Explore every episode of the podcast How's It Hold Up?

(Spoiler Section Length: 2min 59sec)

Starting off our 2026 Spookaboo, we have a fairly obscure movie that seems to be a Japanese take on a modern (for the 60s) fairytale. It's an odd little film with demon children, talking animals and lots of bone architecture. It's also from the 60s so expect a few trippy moments. Is it any good, and does it hold up for the modern (2020s) viewer? Let's find out!

The end of the 30s was, obviously, a stressful time for global politics, and this definitely had an effect on cartoons of the time, though this effect would become much more pronounced in the 40s. These two cartoons represent the American stance on the boiling tensions of the time, to varying degrees of artistry and bluntness. Are either of them good, especially so long after the time period they reflected? Let's find out!

(Spoiler Section Length: 8min 50sec)

It's finally happened - the 2nd shelved Looney Tunes movie has been released, and we went and saw it in theaters! Besides The Day the Earth Blew Up, all Looney Tunes films have been live-action/animation hybrids, so that begs the question... how does this hold up compared to the Space Jams and Back in Action? And how is it as a movie, overall? Was it worth the wait and all the effort to finally get it released? Let's find out!

The Looney Tunes (and Merrie Melodies) series are typically thought of as funny, or at the very least trying to be. But what happens when they try to step out of the comedy lane, into something more... prestigious? And very patriotic. Is the resulting cartoon worth watching? Let's find out!

(Spoiler Section Length: 6min 36sec)

In Disney's long history of filmmaking, there are some movies the company would prefer you forget. Of these, perhaps none is more infamous than Song of the South. Frequently derided for being racist and boring, today we finally tackle it to find out, is it really as bad as everyone says? Should it be included on Disney+? Does this thing hold up, even a little bit? Let's find out!

The end of the 30s marks the fall of Mickey Mouse and the rise of Donald Duck, who would be Disney's predominant cartoon star throughout the 40s and 50s. In these two shorts we see increasing refinement of the Donald vs. the Nephews formula, and the first instance of Mickey's villain Pete showing up in a solo Donald effort. Do these cartoons show why Donald ended up becoming such a huge success? Let's discuss!

(Spoiler Section Length: 19min 16sec)

So after a hit Disney movie has been made, and people are clamoring for more, what options are there to give them that? There's sequels, obviously, a very popular choice. There's remakes, a current trend that some people hope will die at some point. And there's the even less common tv spinoff maneuver. But what about... the stage? There's actually quite a few Disney stage musicals made over the last few decades, many of which made it to Broadway! This one did not. Is that because it's bad? Let's talk about it!

Among the various Warner Bros cartoon directors, many are well-remembered today even by casual fans, and even more are remembered by those obsessed with the Looney Tunes and Merrie Melodies series. But also some are rightfully forgotten. Generally speaking, Ben Hardaway and Cal Dalton are among that latter group, even if they do deserve some recognition for their contributions to Bugs Bunny. But what about their original cartoons? Are any of those good? Let's see one of their best and determine if it's actually worth watching! Oh also we hear Porky Pig curse.

(Spoiler Section Length: 6min 13sec)

When it comes to Disney animated sequels, there's an accepted canon when it comes to which ones are half-decent and which are the bottom of the barrel. In that canon, Return of Jafar is often considered the latter, but this podcast doesn't exactly agree with that opinion. What then of Hunchback II, which is also often considered among the worst? It's often derided for how different in tone it is from the original, for how boring the plot is and for how awful the animation is. Do we agree? Is it truly the worst of the worst? Let's find out!

We've checked in once before with Friz Freleng while he's away from Warner Bros, with a Captain and the Kids short. Today we watched another short in that series and also another solo short. Is his output getting any better than his early Warner Bros days? Let's find out!!

(Spoiler Section Length: 10min 18sec)

Of all the many Disney adaptations over the years, one of the most divisive is Hunchback of Notre Dame. Lauded by many for its darker tone compared to most Disney works but derided by others for Disney-ifying the source material with additions like the gargoyles or changes like the ending, it's a work whose reputation is hard to easily quantify. So what did we think? Let's find out!

Chuck Jones is given a lot of the blame for Daffy Duck's personality shifting over the years, and I don't think it's entirely fair to lay that all upon his shoulders. That said, he is PART of the equation, and we see some signs of what Daffy would become even in this very first cartoon directed by Jones that features him. So okay, sure, it's got historical value, but is it any good for a modern viewer? Let's find out!

(Spoiler Section Length 7min 20sec)

Well we've watched the first two Digimon movies, we've watched the English Digimon Movie, so it only makes sense that we finally wrap around to watching the third Digimon film—which is actually the 3rd and 4th films, technically—so we can finish this whole Digimon saga off cleanly. And admittedly, this is the part of the English Digimon Movie that I was always most curious about, since it was the part that made the least sense and therefore seemed the most damaged by the heavy editing of the English film. So now that we've finally seen it... does it make more sense? And more importantly, is it any good? Let's find out!

She's had a... well a sometimes-good run, but Betty Boop's time in the classic cartoon theatrical shorts era is coming to a close. In this episode we look at the final Boop cartoon that we'll be covering on the podcast, and talk a little about the remaining shorts in the series. And then we answer the question of if this is a decent way for Betty to go, and whether this or the shorts that come after are worth watching. Are they? Let's find out!

When one thinks back on the era of anime localization that existed in the 90s and eary 2000s, several things come to mind: a desire to remove all Japanese cultural references. A need to never let the soundtrack be silent. A desire for extra jokes. Any and all edges sanded down, no matter how much the script must be rewritten to make it happen. And all of those issues appear in this particular film! So... is it any good? Let's find out!

At this point in our viewing of Warner Bros shorts, two classic Looney Tunes stars have fully appeared (Porky & Daffy), one is nearly arrived (Elmer Fudd) and another inches ever forward, but still eludes us. That upcoming star is of course the biggest of them all: Bugs Bunny. In these two shorts we see bits and pieces of the rabbit who will one day charm the world, but the hare in these shorts is still a far cry from that beloved character. That said, are these shorts still enjoyable in their own right? Listen to find out!

When movies in one language are brought over to another, whether through subtitles or dubbing, something is always lost, to at least some extent, even when translated with the best of intentions. But sometimes things are translated with less than good intentions, with more of an eye toward making them palatable to another audience than faithfully representing the original work. This sort of translation was especially common before the mid-to-late 2000s, and thus it should be no surprise that the first Pokemon movie was affected. We watched the English version last year so now let's compare and see... how much was lost, and how do they hold up against one another?

Remakes are a tricky thing, especially nowadays. If the original was already good, what does remaking it offer? But when the original was already an adaptation of another work, there's always the possibility that a remake could be more faithful to that work, or even just interpret it differently. Such is the case with this final Silly Symphony, which adapts a classic fable that the series had already very loosely adapted earlier in the decade. This new adaptation not only hews closer to the source material, but boasts not only more detailed animation but also color, in comparison to the original's black and white. Does this automatically make it better? Not necessarily! Let's see how this thing holds up and determine which Ugly Duckling Silly Symphony reigns supreme!

With a recently-released new adaption of this classic novella stirring controversy, we decided to take a look at the original adaption, the one often used in classrooms. While it has its deviations, it overall sticks much closer to the source material, though it also has a notably small budget that effects the quality of the animation and the size of the vocal cast. Is this version of Orwell's story still worth viewing today, or is it best left to history? Listen to find out!

The Popeye cartoons tend to fall into something of a pattern: Popeye and Bluto are both interested in Olive Oyl, and they fight about it. But what if they... didn't? This self-aware cartoon comedically interrogates the violence at the heart of your typical Popeye cartoon, with the iconic trio being tasked to avoid brutality for the day. Does this result in a good cartoon, or is this one best skipped? Let's find out!

(Spoiler Section Length - 6min 6sec)

The final film in the original Muppets trilogy is one that is frustratingly difficult to find, compared to the two before it. It's not available on the same streaming services as the other two! It's in fact had weird distribution rights for a long time, and that combined with the lack of a digital soundtrack and a more grounded tone than the others has made it one of the least talked about of the Muppets films. But should it be talked about? Or does it deserve to fade into history? Let's find out!

When it comes to classic fairytales, they're often used as fodder for cartoon shenanigans, so much so that you can compare multiple versions of the same fairytale from the same studio over the years. But in this case we're focused on two different studios making a cartoon based on the same source material in the same year, but with wildly different budgets and directorial styles. Do either of these shorts still hold up in the modern day? And regardless, how do they compare to one another? Let's find out!

(Spoiler Section Length - 6min 50sec)

One might expect the second Muppet Movie to follow in the tracks of its predecessor, another tale about the Muppets origins, perhaps them forming the Muppet Show or something like that. But instead Henson opted to create a genre film, a heist film combined with a full-blown musical, tap-dancing and water ballet galore. Does this unexpected direction yield enjoyable results, especially so many years later? Let's find out!

We start the year off with the final Mickey Mouse cartoon to feature him in his original design - after this one he'll start looking like he does in Fantasia! Unfortunately, though, this short is also part of the trend that would only get worse of making Mickey Mouse cartoons glorified Pluto cartoons. Do either of these aspects affect the quality of the cartoon, and is it still worth watching today? Let's find out!

(Spoiler Section Length - 4min 6sec)

Way back in the first season of our podcast, we covered one Muppet movie, and the time has finally come to cover more! Now we're looking at the very first of the many Muppet films, made while the classic Muppet Show seasons were still being made. And appropriately, this one focuses on how the gang got together, using a road trip format to do it. And, of course, there's the Rainbow Connection of it all. But being first doesn't always mean being the best, so let's dig into this and determine just how good (or bad?) this very first Muppet movie is!

We start 1939 off with a look at Tex Avery, whose output is starting to creep closer to the type of cartoons he's most known for making, but that he won't make until he leaves for another studio. And at the same time, we have a new voice actor joining the folds in one of these cartoons, whose legacy in the Looney Tunes/Merrie Melodies series would end up being far-reaching. But all that said, are these two cartoons worth watching nowadays? Listen to find out!

(Spoiler Section Length - 10min 1sec)

Many films have combined live-action and 2D animation before, some of which we've even covered here, such as Bedknobs and Broomsticks. But most of those films have a scene or two where the combination happens, or maybe it happens throughout but with only one character, such as Pete's Dragon. Those that make an effort to combine the mediums all throughout their runtime are few, and those who manage to do it successfully are even fewer. Since its release Roger Rabbit has been considered the king among these films, and today we determine once and for all whether or not it deserves that crown.

Our final short of 1938 is a cartoon that looks to the future, in that in many ways it feels more modern than most of the cartoons surrounding it that year, or even for several years after. Clearly the directors at Warner Bros thought so too, since they remade it beat-for-beat around a decade later. But feeling modern doesn't mean it's good, so... is this one good, or just a historical curiosity? Listen to find out!

(Spoiler Section Length - 14min 50sec)

What starts as a simple story about a group of schoolchildren learning to live together and communicate ends up being a galaxy-spanning adventure where those same kids go to the dark side of the moon, ride a lizard catbus, and stop a megalomaniacal villain from remaking the universe to suit his desires. But while that last thing is important, it's the visit to the moon and riding the catbus and visiting a planet of dog people that is the real heart of the movie. In short: it's about the journey, not the destination. Does that focus still make it worth watching, or does it make it a slog that's not worth sitting through? Listen to find out!

When it comes to star characters for media creators, fame can be a tricky thing. It can often result in the dulling down of a once vibrant character, a sanding of the edges so the character can conform to the role of company mascot. Perhaps no character is more indicative of this than Mickey Mouse, once an adventurous little rascal, now often considered synonymous with a lumbering behemoth of a company rather than a character in his own right. But when did that change happen? Well, it was gradual, but by the late 30s, it was definitely already happening, resulting in the famous Mouse appearing in fewer and fewer cartoons while his costars Donald, Goofy, and even his own dog Pluto took center stage. But before his own cartoon short series became, essentially, a second place to put Pluto cartoons, there was one last hurrah, one last big cartoon to put Mickey in the spotlight. But was it actually good? Let's find out!

(Spoiler Section Length - 4min 24sec)

We've watched several Russian films on this podcast before, but most of them were fantasy in nature, rather than sci-fi. This is an off-beat sort of sci-fi, but nonetheless is full of aliens, spaceships, laser guns and robots! Debuting a few years after Star Wars, this film still seems more rooted in older depictions of spaceships and more groovy sensibilities, despite releasing in the 80s. At just under 50 minutes, is this odd little movie worth the time investment? Listen to find out!

Termite Terrace had a lot of directors come and go over the years, but perhaps its most well known has finally gotten to sit in the director's chair: Chuck Jones. While Jones' early work is often criticized for its Disney-esque sensibilities, do those criticisms apply to this first directorial effort? And regardless, is the short worth watching nowadays? Listen to find out!

Many decades after the original, Disney finally decided to make a sequel to the original Fantasia, and in so doing they found themselves repeating mistakes while also chasing new sensibilities, resulting in a film that is less lauded than its predecessor... but does that mean it's actually less good? Listen to find out!

When you see the title 'Porky in Egypt' and you hear it's a cartoon from the 1930s, your hopes for that short being good might immediately dwindle, as you imagine just how racist it probably is. And certainly this cartoon is not exempt from such issues, but they take up a surprisingly small portion of the runtime. So what is the rest of the cartoon about? Trust me when I say that it's better for you to find out yourself!

(Spoiler Section Length - 6min 4sec)

Most animated musicals are original works, rather than adaptations of classic stage shows, but this one's an exception! Taking a classic Rogers and Hammerstein musical, this movie tries to bring it to an audience grown used to Disney Renaissance fare, and it makes a few changes in an attempt to appeal to that audience. Are these changes successful, and regardless, does the original work's quality shine through? Listen to find out!

Our time with Betty Boop is unfortunately coming to a close, as her theatrical shorts series would end in 1939. In her series later years, Boop's shorts have increasingly featured other characters as the focus instead of herself, and here we have two shorts that, frankly, aren't an exception in that regard. But they do both, at least, bring back some of that jazzy, swingy vibe that existed in older Boop shorts. Is it enough to make them worth watching? Listen to find out!

All of Disney's early film output was experimental, but besides perhaps Snow White itself, none were more so than Fantasia. Designed as an experience unto itself, with a road show and everything, Fantasia was a huge passion project for Walt, one he intended to last for years with new versions and all sorts of exciting things... but then, it bombed at the box office, not making an actual profit until decades later. Since then it's become much more revered, but even so, does this film with such a tumultuous history, one that some critics find condescending and pretentious, still hold up close to a century later? Listen to find out!

The late 1930s were the golden age of Mickey, Donald and Goofy cartoons, though 1938 was the last year we got several of them a year. Of them, these two have been picked for review, featuring the boys building what equates to an Ikea boat, and the boys living in a trailer, driven around by Goofy. How do these two hold up to the likes of Clock Cleaners and Lonesome Ghosts? Listen to find out!

There's a movie by Studio Ghibli that came out between the two icons that are Princess Mononoke and Spirited Away, and it's a movie that few people seem to talk about. It's another Isao Takahata feature, and another one of his that's based on a Japanese comic strip. Featuring a watercolor aesthetic way before his eventual Princess Kaguya film, this movie looks like virtually nothing else in the Ghibli catalogue. Does this quirky little film deserve to be forgotten amid the titans released on either side of it, or is it just as worthy of esteem as they are? Listen to find out!

It's Porky's birthday, and who's showing up to celebrate? Is it his friends Gabby and Petunia, or perhaps rising co-star Daffy Duck? No! It's... it's a penguin and goose we've never seen before. Oh, okay, well, this is also one of the last Bob Clampett cartoons that Chuck Jones did animation for, so is it a good sendoff? Listen to find out!

To wrap up our Holliganza this year, we take a look at a non-Rankin/Bass Rudolph short film that does its best to harken back to that original special and the way it was animated. Intended to be experienced with 4D effects, we didn't get to experience quite everything this short was intended to offer, but even still, was this a pleasant way to end the year? Listen to find out!

(Spoiler Section Length - 2min 45sec)

The last attempt at a non-Rankin/Bass Rudolph movie went over poorly, at least financially, so this time around the rights-holders are doing a direct sequel to Rankin/Bass' efforts. They're also not putting this thing in theatres, which was probably financially a smart move. With CGI animation and character designs harkening back to the original, does this movie prove even a little more worth watching than its direct predecessor? Listen to find out!

Our first Rudolph film post-Rankin/Bass has virtually nothing to do with the Rudolph special we all know, and instead is a retelling of the story with a lot of added aspects like fairies, an ice witch and a sly arctic fox. It's also got a lot of well-known actors lending their voices to the project, such as Whoopi Goldberg and John Goodman. The creators of the film were so confident in their work that they even decided to put it in theatres! Was the result as good as the original Rudolph, or perhaps even better? Listen to find out!

We've been through all of the Rankin/Bass adventures of Rudolph and Frosty, so why not check out their adventures as handled by their later rights-holders? First up is Frosty, who, well, Returns in this eco-focused special from the 90s starring John Goodman and various improv talents. It might be nostalgic for some, but looking at it all these years later, does it hold a candle to the original special? And regardless, is it good in its own right? Listen to find out!

In the late 1930s, Friz Freleng decided to leave Warner Bros to seek greener pastures, and ended up over at MGM, working on their new in-house series The Captain and the Kids. Unfortuantely for Freleng, his time at the studio would be short, and unfortunately for MGM, so would this particular series of shorts. But does that mean there's nothing to offer from Freleng's short-lived tenure at the studio? Let's find out!

(Spoiler Section Length - 5min 58sec)

The original Ernest & Celestine was a great movie that we watched way back in our first season, and when we heard a sequel had released, it was only a matter of time before we covered it. And that time is now! Does this sequel, which features the bear and mouse duo visiting a new land, compare favorably to the original? And does it hold up in its own right? Listen to find out!

Early Elmer Fudd was a very different beast than the one we all know today, and last time we saw him on this podcast, he was a small part of a spin on a classic fairy tale. Well this time he's an ever bigger part of a spin on another classic fairy tale, but does the increased size of the role do him, or the cartoon, any favors? Is this a step closer to the Elmer we know? Is it even worth watching? Listen to find out!

(Spoiler Section Length - 2min 14sec)

Many films from the 2000s are blamed for 'killing' 2D animation in the west (at least for movies), such as Disney's Treasure Planet or Dreamworks' Sinbad. But at least for a few years, only one film had the ignominious honor of being the final 2D Disney film: Home on the Range. While Treasure Planet and Sinbad have their fans, Home on the Range not only doesn't seem to have any, but in fact seems to be one of the least remembered animated films Disney ever put out, especially since the Renaissance. Does it deserve to be forgotten, or is this a hidden gem? Listen to find out!

The Curtain Rises Kevin MacLeod (incompetech.com)

Kool Kats Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 3.0 License

http://creativecommons.org/licenses/by/3.0/

Sometimes two cartoons with similar subject matter appear in the same year. In this case, we get two cartoons that are both focused on matador bull fighting, with both cartoons seemingly taking that stance that it's a bad thing. One does so directly, with its protagonist constantly talking about violence against animals being bad, while the other has a protagonist that IS the bull in a fight, but is completely uninterested in doing any fighting. Does either short still hold up in the modern day? Listen to find out!

The Curtain Rises Kevin MacLeod (incompetech.com)

Kool Kats Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 3.0 License

http://creativecommons.org/licenses/by/3.0/

(Spoiler Section Length - 20min 24sec)

Last year for Spookaboo we watched The Nightmare Before Christmas film, often hailed as a Tim Burton-directed film, despite him being a producer. Corpse Bride shows us what an actual Burton-directed feature film looks like, for better and worse. It's got a fun supernatural world too, but also a significant portion of the film features a drab 'real' world, and towards the end the two worlds collide. It's also got a stronger focus on romance, with a love triangle formed between Victor, his arranged marriage partner Victoria, and his accidental fiancée Emily. These elements sound promising, but do they come together in the end? Listen to find out!