* CORRECTION: In the episode, I mention that Bram Stoker’s Dracula was published in 1899. Dracula was actually published in 1897.
Tia Glista is a Toronto-based arts writer and PhD candidate. Her criticism and essays on gender in film, literature, and art have appeared in The Guardian, Toronto Star, Los Angeles Review of Books, Dazed, Document Journal, Literary Hub, and elsewhere. She is a co-founder and Reviews Editor at Toronto Review.
LINKS & MENTIONS
* You can follow Tia on Instagram @tiaglista and subscribe to No Outlet on Substack
* Read Toronto Review (Tia’s interview w/ Brian Dillon)
* Kate Chopin, “The Story of an Hour” (1894), “Lilacs” (1894), “Desiree’s Baby” (1893)
* Elaine Showalter, “Shakespeare’s Sister”
* Alisha Mughal, The Archaic Mother’s Embrace: How “If I Had Legs I’d Kick You” and “Die My Love” Reframe the Monstrous
* Vivian Gornick, Unfinished Business (2020)
* Edith Wharton, The House of Mirth (1905)
* Lauren Groff, Matrix (2021)
* Claire Luchette, Agatha of Little Neon (2021)
* Charlotte Wood, Stoneyard Devotional (2023)
* Nella Larsen, Quicksand (1928) and Passing (1929)
* Mary MacLane, I Await the Devil’s Coming (1901)
Credits: Cover art by Sonja Katanic; Intro jingle by CaseyMQ
Thanks for listening!
This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit
akosuatadasi.substack.com/subscribe