Explore every episode of the podcast Hey Playwright

Tori and Mabelle talk with Dominican-American playwright, screenwriter, and director Marco Antonio Rodriguez, whose unconventional path took him from New York to Florida and Dallas, with a boost from Carmen Rivera and a pivotal reading with the Puerto Rican Traveling Theatre led by Miriam Colón. The conversation traces how writing in Spanish—once something he resisted—ultimately opened the doors to The Brief Wondrous Life of Oscar Wao and productions at Repertorio Español, The Goodman, and The Old Globe. Marco shares hard-earned wisdom about wearing many hats and trusting collaborators. He reminds us that show business is, above all, a business—one that demands grace, flexibility, and integrity, and a deep respect for the collaborative process of making theater.

In the Hey Playwright season 7 premiere, Tori and Mabelle chat with Keiko Green about how shifting power dynamics create compelling drama–and how she seeks to craft plays to keep audiences leaning in, hungry for what’s next. Keiko shares about writing juicy roles for actors, her approach to collaborating with directors and dramaturgs, and the play that opened the door to her TV writing career. She also discusses the fine line between helpful notes and creative overreach, the importance of playfulness and trust in the rehearsal room, and creating theatrical experiences that feel like unforgettable events.

Hello, playwrights! Big news—our full-length episodes are making a comeback this summer! Until then, we’re excited to bring you Thank You Five, a series of short, slice-of-life episodes. In our first segment, we’re hanging outside the Old Globe Theatre for the Powers New Voices Festival 2025 to see the staged reading of Marco Antonio Rodriguez’s adaptation of Junot Díaz’s The Brief Wondrous Life of Oscar Wao. Plus, we dive into Sarah Greenman’s phenomenal new book and, as always, send you off with a fresh writing prompt to spark your creativity. Stay tuned, and happy writing!

In this two-part season finale, Tori and Mabelle talk with the extraordinary Steven Dietz about his 40+ years in the theater. He shares how his 11 years of directing workshops and readings of new plays served as his grad school, teaching him how the theater works in space. He shares tactics and tools of the craft, including his idea of plays as alive (The Living Play), the importance of inviting scrutiny, why inspiration is a con, how victories can be complicated, and his strategies for talkbacks.

In this two-part season finale, Tori and Mabelle talk with the extraordinary Steven Dietz about his 40+ years in the theater. He shares how his 11 years of directing workshops and readings of new plays served as his grad school, teaching him how the theater works in space. He shares tactics and tools of the craft, including his idea of plays as alive (The Living Play), the importance of inviting scrutiny, why inspiration is a con, how victories can be complicated, and his strategies for talkbacks.

Tori and Mabelle talk with accomplished storyteller Hansol Jung about her jump from politics to theater. She shares her trajectory from translating plays into Korean, to an MFA in Musical Theater Directing (at Penn State), and then to another MFA in Playwriting (Yale School of Drama).  She also shares about her experience collaborating on “Wolf Play” in the midst of the pandemic, and how it changed her artistic process. Other topics include Hansol’s new collaborative theater group (the Pack), reimagining collaboration, and The Kilroys.

Tori and Mabelle talk with multihyphenate Brian Quijada about how a production of “Cabaret” showed him the power of political theater and set him on his theatrical journey. He shares his artist’s mission and goes in depth on the inspiration and development of “Where Did We Sit on the Bus?,” “Kid Prince and Pablo,” “Somewhere Over the Border,” and his new work, “Mexodus.” Find out why Brian never takes anything for granted, why he doesn’t ask permission to create, the magic of starting with something you know, and why we say "all roads lead to Brian Quijada."

Tori and Mabelle talk with award-winning playwright and screenwriter, Anna Ouyang Moench, about grad school, motherhood, and her incredible catalog of plays. Anna shares about juggling life as an MFA Playwriting student at UCSD with teaching assistant work and parenting a newborn. The episode includes in-depth discussions of Anna’s plays “Mothers,” “Man of God,” “Birds of North America,” and her most recent play “Your Local Theater Presents: A Christmas Carol, by Charles Dickens, Again.”

Tori and Mabelle talk with playwright, director, and educator, Ramón Esquivel, about his path into theater through teaching, including the development of his first play at 30 years old. Other topics include Ramón’s quest to introduce young people to all aspects of theater, his revision strategy, key ways that theaters can uplift local playwrights, and practical tips he shares with his students.

Tori and Mabelle talk with accomplished theater artist, June Carryl, about her transition from law to theater and beyond. June shares the turning point into playwriting with Paula Vogel and how she got bit by the acting bug. June discusses why words are crucial, how theatrical stories inspire change, and the joy of working with young audiences.

Tori and Mabelle talk with James Vásquez, Resident Artist of The Old Globe Theatre, about trading in his baseball glove for tap shoes at 12 years old. He talks about how his father deeply influenced his love of both the arts and baseball, and he shares his full circle moments from childhood to director at The Old Globe. He reveals why he loves being told “no,” why the tech process is his favorite part of directing, and his belief that artists should also be activists.

Tori and Mabelle talk with Hope Villanueva about her launch into theater as a stage manager to her stint touring with the circus and beyond. Hope shares her strategies for balancing her various gigs–from writing, grad school, stage managing, dramaturgy, and her third season as the Literary Manager at Bay Street Theatre. Other topics include vomit drafts, toggling between stage and screen, and receiving feedback.

Tori and Mabelle talk with Larissa FastHorse about her path from ballet to the Children’s Theatre Company of Minneapolis to “The Thanksgiving Play” on Broadway. Larissa shares the details of her heart work with Indigenous communities and her radical inclusion process. Other topics include the Lakota Way, Indigenous Direction, writing for multigenerational audiences, and Larissa’s upcoming productions of “Peter Pan” and “For the People.”

Recorded on the drive home, Tori and Mabelle talk all things Theatre for Young Audiences during an on-the-road debrief of the 2023 TYA/USA National Festival & Conference hosted by Childsplay in Tempe, Arizona.

Tori and Mabelle talk with Keiko Green about her two origin stories, as well as her journey from the NYU Experimental Theatre Wing to Seattle to UCSD. She shares how her musical about feral bunnies helped her land a writer’s residency at Seattle Rep and how “Exotic Deadly: Or the MSG Play” opened up doors in Hollywood. Keiko shares her process, why she values process over product, and how she includes emerging playwrights in development workshops of her plays. She also includes a detailed breakdown of why and how she wrote her thriller farce “Sharon.”

Tori and Mabelle talk with Gary Garrison about his triumphs and missteps on his journey into theater. He talks about the importance of saying “yes” to every opportunity, the protective armor of theater, and the lovely theatrical families that form during productions. He also shares a short history of 10-minute play festivals, his work as an educator and author, tips for play analysis and writing, and assigning each draft a task.

In the Season 5 finale, Tori and Mabelle talk with Lauren Gunderson about finding her playwriting voice, the catalyst for her free online playwriting classes, and why she writes one impossible thing into every play. She also shares how theater helps people practice living and that “theater at its best reminds us how to be good in this world.”

Tori and Mabelle talk with Andy Lowe, the Director of Production and Casting for East West Players, the longest running professional theater of color in the United States. Andy talks about his beginnings as a storyteller towards social change and how his volunteer activism with nonprofits led to his stint as Artistic Director of Asian American Rep Theatre at 19 years old. Other topics include anti-racism, his full-circle journey with the Plays by Young Writers contest, his career journey of building platforms to uplift fellow artists, and his role as a podcaster for Pod Squadron.

In their first episode of 2023, Tori and Mabelle talk with Franky D. Gonzalez about his writing rituals, the importance of community, and how a chance bus ride and kindness led to his writing stint on “13 Reasons Why.” He also shares his shift from writing plays to please others to writing plays for his son and introduces us to the people and stories that shaped his award-winning play, “Even Flowers Bloom in Hell, Sometimes.”

In the final episode of 2022, Tori and Mabelle recap the year and then talk with Jacqueline Goldfinger about their work as a playwright and educator. Jacqueline drops serious knowledge about writing without limits, finding a community that embraces and lifts up your voice, and interrogating your WHY when approaching adaptations.

Tori and Mabelle talk with Sara Guerrero, founding Artistic Director of Breath of Fire Latina Theater Ensemble, about her play, “Have to Believe We Are Magic.” Other topics include the art of archiving, finding your writer identity, and Sara’s multiple roles in theater and community-building.

Tori and Mabelle talk with Jordan Stovall about their role at the Dramatists Guild as Director of Outreach & Institutional Partnerships and the development of the New Visions Fellowship. Other topics include Jordan’s fantastical new play, “Bat Queen!,” the therapeutic emergence of Wanda Whatever, and the societal reckoning around systemic issues in theater.

Tori and Mabelle welcome their first Lighting Designer to the show! Amanda Zieve talks about her path, her approach, and the advantage of working on smaller scale productions in conjunction with larger shows. She also shines a light on how play revisions impact the lighting design during rehearsals. Other topics include the power of a good mentor and her role as the co-founder of the Howell Binkley Fellowship Program.

Tori and Mabelle talk with Linda DeArmond Grady and Michael Grady about their musical, “A Beautiful Place,” inspired by an exhibit of children’s artwork from the Terezin Ghetto. The couple shares their journeys into theater, how they came together, and the challenges and triumphs of marital collaboration.

Tori and Mabelle talk with powerhouse performance artist turned mutual aid leader, Kristina Wong, about the evolution of her Pulitzer Prize finalist project, “Kristina Wong, Sweatshop Overlord.” Other topics include why Kristina ran away from home at 22, the pros of digital theater, finding breathing space as a dramatist, her work as a food bank influencer, and why she ran the Auntie Sewing Squad like a theater collective.

Tori and Mabelle talk with Inda about her journey from sketch comedy in Chicago to Dramatic Writing at USC and beyond! Inda shares about motherhood, the moment at an audition when she realized she needed to make a life change, and how she found her voice as a playwright.

Tori and Mabelle talk with Daniel Olivas about writing his first play at age 60; He penned “Waiting for Godínez” as a response to the absurdity of the anti-immigrant rhetoric of the previous administration’s Family Separation Policy. Daniel shares about his life as a fiction writer, anthologist, and book critic, as well as his day job as a senior lawyer with the California Department of Justice. Other topics include how Daniel’s creative writing has made him a better legal writer; playwriting as a 24-hour a day job; and the incredible influence of his parents.

In the Season 5 Premiere, Roger Q. Mason takes Tori and Mabelle to church as they talk about their life as a playwright, activist, yogi, and truth teller. Roger shares what it means to give everything in your art; how a playwright’s words are a blueprint for the actor; and how they practice non-attachment and self care.

In the Season 4 finale, Tori and Mabelle talk with Chisa Hutchinson about her path into theater, the inspiration for her plays “Amerikin” and “Whitelisted,” and the vast possibilities of writing for the stage. Other topics include Chisa’s love of teaching, her process as a playwright, and the recurring theme of accountability in her writing.

Recorded at the stage of Onstage Playhouse, Tori and Mabelle chat with Executive Artistic Director James P. Darvas about his artistic journey, starting at 8 years old in Ohio singing “Beauty School Dropout,” to his current role managing a playhouse in Chula Vista, CA. James shares his vision for the theatre; how he strives to cultivate a space of inclusivity, accessibility, community; and why the energy that fills the room is the most important aspect of theatre.

Tori and Mabelle moderate a panel about producing TYA with Idris Goodwin, playwright and TYA/USA Board President; Khalia Davis, Artistic Director Bay Area Children’s Theater; Julia Flood, Artistic Director of Metro Theater Company; and Jacqueline Thompson, Associate Artist of Metro Theater Company. The panelists discuss their perspective on new play development; how they discover new plays and playwrights; and the importance of building relationships. Other topics include how the pandemic has shifted theatrical productions; the evolution of Idris’ play, “Jacked”; and a q&a with the audience.

Tori and Mabelle share a play-by-play of their journey to the 39th William Inge Theater Festival in Independence, Kansas. They highlight the amazing people and businesses who pull together to support the festival, as well as the joys of meeting past guests from the Hey Playwright Universe in person!

Tori and Mabelle talk with José Casas about his path into TYA via law and social justice; his book, “Palabras del Cielo: An Exploration of Latina/o Theatre for Young Audiences”; accomplices versus allies; representation; publishing new playwrights; and changing systems actively rather than passively. Other topics include building audiences starting with youth, as well as his upcoming projects: a second volume of Palabras, an anthology on African American TYA, and a superhero book connected to 18 brand-new BIPOC theatrical projections nationwide.

Tori and Mabelle talk with Joanne Ruelos Diaz about her incredible book, “The Little Book of Joy: 365 Ways to Celebrate Every Day.” Other topics include mom-ing and writing; Joanne’s work with educational literacy publications and Sesame Street in Communities; streaming shows centering Asian characters; and finding your joy.

Festival and as the director of membership and education at the Playwrights’ Center. Other topics include the reframing of the fellowship application process at the Playwrights’ Center; connecting with the people and artists in your community to create theatre where you are; and tons of hot tips on producing and trusting and celebrating the creatives around you.

Tori and Mabelle talk with internationally-produced Thai-American writer Prince Gomolvilas about his body of work in the TYA and adult playwriting worlds; commissions born out of a need in the community; and his transition from stuffed animals to actors. Other topics include an in-depth discussion of his play, “The Brothers Paranormal”; why children are the best dramaturgs; and Prince’s interest in hidden history, racial intersectionality, mental health, and shifting tone within a play.

Tori and Mabelle talk with married playwrights Rehana Lew Mirza and Mike Lew about the playwright-parent balance; the importance of asking for what you need (and what your productions need); and the evolution of “Bhangin’ It: A Bangin’ New Musical.”

Tori and Mabelle talk with Delicia Turner Sonnenberg about how a chance elective in 8th grade led to her love of theatre; why she loves the bravery of actors; and why theatre at its best is subversive. Other topics discussed include Delicia’s role as an Artist in Residence at The Old Globe, the importance of mentorship, and her goal to give voice to Black women.

Tori and Mabelle talk with Alvaro Saar Rios about his journey from the Army to playwriting, saying “yes!” and celebrating the voices of his community through his plays. Other topics include the importance of reading contracts, his approach to adaptations and what his death metal band taught him about storytelling.

In this twofer episode, Tori and Mabelle talk with Moxie Theatre’s Executive Artistic Director, Jennifer Eve Thorn, about the evolution and mission of Moxie Theatre and the upcoming world premiere of Diana Burbano’s play, “Sapience” (a co-production with TuYo Theatre). Next, they chat with multi-hyphenate theatremaker Vanessa Duron, about the joys and challenges of both directing and acting in “Sapience" and why she disagrees with audience silence in the theatre.

Tori and Mabelle talk with audition coach Jeffrey Ingman about his company, Audition Revelation, as well as his work as director of the La Jolla Playhouse Young Performers’ Conservatory and the MCITStudio. Other topics include Jeffrey’s approach to text and the musicality of plays; how speed skating relates to the arts; and the moments when theater approaches divinity.

In the Season 4 premiere, Tori and Mabelle talk with award-winning writer, educator and activist Marsha Norman about her career, the importance of women writing about women, her work as an educator, and the architecture of a play. Other topics discussed include conjuring the Writing Spirit, setting a 2-year deadline to finish a play, pastafarians, writing from rage, and her upcoming book about how to write a musical.

In this bonus episode, it's script club time! Tori and Mabelle talk with Brian James Polak, producer and host of American Theatre magazine’s The Subtext podcast, about the evolution of his play, “Here Rests the Heart.” Other topics discussed include the freedom to explore as a playwright, the importance of using your voice, and seeking a positive impact in your community.

In the Season 3 finale, Tori and Mabelle recap a busy time of year and then talk with Herbert Siguenza about his journey from visual artist to theatre-maker; the importance of excavating the past to understand the present; and his play development process, including his approach to adaptations.

Tori and Mabelle talk with Ashleigh Akilah Rucker & Samantha Miller, two of the inaugural grantees of the 2021 ReImagine: New Plays in TYA program.

Tori and Mabelle talk with Jacquelyn Reingold, Jennifer Maisel and Laura Rohrman, three Honor Roll! playwrights featured in “She Persisted: Thirty Ten-Minute Plays by Women over Forty.”

Tori and Mabelle talk with Ahmed Kenyatta Dents about his goal as Director of Venue Experience at the San Diego Repertory Theatre; justice and representation in theatre; breaking down the rotten wood of old structures; and the quantum possibility of multiple yous.

Tori and Mabelle talk with the legendary José Cruz González who shares how he came to playwriting out of necessity; the importance of inviting yourself to come back to the playwriting table; and why children make the best dramaturgs.

Tori and Mabelle talk with Donna Hoke about her journey as a gig writer into playwriting; embracing and owning your hometown; the value of development workshops; and the art of documenting submissions.

Tori and Mabelle talk with Lucy Wang about her leap from Wall Street trader to playwright; ageism and sexism in American theatre; the revolutionary effect of laughter; and the parallels of playwriting and baseball.