Film Stories with Simon Brew – Details, episodes & analysis

Ah, The Avengers. The 1998 big screen adaptation of the much-loved TV series is a bit of an odd movie, but as Simon discusses in this episode, things weren't quite going to plan at studio level. Not that Warner Bros handled the film particularly well come release time - an infamously late decisiont to avoid a review screening soon backfired. In the case of Step Brothers, the third film together for Adam McKay and Will Ferrell is often cited as their best. Still, the hit comedy has a bit of a story to it - plus the pub quiz fact that McKay shot more footage for Step Brothers than Francis Ford Coppola shot for Apocalypse Now... Stories of both are told in this episode... Learn more about your ad choices. Visit megaphone.fm/adchoices

In a special episode of the Film Stories podcast, we're delighted to welcome back Paul Feig for his third appearance. This time the starting point is Feig's new film Jackpot!, that's on Prime Video now. They also talk about the already-shot A Simple Favor 2, as well as legal stuff, Naked Gun 33 1/3, and if there's any chance on this planet of getting Spy 2.... Learn more about your ad choices. Visit megaphone.fm/adchoices

When Tim Burton's first film, Pee Wee's Big Adventure, proved a surprise hit for Warner Bros, the studio was keen to get a second picture off him. Yet Burton wasn't enamoured with the scripts he was being offered - until an unusual one landed on his desk. Just lacking a bit of an ending. Enter: Beetlejuice. Rye Lane was a much smaller production, a directorial debut for Raine Allen Miller. A British romcom, it had to negotiate Covid restrictions - but then, after strong reviews, there was its release strategy to negotiate. Stories of both are told in this episode... Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Film Stories with Simon Brew, a sequel that took a long time to come together, and an attempt by Sylvester Stallone to change direction. 1992's Basic Instinct didn't immediately seem an obvious candidate for a sequel. A huge box office take soon changed that - but the path to the follow-up would involve a bankruptcy, a legal case, and a lot of people turning the project down. Until all of a sudden, it came together... Daylight was a quicker film to come together, and for Sylvester Stallone, a very lucrative one. He secured a huge pay packet, but also signalled a change in direction for his career. Things didn't quite go to plan. Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstories Support this podcast: www.patreon.com/simonbrew. Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a special episode of the Film Stories podcast, Simon is joined by writer, producer and director Aline Brosh McKenna. They talk about her feature directorial debut Your Place Or Mine, and the journey to get to that point. Plus, they go over projects such as The Devil Wears Prada, Morning Glory, My Crazy Ex-Girlfriend, We Bought A Zoo and a whole lot more. Plus, her journey into film, and a whole lot more. Your Place Or Mine is on Netflix. Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Film Stories with Simon Brew, the belated return of Indiana Jones, and a smart British zombie film that faced a fair few challenges. After the huge success of the much-loved Indiana Jones And The Last Crusade at the end of the 1980s, there was an ongoing clamour for a fourth Indiana Jones adventure. But George Lucas, Steven Spielberg and Harrison Ford had packed schedules - and didn't always see eye to eye on where to go next. Things were more straightforward story-wise with The Girl With All The Gifts. Author M R Carey was pretty much writing the novel and the screenplay of the story at the same time. And with a tenacious producer, funding slowly came together... Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstories Support this podcast: www.patreon.com/simonbrew. Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a special episode of the Film Stories podcast, Simon is joined by a legend of American independent cinema, John Sayles. In a far-reaching conversation, they talk about John's new novel - Jamie MacGillivray: The Renegade's Journey - as well as the movie origins of the project. Plus they go back over Sayles' career, the way he managed to get his films made, ownership and copyright, battles with a movie studio and a whole lot more. Plus: a few thoughts on where cinema stands now, and a screening too of Avatar: The Way Of Water... Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Film Stories with Simon Brew, how James Bond responded to Star Wars, and a comedy that onlookers had all but written off. Moonraker wasn't expected to be the Roger Moore James Bond adventure to follow up The Spy Who Loved Me. But then Star Wars happened, and a co-production deal opened up some funding too. 007 was going to space. More down to earth was comedy sleeper hit Look Who's Talking, a genuinely sleeper success that in turn made Bruce Willis very rich for four days of work. It's also the first film on this podcast that involves puppeteers operating sperm. Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstories Support this podcast: www.patreon.com/simonbrew. Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Well, crikey. In a very special episode of the Film Stories podcast, two things to tell you about. Firstly, this is episode 300: thank you so much for everyone who's helped me get here. Secondly, the special guest for this episode is Hugh Jackman. We were talking in London about his latest film, The Son, but also snuck one or two other things in there as well. He seemed quite taken with it being episode 300, as you're about to hear... Thanks for all your support, folks. Hope you enjoy the episode... Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Film Stories with Simon Brew, how the Die Hard franchise came to a crashing end, and an Elvis Presley biopic finally got over the line. There's not a lot of love out there for A Good Day To Die Hard (2013), and with good reason. But the intent behind it was sound, and the man who landed the director's chair was a clear fan of the series. Producer Gail Berman meanwhile was the person who did a lot battling to bring 2022's Elvis to the screen - not least securing the necessary music rights to Presley's catalogue twice to ensure the project kept moving. And then Baz Luhrmann got involved... Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstories Support this podcast: www.patreon.com/simonbrew. Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices