Landscape Architecture Podcast – Details, episodes & analysis

https://www.landfx.com

In this episode, Michael sits down with Wendy Proud, founder of Kinship League, to discuss why landscape maintenance is one of the most overlooked forces shaping the life of a landscape. Wendy shares how better crew education, smarter timing, and a deeper respect for how plants naturally grow can protect design intent long after installation. From overplanting and shallow irrigation to constant shearing and unnatural forms, Wendy makes the case for a more thoughtful approach to care, one rooted in stewardship, patience, and helping landscapes thrive over time.

https://kinshipleague.com

https://hapsagency.com/

In this episode, Michael sits down with Darren Baldwin, President of Pikus 3D, to discuss how additive manufacturing is redefining architecture, fabrication, and the creative process itself. From lightweight structural design to the artistry of form, Darren shares how Pikus 3D is helping architects and landscape architects break free from traditional constraints — turning imagination into buildable reality.

https://www.pikus3d.com/ 

Superbloom is an award-winning landscape architecture firm located in Denver, CO. Our practice of transformative design was founded on a commitment to crafting meaningful connections between people and the land.

Thomas Balsley is a renowned designer whose New York City-based practice is best known for its fusion of landscape and urbanism in public parks, waterfronts, and plazas throughout the US and abroad. For over 35 years, Tom's work has reshaped social and cultural spaces with robust sustainable landscapes that teem with public life. In New York City alone, he has completed more than 100 parks and plazas, including the 2014 ASLA Honor Award-winning Hunter's Point South Waterfront Park and Gantry Plaza Park, across the East River from the UN; Riverside Park South; Chelsea Waterside Park; Peggy Rockefeller Plaza; Capitol Plaza; and the recently completed 51 Astor Place plaza, across from Cooper Union. In an unprecedented gesture, a small park on 57th Street was named Balsley Park in recognition of his design contributions to the city.

Spacemaker Press devoted a monograph to Thomas Balsley Associates' work: "Thomas Balsley: The Urban Landscape." In 2015, Mr. Balsley received ASLA's highest design honor, the Design Medal. ORO Editions has just released his firm's second monograph, "Thomas Balsley: Uncommon Ground," with foreword by James Corner and an essay by Ian Volner.

Signe is a Founding Principal of MNLA and has been practicing as a landscape architect and urban designer in New York since 1978. Her body of work has renewed the environmental integrity and transformed the quality of spaces for those who live, work, and play in the urban realm. A Fellow of the ASLA, she is the recipient of more than 100 national and local design awards for public open space projects and is published extensively nationally and internationally. Signe is a professor of urban design and landscape architecture at Pratt Institute in both the graduate and undergraduate Schools of Architecture and is the former President of the Public Design Commission of the City of New York. Born in Paris, Signe received a Bachelor of Arts, cum laude, in Urban Planning from Smith College; a Bachelor of Arts in Landscape Architecture from City College of New York; and a Bachelor of Science in Construction Management from Pratt Institute.

Landscape Designer - Former Professional Boxer

French gardener, garden designer, botanist, entomologist and writer

Manifestos discussed during the interview (English translation):

The Third Landscape
http://www.gillesclement.com/cat-tierspaysage-tit-le-Tiers-Paysage

The Planetary Garden

http://www.gillesclement.com/cat-jardinplanetaire-tit-Le-Jardin-Planetaire

The Garden in Motion

http://www.gillesclement.com/cat-mouvement-tit-Le-Jardin-en-Mouvement

Projects in Paris:

Gardens at Quai Branly
https://catharinehoward.co.uk/the-gardens-at-quai-branly-paris-by-gilles-clement

Parc André-Citroën

http://icity.ikcest.org/city/project/195

http://www.mosbach.fr

Catherine Mosbach is the founder of Paris-based design firm mosbach paysagiste, which she established in 1987, as well as the magazine Pages Paysages, which she co-founded with Marc Claramunt, Pascale Jacotot and Vincent Tricaud. Catherine is renowned for socially and environmentally responsible work that attests to temporality and continuing change, referring those who interact with these landscapes to relationships with history, culture and the elements.

Mosbach's many projects include the Solutre archaeological park in Saone-et-Loire, Walk Sluice of Saint-Denis, the Botanical Garden of Bordeaux, the other side in Quebec City, Shan Shui at the International Horticultural Exposition in Xian, the Place de la Republic in Paris, Walking Mediterranean Fort Saint Jean in Marseille. Mosbach's work reveals latencies and hidden layers in the landscape, making the amorphous, ambiguous or slow-moving apparent in real time. The firm's projects are often close to a decade in the making, with precise relationships to site conditions, rhythms of activity and occupation and seasonal variation.

Mosbach is the recipient of the equerre d'argent award with Kazuyo Sejima and Ryue Nishizawa for the Louvre Lens Museum Park in 2013, and Phase Shift Park (Gateway park) in Taichung was honoured in 2014 in the Iconic Concept Award category by the German Design Council, Munich. Catherine was named an officer of the Legion of Honor proposed by the President of the Republic Francois Hollande in 2016, and is a graduate of the Landscape Architecture School of Versailles. She also instructs the course Build with Life: Transformation and Formation: Landscape and Islamic Culture at Harvard University's Graduate School of Design.

https://www.dezeen.com/2020/11/12/mosbach-paysagistes-phase-shifts-park-taichung-taiwan-landscape-architecture/

https://landezine.com/museum-park-louvre-lens-by-mosbach-paysagistes/

As a discipline, landscape architecture has distanced itself from gardening, and landscape architects take pains to distinguish themselves from gardeners or landscapers. Landscape architects tend to imagine gardens from the office, representing plants with drawings or other simulations, whereas gardeners work in the dirt, in real time, planting, pruning, and maintaining. In Overgrown, Raxworthy calls for the integration of landscape architecture and gardening. Each has something to offer the other: Landscape architecture can design beautiful spaces, and gardening can enhance and deepen the beauty of garden environments over time. Growth, says Raxworthy, is the medium of garden development; landscape architects should leave the office and go into the garden in order to know growth in an organic, nonsimulated way.

Raxworthy proposes a new practice for working with plant material that he terms "the viridic" (after "the tectonic" in architecture), from the Latin word for green, with its associations of spring and growth. He builds his argument for the viridic through six generously illustrated case studies of gardens that range from "formal" to "informal" approaches—from a sixteenth-century French Renaissance water garden to a Scottish poet-scientist's "marginal" garden, barely differentiated from nature. Raxworthy argues that landscape architectural practice itself needs to be "gardened," brought back into the field. He offers a "Manifesto for the Viridic" that casts designers and plants as vegetal partners in a renewed practice of landscape gardening.