Jazz Transcription Clinic – Details, episodes & analysis

🎵 Visit my store at https://store.mirkoguerrini.com/ to find transcriptions, tutorials and more! 🎵

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Hello everyone,

This is Mirko Guerrini, and I welcome you to the Jazz Transcription Clinic, a monthly interview podcast where we talk with accomplished jazz doctors about their lives, careers and personal transcription secrets, and much more.

On this episode of the Jazz Transcription Clinic Podcast, Mirko Guerrini interviews the guest jazz doctor:

Jamie Anderson aka Get Your Sax Together.

Use this link to download some useful material Jamie provided for you: https://drive.google.com/drive/folders/1b_8bDQvFGp53SqxsWGnQyXRyYXTCxyPe?usp=sharing

Leave a comment if you like.

Listen to Jaime's answers to the questions below:

00:00:00 Introduction

00:04:10 Why do you transcribe?

00:10:00 What do you expect to bring home with a transcription?

00:24:03 How do you choose the solos you transcribe?

00:28:33 What is your methodology?

01:18:39 How do you incorporate ideas into your playing?

01:19:12 Who was the most difficult player you transcribed?

01:23:02 Which transcription you've done is your favourite?

You can check Get Your Sax Together here: https://www.getyoursaxtogether.com/

And here: https://www.youtube.com/@GetYourSaxTogether

🎷You can check Mirko Guerrini's music here:

https://mirkoguerrini.bandcamp.com

or here: https://store.mirkoguerrini.com/

Subscribe to Mirko Guerrini's Newsletter here:

https://www.mirkoguerrini.com

Gear used in this episode: 🎤 RØDE NT-USB Minihttps://amzn.to/3gRZFARhttps://ebay.u...

🎧 AKG K72 Closed-Back Professional Studio Reference Headphones https://ebay.us/rGQjGOhttps://amzn.to...

Mirko Guerrini is a D'Addario artist, playing D'Addario mouthpieces and reeds.

Subscribe to my YouTube Channel.

🎵 Visit my store at https://store.mirkoguerrini.com/ to find transcriptions, tutorials and more! 🎵

==============

Hello everyone, This is Mirko Guerrini, and I welcome you to the Jazz Transcription Clinic, a monthly interview podcast where we talk with accomplished jazz doctors about their lives, careers and personal transcription secrets.

On this episode of the Jazz Transcription Clinic Podcast, Mirko Guerrini interviews the guest jazz doctor: Max Glanz.

Among the engaging answers I got from Max, I love his brilliant points of view on the art of transcription.

'If it is a solo that is singable, than you should be able to sing every phrase!' I love it!

Leave a comment if you like.

Listen to Max Glanz's answers to the questions below:

00:00 Introduction

05:18 Why do you transcribe?

08:51 What do you expect to bring home with a transcription?

11:30 How do you choose the solos you transcribe?

19:11 What is your methodology?

33:50 Do you write it down?

39:10 How do you practice your transcriptions?

50:40 Who was the most difficult player you transcribed?

54:39 Which transcription you've done is your favourite?

You can check Max Glanz here: https://maxglanz.com/

And here: https://www.youtube.com/@maxglanzsax

And here: https://linktr.ee/origina1nerd

🎷You can check Mirko Guerrini's music here:

https://mirkoguerrini.bandcamp.com

or here: https://store.mirkoguerrini.com/

Subscribe to Mirko Guerrini's Newsletter here: https://www.mirkoguerrini.com

Gear used in this episode: 🎤 RØDE NT-USB Minihttps://amzn.to/3gRZFARhttps://ebay.u...

🎧 AKG K72 Closed-Back Professional Studio Reference Headphones https://ebay.us/rGQjGOhttps://amzn.to...

Mirko Guerrini is a D'Addario artist, playing D'Addario mouthpieces and reeds.

Subscribe to my YouTube Channel.

You can download this podcast or any other episode here:

Apple podcast: https://podcasts.apple.com/.../jazz.....

Google Podcasts: https://www.google.com/podcasts...

Spotify: https://open.spotify.com/show/1oQqf6m... Amazon Music/Audible: https://music.amazon.com/.../8b6f521b...

I acknowledge the Traditional Owners of the land on which this podcast is being recorded. I pay my respect to their Elders, past and present, and the Aboriginal Elders of other communities who may be here today. This video is NOT sponsored. Some product links are affiliate links, meaning we'll receive a small contribution if you purchase something.

Hello everyone,

This is Mirko Guerrini, and I welcome you to the Jazz Transcription Clinic, a monthly interviews podcast where we talk with accomplished jazz doctors about their lives, careers and personal transcription secrets. 

On this episode of the Jazz Transcription Clinic Podcast, Mirko Guerrini interviews the guest jazz doctor: CHERYL DURONGPISITKUL

Leave a comment if you like.

Listen to Cheryl''s answers to the questions below:  00:00 Introduction 09:50 Why do you transcribe? 11:06 How do you choose the solos you transcribe? 24:20 What do you expect to bring home with a transcription? 32:30 What is your methodology? 41:34 Do you write it down? 45:50 How do you practice your transcriptions? 48:42 How do you incorporate ideas into your solos? 53:32 Who was the most difficult player you transcribed? 56:20 Which transcription you've done is your favourite?

Cheryl is a talented composer and saxophonist known for her innovative style and ability to weave captivating narratives through her work. Cheryl released her debut album, Follow Me Through The Red Ash, in 2017 to critical acclaim. She co-leads the JazzLab Orchestra and has released two albums, Menagerie (2018) and Pink Milk (2021) with collaborative trio Koi Kingdom.

Cheryl is a dynamic artist in the Australian jazz landscape, dedicated to pushing boundaries in jazz and contemporary music performance and composition. She has attended the prestigious Banff International Workshop in Jazz and Creative Music and participated in masterclasses with New York-based record label New Amsterdam. She received the SIMA Young Composer Award in 2019 and premiered her work Critical Point at the Sydney Women’s Jazz Festival and was nominated for the Freedman Jazz Fellowship in 2020. She has also received commissions from the Monash Art Ensemble (A Pinky Promise, 2022 premiere as part of Melbourne International Jazz Festival) and Homophonic (In Full Splendour, 2023 premiere as part of Midsumma Festival).

Cheryl says of her role as MIJF’s 2023 Take Note Jazz Leader:

“I am incredibly grateful and humbled to be named the Take Note leader in 2023. Being awarded Take Note will give me the opportunity to compose my next large-scale work – a deeply personal project that has been percolating over the last 3 years.

“Cultivating diverse spaces within our community is a passion of mine and I am excited to be working with the Melbourne International Jazz Festival to carve out more opportunities for those that may not fit the status quo. I look forward to working with and empowering students to create music in safe and inclusive spaces in the hope of developing a place where they all feel they can belong within their own communities.” Leave a comment if you wish.

You can check Cheryl Durongpisitkul's music here: https://cheryldurongpisitkul.bandcamp.com/album/follow-me-through-the-red-ash

🎷You can check Mirko Guerrini's music here: https://mirkoguerrini.bandcamp.com or here https://www.mirkoguerrini.com

Subscribe to Mirko Guerrini's Newsletter here:  https://mirkoguerrini.com/transcripti...

Gear used in this video:

🎤 RØDE NT-USB Minihttps://amzn.to/3gRZFARhttps://ebay.u... 🎧 AKG K72 Closed-Back Professional Studio Reference Headphones https://ebay.us/rGQjGOhttps://amzn.to...

Mirko Guerrini is a D'Addario artist, playing D'Addario mouthpieces and reeds.

Subscribe to my YouTube Channel.

You can download this podcast episode or any other episode here: Apple podcast: https://podcasts.apple.com/.../jazz..... Google Podcasts: https://www.google.com/podcasts... Spotify: https://open.spotify.com/show/1oQqf6m... Amazon Music/Audible: https://music.amazon.com/.../8b6f521b...

I acknowledge the Traditional Owners of the land on which this podcast is being recorded. I pay my respect to their Elders, past and present, and the Aboriginal Elders of other communities who may be here today.

Hi everyone,

For this episode, I tried something a bit harder. I have transcribed a full track and all instruments.

Furthermore, to celebrate the 100th birthday of the great composer and arranger George Russell, I transcribed the Bill Evans version of the blues Stratusphunk, written by George Russell.

Personnel:

Bill Evans Piano

Art Farmer Trumpet

Hal McKusick Alto Sax

Jimmy Cleveland Trombone

Barry Gailbright Guitar

Eddy Safranski Double Bass

Ed Thigpen Drums

Recorded on a TV Show in 1958.

00:00 Intro

00:10 Introducing George Russell

09:57 Whole Track

15:43 Melody

18:31 Interlude

19:58 Jimmy Cleveland solo

20:44 Art Farmer solo

22:39 Bill Evans solo

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Complete transcription in pdf Concert is available on my website: https://mirkoguerrini.com/transcripti...

A small donation (if you can) would be much appreciated.

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Gear used in this episode:

RØDE NT-USB Mini Versatile Studio-Quality Condenser USB Microphone with Free Software for Podcasting, Streaming, Gaming, Music Production, Vocal and Instrument Recording https://amzn.to/3K7p6e0

Logitech StreamCam, Live Streaming Webcam, Full 1080p HD 60fps Vertical Video, Smart auto Focus and Exposure, Dual Camera-Mount Versatility, with USB-C, for YouTube, Gaming Twitch, PC/Mac - Black https://amzn.to/3JUdkCd

This video is NOT sponsored. Some product links are affiliate links, meaning we'll receive a small commission if you buy something.

Hello everyone,

This is Mirko Guerrini, and I welcome you to the Jazz Transcription Clinic, a monthly interviews podcast where we talk with accomplished jazz doctors about their lives, careers and personal transcription secrets. 

On this episode of the Jazz Transcription Clinic Podcast, Mirko Guerrini interviews the guest jazz doctor: LEF GERMENLIS

Leave a comment if you like.

Listen to Lef''s answers to the questions below:  00:00 Introduction 02:24 Why do you transcribe? 07:48 What do you expect to bring home with a transcription? 11:06 How do you choose the solos you transcribe? 13:55 What is your methodology? 22:56 Do you write it down? 30:44 How do you practice your transcriptions? 38:13 How do you incorporate ideas into your solos? 46:44 Who was the most difficult player you transcribed? 49:22 Which transcription you've done is your favourite?

Playing classical piano from an early age and later on Jazz & modern styles, Lef, has been performing on stages playing original music & covers from the age of 16. The last few years he has also worked as a producer in various styles for his original music but also for other clients. He worked for years on sound designing and as an expert user of Mainstage & Logic X he always strives to find the "right sound" and therefore takes the experience to the next level. He has written music with more than 10 bands and has contributed keys as a session musician to a lot of recordings. He is characterised by always trying to be versatile, flexible, and adjustable in any genre or situation. ​Click on the link and listen to the beautiful answer that LEF gave me.

Click on the link and listen to the beautiful answer that Lef gave me.

Leave a comment if you wish.

You can check Lef Germenlis's music here: https://www.lefgermenlis.com/

🎷You can check Mirko Guerrini's music here: https://mirkoguerrini.bandcamp.com or here https://www.mirkoguerrini.com

Subscribe to Mirko Guerrini's Newsletter here:  https://mirkoguerrini.com/transcriptions/

Gear used in this video:

🎤 RØDE NT-USB Minihttps://amzn.to/3gRZFARhttps://ebay.us/3QilM4 🎧 AKG K72 Closed-Back Professional Studio Reference Headphones https://ebay.us/rGQjGOhttps://amzn.to/3VgSmBH

Mirko Guerrini is a D'Addario artist, playing D'Addario mouthpieces and reeds.

Subscribe to my YouTube Channel.

You can download this podcast episode or any other episode here: Apple podcast: https://podcasts.apple.com/.../jazz..... Google Podcasts: https://www.google.com/podcasts... Spotify: https://open.spotify.com/show/1oQqf6m... Amazon Music/Audible: https://music.amazon.com/.../8b6f521b...

I acknowledge the Traditional Owners of the land on which this podcast is being recorded. I pay my respect to their Elders, past and present, and the Aboriginal Elders of other communities who may be here today.

This video is NOT sponsored. Some product links are affiliate links, meaning we'll receive a small contribution if you purchase something.

Hello everyone,

This is Mirko Guerrini, and I welcome you to the Jazz Transcription Clinic, a monthly interviews podcast where we talk with accomplished jazz doctors about their lives, careers and personal transcription secrets. 

On this episode of the Jazz Transcription Clinic Podcast, Mirko Guerrini interviews the guest jazz doctor: STEFANO BOLLANI.

Stefano is not only one of my best friends, he was also my best man at my wedding and my deskmate at high school. We have gone through uncountable adventures, with some highlights like the recording of the album Carioca in Brazil (followed by several tours) and his jazz quintet I Visionari.

Leave a comment if you like.

Listen to Stefano''s answers to the questions below:  00:00 Introduction 02:50 Why do you transcribe? 27:34 How do you choose the solos you transcribe? 30:30 What is your methodology? 40:53 Do you write it down? 45:25 How do you practice your transcriptions? 46:00 How do you incorporate ideas into your solos? 48:26 Who was the most difficult player you transcribed? 57:47 Which transcription you've done is your favourite?

Stefano Bollani (born 5 December 1972) is an Italian composer, pianist, and singer, also active as a writer and television presenter.

Stefano has worked with such musicians as Gato Barbieri, Chick Corea, Bill Frisell, Sol Gabetta, Richard Galliano, Egberto Gismonti, Lee Konitz, Bobby McFerrin, Pat Metheny, Caetano Veloso, Phil Woods, Hector Zazou and has recorded more than 15 albums with trumpeter Enrico Rava. Bollani has performed with several symphonic orchestras (Filarmonica della Scala, Orchestra dell'Accademia Nazionale di Santa Cecilia, Leipzig Gewandhaus Orchestra, Royal Concertgebouw Orchestra, Orchestre de Paris, Toronto Symphony Orchestra, among others) and with directors such as Riccardo Chailly, Daniel Harding, Kristjan Järvi, Zubin Mehta, Gianandrea Noseda and Antonio Pappano. He has also played with Italian pop-rock artists and has participated in and hosted TV and radio shows. Currently, he has published 49 albums alone (31 studio).

Stefano, as usual, approaches transcription from a different angle and perspective. Knowing him for more than 40 years, I never had a chance to have a long, deep conversation on jazz transcriptions. I learned unexpected things and understood (finally) a few things that were always a mystery to me.

Click on the link and listen to the beautiful answer that Stefano gave me.

Leave a comment if you wish.

You can check Stefano Bollani's music here: https://stefanobollani.com/

🎷You can check Mirko Guerrini's music here: https://mirkoguerrini.bandcamp.com or here https://www.mirkoguerrini.com

Subscribe to Mirko Guerrini's Newsletter here:  https://mirkoguerrini.com/transcriptions/

Gear used in this video:

🎤 RØDE NT-USB Minihttps://amzn.to/3gRZFARhttps://ebay.us/3QilM4 🎧 AKG K72 Closed-Back Professional Studio Reference Headphones https://ebay.us/rGQjGOhttps://amzn.to/3VgSmBH

Mirko Guerrini is a D'Addario artist, playing D'Addario mouthpieces and reeds.

Subscribe to my YouTube Channel.

You can download this podcast episode or any other episode here: Apple podcast: https://podcasts.apple.com/.../jazz..... Google Podcasts: https://www.google.com/podcasts... Spotify: https://open.spotify.com/show/1oQqf6m... Amazon Music/Audible: https://music.amazon.com/.../8b6f521b...

I acknowledge the Traditional Owners of the land on which this podcast is being recorded. I pay my respect to their Elders, past and present, and the Aboriginal Elders of other communities who may be here today.

This is my transcription and analysis of the beautiful solo by Red Garland on What is this Thing Called Love, from A Garland In Red (Prestige).

It is a very hard swingin' be-bop informative solo played by Garland, with many insights on transforming a simple melody with no swing into a swinging machine!

Garland also makes an extensive and state of the art use the enclosures technique.

Complete transcription in pdf in Bb, Eb and C are available on my website:https://mirkoguerrini.com/transcripti...

A small donation (if you can) would be much appreciated.

00:00 Introduction

00:48 Introducing Red Garland

02:42 Whole transcription

04:36 Analysis starts - Head in A1 - A2

10:58 Head in B - A3

13:42 Solo - 1st Chorus

18:57 Solo 2nd Chorus

21:23 Whole solo

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Hello everyone,

This is Mirko Guerrini, and I welcome you to the Jazz Transcription Clinic, a monthly interviews podcast where we talk with accomplished jazz doctors about their lives, careers and personal transcription secrets. 

On this episode of the Jazz Transcription Clinic Podcast, Mirko Guerrini interviews the guest jazz doctor: DANNY MARKOVICH. I contacted Danny after I saw a video he posted on YouTube titled: 'Stop Transcribing'. I couldn't resist, and it has been exciting to discuss the matter with someone that has a different opinion on transcriptions. In the end, I think we agreed on a lot of things, even though there are some points of disagreement. What do you think?  Leave a comment if you like.

Listen to Danny's answers to the questions below:  00:00 Introduction 02:50 Why do you transcribe? 52:37 Who was the most difficult player you transcribed? 59:04 Which transcription you've done is your favourite?

Danny is the founder of the band MARBIN. MARBIN is a progressive jazz-rock band based in Chicago, IL, with a unique story that stands out in today's music world. With a do-it-yourself approach, Marbin started touring extensively in 2011, bringing their original instrumental music to every part of the United States. Through word of mouth, Marbin has gained hundreds of thousands of devoted fans all over the world and has sold tens of thousands of albums. Marbin has released eight albums: Marbin (2009), Breaking the Cycle (2011), Last Chapter of Dreaming (2013), The Third Set (2014),  Aggressive Hippies (2015), Goatman and the House of the Dead (2016), Israeli Jazz (2018), and Strong Thing (2019), the double album Russian Dolls + Ten Years in the Sun (2020), Shreddin' at Sweetwater (2021), and Dirty Horse (2022). Marbin regularly plays in clubs all over the US and in jam and jazz festivals around the world.

You can check Danny Markovich's music here: https://www.marbinmusic.com/

You can buy Marbin music here: https://marbinmusic.bandcamp.com/

🎷You can check Mirko Guerrini's music here: https://mirkoguerrini.bandcamp.com or here https://www.mirkoguerrini.com

Subscribe to Mirko Guerrini's Newsletter here:  https://mirkoguerrini.com/transcriptions/

Gear used in this video:

🎤 RØDE NT-USB Minihttps://amzn.to/3gRZFARhttps://ebay.us/3QilM4 🎧 AKG K72 Closed-Back Professional Studio Reference Headphones https://ebay.us/rGQjGOhttps://amzn.to/3VgSmBH

Mirko Guerrini is a D'Addario artist, playing D'Addario mouthpieces and reeds.

D'Addario Select Jazz Mouthpiece 7M https://amzn.to/3B239Ib

D'Addario VENN G2 Synthetic Tenor Sax Reeds - Tenor Saxophone Reeds with Advanced Synthetic Reed Construction of Polymer Fibers, Resin, Natural Cane - Strength 2.5 https://amzn.to/3GF2Syc

Rovner Tenor Saxophone Light Ligature + Cap https://amzn.to/3EY3GNG

Rico Saxophone Strap, Tenor/Baritone, Jazz Stripe 2 https://amzn.to/3gBNNCS

Konig & Meyer Stand saxxy tenor saxophone stand  https://amzn.to/3OsMtyU

Subscribe to my YouTube Channel.

You can download this podcast episode or any other episode here: Apple podcast: https://podcasts.apple.com/.../jazz..... Google Podcasts: https://www.google.com/podcasts... Spotify: https://open.spotify.com/show/1oQqf6m... Amazon Music/Audible: https://music.amazon.com/.../8b6f521b...

I acknowledge the Traditional Owners of the land on which this podcast is being recorded. I pay my respect to their Elders, past and present, and the Aboriginal Elders of other communities who may be here today.

This video is NOT sponsored. Some product links are affiliate links, meaning we'll receive a small contribution if you purchase something.

This is my transcription and analysis of the beautiful solo by Max Ionata on All the things you are.

It is a very informative solo played by Max, with many insights on how to develop melodies, add chromaticism to your lines and perfect use of the enclosures technique.

Complete transcription in pdf in Bb, Eb and C are available on my website:https://mirkoguerrini.com/transcripti...

A small donation (if you can) would be much appreciated.

00:00Introduction

01:00 Introducing Max Ionata

02:42 Soundslice Clips

03:30 Analysis starts

13:12 2nd Chorus analysis - Enclosures

28:28 3rd Chorus Analysis - More enclosures

31:48 Head out - Analysis

35:18 Whole solo

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Gear used in this video:RØDE NT-USB Mini Versatile Studio-Quality Condenser USB Microphone with Free Software for Podcasting, Streaming, Gaming, Music Production, Vocal and Instrument Recording

https://amzn.to/3K7p6e0

Logitech StreamCam, Live Streaming Webcam, Full 1080p HD 60fps Vertical Video, Smart auto Focus and Exposure, Dual Camera-Mount Versatility, with USB-C, for YouTube, Gaming Twitch, PC/Mac - Black

https://amzn.to/3JUdkCd

This video is NOT sponsored. Some product links are affiliate links, meaning we'll receive a small commission if you buy something.

Hello everyone,

This is Mirko Guerrini, and I welcome you to the Jazz Transcription Clinic, a monthly interviews podcast where we talk with accomplished jazz doctors about their lives, careers and personal transcription secrets. 

On this episode of the Jazz Transcription Clinic Podcast, Mirko Guerrini interviews the guest jazz doctor: Dario Cecchini

Listen to Dario's answers to the questions below:  00:00 Introduction 04:54 Why do you transcribe? 12:22 What do you expect to bring home with a transcription? 14:51 Do you recommend solos to be transcribed? 17:09 How do you choose solos? 18:47 What is your methodology? 38:54 Who was the most difficult player you transcribed? 44:40 Which transcription you've done is your favourite?

Born on 10/17/1963, Cecchini began playing the drums very early on. At 14, he took up the saxophone and was initiated into the family rite of Jazz. At 22 he began playing baritone sax and flute. He entered the “Conservatorio Cherubini” in Florence, where he studied classical music and graduated in 1991.

Personal Projects: ”FUNK OFF” “D.C. TRIOZONE” (Guido Zorn, Bernardo Guerra) "JAZZASONIC"

Current Collaborations: “JELLY FACTORY” Leaded by Luca Gelli “RICCARDO FASSI FLORENCE POCKET ORCHESTRA” “MAX CALDERAI QUINTET” “VG BIG BAND” leaded by Vincenzo Genovese

Previous Jazz Collaborations : "ITALIAN SECRET SERVICE" (Co-leader con L. Pieri) "EUMIR DEODATO EUROPE XPRESS" “REUNION BIG BAND” Leaded by Marco Tamburini “GIANLUCA RENZI ALL STAR Orchestra” NATALIE COLE BAND KENNY WHEELER HOT ELEVEN KENNY WHEELER ne “I giorni di un uomo”. Oratorio per coro e solisti Jazz. LEE KONITZ NONET MEGATONES Leaded by Maurizio Giammarco TURBULENCE" di Fabio Morgera G.O.N. Grande orchestra nazionale dell' ass. musicisti jazz diretta da B. Tommaso IF SIX WAS NINE LARES

Cecchini has also accompanied various foreign and Italian Jazz artists: Paolo Fresu, Marco Tamburini, Fabrizio Bosso, Enrico Pieranunzi, Stefano Bollani, Pietro Tonolo,Glauco Venier, Massimo Urbani, Gianluca Petrella, Riccardo Fassi, Emanuele Cisi, Fred Wesley, Raul Midon, Avery* Sunshine,Dee Dee Bridgewater, Bob Mintzer, J. Surman, C.Batista, L. Agudo, D. Liebnman, R. Beirach, Dave “Fuze” Fiuczynski.

Cecchini also has a notable experience outside Jazz, having collaborated and recorded with artists such as: Fred Wesley, Raul Midon, Avery Sunshine, Karima, Simone Cristicchi, Adriano Celentano, Eros Ramazzotti, Alessandra Amoroso, Jovanotti, Biagio Antonacci, Eumir Deodato, Irene Grandi, Gino Paoli, Zucchero, Giorgia, Alexia, Gege’ Telesforo, Bengi Benati, Dirotta su Cuba, Riccardo Tesi, James Taylor, Louisiana Red, Mike Turk, Charlie Wood.

He participated in television transmissions, recorded film soundtracks and composed music for TV spots.

You can check Dario Cecchini and Funk Off music here: https://www.funkoff.it/

🎷You can check Mirko Guerrini's music here: https://mirkoguerrini.bandcamp.com or here https://www.mirkoguerrini.com

Subscribe to Mirko Guerrini's Newsletter here:  https://mirkoguerrini.com/transcriptions/

Gear used in this video:

🎤 RØDE NT-USB Minihttps://amzn.to/3gRZFARhttps://ebay.us/3QilM4 🎧 AKG K72 Closed-Back Professional Studio Reference Headphones https://ebay.us/rGQjGOhttps://amzn.to/3VgSmBH

Mirko Guerrini is a D'Addario artist, playing D'Addario mouthpieces and reeds.

D'Addario Select Jazz Mouthpiece 7M https://amzn.to/3B239Ib

D'Addario VENN G2 Synthetic Tenor Sax Reeds - Tenor Saxophone Reeds with Advanced Synthetic Reed Construction of Polymer Fibers, Resin, Natural Cane - Strength 2.5 https://amzn.to/3GF2Syc

Rovner Tenor Saxophone Light Ligature + Cap https://amzn.to/3EY3GNG

Rico Saxophone Strap, Tenor/Baritone, Jazz Stripe 2 https://amzn.to/3gBNNCS

Konig & Meyer Stand saxxy tenor saxophone stand  https://amzn.to/3OsMtyU

Subscribe to my YouTube Channel.

You can download this podcast episode or any other episode here: Apple podcast: https://podcasts.apple.com/.../jazz..... Google Podcasts: https://www.google.com/podcasts... Spotify: https://open.spotify.com/show/1oQqf6m... Amazon Music/Audible: https://music.amazon.com/.../8b6f521b...

I acknowledge the Traditional Owners of the land on which this podcast is being recorded. I pay my respect to their Elders, past and present, and the Aboriginal Elders of other communities who may be here today.

This video is NOT sponsored. Some product links are affiliate links, meaning we'll receive a small contribution if you purchase something.