HORROR 101 with Dr. AC – Details, episodes & analysis

THE RETURN OF THE LIVING DEAD (1985) – 40 YEARS LATER!

Tonight we're discussing The Return of the Living Dead (1985), the cult-classic zombie comedy that redefined the undead genre. Screenwriter Dan O'Bannon (Alien, Lifeforce) makes his directorial debut with this wildly exuberant black comedy that mixes terrific comic performances with good old-fashioned flesh-chomping horror.

Packed with gory makeup effects, hilarious slapstick energy, a killer punk soundtrack, and a balls-to-the-wall finale, Return of the Living Dead became an instant genre favorite — spawning sequels (of varying quality!) and a generation of BRAAAAINS-loving fans.

Join AC and his undead panel of guests (Eric Anderson, Aaron Aubuchon, Kristy Jett, Tim Palace) as they celebrate 40 years of THE RETURN OF THE LIVING DEAD!
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ERIC ANDERSON was not allowed to watch horror movies as a kid and he is now making up for lost time with a vengeance. He works in a large urban public library and spends as much time outdoors as possible.

AARON AUBUCHON is a film professor and writer, and also an editor, director, motion graphics artist and producer. He is also co-host of the Discover the Horror podcast. https://discoverthehorror.com/

KRISTY JETT, faithful horror nerd of 40+ years, resides in Buffalo, NY and is the mother of nine cats. She remains now and forever the world's biggest fan of the film Popcorn (1991). 

TIM PALACE is a lifelong Chicago-based genre fan with a particular devotion to the horrific. A committed collector of physical media, Tim has amassed close to 13,000 titles he's excited to share with his new terror tyke Oliver.
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Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!

TRILOGY OF TERROR (1975) d. Dan Curtis (USA)

Tonight we're talking about Trilogy of Terror, the beloved horror anthology movie from producer/director Dan Curtis starring Karen Black which premiered on ABC television March 4, 1975.

Curtis was already a household name in 1975, having created the legendary vampire soap opera Dark Shadows, as well as The Night Stalker, the highest-rated made-for-television movie released at the time, alongside well-received adaptations of Dracula and The Strange Case of Dr. Jekyll and Mr. Hyde (both starring Jack Palance). So when he hired the legendary Richard Matheson to adapt three of his short stories, it seemed like a can't-miss proposition.

Black, who was a two-time Golden Globe-winner and Oscar nominee at this point, was apparently reluctant to do the project, but there is no evidence of reticence in her performances, plural as she plays the lead characters in all three segments, including that of twin sisters in the second. Black literally throws herself into the various scenarios with such gusto that it's no wonder this has become one of her most recognizable film projects.

Often remembered as "That Movie with the Little Zuni Doll," the preceding two chapters simply can't compete with the final chapter's breathtaking assault, and that's too bad, since they are both worthwhile suspenseful entries and Black is equally captivating in three separate roles. But there's also a reason the Zuni Fetish has become the poster child for the film, because it's hard to beat a little puppet chasing a full-grown woman around her apartment for good-natured thrills and chills.

This anthology showcase for Black and Matheson, served up with panache and chutzpah by Curtis, stands as one of the most enduring slices of television terror ever created for the small screen and remains essential viewing for all horror fans, casual or committed.

Join AC and his awesome panel of guests (Jorge Didaco, Dwan L. Hearn, Brett Neveu, Sako Tumi) as we celebrate 50 years of TRILOGY OF TERROR! 
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JORGE DIDACO is a Brazil-based teacher on theatre, performance, and film. He contributed the essays for The Innocents for Horror 101: The A-List of Horror Films and Monster Movies and In a Glass Cage for Hidden Horror.

DWAN L. HEARN, more affectionately known as "The Moon", is an author [The Copperwheat Collection, 2023], co-host of "The Sako and the Moon Horror Podcast," and host of "The Moon = Wrestling Podcast", film-maker with Hallowed Hills Entertainment, and a two-time award-winning screenwriter.

BRETT NEVEU is a professor at Northwestern University where he teaches writing for the screen and stage. His film/TV screenplays include Eric LaRue (dir. Michael Shannon) and Night's End (dir. Jennifer Reeder) with Shudder/AMC. Past theatre productions include Revolution with A Red Orchid Theatre, Verböten with House Theatre and Red Bud with The Royal Court Theatre. Brett is also a recipient of a Steinberg/ATCA New Play Citation, The Marquee Award from Chicago Dramatists, The Ofner Prize for New Work and the Emerging Artist Award from The League of Chicago Theatres.

SAKO TUMI (aka Cass Voit) is a self-published horror author based out of Northern Virginia. She is also a professional Photographer, Illustrator, Bellydancer and Flow Artist
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Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!

MASTERS OF HORROR was a horror anthology series like none before, making its small-screen bow on the cable channel Showtime in October 2005.

Created by Mick Garris, the show brought together some of the most renowned names in horror filmmaking to direct hour-long episodes that showcased their unique visions. Predating the wave of multi-voiced anthology films like V/H/S and ABCs of Death, each episode was a self-contained story, with genre icons such as John Carpenter, Dario Argento, Tobe Hooper, Stuart Gordon, John Landis, Joe Dante, and Don Coscarelli, alongside newer voices such as Lucky McKee and Takashi Miike, exploring different themes and scenarios ranging from supernatural terror to the murderer next door.

The idea behind the series emerged from informal dinners hosted by Garris, with established horror directors sharing ideas and mutual admiration for one another, as well as discussing the genre's rich history and diversity.

The first season, featuring 13 episodes from 13 directors, received praise for its bold storytelling and atmospheric tension, pushing the boundaries of cable television, delivering graphic content that rivaled R-rated horror films and giving these horror auteurs a creative freedom rarely found, especially on television.

20 years later, Masters of Horror remains a cult favorite, ripe for rediscovery by a new generation. A bold artistic experiment that ended up being a cultural, critical, and commercial success for Mick Garris and his merry band nightmare makers. Join AC and his intrepid panel of anthology fans (Jay Kay, Eli LaChance, Tim Palace) as we celebrate two decades of MASTERS OF HORROR!
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ELI LACHANCE is a horror writer, chemist, and paleontology enthusiast. He is currently starting his last year in UMSL's MFA in creative writing program. He resides in St. Louis, Missouri with his wife, dog, and two cats, one of which may be the living dead. Some of his writing can be found in Medium Chill and on Channel-31.com. When he's not writing, he loves walking with his dog, bird watching, and hunting fossils. https://channel-31.com/

JAY KAY is the creator of the Rondo-nominated horror podcast, Horror Happens, where he has conducted hundreds upon hundreds of interviews with genre celebrities. He is also a staff writer with HorrorHound Magazine.

TIM PALACE is a lifelong Chicago-based genre fan with a particular devotion to the horrific. A committed collector of physical media, Tim has amassed close to 13,000 titles he's excited to share with his new terror tyke Oliver.
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Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!!

CURTAINS (1983) d. Richard Ciupka/Peter Simpson (Canada)
PSYCHO II (1983) d. Richard Franklin (USA)

Tonight we're jetting back to 1983 to discuss a couple of undersung gems from the heyday of the slasher boom, one a belated sequel to a groundbreaking masterpiece, the other a curious Canadian feature made all the more appealing by its troubled production, release, and subsequent obscurity.

In PSYCHO II, Norman Bates (once again played by Anthony Perkins) has finally been released from the mental institution where he's been incarcerated since he was discovered running around in Mother's housedress 22 years earlier. Despite trepidations about returning to the house on the hill, Norman's future seems hopeful. But then he starts seeing a certain female shape in the window, receiving ominous phone calls, and before long, the bodies start piling up. With a clever, knowing script by Tom Holland, assured directing from Richard Franklin, and a stellar performance from Perkins, Psycho II is much, much better than it has any right or need to be.

Meanwhile, on the other side of the border, CURTAINS centers on tyrannical director Jonathan Stryker (played by John Vernon) as he auditions six female candidates for the lead role in his upcoming film project at his secluded mountain cabin getaway. However, this is a role that people would kill for, and well, they start doing just that. Containing a curious and disjointed narrative, several stylish set-pieces, one creepy frowning doll, and a hag-mask-wearing, sickle-wielding killer, Curtains remains surprisingly watchable, especially when its troubled genesis is taken into account.

Join AC and his fantastic panel of guests (John McDevitt, Nicola McCafferty, Ian Simmons, Barry Kaufman, Matthew Amador) as they discuss this unusual double feature of suspense and strangeness, discovering strange and unexpected parallels within!
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NICOLA MCCAFFTERY is a PhD candidate in the department of Radio, Television, and Film at Northwestern University whose current research focuses on how screen representations of nonhuman women (think mannequins, cyborgs, and humanoid aliens) help us gain insights into the categories of both humanity and femininity. Outside of her at times all-consuming grad school pursuits, Nicola runs an Etsy store (https://www.etsy.com/shop/vvitchroom), where she sells enamel pins, stickers, and prints inspired by horror and cult films from the 1960s to today. 

BARRY KAUFMAN is busy programming awesome cinematic events like Facets Cinematek's recent HORROR-RAMA in Chicago (featuring three nights of lesser-celebrated genre efforts) and sharing his wares at various horror conventions throughout the country. Find him at http://houseofmoviemonsters.net

MATTHEW AMADOR is an Actor and Psychotherapist. Check out his recent efforts on Station Eleven (streaming on Max) or http://www.MatadorChicago.com.

IAN SIMMONS runs the Kicking the Seat YouTube channel on which he posts movie reviews, interviews, and critics round tables. He is also a member of the Chicago Film Critics Association and has conflicted feelings about referring to himself in the third person. https://www.youtube.com/@KickingtheSeat

JOHN MCDEVITT is a lifelong cinephile who currently works as Community Engagement Manager at FACETS and programs Fetish Film Forum at the Leather Archives & Museum. (https://leatherarchives.org/) John is fascinated by all genres of cinema and appreciates horror most of all for its willingness to explore what makes us uncomfortable and for the compassion it often extends to its characters and the viewer. 
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Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!!

BLOOD AND BLACK LACE (1964) d. Mario Bava (Italy)
AMER (2009) d. Bruno Forzani / Helene Cattet (Belgium/France) 

In 1963, director Mario Bava made The Girl Who Knew Too Much and gave birth to the Italian film genre known as the Giallo. Named after a series of crime paperbacks with yellow covers, the Giallo was boldly contemporary, eschewing the cloaks and capes of Hammer's Gothic melodramas. A year later, Bava made the film that would define and popularize the giallo for years to come, Blood and Black Lace.

Set in a large fashion house in Rome, the story contains all the trappings of a classic whodunit, with a series of murders, multiple suspects, and a secret-filled diary, but the plot is nothing more than a thread for Bava to string his pearls of exquisitely crafted, colorful, imaginative, and violent set-pieces. Instead of being repelled by the horrific images, viewers are seduced their visual bravado and panache, with shadowy rooms filled by flashing red and green lights, blue fog rolling through the exteriors, and every drop and smear of blood meticulously dabbed onto the moving canvas.

45 years later, Belgian husband and wife filmmaking team Bruno Forzani and Helene Cattet created a stunning tribute to Bava and his brethren with their 2009 feature film debut, Amer, a three-pronged examination of a young woman's life, shot through the Italian horror lens. And like their forerunners, the story and deeper meanings seem almost secondary, heavily masked, like a black-gloved killer waiting for the right moment to strike.

Tonight, AC and his awesome panel of guests (Nicola McCafferty, Barry Kaufman, Jason Coffman, Chris Scales, and Craig J. Clark as our "Mister E. Man") examine these two singular examples of visual storytelling, defying such easy dismissals as "style over substance," recognizing that style is, in fact, substantial, and murder, in the right hands, can be magic. 
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CRAIG J. CLARK watches a lot of movies. He started watching them in New Jersey, where he was born and raised, and continues to watch them in Indiana. He is a frequent contributor to Crooked Marquee and writes the monthly Full Moon Features column for Werewolf News. He is not a werewolf himself (or so he says).

JASON COFFMAN is the Unrepentant Cinephile. He is a former contributor to Daily Grindhouse and Film Monthly (RIP), the director of the feature film Housesitters, and an occasional "recording artist." Jason is the proud owner of 35mm prints of Andy Milligan's Guru, the Mad Monk and Zalman King's Two Moon Junction. You can find him on Letterboxd at https://letterboxd.com/rabbitroom/

BARRY KAUFMAN has been committed to spreading the gospel of obscure horror and science-fiction cinema since writing the fanzines Monsters of Japan and Demonique in the 1970s and 80s. He ran All-Horror Video out of a house in the woods in Homewood, Illinois through the 1980s, followed by his shop The House of Monsters in Chicago from 1996 to 2007. He now vends at genre related shows and programs festivals in the Chicago area featuring his inconspicuous film favorites.

NICOLA MCCAFFERTY is a PhD candidate in the department of Radio, Television, and Film at Northwestern University whose current research focuses on how screen representations of nonhuman women (think mannequins, cyborgs, and humanoid aliens) help us gain insights into the categories of both humanity and femininity. Outside of grad school, Nicola has a few stray bylines at Dread Central and runs an Etsy store (https://www.etsy.com/shop/vvitchroom), where she sells enamel pins, stickers, and prints inspired by horror and cult films from the 1960s to today.

CHRIS SCALES is a lifelong horror fan, aspiring horror screenwriter, and horror panelist.
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Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!

KING KONG (1933) d. Merian C. Cooper / Ernest B. Schoedsack (USA)
SON OF KONG (1933) d. Ernest B. Schoedsack (USA)

It's almost impossible to overstate the importance the original 1933 King Kong has had on the monster movie genre and on the history of cinema overall. As such, it's easy to lose sight of the fact that there was a time before Kong, and that there were individuals who brought the character and the film surrounding him into existence. People like producers Merian C. Cooper and Ernest B. Schoedsack, writers Edgar Wallace, James Creelman, and Ruth Rose, special effects wizards Willis O' Brien and Marcel Delgado, composer Max Steiner, sound effects pioneer Murray Spivack, and stars Robert Armstrong, Bruce Cabot, and the legendary Fay Wray. 

The alchemy of the entire production team coalesced into a masterpiece of action, adventure, drama, and romance that broke box office records during the height of the Great Depression, and grossed even higher returns during its re-releases in 1938 and 1952. Including its own sequel, Son of Kong, which amazingly premiered in December of 1933, a mere 9 months later, King Kong has inspired remakes, spin-offs, rip-offs, and the entire giant monster movie subgenre. The entire world knows the name of Kong, The Eighth Wonder of the World.

The immortal ape is our subject tonight, and AC is joined once again by another truly epic panel: Stan Hyde, Doug Long, Michael Weber, and Bobby Zier.
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STAN HYDE teaches, examines, and consults on international film programs for students (International Baccaluareate's Film Course), as well as writing about model making, film history, and some fiction. He is winner of the Mangled Sky-Scraper Award for helping bring G-FEST, the annual Godzilla Convention in Chicago to life since 1995, and is a 2021 Canadian Science Fiction and Fantasy Association Hall of Fame recipient for his work with science fiction conventions, clubs, and fanzines.

DOUG LONG teaches film-related classes at DePaul University and writes book reviews for film journals, including Film Quarterly and mise-en-scene.

MICHAEL WEBER is an actor, director and currently the Artistic Director of Porchlight Music Theatre. A Chicago native his fascination with classic horror began with WGN's legendary Creature Features and The Son of Svengoolie. And avid fan of the Golden Age of Radio and he is author of the play, WAR of the WELLeS (about Orson Welles' infamous radio broadcast.) 

BOBBY ZIER has a passion for Dracula and runs a TikTok and YouTube channel called Lugosi Theatre. He recently received a Rondo Award for his effort in keeping classic horror alive and well.
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Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!!

PHANTASM (1979) d. Don Coscarelli (USA)
PHANTASM II (1989) d. Don Coscarelli (USA)
PHANTASM III: LORD OF THE DEAD (1994) d. Don Coscarelli (USA)
PHANTASM IV: OBLIVION (1998) d. Don Coscarelli (USA)
PHANTASM V: RAVAGER (2016) d. David Hartman (USA) 

When Phantasm premiered in early 1979, it was unlike anything horror fans had seen before. It was a coming of age tale that also dealt with death, loss, and abandonment. It had science fiction elements, Villainous morticians, bizarre magic, and gory set-pieces, all centering around a mysterious estate and an evil, if convoluted, plot to steal and enslave the dead, with terrific special effects on a minimal budget.

The film was a huge hit in theaters, and found an even wider fanbase on television and home video, ultimately leading to four sequels and a labyrinthine mythology surrounding the Tall Man and his army of brain-sucking chrome spheres.

Tonight, join AC and his amazing panel of guests (Matthew Amador, John W. Bowen, S.A. Bradley, Eric Fritzius) as they celebrate 45 years of Phantasm and its creators, led by writer/director Don Coscarelli (The Beastmaster), a tight-knit group who, over the course of five films, have reflected our world back to us through a crazy funhouse mirror where four-barreled shotguns and 1971 HemiCudas are your best friends... right alongside your best friends.
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MATTHEW AMADOR is an actor and owner of Matador Behavioral Health, where he utilizes narrative fiction as a means to process trauma and anxiety through psychotherapy.  www.MatadorChicago.com 

JOHN W. BOWEN has been a columnist, reviewer and feature writer for Rue Morgue magazine since 1999, and has also written sporadically for more (...cough...) "civilized" publications, including the Kingston Whig-Standard, The Toronto Star and Kingston Life Magazine. Born in Dallas and raised in Kingston, Ontario, he is also a professional musician and recovering strip club DJ.

S.A. BRADLEY hosts the "Hellbent for Horror" podcast, is the author of "Screaming for Pleasure: How Horror Makes You Happy and Healthy," and lectured at Webster University and The College of Idaho. His show, "My Horror Manifesto," played in NYC. https://hellbentforhorror.com/ 

ERIC FRITZIUS writes things, acts in others and records mouth noises sold in the form of audiobooks. You can find his stuff at www.MisterHerman.com 

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IT CAME FROM OUTER SPACE d. Jack Arnold (1953) (USA)
INVADERS FROM MARS d. William Cameron Menzies (1953) (USA) 
WAR OF THE WORLDS d. Byron Haskin (1953) (USA)
ROBOT MONSTER d. Phil Tucker (1953) (USA)

By the closing of the 1940s, it seemed that audiences had grown weary of the classic monsters of yesteryear, and were hungry for new thrills. Those exciting new stories came not from moldy crypts or ancient curses, but rather from beyond the stars. With space exploration already a going concern among the world powers and reports of UFOs starting to make their way into the public consciousness, it was no surprise that filmmakers also cast their gaze to the heavens, imagining what fresh wonders and threats might make their way toward our little planet. 

With Destination Moon, and Rocketship X-M leading the charge in 1950, and The Day the Earth Stood Still, When Worlds Collide, and The Thing from Another World appearing the following year, the stage was set for a literal invasion of sci-fi thrills from studios large and small, and audiences couldn't get enough of it.

Tonight, AC and his interstellar panel of guests, Jon Kitley (Kitley's Krypt, Discover the Horror), Dave Kosanke (Liquid Cheese), Alan Tromp (We Belong Dead), and Doug Long (DePaul University) will be celebrating a quartet of features that have endured for 70 years in the hearts and minds of genre fans, four films that, despite their wildly disparate budgetary constraints and artistic visions, have earned a devout following and share a multitude of ideas and conceits, if not box office receipts. 

Our show tonight is entitled, "It Came from 1953," and the world has never been the same since.

Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!

I WALKED WITH A ZOMBIE (1943) d. Jacques Tourneur (USA)
THE LEOPARD MAN (1943) d. Jacques Tourneur (USA)
THE SEVENTH VICTIM (1943) d. Mark Robson

From 1942 to 1946, when rust was appearing on the Frankenstein Monster's neck bolts, Dracula was growing longer in the tooth, and swaddled, swollen mummies were limping along, both literally and figuratively, a savior appeared on the horror horizon, who would provide welcome counter-programming to the usual parade of fur, fangs, and putty. That man was Val Lewton, and his debut production with RKO, 1942's Cat People, heralded a new style of horror, where less was infinitely more, where shadows grew ripe with menace lurking just beyond the edge of the frame.

Tonight, we'll be discussing Lewton's 1943 follow-ups to Cat People, all three of which are celebrating their 80th anniversary: I Walked With a Zombie, The Leopard Man, and The Seventh Victim.

Join AC and another fantastic panel of guests, S.A. Bradley (Hellbent for Horror), Stan Hyde (G-Fest), and Bobby Zier (Lugosi Theatre) as they discuss the Lewton Legacy. In the dark. In the quiet. In the shadows....
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S.A. BRADLEY hosts the "Hellbent for Horror" podcast, is the author of "Screaming for Pleasure: How Horror Makes You Happy and Healthy," and lectured at Webster University and The College of Idaho. His show, "My Horror Manifesto," played in NYC.

STAN HYDE teaches, examines, and consults on international film programs for students (International Baccaluareate's Film Course), as well as writing about model making, film history, and some fiction. He is winner of the Mangled Sky-Scraper Award for helping bring G-FEST, the annual Godzilla Convention in Chicago to life since 1995, and is a 2021 Canadian Science Fiction and Fantasy Association Hall of Fame recipient for his work with science fiction conventions, clubs, and fanzines. 

BOBBY ZIER has a passion for Dracula and runs a TikTok and YouTube channel called Lugosi Theatre.  He recently received a Rondo Award for his effort in keeping classic horror alive and well.
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Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!!

GHIDORAH THE THREE-HEADED MONSTER (1964) d. Ishiro Honda (Japan)
GODZILLA VS. MECHAGODZILLA (1974) d. Jun Fukuda (Japan)
GODZILLA VS. BIOLLANTE (1989) d. Kazuki Ōmori (Japan)
GODZILLA VS. SPACE GODZILLA (1994) d. Kensho Yamashita (Japan)
GODZILLA: FINAL WARS (2004) d. Ryuhei Kitamura (Japan)

Ever since the original Gojira debuted in Japan in 1954, followed by 1956's even more successful international cut, Godzilla king of the monsters, the giant radioactive lizard has been a going concern for 70 years. And one thing that director Ishiro Honda, FX wizard Eiji Tsuburaya, and screenwriter Shinichi Sekizawa quickly discovered was that as enjoyable as the Big G was on his own, he was even more entertaining when tangling with another oversized mutant, creature, or Interstellar menace.

Join AC and his fantastic panel of guests (Tim Palace, Stan Hyde, Eli LaChance, and Jef and Al Burnham) as we celebrate a "Godzilla vs." film from each decade the 1960s, 1970s, 1980s, 1990s, and 2000s, each celebrating a significant anniversary. G-Force Unite!!!
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JEF BURNHAM (he/him) and AL BURNHAM (they/them) co-host the Silver Bolo Award-winning CadaverCast: A Monster Movie Podcast. When not podcasting, Jef is a screenwriter/screenwriting instructor and 12-year-old Al enjoys gaming and studying martial arts.

STAN HYDE teaches, examines, and consults on international film programs for students (International Baccaluareate's Film Course), as well as writing about model making, film history, and some fiction. He is winner of the Mangled Sky-Scraper Award for helping bring G-FEST, the annual Godzilla Convention in Chicago to life since 1995, and is a 2021 Canadian Science Fiction and Fantasy Association Hall of Fame recipient for his work with science fiction conventions, clubs, and fanzines.

ELI LACHANCE is a horror writer, chemist, and paleontology enthusiast. He is currently starting his last year in UMSL's MFA in creative writing program. He resides in St. Louis, Missouri with his wife, dog, and two cats, one of which may be the living dead. Some of his writing can be found in Medium Chill and on Channel-31.com. When he's not writing, he loves walking with his dog, bird watching, and hunting fossils.

TIM PALACE was born and raised on horror from an early age in Chicago, IL. A lifelong devotee to the genre and the preservation of physical media, 2024 should be the year he hits the 10,000 mark for titles in his collection.
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Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!