I Know Movies and You Don't w/ Kyle Bruehl – Details, episodes & analysis

In the Season Finale of Season 10: Dealer's Choice, Kyle relinquishes hosting control to his better half Katy Baldwin so he can share one of his favorite films, the quirky and surreal immersion into the feelings of finding romance, being crippled by anxiety, and being defined by self-doubt that defines Paul Thomas Anderson's subversion of the romantic comedy in Punch-Drunk Love (2002).

In the forty-ninth episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with fellow podcaster Ben Thelen to discuss the anarchic creativity of the street art movement, the commodification of expression, and the elusiveness of cinematic truth that defines one of the true artistic mosaics of the documentary form in Banksy's Exit Through the Gift Shop (2010). 

In the fortieth episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with podcaster and screenwriter Spro to discuss the stylistic and raw vengeance parable that surveys the power of human connection and the meaning of redemption in Tony Scott's Man on Fire (2004).

In the season finale of Season 8 (Coming-of-Ages) Kyle is joined by fellow podcaster Ben Thelen and editor Kristi Shimek to discuss Wes Anderson's fable of adolescence and how it reflects on the fear of entering the constant cycles of perpetual coming-of-age that defines adulthood in the semi-autobiographical Rushmore (1998).

In the forty-ninth episode of Season 8 (Coming-of-Ages) Kyle is joined by editor Kristi Shimek and fellow podcaster Zax Protzmann to discuss the seminal coming-of-age film about high school archetypes caught in a purgatorial confrontation with their insecurities, vulnerabilities, and connections that defines John Hughes' radical human portrait of teenage angst in The Breakfast Club (1985).

In the forty-eighth episode of Season 8 (Coming-of-Ages) Kyle is joined by editor/writer Katy Baldwin and novelist Samuel Cullado to discuss the traumatic and damaging avenues of nurturing when it comes to coming-of-age in Yorgos Lanthimos's brutalist invocation of the oppressive family unit and the faulty positive assumptions it imbeds in society in the haunting yet darkly humorous Dogtooth (2009).

In the forty-seventh episode of Season 8 (Coming-of-Ages) Kyle is joined by a panel of guests, cinematographer Josh Carter, writer/editor Katy Baldwin, and novelist Samuel Cullado, to discuss the blend of genre nightmare and beautiful romance that makes up Tomas Alfredson's horror fable between two outsiders and their need to survive in the subversive coming-of-age adaptation of John Ajvide Lindqvist's novel Let the Right One In (2008).

In the forty-sixth episode of Season 8 (Coming-of-Ages) Kyle is joined by filmmakers Mario Ruiz and Jordan Berry to discuss the dense and detailed immersion into the memory of a nostalgic yet indifferent Taiwan of the past as it weaves in commentary on masculinity, identity, and fractured politics into a tragic coming-of-age downward spiral that defines Edward Yang's beautiful yet daunting A Brighter Summer Day (1991).

In the forty-fifth episode of Season 8 (Coming-of-Ages) Kyle is joined by filmmaker Daniel Lopez and sound designer/musician Jake Dilley to discuss the revolutionary bent in both form and theme that defines Lindsay Anderson's full frontal assault on British imperial traditionalism and the imbedded ritualistic brutality in the scholastic institutions in the counter cultural film If.... (1968).

In the forty-fourth episode of Season 8 (Coming-of-Ages) Kyle is joined by novelist Samuel Cullado and film critic Tyler Harlow to discuss the unflinching tonal discomfort of Todd Solondz's immersion into the onslaught of degradation and shame in Junior High School which captures the true painful liminality between adolescence and adulthood in Welcome to the Dollhouse (1995).