https://adammusicproject.com

Daniele Gottardo is an Italian guitarist and composer known for his dazzling technique, innovative use of tapping, and sophisticated approach to composition. Born in 1983 in Rovigo, Italy, he began his musical journey at a young age, first inspired by classical and jazz traditions before immersing himself in rock and fusion. His unique style blends virtuosic guitar playing with orchestral sensibilities, making him stand out in the modern guitar community as more than just a shred player—he’s also a forward-thinking composer.Gottardo first rose to international recognition in 2009 when he won the prestigious Guitar Idol competition in London, a contest that helped launch the careers of several modern guitar virtuosos. This win showcased not only his technical abilities but also his originality, as he presented music that leaned heavily into compositional depth rather than just flash. Following this achievement, he released his debut album Frenzy of Ecstasy (2010), a record that immediately drew attention for its complex arrangements and innovative use of extended guitar techniques.In 2016, he followed up with his second album, Invent Your Future, which further cemented his reputation as a guitarist with a unique voice. Unlike many instrumental rock guitar albums that focus primarily on soloing, Gottardo’s work incorporates orchestral textures, cinematic arrangements, and advanced harmonic concepts. His pieces often sound as though they could be scored for film, balancing technical fireworks with strong melodic sensibilities. This compositional focus sets him apart from many of his contemporaries in the shred and progressive guitar scenes.Beyond his solo work, Gottardo has been active as a composer and educator. He has written concert pieces that blend electric guitar with orchestra, underscoring his passion for uniting rock guitar with classical traditions. He also contributes to guitar education through masterclasses, instructional material, and collaborations with music schools worldwide. His lessons often emphasize not only technique but also harmony, counterpoint, and creativity, encouraging players to see the guitar as a vehicle for broader musical expression.Today, Daniele Gottardo is considered one of the most forward-thinking guitarists of his generation. He is admired not only by fans of technical guitar playing but also by musicians who appreciate his commitment to composition and artistry. His career bridges the worlds of rock virtuosity and classical sophistication, making him a modern pioneer in instrumental music. As both a performer and composer, he continues to inspire a new generation of guitarists to look beyond speed and technique and embrace the broader possibilities of musical storytelling.

https://officialdanielegottardo.com/

In this series Dweezil and I sat down weekly to breakdown and deep dive into one his albums.This week in episode 1 Dweezil shares his first single and recording at his Frank Zappa"s studio with Eddie Van Halen. Each episode in loaded with stories and memories from that time period.New deep dive into his albums of his every week. Subscribe and hit bell not to miss!

The Cockney Rejects formed in East London in 1979, led by brothers Jeff and Mick Geggus. Coming straight out of the working-class neighborhood of East End, they were inspired by the raw energy of punk but added their own aggressive, football terrace–style chants. Their first records came out on EMI, with the 1980 debut Greatest Hits Vol. 1, followed quickly by Greatest Hits Vol. 2. Their loud, sing-along anthems such as “Oi! Oi! Oi!” made them one of the defining bands of the Oi! punk movement, even though the label “Oi!” was originally coined after a journalist described their music that way.The Rejects’ lyrics often reflected working-class life and their love of West Ham United F.C. This connection to football culture gave them a unique identity but also brought violence to many of their gigs, as rival football hooligans clashed at shows. Despite this, their music gained popularity across the UK and Europe, and they were seen as heroes of street-level punk. They stood apart from art-punk or politically heavy bands, preferring to sing about everyday struggles, loyalty, and pride in where they came from.As the 1980s progressed, the band experimented with a harder rock and heavy metal sound. Albums like The Wild Ones (1982) leaned more toward glam and hard rock than their early Oi! roots, but this stylistic shift alienated some of their punk audience. Still, the band refused to be boxed into one style, proving they could adapt and survive in a changing music scene. They continued to play live, earning a reputation for rowdy, unpredictable gigs that mirrored the chaos of the streets they came from.By the 1990s and 2000s, the Cockney Rejects had become respected as pioneers, with a loyal international fanbase. They toured widely, influencing later punk, hardcore, and even street rock bands. Their story is one of resilience—despite violence at shows, industry challenges, and lineup changes, Jeff Geggus kept the band alive. Today, they are recognized as both punk icons and cultural figures who captured the voice of London’s East End, leaving behind a legacy of defiant, working-class rock ’n’ roll.https://www.cockneyrejects.com/cockneyrejectshomepage

Amorphis has built a reputation as one of Finland’s most influential and enduring metal bands. With a career spanning more than three decades, they have consistently evolved while maintaining a deep connection to their cultural roots. In this special feature, we sit down with the band’s keyboardist Santeri Kallio for an exclusive interview about the release of their new album, Borderlands.Formed in Helsinki in 1990, Amorphis quickly made their mark with their debut album The Karelian Isthmus (1992). While it established them in the extreme metal underground, it was Tales from the Thousand Lakes (1994) that truly defined their early success. Inspired by Finland’s national epic, the Kalevala, the album introduced a bold blend of melody, atmosphere, and storytelling that set Amorphis apart from their contemporaries.As the years progressed, Amorphis moved beyond their early death metal roots. Albums such as Elegy (1996) and Tuonela (1999) reflected a willingness to experiment with progressive, folk, and rock influences. This creative spirit allowed the band to expand their sound and reach a wider audience while continuing to explore Finnish mythology and poetic themes within their music.A major turning point came with the arrival of vocalist Tomi Joutsen in 2005, whose versatile performance style reinvigorated the band. From Eclipse (2006) through Queen of Time (2018), Amorphis found renewed strength and critical acclaim, delivering records that balanced their trademark heaviness with rich, evocative themes. This era helped cement their standing as a leading force in modern metal.Now, with the release of Borderlands, Amorphis continues their tradition of pushing forward while honoring their past. In our interview, the band’s keyboardist reflects on the group’s journey, the making of the new album, and what this chapter means for both the band and its fans. Be sure to catch the full conversation and get a closer look at the legacy and future of Amorphis through the eyes of one of its longtime members.https://amorphis.net/

Gretchen Menn is an acclaimed American guitarist and composer known for blending technical rock guitar mastery with classical sophistication. A graduate in music from Smith College, she began her journey with classical guitar before a life-changing encounter with electric guitar legends inspired her to expand her style. Her early musical foundations gave her the versatility to move seamlessly between genres, combining precision with expressive flair.She is best known as the lead guitarist and co-founder of Zepparella, an all-female Led Zeppelin tribute band formed in San Francisco. With Zepparella, Menn has earned international recognition for her faithful yet electrifying interpretations of Jimmy Page’s iconic work, bringing fresh energy and technical excellence to the band’s live performances. Her role in Zepparella cemented her as a standout figure in the rock tribute world.Outside of Zepparella, Menn’s solo career reflects her ambitious artistic vision. Her debut album, Hale Souls (2011), introduced her original compositions, while Abandon All Hope (2016) presented a cinematic, concept-driven work inspired by Dante’s Inferno. This ambitious project blended rock, classical, and orchestral elements, demonstrating her ability to create music that is both technically demanding and deeply atmospheric.Her artistry has been recognized by major publications and peers alike. Guitar Player magazine named her among the “50 Sensational Female Guitarists” and “50 Years of Extraordinary Players,” while Vintage Guitar magazine readers nominated her for “Artist of the Year” alongside guitar icons. Beyond performing, Menn is a dedicated educator, offering lessons through platforms like JamPlay and teaching at Rock and Roll Fantasy Camps, helping inspire the next generation of players.Before devoting herself fully to music, Menn worked as a commercial pilot, funding her musical pursuits until she could make them her sole career. Today, she continues to evolve as an artist, studying composition, collaborating with orchestras, and expanding her creative reach. Her career stands as a testament to the power of dedication, versatility, and a fearless commitment to following one’s passion.

https://gretchenmenn.com//

Mark Weiss is an acclaimed American rock ‘n’ roll photographer whose lens has captured some of the most iconic moments in music history. Rising to prominence in the late 1970s and 1980s, Weiss became a go-to visual chronicler for the era’s biggest hard rock and heavy metal acts. His photographs—often featured in Circus, Hit Parader, and album covers—helped define the look and attitude of the glam metal scene.Weiss’s portfolio includes legendary artists such as Bon Jovi, Ozzy Osbourne, Van Halen, Mötley Crüe, Guns N’ Roses, KISS, and Aerosmith, among many others. His ability to blend candid backstage shots with larger-than-life stage imagery made his work both intimate and epic, perfectly matching the excess and energy of the time.In addition to magazines and publicity shoots, Weiss created some of the most memorable album artwork and promotional images of the ’80s and ’90s. His career spans decades, and he has remained active, photographing modern acts while preserving the legacy of rock’s golden years.In 2020, he released The Decade That Rocked, a coffee-table book showcasing his extensive archive from the 1980s. The book received praise for its vivid storytelling and rare behind-the-scenes photos, cementing Weiss’s role as one of the premier visual historians of rock music.Today, Mark Weiss continues to share his work through exhibitions, books, and collaborations, keeping the spirit of rock alive for new generations while honoring the legends he helped immortalize. Continuing on now with Rocked magazine.https://www.rockedmag.comhttps://www.facebook.com/RockedMaghttps://www.kickstarter.com/projects/rockedmag/rocked-magazine?ref=projecthttps://www.instagram.com/RockedMag

Michael Kiske joins us to discuss Helloween’s powerful new album Giants and Monsters. In this exclusive interview, he breaks down the creative process behind the record, the band’s unique triple-vocal approach, and what fans can expect from the new material.Formed in Hamburg, Germany in the early 1980s, Helloween became one of the pioneering forces in European power metal. Their groundbreaking albums Keeper of the Seven Keys Part I & II set a new standard for the genre with their mix of speed, melody, and epic songwriting. Kiske’s soaring vocals quickly became a signature part of the band’s sound, influencing generations of metal singers.Over the years, Helloween went through numerous lineup changes but continued to push their sound forward. The return of both Michael Kiske and original guitarist Kai Hansen in 2016 reunited key members from the classic era with longtime frontman Andi Deris, creating a unique triple-vocal dynamic that reinvigorated the band.Since reuniting, the band has released a self-titled album (Helloween, 2021) and launched the successful United Forces world tour. Now with Giants and Monsters, Helloween continues to evolve without losing touch with their melodic roots. The new material delivers a blend of powerful riffs, anthemic choruses, and thoughtful lyrics that reflect both the band’s legacy and its forward momentum.This interview offers an honest, focused look at the band’s current creative state, straight from the voice that helped define it.https://www.helloween.org/

Jesse Hughes, best known as the wild frontman of Eagles of Death Metal, is a force of charisma, chaos, and crunchy desert rock riffs. Born September 24, 1972, in Greenville, South Carolina, Hughes was raised in Palm Desert, California, where his lifelong friendship with Josh Homme (of Queens of the Stone Age) would set the stage for one of rock’s most energetic duos. While Homme often drums and co-produces, Hughes is the face and voice of the band, known for his mustachioed swagger, tongue-in-cheek lyrics, and unfiltered stage persona.Eagles of Death Metal formed in 1998 and released their debut album, Peace, Love, Death Metal, in 2004. It was raw, groovy, and laced with tongue-in-cheek bravado. Songs like “I Only Want You” and “Speaking in Tongues” introduced the band’s hybrid of garage rock, boogie, and glam with Hughes’ playful vocals front and center. Over the years, Hughes’ stage name “The Devil” matched his onstage antics and preacher-like energy, combining a Southern preacher vibe with a rock showmanship.Follow-up albums like Death by Sexy (2006), Heart On (2008), and Zipper Down (2015) kept the party going, with Hughes’ sound maturing but never losing its rebellious humor or rock ’n’ roll heart. Despite their tongue-in-cheek image, the band survived tragedy: the 2015 Paris terrorist attack at the Bataclan Theatre during one of their concerts. Hughes emerged shaken but committed to peace and healing through music, later speaking out while continuing to tour with a defiant, loving spirit.Outside EODM, Hughes has released solo work under the name Boots Electric, notably the 2011 album Honkey Kong. It showed his flair for funk, dance rock, and unapologetic weirdness. Still, his love of music and dedication to performance remain undimmed.In the end, Jesse Hughes is a survivor, a showman, and a one-of-a-kind figure in the world of rock. Whether he’s cracking jokes, busting out a fuzzed-out riff, or leading a crowd in rock ’n’ roll salvation, he brings everything he’s got—and then some.

David Davidson is best known as the founder, lead guitarist, and vocalist of Revocation, the Boston extreme metal band whose sound blends technical death metal, thrash, and progressive elements. On his official biography page, he is described as a musician recognized for combining metal with fusion, rock, and jazz, and it also notes that he graduated cum laude from Berklee College of Music in 2008. 

As a player, Davidson is widely associated with Revocation’s intricate riffing, advanced lead work, and demanding compositions. Revocation’s official site identifies him as the band’s spearheading founder, while Metal Archives documents his long-running role in guitars, vocals, songwriting, and lyrics across the band’s catalog, including albums such as Empire of the Obscene, Chaos of Forms, Deathless, Great Is Our Sin, The Outer Ones, and Netherheaven. 

Beyond Revocation, Davidson also maintains a solo professional presence through his own official site, where he offers lessons, tabs, and gear-related content tied to his work as a guitarist. Taken together, the available official and discography sources present him as a central modern figure in technical extreme metal: a musician known not just for speed and precision, but for bringing formal musical training into a very aggressive style

Callum Kerr is a rising Scottish actor and country singer making waves on both screen and stage. Born in Musselburgh, Scotland, on May 11, 1994, he originally had plans to pursue a career in finance before the acting bug bit. After a stint with the National Youth Theatre of Scotland, he trained in London and soon found himself swapping spreadsheets for scripts. His breakthrough role came as PC George Kiss in the British soap Hollyoaks, where he appeared from 2020 to 2021. That role set the stage for bigger opportunities, including a part in FOX’s country-music drama Monarch, and eventually a turn as young Everett in the hit Netflix series Virgin River.Callum’s acting career is on an impressive upward trajectory. In 2025, he’ll appear in not one but two major fantasy franchises. He’s set to play Smoker in Season 2 of Netflix’s live-action adaptation of One Piece and Galad Trakand in Amazon’s The Wheel of Time Season 3. These roles showcase not just his versatility but his ability to transition between genres—from gritty soap drama to epic high fantasy.In addition to acting, Kerr has found a second home in Nashville’s country music scene. He released his debut single “Tequila Therapy” in 2023, followed by “Tamed in Tennessee” (a duet with fellow artist Chris Andreucci) and “Cold Beer Cold,” which has garnered over 500,000 Spotify streams. His authentic country sound, mixed with a bit of Scottish soul, has earned him a growing fan base on both sides of the Atlantic.April 2025 marked another milestone as Callum signed his first major record deal with ONErpm Nashville and Huff Co., the production company helmed by country hitmaker Dann Huff. His debut EP, Roots Under Me, is set for release on July 25, 2025. The six-song collection reflects on themes of heartbreak, home, and growth, hand-picked from a pool of more than 50 demos. He also made his debut at CMA Fest and graced the legendary stage of the Grand Ole Opry, solidifying his credibility as a country artist to watchCallum Kerr’s story is one of resilience, reinvention, and relentless talent. Whether he’s portraying a cop, a cowboy, or a swordsman, or singing about love and loss on a country stage, he brings an honesty and heart that audiences connect with. With a major EP launch and high-profile acting roles ahead, Kerr is just getting started—and it’s clear he’s not slowing down anytime soon.

Primal Fear was formed in 1997 in Germany by vocalist Ralf Scheepers (formerly of Gamma Ray) and bassist/producer Mat Sinner (of Sinner). The band emerged after Scheepers was considered for the vocal slot in Judas Priest—a move that didn’t happen but fueled his desire to create a powerful new metal force. The result was Primal Fear, rooted in traditional heavy metal with a modern power metal edge.Their self-titled debut album, Primal Fear (1998), was released through Nuclear Blast and quickly gained attention for its aggressive riffing, thunderous rhythms, and Scheepers’ soaring vocals. Follow-ups like Jaws of Death (1999), Nuclear Fire (2001), and Black Sun (2002) cemented their reputation, especially across Europe and Japan, where their Judas Priest-influenced sound resonated with classic metal fans.Over the years, Primal Fear experienced various lineup changes but remained anchored by Scheepers and Sinner. Guitarists like Tom Naumann, Stefan Leibing, Henny Wolter, and Magnus Karlsson (still with the band) contributed to their evolving sound. Despite changes, the band kept releasing acclaimed albums like Seven Seals (2005), 16.6 (2009), Unbreakable (2012), and Delivering the Black (2014).In 2020, Primal Fear released Metal Commando, marking their first release with Nuclear Blast’s new offshoot, Atomic Fire Records. It debuted to strong reviews, showcasing their consistent energy and musical precision even decades in. The album was a statement that the band had no plans of slowing down.In 2023, they released Code Red, an album praised for its intensity and melodic power. With drummer Michael Ehré officially joining the lineup and Tom Naumann returning full-time, Primal Fear entered a new era of tight musicianship and renewed energy. After over 25 years, Primal Fear remains one of the strongest names in European heavy metal, known for powerful vocals, crushing riffs, and a commitment to keeping metal alive and loud.In a candid sit-down with legendary frontman Ralf Scheepers of Primal Fear, the powerhouse vocalist opened up about the band’s latest chapter—welcoming new members, unleashing a hard-hitting new album, and gearing up for a global tour that promises to bring metal mayhem to every corner of the stage. Scheepers, known for his unmistakable vocal range and commanding presence, was energized and optimistic as he discussed what fans can expect from the current incarnation of Primal Fear.

oel Hoekstra is a powerhouse guitarist known for his technical skill, versatility, and relentless work ethic. Born on December 13, 1970, in Iowa City, Iowa, and raised in a musical household, he started out playing cello and piano. But everything changed when he saw Angus Young of AC/DC on TV—at that moment, he knew guitar was his calling. That inspiration launched a career that would span Broadway stages, stadium tours, and studio sessions with some of the biggest names in rock.Joel first gained wider recognition playing with Night Ranger in the late 2000s. Around the same time, he became a fixture in the Broadway musical Rock of Ages, performing eight shows a week while juggling touring commitments with rock bands. His ability to seamlessly shift between hard rock stages and theater pits set him apart from most guitarists in the scene.He later joined the Trans-Siberian Orchestra, known for their elaborate holiday arena tours, and in 2014, he landed a major gig as guitarist for Whitesnake. Since then, he’s toured the world with the band, appearing on albums like The Purple Album and Flesh & Blood, where he also contributed as a songwriter. He’s also performed alongside Cher, playing guitar for her Las Vegas residency and her “Here We Go Again” tour, proving he can hold his own in any musical environment.In addition to his high-profile band work, Joel leads his own project, Joel Hoekstra’s 13, a melodic hard rock supergroup featuring players like Russell Allen, Vinny Appice, Tony Franklin, and Jeff Scott Soto. The project has released several critically acclaimed albums—Dying to Live (2015), Running Games (2021), and Crash of Life (2023)—with a new one on the way in 2025. The music is a blend of soaring vocals, powerful riffs, and sharp songwriting that showcases Joel’s full range as a musician and producer.Outside of performing, Joel is a respected session guitarist and educator. He’s contributed to albums by Foreigner, Dee Snider, and many others, and he’s shared his expertise in magazines like Guitar World. Whether he’s tearing it up onstage with a rock legend or composing intricate solos in the studio, Joel Hoekstra continues to prove why he’s one of the most in-demand guitarists in rock today.⸻

Tony Dolan has come forward to call out former Venom and Venom Inc. drummer Abaddon (Anthony Bray) for what he describes as ongoing toxic behavior at fans. According to Dolan, Abaddon has been targeting fans online, engaging in bullying and harassment, especially toward supporters of Venom Inc.Tony also talks publishing and art battles in the band that Abaddon has taken credit for!

Johnette Napolitano was born on September 22, 1957, in Los Angeles, California. From a young age, she showed signs of being musically gifted—learning songs by ear and absorbing the sounds of everything from show tunes to soul. Her powerful voice and introspective writing would later become the soul of a band that defined a piece of the alternative rock era. But long before that, she was a quiet observer of the world, turning emotion into melody and poetry.In the early ‘80s, Napolitano co-founded the band Dream 6 with guitarist James Mankey. By 1986, they had changed their name to Concrete Blonde, thanks to a suggestion from R.E.M.’s Michael Stipe. It was a perfect fit: hard and soft, beautiful and brutal—just like their music. Johnette’s voice, smoky and commanding, cut through the clutter of the decade’s pop polish. The band quickly developed a cult following with their blend of post-punk edge and lyrical depth.Concrete Blonde broke into the mainstream with their 1990 album Bloodletting, which captured the darker tones of Napolitano’s songwriting. Its hit single “Joey”—a heartbreak anthem about addiction and love—became a signature track, reaching the Billboard Top 20. With its aching delivery and confessional lyrics, “Joey” made Napolitano a powerful voice for emotional realism in rock, and Bloodletting earned gold certification.After the band’s initial breakup in 1994, Napolitano didn’t slow down. She formed the duo Pretty & Twisted, collaborated with punk icon Holly Vincent in Vowel Movement, and later pursued solo projects. Her solo work—especially the Sketchbook series and the 2007 album Scarred—showcased her knack for raw storytelling, shifting between haunted ballads and fierce rock with the same honesty that marked her earliest work.Concrete Blonde reunited several times over the years, releasing Group Therapy in 2002 and Mojave in 2004, both reflecting a matured sound while staying true to their roots. They toured again from 2010 to 2012, reigniting their bond with longtime fans. Napolitano’s performances during these years were filled with the same fire that first drew listeners in—proof that her voice, both literal and artistic, remained as vital as ever.Life in the Desert and Creative LegacyToday, Napolitano lives in Joshua Tree, where she rescues horses, creates visual art, and continues to write music on her own terms. She’s contributed songs to film soundtracks and occasionally releases new work, often quietly and independently. Fiercely original and unapologetically herself, Johnette Napolitano has never chased fame—only truth. And in doing so, she’s built a body of work that resonates deeply with those who’ve loved, lost, and lived out loud.@ConcreteBlondeOfficialWebsite.com

Courtney Cox, known in metal circles as “CC Shred,” has been a standout guitarist since her early teens. Hailing from Philadelphia, she began playing guitar at 13 and by 15 was touring nationally thanks to her training with the Paul Green School of Rock. Her dedication and ferocious style quickly set her apart in the male-dominated world of metal guitar. Courtney moved to Los Angeles in 2008 to further her career, where she became a prominent member of the all-female Iron Maiden tribute band, The Iron Maidens, performing as “Adriana Smith.” Her time with the group solidified her international presence and developed her reputation for technical precision and powerful live performances.

In 2023, Courtney took a bold step by joining Swiss metal band Burning Witches, initially filling in for guitarist Larissa Ernst during maternity leave. Not long after, she was made a permanent member, fully embracing the transition from tribute work to creating and performing original music. Her arrival injected new energy into the band’s sound, and she quickly proved her worth by contributing to fresh tracks like “The Spell Of The Skull” and “Mirror, Mirror.” Fans and critics alike have praised her seamless integration and her ferocious riffs that blend seamlessly with the Witches’ heavy, melodic power metal style.

Courtney’s move from The Iron Maidens to Burning Witches marked a turning point. In a 2024 interview, she explained how difficult it was to leave the tribute band world, but emphasized the joy and creative satisfaction that comes from playing music she helped write. The constant travel between both bands had taken its toll, and she decided to focus her energy on one project. The choice paid off, and her contributions to Burning Witches have been instrumental in their continued rise, particularly as the band headlines European metal festivals and develops material for their next studio album.

Outside of performing, Courtney is also deeply connected with her fans through social media and her personal projects. She launched a Patreon where fans can get exclusive content, lessons, and behind-the-scenes access to her creative process. She’s also a proud ambassador for Caparison Guitars, being the first female artist to have her own signature model, the Horus-M3 CC. Known for her aggressive playing style and charismatic stage presence, Courtney continues to inspire a new generation of shredders while staying grounded and accessible to her global audience.

To keep up with Courtney Cox, follow her on Facebook and Instagram. You can also stay updated on upcoming albums, tour dates, and band news at the official Burning Witches website: www.burningwitches.ch.

Eric Martin, born October 10, 1960, in Long Island, New York, is best known as the soulful, powerhouse lead vocalist of the rock band Mr. Big. Raised in a military family that moved frequently, Martin eventually found his way to the West Coast, where his passion for music took root. Originally a drummer, he discovered his true calling as a frontman after stepping out from behind the kit. With a naturally commanding voice, he began carving out his place in the Bay Area rock scene during the late ’70s and early ’80s.His first major break came with the band 415, which soon rebranded as the Eric Martin Band (EMB). Blending hard rock with melodic hooks, the group built a strong regional following and released the album Sucker for a Pretty Face in 1983. They shared stages with giants like ZZ Top, Journey, and Hall & Oates, gaining a reputation for high-energy performances. Despite their momentum, EMB disbanded a couple of years later, leading Martin to pursue a solo career and continue developing his distinct blend of rock, pop, and soul.In 1988, Martin was recruited to front a new supergroup featuring bassist Billy Sheehan, guitarist Paul Gilbert, and drummer Pat Torpey. The band, named Mr. Big, launched with a self-titled debut in 1989 and quickly gained traction. Their 1991 album Lean Into It catapulted them into international stardom, largely thanks to the acoustic ballad “To Be With You,” which topped charts in over a dozen countries. Martin’s dynamic vocal range and emotive delivery helped define the band’s unique sound—a blend of technical musicianship and sing-along accessibility.Throughout the ’90s and into the 2000s, Martin balanced work with Mr. Big alongside a prolific solo career. He released several solo albums, collaborated with Japanese artists, and even joined the Tak Matsumoto Group, a hard rock project that reached No. 1 on Japan’s Oricon charts. One of his most notable side projects was the Mr. Vocalist series, where he reinterpreted classic Japanese and Western pop songs, further cementing his popularity across Asia.Following a brief hiatus, Mr. Big reunited in 2009 for a world tour and new albums, maintaining a loyal fan base across the globe. The band suffered a major loss with the passing of drummer Pat Torpey in 2018, but pressed on in his honor. In 2024, they released Ten, their final studio album, and concluded “The BIG Finish” farewell tour. Today, Eric Martin continues to tour as a solo artist and guest vocalist, beloved by fans for his passionate performances, resilient spirit, and unmistakable voice that’s powered some of rock’s most enduring anthems.

Guitarist Stevie Dacanay—better known as Stevie D—has been a defining force in Buckcherry since joining the band during its 2005 revival. After Buckcherry’s brief hiatus in the early 2000s, the reformed lineup, featuring Stevie D alongside founding vocalist Josh Todd, breathed new life into the band’s hard rock roots. His guitar work helped shape their comeback album 15, which launched hits like “Crazy Bitch” and “Sorry,” and reestablished Buckcherry as a mainstay in the modern rock world.Fast forward to 2025, and Stevie D is still going strong with Buckcherry, releasing the band’s eleventh studio album, Roar Like Thunder, on June 13. The record was produced by longtime collaborator Marti Frederiksen, who has worked with the band on several previous albums. The writing process for Roar Like Thunder began in late 2023, with Stevie D and Josh Todd trading ideas both on tour and in Stevie’s home studio before finishing the songs in Nashville. From an initial batch of about 20 tracks, they selected 10 to record, focusing on high-energy rock without ballads or covers.The album captures Buckcherry’s trademark sound—loud, fast, and unapologetically raw. Stevie D described the writing sessions as spontaneous and collaborative, with some songs beginning as simple melodies from Josh that he and Frederiksen later fleshed out into full arrangements. The goal, according to the band, was to deliver a record that rocks from start to finish and reflects their chemistry and confidence after two decades of working together.To support the album, Buckcherry launched a new North American tour in June 2025. The live set includes material from Roar Like Thunder. With a lineup rounded out by bassist Kelly LeMieux, drummer Francis Ruiz, and guitarist Billy Rowe, Stevie noted that the current band is as tight and focused as ever—thanks in part to detailed demos that gave everyone a strong head start before hitting the studio and the stage.Over the years, Stevie D has played a key role in keeping Buckcherry’s momentum alive. From the explosive return of 15 to the consistent touring and recording that followed, he’s remained a creative anchor and driving force behind the band’s sound. With Roar Like Thunder, he and the band aren’t just leaning on their legacy—they’re proving there’s still plenty of fuel in the tank.https://www.buckcherry.com

In this episode, Mandy Lion joins the show to discuss his brand-new single, “Red Rain”, marking a powerful return to form. Best known for his work with World War III, Mandy’s unmistakable vocal style is once again front and center. He reveals that Red Rain is just the beginning, with four full-length albums currently in development — each offering something unique for longtime fans and new listeners alike.Mandy shares that the upcoming albums are the result of years of writing, personal experience, and artistic growth. Each record explores different themes and musical directions, allowing him to push creative boundaries while staying true to his heavy metal roots. The songs are personal, raw, and reflective of a world that continues to evolve.A key part of the conversation is Mandy’s reflection on his time working with guitarist Jake E. Lee. He recalls the energy and creativity they once shared and expresses his appreciation for Jake’s talents. Mandy also addresses how, despite the potential, things didn’t pan out as hoped.Mandy opens up about Ted Nugent. He specifically calls out a video Nugent released that features trophy hunting wild hogs from a helicopter. Mandy doesn’t mince words, expressing strong opposition to the act and how it inspired him to respond by creating a video that shows his false statements online.Wrapping up the conversation, Mandy looks back on his journey — the highs, the lows, the battles with the music industry, and his refusal to chase trends. With new music on the horizon, old collaborations revisited, and his voice as bold as ever, Mandy Lion proves he’s not just back — he never left.https://www.youtube.com/ ⁨@MandyLionRock⁩ 

In Episode 575 of the podcast, we sit down with Drew Rose, best known as the singer from the cult-favorite ‘90s hard rock band Wildside. While fans of glam, sleaze, and Sunset Strip may remember Drew for singing in Wildside’s MTV-era heyday, these days he’s earning a different kind of spotlight on YouTube. Drew has been the man behind The 80's Metal Recycle Bin—a fun, raw, and passionate channel dedicated to deep-cut interviews, forgotten stories, and rock ‘n’ roll honesty. But now, he’s switching gears with a brand-new name and vibe: Get On The Bus.Why the rebrand? Drew reveals it was a mix of wanting to expand beyond just “recycled” memories and leaning into the freedom of a new name. Get On The Bus captures not only the interviews with rock royalty and road dogs but the actual ride—sometimes literally. Viewers get a first-hand feel of what it’s like being on tour, backstage, or even just jamming in a parking lot.A big shout out in the evolution of Drew’s channel goes to none other than Stevie Rachelle—frontman of the glam rock band Tuff and founder of the site Metal Sludge. Stevie encouraged Drew to step into the video format, but supported the original idea of preserving and celebrating the rock scene’s lesser-told stories.Drew’s background in both music and film production gives him a unique edge. He’s been there in the trenches of the LA rock world and knows how to make a story come alive on screen. As Get On The Bus revs up, fans can expect better production, deeper access, and plenty of unscripted content. From forgotten band tales to candid tour bus confessions, the channel is growing into something that blends nostalgia, music journalism, and vlogging into one rocking ride.https://getonthebus.com/https://www.youtube.com/@getonthebustv

Dino Jelusick (born June 4, 1992, Požega, Croatia) is a Croatian singer, multi-instrumentalist, and songwriter known for powerhouse rock vocals and serious musicianship (he also plays keyboards, guitar, and more). He first gained international attention as the winner of the inaugural Junior Eurovision Song Contest (2003), then grew into one of the most in-demand modern voices in hard rock and metal. 

Over the past decade, Dino has built a reputation as a tour-ready, studio-ready vocalist with the range to cover classic hard rock swagger and progressive/modern intensity. In 2016, he became a touring vocalist with the Trans-Siberian Orchestra (TSO), a major turning point that launched him deeper into the global rock circuit. 

In 2021, he joined Whitesnake as a backing vocalist and keyboardist, stepping into a high-profile legacy camp and earning attention from fans for his vocal strength and stage presence. 

Dino is also the creative force behind several projects, including Animal Drive (founder/frontman; active until the band’s split) and his later band Jelusick, which released the album Follow the Blind Man (2023)—a modern hard rock record built for big choruses, musicianship, and live energy

Skunk Anansie exploded onto the UK rock scene in the mid-1990s with a sound that defied easy categorization—combining elements of punk, metal, electronic, and soul, all powered by the unmistakable voice and stage presence of frontwoman Skin. Formed in 1994, the band quickly made waves with their bold political lyrics and uncompromising sound, releasing their debut album Paranoid & Sunburnt in 1995 to critical and commercial acclaim.The band followed up with a string of powerful albums including Stoosh (1996) and Post Orgasmic Chill (1999), cementing their place as one of the most important rock bands of their era. Their songs tackled topics like racism, politics, sexuality, and personal freedom, delivered with raw intensity by Skin, one of the few openly queer Black women in rock—a trailblazer in every sense of the word.After a brief split in 2001, the band reunited in 2009 and has continued to evolve both musically and politically. Their newer releases, like Anarchytecture (2016), show they’ve lost none of their bite or relevance. Skunk Anansie’s fierce independence has kept them both outside the mainstream and yet always influential, especially in their ability to speak truth to power in an industry that often rewards playing it safe.Skin herself remains one of rock’s most magnetic figures. Whether screaming into a mic or delivering stripped-back vocals, she commands attention. Beyond music, she’s also become a voice for activism, identity, and artistic expression, publishing her memoir It Takes Blood and Guts in 2020, which chronicles not only her journey in music but also the cultural barriers she’s smashed through.With decades of experience, a devoted global fanbase, and a career built on authenticity and strength, Skunk Anansie—and Skin herself—are as urgent and important today as when they first kicked in the door. This interview is a chance to hear directly from the source: the stories, the struggles, and the sound of a band that never held back.

BulletBoys exploded onto the scene in 1988 with their self-titled debut, produced by Ted Templeman (famed for his work with Van Halen and David Lee Roth). The album went gold, fueled by hits like “Smooth Up in Ya” and a blistering cover of The O’Jays’ “For the Love of Money.” With comparisons to Van Halen swirling, it was no surprise when Marq eventually struck up a friendship with Eddie Van Halen himself — stories of which he shares with candor and admiration.

Torien opens up not just about Eddie, but also his encounters with others like Dave Grohl, members of KISS, and many more. With nearly four decades in the music business, he remains fiercely independent, constantly evolving the band and touring .

Beyond nostalgia, BulletBoys continue to bring new material and fresh energy to the stage — with Marq Torien’s signature vocal firepower leading the charge.

🔗 Official Site: https://www.bulletboysofficial.com

Few bands on Earth—or any planet, for that matter—have carved out a legacy as insane, outrageous, and gloriously grotesque as GWAR. Born in the underground punk and metal scenes of Richmond, Virginia, GWAR exploded into the music world in the late ‘80s wearing monster costumes, wielding foam weapons, and spraying audiences with fake blood, bile, and even more questionable fluids. But beneath the theatrical horror lies serious musicianship, brutal riffs, and sharp satire that’s kept them alive (and undead) for decades.In this episode, we’re slicing open the carcass of GWAR’s current lineup to speak with the newest scumdog to join the slaughter: Grodius Maximus—the guitar-slinging warrior who recently crash-landed onto Earth to fill the six-string void left in the band’s battlefield. With a name that sounds like a gladiator raised on ‘80s thrash and space meat, Grodius brings fresh hellfire to GWAR’s already volcanic live shows.GWAR’s Disgusting, Beautiful HistoryGWAR was originally assembled in 1984 as an elaborate joke involving art students and musicians. What began as a side project turned into a full-blown intergalactic invasion with the release of albums like Scumdogs of the Universe (1990), America Must Be Destroyed (1992), and This Toilet Earth (1994). Led by the late, great Oderus Urungus (Dave Brockie), GWAR built a universe with its own mythology—one that blurred the line between rock concert and blood-soaked stage play.They’ve survived censorship, bans, lawsuits, and the tragic death of Brockie in 2014. Yet GWAR soldiered on, as only space barbarians can, bringing in new blood like Blöthar the Berserker (the band’s current vocalist) and now, Grodius Maximus—a cosmic guitar warrior with chops sharp enough to decapitate the crowd (metaphorically… we think).Meet Grodius MaximusSo who the hell is Grodius Maximus? According to GWAR lore, he was forged in the lava pits of a dying star, fed a diet of buzzsaw strings and the bones of hair metal guitarists. According to Earth records, he’s a seasoned player who’s worked in the shadows of the metal world, bringing a mix of technical skill and raw aggression to the band’s already thick sonic attack. Beyond the Gore: Why GWAR Still MattersGWAR’s staying power isn’t just about slime and satire. Underneath the spectacle is a band that consistently delivers musically—mixing punk, thrash, death metal, and even progressive influences into a sound that’s always brutal and often brilliant. Their social and political commentary is absurd on the surface, but sneakily intelligent underneath, skewering everything from corporate greed to religious hypocrisy to American excess.Grodius Maximus brings new fire to that mission, showing that GWAR’s not just still alive—they’re mutating into their next form.

https://gwar.net/?srsltid=AfmBOopLlBzwy2ErePMJCIZOcqAg6cTpwaY0698qZNIGEy5eQO7X5kzW

Snowy Shaw is one of the most versatile and visually distinctive figures in heavy metal. A Swedish multi-instrumentalist, singer, songwriter, and visual artist, Snowy first made a name for himself in the late 1980s as the drummer for doom pioneers Memento Mori, and later King Diamond, where his theatrical approach to drumming and showmanship stood out. He would go on to play in a long list of influential bands, contributing vocals, bass, drums, and guitar with equal confidence.Throughout the 1990s and 2000s, Shaw became known as a kind of musical chameleon, joining forces with a number of high-profile metal acts including Mercyful Fate, Notre Dame, Dream Evil, and Therion. His ability to adapt stylistically while leaving his own artistic stamp made him a sought-after collaborator. Shaw often brought more than just musicianship—he had a hand in stage design, costumes, and overall presentation, giving many projects a more theatrical, immersive quality.Shaw’s talents weren’t limited to traditional band settings. He also built a solo career, blending gothic, symphonic, and extreme metal influences into his own theatrical brand. His solo shows featured elaborate costumes, character-driven songs, and a dark sense of humor. Albums like The Liveshow – 25 Years of Madness in the Name of Metal showcased his wide-ranging influences and deep roots in everything from classic rock to extreme metal.His silence came to an end with this exclusive interview. After weeks of avoiding the topic, Snowy sat down with me to tell the full story of what happened with Eurovision, how it impacted him, and why he stayed quiet. This marks the first and only time he has opened up about the situation, offering his honest thoughts and reflections on the next stage in his career.In addition to sharing that story, Snowy talks about his journey through the highs and lows of the music industry, his creative process, and what drives him today. Whether you’re a longtime fan or just discovering his work, this conversation is a deep look into one of metal’s most interesting minds. To learn more, hear his music, or grab some of his signature merch, visit www.snowyshaw.net.