In this episode of Girls On Film, recorded at the 2025 Glasgow Film Festival, host Anna Smith is joined by co-founder and Executive Producer of the podcast, Hedda Lornie Archbold, to bring listeners exclusive interviews with some of the festival’s stars. They welcome insights from Festival Director Allison Gardner, star of opening gala film Tornado, Kōki, and two of the creative minds behind The Extraordinary Miss Flower. Allison Gardner talks about her highlights of her final year leading the Glasgow Film Festival. Kōki, the rising star of Tornado, opens up about her role as the daughter of a Japanese puppeteer in John Maclean’s thriller. And Emiliana Torrini and Caroline Catz dive into their work on The Extraordinary Miss Flower, a genre-blending love letter to love letters, set to Torrini’s dreamy soundtrack. The Extraordinary Miss Flower will be released in the UK on 9 May 2025. Tornado will be available in cinemas from 23 May 2025. Glasgow Film Festival 2025 runs from 26 February to 9 March 2025. For more information on screenings and tickets, visit the Glasgow Film Festival website https://www.glasgowfilm.org/home March is International Women’s Month, and this year also marks the 20th Anniversary of Birds Eye View Festival, now Reclaim the Frame, a charity championing women filmmakers. The festival will host a Weekender from 7–9 March 2025 at BFI Southbank and Regent Street Cinema, featuring events, screenings, and a special showing of Lollipop, which featured in episode 181 of Girls On Film. For more details, visit reclaimtheframe.org.Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Charlotte Matheson Intern: Anna Swartz Audio editor: Benjamin Cook House band: MX Tyrants Principal Partners: Vanessa Smith and Peter Brewer © HLA Agency

Host Anna Smith brings you an exclusive conversation with Zoe Saldaña, Clément Ducol and Camille, recorded live at London’s Charlotte Street Hotel following a screening of the 13 time Oscar-nominated and 12 time BAFTA-nominated film Emilia Pérez. Directed by Jacques Audiard, this genre-blending musical thriller tells the story of a lawyer who becomes entangled in the world of a cartel boss undergoing a dramatic personal transformation. Starring Karla Sofía Gascón, Zoe Saldaña, Selena Gomez and Adriana Paz, the film is generating awards buzz for its bold storytelling and powerful performances. Joining Anna for this discussion is Oscar-nominee Zoe Saldaña, who plays Rita in the film. She shares her experience collaborating with versatile French filmmaker Jacques Audiard on bringing to life the story of four Latina women, citing how refreshing it was to embody a flawed woman, the character of Rita. She’s joined by Clément Ducol and Camille, the composers and songwriters behind the film’s evocative soundtrack, who share insights into the five-year-long creative process of bringing Emilia Pérez's distinctive musical identity to life. This episode was recorded live on 31 January 2025 and is brought to you in partnership with Netflix. Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Charlotte Matheson Intern: Anna Swartz Audio editor: Alex Jones Sound recordist: Erin Millican House band: MX Tyrants This episode is in partnership with Netflix © HLA Agency

Zoë Kravitz joins Anna Smith to discuss her directorial debut, Blink Twice, while Anna also reports from the 2024 Edinburgh International Film Festival, where she speaks with Daisy-May Hudson about her feature debut, Lollipop. First up, Anna welcomes actor turned writer, director and producer Zoë Kravitz, best known for her roles in ‘The Batman’ and in TV series ‘Big Little Lies’ and ‘High Fidelity’, onto the podcast. With Anna, Zoë discusses the feminist messaging in her slick thriller ‘Blink Twice’. She talks about casting the wonderful Naomi Ackie as Frida, a cocktail waitress who catches the eye of tech billionaire Slater King (Channing Tatum) and is transported to his private island for sundrenched luxury, or so she thinks… Zoë also tells Anna about the writing process behind ‘Blink Twice’, originally titled ‘Pussy Island’, reveals her relief at turning up to set as the director without having to worry about what she looks like, and describes her approach to capturing women on camera to produce a disturbing and believable depiction of gender and power among the megarich. Next up, Anna reports from Edinburgh International Film Festival, where Girls On Film partners on the festival’s Closing Night sçreening of the powerful feminist music documentary, ‘Since Yesterday: The Untold Story of Scotland’s Girl Bands’. Anna catches up with first-time feature director Daisy-May Hudson whose film ‘Lollipop’ is a heartbreaking but hopeful depiction of a mother (Posy Sterling) who battles to regain custody of her children after coming out of prison. Daisy-May speaks about the fierce maternal love of her protagonist Molly, what happens when children are required to parent, as well as the challenges faced by a first time director. Plus: karaoke as a symbol of working class joy! Anna also hears from Karen Needham and Col Needham from the IMDb, plus director of the BFI’s filmmaking fund Mia Bays and costume designer Rachael Fleming about their highlights from the EIFF 2024. Stay tuned for upcoming episodes of Girls On Film as we move into autumn and host Anna Smith heads to Sea Change Film Festival 2024. Find out about their festival, dedicated to women in film at https://screenargyll.co.uk/sea-change-2024/ Films mentioned in this episode: Timestalker - Alice Lowe Xibalba Monster - Manuela Irene Since Yesterday: The Untold Story of Scotland’s Girl Bands - Blair Young, Carla J Easton Blink Twice - Zoë Kravitz Rosemary’s Baby - Roman Polanski To Kill A Wolf - Kesley Taylor Sunlight - Nina Conti Lollipop - Daisy-May Hudson Blink Twice was released in the UK by Warner Bros. Pictures on 23rd August, 2024 Lollipop had is world premiere at the 77th edition of Edinburgh International Film Festival (on August 20th) Since Yesterday: The Untold Story of Scotland’s Girl Bands will hit UK cinemas from 18th October and Glasgow girl band Sophisticated Boom Boom will reform for one night only at a special screening of the film in Glasgow on the night of the release. For more information visit sinceyesterdayfilm.com Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Charlotte Matheson Intern: Jade Evans Audio editor: Benjamin Cook House band: MX Tyrants © HLA Agency

In a live episode recorded at the London Podcast Festival, we chat to some of the women behind two big titles on the small screen: Back To Life and Sex Education. First up, creator and star of Back To Life Daisy Haggard chats to Anna about her darkly comic BBC drama, as the show’s second series hits our screens. From teenage fashion and tamagotchis to social attitudes to female criminals, they discuss the stories behind the series. Plus, she shares her directorial daydreams of helming a feminist Jaws... Next, Chinenye Ezeudu joins us to talk about her role in the Netflix smash Sex Education. She hints at what’s to come for her character Viv in the forthcoming series 3, and gives a glimpse into her own future acting and writing projects. Finally, Chinenye’s collaborator and director of Sex Education series 2 Alice Seabright takes to the stage to talk about her work on the show. We hear about her fab feminist short films and upcoming TV series Chloe -- plus she tells us about her experience of working with top intimacy coordinator Ita O’Brien, and what slug sex has got to do with shooting an intimate scene… All three of our guests give us some stellar watchlist recommendations, and shoutout the women in the industry who have inspired them. Plus, our guests tackle some fascinating questions in a Q&A with our live audience. Other film and TV mentions: Portrait of a Lady On Fire, Titane, True Things, Wildfire, Copilot, Respect, Herself, Breeders, Green Wing, Peep Show, Episodes, Harry Potter, I Give it a Year, The Stranger, The School for Good and Evil, Chloe, Pregnant Pause, End-O, Bridesmaids, Unbelievable, Jaws, Stories We Tell, Away from Her, Diary of a Teenage Girl, Raw, Lost in Translation, One Sings The Other Doesn’t Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Benjamin Cook. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Jess Moon.

From a 70s feminist classic to a musical drama about the Deaf community, this episode is a summer medley of female-focused film chats that were too good to miss. First up, Girlfriends director Claudia Weill chats to Anna about making the 1978 hidden gem, how feminism has changed since the salad days of the second-wave, and busting Jewish screen stereotypes of the era. Next, we hear from two stars of arthouse smash hit and Girls On Film favourite Portrait Of A Lady On Fire -- both of whom have just screened directorial debuts at Cannes. Noémie Merlant tells us about her new film ‘Mi Iubita Mon Amour’, a drama of unexpected romance on a Romanian hen-do gone wrong. Her Portrait co-star Luàna Bajrami shares her empowering snapshot of rebellious girlhood in Kosovo, ‘The Hill Where Lionesses Roar’ -- and of course we talk Céline Sciamma too! And finally the director and star of new musical hit CODA join us to discuss the movie, which takes its name from the acronym for Child Of Deaf Adults. Director Sian Heder talks taking on the extraordinary tale and working with the Deaf community, while star Emilia Jones shares the skills she learned while playing the role -- from American Sign Language to trawler fishing. Other movie mentions: The Heartbreak Kid, Portrait Of A Lady On Fire, La Famille Bélier PODCAST TRANSCRIPT: https://docs.google.com/document/d/124ehjp5C2XWN_-uVERq2015oY0dCVYLx_yWMfmpnaZs/edit?usp=sharing If you'd like to watch Girls On Film on stage then join us at the London Podcast Festival on 9 September 2021: https://www.kingsplace.co.uk/whats-on/words/girls-on-film-2/ Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Emma Butt. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Jess Moon.

From intimacy scenes to industry tips, our fun feminist film chat went down a treat at Latitude Festival’s The Listening Post in July 2021. We were ecstatic to be back on stage for the first time since March 2020! First, Kerry chats to Anna about her directorial debut Topping Out and the short film’s unique depiction of male vulnerability. She further discusses the challenges of filming on scaffolding, explains the importance of the focus puller, and recalls working with director Jane Campion. They have an interesting discussion about the negatively gendered use of the word “difficult”. From Intimacy (2001) to Rare Beasts (2021), keep listening to hear more about Kerry’s acting experiences. Next, our Assistant Producer and occasional Audio Producer Elliana joins Kerry and Anna on stage. She discusses being a young woman trying to break into the film and tv industries, and offers an insight into the inner workings of the Girls On Film podcast over the past year. Stay tuned for tips from both Elliana and Kerry on entering the industry. Other movie mentions: Promising Young Woman, An Angel at My Table, The Piano, Hustlers. Stay up to date with where you can watch Topping Out by following Kerry @KerryFoxActs on Twitter. Elliana recommends visiting the Bill Douglas Cinema Museum, find out more here: https://www.bdcmuseum.org.uk/. And a massive thank you not only to our current team, but to everyone who has contributed to the Girls On Film podcast, including other integral members Jane Long, Tom Whalley, Dan Pugsley, Benjamin Cook, Emma Butt, Kate Archbold, Eddie Charles and Peter Brewer. If you'd like to watch Girls On Film on stage then join us at the London Podcast Festival on 9 September 2021: https://www.kingsplace.co.uk/whats-on/words/girls-on-film-2/ Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Tom Whalley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.

Horror experts and Censor filmmakers talk gender, guts and gore - and the things we might not want to remember… First up, critics Clarisse Loughrey and Leila Latif get to the guts of the exciting new British horror film Censor, celebrating its role in the female horror renaissance. They debate the movie’s meta-messages and share their own experiences of the video nasties era - or, in Clarisse’s case, the stateside ‘Satanic Panic’. Next, Censor director Prano Bailey-Bond and star Niamh Algar join Anna to discuss the retro chiller, set amidst the moral panic of the 1980s video nasties craze. Niamh reveals her experience of playing the movie’s highly-strung film censor Enid, whose repressed trauma rises to the surface thanks to one of the gory slashers she’s handed for the snip. From cult horror to the culture wars, Prano shares her inspirations and fascinating research for the film - plus what it was like to shoot its more stomach-churning scenes! From the feminist highlights of Censor to overdue reappraisals of genre-classics, there’s plenty to chew on for fans of a psychological scare. Censor is in UK cinemas August 20th 2021. Other movie and TV mentions: Saint Maud, Midsommar, Cannibal Holocaust, Driller Killer, The Last House On The Left, The Witch That Came From The Sea, The Texas Chainsaw Massacre This episode is in partnership with Vertigo Releasing. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer Emma Butt. Principal Partner: Peter Brewer. Assistant Producer: Elliana Jay. Assistant Producer and Social Media Manager: Heather Dempsey.

Dan Stevens plays a lovebot in the new female-directed film I'm Your Man... and there's a LOT to discuss! First up, critic and author Terri White joins Anna to talk about the unconventional German rom-com. It stars Maren Eggert as a woman who trials a robot (played by Stevens) designed specifically to please her. Terri and Anna debate the genre of this hybrid movie and discuss its central gender flip. They further unpick the complex character of Alma and celebrate Maren’s memorable performance of her. Next, Anna speaks to the terrific Maren Eggert herself. From working with writer-director Maria Schrader to starring opposite Brit actor Dan Stevens, she shares her experience of making the movie. Which tricky stunt failed to make the cut? What’s it like to perform sex with a robot? And is I’m Your Man a feminist film? Keep listening to find out! Want to find out more about great German films you can watch here in the UK? @kinogermanynowuk is a newly launched channel on instagram and facebook, follow now for all the latest news and exclusive content on German film releasing and streaming in the UK and Ireland. Other movie and TV mentions: Black Mirror, Blade Runner, Her, Weird Science, Little Joe, Toni Erdmann, And Tomorrow The Entire World, Downton Abbey, Night at the Museum. This episode is in partnership with German Films. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer and Assistant Producer: Elliana Jay. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey.

In this bonus episode, we’re bringing you a podcast edition of our ‘Film Industry Post-Pandemic’ panel, created in partnership with the BFI for their Woman With A Movie Camera summit, powered by Jaguar. We assembled a panel of expert women from five corners of the film industry to talk about the future of their fields following the impact of Covid-19. Anna is first joined by Allison Gardner, CEO of Glasgow Film, Claire Vaughan, lead programmer at Cardiff’s multi-artform venue Chapter, and filmmaker, writer and disability advocate Kyla Harris. They share what the pandemic has revealed about the workings of their respective facets of the industry, what changes they made to survive, and how we can hold on to some of those creative innovations to help us thrive in future. Allison shares how she made a success of Glasgow Film Festival despite ongoing lockdowns, and Claire tells Anna how she got creative with programming when cinemas closed their doors. Kyla talks about the impact of the pandemic for people with disabilities -- plus her new project documenting her endeavour to teach a friend her care regime in just one week. The panel also discuss the crucial role of caring and carers in society, and how the film industry can acknowledge and facilitate this better. In a second conversation, filmmaker and Luxor director Zeina Durra joins Anna alongside Eve Gabereau, CEO of Luxor’s female-led distributor Modern Films. They discuss the challenges of releasing an independent movie during lockdown, and how filmmakers and distributors have worked together to achieve successes like Luxor’s in this challenging time. All this and many more strong words from inspiring women. Other TV and movie mentions: Luxor, It's Personal, The Imperialists Are Still Alive! Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer and Assistant Producer: Elliana Jay. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Special Thanks: The BFI Woman With A Movie Camera summit powered by Jaguar.

Anna is first joined by Mia Bays and Be Manzini for a celebration of Sundance Film Festival: London. Mia gives a rundown of the female-directed films playing at the festival, from documentary The Most Beautiful Boy In The World to musical drama CODA. Be talks about responding to films through poetry and delivers a reading of her Sundance-inspired poem. Next up, Anna talks to director and producer Rintu Thomas about Writing with Fire. This feminist documentary follows the movements of India’s only newspaper run by Dalit women. Rintu recalls the thrills and fears of shadowing these daring female journalists. She applauds their passionate and refreshing voices, and reveals how they have empowered her. What do Indian female journalists bring to light, that their male counterparts may not? Finally, director Phyllida Lloyd returns with an update on her emotional drama Herself, a film whose story of domestic violence and housing has evolved in meaning during lockdown. She explains what attracts her to telling women’s stories and remembers that directing Mamma Mia was “a feminist mission”! Other movie mentions: Daughters of the Dust, First Date, In the Same Breath, Zola, Death in Venice, Censor, Pleasure. Sundance Film Festival: London 2021 takes place at Picturehouse Central from 29th July to 1st August. Book here: https://www.picturehouses.com/sundance. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Benjamin Cook. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay. Special Thanks: Felicity Beckett and Edward Lomas.

From Clio Barnard’s hopeful love story Ali & Ava to Eva Husson’s star-studded WWI drama Mothering Sunday, Anna and Wendy look ahead to the most promising female-directed films premiering at Cannes 2021. Their curiosity shifts to Paul Verhoeven’s upcoming lesbian nun movie Benedetta. And finally, it wouldn’t be Cannes without the Palm Dog Award! Next Anna is joined by the director of Black Widow, Cate Shortland. The second female-focused Marvel movie sees Scarlett Johansson reprise her role as the titular superhero who is reunited with her Russian family and espionage past. Anna and Cate discuss sisterhood, Florence Pugh’s pivotal role in the film, and rebuking sexist jokes. Other movie mentions: Tangerine, The Florida Project, The Da Vinci Code, The Hill Where Lionesses Roar, Cow, Red Rocket, The Souvenir Part II, Titane, The Innocents. This episode is in partnership with Rémy Martin. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Emma Butt. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.

Reeling from a screening of First Cow at Picturehouse Central, Mia and Anna join Orla Smith on Zoom for a chat about all things Kelly Reichardt. Her latest film follows the story of a Jewish chef and a Chinese businessman who set out to make their fortune in 1820s Oregon. The critics discuss the film’s tender representation of masculinity, its exploration of American mythologies, and its unique attention to menial tasks. Orla, the executive editor of Seventh Row, gives a background to Kelly’s work, and Mia, the director of Birds Eye View, advises on where to start with her challenging movies. Anna is then joined by academic Chrystel Oloukoï, who further delves into the slowness and whiteness of Kelly’s work. Discussing the video essay she made on Kelly Reichardt’s films, she holds a lens to their indigenous characters and interesting portrayal of settler colonialism. Kelly Reichardt films mentioned: First Cow (2019), Night Moves (2013), Certain Woman (2016), Meek’s Cutoff (2010), Wendy and Lucy (2008), Old Joy (2006), River of Grass (1994). Other movie mentions: Gunda, Jumbo, Lady Boss, Tove, John Ware Reclaimed. Chrystel Oloukoï's visual essay, "The Cinema of Kelly Reichardt" = https://youtu.be/XwuAwQ-WKB0 Orla Smith's book, "Roads to Nowhere: Kelly Reichardt's broken American dreams" = https://seventh-row.com/ebooks/kelly-reichardt-first-cow/ This episode is in partnership with Birds Eye View. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials:
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www.facebook.com/girlsonfilmpodcast
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 Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Emma Butt. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.

What makes a father a feminist? We explore a range of movie dads in this episode to celebrate Father’s Day in the UK. Stay tuned for some great movie recommendations, including docs, dramas, and everything in between! First up, Anna Smith is joined by Ashanti Omkar from BBC Asian Network and the Bagri Foundation London Indian Film Festival. From Bollywood fathers to debatable blockbuster dads, Anna and Ashanti consider the types of dads we see on screen. Can the supportive dad unhelpfully play into the nagging wife trope? And can we really call Liam Neeson’s character in Taken a feminist?! Next up, Anna welcomes actor and father Sanjeev Bhaskar to the show. He reveals the strong female influences in his life and reflects on the powerful women he’s worked with on set. He shares his thoughts on our changing access to female role models over the past few decades and is grateful for his exposure to diverse perspectives. Keep listening to find out what Sanjeev finds bizarre about his father roles in both Anita & Me and Yesterday… Ashanti Movie & TV Mentions: A Quiet Place Part II, In the Heights, Eighth Grade, Juno, I Am Greta, He Named Me Malala, Bend it like Beckham, Ride Like a Girl, Sweetheart, Baby Done, Hair Love (https://www.youtube.com/watch?v=kNw8V_Fkw28), Incredibles 2, Kuch Kuch Hota Hai, Kabhi Alvida Naa Kehna, Gunjan Saxena: The Kargil Girl, Thappad, Pride & Prejudice, Station 19, Zoey’s Extraordinary Playlist, Never Have I Ever, Taken, Armageddon, Kindergarten Cop, Daddy Day Care. Sanjeev Movie & TV Mentions: Goodness Gracious Me, The Kumars at No. 42, Unforgotten, To Kill a Mockingbird (1962), The Apartment (1960), Harry Potter, Marriage Story, M*A*S*H, Anita & Me, Yesterday, Paddington 2, His Girl Friday, Erin Brockovich, Norma Rae (1979), Hidden Figures, Bombshell, Fargo, Wonder Woman, Bhaji on the Beach, Alien, Promising Young Woman, Judi Dench as ‘M’ in the Bond franchise. This episode is in partnership with Rémy Martin. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials:
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www.facebook.com/girlsonfilmpodcast
 www.twitter.com/GirlsOnFilm_Pod
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 Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive Producer: Hedda Archbold. Audio Producer & Assistant Producer: Elliana Jay. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey.

For our 180th episode, Girls On Film gets the festival buzz at Latitude in front of a live audience! First up we hear from host Anna Smith as she boogies to the song ‘Girls On Film’ sung by one of the Latitude headliners, Duran Duran! Plus, Anna had the chance to meet some band members after the show. Also in this episode, Anna is joined by Rachel Ramsay, the co-director of Copa 71, to discuss her brilliant documentary on the scandalously overlooked Women’s World Cup which took place in Mexico City in April 1971. With Anna, Rachel discusses the process of uncovering this compelling forgotten story and reaching out to the women from Argentina, Mexico, Denmark, France, England and Italy who played in the tournament to participate in the doc. Rachel shares some of the triumphs and challenges of creating a multilingual documentary that positions older women as subjects. She also talks about the ‘archaeologist’s mission’ of scouring the archives to bring Copa 71 to the big screen. Copa 71 can be seen in an abridged version on BBC iPlayer. Listeners in the UK can stream it in full on iTunes, Sky, Google, Amazon, Microsoft, BFI Player, Virgin and Dogwoof on demand. Other films mentioned: Calendar Girls Bend It Like Beckham Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Charlotte Matheson Intern: Jade Evans Audio editor: House band: MX Tyrants © HLA Agency

Fancy watching a fantastic documentary? This episode is full of recommendations, as we celebrate the world-renowned British documentary festival, Sheffield DocFest. First up, Anna talks with Festival Director Cíntia Gil about how this year’s Sheffield DocFest has come together. Cíntia selects a few of her favourite female-focused docs, that include everything from polyamorous weddings to weight lifting! Anna and Cíntia reflect on the surge of feminist reformative histories and new wave of female-directed docs. Is there a gendered gaze?  Next up, critic Simran Hans tells Anna why Sheffield DocFest is a special place for her. Together, they review the tumultuous personal portrait Charm Circle and the coming-of-age trans story If God Were a Woman. Simran recommends the clever and impactful short film, They Won’t Call It Murder.  Anna’s final guest is the director, producer and cinematographer of This Stained Dawn, Anam Abbas. This thoughtful doc explores the feminist movement in Pakistan. Anam details the important impact of marching and hopes her film will connect feminists across borders. She talks sisterhood, shocking moments, and what it means to be a part of Sheffield DocFest. Docs mentioned: Charm Circle, This Stained Dawn, My Name is Pauli Murray, Lift Like a Girl, If God Were a Woman, They Won’t Call It Murder. They Won’t Call It Murder clip – Courtesy of Field of Vision   This episode is in partnership with Sheffield DocFest. Book tickets at sheffdocfest.com Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast
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 Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Emma Butt. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.

Feminism, faith and ferries to France… actor Joanna Scanlan tells Anna all about her new leading role in the film After Love. Written and directed by Aleem Khan, this tense, personal drama follows Mary (Joanna) as she uncovers her late husband’s secret. When questioned on the feminist angle of the film, Joanna makes an interesting point about our double standards on male and female bodies when it comes to a particular scene. Anna and Joanna also discuss the complex clash between the central female characters, what it was like preparing for the role, and their favourite scenes. Listen to the end to find out how Joanna’s been shaking off sexual shame in lockdown! Other Movie and TV mentions: The Thick of It, Notes on a Scandal, Pin Cushion, Girl with a Pearl Earring, Bridget Jones' Baby. #AfterLove @BFI @britishfilminstitute Sex Lives: http://www.instagram.com/sex_lives/ Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer and Assistant Producer: Elliana Jay. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey.

Anna takes a deep dive into Disney’s recent projects, exploring how far they’ve come in terms of female representation and diversity. Critic Larushka Ivan-Zadeh feels right at home discussing all things Disney and Pixar. She tracks the evolution of Disney princesses and celebrates the multiple complex female characters of Raya and the Last Dragon. From warriors to wretches, the discussion turns to Cruella. Anna and Larushka share their thoughts on the new villainous origin story, the female rivalry at the centre of the film, and the brilliant performances from Emma Stone, Emma Thompson, and a cast of canines! Larushka also gives a review of the new horror film A Quiet Place Part II. Next up, screenwriters Adele Lim and Osnat Shurer explain what it means to them to create Disney’s first Southeast Asian warrior-princess. They talk about developing the movie with positive gender representation in mind, including the decision to have multiple leading female characters. They also pinpoint why representation behind the scenes is so important to onscreen diversity. Finally, the Director of Disney’s new Launchpad initiative, Mahin Ibrahim, joins Anna to offer an exclusive insight into how this new programme is aiming to bring to light underrepresented stories. American listeners stay tuned for some exciting opportunities! Other TV & Movie mentions: Snow White, Enola Holmes, Wonder Woman 1984, Frozen, Fleabag, Beauty and the Beast. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Emma Butt. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.

Mental health, gender disparities, beastly characters, and musicals. Billie Piper joins Anna Smith to talk about her bold writer-director debut Rare Beasts. The film sees single mother Mandy (played by Billie) pursue a relationship with an openly misogynistic man (Leo Bill). From insecurities to inspirations, Billie shares the process of building this bleakly comic story. She also raves about working with friend-of-the-pod Kerry Fox, and reflects on her first experience of directing men. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Emma Butt. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.

Anna delves into Channel 4’s urgent new documentary Sex, Myths and the Menopause with director Linda Sands and producer Kate Muir. Presented by Davina McCall, this show dispels the taboo surrounding menopause and demands that we start to have open conversations on the subject. Kate shares the personal experiences that compelled her to write a book and produce the film. Linda describes working with Davina and how she set the tone for the doc. They then explore the limited – and often terrible – representations of menopause in the movies. Next, Anna is joined by GP and women’s health expert Dr Nighat Arif to discuss the mental and physical wellbeing of women before, during and after menopause. Dr Nighat discusses the part she played in the Channel 4 doc and explains the importance of recognising the intersectionality of menopause – it is not just a ‘white woman problem’. She reveals she is a bit of a film buff and picks out some on screen menopause moments with Anna. This discussion is jam-packed with useful medical tips and uplifting messages for all! Find out more about the doc here: https://www.channel4.com/programmes/davina-mccall-sex-myths-and-the-menopause Start your research here: International Menopause Society: www.imsociety.org Menopause Matters: www.menopausematters.co.uk The Menopause Charity: www.themenopausecharity.org #ActingYourAgeCampaign – http://www.mrsnickyclark.com/-acting-your-age--campaign.html Movie & TV Mentions: Nomadland; Three Billboards Outside Ebbing, Missouri; Olive Kitteridge; The Hot Flashes; Something’s Gotta Give; The Piano; Top of the Lake; Sex and the City 2; Fleabag; Call My Agent; Bombay Begums; House of Cards; The Golden Girls; Desperately Seeking Susan. Dr Nighat Arif: @DrNighatArif Kate Muir: @muirkate Linda Sands: @LindaBSands1 Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Emma Butt. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.

Discover the unsung female pioneers of electronic music in our Sisters With Transistors special. This one’s a real treat for your ears! First up, Anna is joined by collaborators on the doc: writer-director Lisa Rovner and pioneer Suzanne Ciani. Lisa explains the process of finding archive footage and constructing the ‘herstory’. From Buchla concerts to making music for the movies, Suzanne recalls her experience of being a female composer in the 70s and 80s. She remembers being one of the first women to solo score a Hollywood movie, The Incredible Shrinking Woman, in 1981. Keep listening for Suzanne’s discovery of a female film composer working in the 40s! And stay tuned for advice if you're keen to follow in her footsteps. Next, Anna chats to contemporary electronic composers Shiva Feshareki and Elizabeth Bernholz (aka Gazelle Twin). They recount their careers so far and talk about the unexpected positives of working in a male-dominated industry. Shiva explains how she got involved with Sisters With Transistors, and Elizabeth describes her powerful emotions when watching it. Together, they discuss the pioneers they look up to and those they have discovered through the doc. Other movie mentions: A Life in Waves (2017), Delia Derbyshire: The Myths and Legendary Tapes (2020), The Power (2021). This episode is in partnership with Modern Films. https://www.modernfilms.com/ Shiva Feshareki music: White Dwarf, from Nebula - a release due to come out on Vinyl with Matière Mémoire on 25th May / https://soundcloud.com/shivafeshareki NTS Live at Uniqlo Tate Lates, manipulating Daphne Oram and more: https://www.youtube.com/watch?v=At3Y93M_HkA Elizabeth Bernholz / Gazelle Twin music: The Well is featured on the OST for The Power: https://invada.bandcamp.com/album/the-power-original-motion-picture-soundtrack Unflesh is featured in Nocturne: https://invada.bandcamp.com/album/welcome-to-the-blumhouse-nocturne-amazon-original-soundtrack Suzanne Ciani music: Buchla concerts in NYC in 1975 Delia Derbyshire: Doctor Who theme Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Emma Butt. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.

We bring you a dark comedy double bill with the women behind new releases Black Bear and I Blame Society. First, Anna welcomes seasoned guest, film & tv critic Rhianna Dhillon, to catch up on the awards season. They share their thoughts about this year’s EE British Academy Film Awards winners, from Promising Young Woman to Nomadland, and place their bets for the Oscars. Are more diverse filmmakers and actors being recognised this year? Next up, actress and producer Aubrey Plaza joins Anna to talk about her role as Allison in Black Bear. This artistic comedy-drama centres an actress on a difficult film shoot in a remote location. Delving into the themes of the film, Aubrey considers the harmful myth of the ‘genius’ director and why it’s important for actors to feel safe on set. She further describes her relationship with feminism and recalls a time she spoke up for a poorly written female character. Keep listening for an exclusive insight into Aubrey’s upcoming projects! Finally, writer-director and actress Gillian Wallace Horvat tells Anna how her short doc evolved into the murder mockumentary I Blame Society. Another film-within-a-film, this funny thriller sees a struggling director decide filmmaking and killing are not so dissimilar. Gillian reveals the personal experiences that inspired her to make the film and speaks her mind on the term “strong female lead”. She also reflects on how female horror directors are sometimes treated differently to their male counterparts. Other movie and TV mentions: After Love, Sound of Metal, Mogul Mowgli, Promising Young Woman, Rocks, Nomadland, My Octopus Teacher, Mike and Dave Need Wedding Dates, Happiest Season, Parks and Recreation, The Untitled Guy Ritchie Movie, David Holzman’s Diary, Gone Girl, Prevenge, I Care A Lot, The Last Seduction, To Die For, Species, Melancholia. This episode is in partnership with Rémy Martin. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Emma Butt. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.

In this episode, we chat to two awards-nominated filmmakers about their very different female-focused films. Anna’s first guest is Shannon Murphy, director of Girls On Film favourite, Babyteeth. This darkly comedic drama finds seriously ill teenager Milla (Eliza Scanlan) falling in love with drug dealer Moses (Toby Wallace). Shannon describes her initial reaction to the script, delves into the complex relationship between mother Anna (Essie Davis) and daughter Milla, and unpicks THAT dinner scene. She also celebrates her female Heads of Department, including production designer Sherree Phillips, costumer designer Amelia Gebler, and hair and makeup designer Angela Conte. Don’t miss out on an exclusive insight into Shannon’s work on the exciting TV adaptation of Naomi Alderman’s The Power. Next, Anna dives into My Octopus Teacher with co-writer and co-director Pippa Ehrlich. This wildlife documentary follows diver Craig Foster as he forms an unlikely friendship with a female octopus. Pippa recalls first meeting Craig and explains why his octopus story resonated with her. They discuss some surprising animal encounters and how this story has an unexpected feminist angle. Keep listening for Pippa’s great advice for young filmmakers! Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Tom Whalley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.

AaaaWoooo! Anna goes running with the wolves in this episode as she talks to some of the team behind magical animation Wolfwalkers, which has been nominated for Animated Film at the EEBAFTA Film Awards 2021. In 1650s Ireland, an unlikely friendship forms between apprentice hunter Robyn (Honor) and free-spirited girl Mebh (Eva), who comes from a mysterious tribe rumoured to transform into wolves by night. Anna first delves behind the scenes with producer Nora Twomey. Nora recounts her route into filmmaking and the genesis of Cartoon Saloon, the animation studio she co-founded. They discuss the power and responsibility of family animation, narrowing in on the important messages that Wolfwalkers highlights. From the process of voice casting the two female leads, to the unique animation style that veers away from the “princess image”, there is lots of inspiring feminist chat to wrap your ears around! Next up, young voice actors Honor Kneafsey and Eva Whittaker join Anna for a fun chat about their characters Robyn and Mebh. They talk about female friendship, how their characters are positive role models for young girls, and the actresses that inspire them. They further give us an insight into the world of voice acting and how they juggle acting with school work. Keep listening for tips on how to be a wolf! Other movie and TV mentions: Big Hero 6, Stranger Things, The Secret of Kells, From Darkness, The Breadwinner Watch Wolfwalkers @AppleTV here: apple.co/wolfwalkers Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Emma Butt. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.

In this episode, we mark the release of revenge thriller Promising Young Woman by discussing the important debates on sexual harassment taking place in the UK. CW: This episode contains discussions of sexual assault. Anna is first joined by film critic and broadcaster Leila Latif to delve into Promising Young Woman and talk about some of the relevant issues it raises. She discusses her brilliant article on ‘Nice Guys’ in the movies and recommends a thought-provoking documentary to accompany your viewing of Promising Young Woman. Anna and Leila think about past depictions of sexual assault on screen and how our understanding is slowly changing for the better. Next, Ammaarah Zayna talks to Anna about her activism and experience as a frontline gender-based violence worker. She discusses the Sarah Everard vigil and the importance of calling out all forms of gender-based violence. As a woman of colour, Ammaarah shares her thoughts on police brutality and the frustrations of not feeling heard until more privileged women speak up. She points out that film is a tool that can not only change perceptions, but that filmmaking can be a healing process for survivors. Finally, ex-police officer and campaigner Susannah Fish opens up to Anna about the shocking sexist obstacles she faced when joining the police force in the 80s. Considering the proposal to place undercover cops in bars, Susannah recounts a horrifying history of undercover policing. She further discusses her campaign for misogyny to be recognised as a hate crime and why we must transform the education of our boys and men. Promising Young Woman is on Sky Cinema and NOW from April 16 2021. Other Movie and TV mentions: I Care A Lot, The Accused, Red Roll Red, Violation, Saint Maud, Sex and the City, Nomadland & Chloe Zhaó’s previous works, the works of Ousmane Sembène, I May Destroy You, Big Mouth. Leila Latif’s article on ‘Nice Guys’: https://lwlies.com/articles/the-noble-stalker/ LevelUp: https://www.welevelup.org VAWG survey: https://act.welevelup.org/surveys/22 Ammaarah’s article on NRPF survivors: https://www.independent.co.uk/voices/domestic-violence-vawg-migrants-b1802351.html# Ammaarah’s website: https://www.ammaarahzayna.com Our Streets Now website: https://www.ourstreetsnow.org 16Days16Films: https://www.16days16films.com/ 16Days16Films x Girls On Film 2020 Awards: https://youtu.be/z7Qd3bIpIwo Article on Australian campaign & how men can help women to feel safe: https://www.stylist.co.uk/life/walk-like-a-woman-campaign-tips-for-men-make-women-feel-safe-street/252236 Sisters Uncut: https://www.sistersuncut.org/ Ammaarah’s Instagram: @_azayna Leila Latif’s Twitter: @Leila_Latif Susannah’s Twitter: @SusannahFish Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Emma Butt. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.

Anna Smith speaks to director Susan Seidelman about her highly anticipated new memoir, Desperately Seeking Something, as well as Rosanna Arquette, who starred in Seidelman's 1985 cult classic, Desperately Seeking Susan. Anna begins by speaking to Susan Seidelman about her memoir and her recollections of working with Madonna and Rosanna Arquette. Susan talks about the explosion of Madonna’s stardom during filming, sharing some of her cherished memories from that time. She reflects on the enduring cultural impact of Desperately Seeking Susan as well as more broadly on her career. Next, Anna speaks to Rosanna Arquette about her memories of starring in Desperately Seeking Susan. Rosanna talks about the celebrated female friendship between her and Madonna’s much-loved characters in the film, and how that translated into their off-screen friendship, sharing some of her hilarious highlights of working with Madonna. Rosanna also talks about the Time’s Up movement, discussing her powerful allyship with the other women who were amongst the first to speak out against Harvey Weinstein, and sharing insights into the monumental impact that it had on her life. Susan Seidelman’s memoir Desperately Seeking Something: A Memoir about Movies, Mothers, and Material Girls is published by Macmillan Publishers and is available online and in bookstores in the US, and through Amazon and Blackwells in the UK. UK Blackwells: https://tinyurl.com/4xfnn8ud UK Amazon: https://tinyurl.com/2z6uakkt US Macmillan: https://tinyurl.com/3z8hnp9c US Amazon: https://tinyurl.com/26ub6sas Trigger warning: The interview with Rosanna Arquette in this episode contains potentially upsetting conversations relating to Harvey Weinstein. This episode also contains very strong language. Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Other films mentioned: Desperately Seeking Susan Smithereens After Hours Basic Instinct Thelma and Louise Midnight Cowboy The Graduate Sex and the City The Sopranos She Devil Baby It’s You The Linguini Incident Searching for Debra Winger

Anna goes searching for buried treasure with two fascinating creators of The Dig (Moira Buffini and Gabrielle Tana) and brilliant actress Monica Dolan. They unearth the true lives of the film’s female characters, behind-the-scenes stories, and more. First up, Anna and screenwriter Moira discuss why The Dig has been such a popular lockdown watch. Moira delves into the process of adapting the book and how she brought to life the characters of Edith (Carey Mulligan) and Peggy (Lily James). On the subject of picking projects with interesting women, Moira also reflects on creating the popular TV series Harlots and her adaptation of Jane Eyre. Next, Anna catches up with Monica on her performance as May Brown, the wife of archaeologist Basil Brown (Ralph Fiennes). Monica describes working opposite Ralph and explores the pivotal role her character has. From the struggle to shake a Suffolk accent, to the training it takes to suppress a shiver, Monica gives us a picture of life on set. Finally, producer Gabrielle talks to Anna about putting together a “creative family” for the making of The Dig. She speaks fondly of casting director Lucy Bevan, production designer Maria Djurkovic, and costume designer Alice Babidge, among others. She also explains why she thinks women make good producers. Other TV and Movie Mentions: Call My Agent!, Honeyland, Philomena, Harlots, Jane Eyre (2011). This episode is in partnership with Netflix. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Dan Pugsley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.

Anna talks to two British rising stars about their career prospects and what it feels like to be up for a BAFTA Film Award. CW: This episode includes discussion of sexual assault. First up, Saint Maud star Morfydd Clark tells Anna about working with writer-director Rose Glass on her horror hit. Expressing sympathy for her character Maud, she explains the importance of educating young women with ADHD and autism on consent. Morfydd also recalls her first film job on The Falling and celebrates the safe and artistic environment that writer-director Carol Morley created for girls on set. Keep listening for Morfydd’s funny story on standing up to male directors and her insight into reading scripts with dyslexia. Next, Anna is joined by Rocks lead Bukky Bakray. Plucked out of secondary school by director Sarah Gavron, Bukky explains the X-Factor like casting process for her first professional role. She recalls the joys of meeting open-minded women, works through her ideas of feminism, and pinpoints the importance of intersectionality. Did Rocks almost end up on YouTube? Is Viola Davis a real person? Bukky muses on these topics and more. Other TV and movie mentions: I May Destroy You, Mr Robot, Judas and the Black Messiah, Ma Rainey’s Black Bottom, You Don’t Know Me (coming soon). Bukky’s reading recommendations: Gloria Watkins aka bell hooks and Toni Morrison. For more on Saint Maud, find our interview with Rose Glass in Episode 60, and to delve further into Rocks, you can listen to Sarah Gavron in Episode 26. EE Rising Star Details: https://www.bafta.org/film/news/ee-rising-star-award-2021 https://ee.co.uk/why-ee/ee-baftas Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Dan Pugsley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.

Hear from a host of women who have been working behind the scenes this past year to bring you amazing female-led films… and behold the launch of our 365 days of feminist film recommendations! First up, co-founder of Raising Films, Hope Dickson Leach, updates us on a recent study undertaken by the initiative. She reveals the negative impact that working from home has had on parent and carer filmmakers during lockdown, and suggests what can be done to improve working conditions in the future. Anna is then joined by three women from the thriving feminist production and distribution company Modern Films: Founder and Managing Director Eve Gabereau, Marketing and Distribution Manager Jacqueline Wang, and Digital Design and Social Media Manager Eva Zvendeniuk. They reflect on the ways Modern Films adapted to lockdown, thinking back to our first partnered Isolation Pod on The Perfect Candidate. They also share their favourite releases from the past year and kick off our feminist film recommendations endeavour with some fantastic suggestions! Stay tuned for cameos from some industry friends, including Rebecca del Tufo from Saffron Screen, Sonia Zadurian from the Barbican Centre, and Claire Vaughan from Cardiff’s Chapter Cinema. Finally, join us for a throwback to some past Girls On Film guests! Movie Mentions: Beyond the Visible: Hilma af Klint, Mr Jones, The Perfect Candidate, Misbehaviour, Wildfire, Poly Styrene: I Am A Cliché, Lady Bird, Nomadland, Petite Maman, The Portrait of a Lady On Fire, My Life as a Courgette. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Dan Pugsley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.

Our feminist picks of this year’s Glasgow Film Festival. Anna delves into personal punk rock doc Poly Styrene: I Am A Cliché and witty coming-of-age Sweetheart with cast and crew. First, Celeste Bell reveals what it was like to make a film about her mother, the punk icon and X-Ray Spex frontwoman, Poly Styrene. Weaving archive footage with Celeste’s narration, the documentary unpicks Styrene’s eccentric and multi-layered life, and explores the effect fame had on life at home. Celeste shares the challenges of piecing together such a personal film and how the process changed her relationship with her late mother. Next, writer-director Marley Morrison and actor Ella-Rae Smith join Anna to discuss crushes and caravan parks in Sweetheart. Marley pinpoints where the film draws on personal experiences and explains the importance of creating an uplifting lesbian love story. From Friday night discos to the magic of no phone signal, Ella reminisces about the fun they had behind the scenes. Marley and Ella also discuss the build-up to the intimate scene, having lots of women on the crew and working with Jo Hartley. Keep listening for even more GFF21 watching recommendations. Other mentions: This Is England; Dead Man’s Shoes; Angus, Thongs and Perfect Snogging; Lady Bird; Séance; The Lost Girls. This episode is in partnership with Glasgow Film Festival and was part of the 2021 Industry Programme. You can watch Poly Styrene: I Am A Cliché from 5 March here: www.modernfilms.com/polystyrene/watch Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Tom Whalley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.

We are honoured to bring you an extra special episode with legendary activist Mother Akua (formerly known as Deborah Johnson), and the actress who plays her in Judas and the Black Messiah, Dominique Fishback. Directed by Shaka King, this film recounts the true events that unfolded when an FBI informant infiltrated the Illinois Black Panther Party to keep tabs on their leader, Chairman Fred Hampton, played by Daniel Kaluuya. Central to this story is the love between Fred and fellow revolutionary Deborah Johnson. Mother Akua and Dominique Fishback come together in this emotional, inspiring and fascinating discussion to reveal what it was like to work on this film. Mother Akua shares her initial reaction to the movie being made and talks about seeing herself in Dominique’s brilliant performance. Equally, Dominique comments on the responsibility that comes with playing a real person and considers how this role has changed her. From charitable programmes to poetry, they unpick Mother Akua’s experiences in the Illinois Black Panther Party and how these were woven into the film. Dominique also recalls giggling through a kiss scene with Daniel! This episode is in partnership with Warner Bros. UK. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Dan Pugsley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.

We travel back to 1920s Chicago in this episode that celebrates the Netflix Original film, Ma Rainey’s Black Bottom. Starring Viola Davis as Ma, this musical drama tunes into one particular recording session of the famed blues singer. Anna chats to star Taylour Paige, casting director Avy Kaufman and critic Akua Gyamfi. Anna first chats to critic Akua about Viola’s exceptional portrayal of the musical icon. They explore the character’s image, sexuality, fame and unapologetic truth. Finding Ma Rainey relevant to the present day, Akua imagines her as a 21st century influencer, and reflects on Black women in the music industries. Whether busting conventions or being busted for lesbian orgies, Ma sparks endless intrigue and admiration. Anna is then joined by Taylour Paige who stars as Ma’s girlfriend Dussie May. Taylour unpicks her character’s role in the film and praises George C. Wolfe’s direction for allowing her to be playful. She also reveals what it was like to work with Viola both onscreen and offscreen… apparently she is quite the comedian! Finally, Anna welcomes Avy Kaufman to the podcast - our first casting director guest! Avy gives us an insight into the world of casting. She explains how she cast actors around Viola and why it was important to get the dynamic right between her and Taylour. More generally, Avy comments on bringing diversity to the screen, how the casting process has changed during the pandemic, and what makes a good casting director. This episode is in partnership with Netflix. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno www.twitter.com/netflixuk Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Tom Whalley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.

In this episode, we take a deep dive into the Netflix Original film Pieces of a Woman. This drama stars Vanessa Kirby as Martha, a woman who tragically loses her child after a home birth. Vanessa talks to Anna about how she prepared for the role. She details the research she undertook to learn about pregnancy, giving birth, and the processes of grief. She also describes having a pyjama party with Ellen Burstyn! Looking back at Vanessa’s career, they discuss what she looks for in a character, citing Margaret from The Crown as a particularly interesting part. On approaching blockbuster roles, Vanessa talks Mission Impossible and dreading sports day at school! Critic Jessica Kiang joins Anna to delve into Pieces of a Woman further. They celebrate Vanessa’s extraordinary performance and the breath-taking opening sequence. The critics discuss how the intimacy between writer Kata Wéber and her partner, director Kornél Mundruczó, comes across on screen. Jessica particularly enjoys how Kata and Vanessa have worked together to make Martha a relatable woman. Jessica’s recommendations: Proxima and Dick Johnson Is Dead (both on Netflix UK now). Other movie mentions: Three Sisters, The World To Come, White God, Jupiter’s Moon. CW: this episode discusses the loss of a baby. If you are affected by the content of this podcast, you can find support at Sands, a stillbirth and neonatal death charity. www.sands.org.uk This episode is in partnership with Netflix. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno www.twitter.com/netflixuk Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Tom Whalley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.

Anna Smith has two open, feminist discussions with two great actresses. First up, Rosamund Pike talks about her latest movie, the fast-paced thriller I Care A Lot. She has received a Golden Globe nomination for her performance as Marla Grayson, a ruthless businesswoman who exploits the care home system. Rosamund sings the praises of Dianne Wiest and reveals her pride in the film’s LGBTQ+ representation. On sex scenes, she reveals a ‘graphic’ scene that didn’t make the cut, and discusses the introduction of intimacy coordinators on set. Next, Anna chats with Stacy Martin about her recent roles in sci-fi film Archive and serial killer series The Serpent. Stacy considers the challenges she has faced in her career, including the backlash she received for her first film Nymphomaniac. She also delves into how she chooses her roles and why she tries to swerve the love stories. In this chock-full feminist chat, Stacy discusses the pay gap, sitting on the 16 Days 16 Films jury, and why she loves podcasts! Stacy recommends The Ripper on Netflix, and Rosamund expresses her love for Chloé Zhao’s Nomadland. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Tom Whalley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.

Joining Anna for a lively Wonder Woman 1984 debate are Empire critic Helen O’Hara and F-Rating’s Holly Tarquini. They first discuss Helen’s new book Women vs. Hollywood: The Fall and Rise of Women in Hollywood, which is available from February 18th 2021. Helen shares some surprising facts on women’s roles in silent cinema and celebrates the increasing number of opportunities for women in film today. Perhaps representative of this positive change is the rebooted Wonder Woman franchise, helmed by Patty Jenkins. The newest instalment is Wonder Woman 1984, it's a fluorescent sequel that sees Diana Prince (Gal Gadot) face two new villains: Barbara (Kristen Wiig) and Max Lord (Pedro Pascal). A female-led superhero film co-written and directed by a woman sets the groundwork for a surefire feminist success, but does it hit the mark? With opposing opinions, Anna, Helen and Holly debate everything from how the film tackles sexual harassment to the backstories of the villains. Decide for yourself by renting Wonder Woman 1984 on demand. Find Holly Tarquini: @hollytarq @F__rating @FilmBathUK Find Helen O’Hara: @HelenLOHara @empiremagazine Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive Producer: Hedda Archbold. Audio Producer: Tom Whalley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Assistant Producer: Elliana Jay.

With awards season approaching, we delve into Germany’s Oscar-entry And Tomorrow the Entire World. This urgent political drama follows new Antifa member Luisa (Mala Emde) as she finds her feet in Germany’s anti-fascist organisation. Anna’s first guest is the writer-director Julia von Heinz. Having based the film on personal experience, Julia talks about the terrifying moments she faced as a young Antifa member and how she tried to replicate that fear and frenzy onscreen. She further delves into the cinematography choices she made with DOP Daniela Knapp and recalls the casting process for her female protagonist. Anna and Julia discuss the powerful effect of a song and why the film is sadly so relevant today. Next, Anna is joined by critics Emma Jones and Tara Judah. Together they unpack the film’s central female friendship and explore its portrait of youth. Prompted by her favourite scene, Emma dreams of life in a commune. From protests to pregnancy tests, the critics then turn to Kiwi comedy Baby Done. They talk about the pressures of impending motherhood, and praise the depiction of a woman who's conflicted by her pregnancy. Finally, they offer a teaser review of upcoming revenge thriller Promising Young Woman. Other movie mentions: Hunt for the Wilderpeople, The Breaker Upperers This episode is in partnership with German Films. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Tom Whalley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.

In this episode, Anna Smith speaks to the creators behind Prime Video’s new series, My Lady Jane, including creator/writer Gemma Burgess and writer Meredith Glynn, as well as the executive producer of My Lady Jane, the legendary Laurie MacDonald. Anna begins by speaking to Gemma Burgess and Meredith Glynn about the creation of the series, including the inspiration they found in their shared love of films from the 80s and 90s, and how keen they were to bring the playful tone of those films into the series. They discuss their exciting revisionist approach to history and the importance of the representation of women both behind and in front of the camera. Next, Anna speaks to Laurie MacDonald, who was the co-head of Amblin Entertainment and the co-president of DreamWorks, and together with her husband has produced the Men in Black series, Gladiator, Minority Report, and The Trial of Chicago 7, as well as American Beauty and Free Solo. They talk about what first attracted her to adapt the book, about the depiction of women through a female gaze, and the way that the production celebrates diversity. She speaks more broadly about how things have changed for women in both the industry and gender dynamics and offers advice to listeners who are looking to work in the film industry. Thank you to our partners for this episode, Prime Video. My Lady Jane will be available on Prime Video on 27 June 2024. Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up. Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Other films and television series mentioned: The Boys (Eric Kripke) Buffy the Vampire Slayer (Joss Whedon) Blackadder (Rowan Atkinson, Ben Elton, Richard Curtis) The Princess Bride (Rob Reiner) Robin Hood Prince of Thieves (Kevin Reynolds) Ladyhawke (Richard Donner) A Knight’s Tale (Brian Helgeland) Shakespeare in Love (John Madden) Romeo and Juliet (Baz Luhrmann) Lady Jane (Trevor Nunn) Bridgerton (Chris Van Dusen) Still Star-Crossed (Heather Mitchell) Back to the Future (Robert Zemeckis) Clueless (Amy Heckerling) Crocodile Dundee (Peter Faiman) Broken Arrow (John Woo) Young Guns II (Geoff Murphy) Twilight (Catherine Hardwicke) My So-Called Life (Winnie Holzman) Men in Black series (Barry Sonnenfeld) Gladiator (Ridley Scott) Minority Report (Steven Spielberg) Trial of the Chicago Seven (Aaron Sorkin) American Beauty (Sam Mendes) Free Solo (Jimmy Chin, Elizabeth Chai Vasarhelyi) Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Intern: Jade Evans Audio editor: Emma Butt House band: MX Tyrants © HLA Agency

Join us as we explore Sweden’s Oscar-contender Charter. This moving drama follows Alice as she abducts her two children for a trip to the Canary Islands whilst awaiting the outcome of a custody verdict. Anna talks to writer-director Amanda Kernell and leading actor Ane Dahl Torp about the film’s themes of divorce, motherhood, and kidnapping. Amanda and Ane also consider the dynamics of working with children and teenagers on set, and recall their first impressions of each other. Anna then takes a deep dive into the film with critic Hanna Flint. They praise the complex mother-daughter relationship presented on screen and discuss the brilliant karaoke scene. Talking about the complexities of divorce, they make comparisons with Kramer vs Kramer. Hanna’s movie recommendations: The Mauritanian (2021), Un Prophète (2009). Other movie mentions: A Few Good Men (1992), The Escape (2017). This episode is in partnership with Nordisk Film. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Tom Whalley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.

In the latest isolation pod, Anna chats to two creatives who are championing complex female characters in film, including intimate insights into women’s mental health. Anna first chats to Tuppence Middleton, the star of mystery-thriller Disappearance at Clifton Hill. Inspired by the personal experiences of writer-director Albert Shin, the film follows Abby, a young woman haunted by childhood memories of witnessing a possible kidnapping. Tuppence talks about playing a flawed female protagonist and delves into the intricacies of Abby’s mind. She further explains how she found a convincing bond with her onscreen sister and takes a look back at her career so far, reflecting on past feminist roles. Anna then talks to writer-director Rose Glass, whose debut feature Saint Maud achieved critical acclaim when it hit cinemas last year. This psychological-horror film follows Maud (Morfydd Clark), a reclusive nurse who becomes obsessed with saving the soul of her dying patient (Jennifer Ehle). Rose unpacks the individual acting styles of Morfydd and Jennifer, and dives into how she brought the complex character of Maud to life. They also discuss the surprising style of the film, Rose’s cinematic influences and the use of William Blake in the story. Saint Maud is available on DVD, Blu Ray and digital from 1st February 2021. Disappearance at Clifton Hill is on Netflix in the UK now. Other movie mentions: Trap for Cinderella, A Woman Under the Influence, In Her Place, Skeletons, Mank, The Current War, Repulsion, Rosemary’s Baby, The Tenant, Persona, The Silence, Through a Glass Darkly, Taxi Driver. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Tom Whalley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.

This episode is a deep dive into the film Bombshell, a dramatic representation of the Fox News sexual harassment scandal that unfolded in the media in 2016. Anna welcomes film critics Udita Jhunjhunwala and Pamela Hutchinson to revisit the movie and the true story it tells. They celebrate the lead performances from Charlize Theron, Nicole Kidman and Margot Robbie, as well as delve into some particularly poignant scenes. The critics compile a short watchlist of films with similar themes, including The Marvellous Mrs. Maisel, On The Record, The Assistant, and 9 to 5. These prompt lively discussions that leap from stand-up comedy to shoes on screen. You can watch Bombshell, The Marvellous Mrs. Maisel, Mirzapur and Four More Shots Please! on Amazon Prime Video now. Other mentions: To Die For, WW84, Nomadland, No Time To Die, Succession, Bhaag Beanie Bhaag Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno www.twitter.com/primevideouk Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.

We team up with Birds’ Eye View to bring you a female-focused film review of 2020. Despite the knockback the film industry as a whole has faced this year, a record number of films by women were released in cinemas and on digital. Host Anna Smith welcomes Mia Bays, Delphine Lievens and Allison Gardner onto this very special episode to discuss the highlights. Delphine, the Senior Box Office Analyst for Gower Street, delves into the intersections of the stats. Allison, the CEO at Glasgow Film, looks at how cinemas have been coping. And Mia unpacks the work Birds’ Eye View has done this year. Together, they offer a positive and critically constructive outlook on the intersectional inclusion of women in all areas of the film industry. Stay tuned for special appearances from some of the most celebrated filmmakers of 2020, from Halina Dyrschka to Zeina Durra. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z @birdseyeviewff believe in challenging the status quo in film and strive to seek out wider perspectives in cinema. Sign up to their #ReclaimTheFrame mission and get free cinema tickets, discounted VOD codes, MUBI UK & Ireland subscription + other film goodies: bit.ly/ReclaimTheFrame. Girls On Film is an HLA production. Executive producer: Hedda Archbold. Episode Producer: Tom Whalley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.

In this lively episode, Anna is first joined by freelance journalist and her regular karaoke companion, Kat Brown. A massive fan of Pitch Perfect, Kat enthusiastically delves into the comedic and authentic female friendships presented on screen. Looking at how the film has aged, they explore both where Pitch Perfect hits the right notes and where it may need a little tuning. Kat mentions some other musical movies she’s been watching, spanning classic and cult favourites. Next, Anna talks to some real-life Barden Bellas. Jade Harvey and Gina Dunn are two members of Cardiff University’s DeciBelles, an award-winning all-female a cappella group. They speak to the sisterhood of their singing society and compare their experiences with those of the Bellas. Finally, Anna welcomes musician and old friend Charley Stone to the show for a festive twist. Charley talks about her new single, Merry Christmas Actually. Inspired by Love Actually’s cue cards scene, this song takes a feminist stance on the infamous moment. Kat’s recommendations: Grease 2, My Fair Lady, Gentlemen Prefer Blondes, The Secret Garden, Hook, Nanny McPhee Gina’s and Jade’s recommendations: Once, Rock of Ages Charley’s recommendations: Edward Scissorhands, Swallows and Amazons, The Railway Children Anna’s recommendations: I’m Your Woman, Wonder Woman 1984 You can watch Pitch Perfect, Once, Rock of Ages, Swallows and Amazons (1974), The Railway Children and I’m Your Woman on Amazon Prime Video now. Listen to Merry Christmas Actually here: www.charleystone.bandcamp.com Find Helen O’Hara’s Bah Humbug podcast here: https://podcasts.apple.com/gb/podcast/bah-humbug-a-christmas-movie-podcast-with-helen-ohara/id1540573727 DeciBelles Social Media: @CU_DeciBelles Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno www.twitter.com/primevideouk Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay. This episode is in partnership with Amazon Prime Video.

This episode enters the world of stripping, with a focus on the film Hustlers. Anna’s first guest is Grace Barber-Plentie, a freelance film programmer and writer who recently curated a Barbican film event on Reframing the Fat Body. Grace draws our attention to a particular film in her programme that normalises fat pole dancers: Dangerous Curves. This segues into a celebration of Lizzo’s appearance in Hustlers and more generally the brilliant performances of the ensemble cast. Grace and Anna revere the female friendships presented on screen, particularly between the characters played by Jennifer Lopez and Constance Wu. Such strong bonds and respect between female strippers comes to life, as Anna speaks to friends and strippers Chiqui Love and Stacey Clare. As members of the Berlin Strippers Collective and East London Strippers Collective respectively, Chiqui and Stacey talk intersectional feminism, the issues facing the strip club industry, and misrepresentations of sex work on screen. They speak up for sex workers’ rights and envision what Hustlers 2 should look like… Recommendations: Grace: P-Valley, Small Axe (series) Chiqui: Bombshell Stacey: Harlots (series), The Deuce (series) Other mentions: Dangerous Curves (short), 9 to 5, The Wrestler (2008), Showgirls, The Full Monty, Shameless (series) This episode is in partnership with Amazon Prime Video. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno www.twitter.com/primevideouk Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.

Luxor stars Andrea Riseborough as a British aid worker navigating the Egyptian city as she meets her ex-boyfriend and struggles from recent traumas. Writer-director Zeina Durra (The Imperialists Are Still Alive!) and our first ever cinematographer guest Zelmira Gainza chat to Anna about their film. The friends talk Anna through their careers so far, from their Fame-like experiences at NYU, to the challenges they’ve faced as women in executive roles on film sets. Turning to Luxor, Zeina reveals what it was like to work with actor Andrea Riseborough, and Zelmira gives a fascinating insight into her role as DOP. Delving further into Luxor, Anna and critic Leslie Felperin celebrate how the film creates a sense of place and pulls us in with its mysteries, brilliant performances and playfulness. They then move on to two more new releases. First they discuss the jazzy upcoming family animation Soul and praise Disney-Pixar’s original and earnest storytelling. Finally, they look at the inspiring new documentary I Am Belmaya. What they’ve been watching: Zeina: Mangrove, The Queen’s Gambit, The Crown Zelmira: Chaos, Star Wars Leslie: The Crown, The Undoing, Brave New World, The Nest (2020) Anna: The Third Day Other mentions: Fame, The Princess and the Frog (2009), Joanna Hogg’s films, Inside Out Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.

This episode dives into Truth Seekers, the new paranormal Prime Video series and latest collaborative effort of Simon Pegg and Nick Frost. Anna Smith talks to its two female stars: Susan Wokoma (Helen) and Emma D’Arcy (Astrid). First, Susan (Chewing Gum, Year of the Rabbit) tells Anna how she prepared for the role of Helen and enthusiastically recalls what it was like to work with comic icons Simon and Nick. She further talks about discussing representation on set and celebrates the process of ageing in women. Stay tuned as Susan shares her very own spectral sighting… Next up, Emma (Hanna, Misbehaviour) delves into Astrid’s mentality and tells Anna about a particular onset mishap. Discussing the nostalgic movies referenced in Truth Seekers, they consider whether there has been an improvement in the way that horror movies treat their female characters. Finally, Emma talks gun-wielding in Prime Video series Hanna and shares her personal connection to the spiritual world. Film and TV Recommendations: Susan: La Haine, Pose Emma: The Sopranos, True Blood, I May Destroy You, the Coen brothers films, and anything with Frances McDormand! Anna: For Sama, Love Child Other mentions: Spaced (on Prime Video), The Cornetto Trilogy (watch all 3 movies on Prime Video), Chewing Gum, Year of the Rabbit, Hereditary, Midsommar (on Prime Video), Prime Suspect, The Exorcist, Invasion of the Body Snatchers This episode is in partnership with Amazon Prime Video. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno www.twitter.com/primevideouk Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.

Anna invites writer-director Veena Sud (The Killing, Seven Seconds) and actor Mireille Enos to discuss The Lie, part of Amazon Prime Video’s Welcome To The Blumhouse series. Shot in the snowy suburbs of Toronto, this unsettling crime-drama shows a young girl’s terrible secret unravel in horrifying ways. Beware of minor spoilers. Veena talks to Anna about what drew her to adapting The Lie, and why it was important to address social issues such as the sexualisation of women and racial profiling. She further speaks to the importance of diversity in positions of power in filmmaking and criticism. Veena also produces some fantastic film recommendations for Halloween, including Night of the Living Dead and It Follows. Mireille talks about playing Rebecca, the mother of Kayla (Joey King), and speaks highly of Veena’s directorial skills. She also revisits her roles in Hanna and The Killing, both also available to watch on Prime Video now. Keep listening to hear Mireille’s own terrible secret about horror movies… Finally, critic Kayleigh Donaldson shares her thoughts on the Suspiria remake, American Psycho, and Midsommar – all on Amazon Prime Video now. They also talk about the recent female-focused horror releases Saint Maud, Carmilla, Relic and Cordelia. Finally, Kayleigh recommends Carnival of Souls (1962) and the works of Ida Lupino, and suggests checking out the horror streaming service Shudder on Amazon. Other movie mentions: Seven Seconds (2018), Fright Night, The Witches (2020), The Captive (2014). This episode is in partnership with Amazon Prime Video. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno www.twitter.com/primevideouk Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.

Saoirse-Monica Jackson joins host Anna Smith, along with talented young filmmakers Ruby Phelan and Neeraja Raj. From matriarchs to mishaps, Saoirse delves into the making of Derry Girls. This coming-of-age comedy series follows teenager Erin Quinn (Saoirse) and her friends as they navigate religion and rivalries in 90s Ireland. She also praises Cinemagic as a platform for young people and delivers a hopeful message to young filmmakers and actors. Next, Anna chats to Ruby and Neeraja about their short films screening at Cinemagic. Ruby tells us what inspired her to make mixed-medium short The Mermaid & The Artist and advises young women to stop seeking permission. Neeraja talks about her existential musical animation Meow Or Never and her hopes to see more women of colour filmmakers. All of our guests recommend some fantastic films. See the titles below with details on where to watch them in the UK and US. Saoirse’s Picks: Eighth Grade (dir. Bo Burnham, 2018, UK: Now TV, US: Prime Video) Babyteeth (dir. Shannon Murphy, 2019, US: Hulu) Rocks (dir. Sarah Gavron, 2019, UK: Netflix) Shallow Grave (dir. Danny Boyle, 1994, UK: Britbox, US: Starz) Neeraja’s Picks: Better Days (dir. Kwok Cheung Tsang, 2019, UK & US: rent/buy online) Okja (dir. Bong Joon-ho, 2017, UK & US: Netflix) Parasite (dir. Bong Joon-ho, 2019, UK: rent/buy online, US: Hulu) Ruby’s Picks: Daisies (dir. Vera Chytilová, 1966, UK: BFI Player, US: HBO) The Secret Garden (dir. Agnieszka Holland, 1993, UK: Netflix, US: IMDb TV) – ahead of Sky’s 2020 adaptation! This episode is in partnership with Cinemagic. The 31st Belfast Cinemagic Film Festival is online throughout October. There are 150+ short films screening from the best young filmmakers from the UK/Ireland. Find out more at filmfestival.cinemagic.org.uk. Meow Or Never: https://qft.vhx.tv/cinemagic-young-filmmaker/videos/animation-2 The Mermaid and the Artist: https://qft.vhx.tv/cinemagic-young-filmmaker/videos/animation-5 Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.

In this episode of Girls On Film, Anna Smith highlights some feminist favourites from Sundance London Film Festival. She catches up with director Shuchi Talati, whose debut feature Girls Will Be Girls follows headgirl Mira (Preeti Panigrahi) as she strives to get As in the classroom and the bedroom, and struggles with a third-wheeling mother (Kani Kusruti). Anna is joined by Shuchi as well as lead actress Preeti Panigrahi as they reflect on women’s filmmaking in India, reveal how they tackled intimacy on set together, and share Shuchi’s initiative Undercurrent, a scheme to train women to work in the lighting department on film sets in India. Next up, Anna hears from the singer turned actress Maisy Stella, who stars opposite Aubrey Plaza in Megan Park’s My Old Ass. The pair chat about what attracted Maisy to the role of 18 year old Elliott, who meets her 39 year old self while tripping on magic mushrooms and has to deal with the consequences of knowing how her teenage decisions will impact her later life. Maisy recalls the refreshing nature of Park’s script, which portrays a queer lead without feeling tokenistic or trite. Finally, Anna chats to Vicky Krieps about starring in Viggo Mortensen’s new feminist western, The Dead Don’t Hurt. She talks with Anna about ‘becoming your own department’ when your co-star is also the director, and Viggo speaks about the inspiration behind the character of Vivienne. Vicky also dispels some of the myths of progress in the film industry, while acknowledging the importance of portraying women like Vivienne in The Dead Don’t Hurt in order to move towards a more feminist cinema, but also a more feminist film set. The Dead Don’t Hurt is in UK and Irish cinemas now. Girls Will Be Girls will be in UK and Irish cinemas on 20 September 2024. Follow Girls On Film on social media to see release updates for My Old Ass. Other films mentioned: Flowervale Street (David Robert Mitchell) The Fallout (Megan Park) Corsage (Marie Kreutzer) Phantom Thread (Paul Thomas Anderson) The Lord of the Rings (Peter Jackson) Eastern Promises (David Cronenberg) Falling (Viggo Mortensen) Find out more about Undercurrent below: https://www.undercurrentfilmlab.com/ Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold Producer: Charlotte Matheson Intern: Jade Evans Audio editor: Jack Howard House band: MX Tyrants © HLA Agency

Critic and founder of The British Blacklist Akua Gyamfi and BAFTA-nominated filmmaker Victoria Thomas join Anna for a lively episode celebrating Black voices in film. Focusing on the powerful Queen & Slim, they praise the diversity of Black experiences presented on screen and discuss THAT sex scene. They further commend Melina Matsoukas’ skillful direction, consider Shiona Turini’s iconic costume choices, and explore the complexity of the character Queen, as played by Jodie Turner-Smith and penned by Lena Waithe. This inspires a dive into politics, class, the importance of Black-owned film companies, and the awards season. Pressing on, Akua shares her intimate connection to the film Farming and Victoria finds a filmmaking masterclass in If Beale Street Could Talk. Finally, they applaud the inspiring Black woman at the centre of the upcoming documentary Time. Beware of moderate Queen & Slim spoilers. Find all these films on Amazon Prime Video now. Other films mentioned: The Last Tree, Thelma & Louise, Parasite, Harriet. This episode is partnered with Amazon Prime Video. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials:
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www.twitter.com/annasmithjourno  www.twitter.com/primevideouk Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.

Celebrating our 50th episode, actors Sasha Lane and Ashleigh LaThrop join the party to talk about their roles in Gillian Flynn’s Utopia, now streaming on Amazon Prime Video. An intense adaptation of Dennis Kelly’s British television series, the show follows a team of comic book fans as they try to prevent a viral pandemic. Sasha delves into the twisted psychology of her character, the infamous Jessica Hyde, and hints at the new layers that Gillian has brought to the story. Stay tuned for Sasha’s tips on how to urinate standing up. Next, Ashleigh LaThrop speaks to Anna about the challenges of her role as Becky, and the nerdy antics that herself and Gillian got up to on set. She also shares her experience working on The Handmaid’s Tale, expresses her love for Meryl Streep, and talks about representation on screen. Our 50th episode concludes with a special trivia competition, giving you lucky listeners the chance to win a pair of Forbidden Forest cinema tickets! This episode is in partnership with Amazon Prime Video. Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno www.twitter.com/primevideouk Watch Girls On Film on the BFI's YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.

Writer and director Channing Godfrey Peoples joins Anna for an eye-opening discussion about her new film, Miss Juneteenth. In UK cinemas from 25th September 2020, this movie is a warm and intimate portrait of former pageant winner Turquoise Jones (Nicole Beharie), as she prepares her daughter, Kai (Alexis Chikaeze), for the annual Miss Juneteenth pageant and navigates her life within the close-knit Black community of Fort Worth, Texas. Channing reveals the personal inspiration behind her story, explains the role that the arts can play in the Black Lives Matter movement, and hints at what she is working on next. Next, Anna welcomes fellow critic Corrina Antrobus back to the show to review the film. They talk about Nicole’s remarkable performance, the nuanced relationships presented onscreen, and the significance of a 'dream deferred'. This jam-packed show also includes fantastic film recommendations. Channing provides a detailed watchlist: Killer Of Sheep and My Brother’s Wedding by Charles Burnett, Daughters of the Dust (dir. Julie Dash), Eve’s Bayou (dir. Kasi Lemmons), Beyond The Lights (dir. Gina Prince-Bythewood), and Rachel Getting Married (dir. Jonathan Demme). And Corrina suggests Rocks (dir. Sarah Gavron), Babyteeth (dir. Shannon Murphy), Make Up (dir. Claire Oakley), and In My Room (dir. Mati Diop). This episode is in partnership with Vertigo Releasing. www.vertigoreleasing.com/portfolio/miss-juneteenth/ Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.