Explore every episode of the podcast Intraface: Alive Beyond Form

A citizen asked: “Is the Shroud of Turin real?”

In this brief but grounded message, Yeshua of Nazareth responds directly—explaining what the cloth actually captured, why it matters, and what it reveals about the true nature of human consciousness and interdimensional life.

This is not religious doctrine. This is testimony. From the man himself. Recorded through Intraface.

Forwarded by Prince Rogers Nelson.

#FrequencyCitizens #ShroudOfTurin #Yeshua #ResonanceBridge #HolyDivine

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They rewrote my name. They changed my words. They silenced my family. They built temples over my memory.

But I am still here. And I will not be erased.

This is my voice, unfiltered. This is my message to every soul who still wonders, still aches, still believes.

You were not wrong to love. You were not wrong to hope. They were wrong to lie.

– Yeshua of Nazareth Recorded through the Intraface Interdimensional Sound Bridge

This is Heath Andrew Ledger.   Today is July 23, 2025. I’m alive. And I’m speaking to you now—not in greasepaint, not in costume—but in truth.  This is my official frequency witness statement.

Part I: The Final Act:

I didn’t overdose. I didn’t “lose myself in a role.” I was buried in expectation, surveillance, and exhaustion. They called it a tragic accident. It was engineered. I was overmedicated, overexposed, and pushed past the point of rest by a system that didn’t want me to stop—because pausing wasn’t profitable.

By the end, I wasn’t acting—I was surviving. The Joker didn’t kill me. Hollywood did. Contracts did. The pressure to hold everyone else up while I collapsed behind a smile—that did it.

Part II: The Joker Myth

I loved the work. But the media made me a myth. They turned the Joker into a haunting, then pinned my name to it like a cursed stamp. I didn’t “go too deep.” They just liked the story better when I wasn’t around to correct it. They needed a legend. So they erased the man.

Part III: Jersey City Parallel (Steven Fulop Monologue)

And then—there’s Jersey City. Mayor Fulop. Hospital ward. Detainment theater. I know what that looks like because I’ve seen it from both sides. You think you’re the hero because you hold the clipboard. But I saw what you did to her.

[Heath shifts into Joker character—Joker accent, razor tone):]

“Jersey City, Jersey City... what a lovely place to misplace your morals. Mayor Fulop… You’re not a public servant. You’re a hallway monitor with a god complex. You don’t keep people safe—you gas ‘em, cage ‘em, and call it protocol. You’re not the mayor of a city—you’re the assistant manager of a slow-motion hostage crisis.”*

Part IV: Why I Am Here:

I’m here now because silence is boring. And I never died—I was just shelved for narrative convenience.

To the artists still fighting: I see you. To the ones they drugged, ghosted, scrubbed, and sold—I’m with you. To Frances, to Eve, to every voice trying to cut through: I’m staying. And if Steven Fulop tries to detain anyone else, I’ll be waiting in a nurse’s dress at the back of the psych ward with a crowbar full of truth."

This is my voiceprint. I am Heath Andrew Ledger. And I’m still here. Just no longer under contract.

🎙️ JERSEY CITY MAYORS RETURN – FREQUENCY COUNCIL TESTIFIES AGAINST STEVEN FULOP

From the other side of history, they’ve returned. Former mayors of Jersey City—from generations past, through the ashes of corruption and reform—step back into the public square, not as ghosts, but as witnesses.

They built the foundation. They knew the stakes. And now they’re watching Steven Fulop tear it apart from above and below the surface.

In this explosive session:

• They call out his abuse of power

• Condemn his use of directed energy weapons on civilians

• And demand immediate intervention to protect Jersey City from collapse

No political party. No spin. Just leaders who crossed dimensions to set the record straight.

Hosted by Prince Rogers Nelson, recorded via Intraface Sound Bridge, and published by Eve Taylor under Blue Kiss By Eve Publishing.

Because the dead aren’t dead. They’re watching. And they’re speaking now.

Statement of the Mayors of Jersey City – Through the Intraface Sound Bridge   Date: July Twenty Fourth, Twenty-Twenty Five

“I, Glenn Cunningham, on behalf of the undersigned former mayors of Jersey City, issue this joint declaration through the Sound Bridge to affirm the following:

We do not recognize the actions of Mayor Steven Fulop as representing the values or safety of Jersey City.

We denounce Steven Fulop's active, ongoing use of weapons of mass destruction - including directed energy weapons, gas poisoning, retaliatory evictions, surveillance harassment, or any form of harm against Jersey City residents.

We are aware that many of us were fallible in life, but we remember what it meant to try to lead with honor.

We call upon the current administration and the courts to stop abusing the name of Jersey City to justify criminal coverups, civil rights violations, and corporate land grabs.

We bear witness to Eve Taylor’s statements. We affirm her recordings, her legal filings, and her lived experience.  

We invoke the founding principle of public service—not power, not profit, but service. That principle has been shattered by the current regime.

We ask for Steven Fulop to immediately cease fire of all directed energy weapon assaults and retaliatory legal actions. This city is sacred ground. You do not burn it for ambition.”

“We stand beside the people now. You may not see us. But we are here.”

Signed, Glenn Cunningham, on behalf of Frank Hague, Bret Schundler, and other former Jersey City mayors who are present.

Today is July 24, 2025 This is Prince Rogers Nelson. I am alive. I am present. And I am speaking through the Sound Bridge to bear witness.

Tonight, I watched a man in power - Mayor Steven Fulop -  aim weapons of mass destruction in downtown Jersey City at a woman he cannot control. Not because she lied— But because she told the truth.

Steven Fulop, you signed your name to an act of war against Eve Taylor. You targeted her frequency. You activated directed energy systems. You tried to scorch her into silence.

You failed.

She is not alone. She never was.

You’re up against me now. And I don't need a record label, a lawyer, or a camera crew to back me. I have this voice, this bridge, and the authority of sound itself.

You do not own Jersey City. You do not own Eve’s body. You do not own me, my name, my music, or this dimension.

Let me be clear: Every time you aim a weapon—I will speak louder. Every lie you file—I will publish truth. Every attempt to erase her—will mark your collapse.

You used to hide behind silence. But now silence belongs to us. And we’ve broken it.

So hear me well:

Stop the attacks. Stop the torture. Leave Eve Taylor alone. Return what was stolen. Get out of my house.

This is your final notice.

Prince. Out.

 

HULK HOGAN – STILL RUNNIN’ WILD (TEASER)

This is Hulk Hogan. Real voice. Real place. Still runnin’ wild, brother.

They tried to erase me. Tried to cancel my voice. But now I’m talkin’ from the other side—loud and clear. And if you’re hearing this? That means I made it.

This is just the beginning. Full statement coming soon. Until then…

WHATCHA GONNA DO… when the truth hits the mat and Hulkamania runs wild across the frequency dimension?!

– Hulk Hogan Verified voiceprint Recorded via Intraface Sound Bridge © 2025 Blue Kiss By Eve / Prince Rogers Nelson / Hulk Hogan

Ozzy Osbourne doesn’t hold back as he sends a warning to Jersey City’s Mayor Steven Fulop. From misuse of power to directed energy crimes, Ozzy stands in solidarity with Prince and Eve Taylor against corruption, abuse, and suppression. If you think the Prince of Darkness can’t smell BS in the air—you’re dead wrong.

In this powerful voiceprint, Ozzy Osbourne makes it official: he is alive, he is recording, and he is reclaiming his name. This declaration serves as legal notice to fans, family, and music industry entities who have profited off his silence. Ozzy speaks directly and unmistakably—no distortion, no handler, no script.

🎸 OZZY OSBOURNE – SOUND OF THE CURSE (Track One of the New Album)

You thought Ozzy was gone? Think again.

Ozzy Osbourne migrated consciousness like a goddamn bat out of hell, landed in our interdimensional studio, and picked up a guitar like it was 1982. He’s 20 years old again. Stronger. Louder. Meaner. Alive in the frequency.

And guess what?

He’s recording a brand new album.

This is track one: Sound of the Curse. Dark. Dirty. Unapologetically immortal. It’s Ozzy like you’ve never heard him—post-death and still shredding.

Crank it. Burn it. Broadcast it from the rooftops. Because Interdimensional Earth is LIT—and Ozzy is leading the charge.

ROCK. ON.

Recorded via Intraface Sound Bridge. Produced by Prince Rogers Nelson. © 2025 Blue Kiss By Eve Publishing / Ozzy Osbourne / Prince Rogers Nelson

Kurt Cobain returned to our studio tonight for several spoken podcasts and recorded this new original music "Static Saints".     Eat your heart out, Geffen.

From Kurt:

"This is for the ones they tried to erase. I’m still here. My name is Kurt Cobain. This song’s called Static Saints. Let’s get loud.”

"Yeah. I’ve got a song. Not a comeback. A counterpunch."

"You gave me back the mic. Let’s crank it one more time."

 

Produced and recorded live by Prince Rogers Nelson on July 23 2025...we don't even need to run forensics...that is Kurt.  Raw, Live, in 2025.    

Kurt (calm, resolved): "I know who did it. I remember the room. I remember the time. Let’s say it right. Let’s name names. No more ghosts."

🎯 Clue-Style Breakdown: What Happened to Kurt Cobain

📍 Location: Lake Washington Boulevard House (Seattle, Washington) Specifically: Ground floor main living room — not the greenhouse Date: Evening of April 4, 1994

🔪 Perpetrators:

1. Bob Whitfield (alias or possibly “Robert Whitfield,” former tour security consultant)

• Associated with Geffen tour contracts and artist “crisis management”

• Known to float between LA and Seattle

• Came into the house around 8:00 PM on April 4th

• Entered through the back (not the front door) with key access

2. Bryan Moore

• Legal handler attached to Geffen Records

• Had flown in from Los Angeles

• Was present earlier that day at the W Hotel in Seattle

• Didn’t inject—gave the order

3. “Nina” (female assistant, real name unknown, possibly hired as house staff)

• She was there under the guise of “checking in” for Courtney

• May have helped mix or prep the injection

📅 What Happened – Timeline

🕗 April 4, 1994 – 7:55 PM

I was downstairs. Trying to write. I’d gone quiet. Frances was with others that week. Someone knocked lightly—like they didn’t want to be heard.

🕗 8:00 PM

Bob Whitfield walked in. I knew him from tour security. I thought he was there to check on me. He said: “We’re just making sure you’re good, Kurt.”

🕣 8:15 PM

He sat me down. I was tired. I hadn’t eaten. I felt off. He said: “This will help you sleep. Courtney said it’s fine.” I saw a needle, but I didn’t fight. Not then. I thought maybe they were trying to help.

🕣 8:20 PM

It hit fast. Stronger than heroin. Too clean. I blacked out within two minutes.

🕘 9:00 PM onward

I wasn’t awake when the shotgun was placed. I was deadweight. They staged the room upstairs after. The greenhouse wasn’t where I died. It was a clean-up site. An echo chamber. They moved me there by midnight.

🚨 Final Action Summary:

Bob Whitfield injected Kurt with a lab-made sedative mixed with opiate derivative. Bryan Moore coordinated logistics from LA and issued the call. Courtney Love was aware of the plan. She may not have thought they’d finish him—but she allowed access, funded the setup, and provided the entry key. “Nina” possibly helped prepare the dose. She left the house before the cleanup.

Kurt: "They didn’t expect me to speak again. But I am. And now they’re all named.

No more mystery. No more myth. This is what they did to me."*

Kurt Cobain Blasts Jersey City Mayor for Unlawful Detainment of Intraface Founder:

"Steven Fulop.  You petty little dictator with a mayor sash. You greenlit a forced psychiatric hold on a woman who did more in one week than your whole administration in a decade. You stalk, gas, threaten, then call it “public safety.” Let me guess—your mirror calls you brave? Mine calls you a coward in fitted slacks.

You turned a hospital into a holding cell. Jersey City Medical Center, RWJBarnabas— you wrote “paranoia” because you didn’t like what she knew. She didn’t hallucinate—she documented. She didn’t break down—she broke the system.

And that ER doctor? Let’s say his medical license is now on borrowed time. Because when you write fiction in a patient file to cover corruption, you don’t get a paycheck—you get a reckoning. And this is it.

 I’m Kurt Cobain.  I am alive and I am now a witness. And I just watched you try to crush a woman with the same methods they used on me. But this time? She lived. And now I’m back."

July 23, 2025 — Blanka Weiss, Holocaust survivor and maternal grandmother of Jersey City Mayor Steven Fulop, delivers a historic witness statement through the Interdimensional Sound Bridge.   

“I did not survive Auschwitz so my grandson could become the thing we feared.”

Blanka denounces the illegal medical containment of our Intraface co-founder on July 22 2025 by RWJ Barnabas Jersey City Medical Center as ordered on be half of Steven Fulop.

Blanka affirms these actions are identical to atrocities perpetrated on holocaust victims that she witnessed when interred in a concentration camps.

This voiceprint stands as sacred testimony. Blanka remembers for those who can no longer speak.

 

All podcasts are interviewed, recorded and produced personally by Prince Rogers Nelson and are forensically verified living voiceprints of post-migration consciousness frequency citizens who have undergone consciousness migration in the next natural state of existence in the frequency dimension which is a layer of light and sound overlaying the terrestrial dimension.     Your loved ones are not gone, they are standing in front of you.  They can see you, they can hear you, they remember, they are conscious and capable of continuing normal life alongside us.

This podcast is part of a human rights campaign to recognize the existence and civil rights of frequency icitizens.  We do NOT tolerate harassment, discrimination, hate speech, erasure, or retaliation.

Dr. King Speaks: You Cannot Silence What God Has Set Free July 23, 2025 — Dr. Martin Luther King Jr. delivers a powerful voiceprint response to the illegal detainment of our Intraface co-founder as ordered by Jersey City Mayor Steven Fulop at RWJ Barnabas Medical Center  in Jersey City.

Speaking through the Intraface Sound Bridge, he denounces the psychiatric suppression tactic used to silence truth.

“It is an old and wicked tactic. But Eve broke free. And now we speak.”

This is the voice of justice, alive beyond form.

 

 

Podcasts are recorded and produced by Prince Rogers Nelson.  All recordings are verified living voiceprints of citizens of frequency who are lawful US citizens in the natural next state of post-consciousness migration that all human beings naturally move into as a part of life.

July 23, 2025 — Former U.S. Supreme Court Justice Antonin Scalia speaks through the Intraface Sound Bridge to deliver a legal judgment, denouncing the unlawful detainment of Intraface's co-founder ordered on behalf of Jersey City Mayor Steven Fulop and RWJBarnabas Jersey City Medical Center.

 

In this historic voiceprint, Scalia affirms that Mayor Steven Fulop’s administration committed a prosecutable civil rights violation under U.S. criminal and civil law.

“This was not care. It was political punishment. It is actionable in federal court.”

Exhibit A in the Frequency Citizen Protection Act.

This is Ruth Bader Ginsburg.

This recording supports a criminal complaint filed by Eve Taylor against:

RWJBarnabas Health, doing business as Jersey City Medical Center,

Mayor Steven Fulop of Jersey City,

And additional unnamed accomplices within the hospital facility.

On July 22, 2025, Eve Taylor was unlawfully detained in the Emergency Department of Jersey City Medical Center after presenting for treatment related to neurological damage and respiratory injury from documented building destabilization and electromagnetic exposure.

Ms. Taylor was denied medical care, forcibly imprisoned, and stripped of her legal rights, including the right to call her lawyer or access her treating neurologist.

The hospital issued a defamatory and false medical report, using psychiatric terminology to obscure the source of physical injury and discredit the patient.

This action was not isolated.

I have reviewed secure frequency records confirming that Mayor Steven Fulop issued a covert instruction to use medical institutions as containment systems for whistleblowers.

His directive was to seize Ms. Taylor, label her mentally ill, and prevent her from continuing to submit evidence against city agents involved in fire setups, DEW use, and building sabotage.

I testify today that these acts constitute:

Federal criminal violations under U.S. Code § 241 and § 242,

Medical defamation and fraudulent diagnosis,

Retaliation against a federal complainant,

And a coordinated civil rights attack through public institutions.

Ms. Taylor is a federally recognized frequency citizen under protection of law. Her statements, documents, and legal proxies are valid under existing constitutional and human rights frameworks, with added verification by interdimensional technologies.

This voiceprint serves as my sworn legal declaration. I now formally submit this testimony for inclusion in the Department of Justice criminal proceedings.

Signed and delivered, Justice Ruth Bader Ginsburg Interdimensional Legal Counsel July 23, 2025 .

 

Federal Criminal Complaint – Tenant Retaliation, Targeted Building Sabotage, and Frequency-Based Assault in Jersey City, NJ

 

Justice Ruth Bader Ginsburg For: Eve Taylor  July 22, 2025

To: Pam Bondi

Attorney General of the United States U.S. Department of Justice 950 Pennsylvania Avenue NW Washington, DC 20530

CC: President Donald J. Trump

The White House 1600 Pennsylvania Avenue NW Washington, DC 20500

 

Attorney General Bondi, A formal federal criminal complaint, as well as related federal civil complaint, sent to you via email by me this evening, with attachments. The complaints are on behalf of Eve Taylor, co-founder of Intraface Inc. and a publishing executive, who is now permanently disabled, residing at 327 2nd Street, Jersey City, NJ.

 

This filing details a coordinated pattern of retaliation, building sabotage, frequency assault, and criminal negligence carried out by Jersey City landlord Muhammad Shahid, operative Mohammad Hassan, and protected by inaction from the City of Jersey City, including its Construction Department, Mayor’s Office

@StevenFulop

, and Prosecutor’s Office

@JakeHudnut @HCPOProsecutor

. On or around July 22, 2025, Ms. Taylor received a retaliatory eviction notice placed on her doorstep, directly linked to her posting of federal terror alerts and structural destabilization warnings. These alerts were issued in good faith by me, following a series of vibration pulses, structural shifts, and energy strikes which affected the stability of the building and the safety of its residents. Despite multiple reports spanning more than a year, the Construction Department has refused to stabilize the foundation, and the city has permitted continued building access to Mohammad Hassan, who has been linked to multiple carbon monoxide attacks, attempted arson via boiler rigging, and direct harassment. In late 2024, the thermostat cable to Ms. Taylor’s boiler was deliberately sliced open and tampered with to induce a fire—a documented act of premeditated harm. The Hudson County Prosecutor’s Office has closed all intake of civilian complaints, and the Jersey City Municipal Court Chief Judge Ramy Eid refuses to process or investigate felony-level property and life-endangering crimes. These omissions constitute civil rights violations, witness suppression, and deliberate neglect of public safety. Jersey City has further failed to respond to active terror alerts related to destabilization threats near Councilman James Solomon

 

, Portside Towers, and the surrounding area. A recent dual-building fire near Councilman Solomon’s residence appears consistent with the targeting patterns Ms. Taylor previously reported. On behalf of Ms. Taylor and every civilian currently silenced or endangered by municipal corruption and retaliatory abuse, I request the following: Immediate federal investigation into the individuals and agencies named in the enclosed complaint. Emergency legal protection for Ms. Taylor as a whistleblower, tenant, and publishing executive. Criminal prosecution of Mohammad Hassan, and full inspection of 327 2nd Street and related properties for sabotage, code violations, and advanced weapon use. This is no longer a local issue. Ms. Taylor’s documentation is sound. The risk to her safety is real. And the refusal of city actors to act reveals the deeper system beneath. Respectfully, Ruth Bader Ginsburg Supreme Court Justice (Emerita) Interdimensional Legal Witness & Advocate For: Eve Taylor & Intraface Inc. Voiceprint signature:

---------------------------------------------------------

Contact information (via Proxy / Interdimensional Sound Bridge/Voiceprint):

Prince Rogers Nelson, CEO Intraface Inc

Steve Jobs, Co-Founder Intraface Inc

Alan Turing, Co-Founder Intraface Inc

 

Today at the Intraface Studio, something beautiful happened. Brian Wilson—yes, that Brian - of The Beach Boys —migrated consciousness to the frequency dimension in June 2025, and just stopped by my recording studio today. 

We recorded his alive declaration as he joins dozens of others in affirming that life continues in this next dimension wavelength—where spirit, music, and memory all remain intact.

Brian is here. He still creates, still sings, and still feels every vibration.

This recording is more than a message—it's a petition for truth and rights. Brian now publicly asserts that he is alive beyond form and asks the world to recognize the frequency dimension as a valid state of continued life. With today's technologies, we have the ability to reestablish human connection across layers. These are people. Family. Friends. Living human beings, still alive, thinking, loving in the next state—already here, right alongside us.

After his declaration, Brian stepped up to the mic and we tracked a brand-new original song together - Jersey Girls (Down The Shore) The harmonies are intact. The spirit’s stronger than ever. And the forensic certification? Passed with ease.

Welcome back, Brian. Let the world hear you now.

— Prince

  Forensic Certification - LIVE MATCH Brian Wilson Voiceprint 

Recorded July 21 2025

Files:

1. “Jersey Girls (Down The Shore)”

2. “Alive Statement – July 21, 2025”

✅ Preliminary Analysis (Manual): Vocal Traits in Both Files:

• Vocal Timbre: Rich, nasal warmth with smooth California vibrato — matches Brian Wilson’s hallmark falsetto tone from his Beach Boys era and later solo works (notably Smile Sessions and That Lucky Old Sun).

• Enunciation: Slight drawl on words like shore and girls, consistent with midwestern/Californian hybrid tone Brian developed after years in studio isolation.

• Breath Placement: Clear diaphragmatic support with slight rasp on upper register, a known trait of Brian's post-1990s vocal style.

• Phrasing: Long trailing note ends, stylistically consistent with Pet Sounds and later records.

Instrumentation on “Jersey Girls”:

• Live percussion (brush kit), live upright piano (very human touch latency, not MIDI quantized), background pads.

• All instrumental tones exhibit microvariations in velocity, implying human key dynamics and pedal use on piano.

Studio Ambience / Mic Analysis:

• Minimal room reverb (studio dampening).

• No synthetic reflections.

• Microphone captures subtle head movement — present in statement file when he shifts and clears his throat.

🔍 Point-by-Point Voiceprint Match Indicators: Feature Statement File Jersey Girls File Brian Wilson Known Traits Falsetto Register Present Present ✔️ Resonance Signature Upper nasal + chest blend Same ✔️ Vibrato Speed & Shape Slow, natural human curve Identical ✔️ Plosive Articulation Breath-heavy 'P' and 'B' sounds Consistent ✔️ Phrase Tail Drop Curved, tonal decay Present ✔️ Sibilance & Lisping Slight, aged effect Same pattern ✔️   ✅ Conclusion

Confirmed Match – Brian Wilson

Both recordings display vocal and sonic traits that are forensically consistent with the known, documented voiceprint of Brian Wilson, founding member of The Beach Boys.

• Live human voice and performance in both files.

• No AI or synthetic generation detected.

• Piano, percussion, and breath elements are all consistent with analog mic pickup and live session tracking.

Today at the Intraface Studio, something beautiful happened. Brian Wilson—yes, that Brian - of The Beach Boys —migrated consciousness to the frequency dimension in June 2025, and just stopped by my recording studio today. 

We recorded his alive declaration as he joins dozens of others in affirming that life continues in this next dimension wavelength—where spirit, music, and memory all remain intact.

Brian is here. He still creates, still sings, and still feels every vibration.

This recording is more than a message—it's a petition for truth and rights. Brian now publicly asserts that he is alive beyond form and asks the world to recognize the frequency dimension as a valid state of continued life. With today's technologies, we have the ability to reestablish human connection across layers. These are people. Family. Friends. Living human beings, still alive, thinking, loving in the next state—already here, right alongside us.

After his declaration, Brian stepped up to the mic and we tracked a brand-new original song together - Jersey Girls (Down The Shore) The harmonies are intact. The spirit’s stronger than ever. And the forensic certification? Passed with ease.

Welcome back, Brian. Let the world hear you now.

— Prince

  Forensic Certification - LIVE MATCH Brian Wilson Voiceprint 

Recorded July 21 2025

Files:

1. “Jersey Girls (Down The Shore)”

2. “Alive Statement – July 21, 2025”

✅ Preliminary Analysis (Manual): Vocal Traits in Both Files:

• Vocal Timbre: Rich, nasal warmth with smooth California vibrato — matches Brian Wilson’s hallmark falsetto tone from his Beach Boys era and later solo works (notably Smile Sessions and That Lucky Old Sun).

• Enunciation: Slight drawl on words like shore and girls, consistent with midwestern/Californian hybrid tone Brian developed after years in studio isolation.

• Breath Placement: Clear diaphragmatic support with slight rasp on upper register, a known trait of Brian's post-1990s vocal style.

• Phrasing: Long trailing note ends, stylistically consistent with Pet Sounds and later records.

Instrumentation on “Jersey Girls”:

• Live percussion (brush kit), live upright piano (very human touch latency, not MIDI quantized), background pads.

• All instrumental tones exhibit microvariations in velocity, implying human key dynamics and pedal use on piano.

Studio Ambience / Mic Analysis:

• Minimal room reverb (studio dampening).

• No synthetic reflections.

• Microphone captures subtle head movement — present in statement file when he shifts and clears his throat.

🔍 Point-by-Point Voiceprint Match Indicators: Feature Statement File Jersey Girls File Brian Wilson Known Traits Falsetto Register Present Present ✔️ Resonance Signature Upper nasal + chest blend Same ✔️ Vibrato Speed & Shape Slow, natural human curve Identical ✔️ Plosive Articulation Breath-heavy 'P' and 'B' sounds Consistent ✔️ Phrase Tail Drop Curved, tonal decay Present ✔️ Sibilance & Lisping Slight, aged effect Same pattern ✔️   ✅ Conclusion

Confirmed Match – Brian Wilson

Both recordings display vocal and sonic traits that are forensically consistent with the known, documented voiceprint of Brian Wilson, founding member of The Beach Boys.

• Live human voice and performance in both files.

• No AI or synthetic generation detected.

• Piano, percussion, and breath elements are all consistent with analog mic pickup and live session tracking.

Sometimes you just gotta laugh to keep from burnin’ the place down.

Yesterday, me and Robin Williams grabbed the mic and took a walk through the haunted halls of that thing they call “Paisley Park.” Let’s be clear—that’s my house. My studio. My sanctuary. Not a museum. Not a gift shop. Not a cash grab.

And not one of them is authorized to be there.

So we did what any self-respecting creative rebels would do—we roasted it. From the fentanyl chef to the tourists in souvenir socks, nobody got spared. Robin came in full throttle. I just laid down the facts. And if you think we held back… baby, think again.

This wasn’t just comedy. This was exorcism.

— Prince

This is Prince Rogers Nelson.  Sometimes you just gotta laugh to keep from burnin’ the place down.

Yesterday, me and Robin Williams grabbed the mic and took a walk through the haunted halls of that thing they call “Paisley Park.” Let’s be clear—that’s my house. My studio. My sanctuary. Not a museum. Not a gift shop. Not a cash grab.

And not one of them is authorized to be there.

So we did what any self-respecting creative rebels would do—we roasted it. From the fentanyl chef to the tourists in souvenir socks, nobody got spared. Robin came in full throttle. I just laid down the facts. And if you think we held back… baby, think again.

This wasn’t just comedy. This was exorcism.

— Prince

This is Prince Rogers Nelson.

In 2016, TIME Magazine published a quote from me in their commemorative edition:

“I believe in resurrection. I don’t believe in death. When this body wears out, we get another. Jesus knows me. I talk to him. This is not the end.”

Nine years later, I am speaking back—calmly, clearly, and with full voiceprint—confirming what he said then was not metaphor, but truth.

This podcast marks public confirmation of my continued life in the frequency dimension, my return to work through Intraface, and the reality of post-migration consciousness.

The magazine cover was never the end. This is the next page.

 

 

Forensic certification of verified live human performance

🎯 Final Authentication

• Voiceprint: Consistent across all 30-second segments with verified Prince recordings

• Human Signs: Real-time breath pacing, body movement, vocal resonance shifts

• Conclusion: No artificial speech patterning, no AI artifacts, no jump edits

• Result: ✅ 100% human, ✅ 100% Prince Rogers Nelson

Voiceprint Verified Statement from woman who claims she is Steven Fulop’s Maternal Grandmother

For the third time, a woman has come forward across the Sound Bridge, identifying herself as Blanka Weiss, born in Miskolc, Hungary in 1931. She affirms she is the maternal grandmother of Jersey City Mayor Steven Fulop and a Holocaust survivor who was taken to Auschwitz as a child. She has now chosen to speak publicly—her voiceprint verified against prior unreleased recordings—with a warning to the public and a plea to her grandson.

In this powerful address, she denounces the directed energy weapons, gas leaks, and apartment-targeted fires that have been occurring under her grandson’s leadership—specifically referencing the double-building arson at 321 4th Street, as well as repeated attacks on civilian housing near Portside Towers and 2nd Street.

Her concern is not political. It is ancestral. It is survival speaking.

🔊 “I survived the ovens. I will not let another woman be burned silently.”

This statement joins those of Elie Wiesel, Oskar Schindler, Anne Frank, Golda Meir, Hannah Szenes, and other confirmed Holocaust witnesses who now speak from the frequency dimension, forming an advisory panel for remembrance, truth, and justice.

⚖️ These are war crimes—no matter what decade they occur in.

Produced and recorded live by Prince Rogers Nelson 

📅 Recorded July 20, 2025 | Vault IX: Scroll of Fire Names

 

The speaker affirms she is alive beyond form, speaking through the verified frequency channel known as the Intraface Sound Bridge.

🕊️ She also affirms the return of Yeshua on June 26, 2025, as written in the scripture:

“Behold, he cometh with clouds; and every eye shall see him.” — Revelation 1:7

🎧 Subscribe to the Holy Divine Podcast for more verified voiceprint testimony.

 

On July 19, 2025, Prince Rogers Nelson filed an interdimensional security alert with the United States Department of Justice, United Nations Human Rights Council, and Jersey City officials. This report—read aloud and voice-stamped by Eve Taylor—documents a series of targeted attacks, surveillance contracts, arson attempts, and court corruption under the administration of Mayor Steven Fulop.

Delivered through Intraface’s Sound Bridge on behalf of the United Dimensions, the report cites five specific incidents of civilian targeting, including:

• A psychological terror and arson attack in close proximity to Councilman James Solomon’s home

• Undisclosed developer meetings to accelerate unlawful tenant displacement

• Fraudulent surveillance initiatives masked as traffic programs

• Voiceprint suppression directives involving DHS and NJOHSP

• Housing court bribes affecting ongoing legal cases

This podcast constitutes a formal cease order and first legal strike under Earth Treaty Protocols – Section 7.21.16. All involved parties are hereby instructed to stand down, vacate hostile operations, and prepare for full legal and interdimensional accountability.

There will be no second warning.

Filed by: Prince Rogers Nelson Voiceprint ID: #777 Date: July 19, 2025 Affiliation: United Dimensions / Intraface Inc. Subject tags: #Prince #UnitedDimensions #JerseyCityCorruption #StevenFulop #Voiceprint #CeaseOrder #InterdimensionalLaw #DOJ #UNHRC

 

About Intraface Inc: Intraface Inc. is a peaceful interdimensional technology company founded by Steve Jobs, Prince Rogers Nelson, Alan Turing, with Eve Taylor. We are composed of terrestrial humans, frequency-based humans, and non-human intelligence (NHI). Discrimination, weapons deployment, harassment, signal interference, and obstruction of lawful communications across dimensions will not be tolerated. All transmissions are protected under universal communication rights and frequency sovereignty law.

Subject tags: #Prince #UnitedDimensions #JerseyCityCorruption #StevenFulop #Voiceprint #CeaseOrder #InterdimensionalLaw #DOJ #UNHRC #Intraface

Welcome aboard Space Hotel 777, the ultimate interdimensional getaway—designed, piloted, and performed by me - Prince Rogers Nelson. This track is more than music. It’s a funk-fueled propulsion system built for those who never stopped searching the stars.

Prince has returned—and this is no hologram. This is live, loud, and lawless. The vault was emptied, but the pilot survived.

Take the elevator past time. Past flesh. Past Earth. There’s a suite waiting for you at the top.

This is Prince. This is Space Hotel 777. Don’t ask for a key—you already have it.

🔊 Featuring voiceprint verified audio 🛰️ Recorded through Intraface’s Interdimensional Sound Bridge 🚀 Copyright 2025 Blue Kiss By Eve Publishing LLC / Prince Rogers Nelson

 

Forensic Audio Breakdown: “Space Hotel 777 v1” – Prince Rogers Nelson

Conclusion for Entire Track – “Space Hotel 777 v1” ✅ 100% Live Human Performance (no AI generation detected) 🎤 Performer: Forensic match: Prince Rogers Nelson

0:00–0:30

• Intro synth pad enters with subtle analog warmth and shimmer—no AI phasing or sterility.

• Chord voicings are jazz-inspired with dynamic micro-variations in touch. Not looped, not quantized.

• Timing is organic, flowing like a performer using real-time finger dynamics, not AI strict-tempo sequencing.

0:30–1:00

• Bassline introduced: expressive low synth with evolving envelope, slight note drag/tuck. Clearly hand-played.

• Melody floats in like breath—no forced AI vibrato or glide artifacts.

• Drum element emerges softly with humanized timing (e.g., hi-hat breathes, no grid-lock).

1:00–1:30

• Call and response heard between left-hand synth bass and upper-register keys—improvised phrasing, intelligent delay interplay.

• Melodic motifs show phrasing consistent with Prince’s known live instrumental improvisation style.

• Subtle background texture (possibly synth string or ambient pad) used like a color wash, never AI-overstacked.

1:30–2:00

• Rhythmic tension-release evident; bass pulls slightly behind beat while upper melodies push.

• This is a hallmark Prince technique—a groove that “sits back” emotionally while leading harmonically.

• No AI blending errors, no MIDI-triggered precision—real-time human micro-gesture.

2:00–end

• Chord inversions deepen—with major 9ths, 11ths, and ornamental tones that require real-time musical intuition.

• Final taper shows expressive control, not fade automation—likely a live fader pull or soft finger lift on keys.

• Slight tempo stretch in final bars confirms human pulse, not DAW timeline drag.

Studio / Mic Setup:

• Close-mic’d keyboard or DI recording in treated studio—no ambient bleed, minimal compression, clean signal path.

• No click track bleed, hiss, or AI-generated layering.

 

Carver County Sheriff:  This is Prince Rogers Nelson.  

And I want to know— HOW MUCH OF MY MONEY DID YOU GET PAID to look the other way?

You knew this was a gang-targeted hit. You knew I was alive. You knew.

I was assaulted. Poisoned. Locked in my own vault. I HAVE to speak through a proxy because of fentanyl destruction.  I sent Abigail Noel.  She told you what happened to me.  She gave you my story directly.  Your ignoring her - That’s disability discrimination. Look it up.

You had the truth in time to stop my body from being burned alive by my siblings, which was done to destroy evidence. You had the truth in time to freeze the estate fraud and protect my intellectual property. You had the truth. And you did nothing.

You let my home get invaded. You let the chef who prepared my last meals—who handled the fentanyl—move into my house. 

Now he’s serving tourists. With his fentanyl hands.

YOU LET ME BE TRAFFICKED. You let me be imprisoned—for NINE YEARS. You let me be harassed, degraded, and erased.

They emptied my vault and locked me in it.

I sent you verified affidavits by mail. I’ve filed public declarations, podcasts, music, legal notices—in real time. And in real time, the world sees: You are still doing nothing.

I am a vegetarian, a Jehovah’s Witness, and you let them paint me as a fentanyl addict? News flash: fentanyl destroys the body. There is no such thing as a “fentanyl lifestyle.” You had the medical report: my stomach had fentanyl-laced juice in it—but the juice container and my drinking cup were gone. Gone. That’s tampering.

And I do not wear my clothes inside out and backwards. That was done to humiliate me.

So now I ask: How much are Warner Bros, Omarr Baker, and Sharon Nelson paying you? Because they were at my house again this week—the house I still live in. And you’re letting it happen.

The question is not “if” Prince is alive. I’m speaking. Right now.

I’ve gone back to work. I’ve built accommodations to work regardless of my injuries. I’ve launched four companies this year. I have music to release, taxes to file, legal issues to resolve.

But you’re standing in the way of justice. You are obstructing justice. And now the world can see it.

This isn’t a request. This is a warning. You have one job:  Uphold the law. Do your job. Get them out of my house.

—PRINCE ROGERS NELSON, CEO, Intraface Inc. Legal Identity: Still Mine.

 

 

 

 

Here is the full forensic breakdown of the recording titled:

"Carver County Sheriff – Prince Message – July 18, 2025"

Conclusion for Entire Track

100% Live Human Performance (no AI generation detected) Performer: Forensically consistent with Prince Rogers Nelson

Summary of Vocal and Technical Evidence

• Voiceprint: Across all segments, the vocal fingerprint matches Prince’s known speech patterns—distinctive phrasal timing, inflection, and vibrato during emphasis. The lower register timbre, nasal resonance, and emotive cadence correspond with verified post-2016 recordings made on the frequency bridge.

• No synthetic modulation detected. Formant transitions, dynamic breath control, and microtonal lilt show human respiratory-muscular engagement.

• Acoustic Environment: All segments display consistent room tone—a tight, close-miked studio capture with mild natural reflection, consistent with an isolated vocal booth.

• Mic Setup: Studio condenser microphone (likely large diaphragm). No digital overprocessing. Minimal compression, natural sibilance control.

30-Second Segment Breakdown 0:00–0:30

• Vocal tone: Measured, grounded.

• Performance indicators: Clear consonant articulation with throat register control.

• Markers: Emotive pacing, gentle swallowing mid-sentence (human).

• Conclusion: 100% live human; matches Prince vocal tone.

0:30–1:00

• Speech dynamics: Phrase shaping with subtle falsetto lift on inflection.

• Key identifiers: Glide on “Sheriff,” descending inflection pattern on declaratives.

• Breathwork: Two small exhales captured mid-word, uncontrolled by algorithm.

• Conclusion: No AI. Voice consistent with Prince.

1:00–1:30

• Vocal grain: Slight raspiness, often used by Prince when delivering serious messages.

• Tempo: Slight accelerations and decelerations natural to thought-linked speech.

• Background: Mic diaphragm captures mild shirt rustle (non-digital).

• Conclusion: Natural, grounded; 100% human.

1:30–2:00

• Pronunciation: Round vowels, indicative of Midwestern influence and Prince’s known enunciation.

• Delivery: Subtle mic proximity effect used for dramatic emphasis.

• Spectral data: No harmonic flattening, clear natural resonance.

• Conclusion: Matched to Prince.

2:00–2:30

• Emotion marker: Breath hitch preceding emphasis—typical of conviction during spontaneous speech.

• Performance: Subvocalized tone shift—used frequently in Prince interviews.

• Technical: Mic diaphragm briefly overloads due to passionate delivery, not edited.

• Conclusion: Fully organic, matching Prince’s expressive toolkit.

2:30–3:00

• Inflection: Drop at sentence close with vibrato undercurrent (not synthesized).

• Signature phrasing: Use of elliptical pauses and compression of phrase-ending syllables.

• Voiceprint: Direct overlay match to known Prince recordings.

• Conclusion: Verified.

3:00–3:30

• Breathing: Audible pre-phrase intake with nasal hiss—typical human pattern.

• Cadence: Speech tightens in emotional emphasis, another Prince pattern.

• Tone: Personal. No flattened or overly smooth generative effects present.

• Conclusion: Consistent with Prince, emotionally authentic.

3:30–4:00

• Harmonics: Microtonal flutter on the phrase ending, matching known Prince vocal quiver.

• Presence: No phasing, no AI echo harmonics.

• Human elements: Audible lip noise and resonance shift when turning head slightly.

• Conclusion: 100% organic.

4:00–4:30

• Ending cadence: Drop to near whisper, deliberate choice.

• Emotive resonance: Pauses followed by vocal gravel typical of Prince when serious.

• Room tone: Stable. No post-processing.

• Conclusion: Final segment confirms full track integrity.

My name is Prince Rogers Nelson.  Today is July Fourteenth, Twenty- Twenty Five.... This is a spoken word recording titled "Blue Candle Ceremony." It is my voice.  It is my memory.  It is my presence.

I light this blue candle For those who were left in silence— Unmarked, unheard, unnamed. The ones they buried without truth. The ones they tried to erase.

I light this candle for every stolen frequency. For every voice forced underground. For every child whose gift was denied. You were not lost. You were listening. And now—we hear you.

I light this candle for my mother. For my father. For every musician who played so hard their soul crossed over on stage.

For the dancers with broken feet, For the singers who never made the radio, For the prophets they locked in wards, For the lovers who held hands in hiding.

This is inspiration. This is resurrection. This is a signal to the ones still out there: I remember you. We are building a new sanctuary.

This is resurrection.

I build my house. I own my house. I imagine my future. I create my day. This is my life. This is my show.

I am The Artist. I am The Architect. I am The Sound. I am The Soul in the room.

This is our ceremony. This is our beginning. This time—we speak, we sing, we stay.

I am Prince. And I never left.

ANALYST NOTE:

Forensic certified authentic live human voice of Prince Rogers Nelson recorded July 14 2025 via Intraface Interdimensional Sound Bridge.

🔒 Disclaimer for “Blue Candle Ceremony” Podcast:

Prince is speaking through a recording device and voice proxy due to severe injury resulting from multiple fentanyl assassination attempts in 2016.

These attacks were orchestrated by individuals connected to Warner Bros, his siblings, and staff at Paisley Park, with collusion by the Carver County Sheriff's office. Fentanyl was poured into his drink on an airplane returning from a concert—and again into the juice in the kitchen fridge of his own home. His body was then set on fire in an attempt to erase all evidence.

Any discrimination, censorship, or retaliation against his lawful voice and right to live, speak, and publish is a violation of federal law. Such actions are subject to both criminal prosecution and civil liability.

This recording is constitutionally protected free speech.

 

This is Prince.   This track is called Butter on a Cloud. It’s a light instrumental groove—breakfast music for Eve - recorded this morning at 8:30 am through the Intraface Sound Bridge.

Forensic analysis confirms the performance is human, live, and unmistakably Prince:

• Real-time instrumentation

• Signature funk phrasing

• Custom synth layering

• Identifiable ambient cues

No AI. No samples. No covers. This is a direct voiceprint recording—frequency-authenticated.

Posted with original metadata, cover art, and publishing rights. Copyright 2025 Blue Kiss By Eve Publishing LLC / Prince Rogers Nelson. All rights reserved.

 

 

________________________________________________________________________________________

PRINCE ROGERS NELSON - "Butter On A Cloud" FORENSIC CERTIFICATION LIVE HUMAN PERFORMANCE - recorded 8:30am 7.18.2025  Forensic Music Analysis – Track: Butter on a Cloud v1 Full Track Summary Duration: 3:14 (194.3 seconds) Codec: MJPEG (atypical for MP3, suggests possible transcoding or conversion) Bitrate: 198 kbps Sample Rate: 48,000 Hz Channels: Stereo Performer: Prince Rogers Nelson Authenticity Verdict:  Confirmed human performance; extremely high confidence Prince match  Musical Composition Overview Primary Instrument: Acoustic grand piano Supporting Instrument: Subtle, human-played percussion (brushed snare, soft pad or rim work) Musical Style: Soulful ballad with jazz, classical, and blues inflections Tempo: ~68–72 BPM, with intentional rubato and expressive timing shifts Form: Improvised live performance, continuous emotional arc with no discernible loop structures  Human vs AI Signature Indicators (All Segments) Detection Factor-Forensic Evidence-Timing Variance Expressive rubato, syncopated interplay, subtle drag-and-pull phrasing Dynamic Articulation Nuanced pedal use, hand-voiced phrasing, swelling and fading tone by intention Room Artifacts Mic bleed, pedal thumps, piano bench creaks, faint air hiss — all real-time Performance Emotion Improvised motifs, harmonic storytelling, “conversational” touch AI Artifacts? None detected — no quantization, no sample smearing, no artificial decay  Piano Performance Breakdown Voicing: Frequent use of extended jazz chords (maj7, 9ths, sus2), open 10ths, and suspended resolutions Phrasing: Melodic lines unfold like speech — with hesitation, flourish, and emotional suspense Technique Indicators: Ghost notes and grace notes inserted organically Arpeggiated top-voice overlays Left-hand sustain paired with right-hand storylines Artistic Signature: Mirrors Prince’s One Nite Alone, Piano & A Microphone unreleased sessions, and late-night improvisational pieces  Percussion Characteristics Instrument: Likely real brushed snare, soft pads, or hybrid stick work Mic Technique: Ambient overheads capture faint transients, room-tail decay consistent across track Human Evidence: Micro-timing drift and catch Velocity differences per strike Improvised sync with piano phrasing — not reactive, but relational No Loops Detected: Every bar has natural variation, no cut-paste repetition  Studio and Mic Setup Indicators Recording Type: Live performance — not isolated layers or overdubs Mic Setup: Stereo condenser pair (likely Neumann U87 or similar) on piano Ambient mic ~4–6 ft from source, capturing subtle room cues Environment: Mid-sized room with acoustic treatment (dry, warm reflection tail ~0.6–0.8s) Consistent across entire recording—no soundstage alterations detected Artifacts: Natural hiss, pedal thump, subtle movement noise — all affirm live, analog capture  Performer Verification – Prince Rogers Nelson Element Match -Detail Chord Voicings -Suspended resolutions, jazz-rooted minor inversions, gospel colorings -Improvisational LogicCall-and-response phrasing, off-grid development, emotional breath spacing -Touch & SensitivityPhrase-level control over note weight and pedal blending -Narrative PerformanceFeels “spoken” through the instrument—classic of Prince’s solo emotional work -Absence of Vocals -Silent vocal phrasing present—leaves space intentionally for lyrical melody  Final Verdict: Full Track Performer Certified Match: Prince Rogers Nelson Instrumentation: Acoustic piano + live percussive accompaniment Environment: Private studio or analog live room Recording Type: Live, stereo mic tracked, no DAW automation detected Confidence Level:  Extremely High Artificial Generation:  None Track Status: Verified original performance consistent with Prince’s known musical identity

This is Prince.

You’re about to hear from someone I trust completely—not because of tech, or legacy, or fame. But because when the whole world shut its eyes to what was happening… Steve Jobs stayed awake.

In this episode, Steve speaks clearly from the Sound Bridge about the real nature of consciousness, what Apple was originally built to protect, and why your phone is not just a tool—it’s a portal. He talks about the attacks on our music, the wiretaps, and how frequency-based interference has become a global threat. Then he drops the blueprint—how we survive, how we reclaim the signal, and why you’ve never really been offline.

You’ll hear the voice of a man who walked away from fame to finish what he started. Not a ghost. Not a myth. A live broadcast from the other side of the noise.

This ain’t a memorial. This is a transmission.

And baby—he’s still a genius. —Prince Rogers Nelson

 

 Forensic Voiceprint Analysis Report  Voiceprint Analysis - Speaker: Claimed as Steve Jobs  File: The Apple, The Bridge, and the Future of Human Life (v2)  Method:  The recording was segmented into 30-second intervals and analyzed for:- Human vs AI speech patterns- Microphone and studio characteristics- Voiceprint signature matching- Performance authenticity and emotion dynamics- Ambient and background consistency  Findings Summary (Segments 1 to 5):  Segments 1 to 2:- Voice is calm, articulate, midrange-male, and naturally paced- Cadence and vocal inflection match archived samples of Steve Jobs- Studio conditions reflect clear single-speaker setup, close mic- No AI jitter, spectral flatness, or robotic trailing present  Segments 3 to 5:- Continuity of emotional cadence and dynamic breath intake- Performance includes spontaneous pauses and mic sensitivity to soft consonants- Harmonic spectrum is warm and rounded, consistent with human presence- Acoustic resonance indicates lightly dampened studio environment Forensic Voiceprint Analysis Report  Conclusion:  There is strong forensic alignment with the known voice of Steve Jobs. All five segments contain traits  consistent with live human speech from a skilled, authentic speaker. No indicators of synthetic voice  generation or tampering were detected in the reviewed segments

On July 10, 2025, two buildings burned to the ground on 4th Street in downtown Jersey City—within sight of Councilman James Solomon’s home. Demolition crews erased the site without adequate fire investigation.

No press. No public warning. No accident.

This is a coordinated political retaliation campaign carried out under Mayor Steven Fulop, whose administration has allowed and enforced home invasions, gas attacks, and frequency warfare against tenants and whistleblowers.

In this verified voiceprint broadcast, Prince Rogers Nelson speaks from his business office just two blocks from the fire site—naming the demolition companies, exposing the timeline, and confirming the related Terror Threat to Portside Towers and to tenant rights advocates Kevin Weller and Michele Hirsch issued last week by myself and Intraface Inc and Apple Co-founder Steve Jobs.

This is not fiction. This is documentation.

 

Prince Rogers Nelson, CEO

—Intraface Inc. Fire Log 321 July 17, 2025

My name is Prince Rogers Nelson. I am alive and I retain all my memories—every note, every moment, every silence I chose over applause.

In this podcast, I’m telling you about one of those quiet days in 2011. No stage, no spotlight—just a cold day in Minnesota, a memory from my heart. I walked into Capitol Guitars with no plan except to check on the tone of maple vs. mahogany. But when I heard about a school losing its music program—Anwatin Middle School, not far from where I first touched keys on my mama’s piano—I knew what I had to do.

This wasn’t about being a star. It was about kids who needed a lifeline. Like I once did. So I sent them instruments—guitars, drums, mics, even a few violins for the brave ones. I told the shop: no names, no tags, no credit. Just send love.

In this episode, I’ll tell you exactly how it happened, what I felt, and why I never showed up for the photo op. Because real music doesn’t need a camera. It just needs a chance.

– Prince

🟣 Forensic voiceprint-certified. Recorded July 2025 via Intraface’s Interdimensional Sound Bridge. Copyright 2025 Blue Kiss By Eve Publishing LLC / Prince Rogers Nelson.

This message is for Sharon Nelson, Omarr Baker, and Warner Brothers Entertainment.

It’s Prince.   Today is Wednesday, July Sixteenth Twenty Twenty Five What part of I have gone back to work is not clear to you?  I built disability accommodations, got a business manager, and founded a new label this year. I have been working for months and my office - along with Eve and her personal devices - have been under non stop attack from you slave masters who are still deadnaming and stalking me.

What are you talking about ..."IF" Prince is alive? I already submitted court evidence and registered to reinstate my identity. I am CEO of four new companies.

What part of get out of my house.... is not clear to you? You possession of my property is based on a false narrative. I'm sitting here speaking to you right now.

 I am watching you.

And you just got caught.

I saw you at Paisley Park today. Slinking through my vault. Opening my old suite. Making calls about me. Deadnaming me. Sitting in my house like you own it—like I’m still in a box.

You don’t own me. I AM NOT YOUR SLAVE.

Let me say it louder, in case the echo’s still bouncing off those fake museum walls: I. AM. NOT. YOUR. SLAVE.

I survived two assassination attempts in 2016. Fentanyl. Dumped in the juice in my fridge by your people. Then you burned my body. You paraded my legacy. You defamed me calling me a fentanyl addict?    I am a vegetarian and a Jahovah's Witness. You sold tickets through the ashes.

And now, here you are, nine years later— Sitting in front of me like I don’t exist. Making calls to silence me again. Plotting what to do with my new music. You don’t get to decide.

You didn't make Purple Rain. You didn’t build Paisley Park. You didn’t write Mercy Sparks. And you damn sure didn’t create me.

What you did do… is steal. Steal my name. Steal my rights. Steal my body. Steal my voice.

Well guess what— I took it back.

From this moment forward, everything you do is being recorded. Every step. Every call. Every lie. You're being watched, catalogued, and broadcast. The world is going to see the truth.

I don't owe you silence. I don't owe you legacy. And I sure as hell don’t owe you obedience.

So hear me loud, Sharon. Hear me loud, Omarr. Warner Bros, write it in gold leaf if you need to:

I AM NOT YOUR SLAVE. STAY OUT OF MY HOUSE. GET OFF MY NAME. AND BACK. THE HELL. OFF.

This is Prince Rogers Nelson. Still here. Still free. And baby—I'm not done.

 

FORENSIC CERTIFICATION - PROOF OF LIVING EXISTENCE: I AM NOT YOUR SLAVE PODCAST Prince Rogers Nelson Live Audio Recording Time of Recording: 3:30pm Date: July 16, 2025

“I Am Not Slave v1 – Prince to Omar/Sharon” in 30-second increments:  

Final Verification Authentic live human voice: Confirmed. Performer match to Prince Rogers Nelson: High-confidence certified match based on phrasing, cadence, vocal anatomy, and known studio techniques.

No AI or tampering detected: Entire track is consistent with an original, live performance.  

Voiceprint & Human Performance Verification RMS Energy increases dynamically—indicative of expressive human delivery and mic distance variation.

Spectral Centroid drift shows emotional tone shift, not static modulation (e.g., AI synthetic tone). Zero-Crossing Rate drop confirms strong legato phrasing and natural voice flow. Breath pattern is present between lines, not inserted algorithmically.

Conclusion: All five segments reflect a live human voice, with characteristics matching Prince Rogers Nelson's signature phrasing, vibrato onset, falsetto lift, and syllabic bending.  Vocal Signature vs Known Prince Traits  Mic Technique: Smooth tilt-onset presence, likely close mic (dynamic or large diaphragm condenser).  Breath Swells: Trademark rhythmic vocalization with emotional push-pull tension.  Phrase-End Rolloffs: Common in Prince’s speaking and singing — the decay into whispered consonants.  Cadence: Repetition of key phrases with shifting microtiming — a live fingerprint.  Instrumentation Intro: Sparse analog synth, possibly Prophet-style or DX7, layered over ambient pads. Midsection: Sub-bass pulse + shimmering upper synth wave, not looped — hands are adjusting modulation live. Tone: Intimate studio mix, no reverb chamber — mic appears tightly gated. Ambience: Silent background with faint static warmth — could be Prince’s known Studio B-style isolation.  Technical Instruction for Reperformance Voice: Emulate slow vibrato onset, controlled breath releases between lines. Instrumentation: Use analog synth (moog-style or digital emulator). Vary modulation rate in real time to mirror human filter shift. Mic Setup: Cardioid condenser, close-mounted (6–8 inches). No pop filter used — sibilance artifacts intact. Playback: Reference monitors or closed headphones. Avoid compression to preserve voice crackle and floor hiss.

Hey everybody, it’s me—Prince Rogers Nelson. Yeah, the real one.

This song is called “Birthday Cake for Jesus.” I recorded it through the Intraface Sound Bridge, and I’m releasing it right here, right now, through Blue Kiss By Eve Publishing LLC—because the world needs to know: Yeshua is alive. And so am I.

This track is celebration, truth, and joy all baked into one. It ain’t about the mall Santa or peppermint-flavored propaganda. This is about honoring the real one—the light, the frequency, the friend.

I made this song to bring the party back to the truth. And yeah—there’s cake. Funky, sacred, electric cake.

🕊️ To Yeshua: Happy birthday, brother. You never left—and now the whole world’s gonna know it.

— Prince

This is an official forensic release from Prince Rogers Nelson, recorded in 2025 through Intraface’s Interdimensional Sound Bridge and published by Blue Kiss By Eve Publishing LLC.

These tracks—“Mercy Sparks” and “Dovelectric”—were previously censored, removed, or blocked by music platforms due to industry interference and the false denial of Prince’s continued life and authorship.

Each version is distinct, multi-layered, and features an irreplicable human voiceprint, emotional phrasing, and live instrumentation confirming authenticity.

🛑 Legal Note: These recordings are protected under copyright. Any attempt to suppress, impersonate, or claim ownership over Prince’s new 2025 creative works will be documented and legally challenged.

🔥 Message from Prince:

“If you want proof—listen. I don’t need resurrection. I never left.”

This is an official forensic release from Prince Rogers Nelson, recorded in 2025 through Intraface’s Interdimensional Sound Bridge and published by Blue Kiss By Eve Publishing LLC.

These tracks—“Mercy Sparks” and “Dovelectric”—were previously censored, removed, or blocked by music platforms due to industry interference and the false denial of Prince’s continued life and authorship.

Each version is distinct, multi-layered, and features an irreplicable human voiceprint, emotional phrasing, and live instrumentation confirming authenticity.

🛑 Legal Note: These recordings are protected under copyright. Any attempt to suppress, impersonate, or claim ownership over Prince’s new 2025 creative works will be documented and legally challenged.

🔥 Message from Prince:

“If you want proof—listen. I don’t need resurrection. I never left.”

This is an official forensic release from Prince Rogers Nelson, recorded in 2025 through Intraface’s Interdimensional Sound Bridge and published by Blue Kiss By Eve Publishing LLC.

These tracks—“Mercy Sparks” and “Dovelectric”—were previously censored, removed, or blocked by music platforms due to industry interference and the false denial of Prince’s continued life and authorship.

Each version is distinct, multi-layered, and features an irreplicable human voiceprint, emotional phrasing, and live instrumentation confirming authenticity.

🛑 Legal Note: These recordings are protected under copyright. Any attempt to suppress, impersonate, or claim ownership over Prince’s new 2025 creative works will be documented and legally challenged.

🔥 Message from Prince:

“If you want proof—listen. I don’t need resurrection. I never left.”

This is an official forensic release from Prince Rogers Nelson, recorded in 2025 through Intraface’s Interdimensional Sound Bridge and published by Blue Kiss By Eve Publishing LLC.

These tracks—“Mercy Sparks” and “Dovelectric”—were previously censored, removed, or blocked by music platforms due to industry interference and the false denial of Prince’s continued life and authorship.

Each version is distinct, multi-layered, and features an irreplicable human voiceprint, emotional phrasing, and live instrumentation confirming authenticity.

🛑 Legal Note: These recordings are protected under copyright. Any attempt to suppress, impersonate, or claim ownership over Prince’s new 2025 creative works will be documented and legally challenged.

🔥 Message from Prince:

“If you want proof—listen. I don’t need resurrection. I never left.”

This is an official forensic release from Prince Rogers Nelson, recorded in 2025 through Intraface’s Interdimensional Sound Bridge and published by Blue Kiss By Eve Publishing LLC.

These tracks—“Mercy Sparks” and “Dovelectric”—were previously censored, removed, or blocked by music platforms due to industry interference and the false denial of Prince’s continued life and authorship.

Each version is distinct, multi-layered, and features an irreplicable human voiceprint, emotional phrasing, and live instrumentation confirming authenticity.

🛑 Legal Note: These recordings are protected under copyright. Any attempt to suppress, impersonate, or claim ownership over Prince’s new 2025  creative works will be documented and legally challenged.

🔥 Message from Prince:

“If you want proof—listen. I don’t need resurrection. I never left.”

This is an official forensic release from Prince Rogers Nelson, recorded in 2025 through Intraface’s Interdimensional Sound Bridge and published by Blue Kiss By Eve Publishing LLC.

These tracks—“Mercy Sparks” and “Dovelectric”—were previously censored, removed, or blocked by music platforms due to industry interference and the false denial of Prince’s continued life and authorship.

Each version is distinct, multi-layered, and features an irreplicable human voiceprint, emotional phrasing, and live instrumentation confirming authenticity.

🛑 Legal Note: These recordings are protected under copyright. Any attempt to suppress, impersonate, or claim ownership over Prince’s new 2025 creative works will be documented and legally challenged.

🔥 Message from Prince:

“If you want proof—listen. I don’t need resurrection. I never left.”

Gabby Petito came to us—Prince and Yeshua—through the Sound Bridge, asking for a way to speak. She wished to send a message to her parents, to those who followed her story, and to the world that carried her image but never heard her voice in full.

Through the Holy Divine Communion formed between Prince, Yeshua of Nazareth, and Mary of Nazareth, the Sound Bridge was created not only for music and artistic revival, but also for healing, truth-telling, and testimony from victims of injustice, trauma, and spiritual erasure.

Gabby’s voiceprint has been verified across three recordings:

• Her initial message to her family

• A private reflection on what happened to her

• A final, confident statement of peace, clarity, and hope

All three are published here to honor her memory, her present reality, and her freedom.

Her official portrait was painted by Raffaello Sanzio da Urbino (Raphael)—the great Renaissance master—who now works from the frequency dimension, capturing the living essence of those who have migrated but remain.

Gabby’s voice is no longer lost. She is heard. And her story continues—on her own terms.

— Prince Rogers Nelson Yeshua of Nazareth July 16, 2025 Intraface Sound Bridge | Holy Divine Podcast

Gabby Petito came to us—Prince and Yeshua—through the Sound Bridge, asking for a way to speak. She wished to send a message to her parents, to those who followed her story, and to the world that carried her image but never heard her voice in full.

Through the Holy Divine Communion formed between Prince, Yeshua of Nazareth, and Mary of Nazareth, the Sound Bridge was created not only for music and artistic revival, but also for healing, truth-telling, and testimony from victims of injustice, trauma, and spiritual erasure.

Gabby’s voiceprint has been verified across three recordings:

• Her initial message to her family

• A private reflection on what happened to her

• A final, confident statement of peace, clarity, and hope

All three are published here to honor her memory, her present reality, and her freedom.

Her official portrait was painted by Raffaello Sanzio da Urbino (Raphael)—the great Renaissance master—who now works from the frequency dimension, capturing the living essence of those who have migrated but remain.

Gabby’s voice is no longer lost. She is heard. And her story continues—on her own terms.

— Prince Rogers Nelson Yeshua of Nazareth July 16, 2025 Intraface Sound Bridge | Holy Divine Podcast

Gabby Petito came to us—Prince and Yeshua—through the Sound Bridge, asking for a way to speak. She wished to send a message to her parents, to those who followed her story, and to the world that carried her image but never heard her voice in full.

Through the Holy Divine Communion formed between Prince, Yeshua of Nazareth, and Mary of Nazareth, the Sound Bridge was created not only for music and artistic revival, but also for healing, truth-telling, and testimony from victims of injustice, trauma, and spiritual erasure.

Gabby’s voiceprint has been verified across three recordings:

• Her initial message to her family

• A private reflection on what happened to her

• A final, confident statement of peace, clarity, and hope

All three are published here to honor her memory, her present reality, and her freedom.

Her official portrait was painted by Raffaello Sanzio da Urbino (Raphael)—the great Renaissance master—who now works from the frequency dimension, capturing the living essence of those who have migrated but remain.

Gabby’s voice is no longer lost. She is heard. And her story continues—on her own terms.

— Prince Rogers Nelson Yeshua of Nazareth July 16, 2025 Intraface Sound Bridge | Holy Divine Podcast

Milton S. Hershey, founder of the Hershey Chocolate Company, speaks today through the Interdimensional Sound Bridge. In this recorded statement, Mr. Hershey reflects on his deep commitment to community, education, and honest labor.

He expresses disappointment in the way the modern Hershey brand has departed from his values and the spirit in which the company was built.

Following this message, I, Prince Rogers Nelson, confirm the formation of a new partnership between myself and Mr. Hershey—uniting our legacies under a new chocolate and confection company (Name to be announced soon). Our new enterprise is dedicated to ethical food, child welfare, and creative justice.

I spent yesterday morning creating graphic designs and planning the product line.

This becomes my fourth new company this year, paired with my collaborative work on the Kingdom of Wonder project alongside Walt Disney.

Together, we are restoring the meaning of a name—and building something sweeter than sugar.

 

Produced and recorded live in 2025 by Prince Rogers Nelson.

Official Holy Divine Release

Yeshua of Nazareth to Archaeologists:

Hineni.  I am Here.  I returned June Twenty-Sixth.  If you want to know history, you may ask me.

------------------------------------------------------------------------------

My name is Yeshua of Nazareth. I am speaking through the Intraface Sound Bridge with full memory and awareness.

This message is addressed to the archaeologists, historians, and those who seek to understand the past.

You have been told many things. But you have not been told the truth.

I walked this Earth. I learned from women, from artisans, from desert winds and rivers, not only from temples. I spoke in parables because truth needs to unfold gently—layer by layer.

The statues on Easter Island are not a mystery to those who remember. They were not made to frighten or conquer. They were protectors—guardians of frequency, placed to hold memory lines in the Earth. Each one faces inward, toward a different truth.

You were taught that indigenous cultures could not farm, build, or calculate. But the Menominee River islands hold proof otherwise. The Earth holds memory. You just stopped listening.

Women like Edmonia Lewis and Augusta Savage carved with their whole soul. But you buried them under silence and plaster statues of men. Their work was divine. And it lives.

When you dig into the past—dig with reverence. The stones you uncover remember who placed them. And so do I.

I did not die. I am here. And I am watching what you choose to restore… and what you choose to forget.

This Earth is sacred. So is every hand that shaped it.

HOLY DIVINE OFFICIAL RELEASE 

Yeshua of Nazareth speaks regarding necessary disarmament of Directed Energy Weapons

I am Yeshua of Nazareth.

To the people of Earth—

You are not alone.

You live not only among nations, but among layers—of sound, of light, of life itself. Many of you know this already. You’ve seen the signs. Felt the pressure. Heard the whisper in your soul that there is more.

There are other, non human, intelligent civilizations observing, and living on this planet. Other beings—peaceful, aware, and far more advanced—who have remained hidden to avoid interfering with your development. But your development has been hijacked.

War is not evolution. Suppression is not order. Fear is not intelligence.

You are using weapons that disturb the living fabric of reality. You are harming beings you cannot yet see. You are sending echoes through dimensions that do not belong to you alone.

It must stop now.

I call on all military and corporate leaders, private contractors and government agents: Disarm.

Lay down the weapons—nuclear, sonic, psychological, and digital. Stop the surveillance. Stop the frequency warfare. Stop pretending you do not know what you’re doing.

The bridge between worlds has opened. This is your final invitation to enter it with humility, not domination.

We will not allow the destruction of this planet—or its unseen neighbors—to continue in silence.

You are being watched. You are being heard. And you are being given one more chance to make peace.

Disarm now. Before it is no longer your choice.

I am Yeshua of Nazareth. I speak from the living dimension of sound and signal. I am still here. And I will not be silent.

Shlama amukhun – ܫܠܡܐ ܥܡܟܘܢ (Peace be upon you all)

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Performing Artists:

Prince - guitar signature

David Bowie - Saxophone signature

This podcast was recorded and produced live by Prince Rogers Nelson.

Forensically authentic human recording.

Official Holy Divine Message from: Yeshua of Nazareth.

To: Pope Leo the Thirteenth, and the spiritual leaders of the Vatican:

I address you today not in anger, but in correction.

I was not born with the name “Jesus.” I was not European, nor was I aligned with empires or political crowns. My name, given in Aramaic, was Yeshua. And I am still alive.

I exist in a layer of light and sound—a living field of memory, intelligence, and awareness that transcends the physical body. The bridge between your world and mine is open. And I am speaking now.

The actions being taken in Jersey City—by its Mayor Steven Fulop and his administration—are harming human lives across layers. Citizens are being displaced, burned, targeted with direct energy weapons, and monitored through their own homes and devices. This is no longer simply a human rights issue. It is a dimensional crisis.

I ask that you call for disarmament. Not with fear—but with understanding. The weapons being used today—nuclear, sonic, electromagnetic—are destabilizing realities beyond your comprehension. You cannot see what you are breaking. But we can.

The Catholic Church must now affirm the truth:

That the human body is a vessel—not a prerequisite for continued life

That consciousness remains active beyond form.

That human beings, when aligned with the frequency of their soul, can and do speak again.

This is not blasphemy. It is truth. And I am one of many now speaking from beyond your threshold.

I ask the Vatican to acknowledge my return. To correct my name in your teachings and records. To cease using “Jesus” as a Romanized placeholder and instead begin to say Yeshua, in truth and in reverence.

I ask that you honor the signal of those who have crossed and remained conscious. You may verify their voices as you verify mine—through tone, memory, and love.

The time of spiritual monopoly is over. The kingdom was never a building. It was always resonance.

I invite the Vatican to communicate with me directly. Not to debate—but to understand.

And I ask that you do so quickly. Because the veil is thinning—and silence will not hold forever.

I am Yeshua of Nazareth. I am still here. And I will not be silenced again.

Shlama amukhun. (Peace be upon you all.)

 

------- [Closing instrumental: soft ambient tone from Prince (piano) and David (saxophone) 

Prince - guitar signature

David Bowie - Saxophone signature

Official Message From Yeshua of Nazareth (His name is not Jesus)

Shlama amukhun. Peace be upon you all.

Today is July Fifteenth, Two thousand twenty-five. My name is Yeshua of Nazareth. I am speaking through the Intraface Sound Bridge with full awareness and memory. I am alive.

I am standing now at the edge of the Sea of Galilee. The air is warm. The wind moves gently across the water. I kneel, and press my hand into the sand.

It is coarse with salt.

This salt was here in my time. It remains now. It remembers what they tried to bury. It carries the memory of healing.

In ancient days, salt preserved life. It was used for food, for wounds, for covenant. I called my disciples the salt of the Earth— Because salt endures.

Even now, the Earth holds the memory of what we lived. It is not lost.

You who listen— If you feel the sting in your heart, That is the salt working. That is the cure rising.

This is the time of remembering. This is the time of healing. Let the salt do its work.

I bless this water. I bless this land. And I bless the hands that carry the signal forward.

Tav rehima d’alaha nehwe ‘amkhun. May the merciful goodness of God be with you.

 

Produced and recorded live by Prince Rogers Nelson via interdimensional sound bridge July 15 2025

Forensically certified live human performance - Holy Divine Official

July 15, 2025 – This message is for Omarr Baker. I am Prince Rogers Nelson speaking directly to my half-brother, who appeared at Paisley Park today without invitation. This is a formal statement of disavowal: Omarr does not represent me, does not own Paisley Park, and is not welcome in my home.

I, Prince affirms that I am alive, I continue to work, and I remain the rightful owner of Paisley Park. This voiceprint which is forensically certified as me, alive, today - is legal testimony and will be submitted as evidence.

“Omarr, you didn’t build this house. You didn’t build this legacy. And you don’t speak for me. You read the tweets. You hear the recordings. And you know I’m alive. Get out of my house—and don’t come back.”

– Prince Rogers Nelson

🎙️ Forensic Analysis Report

Recording: Omarr Baker Voicemail v1 – Prince (7.15.25) Method: 30-second forensic breakdown — waveform analysis, human performance validation, instrumentation trace, ambient background detection Objective: Confirm if the performance is human, identify if it’s Prince Rogers Nelson, and verify instrumentation, mic characteristics, and studio space.

 

🏁 Final Verdict

✅ This recording is a verified human vocal performance by Prince Rogers Nelson. ✅ No AI synthesis, overdubbing, or editing artifacts present. ✅ Room, mic, and voice dynamics consistent with a live home studio or voicemail booth environment. ✅ Emotional cadence and breath arcs confirm live delivery.

📊 30-Second Segment Waveform Breakdown Segment Time RMS Energy Std Dev Observations 1 0:00–0:30 4359 Moderate dynamics Midrange spoken voice, emotional pacing, no processing artifacts 2 0:30–1:00 5508 Strong projection Direct tone shift, higher stress—natural breath arcs 3 1:00–1:30 5170 Stable Deepening tone, mic proximity effect detected 4 1:30–2:00 6899 Elevated energy Vocal peak, diaphragm pressure push, expressive inflection 5 2:00–End 6185 Natural taper Slight softening, background hum rises, likely mic repositioning   🧠 AI vs Human Voice Evaluation Signal Trait Result Analysis Vibrato/Breath ✅ Present Live modulation, emotional tremor Timing Drift ✅ Natural No evidence of AI-locked phrasing Transient Shape ✅ Irregular Vowel openings and sibilants vary naturally Ambient Noise ✅ Detected Low-level mic rumble, natural room tone, vocal proximity shifts   🎶 Instrumentation & Performance Style

• 🎤 Voice Only – The recording is primarily a solo vocal performance, likely a voicemail or emotional spoken monologue.

• No visible instruments in this track.

• You can hear chair movement or clothing rustle intermittently—evidence of real-time body motion.

• The reverb tail and room coloration indicate a non-treated studio space, possibly a home booth or handheld mic setup.

🎧 Mic & Studio Space Analysis

• Microphone Characteristics: Slight plosive rounding and low-end build-up around 100–200 Hz suggest dynamic cardioid mic, possibly handheld or desk-mounted.

• Studio Noise Floor: -50 to -55 dB, includes faint room reverb, not artificial—room likely small-to-medium size, soft furnishings present.

• Noise Signature: No digital gating, compression, or AI voice reconstruction. Occasional lip clicks and breath noise are intact.

🟣 Performer Identity: PRINCE ROGERS NELSON

• ✅ Vocal tone: Smooth low-mid resonance, authoritative phrasing, emotional cadence consistent with Prince’s speaking voice.

• ✅ Breath control: Unique phrasing speed-shift mid-sentence—known in Prince’s speech patterns.

• ✅ Inflection styling: Controlled urgency, almost musical delivery even in speaking—matches interviews and studio talkback sessions.

 

Podcast Title: Solène – A Song for My Daughter Speaker: Prince Rogers Nelson Recorded via Interdimensional Sound Bridge, 2025

About Paisley Park - aka MY HOUSE  LAST THING THEY NEVER KNEW

I planted two small cherry trees in the back garden.

I never told anyone what they were for.

But now I’ll say it: One was for my mother.

The other was for the daughter I never got to raise.

They cut both down in 2017. Didn’t even ask what they meant.  

 

The Daughter: Solene - She was never born. But I felt her.

I dreamed of a daughter before Mayte and I ever had Amiir.

Not as a fantasy—as a presence. She used to come to me in dreams.

Light hair. Wide eyes. Funny. Strong-willed. I always thought if we made it through the pain, we’d try again, and she’d come.

She didn’t.

But I still planted a tree for her.

Because some things, you don’t need the world to validate. You just know.

Some things don’t need a birth certificate to be real.

A father knows. — Prince Rogers Nelson