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Explore every episode of the podcast Groovy Movies

Dive into the complete episode list for Groovy Movies. Each episode is cataloged with detailed descriptions, making it easy to find and explore specific topics. Keep track of all episodes from your favorite podcast and never miss a moment of insightful content.

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TitlePub. DateDuration
Action Women, schwing (Point Break, American Psycho, Wayne’s World)05 Sep 202400:57:01

This week on our season finale we look at three box office and critical successes which you might not know were directed by women. In the hot seat is Kathryn Bigelow’s Point Break, Penelope Spheeris’ Wayne’s World and Mary Harron’s American Psycho. We also almost (but not quite) dodge the Blake Lively controversy and talk about the films we’re looking forward to this autumn. See you for season 5!

References
‘Warner Brothers to put a studio in the dessert’, by Brian Welk, indiewire.com
‘How American Psycho became a feminist statement’ by Trey Taylor, dazeddigital.com
Penelope Spheeris on Wayne’s World, Pat Saperstein, Variety.com
‘Point Break is a feminine perspective on toxic masculinity’, laineygossip.com

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Edited and produced by Lily Austin and James Brailsford
Original music by James Brailsford

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Sad girls on holiday (Lost in Translation, Swimming Pool, Shirley Valentine)22 Aug 202400:51:34

Between the weather and the state of the world, it’s been a pretty sad summer, so we’re sticking with that theme as we look at some of the best sad girls on film holiday. We discuss Charlotte Rampling in Francois Ozon’s Swimming Pool, Scarlett Johansson in Sofia Coppola’s Lost in Translation (and Bill Murray too) and Pauline Collins as Lewis Gilbert’s Shirley Valentine.

References
Peter Dinklage discussing the live action remake of Snow White on Marc Maron’s podcast in 2022
‘Todd Haynes’ Joaquin Phoenix Gay Romance Pic Not Moving Forward As Actor Exits Set’, by Anthony D’Alessando for deadline.com 

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Edited and produced by Lily Austin and James Brailsford
Original music by James Brailsford

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Civil War: Will A24's big budget gamble pay off?18 Apr 202400:40:24

Last week A24’s Civil War was released and we have mixed feelings about it. Will their biggest-budget movie to date prove itself at the box office? And is a movie about war and an American fascist leader really what we want to see right now?

References
‘The Rise and Rise of A24’, The Economist (not credited)
Director Alex Garland speaking to The Hollywood Reporter about Civil War
‘Box Office: ‘Civil War’ Makes $2.9 Million in Previews, Best Ever for an A24 Movie’ by Jordan Moreau for Variety

Film Pharmacy
Perfect Days (2023) dir. by Wim Wenders
Idiocracy (2006) dir. by Mike Judge

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Edited and produced by Lily Austin and James Brailsford
Original music by James Brailsford

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The Top 5 Party Scenes in Cinema04 Apr 202401:05:01

It takes skill to capture the effortless spontaneity of a really good party scene. Relatively few nail it but when they do, they really do. This week we compile our top 5 party scenes; from teenage house parties to rave afters, with a surreal French restaurant jamboree sandwiched in the middle.

References
The party scene in 10 Things I Hate About You
The afterparty in Human Traffic (1999)
The party scene in Playtime (1967)
The party scene in The Great Beauty
Watch Steve McQueen’s Lovers Rock here on BBC iPlayer

An oral history of 10 Things I Hate About You by David Krumholtz for Vulture
A cute 10 Things I Hate About You behind-the-scenes featurette
Retrospective with the Human Traffic cast in by Phil Hoad for The Guardian
Jacques Tati’s ways of working told by two extras from Playtime
Steve McQueen Q&A about Lovers Rock

Film Pharmacy
The Tree of Life (2011) dir. by Terrence Malick 
Tron: Legacy (2010) dir. by Joseph Kosinski
The Color of Pomegrates (1969) dir. by Sergei Parajanov
Modern Times (1936) dir. by Charlie Chaplin

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Edited and produced by Lily Austin and James Brailsford
Original music by James Brailsford

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Baby Face: Pre-Code Horniness and the Original Sugar Baby 21 Mar 202400:58:36

We’re going back to the horniest years in Hollywood history for another scandalous pre-coder; Baby Face, the 1933 movie that was so shocking it solidified cinema’s censorship for the next 30 years. 

Watch it for free here


References

Will Hays IRL

You Must Remember This’ episode on Will Hays and “Pre-Code” Hollywood  

Wes Anderson Talks Early Hollywood Censorship in ‘TCM Picks’ Video for Barbara Stanwyck’s ‘Baby Face’ by Etan Vlessing for The Hollywood Reporter

How the Catholic Church censored Hollywood's Golden Age by Vox on YouTube

Baby Face: The End Of The Pre-Code Era by Paul J. Bradley for Classic Film Journal

Remembering Hollywood's Hays Code, 40 Years On by Bob Mondello for NPR

‘Tracing Hollywood’s Legacy of Self-Censorship through a Comparative Analysis of the Film Baby Face (1933) in its Censored and Uncensored Forms’ by Morgan B. Lockhart

From femme fatale to cattle rancher: how Barbara Stanwyck bucked convention by Pamela Hutchinson for The Guardian

Barbara Stanwyck: 10 essential films by Lynsey Ford for BFI

Barbara Stanwyck’s NY Times obituary 

Film Pharmacy

Old Boy (2004) dir. by Park Chan-wook

Killer Joe (2012) dir. by William Friedkin

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Edited and produced by Lily Austin and James Brailsford
Original music by James Brailsford

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*Teaser* Next week's episode and an announcement14 Mar 202400:00:47

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Edited and produced by Lily Austin and James Brailsford
Original music by James Brailsford

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Dune: Part Two (spoiler-free!)07 Mar 202400:42:41

It’s been out for a week but we’re not taking any chances. Here is our painstakingly spoiler-free discussion of Dune: Part Two, plus our thoughts on Madame Web and a sexy addition to the Film Pharmacy.

References
Denis Villeneuve on Dune: Part Two and dialogue v. cinematography for The Times
‘Dune: Part Two’ Star Stellan Skarsgard Laughed Seeing Austin Butler as Feyd-Rautha: Butler ‘Really Enjoyed Being Evil’ by Michaela Zee for Variety
Dune: Part Two’s box office success and what it means for the film industry by Anthony D’Alessandro for Deadline

Film Pharmacy
Bound (1996) dir. by the Wachowskis
Black Narcissus (1947) dir. by Powell and Pressburger
Unfaithful (2002) dir. by Adrian Lyne
10 Things I Hate About You (1999) dir. by Gil Junger
Fish Tank (2009) dir. by Andrea Arnold
Love
dir. by Gaspar Noe

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Edited and produced by Lily Austin and James Brailsford
Original music by James Brailsford

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The Groovies: Awards Season Special 202429 Feb 202400:57:15

We're  back with series 4 and ahead of the Oscars next weekend, we bring you a roundup of everything you need to know about this awards season. We discuss Oppenheimer's dominance, the Barbie controversy and where The Zone of Interest sits on the Salo to Up unsettling scale.

Most importantly of all, our very own awards ceremony returns. The Groovies this year include awards for Best Cinema, Short King, and Least Unbearable Cinematic Experience. The Oscars better watch out. There's a new rodeo in town. 

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Edited and produced by Lily Austin and James Brailsford
Original music by James Brailsford

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Bridget Jones's Diary: The definitive New Year heroine? (and what to watch in 2024)28 Dec 202301:03:37

It’s the end of the year and also our series finale so we're bringing both to a close with a deeply intellectual discussion on the ultimate New Years movie, Bridget Jones’s Diary. Plus, in anticipation of awards season, we list the films we’re most excited to see over the next couple of months.

References
Bridget Jones’s Diary deleted scenes
That scathing New York Times piece on Bridget Jones
20 behind-the-scenes Bridget Jones’s Diary facts

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Edited and produced by Lily Austin and James Brailsford
Original music by James Brailsford

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Rebel without a Claus: The Groovy Movies Xmas-travaganza13 Dec 202300:50:50

For our penultimate episode of the series we’re going recommendation-heavy and spoiler-free, with our top picks of festive films, hitting every point on the Grinch-to-Elf Christmas spirit scale. 

References
The Powell and Pressburger season from Oct-Dec 2023 - catch the last few screenings now.
The Red Shoes: Beyond the Mirror exhibition
Piece for ASC on Jack Cardiff from 1994, The Red Shoe’s cinematographer
Why The Red Shoes looks so good by The Royal Ocean Film Society on YouTube
The cinematography of The Dark Knight by V Renee for nofilmschool.com
The Philosophy of Groundhog Day by Sebastian Martinez Diaz for film-cred.com
Carol by it’s Cinematographer Ed Lachman for ASC

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Edited and produced by Lily Austin and James Brailsford
Original music by James Brailsford

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Napoleon: Are biopics bad for history?07 Dec 202300:51:14

We couldn’t resist the controversy around Ridley Scott’s new movie, so this week we’re discussing Napoleon and wading into the debate about historical accuracy and film. But what do you think? Let us know on instagram - @groovymoviespod.

References
Ridley Scott profile by Michael Schulman for The New Yorker
Ridley Scott’s response to Napoleon’s critics by Caroline Frost for Deadline
Ridley Scott’s response to criticism of the Egyptian invasion scene in Napoleon by Adam Bentz on Screen Rant
Napoleon on trial: The battle for historical accuracy of the upcoming film’ by Prateek Dasgupta for Medium
‘Great man or monster - who was the real Napoleon?’ by Dominic Sandbrook for The Times
‘The Ugly Truth about Napoleon and Josephine’ by ElleHistory on YouTube
Facts on Napolean
Oppenheimer BBC documentary

Film Pharmacy
Frances Ha (2012) dir. by Noah Baumbach
Zodiac (2007) dir. by David Fincher

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Edited and produced by Lily Austin and James Brailsford
Original music by James Brailsford

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Saltburn: Are we really eating the rich? Ft. Culture Colander 30 Nov 202301:11:26

This week we are joined by Audra and Elisa from Culture Colander. They bring an American perspective to a very British class system as we dissect Emerald Fennell’s new film Saltburn, i.e. The Talented Mr Creepley.

References
Listen to and follow @culturecolander
Interview with Emerald Fennell and the cast of Saltburn
‘The sons and daughters of The Talented Mr Ripley’ by Manuela Lazic for The Ringer
The New Yorker Radio Hour episode where Emerald Fennell talks about her upbringing

Film Pharmacy
Friends Best Thanksgiving Moments
The Greatest Showman (2017) dir. by Michael Gracey
Dan in Real Life (2007) dir. by Peter Hedges

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Edited and produced by Lily Austin and James Brailsford
Original music by James Brailsford

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Superior Sequels: What makes part 2 better than part 1? (Inside Out 2, The Terminator 2, The Godfather 2) 12 Aug 202400:46:02

From Dune 2 to Deadpool and Wolverine, there have been a surprising number of hit sequels this year. So this week we’re asking the question, what makes that cinematic blue moon of a part 2 that is better than part 1?

References
The Strasberg school’s definition of method acting
On Location with The Godfather: A Discussion with Gordon Willis (director of photography), theasc.com
An oral history of The Terminator 2

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Edited and produced by Lily Austin and James Brailsford
Original music by James Brailsford

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May December and the blacklist we want to be on23 Nov 202300:53:11

Aesthetica short film festival, the Hollywood blacklist, and one of its scripts, Todd Haynes’ new movie May December, are all up for discussion this week. Expect sweeping generalisations about short films and a tabloid-esque compare-and-contrast between May December and the real-life scandal that inspired it.

References
Aesthetica Short Film Festival
New York 81 (short 2022) dir. by Jannicke Systad Jacobsen
Mary Kay Letourneau and Vili Fualaau on Barbara Walters
John Lahr’s piece on Todd Haynes for The New Yorker
Adam White’s interview with Todd Haynes for The Independent
The Black List

Film Pharmacy
Inside Llewyn Davis (2013) dir. by Joel and Ethan Coen
Whiplash (2014) dir. by Damien Chazelle
Jodorowsky’s Dune (2013) dir. by Frank Pavich
Moonage Daydream (2022) dir. by Brett Morgen
Lady Boss: The Jackie Collins Story (2021) dir. by Laura Fairrie

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Edited and produced by Lily Austin and James Brailsford
Original music by James Brailsford

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Finding love in a dystopian place (Fingernails, The Lobster, Her)16 Nov 202300:45:10

In honour of new release Fingernails, we talk dystopian romances: why they work, when they don’t, and which animal we’d like to be turned into if we didn’t find love.

References
Fingernails director Christos Nikou on modern dating by Lou Thomas for BFI
Sheila O’Malley’s review of The Lobster
Interview with Yorgos Lanthimos on The Lobster by Mekado Murphy for The New York Times
Spike Jonze on Her by Logan Hill for The New York Times

Film Pharmacy
Die Hard (1988) dir. by John McTiernan
The Godfather (1972) dir. by Francis Ford Coppola 
Atonement (2007) dir. by Joe Wright
Fight Club (1999) dir. by David Fincher

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Edited and produced by Lily Austin and James Brailsford
Original music by James Brailsford

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Does size matter? The Gravity of the cinematic experience09 Nov 202300:46:39

This week James drags us to the BFI IMAX for Gravity’s 10th year anniversary re-release, on a mission to prove that the cinematic experience is worth leaving the house for.

Film Pharmacy
The Full Monty (1997) dir. by Peter Cattaneo
Pride (2014) dir. by Matthew Warchus

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Edited and produced by Lily Austin and James Brailsford
Original music by James Brailsford

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Is Killers of the Flower Moon worth the runtime?02 Nov 202300:41:38

With DiCaprio and De Niro in fine gurning form and Thelma Schoonmaker on the edit, the gang’s back together for Martin Scorsese’s brand new film. But is it worth the 3hr26m runtime?

References
Killers of the Flower Moon: Oil, Money, Murder and the Birth of the FBI by David Grann (the book the film is based on)
Interview with Leonardo DiCaprio and Lily Gladstone for Critqal
Martin Scorsese’s companion films list on Letterboxd

Films and TV shows about indigenous communities we recommended:
Dances with Wolves (1990) dir. by Kevin Costner 
Smoke Signals (1998) dir. by Chris Eyre
Reservation Dogs (2021-2023) created by Sterlin Harjo and Taika Waititi
Call Me Human (2020) dir. by Kim O'Bomsawin

For more, read Corinne Rice’s ‘8 Essential Films of the Native American Experience’

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Edited and produced by Lily Austin and James Brailsford
Original music by James Brailsford

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Hex Appeal: Cinema’s Baddest Witches (Practical Magic, The Craft, The Witches of Eastwick)26 Oct 202301:06:24

It’s that spooky time of year and Practical Magic’s 25th anniversary. So this week we take a whistlestop tour through witch movie history to our final destination: the 90s (cinema’s hexiest decade?). 

References
‘Screaming, Flying, And Laughing: Magical Feminism’s witches in contemporary film, television and novels’ by Kimberly Ann Wells
‘Witches, “bitches” or feminist trailblazers? The Witch in Folk Horror Cinema’ by Chloe Germaine Buckley
‘“We are the weirdos”: how witches went from evil outcasts to feminist heroes’ by Anne T. Donahue for The Guardian
‘Magical Women, Witches & Healers’, Frames Cinema Journal, issue 16
The Evolution of Black Witches on Screen
‘How Hollywood Has Failed Black Witches’ by BreAnna Bell for Variety
‘Celebrating the magic of black witchiness in entertainment’ by Claire Lawrence for offcultured.com
‘Thirstory: The Real Witches of Hollywood’ by Mitchell Nugent for Interview
George Miller on directing The Witches of Eastwick
Cher on The Witches of Eastwick
Rachel True on The Craft
‘The Real Curse in Practical Magic is Heterosexuality’ by Natalie Adler for Vice

Film Pharmacy
Ikiru (1952) dir. by Akira Kurosawa
Jiro Dreams of Sushi (2011) dir. by David Gelb

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Edited and produced by Lily Austin and James Brailsford
Original music by James Brailsford

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It’s Taylor Swift’s Era and we’re just living in it (but do concert films work?)19 Oct 202301:02:59

To any Swifties listening - hello, welcome. To any non-Swifties, please forgive us. We couldn’t resist discussing the music-movie partnership of an era. So this week we take the opportunity to ask the question: do concert films work?

We, of course, dive into Taylor Swift’s Eras Tour  but also compare it with another concert movie that is currently in cinemas: Stop Making Sense, A24’s re-release of the 1984 Talking Heads documentary. We also watched Amazing Grace, the long-lost Sydney Pollack film capturing the recording of Aretha Franklin’s gospel album of the same name.

References
Patrick Willems on Taylor Swift as a director - a must for anyone in the middle of the venn diagram of film and Swift lovers
The origin story of Stop Making Sense by Jonathan Gould for The New Yorker
Is the worldwide release of ‘Taylor Swift: The Eras Tour’ a game-changer for distribution?’ by Jeremy Kay for Screen Daily
Q&A with Alan Elliott, the producer who got Amazing Grace finally made
The Story behind Amazing Grace by Jim Farber for The Guardian

Film Pharmacy
Lock, Stock and Two Smoking Barrels (1998) dir. by Guy Ritchie
Bridget Jones Diary (2001) dir. by Sharon Maguire

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Edited and produced by Lily Austin and James Brailsford
Original music by James Brailsford

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Nostalgiaholics: Why were 90s filmmakers obsessed with the 70s? (Dazed and Confused, Almost Famous, Boogie Nights)05 Oct 202300:56:38

It's the 30 year anniversary of Dazed and Confused (1993), Richard Linklater's ode to 70s adolescence. And he wasn't alone - many of the 90s greatest films were set in the last vinyl decade. Besides the dramatically pointy collars and avocado bathroom sets, what was the appeal? To answer the question, we take a closer look at Linklater's coming-of-age breakout hit, Cameron Crowe's career-defining Almost Famous (2000 - ok not quite 90s, but as good as) and our favourite Paul Thomas Anderson movie, Boogie Nights (1997).

References
An Oral History of Boogie Nights
Almost Famous: The Oral History of a Golden God’s Acid Trip’ by Ilana Kaplan for the NY Times
Dazed and Confused Was the Definitive Movie About the '90s, Not the '70s’ by Stephen Marche for Esquire
Philip Seymour Hoffman on Acting

Film Pharmacy
Salò, or the 120 Days of Sodom (1977) dir. by Pier Paolo Pasolini
Fame (1980) dir. by Alan Parker

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Edited and produced by Lily Austin and James Brailsford
Original music by James Brailsford

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Would you forget a past relationship if you could? (Past Lives, Sliding Doors, Eternal Sunshine of the Spotless Mind)28 Sep 202300:50:32

Inspired by new release Past Lives, this week we look at love stories about what could have been. We discusses the enduring influence of 90s clanger Sliding Doors and the indie classic, Eternal Sunshine of the Spotless Mind.

References
Past Lives director Celine Song explains ‘in-yun’
'Break-Up' - This American Life's podcast episode
I don’t want to get over you by The Magnetic Fields
‘From Script to Screen: Charlie Kaufman on Eternal Sunshine of the Spotless Mind’  by David S. Cohen for Scriptmag.com

Film Pharmacy
The Wizard of Oz (1939) dir. by Victor Fleming
The Fall (2006) dir. by Tarsem Singh
A Philadelphia Story (1940) dir. by George Cukor

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Edited and produced by Lily Austin and James Brailsford
Original music by James Brailsford

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Love Triangles on Film: How (not) to throuple (Passages, Vicky, Cristina, Barcelona, Design For Living)21 Sep 202301:00:48

We return to our favourite debate: monogamy vs. polyamory. This time with love triangles as the point of entry.

We discuss new release Passages' somewhat bleak version of the shape, and look back at more optimistic portrayals, including Woody Allen's Spanish holiday fantasy Vicky, Cristina, Barcelona and the pre-code shocker Design For Living

Lily also gives the lowdown on (the auteur behind The Room) Tommy Wiseau's new release, Big Shark. 

References
‘The Ethical Slut’: Inside America’s Growing Acceptance of Polyamory by Anna Fitzpatrick for Rolling Stone
Design for Living New York Times review from 1933
Ernst Lubitsch Made the Hollywood Comedy Sublime’ by Alex Ross for The New Yorker

Film Pharmacy
Night Watch (2004) dir. by Timur Bekmambetov
Cold War (2018) dir. by Paweł Pawlikowski

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Edited and produced by Lily Austin and James Brailsford
Original music by James Brailsford

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But when can we see Dune 2? Everything you need to know about the Hollywood Strikes13 Sep 202300:47:02

This week we take a closer look at the writers and actors strikes and what the impact will be for film-making and cinemas. We also pick our must-see movies from the Venice Film Festival.

Donate here to emergency financial assistance writers, performers and people in support roles affected by the strike
Donate here to SAG-AFTRA's emergency fund

References
SAG proposals
WGA proposals
Deadline Strike Talk - podcast by Hollywood strikers about the strikes
'The 2023 Hollywood strikes for dummies' by Jason P Frank for Vulture
'The unions of Hollywood are trying to save it from itself' by Emma Roth for theverge.com
'The Hollywood strike can and must win – for all of us, not just writers and actors' by Hamilton Nolan for The Guardian
'Inside The Shifting Theatrical Release Dates: How Studios Changed Up The Movie Calendar As WGA Strike Clocks 100 Days' by Anthony D'Alessandro and Justin Kroll for Deadline
'‘Barbenheimer’ Fever… and Then What? How Major Film Delays Amid the Strikes Could Damage the Movie Business' by Rebecca Rubin for Variety
AI writing a script

Our Picks from Venice
Aggro Dr1ft trailer
Scene from One From The Heart
Michel Gondry's music video for The Chemical Brothers' Let Forever Be
Michel Gondry's music video for Bjork's Bachelorette
Michel Gondry's Cibo Matto's Sugar Water
Poor Things trailer
Priscilla trailer
Origin trailer

Film Pharmacy
Bardo, False Chronicle of a Handful of Truths (2022) dir. by Alejandro González Iñárritu
The Saragossa Manuscript (1965) dir. by Wojciech Has

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Edited and produced by Lily Austin and James Brailsford
Original music by James Brailsford

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Fantastic Film Follies: How to finance a flop24 Jul 202400:59:07

Why talk about good films when we could talk about spectacularly bad ones? This week we discuss four infamous films that left their directors and studios in financial and/or reputational ruin. On the chopping block is Francis Ford Coppola’s One From The Heart, Michael Cimino’s Heaven’s Gate, Elaine May’s Ishtar and, of course, Tom Hooper’s Cats. Enjoy.

References
Hulk Smash’s takedown of Tom Hooper
Steven Soderbergh’s Butcher’s Cut of Heaven’s Gate

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Edited and produced by Lily Austin and James Brailsford
Original music by James Brailsford

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James' Desert Island DVDs (The Empire Strikes Back, Singing in the Rain, Citizen Kane)07 Sep 202300:49:59

This week on the podcast we’re trying our hand at the greatest radio format of all time. Lily does her best (very bad) Kirsty Young impression as James' delivers his top 3 Desert Island DVDs. He also, of course, details his preferred AV set-up for shipwrecked screenings - think monkeys in tuxedos.

References
The lowdown on Cargo Cults
'The rise (and Inevitable fall) of Citizen Kane as the Greatest Movie Ever Made' by Bilge Ebiri for vulture.com
'What’s so good about Citizen Kane?' by Nicholas Barber for BBC
Interesting article on the battle for writer’s credit on Citizen Kane by Richard Brody for the New Yorker
'Citizen Kane' a masterpiece at 50', by Roger Ebert
'Realism for Citizen Kane' by Gregg Toland for theasc.com
Gene Kelly and Cyd Charisse’s sexy dance routine in Singin’ In the Rain
'Why Singin’ in the Rain Is an Almost Perfect Musical' by Jeanine Basinger for The Atlantic
'Beyond the Frame: Singin’ in the Rain' by David E. Williams for the asc.com
'Shooting In Color Caused Some Problems Behind The Scenes Of Singin' In The Rain' by Whitney Seibold for slashfilm.com
Lucasfilm’s J.W. Rinzler Talks About The Making of Star Wars: The Empire Strikes Back by for Vanity Fair
'The Empire Strikes Back at 40: did the Star Wars saga peak too early?' by Scott Tobias for The Guardian
'In Hindsight, Empire Strikes Back Director Irvin Kershner Would’ve Helmed One of the Prequels' by Mike Ryan for Vanity Fair

Film Pharmacy recommendations
Celine & Julie Go Boating (1974) dir. by Jacques Rivette
Showgirls (1995) dir. by Paul Verhoeven

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Edited and produced by Lily Austin and James Brailsford
Original music by James Brailsford

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Has the cult of director lost its power? (My Name is Alfred Hitchcock, North by Northwest, Inception, Reservoir Dogs)31 Aug 202301:00:26

This week we're discussing directors who have achieved cult status: the ones you can recognise within 24 frames of a film  - the Taratinos,  the Hitchcocks and of course, the Nolans. We come up with rules for achieving cult of director status and question if superstar directors still have power in the era of streaming services.

References
A quick guide to auteur theory by Jax Griffin for filminquiry.com
Pauline Kael's rebuttal to auteur theory
Pauline Kael on Taratino and Pulp Fiction
Christopher Nolan: A Labyrinth of Linkages by David Bordwell and Kristen Thompson - essays looking closely at Nolan's narrative and cinematic style
Wally Pfister's cinematography in Inception by Prachurya Das
Hitchcock's Psycho marketing campaign
Dramatic Tension in North by Northwest by Junming Jiang
The directing and writing style of Greta Gerwig

Film Pharmacy recommendations
Miss Congeniality (2000) dir. by Donald Petrie
20th Century Women (2016) dir. by Mike Mills
Joan Didion: The Center Will Not Hold (2017) dir. by Griffin Dunne

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Edited and produced by Lily Austin and James Brailsford
Original music by James Brailsford

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The women behind Hollywood's top directors (Jaws, Raging Bull, Out of Sight)24 Aug 202301:04:37

This week James tells the amazing story behind the rise of women editors in cinema and we take a closer look at three of the best: Verna Fields (Jaws), Thelma Schoonmaker (Raging Bull) and Anne V. Coates (Out of Sight).

References
'The Celluloid Ceiling' - stats on behind-the-scenes women in 2022's top grossing films
'Edited By' - an excellent source on women film editors
'"Mother Cutter": Verna Fields Mentors a New Generation of Film Directors in the 1970s'
'Precise Feeling: The Editing of Thelma Schoonmaker'
Editing rules from Anne V. Coates
Criterion on the history of women editors
The bar scene from Out of Sight
Why Tarantino wanted a female editor

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Our Sizzling Summer Holiday Special: Viva L'Italia (Call Me By Your Name, Roman Holiday, The Great Beauty)10 Aug 202300:49:56

The Great British Summer is letting us down so we’re escaping to Italy for a cinematic holiday special. Stops on the trip include Roman Holiday, Call Me By Your Name and The Great Beauty.


References
Audrey Hepburn’s screen test for Roman Holiday, 1953, YouTube
The making of Roman Holiday, YouTube
Call Me By Your Name by Andre Aciman

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What makes a killer plot twist? (Psycho, Atonement, Parasite)03 Aug 202301:04:42

This week we contemplate plot twists - what works, what doesn't work and the different purposes they can serve. And apologies, this week is spoiler heavy, so if you can, watch before listening:

Psycho (1960) dir. by Alfred Hitchcock
Atonement (2007) dir. by Joe Wright
Parasite (2019) dir. by Bong Joon-ho

References
The Making of Psycho, YouTube
How Hitchcock got people to watch Psycho, YouTube
James McAvoy on Bryony in Atonement: "may she rot in hell", YouTube
Parasite's noodle dish that shows the class divide, metaflix.com

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Barbenheimer Special27 Jul 202300:58:02

Here to ride the zeitgeist as far as it will go, we're kicking off series 3 with a Barbenheimer special, having seen both films at 8:15, 18:00, and 00:20 in the same day - please excuse our zombie-ish state of being.

References
Todd Haynes' Superstar: The Karen Carpenter Story
Greta Gerwig's interview with Simon Mayo

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Did cinema create the ‘It’ girl? (It, Mahogany, Factory Girl)01 Jun 202301:07:07

Taking inspiration from this month's yesteryear issue of New York Magazine, for our final episode of the series, we look at cinema’s role in creating and cataloging the ‘It’ girl.

Films referenced:
It (1927) dir. by Clarence G. Badger
Mahogany (1975) dir. by Berry Gordy
Kids (1995) dir. by Larry Clark
Factory Girl (2006) dir. by George Hickenlooper
Before Sunrise (1995) dir. by Richard Linklater
After Hours (1985) dir. by Martin Scorsese

Sources and resources:
The New York magazine article on ‘It’ girls by Matthew Schneier
151 New York ‘It’ girls
Watch It here
Clara Bow: the hard-partying jazz-baby airbrushed from Hollywood history by Pamela Hutchinson
Watch Mahogany here
Mahogany remembered at 40 by Simon Doonan

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Do we prefer our main characters with side character energy? (Grease, Pulp Fiction, Fight Club)24 May 202300:42:08

This week we consider unexpected main character-side character dynamics; the supporting parts that outshine the lead (Rizzo in Grease), characters that are both side and main at once (Pulp Fiction) and what it means when the side character was the protagonist the whole time (Fight Club).

Films referenced:
Grease (1979) dir. by Randal Kleiser
Pulp Fiction (1994) dir. by Quentin Tarantino
Fight Club (1999) dir. by David Fincher
Sherlock Jr. (1924) dir. by Buster Keaton
My Neighbor Totoro (1989) dir. by Hayao Miyazaki

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Edith Head: The designer who dressed Hollywood's Golden Era (Breakfast at Tiffany's, To Catch a Thief, Butch Cassidy and the Sundance Kid)18 May 202300:52:11

There was one woman who had more influence over the look and style of Hollywood’s Golden Age than anyone else: Edith Head. This week we take a closer look at some of our favourite designs from her huge (1000-film-strong) back catalogue and take pointers from one of her self-help style guides, How To Dress For Success.

Films referenced:
Lady In the Dark (1944) dir. by Mitchell Leisen
This Gun for Hire (1942) dir. by Frank Tuttle
To Catch a Thief (1955) dir. by Alfred Hitchcock
Butch Cassidy and the Sundance Kid (1969) dir. by George Roy Hill
Breakfast at Tiffany’s (1961) dir. by Blake Edwards
Vidal Sassoon: The Movie (2010) dir. by Craig Teper
G.I. Jane (1997) dir. by Danielle Alexandra

Sources and resources:
1978 interview with Edith Head and her anecdote about ‘borrowing’ students' drawings
Interview with Edith Head being terrifying
Edith Head - The Most Famous Designer (The Paramount Years) - documentary short
Edith Head talks about Audrey Hepburn
‘How Edith Head gave Hollywood its dress sense’, thejc.com 
Contemporary costume designers on the influence of Edith Head by Jazz Tangcay for Variety
You Must Remember This podcast episode #22 Audrey Hepburn: Sex, Style and Sabrina

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Our Favourite Comfort Films (The Big Short, Star Wars: Episode IV - A New Hope, The Fall, The Mummy, Juno, Tea With Mussolini)13 May 202300:41:59

James has been under the weather this week, so in the spirit of self-care, we’re discussing our favourite comfort films.

Films referenced:
Eternal Sunshine of the Spotless Mind (2004) dir. by Michel Gondry
Juno (2007) dir. by Jason Reitman
Palm Springs (2020) dir. by Max Barbakow
Star Wars: Episode IV - A New Hope (1977) dir. by George Lucas
Submarine (2010) dir. by Richard Ayoade
Tea with Mussolini (1999) dir. by Franco Zeffirelli 
The Big Short (2015) dir. by Adam McKay
The Fall (2006) dir. by Tarsem Singh
The Mummy (1999) dir by Stephen Sommers and Rob Cohen
The Truman Show (1998) dir. by Peter Weir
Weiner (2016) dir. by Josh Kriegman and Elyse Steinberg

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1999: Cinema's best year, ever?11 Jul 202400:39:53

You honestly wouldn’t believe how many great films came out in 1999. The Matrix, Fight Club, The Blair Witch Project, The Talented Mr Ripley, Lock Stock and Two Smoking Barrels, The Sixth Sense, Notting Hill, The Mummy, Cruel Intentions, 10 Things I Hate About You. We could go on…

It’s the 25th anniversary of this auspicious year and cinemas are getting in on the action, with 1999 seasons playing at many theatres. So we’re following suit. We discuss our favourites from this particularly good year, with special attention paid to Trainspotting - not only an excellent film but one that really captured the zeitgeist of the time here in the UK - whilst we try to figure out 1999’s special formula for brilliant cinema.

References
Everything you need to know about the Wilhelm Scream, No Film School on YouTube
Brian Raftery, Best Movie Year Ever: How 1999 Blew Up the Big Screen (2019)
Danny Boyle being interviewed about Trainspotting in 1999, YouTube
Amy Nicholson’s article on 1999

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From Dr Strangelove to Bond: The Genius of Ken Adam (Chitty Chitty Bang Bang, Moonraker, Barry Lyndon, Dr. Strangelove)04 May 202301:08:33

This week we’re celebrating the genius of Ken Adam, the production designer behind cinema’s most iconic sets and the man who created the visual flare the Bond movies have become known for.

Films referenced:
Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb (1964) dir. by Stanley Kubrick
Chitty Chitty Bang Bang (1968) dir. by Ken Hughes
Moonraker (1979) dir. by Lewis Gilbert
Barry Lyndon (1975) dir. by Stanley Kubrick

Sources and resources:
Ken Adam’s sketches, wallpaper.com
Ken Adam on working with Kubrick on Barry Lyndon on youtube.com
Ken Adam in his own words By Fionnuala Halligan
Ken Adam on his finest sets by Ian Christie for BFI
Dr Strangelove: The Darkest Room by David Bromwich for criterion.com
The Ken Adam-inspired Reishstag on youtube.com
Jonathan Glancey on Ken Adam for The Guardian

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What turns a bad movie into a cult classic? (Howard The Duck, The Room, Mommie Dearest, North Sea Hijack)21 Apr 202301:08:00

We’ve decided to do the unthinkable - willingly watch the worst films ever made (allegedly). The hit list includes Howard the Duck, Mommie Dearest and, of course, The Room, along with our own submission, the apex of Roger Moore’s career, North Sea Hijack, in an attempt to figure out what it takes to achieve cult bad status. 


Films referenced:

Howard the Duck (1986) dir. by William Huyck

Mommie Dearest (1981) dir. by Frank Perry

The Room (2003) dir. by Tommy Wiseau

North Sea Hijack (1980) dir. by Andrew V. McLaglen


Sources and resources:

A Howard the Duck explainer by Alex Abad-Santos for Vox

Lea Thompson on Howard the Duck by Ryan Parker for The Hollywood Reporter

Howard the Duck: An Oral History by Caseen Gaines for thedecider.com

How George Lucas’ Howard the Duck movie made The Matrix possible by K. Thor Jensen

Mommie Dearest at 40: the derided camp classic that deserves a closer look by Guy Lodge for The Guardian

How ‘Mommie Dearest’ when from Oscar bait to cult classic by Luna Guthrie for collider.com

The Room: how the worst movie ever became a Hollywood legend as bizarre as its creator by Aja Romano

Lisa exits ‘The Room’ by EJ Dickson for theawl.com

Tommy Wiseau breaks down a scene from The Disaster Artist

BTS from The Room

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Fucking Bonkers French Films (Last Year at Marienbad, The Discreet Charm of the Bourgeoisie, Celine & Julie Go Boating, Holy Motors)13 Apr 202301:04:33

This week we get into that particular kind of surrealist madness only French cinema can capture. From the overwrought 60s stylisation of Last Year at Marienbad to modern masterpiece Holy Motors, care of 70s standouts Celine and Julie Go Boating and The Discreet Charm of the Bourgeoisie - if nothing else, we're giving tops marks for the titles.


Films referenced:

Last Year at Marienbad (1961) dir. by Alain Resnais 

The Discreet Charm of the Bourgeoisie (1972) dir. by Luis Bunuel

Celine & Julie Go Boating (1974) dir. by Jacques Rivette

Holy Motors (2012) dir. by Leos Carax


Sources and resources:

Film Art: An Introduction by David Bordwell and Kristen Thompson  - the analysis that kickstarted James’ love of French Films - comes highly recommended

Sacha Vierny (the cinematographer on Last Year at Marienbad)’s obituary by Michael Brooke 

Pauline Kael's review of Last Year at Marienbad

Pauline Kael's review of the Discreet Charm of the Bourgeoisie

The Triumph of ‘Céline and Julie Go Boating’ by Kristen Yoonsoo Kim for thenation.com

Interview with Holy Motors director Leos Carax by Eric Kohn for IndieWire

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What makes a film feel timeless? (Dune, Memento, Casablanca)06 Apr 202300:58:21

This week we discuss timelessness. How certain films manage to capture that elusive quality, through the look, characterisation and storytelling.

Films referenced:
Casablanca (1942) dir. by Michael Curtiz
Memento (2000) dir. by Christopher Nolan
Dune (2021) dir. by Denis Villeneuve
Dune (1984) dir. by David Lynch
Bound (1996) dir. by the Wachowskis
The Matrix (1999) dir. by the Wachowskis
Tar (2022) dir. by Todd Field
We Need To Talk About Kevin (2011) dir. by Lynne Ramsay
Ratcatcher (1999) dir. by Lynne Ramsay
You Were Never Really Here (2017) dir. by Lynne Ramsay

Sources and resources:
Casablanca at 80: a golden age classic that remains impossible to resist by Scott Tobias for The Guardian
Memento at 20: Christopher Nolan's memory thriller is hard to forget by Scott Tobias for The Guardian
‘Dune’ Cinematographer Greig Fraser on Denis Villeneuve’s Sci-Fi Epic  by Scott Roxborough for the Hollywood Reporter
A Deep Dive Into the Visceral Cinematography of ‘Dune’ | Vanity Fair by David Canfield for Vanity Fair
Truth in the Image: Greig Fraser by Jay Holben for American Cinematographer
Dune: Fear is the mind killer by Jay Holben for American Cinematographer
How Dune’s Costume Designers Created the Definitive Sci-Fi Fashion Fantasy by Janelle Okwodu for Vogue.com
‘Dune’ vs. ‘Dune’: Why David Lynch’s Version Is a Lot More Fun Than Denis Villeneuve’s by Eric Kohn for IndieWire
‘Dune’ vs. ‘Dune’: A comparison of literary source material and cinematic adaptations by Neil Hughes for The Hollywood News
Umberto Eco on Casablanca
The mesmerizing masterpiece "Memento" by Omar Moore for rogerebert.com

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Don’t watch the movie - watch the documentary about the movie (Hearts of Darkness, Jodorowsky's Dune, Lost Soul: The Doomed Journey of Richard Stanley's Island Of Dr. Moreau) 30 Mar 202300:49:45

Sometimes the story about the making of the film is even better than the final product. This week we discuss four films, via the incredible documentaries about how they were (or in some cases, weren’t) made.

Films referenced:
Apocalypse Now (1979) dir. by Francis Ford Coppola
Hearts of Darkness: A Filmmaker’s Apocalypse (1991) dir. by Eleanor Coppola, Fax Bahr and George Hickenlooper
Jodorowsky’s Dune (2013) dir. by Frank Pavich
The Island of Dr Moreau (1996) dir. by Richard Stanley, (and then) John Frankenheimer
Lost Soul: The Doomed Journey of Richard Stanley's Island Of Dr. Moreau (2014) dir. by David Gregory
You Don’t Nomi (2019) dir. by Jeffrey McHale
Making the Shining (1980) dir. by Vivian Kubrick
Color Out of Space (2020) dir. by Richard Stanley

Sources and resources:

‘This Documentary About Making ‘Apocalypse Now’ Is Almost Better Than the Film’ by Douglas Laman for collider.com 

For the backstory to Francis Ford Coppola’s first short films: ‘The early erotic movies of Francis Ford Coppola’ by Calum Russell for Far Out

Images from the book Jodorowsky created to pitch Dune 

‘Where to begin with Alejandro Jodorowsky’ by Matthew Thrift for BFI

‘Is Jodorowsky’s Dune the greatest film never made?’ by Nicholas Barber for BBC Culture

Alejandro Jodorowsky’s ‘Dune’ Was Never Made, but With A.I., We Get a Glimpse of His ‘Tron’ by Frank Pavich for The New York Times

The Disaster Behind 'The Island of Dr. Moreau' by Jeffrey Speicher for collider.com

We didn’t discuss it, but Terry Gilliam did finally make a version of Don Quixote (his seventh attempt!), starring Adam Driver: ‘Terry Gilliam’s Epically Troubled ‘The Man Who Killed Don Quixote:’ A Brief History by Brian Welk for The Wrap

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Do blank cheques make good films? (Showgirls, Southland Tales, The Last Temptation of Christ)23 Mar 202301:05:25

<<<spoiler alert>>>
We’ll be trying our best not to give away too many spoilers, but if in doubt, watch the films before listening.

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In series two we're going thematic - that means more ideas, more movies, and more bad movies.

To kick us off, we're talking about blank cheque films - what happens when a studio cuts a cheque and gives the director total creative control...


Films referenced: 

The Last Temptation of Christ (1988) dir. by Martin Scorsese 

Showgirls (1995) dir. by Paul Verhoeven

Southland Tales (2006) dir. by Richard Kelly 

You Don’t Nomi (2019) dir. by Jeffrey McHale

One from the Heart (1982) dir. by Francis Ford Coppola


Film Pharmacy

Babylon (2022) dir. by Damien Chazelle

Thelma & Louise (1991) dir. by Ridley Scott

The Banger Sisters (2002) dir. by Bob Dolman


Sources and resources:

Richard Kelly is working on a sequel to Southland Tales - Interview for Vanity Fair by Christopher Rosen.

“God Bless Dwayne Johnson”: Richard Kelly on Southland Tales, 15 Years Later by Erik Luers for Filmmaker Magazine.

‘Southland Tales’ at 15: An Oral History of the Cannes Cut Nobody Saw Coming by Eric Kohn for IndieWire. 

The Last Temptation of Christ’ As a Testament to and an Exploration of Scorsese’s Own Faith by Koraljka Suton for cinephiliabeyond.org.

Roger Ebert’s review of The Last Temptation of Christ.

How Showgirls exposed the rot of our misogynistic culture by Hugh Montgomery for BBC.

Is This The End of Netflix’s Blank Check Art House Films? by Anna Menta for decider.com.

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Awards Season Special (part 2): The Best16 Mar 202301:11:41

In part two we regroup to see how our Oscars predictions fared, discuss our favourites of the awards contenders and, of course, present the rest of the Groovies. 

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Awards Season Special (part 1): The Worst08 Mar 202301:13:52

Kicking-off series 2 with part one of our Awards Season Special, a round-up of our least favourite of the awards contenders this year. Tensions rise in the fight for the bottom, Avatar v. Babylon - who will win? We also make predictions for this Sunday’s Oscars ceremony and award our very own gongs, The Groovies.

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[GUESTS ON CULTURE COLANDER] The Whale, starring Brendan Fraser: "We didn't need fatness to tell this story"06 Mar 202301:33:23

Audra and Elisa pair up with Lily and James from Groovy Movies podcast to dissect one of the most talked about films of the year, The Whale, which stars Brendan Fraser and is nominated for multiple Academy Awards. They chat about fat representation, the struggle of stage-to-film adaptations, voyeurism, and the different manifestations of trauma. 

This episode pairs best with following Aubrey Gordon, making British friends, and watching the Oscars.


Book Recommendation

  • Hunger by Roxanne Gay

Check out Culture Colander

Keep the conversation going 

Sources




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Die Hard dir. by John McTiernan09 Dec 202200:41:12

<<<Spoiler alert>>>
The final episode of the series is full of spoilers - watch Die Hard with your Disney+ subscription or better yet catch it at the cinema and get in the Christmas spirit before listening.

Films and TV shows referenced:
Die Hard (1988) dir. by John McTiernan
Friends, season 7, episode 6, ‘The one with the nap partners'
Moonlighting (1985-19189) created by Glenn Gordon Caron
The Fifth Element (1997) dir. by Luc Besson
Avatar: The Way of Water (2022) dir. by James Cameron
Magic Mike’s Last Dance (2023) dir. by Steven Soderbergh
Barbie (2023) dir. by Greta Gerwig
Oppenheimer (2023) dir. by Christopher Nolan
The Menu (2022) dir. by Mark Mylod
She Said (2022) dir. by Maria Schrader


Other sources:
Jay Holben, ‘Shot craft: Where do you put the camera’, ascmag.com
Tim Pelan,Die Hard on a pedestal: Why John McTiernan’s action classic is such an ode to joy’, cinephiliabeyond.org
Zoe Stavri, ‘Making fists with your toes: Towards a feminist analysis of Die Hard, anotherangrywoman.com
George E. Turner, ‘Sophisticated visuals on grand scale for Die Hard, ascmag.com
American Cinematographer podcast, episode 70, Die Hard


Editing and production by Lily Austin and James Brailsford, original theme music by James Brailsford. 
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One Take Movies: Are they a gimmick?27 Jun 202400:50:14

From the famous speeding train of 1896 to the groundbreaking Russian Ark and iconic Berlin night-out-gone-wrong flick Victoria, this week we take you through the illustrious history of one-take movies - or should it be one-shot movies?

References
Hot takes: a short history of the one-shot movie in 11 attempts by Matthew Thrift for BFI
Interview with Medusa Deluxe director Thomas Hardiman
The 10 worst Martin Scorsese movies by Joe Williams for Far Out
In One Breath: Alexander Sokurov's Russian Ark (Making of) on YouTube

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2001: A Space Odyssey dir. by Stanley Kubrick01 Dec 202200:35:39

<<<Spoiler alert>>>
2001 subpasses spoilers (according to Lily) but even so, we strongly recommend you watch it first before listening to this episode, ideally on the big screen but if not, how about on Youtube.

Films and TV shows referenced:
2001: A Space Odyssey (1968) dir. by Stanley Kubrick
Independence Day (1996) dir. by Roland Emmerich
Gravity (2013) dir. by Alfonso Cuarón
Barry Lyndon (1975) dir. by Stanley Kubrick
Dr Strangelove (1964) dir. by Stanley Kubrick
Dr Strange (2016) dir. by Scott Derrickson
RRR (2022) dir. by S. S. Rajamoul
Making the Shining (1980) dir. by Vivian Kubrick

Other sources:
Dan Chiasson, 2001: A Space Odyssey: What it means, and how it was made’, thenewyorker.com
Herb A. Lightman, ‘Filming 2001: A Space Odyssey’, ascmag.com
7-part video essay into the making of 2001
2001: A Space Odyssey: Making of a Myth
Was Ronnie Corbett an ape in 2001?
Stanley Kubrick explains the ending of 2001

Editing and production by Lily Austin and James Brailsford, original theme music by James Brailsford. 
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Hunger dir. by Steve McQueen24 Nov 202200:27:31

<<<Spoiler alert>>>
We do our best to describe Hunger, but like many good films, it’s better watched. Mentally prepare yourself for the experience but don’t miss it. Stream Hunger here

Films and TV shows referenced:
Hunger (2008) dir. by Steve McQueen
The White Lotus (2021-present) dir. by Mike White
2001: A Space Odyssey (1968) dir. by Stanley Kubrick
Widows (2018) dir. by Steve McQueen
12 Years a Slave (2013) dir. by Steve McQueen

Other sources:
Interview with the director Steve McQueen, mubi.com 2 Interviews with Steve McQueen
Interview with the director Steve McQueen
Interview with cinematographer Sean Bobbitt
Sean Bobbitt: Cinematography masterclass
David Costill, ‘On long takes: Hunger’, cutprintfilm.com
Rjurik Davidson, ‘Northern Ireland and the cold eye of Steve McQueen’s Hunger, overland.org.au
Mark Olsen, Hunger director’s long shot comes with a payoff’, thelatimes.com

Editing and production by Lily Austin and James Brailsford, original theme music by James Brailsford. 

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Mustang dir. Deniz Gamze Ergüven17 Nov 202200:32:51

<<<Spoiler alert>>>
The spoilers are full-on this week. Watch Mustang here to avoid hating us.

Films and TV shows referenced:
Mustang (2015) dir. Deniz Gamze Ergüven 
The Florida Project (2017) dir. by Sean Baker
The Virgin Suicides (1999) dir. by Sofia Coppola 
Kings (2017) dir. Deniz Gamze Ergüven 
The Handmaid’s Tale (2017-present) created by Bruce Miller
Perry Mason (2020-present) created by Rolin Jones and Ron Fitzgerald

Other sources:
Interview with the director and cast
DP/30 interview with the director
Q&A with the director for Cannes
Roselyn Abbot, Mustang: Learning from experience’, Journal of Analytical Psychology
Fiona Handyside, ‘The Politics of Hair: Girls, secularism and (Not) the veil in Mustang and other recent French films’, Paragraph
Susan King, Mustang is it’s director’s message to Turkey about modern girls’, latimes.com
Zeynep KOÇER, ‘Realism as a tool to develop authenticity: Orientalism in Mustang’, Gümüşhane University Journal of Social Sciences Institute

Editing and production by Lily Austin and James Brailsford, original theme music by James Brailsford. 

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Hero dir. by Zhang Yimou10 Nov 202200:31:37

<<<Spoiler alert>>>
Don’t let us ruin the twists and turns - watch Hero on NowTV before you listen. 

Films referenced:
Magic Circle (2003) dir. by James Brailsford
Hero (2002) dir. by Zhang Yimou
In The Mood For Love (2000) dir. by Wong Kar-wai

Other sources:
Liza Bear, ‘Fighting for Peace (and Art Films), Zhang Yimou on Hero, indiewire.com
Mark Brent Ellsworth, The Hero Fallen: Zhang Yimou and the Question of Unstable Authorship
Christopher Doyle on the cinematography of Hero, theasc.com
Vivian Lee, ‘Into/Out of the Critical Divide: The Indeterminacy of Hero
Robert Mackey, ‘Cracking the Colour Code of Hero, nytimes.com
John Millar, Hero’s Martial Art’, eyeforfilm.co.uk

Editing and production by Lily Austin and James Brailsford, original theme music by James Brailsford. 

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Edited and produced by Lily Austin and James Brailsford
Original music by James Brailsford

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Podcast Groovy Movies by Groovy Movies Episodes | My Podcast Data