Mother's Day (1980), Madman (1981), Pieces (1982), and Evil Dead Trap (1988)

When you’re talking about horror films with most non-horror fans, they usually are thinking about the slashers which they seem to encapsule all of that genre. But when us fans start to dig into that sub-genre, that’s when the questions arise, parameters seemed like they have to set, even though plenty of the films go out of their way to beyond said parameters. As if any were meant to stay between the lines!

Then you start to delve into when the sub-genre started, which can then start another round of questions and discussions.

To help get those arguments . . . we mean discussions started, in this episode we’re going to cover 4 different slasher films, granted, of varying types, but we feel still fits into the category of slasher films. And to help with this, we’ve invited Aaron Crowell, Managing Editor of HorrorHound Magazine back to join in the conversation.

Movies mentioned in this episode:

Amsterdamned (1988), Angel Guts: High School Coed (1978), The Bad Seed (1956), Beyond the Darkness (1979), Black Christmas (1974), Blood Song (1982), Candyman (1992), Don’t Go in the House (1979), Don’t Go to Sleep (1982), Evil Dead Trap (1988), Evil Dead Trap 2 (1992), The Exorcist (1973), Final Exam (1981), Frankenstein’s Castle of Freaks (1974), Friday the 13th (1980), Frightmare (1974), The Girl in Room 2A (1974), The Girl Next Door (2007), Halloween (1978), Hatchet (2006), House on Sorority Row (1982), The Incubus (1982), It Follows (1914), Killer Party (1986), Lady Frankenstein (1971), The Leopard Man (1943), Living Doll (1990), The Lost (2006), Madman (1981), Maniac (1980), Mother’s Day (1980), Mother’s Day (2010), My Bloody Valentine (1981), Offspring (2009), Paranormal Activity (2007), Peeping Tom (1960), Pieces (1982), Psycho (1960), Rape Man (2008)The Rift (1990), Satan’s Blood (1978), Scream (1996), Slaughter High (1986), The Slayer (1982), Sleepaway Camp (1983), Slugs (1988), Sting of Death (1965), Supersonic Man (1979), Superstition (1982), Terrifier (2016), Texas Chain Saw Massacre (1974), Thanksgiving (2023), The Thing (1982), Thirteen Women (1932), Tourist Trap (1979), The Woman (2011), You’re Next (2011)

Films discussed: Satan's Sadists (1969), Brain of Blood (1970), Dracula vs. Frankenstein (1971)

From the mid-60's until the late 70's director Al Adamson and producer Sam Sherman made some of the most memorable low-budget horror and exploitation pictures to slide across American drive-in and grindhouse screens.  Together they made films that not only exemplified genre, they also often transcend and blended genres, creating something that has stuck in the filmgoing collective consciousness for over half a century.  And when Severin Films released The Al Adamson Masterpiece Collection boxed set in 2020, whole new generations were introduced to Al and Sam's work, and those of us who were already familiar learned a thing or two (or twenty) and got to see them look better than they have since they sat on a double bill in a 70s sleaze palace.  

All hail Al and Sam! 

Movies mention in this episode:

Black Shampoo (1976), Blood and Flesh: The Real Life and Ghastly Death of Al Adamson (2019), Blood of Ghastly Horror (1967), Brain of Blood (1971), Brides of Blood (1968), The Crawling Hand (1963), The Day Mars Invaded Earth (1962), Dracula vs Frankenstein (1971), Easy Rider (1969), Five Bloody Graves (1969), Frankenstein’s Bloody Terror (1968), Hell’s Bloody Devils (1970), Kingdom of the Spiders (1977), Laserblast (1978), The Mighty Gorga (1969), The Mummy and the Curse of the Jackals (1969), Mutant (1984), The Navy vs The Night Monster (1966), Night of the Blood Monster (1970), The Phantom of the Hollywood (1974), The Sadists (1963), Satan’s Cheerleaders (1977), Satan’s Sadist (1969), Shock (1946), Star Wars (1977), The Thrill Killers (1964), Trick or Treats (1982), The Wasp Woman (1959), The Witchmaker (1969), Without Warning (1980), The Wolf Man (1941)

During conversations with serious film collectors, you might hear terms like inter-positive, or first negative, or even OCN, and have no clue to what they actually mean. Don’t feel bad because a lot of us are in the same boat. These are some of the many terms used when discussing the preservation and archiving of films, not to mention the amount of work that goes into doing just that. Plus, we’re not talking about the latest title coming from the MCU, but ones that were made for pennies a half a century ago, or longer, that got very little distribution, sometimes not even here in the states. But due to the thankless job (that we’re hoping to change) of some dedicated cinephiles, they are doing their best to bring those titles back from nearly being a lost film.

To help educate us on some of those terms, the processes, and just the sheer craziness of it all, we’ve asked Vault Manager and Archivist Oscar Becher from Vinegar Syndrome to do just that. While we’re not covering specific films for this episode, we're pretty sure you’re going to learn a thing or two, maybe be even amazed at hearing some of the processes that go into bringing you that nice and spiffy new Blu-Ray of one of your favorite films.

Titles mentioned in this episode:

Against the Grain (2023), Blood for Dracula (1974), Deep Inside Annie Sprinkle (1981), Dog Tags (1987), Enter the Clones of Bruce (2023), Flesh for Frankenstein (1973), Frankenstein (1931), Grindhouse (2007), Martyrs (2008), New York Ninja (2021), The Night of the Hunter (1955), No Tears for the Damned aka The Las Vegas Strangler (1968), Piranha (1978), The Playgirls and the Vampire (1960), Putney Swope (1969), The Rare Blue Apes of Cannibal Isle (1975), Singin’ in the Rain (1952), Star Wars (1977), Thriller: A Cruel Picture (1973), Voodoo Heartbeat aka The Sex Serum of Dr. Blake (1973)

Chained (2012), Honeymoon (2014), and Relic (2020)

With over 60 episodes so far in our podcast history, we realized that in all that we covered, we had never covered anything by a woman director. We knew we needed to change that. Going through the history of women directors, we realized that not only wasn't something new, but have been working in the industry since the beginning of film. And in the last two decades, have really started to show their stuff. So to help celebrate Women's History Month, we figured it was well past due that we tackle three films that were directed by women, once again, picking three random titles, but amazed to find just how similar they were to each other, not to mention being very effective in their craft, and storytelling.

Movies mentioned in this episode:

American Mary (2012), Army of Darkness (1992), The Babadook (2014), Chained (2012), Cockney vs Zombies (2012), Coffy (1973), Dead Hooker in a Trunk (2009), Fear Street: Part One 1994 (2021), Fear Street: Part Two 1978 (2021), Fear Street: Part Three 1666 (2021), Ganja and Hess (1973), Ginger Snaps (2000), Hollywood Chainsaw Hookers (1988), Honeymoon (2014), Humanoids from the Deep (1980), In My Skin (2002), Inside (2007), Invasion of the Body Snatcher (1956), Kids (1995), Look What Happened to Rosemary’s Baby (1976), Maniac (1980), The Monster and the Girl (1914), Near Dark (1987), The Nightingale (2018), Pet Sematary (1989), The Pit and the Pendulum (1913), The Relic (1997), Relic (2020), A Serbian Film (2010), The Silence of the Lambs (1991), Starry Eyes (2014), Slumber Party Massacre (1982), Street Trash (1987), The Taking of Deborah Logan (2014), Vampire (1915)

Frankenstein Meets the Wolf Man (1943), House of Frankenstein (1944), and House of Dracula (1945).

Some say that the monster rally films marked the end of the Universal creature features, which could partially be true, but we feel it is for different reasons than the actual films themselves, and they still have a lot of merit to them. While the studio heads might not of cared too much about getting them made, those invovled did their best with what they had. One of the biggest highlights of these titles is the cast of actors in them, some making their last appearances. You get to see Karloff, Chaney Jr., Carradine, J. Carrol Naish, George Zucco, Lionel Atwill, Dwight Frye, and so many other regular faces that will bring a smile to your face when they pop up onscreen.

While maybe running a little thin on ideas and decided to start combining monsters to hopefully bring back bigger box office returns, they still made films that we all still feel are entertaining and we feel are more than worth your time.

Movies mentioned in this episode:

Abbott & Costello Meet Frankenstein (1948), Billy the Kid vs Dracula (1966), The Body Snatcher (1945), Dracula (1931), Frankenstein (1931), Frankenstein Meets the Wolf Man (1942), Freddy vs Jason (2003), Ghost of Frankenstein (1942), House of Dracula (1945), House of Frankenstein (1944), The Invisible Man (1933), The Invisible Man Returns (1940), Man Made Monster (1941), A Nightmare on Elm Street (1984), The Mummy’s Hand (1940), Nocturna (1979), Of Mice and Men (1939), She-Wolf of London (1946), Son of Dracula (1943), Son of Frankenstein (1939), Son of Kong (1933), The Wolf Man (1941)

This truly is a great time to be alive as a crazy cinephile. Just about every day, new amazing looking releases of some of our favorite films are announced, as well as some almost forgotten films brought back from the edges of obscurity for a whole new generation of fans to enjoy. And one of the companies at the forefront is Severin Films, who continues to amaze us fans with the quality of their releases. From their massive box sets to the incredible special features that accompany all of their releases Severin is educating as well as entertaining a whole generation of horror, cult and exploitation fans.

To help us discuss all things Severin, we figured why not invite the man behind the label, co-founder David Gregory himself! Join us while we talk about Video Nasties, how Severin got started, and why they continue to do what they do!

Films mentioned in this episode:

8 ½ (1963), Africa Addio (1966), Anthropophagus (1981), The Beast (1975), The Beast in Space (1980), Best Little Whorehouse in Texas (1982), Beyond the Darkness (1979), Black Emanuelle (1975), Blood Cult (1985), Blood and Flesh: The Reel Life and Ghastly Death of Al Adamson (2019), Bloody Moon (1981), Burial Ground (1981), Cannibal Holocaust (1980), Cathy’s Curse (1977), The Changeling (1980), Citizen Kane (1941), City of the Dead aka Horror Hotel (1960), Cul-de-sac (1966), Dellamorte Dellamore (1994), Devil’s Nightmare (1971), Dracula vs Frankenstein (1971), The Girl on a Motorcycle (1968), Enter the Clones of Bruce (2023), Faces of Death (1978), The Five Days (1973), Four Flies on Grey Velvet (1971), Frances (1982), Frankenstein (1931), Frankenstein and the Monster from Hell (1974), The Ghastly Ones (1968), Goodbye Uncle Tom (1971), Hell of the Living Dead (1980), I Miss You, Hugs and Kisses (1978), Justine (1969), King Kong (1976), Kiss of the Vampire (1963), Kiss Me Monster (1969), Knife in the Water (1962), The Last Horror Film (1982), The Long Hair of Death (1964), Lost Soul: The Doomed Journey of Richard Stanely’s Island of Dr. Moreau (2014), Mad Doctor of Blood Island (1968), Magic (1978), Mancunian Man: The Legendary Life of Cliff Twemlow (2023), Manhunter (1986), Maniac (1980), Mondo Cane (1962), Mondo Cane 2 (1963), Mondo Magic (1975), The Mummy (1959), Nightmare aka Nightmare in a Damaged Brain (1981), Nightmare Castle (1965), Overboard (1987), The Psychic (1977), Repulsion (1965), Sadomania aka Hellhole Women (1981), Shock Wave (1977), Sinful Dwarf (1973), The Stunt Men (1980), Tales of Terror (1962), Texas Chainsaw Massacre: A Family Portrait (1988), Texas Chain Saw Massacre: The Shocking Truth (2000), Texas Chainsaw Massacre 2 (1986), Threads (1984), Two Undercover Angels (1969), Vigilante (1982), The Wicker Man (1973), Women of the World (1963), Woodlands Dark and Days Bewitched: A History of Folk Horror (2021), Zombie (1979)

Dr. Terror's House of Horrors (1965), The House that Dripped Blood (1971) and Tales from the Crypt (1972)

Amicus Productions was most known for their anthology films, even though that was a small percentage of the types of films they did make in over the years. But because of the quality of the films, the power of the stories they were based on, and the incredible cast of actors they would hire, they always made an impact on fans. In this episode, not only do we cover three of our favorite Amicus' anthology titles, but we're joined by producer/director Lawrie Brewster, the man behind the resurrection of Amicus Productions, that is currently working on a new anthology film to be released under the Amicus name! 

Films Mentioned in this Episode:

And Now the Screaming Starts! (1973), Asylum (1972), The Black Gloves (2017), Candyman (1992), Castle of the Living Dead (1964), City of the Dead (1960), Creepshow (1982), Curse of Frankenstein (1957), Doctor Jekyll (2023), Dr. Terror’s House of Horrors (1945), Dr. Terror’s House of Horrors (1965), Frankenstein Must Be Destroyed (1965), From Beyond the Grave (1974), The House that Dripped Blood (1971), In the Grip of Terror (2024), Jamboree (1957), Lord of Tears (2013), Rock Around the Clock (1956), Rock! Rock! Rock! (1956), The Skull (1965), Tales from the Crypt (1972), Vault of Horror (1973)

Bigfoot (1970), Creature from Black Lake (1976), and Abominable (2006).

Tales of a mysterious, giant beast that wanders the wooded areas of the U.S., has never really proven to exist, but even to this day, is believed by many to really be out there, still hidden from mankind. Starting with Bigfoot in 1970, our furry giant became the subject of many movies and documentaries, and even on TV shows, such as The Six Million Dollar Man and even his own Saturday morning series, Bigfoot and Wildboy (1977). All this did was increase the interests in the subject matter, even if it didn't make any new believers. It's a subject that is still being used today with more modern day films taking on this sub-genre, in many different variations and strange interpretations. So join us as we discuss three different styles of the Bigfoot genre and see if you believe in Sasquatch! 

Films mentioned in this episode:

Abominable (2006), Abominable Snowman (1957), Amityville Bigfoot (2024), Amityville II: The Possession (1982), The Amityville Horror (1979), Bigfoot (1970), Bigfoot vs Megalodon (2021), Bigfoot vs Zombies (2016), Bug (2006), The Cannonball Run (1981), Close Encounters of the Third Kind (1977), Creature from Black Lake (1976), Day of the Animals (1977), E.T. the Extra-Terrestrial (1982), The Fog (1980), Halloween (1978), House of 1000 Corpses (2003), Invasion of the Animal People (1959), King Kong (1933), Legend of Boggy Creek (1972), Legend of Boggy Creek II (1983), Man Beast (1956), The Manitou (1978), Men in Black 3 (2012), Mountaintop Motel Massacre (1983), Night of Bloody Horror (1969), Night of the Demon (1980), No Country for Old Men (2007), Old Boy (2007). The Passion of the Christ (2004), Return of the Living Dead (1984), Rear Window (1954), Sasquatch: The Legend of Bigfoot (1976), Shriek of the Mutilated (1974), Star Wars (1977), The St. Tammany Miracle (1994), Terror in the Midnight Sun (1959), The Thing (1982), Town that Dreaded Sundown (1976), Toy Story (1995), Werewolf vs the Yeti (1975), Willow Creek (2013)

Satan's Slave (1976), Prey (1977), and Terror (1978)

There are a lot of directors out there that might not have a huge filmography, or even be that well known to the general population of film fans, even in the horror genre. So there is always room to discover them! In this episode, we take a look at three films by British independent director Norman J. Warren, who didn't make a lot of films, but we feel the ones he did make, make him a worthy subject for us to discuss. Honestly, it might make sense to read a little about him before diving into the films, or at least, do it afterwards but I think he is a good example of knowing what he had to make what he did, for us, makes them a little more impressive. You'll get blood, you'll get nudity, and a lot more than you'd expect in these three very British tales of horror.

Films mentioned in this episode:

Batman (1989), Bloody New Year (1987), Curse of the Crimson Alter (1968), The Devil Rides Out (1968), Dr. Phibes Rises Again (1972), Dr. Terror’s House of Horror (1965), Flesh and Blood Show (1972), The Godsend (1980), Horror Hospital (1973), Horror Planet aka Inseminoid (1981), House by the Cemetery (1981), Night Creatures (1962), Prey (1977), Satan’s Slave (1976), Shiver of the Vampire (1971), Suspiria (1977), Thriller: A Cruel Picture (1973), Terror (1978), Tower of Evil (1972), Vampyres (1974)

Another year ending means another Wrap Up episode where we go over our top picks for the year, as well as discussing some other titles we've seen in 2023. While most of the films we do cover here as our favorite viewings for this year are from the last few years, they are not all from 2023. But as we've pointed out many times before, if you're watching it for the first time, no matter when it was released, as far as we're concerned, it still counts as a new movie to you!

2023 has been a great year for the horror genre, especially when you look outside the U.S., which we all hope everyone out there does, because there are some incredible titles coming from Spain, Malaysia, Argentina, Japan, and more. So hopefully our listeners are not restrainted by films that are "only in English", because those folks are sadly missing out on some incredible cinema. 

For this episode, we strongly suggest you have a notepad and pen close by to jot down some titles because we think we're going to give you more than a few that we feel you should be checking out.

And a special HUGE thanks to those that continue to tune in and listen to us ramble on about the genre we love. With this being our 60th episode, it seems our following is growing day by day, so thank you for your continued support and in 2024, we'll continue to help you Discover the Horror!

Films mentioned in this episode:

Accion Mutante (1993), The Angry Black Girl and Her Monster (2023), Anthropophagus (1981), Bewitched (1981), Birth/Rebirth (2023), The Black Demon (2023), The Blackening (2023), Blair Witch Project (1999), Blood Flower (2022), The Boogeyman: The Origin of the Myth aka El hombre del saco (2023), The Boys from County Hell (2020), Cobweb (2023), Cocaine Bear (2023), The Conference (2023), The Creature from the Black Lagoon (1954), The Curse of the Crying Woman (1963), The Dark and the Wicked (2020), Don’t Listen (2020), Dracula (1931), Exists (2014), The Exorcist (1973), The Exorcist: Believer (2023), Evil Dead Rise (2023), Fragile (2005), Frankenstein (1931), Godzilla Minus One (2023), Grabbers (2012), The Grandmother (2021), Halloween (1978), Hallucinations (1986), Harpoon (2019), The Haunted Palace (1963), Hellhole (2022), Huesera: The Bone Woman (2022), The Innocents (2021), Infinity Pool (2023), The Invisible Man (1933), I See You (2019), Juan of the Dead (2011), Knock at the Cabin (2023), The Lake (2023), The Last Horror Film (1982), The Last Voyage of the Demeter (2023), Lifeboat (1944), Mad Heidi (2022), Meg 2 (2023), Megan (2023), Mr. Frost (1990), The Mummy (1932), The Nameless (1999), The Offering (2023), One Cut of the Dead (2017), The Outwaters (2022), The Rape of the Vampire (1968), Red Spirit Lake (1993), Renfield (2023), The Sadness (2021), Satanic Hispanics (2022), Satan’s Slave (2022), Scream VI (2023), Severance (2006), Sister Death (2023), Shaky Shivers (2022), Shaun of the Dead (2004), Skinamarink (2022), Sleep Tight (2011), Talk to Me (2023), Terrified (2017), Thanksgiving (2023), They Look Like People (2015), Troll Hunter (2010), El Vampiro (1957), Venus (2022), The Vigil (2019), The Village (2004), When Evil Lurks (2023), Witching and Bitching (2013), The Wolf Man (1941), Willow Creek (2013), The Witch’s Mirror (1962)

Tower of London (1962), Ghost Nursing (1982), and Stir of Echoes (1999).

Believe it or not, but it's a tradition to tell spooky stories around Christmas time. Just think of Charles Dickens' A Christmas Carol! While some tales might be told to give one pause about how they are acting towards others, to maybe change your ways, or some told to pass on a message of hope, while others are there just to scare the crap out of you! 

In this episode, we're going to cover three completely different films that all deal with ghosts, in a variety of settings, times, and even countries! This just shows how international the ghost story is, though maybe changed around a bit depending on your beliefs, there is always a reason for these spirts to appear.

Movies mentioned in this episode are:

The Acid Eaters (1967), Black Christmas (1974), Blacula (1972), Brutal Sorcery (1983), Curse of the Undead (1959), Dream Home (2010), Duel (1971), Easy Money (1969), Eat My Dust (1976), Friday the 13th (1980), Friday the 13th: The Final Chapter (1984), Ghost Nursing (1982), Haunted Palace (1963), House of Usher (1960), The Incredible Shrinking Man (1957), Krampus (2015), The Legend of Hell House (1973), Mr. Vampire (1985), The Pit and the Pendulum (1961), Pit Stop (1969), The Raven (1963), Seeding of a Ghost (1983), Silent Night Deadly Night (1984), The Sixth Sense (1999), Stir of Echoes (1999), The Terror (1963), Tower of London (1962), The Trip (1967), The Twilight People (1972), War of the Colossal Beast (1958)

The Werewolf of London (1935), The Wolf Man (1941), and She-Wolf of London (1946)

When the night falls and the full moon rises, it is time to talk about werewolves. Not just any werewolves, but the ones that came from Universal Studios. While still riding the wave of their  successes with the horror titles of Dracula, Frankenstein, The Mummy, and The Invisible Man, Universal's front office continued to look for their next big monster, which spawned The Werewolf of London (1935). While it wasn't the success they'd hoped, they would try it again in 1941 on the second wave of monster films, which was a big hit. And like the curse of lycanthropy, things weren't always particualrly good with this particular sub-genre.

We cover the three official titles from Universal that have the werewolf (one in title alone!) by themselves, and not any of the monster-rallys that we'll cover in the future. Will they still hold up to modern audiences? Are they worthy of their "classic monster" title? Listen and find out.

Films mentioned in this episode:

The Ape (1940), The Black Cat (1934), Bride of Frankenstein (1935), The Brute Man (1946), The Cat People (1942), Calling Dr. Death (1943), C.H.U.D. II: Bud the Chud (1989), Climax (1944), Dead Man’s Eyes (1944), Dracula (1931), Dracula’s Daughter (1936), Dracula vs Frankenstein (1971), Dr. Jekyll and Mr. Hyde (1932), Frankenstein (1931), Frozen Ghost (1945), Great Expectations (1934), House of Frankenstein (1944), House of Dracula (1945), House of Horror (1946), Jungle Woman (1944), The Invisible Man (1933), The Invisible Man Returns (1940), The Invisible Man’s Revenge (1944), The Invisible Woman (1940), The Mad Ghoul (1943), The Mummy (1932), The Mummy’s Curse (1944), The Mummy’s Ghost (1944), Night of the Howling Beast (1975), Of Mice and Men (1939), Pillow of Death (1945), She-Wolf of London (1946), Son of Dracula (1943), Spider Baby (1967), Strange Confession (1945), Troll (1986), The Weird Woman (1944), The Werewolf of London (1935), The Wolf Man (1941), The Werewolf (1913), Werewolf’s Shadow (1971), The White Wolf (1914), Wolf Blood: A Tale of the Forest (1925), The Wolfman (1915), The Wolfman (1923)

In the realm of low budget filmmakers, Al Adamson, along with his partner, producer Sam Sherman, are gods among men. They created a wide variety of pictures, in just about every sub-genre out there, and made with more love than money. But they were entertaining, and always memorable. Perhaps their most memorable (and successful) film was 1971's Dracula vs. Frankenstein, in no small part thanks to the casting of a young, unknown actor in the iconic role of Dracula.  Raphael Engel, rechristened Zandor Vorkov was a whole new kind of creature of the night-longhaired, goateed, and able to shoot fire out of his ring, this was a brand-new Dracula for a brand-new age.  Zandor's Dracula stalked across the screen of virtually every grindhouse and drive-in screen in America in the early 70s and then across every television screen in America for a couple of decades after that.  While his Dracula was being elevated to pop culture celebrity, Zandor himself left the movie business and fell out of the public eye for decades.  Go to a convention, and bring up Al Adamson, and someone would eventually say "I wonder what ever happened to Zandor Vorkov?" 

Like any good vampire, he was just lying in the shadows, waiting to emerge anew!

And on this very special episode, we have asked Raphael to join us to and talk a little about himself, his time working with Adamson and Sherman, and his fascinating take on the horror fandom that he's only recently learned existed, but has embraced warmly.

You can check out Zandor's website by going to https://zandorvorkov.com or hitting him up on Facebook by clicking HERE.

And if you love Al Adamson and Sam Sherman, check out the next episode we're going to do, where we dig into three of our favorite films from them! 

There are few events in horrordom quite as joyfully gluttonous as the Black Friday sales put on by our favorite boutique film labels.  As the season approaches, speculation on social media and in rapid-fire in-person conversations reaches a fever pitch.  What new films? What new merch? What great deals? We dream of horrors we might own someday like we’re kids again hunched over a wish book or staring at a toy display from outside a shop window.  Black Friday has become a defining annual event in our annual calendar of events and involves so many people in the fandom, and yet very few of us have any idea what goes into making one of these sales happen. 

Because it’s our mission to give you new ways to see and think about all things horror, we wanted to give you a peek inside one of those boutique labels and have a look at the Black Friday sale.  So our guest on this episode is Justin Tsantsa, Director of Publishing for Vinegar Syndrome, and we are also joined by Jennie Osterman, Lead Shipping Specialist for Vinegar Syndrome.  They guide us through exactly what goes into the whole process and talk a bit about their astonishing new venture, Vinegar Syndrome Publishing, which will be brining some new horror to all our bookshelves in the near future.

Movies mentioned in this episode:

Abomination (1986), Beyond the Darkness (1979), A Blade in the Dark (1983), Blood Sucking Freaks (1976), A Cold Night’s Death (1973), The Corruption of Chris Miller (1973), D.A.R.Y.L. (1985), Deep Inside (1968), Emanuelle in Bangkok (1976), The Exorcist (1973), Fortress (1985), Friday the 13th Part 2 (1981), Friday the 13th Part 3 (1982), Fright Night (1985), The Funhouse (1981), Halloween (1978), Halloween II (1981), The House that Dreaded Sundown (1976), Ilsa: She Wolf of the SS (1975), The Legend of Boggy Creek (1972), Madman (1981), Maniac (1980), Mother’s Day (1980), New York Ninja (2021), Phantasm (1978), The Prophecy (1995), The Prophecy II (1998), The Prophecy 3: The Ascent (2000), Red Spirit Lake (1993), Sweet Sugar (1972), Trapped (1977), What’s Up, Tiger Lily (1966), Zombie (1979)

The Sting of Death (1966), APE (1976), and Brutal Sorcery (1983)

It's November, so that must mean it's Turkey Time! Yes, that's right, for the last 20 years, Jon has been holding his Turkey Day Marathon Event, where we spend Black Friday delving into some of the strangest, weirdest, cheesiest, but always entertaining films. The ones most would call bad, we call them Turkeys! Damien started holding his own Turkey Day events 12 years ago, and this year, Aaron is starting his own! So why don't you?!?!

What we call a Turkey is just a film that doesn't play by conventional standards. It may not have a budget, any real talent behind or in front of the camera, but they have passion, and are doing their best to make a good film. They just missed the mark here and there. But they are always entertaining and fun to watch. Especially if you are with other crazy, like-minded cinephiles!

Take a listen to this episode to learn more about what Turkey Day is, as well as hearing our thoughts on three new titles we're covering this time around. Each one would be perfect for your own Turkey Day Marathon!

Movies mentioned in this episode:

A*P*E (1976), Bewitched (1981), Black Magic (1975), Blood Feast (1963), Blood Freak (1972), Boxer’s Omen (1983), Brutal Sorcery (1983), Class of Nuke ‘Em High (1986), Corpse Grinders (1971), Death Curse of Tartu (1966), Flesh for Frankenstein (1973), Frankenstein’s Bloody Terror (1968), The Hooked Generation (1968), The Horror at Party Beach (1964), The Incredibly Strange Creatures Who Stopped Living and Became Mixed-up Zombies (1964), Inhumanwich! (2016), It Came from Hollywood (1982), King Kong (1976), Lady Frankenstein (1971), Mako: The Jaws of Death (1976), Naked Witch (1961), Plan 9 from Outer Space (1957), The Psychedelic Priest (2001), Rat Pfink a Boo Boo (1966), Robot Monster (1953), Sting of Death (1966), The Toxic Avenger (1984), Two Thousand Maniacs (1964), Whiskey Mountain (1977)

The Invisible Man (1933), The Invisible Man Returns (1940), and The Invisible Man's Revenge (1944).

In the pantheon of Universal Classic Monsters, some might say the Invisible Man is the least terrifying in the monster heritage, or maybe even bordering on if they even belong in the horror genre. In this episode, we're going to delve into three of the films in Universal's Invisible series, for the most part, stay within the horror genre, though, that argument will be addressed as well! We're leaving out The Invisible Woman and Invisible Agent, since they are pretty much either a comedy or a war time action film. 

Join us as we try to "see" more into these films that maybe aren't as "transparent" to the casual viewer who might have missed something. Or maybe we're seeing too much and not finding them too entertaining. Want to know? You'll have to listen and find out!

Movies mentioned in this episode:

Abbott & Costello Meet Frankenstein (1948), Abbott & Costello Meet the Invisible Man (1951), Creature from the Black Lagoon (1954), Dracula (1931), Frankenstein (1931), The Ghost of Frankenstein (1942), Good Morning, Vietnam (1987), Hollow Man (2000), Invisible Agent (1942), The Invisible Man (1933), The Invisible Man (2020), The Invisible Man Return (1940), The Invisible Man’s Revenge (1944), The Invisible Woman (1940), The Mummy (1932), The Mummy’s Hand (1940), Murders in the Rue Morgue (1932), The Phantom Creeps (1939), The Phantom of the Opera (1943), Rio Bravo (1959), The Unseen (2016), The Wolf Man (1941)

Let’s face it: horror fans are, as a group, a little bit obsessive. When we sink our teeth into something we do not do it barely or easily, we take a big, honkin’ bite.  If we become infatuated with a director, we want to see every film they’ve made, read a book about them, hear people talk about them, watch documentaries about them, and so on.  And the same is true for national horror cinemas, regional American horror cinemas, important eras, actors, subgenres, and the like.  And in recent years, a handful of visionary producers of physical media have recognized an opportunity in our longing and have invented and are currently inundating us with boxed sets.  These comprehensive, exhaustive, wonderful monsters have become a gravitational center point for our genre. But just a handful of years ago they mostly didn’t exist, or were announced only every few years. Nowadays, we get several per year from companies like Severin, Vinegar Syndrome, Indicator, Arrow, and Scream! Factory, just to name a few.  So we figured it was time for Discover the Horror to take a long look at the history and impact of these monolithic pieces of film history. 

Movies mentioned:

100 Years of Horror, Abby (1974), Alien (1979), Beast of Blood (1970), Beyond Dream’s Door (1989), Beyond the Valley of the Dolls (1970), The Black Cat (1934), Blade in the Dark (1983), Blood of Ghastly Horror (1967), The Body Snatcher (1945), Bride of Frankenstein (1935), Carnival Magic (1983), Carnival of Blood (1970), Cat People (1942), City of the Living Dead (1980), Children Shouldn’t Play with Dead Things (1972), The Chooper (1971), Creature with the Atomic Brain (1955), Curse of the Cat People (1944), Dawn of the Mummy (1981), Day of the Animals (1977), Deathdream (1974), Demons (1985), Demons 2 (1986), Deranged (1974), The Devil-Doll (1936), Dracula (1931), Emanuelle in Bangkok (1976), The Eroticist (1972), Fiend with the Electronic Brain (1967), Final Exam (1990), Flesh for Frankenstein (1973), The Fly (1958), Four Skulls of Jonathan Drake (1959), Frankenstein (1931), Freaks (1932), Friday the 13th (1980), The Ghost Ship (1943), The Giant Claw (1957), The Godfather (1972), Godzilla (1954), Grizzly (1976), Gruesome Twosome (1967), Hellraiser (1987), Help Me . . . I’m Possessed (1974), House by the Cemetery (1981), I Bury the Living (1958), Ilsa: She Wolf of the SS (1975), Images in a Convent (1979), The Invisible Man (1933), Isle of the Dead (1945), I Spit on Your Grave (1978), I Walked with a Zombie (1943), Jaws (1975), Killer Shrews (1959), Legacy of Blood (1978), The Leopard Man (1943), Mad Love (1935), Mako: The Jaws of Death (1976), The Manster (1959), Mark of the Vampire (1935), Mask of Fu Manchu (1932), The Mole People (1956), The Mummy (1932), The Mummy and the Curse of the Jackals (1969), Murders in the Zoo (1933), The Mystic (1925), New York Ripper (1982), A Nightmare on Elm Street (1984), Night of the Living Dead (1968), Night of the Strangler (1972), Old Dark House (1932), The Omen (1976), One on Top of the Other aka Perversion Story (1969), The Outing (1987), Phantasm (1979), Pieces (1982), The Psychic (1977), Psycho A Go-Go (1965), Raiders of the Lost Ark (1981), Return of Dracula (1958), The Return of the Fly (1959), Santa Sangre (1989), The Seventh Victim (1943), She-Devils on Wheels (1968), Star Wars (1977), Sting of Death (1966), Tale of the Mummy (1998), Tetsuo: The Iron Man (1989), Texas Chain Saw Massacre (1974), The Thing (1982), Three on a Meathook (1972), The Unknown (1927), The Werewolf (1956), Whiskey Mountain (1977), Winterbeast (1992), Wizard of Gore (1970), The Wolf Man (1941), Zombies of Mora Tau (1957)

Blood Feast (1963), Two Thousand Maniacs! (1964), The Gruesome Twosome (1967), The Wizard of Gore (1970) 

When Herschell Gordon Lewis made his first nudie cutie film in 1961, nobody would have expected that he'd become one of the most important names in the history of horror.  But with the release of Blood Feast just two years later, Lewis and his producing partner David F. Friedman would invent the gore subgenre and would fundamentally reshape horror as we knew and understood it. And for about a decade after it, Lewis would continue to release gore-obsessed fare to grindhouses and drive-ins across the nation.  When those sorts of theaters started to fade away in the 70s, so did Lewis, who went back to his previous career in advertising. But in the 80s and beyond his fame was resuscitated on home video and in the pages of magazines like Fangoria and Deep Red where he became known as The Godfather of Gore. 

With some help from Christopher Wayne Curry, author of A Taste of Blood: The Films of Herschell Gordon Lewis, we dive into four of his films and manage to talk about a whole slew of others. 

Movies mentioned in this episode:

Bell, Bare and the Beautiful (1963), Blood Diner (1987), Blood Feast (1963), Blood Feast (2016), Blood Feast 2: All U Can Eat (2002), Blood Sucking Freaks (1976), Boin-n-g (1963), Color Me Blood Red (1965), Curse of Frankenstein (1957), The Gore Gore Girls (1972), Gruesome Twosome (1967), I Drink Your Blood (1971), Intolerance (1916), Jigoku (1960), Mardi Gras Massacre (1978), Moonshine Mountain (1964), Multiple Maniacs (1970), Night of the Living Dead (1968), A Nightmare on Elm Street (1984), Pit Stop (1969), Polyester (1981), Scream Baby Scream (1969), Scum of the Earth (1963), A Taste of Blood (1967), Tarantula (1955), The Texas Chain Saw Massacre (1974), Serial Mom (1994), This Stuff’ll Kill Ya! (1971), Three on a Meathook (1972), Two Thousand Maniacs (1964), Wizard of Gore (1970), Year of the Yahoo! (1971)

Perdita Durango (1997), Common Wealth (2000), Witching and Bitching (2013)

There are a few directors like Álex de la Iglesia. No matter what kind of film he's making, he weaves in and out of different genres like changing lanes on a busy highway. But no matter what, you will usually see his twisted and dark sense of humor, unique and interesting stories, and usually something you've never seen before on film. And that could all be before the opening credits!

In this episode, we dive into three of his features, one a brutal tale of sex and violence, one a tale of greed and what people will do because of it, and finally a supernatural tale of witches that is quite different than anything coming from Disney!

Movies mentioned in this episode:

800 Bullets (2002), Accion Mutante (1993), Blue Velvet (1986), Common Wealth (2000), The Cook, the Theif, His Wife & Her Lover (1989), Day of the Beast (1995), Faster Pussycat! Kill! Kill!, The Last Circus (2010), Perdita Durango (1997), [REC] (2007), Sleep Tight (2011), Wild at Heart (1990), Witching and Bitching (2013)

The Mummy (1932), The Mummy's Hand (1940), The Mummy's Tomb (1942), The Mummy's Ghost (1944), and The Mummy's Curse (1944).

In this episode, we go back the Universal Classics and take on one of the most unusual of the classic monsters, the Mummy. It's probably one of the best costumes and memorable character, but never seems to reach the same level of notoriety as his fellow monsters. But strangely enough, it is the one Universal monster to have more films devoted to his character alone, without going into the Monster Rally films where they had more than one monster in the picture.

Here we dig up some facts as well as our own thoughts on the original 1932 film starring the one and only Boris Karloff, as well as the 4 other Mummy films that came out almost a decade later, but with much smaller budgets. These sequels started with a different mummy character and had a continuing storyline between the 4 films, or at least tried.

Films mentioned in this episode:

Abbott and Costello Meet the Mummy (1955), The Black Cat (1941), Bride of Frankenstein (1935), Dawn of the Mummy (1981), Dracula (1931), Frankenstein (1931), Friday the 13th (1980), Green Hell (1940), Halloween (1978), House of Frankenstein (1944), Jason X (2001), Monster Squad (1987), The Mummy (1932), The Mummy (1999), The Mummy Curse (1944), The Mummy’s Ghost (1942), The Mummy’s Hand (1940), The Mummy’s Tomb (1942), Son of Frankenstein (1939)

To celebrate our 50th episode of Discover the Horror, we decided to do a live event, giving our listeners a chance to ask questions or make comments in the chat room while we answer them live during the show. We don't have any particular topic we planned to discuss, but we sure did go through a lot of different things, such as how the podcast got started, possible future episodes, and much more. 

If you weren't able to watch it live, you can now listen to the audio only of the show, or you can head over to Youtube and watch the recorded show with video there. Either way, thank you for your continued support of the show!

Movies mentioned during this episode:

Alien (1979), Black Christmas (1974), Black Sunday (1960), The Call of Cthulhu (2005), Castlevania (2017), A Christmas Story (1983), Children Shouldn’t Play with Dead Things (1972), The Chooper (1971), City of the Living Dead (1980), A Cold Night’s Death (1973), The Crawling Eye (1958), Creepshow (1982), Dagon (2001), Day of the Dead (1985), Death Dream (1974), Deep Red (1975), Deranged (1974), Equinox (1970), Event Horizon (1997), The Exorcist (1973), The Exorcist: Believer (2023), Evil Dead Rise (2023), Face of the Screaming Werewolf (1964)m From Beyond (1986), Groovie Goolies (1970), Guillermo del Toro’s Cabinet of Curiosities (2022), Haunting of Bly Manor (2020), Haunting of Hill House (2018), Heavy Metal (1981), Hellbound (2021), Hellraiser (1989), Hereditary (2018), The Innocents (2021), In the Mouth of Madness (1994), I Spit on Your Grave (1978), Jaws (1975), Killing Spree (1987), Knightriders (1981), Last Voyage of the Demeter (2023), Mad Monster Party? (1967), Martin (1977), Maximum Overdrive (1986), Midsommar (2019), Nekromantik (1988), Never Take Candy from a Stranger (1960), The Nun 2 (2023), Pet Sematary (1989), Re-Animator (1985), Renfield (2023), The Resurrected (1991), Salem’s Lot (1979), Suspiria (1977), Squirm (1976), Things (1989), Talk to Me (2023), Uzumaki aka Spiral (2000)

One of the things that was realized at some point after the creation of Famous Monsters magazine, was that there was this horror fandom, or fan base, of all these horror fans around the country, in a variety of ages, that realized that they were not alone in their love of horror. While there were more magazines to follow, at some point there was the birth of the fanzine, which was the low budget version of a professional magazine, but one that was created by nothing but passion. In the '90s, with home computers and then desktop publishing became something you had in your own home, more and more of these fanzines started. Each one wrote about the films they wanted to cover, whether it was mainstream, though mainly they were talking about more on the obscure side, but it was always through the excitement of hoping to get others to seek those films out.

In this episode, we welcome Dave Kosanke, creator and genius behind the fanzine Liquid Cheese, which Dave created, wrote, and self-published for 25 years. Dave's knowledge of the horror genre and fanzines is a topic that he is more than well-versed in, which it shows within the first few minutes of chatting with him.

Fanzines and magazines mentioned in this episode:

Asian Trash Cinema, Blackest Heart, Creepy, Deep Red, Delirium, Demonique, Draculina, Dreadful Pleasures, Eerie, Echo Magazine, European Trash Cinema, Famous Monsters, Fangoria, Flesh & Blood, Gick!, Gore Creatures, Gore Gazette, Is It Uncut?, Late Night Snacks, Liquid Cheese, Little Shoppe of Horrors, Midnight Magazine, Midnight Marquee, Monster, Monster Bash, Monster, International, Monsterscene, Monsters from the Vault, Monster Times, Naked Screaming Terror, Psychotronic Video, Scary Monsters, Scream, Shock Video, Slime Time, Splatter Times, T.O.S.S., Trashfiend, We Belong Dead, Video Watchdog, Ultra Violent

Night of the Eagle aka Burn, Witch, Burn (1962), Eyes of Fire (1983), Pyewacket (2017)

Welcome to Episode 48, where we discuss one of the oldest perceived monsters in our history . . . witches. But as we know, in film there are many different types of witches, therefore a lot of different types of witch movies. In some, the craft is done for good, while others lean to the darker side, maybe for a personal gain. And then there are those that are just plan evil. Either way, this is a genre monster that's not only one of the oldest, it has also crossed into many other genres, from romance, fantasy, comedy and others. But it doesn't take away the power behind the sub-genre. So sit down and make sure you have your favorite lucky charm with you, light a candle, or whatever you need to do for protection, as we delve into 3 witchy titles.

Movies Mentioned During This Episode:

The Abyss (1989), Blood on Satan’s Claw (1971), City of the Dead aka Horror Hotel (1960), Close Encounters of the Third Kind (1977), Eyes of Fire (1983), Haxen (1922), Hereditary (2018), Night of the Demon (1957), Night of the Eagle aka Burn, Witch, Burn (1962), Pyewacket (2017), Weird Woman (1944), Witchfinder General (1968), Wicker Man (1973), Woodlands Dark and Days Bewitched: A History of Folk Horror (2021)

The Cabinet of Dr. Caligari (1920), The Golem (1920), and Waxworks (1924).

In the very beginning of cinema, it was the German filmmakers who took cinema to the next level, even when it was still in its infancy. Creating strange angles, weird landscapes and buildings, and bizarre stories, these filmmakers gave audiences something completely new and different. It made such an impact, that it would inspire future filmmakers for generations to come.

While being silent, these films still created such haunting images, wild characters, and fantastical designs of the sets, that can still make an impact to today's modern audiences. When Discovering the Horror, it is always important to know how we got to where we are, and the German expressionist horror films of that era is a great place to start. If you want to scoff at silent cinema, then you are depriving yourself of some truly great pieces of art, and of history.

Films mentioned in this episode:

The Arrival of a Train (1896), The Bride of Frankenstein (1935), The Cabinet of Dr. Caligari (1920), Casablanca (1942), The Cat and the Canary (1927), The Devil and Daniel Webster, Dr. Caligari (1989), Dr. Jekyll and Mr. Hyde (1920), Dracula (1931), Frankenstein (1931), The Golem (1915), The Golem (1967), The Golem (2018), The Golem; How He Came into the World (1920), The Golem and the Dancer (1917), The Great Train Robbery (1903), The Hunchback of Notre Dame (1939), It! (1967), Ivan the Terrible (1944), The Man Who Laughs (1928), The Mummy (1932), Nosferatu (1922), The Phantom of the Opera (1925), Son of Frankenstein (1939), The Unknown (1927), Waxworks (1924)

House on Haunted Hill (1959), The Tingler (1959), and Mr. Sardonicus (1961). In the world of ballyhoo, nobody comes close to being a master at it than producer/director William Castle. From giving insurance policies to filmgoers in case they die of fright, promising the horrors onscreen will come off the screen into the audiences, to even letting the audience decide the fate of one of the characters in the film, Castle was a master of it. He treated his fans with respect, and wanted everyone to have a great time with his pictures. And they still are entertaining today.

In this episode we're going to delve into 3 of Castle's films, as well as the man himself. Joining us to talk all things Castle is superfan and collector (not to mention convention warrior for Severin Films) Matt Harding!

Films Mentioned in this episode:

13 Frightened Girls (1963), 13 Ghosts (1960), The Asphyx (1972), Bug (1975), The Chance of a Lifetime (1943), The Fly (1958), Homicidal (1961), House of Wax (1953), House on Haunted Hill (1959), Macabre (1958), Matinee (1993), Mr. Sardonicus (1961), Phantom of the Opera (1925), Red Spell Spells Red (1983), Rosemary’s Baby (1968), Son of Frankenstein (1939), Spine Tingler: The William Castle Story (2007) , Strait-Jacket (1964), The Tingler (1959)

Horror movies and heavy metal music have almost gone hand in hand, since the real first heavy metal band, Black Sabbath- which was even named after a horror film! Horror films were a huge influence on the metal genre, from imagery on the album covers, to the lyrics, and even the sound and style of the music itself. And they continue to do so to this day.

To delve a little deeper into the connection between those two, we invited two members of Incantation, one of the oldest death metal bands out there, Kyle Severn and Chuck Sherwood. So join us as we talk music, metal, and movies!

Films mentioned during this episode:

After Party Massacre (2011), The Beyond (1981), Beyond the Darkness (1979), Black Sabbath (1963), Blood for Dracula (1974), The Car (1977), The Church (1989), City of the Living Dead (1980), Crowley (2008), Dawn of the Dead (1978), Dead and Buried (1981), Deathgasm (2015), Death Metal (2023), Demons (1985), Don’t Breathe (2016), Dr. Alien (1989), The Dungeonmaster (1984), Evil Dead (1981), Evil Dead 2 (1987), Flesh for Frankenstein (1973), Friday the 13th Part VIII: Jason Takes Manhattan (1989), From Beyond (1985), Ghoulies III: Ghoulies Go to College (1990), Ghoulies IV (1994), Hard Rock Zombies (1984), The Haunting (1963), Hellraiser (1987), History of the World Part 1 (1981), House by the Cemetery (1981), Incubus (1981), The Innocents (1961), Jaws (1975), The Legend of Hell House (1973), Make them Die Slowly (1980), Maniac (1980), Mother of Tears (2007), A Nightmare on Elm Street (1984), Night of the Demons (1988), Nightmare Beach (1989), Opera (1987), Paganini Horror (1988), Phantasm (1979), The Phantom of the Opera (1925), Phenomena (1985), Prison (1987), The Prowler (1981), Re-Animator (1985), Rock ‘n’ Roll Nightmare (1987), Rocktober Blood (1984), Scanners (1981), Shock ‘em Dead (1991), Shocker (1989), Slaughterhouse Rock (1987), Suspiria (1977), Tenebre (1982), Texas Chain Saw Massacre (1974), Texas Chainsaw Massacre 2 (1986), The Thing (1982), The Town that Dreaded Sundown (1976), Traces of Death (1993), Trick or Treat (1986), Two Thousand Maniacs (1964), Videodrome (1983), Woman in Black (2012), Zombie (1979)

Corpse Mania (1981), Red Spell Spells Red (1983), The Rape After (1984)

Obviously, the title of our show, and its mission statement is about discovering new horror, In the past we’ve always brought films to the table that we already liked and wanted to discuss.  But on this episode, we were given a unique opportunity.  We were given a list of somewhat obscure Hong Kong-created black magic horror films which contained titles that none of us had seen, and it gave us an idea: maybe this time Aaron, Damien and Jon would be the ones who discover the horror! We each picked a film we’d never seen but sounded interesting, and on episode 45, we share our thoughts on these very unique films.

If you’ve not spent time in the utterly unhinged world of Hong Kong black magic horror, and are fond of the surreal, the impossible and the inexplicable, we think this show might just be for you.  Scorpion attacks, maggoty necrophilia, rats leaping from the mouths of dead fathers… this episode has it all. 

To join us, we invited Ryan Smith, who made the list and has gathered probably the largest collection of Hong Kong cinema that we’ve ever heard of.  Be careful- this is one where leaves can rip your face off!

Films mentioned in this episode:

A Chinese Ghost Story (1987), Bewitched Area of a Thousand Years (1991), The Beyond (1981), Centipede Horror (1982), A Chinese Ghost Story III (1991), Corpse Mania (1981), Dr. Caligari (1989), Dr. Lamb (1992), Erotic Ghost Story (1990), Evil Dead (1981), Haunted Tales (1980), Mr. Vampire (1985), The Omen (1976), The Rape After (1984), Red Spell Spells Red (1983), Red to Kill (1994), Revenge of the Corpse (1981), Run and Kill (1993), Seeding of a Ghost (1983), Sex Beyond the Grave (1984), Spirit of the Raped (1976), The Untold Story (1993)

El Vampiro (1957), The Black Pit of Dr. M (1959), and The Curse of the Crying Woman (1963). Any horror fan worth their weight in blood knows their fare share about the classic monster films from Universal from the 30s and 40s before they died a slow death. But do you know that in the late 50s and early 60s, there was a bunch of classical looking horror films made in Mexico? Looking a lot like their Universal brethen, these Mexican films cranked up the atomsphere (and the fog machines) to 11, using some of the traditional monsters, as well as developing some from their own heritage.

Mexican horror films from this era don't seem to get the credit and notoriety that they should. So we're hoping to help change that by covering 3 that we think are pretty damn good. So buckle up, get your pen and notepad ready and get ready to start down a very foggy path into a highly underrated sub-genre.

Films mentioned in this espisode:

The Brainiac (El barón del terror, 1963)
El Vampiro (1957)
The Curse of the Crying Woman (La maldición de la Llorona,1963)
Black Pit of Dr M (Misterios de ultratumba, 1959)
Night of the Bloody Apes (La horripilante bestia humana, 1969)
The Vampire's Coffin (El ataud del vampiro, 1958)
Curse of the Aztec Mummy (La maldición de la momia Azteca, 1957 Robot vs. the Aztec Mummy (La momia azteca contra el robot humano, 1958) Wrestling Women vs. The Aztek Mummy (Las luchadoras contra la momia, 1964) The Witch's Mirror (El espejo de la bruja, 1964)
City of the Dead (1960)
Dracula (1931)
The Bloody Vampire (El vampiro sangriento, 1962)
Invasion of the Vampires (La invasión de los vampiros, 1963)
The Curse of Nostradamus (1961) Nostradamus and the Destroyer of Monsters (1962) Genie of Darkness (1962) The Blood of Nostradamus (1962)
The Hell of Frankenstein (Orlak, el infierno de Frankenstein, 1960)
The Ghost (1963)
Black Sunday (1960)
The Revived Monster (El Monstruo Resucitado 1953)
Psycho (1960)
The Living Coffin (1959)
Young Frankenstein (1974)
Halloween (1978)
Frankenstein (1931)
Son of Dracula (1943)
Frankenstein Must Be Destroyed (1968)

 Boxed sets and film collections:  

Magic, Myth & Mutilation: The Micro-Budget Cinema Of Michael J. Murphy 1967-2015

Bloody Terror: The Shocking Cinema of Norman J Warren  

Back in ancient times, before Netflix and Amazon Prime, before Hulu and YouTube, even before DVDs and Blu-rays, if films weren't available to you from either your local video stores, or if you wanted to see an uncut print of a movie, or even one that wasn't released on VHS, the place you could find them would be in fuzzy gray market of the bootlegs.

These types of vendors were a staple to a lot of the early movie conventions, where fans could find titles that never even knew were out there.  Some of us are old enough to remember being able to finally see the uncut full letterboxed version of Lucio Fulci's The Beyond, after years of suffering though only being able to see the heavily edited Seven Doors of Death.

As your collection grew, you would usually start trading with others, increasing your collection even more, as well as helping to spread the love and passion of these amazing films. This is what we're discussing in this episode, so sit back and either reminisce with us, or learn about the good old days, when we were happy for a 5th generation grainy print of Anthropophagus that had the infamous fetus scene!

Films mentioned in this episode:

Anthropophagus aka The Grim Reaper (1980), Army of Darkness (1992), Bad Taste (1987), The Beyond aka Seven Doors of DeathT (1981), Beyond the Darkness (1979), Blood from the Mummy’s Tomb (1971), Braindead aka Dead Alive (1992), Cannibal Ferox aka Make Them Die Slowly (1981), Cannibal Holocaust (1980), City of the Living Dead aka Gates of Hell (1980), A Cold Night’s Death (1973), Dawn of the Dead (1978), Dellamorte Dellamore (1994), Emanuelle and the Last Cannibal aka Trap Them and Kill Them (1977), Faces of Death (1978), Female Vampire (1973), Four Flies on Grey Velvet (1971), Friday the 13th (1980), Frankenstein and the Monster from Hell (1974), The Ghost Galleon (1974), Guinea Pig: Flower and Flesh and Blood (1985), Hardware (1990), The Haunting (1963), I Drink Your Blood (1971), Jungle Holocaust (1977), Lady Frankenstein (1971), Mad Love (1935), Man Made Monster (1941), Mary Shelley’s Frankenstein (1994), Meet the Feebles (1989), Mondo Magic (1975), Nekromantik (1988), Nekromantik 2 (1991), Night of the Seagulls aka Night of the Death Cult (1975), Opera (1987), Return of the Living Dead (1985), The Third Eye (1966), Tombs of the Blind Dead (1972), Zombie (1979)

Frankenstein (1931), The Bride of Frankenstein (1935), Son of Frankenstein (1939), and The Ghost of Frankenstein (1942).

Time to go back to the source! The films that started a mythology, created the stereotypes, and taught us everything we were going to need to know about the mad genius that created a"monster" and the innocent, child-like creature that would eventually be known by his creator's own name. In this episode, we look back at the first four Universal Frankenstein films, before the monster-ramas, when the main point was the creature and his maker. While there is a lot of material to cover in only one episode, we cover as much as we can, trying to show you just how imporrtant, entertaining and well-made these films are after close to a century.

Films mentioned during this episode:

All Quiet on the Western Front (1930), The Bride of Frankenstein (1935), Creature from the Black Lagoon (1954), Curse of Frankenstein (1957), Dracula (1931), Frankenstein (1931), Frankenstein Meets the Wolf Man (1943), The Ghost of Frankenstein (1942), The Hunchback of Notre Dame (1923), The Invisible Man (1933), Murders in the Rue Morgue (1932), The Phantom of the Opera (1925), Son of Frankenstein (1939), The Vampire Bat (1933), Young Frankenstein (1974)

Devil Dog: Hound of Hell (1978), Vampire (1979), & Dark Night of the Scarecrow (1981). Back in Episode 11, we covered 3 Made-for-TV films that we felt were must see! And now we're back again to go over another 3 titles that we think are well worth your time and attention. During the late '70s and early '80s was still a time of great films that were made to premiere on your television at home, decades before streaming services like Netflix and Amazon Prime were available. Thankfully, these three are available in a variety of formats, but you may have to do a little searching first. But that's okay...the hunt is part of the fun!

So sit back, hit play, and listen to us ramble on about some really good films, with incredible casts, and some damn entertaining monsters!

Here are the titles mentioned in this episode:

The Amazing Dobermans (1976), Bram Stoker’s Dracula (1992), Bride of Re-Animator (1990), The Cat Creature (1973), Creepshow (1982), Curse of Frankenstein (1957), Dark Night of the Scarecrow (1981), The Devil’s Daughter (1973), Devil Dog: The Hound of Hell (1978), The Devil’s Rain (1975), Duel (1971), The Entity (1980), The Evil (1978), Evilspeak (1982), The Exorcist (1973), Gargoyles (1972), Killer Bees (1974), Maniac (1980), Night Tide (1961), Nightwing (1979), Old Dark House (1932), The Omen (1976), Prison (1987), Queen of Blood (1966), Ruby (1977), Salem’s Lot (1979), Satan’s School for Girls (1973), The Sender (1982), The Time Machine (1960), Trapped (1973), Trilogy of Terror (1975), Vampire (1979), Who Slew Auntie Roo (1972)

Depending on when you not only grew up, but grew up with the horror genre could define what films you like, and what you don't like. But then there are other fans that open up the borders and search outside their comfort zone. In this episode, we discuss those ideas with our special guest, S.A. Bradley, author of Screaming for Pleasure: How Horror Makes You Happy and Healthy, as well as the host for the podcast Hellbent for Horror.

This isn't an episode about specific films, though plenty are mentioned and discussed in great detail, but also on how they are received by the current audiences, as well as the older, and sometimes younger audiences, and what the differences are.

These are the films mentioned in this episode:

3 on a Meathook, Anthropophagus (1981), Babadook (2014), Barbarian (2022), Bunny Lake is Missing (1965), Burial Ground (1981), The Cabinet of Dr. Caligari (1920), Cannibal Ferox (1981), Cocaine Bear (2023), The Cursed (2021), Curse of Frankenstein (1957), Dark Shadows (1966-71), Dawn of the Dead (1978), Dracula (1931), Deranged (1974), Devil Dog: Hound of Hell (1978), The Exorcist (1973), The Exorcist II: The Heretic (1977), Frankenstein (1931), Friday the 13th: Part III (1982), From Beyond (1986), The Godfather (1972), The Godfather II (1974), The Green Slime (1968), Halloween (1978), The Haunting (1963), Hellraiser (2022), Hereditary (2018), Jaws (1975), Looking for Mr. Goodbar (1977), Maniac (1980), Midsomer (2019), Night of the Living Dead (1968), A Nightmare on Elm Street (1984), Nosferatu (1922), The Phantom of the Opera (1925), Psycho (1960), The Omen (1976), Onibaba (1964), Ringu (1998), The Ritual (2017), Rocky (1976), Rocky II (1979), Scream 6 (2023), Skinamarink (2022), Sleep Tight (2011), Snuff (1975), Taxi Driver (1976), Tenebrae (1982), Terrified (2017), Terrifier (2016), The Texas Chain Saw Massacre (1974), The Thing (1982), The Thing from Another World (1951), Tombs of the Blind Dead (1972)

3 on a Meathook (1972), Grizzly (1976), & Day of the Animals (1977). Director William Girdler is a name that some horror fans might know some of his work, but probably don't know a lot about the man himself, or maybe don't realize how many great films he produced in a very short time, before his untimely death. 9 movies in only 6 years, and one of them being the most successful independent film for the time, which head that record until John Carpenter's Halloween (1978). In this episode we cover one of his earlier films, as well as two of his most popular ones, or ones that might be more familiar with your average fan. But we invite you to listen up and even rewatch them and see if you don't agree with us that William Girdler was much more than a low budget independent filmmaker, but one that consentantly turned out entertaining picutres.

Titles mentioned in this episode:

3 on a Meathook (1972), Abby (1974), The Adventures of the Wilderness Family (1975), Airplane (1980), Alien (1979), Aliens (1986), Asylum of Satan (1972), Day of the Animals (1977), Evils of the Night (1985), The Exorcist (1973), Gator (1976), Grizzly (1976), Jaws (1975), Halloween (1978), Laserblast (1979), Last Shark (1981), Mako: Jaws of Death (1976), The Manitou (1978), Orca (1977), Q: The Winged Serpent (1982), Roar (1981), Swiss Family Robinson (1960), Tentacles (1977), A Thing with Two Heads (1972), Tintorera: Killer Shark (1977), A Touch of Satan (1971), Wild Beasts (1984), Zebra Killer (1974)

There are plenty of ways to help you on your way to discovering more about the films you love, as well as ones you might not know too much about. There's always books on different filmmakers, or sort of the audio form of that, the audio commentaries that are usually found on most of our favorite films. The more insight you have, the more you will know, and maybe even enjoy it more. One of those that is helping fans learn just that is Troy Howarth. He's written over a dozen books on a varity of subjects, usually in the Italian film genre, covering directors like Argento, Bava, Fulci, and more recently, Umberto Lenzi. He's also published a 3-volume set on the giallo film. Plus, he has done a ton of different commentaries, giving fans even more info!

Films mentioned in this episode:

Alice Sweet Alice (1976), The Antichrist (1973), Aquirre, the Wrath of God (1972), Assault on Precinct 13 (1976), Baron Blood (1972), The Beyond (1981), Bitter Moon (1992), The Black Cat (1981), Black Sunday (1960), Blood and Black Lace, Blood Beast Terror (1968), Blood Delirium, Blood for Dracula (1974), Bram Stoker’s Dracula (1992), Burial Ground (1981), Caltiki, The Immortal Monster (1959), Cannibal Ferox (1981), Cannibal Holocaust (1980), Cat People (1942), Count Dracula (1970), Crawlspace (1986), Danger: Diabolik (1968), The Devil Incarnate (1979), The Devils (1971), Devil’s Nightmare (1971), Diabolique (1955), Don’t Look Now (1970), Double Face (1969), Don’t Torture a Duckling (1972), Dr. Goldfoot and the Girl Bombs (1966), Erik the Conqueror (1961), Female Vampire (1973), Five Days (1973), Four Flies on Grey Velvet (1971), Frankenstein Must Be Destroyed (1969), The Frenchman’s Garden (1978), Fury of the Wolfman (1972), The Ghost Galleon (1974), The Ghost of Frankenstein (1942), Ghost of Mars (2001), Giant of Marathon (1959), The Great Silence (1968), Great White (1981), Grim Reaper (1980), Hercules in the Haunted World (1961), Hatchet for the Honeymoon (1970), Holocaust 2000 (1977), Horror of Dracula (1957), Hound of the Baskervilles (1959), Howl of the Devil (1988), Inferno (1980), The Irishman (2019), I Vampiri (1957), I Walked with a Zombie (1943), Malpertuis (1971), Mill of the Stone Women (1960), Mummy’s Revenge (1975), The Night Evelyn Came Out of the Grave (1971), Night of the Demon (1957), Night of the Howling Beast (1975), New York Ripper (1982), Not as a Stranger (1955), The Old Dark House (1932), Phenomena (1985), Planet of the Vampires (1965), The Pumaman (1980), Revenge of the Dead (1983), Rio Bravo (1959), Rosemary’s Baby (1968), Scars of Dracula (1970), Short Night of the Glass Dolls (1971), Slaughter Hotel (1971), The Sniper (1977), Suspiria (1977), Tentacles (1977), They Live (1988), Tintorera (1977), The Transexual (1977), Venom (1981), Venus in Furs (1969), Videodrome (1983), Zombie (1979)

In the mid 1950's an overzealous witch hunt took place in the United States focused on the corrupting effects of comic books on young people, which ended in horror comics being banned from the shelves by a draconian comics code.  But why? What did those comics contain that got people so riled up? Well, it depends on who you ask.  

WE asked Dr. Dan Yezbick, a comics scholar, and he sparked a lively discussion. If you're only vaguely aware of this chapter of horror history, strap in, because pre-code horror is one of the more fascinating areas of the history of the genre. 

Comics mention in this episode:

Adventure into Darkness, Adventures into the Unknown, Amazing Mysteries, Archies, Beware, Black Cat Mystery, Boris Karloff’s Tales of Mystery, Boris Karloff’s Thriller, Casper the Friendly Ghost, Chamber of Chills, City of the Living Dead, Creepy, Crypt of Terror, Dark Shadows, Dead of Night, The Dead That Walk, Eerie Comics, Eerie, Grimm’s Ghost Stories, Haunt of Fear, Horrific, House of Mystery, House of Secrets, Judgement Day, Master Race, Mister Mystery, Morbius, The Occult Files of Dr. Spector, Ripley’s Believe It or Not True Ghost Stories, Shock Suspense Stories, Skeleton Hand, Tales from the Crypt, Tales from the Tomb, Tales Too Terrible to Tell, Terror Tales, Tomb of Dracula, Tower of Shadows, Twilight Zone, Vault of Horror, Werewolf by Night, Witch Doctor

Dracula (1931), Dracula's Daughter (1936), & Son of Dracula (1943). This is the series of films that really created and started what is now known as the Universal Classic Monster films. Dracula came out in Feb. in 1931 and did such business, the studio followed suit with another film. And another. And another.

But are these classics remembered just because of nostalgia, or are they really well made films that are still effective today and rightly deserve the monster of "classic"? In this episode, we delve into the first three Dracula films and take a closer look at these titles to see if they hold up to us, and even more so, maybe getting you, the listener, interested enough to revisit them along with us!

Films mentioned in this episode:

The Black Cat (1934), The Bride of Frankenstein (1935), Bride of the Gorilla (1951), The Cabinet of Dr. Caligari (1919), The Cat and the Canary (1927), Creature with the Atom Brain (1955), Dracula (1931), Dracula – Spanish Version (1931), Dracula’s Daughter (1936), Earth vs the Flying Saucer (1956), Frankenstein (1931), Frankenstein Meets the Wolf Man (1943), The Ghost of Frankenstein (1942), House of Frankenstein (1944),The Invisible Man (1933), The Invisible Ray (1936), I Walk with a Zombie (1943), The Mummy (1932), The Mummy’s Tomb (1942), Nosferatu (1922), Old Dark House (1932), The Phantom of the Opera (1925), Phantom of the Opera (1943), Son of Dracula (1943), Son of Frankenstein (1939), The Wolf Man (1941)

Obviously anybody listening to this podcast is a huge fan of horror movies. There is no better time to be a movie fan because of all the incredible releases that keep coming out, not just here in the states, but around the world. From movies that we grew up loving, to the more obscure and unseen titles, it is a never-ending journey to discover or re-discover these titles. And one of the men responsible for helping us fans is Jesse Nelson from Diabolik DVD, as well as Exhumed Films, and more recently Cauldron Films.

So sit down and listen to some great stories, and maybe even learn some etiquettewhen it comes to collecting, customer service, and what fans should expect from shops like Diabolik DVD, and the other boutique labels, and realize the hard work they are all doing to bring us fans some great viewing experiences.

Films mentioned during this episode:

Alucarda (1977), American Rickshaw (1989), Avatar (2009), Back to the Beach (1987), Basket Case (1982), The Being (1981), The Beyond (1981), Beyond the Darkness (1979), Beyond the Valley of the Dolls (1970), Bird with the Crystal Plumage (1970), Black Emanuelle (1975), Black Sunday (1960), Caligula (1979), Cannibal Holocaust (1980), Circle of Fear (1973), City of the Living Dead (1980), Contraband (1980), Dawn of the Dead (1978), Dead & Buried (1981), Death Game (1977), Don’t Open Until Christmas (1984), Dr. Jekyll & Mr. Hyde (1931), Dune (2021), The Empty Man (2020), Evil Dead (1981), Flavia, the Heretic (1974), Frankenstein (1931), Frankenstein ’80 (1972), Frankenstein and the Monster from Hell (1974), Friday the 13th Part III (1982), Frighteners (1996), From Beyond (1986), The Ghost Galleon (1974), Ghost Story (1972), House by the Cemetery (1981), The Invisible Maniac (1990), The Kindred (1987), Lady Terminator (1989), Last of Us (2023), Mad Love (1935), Martin (1976), Nightmare City (1980), No Escape (1994), Overboard (1987), Phantom of Paradise (1974), Possession (1981), Psycho (1960), Rat Pfink and Boo Boo (1966), Re-Animator (1985), Re-Penetrator (2004), The Sadness (2021), A Serbian Film (2010), Shocking Dark (1989), Shogun Assassin (1980), Splash (1984), Suspiria (1977), Terrifier 2 (2022), Texas Chainsaw Massacre 2 (1986), To All a Goodnight (1980), Tombs of the Blind Dead (1972), El Topo (1970), Zombie (1979), Zombies: The Beginning (2007)

The Evil (1978), Angel Heart (1987), and Mr. Frost (1990). From the very first horror film, Georges Méliès' The House of the Devil from 1896, the Devil started his film career and has been going strong ever since! Appearing in a variety of roles, from bit parts to main characters, from comedies to dramas, from the campy to straight up terrifying, Satan has made his appearance numours times over the last century. But it is his appearance in the horror genre, of course, where we are focusing.

In this episode, we discuss three different titles, with three very difference actors, playing different characterizations of Satan, but all of them entertaining and well worth seeking out. Or at least we think so.

Films mentioned in this episode:

Amityville Horror (1979), Angel Heart (1987), Centerfold Girls (1974), Constantine (2005), Curse of the Demon (1957), Devil Dog: The Hound of Hell (1978), Devil and Max Devlin (1981), The Devil Rides Out (1968), The Devil’s Daughter (1973), The Evil (1978), First Blood (1982), The Fly (1986), Friday the 13th Part III (1982), Grizzly (1976), The Haunting (1963), House of the Devil (1986), House of the Devil (2009), The Legend of Hell House (1973), Mr. Frost (1990), Piranha (1978), Point of Terror (1978), The Prophecy (1995), Rosemary’s Baby (1968), The Sentinel (1977), Simon, King of the Witches (1971), Time Bandits (1981), Twice Dead (1988), V (1983)

To check out Georges Méliès' House of the Devil, just click HERE.

Throughout movie history, makeup artists have helped create new faces for the silver screen, whether they were just changing their look to creating a new monster never before seen. As the years progressed, what used to only be images we could dream of, these makeup artists help bring them to life, giving generations and generations both a sense of wonder, and nightmares! 

We decided to go through the cinematic history and discuss different monsters and makeup creations that have amazed and astonished us. And to help us, we figured why not have a guest that has been in the trenches for over three decades, Mr. Gino Crognale!

So hit play, sit back and enjoy this trip down memory lane.

Movies mentioned in this episode:

Alien, The Amazing Colossal Man, An American Werewolf In London, Attack of the 50 Foot Woman, The Beast Within, The Brain That Wouldn’t Die, Bride of Re-Animator, City of the Living Dead, Coming to American, Creature from the Black Lagoon, Curse of Frankenstein, Curse of the Werewolf, Dawn of the Dead (1978), Deep Rising, The Descent, The Devil’s Rain, Dracula, Dr. Jekyll and Mr. Hyde (1922), Dr. Jekyll and Mr. Hyde (1932), The Exorcist, The Evil of Frankenstein, Fiend Without a Face, The Fly (1956), The Fly (1986), Frankenhooker, Frankenstein (1931), Friday the 13th, From Beyond, From Dusk Till Dawn, From Hell it Came, The Gorgon, The Green Mile, Harry and the Hendersons, The Hateful Eight, The Howling, Hideous Sun Demon, House on Haunted Hill (1959), Humanoids from the Deep, The Hunchback of Notre Dame (1923), Hunchback of Norte Dame (1939), I am Number Four, I, Madman, In the Mouth of Madness, Invaders of the Saucer Men, It Conquered the World, Jurassic Park, The Killer Shrews, Kinpin, London After Midnight, The Mist, The Mummy, Night of the Living Dead, Nightmare on Elm Street 3: Dream Warriors, Oz the Great and Powerful, The Penalty, The Phantom of the Opera, Plague of the Zombies, Planet of the Apes, Pumpkinhead 2, Predator, The Reptile, Return of the Fly, Robocop, Salem’s Lot, The She-Creature, Sin City, Society, Tales from the Crypt, Tarantula, Terrorvision, Texas Chainsaw Massacre 2, The Thing (1982), The Tingler, Troll, Total Recall, The Walking Dead, Without Warning, The Wizard of Oz, The Wolf Man, Zombie

Just like we did last year, in Episode 7, we're going through the best films that we watched for the first time in 2022. Doesn't mean they came out in the last 12 months, but they were all watched for the first time this year, therefore we consider them new movies. We each go through our Top Three Favorites that we watched, as well as go through some of the titles that actually did come out in 2022.

We also want to say thanks to everyone that has continued to listen to us over this last year. We love the feedback and always welcome more! So send us an email, leave a comment here, or on our website, DiscovertheHorror.com, or on Facebook or Instagram, and let us know what you think, did you agree with us, think we're crazy? No matter what, we want to hear!

Make sure you have a pen and notepad before you hit play, because I'm guessing you're going to have a few titles that you are going to want to seek out after listening to this. Ready? Let's do this!

Here are the films mentioned in this episode:

All the Moons (2020), Antlers (2021), The Bad Seed (1956), Barbarian (2022), Beast (2022), Beyond the Darkness (1979), Black Emanuelle (1975), Bodies, Bodies, Bodies (2022), Caligula and Messalina (1981), Caligula: The Untold Story (1982), Crimes of the Future (2022), The Cursed (2021), Dark Glasses (2022), The Deeper You Dig (2019), The Devil’s Nightmare (1979), Devil’s Wedding Night (1973), Django (1966), Errementari (2017), Firestarter (2022), Goodnight Mommy (2022), Halloween Ends (2022), Hellbender (2021), Hellraiser (2022), The House at the End of Time (2013), House of Darkness (2022), Jeepers Creepers: Reborn (2022), Justine (1969), Lady Frankenstein (1971), Lady Morgan’s Vengeance (1965), The Lair (2022), Let the Right One In (2008), Men (2022), Monstrous (2022), Night’s End (2022), Nope (2022), Orphan: First Kill (2022), Pearl (2022), Pray for the Devil (2022), The Reef (2010), The Reef: Stalked (2022), The Requin (2022), The Ritual (2017), The Sadness (2022), Satan’s Slaves 2: Communion (2022), Scream (2022), Shark Bait (2022), Smile (2022), Speak No Evil (2022), Studio 666 (2022), Terrified (2017), Terrifier (2016), Terrifier 2 (2022), Terror Train (2022), They/Them (2022), The Third Eye (1966), The Texas Chainsaw Massacre (2022), Umma (2022), V/H/S/99 (2022), The Watcher (2022), X (2022)

In the final episode of our Convention Trilogy, where we've already covered the fans and the dealers, we now take a step back even further to the ones that put on the show in the first place: the promoters. These are the people that rent the hotels and convention centers, get the guests, round up the vendors, do the advertising, promotions, all in the hopes in giving the fans that show up a good time with plenty to see and do. When things go wrong, they take the heat for it, but seldom get the credit when things go right, so we wanted to take a peek behind the curtain, as it were, and learn a little about what actually goes into putting on one of these conventions. To get the insight into that side of the conventions, we've invited Nathan Hanneman, editor-in-chief of HorrorHound Magazine and one of the main people behind the Horrorhound Weekend conventions.

Sugar Hill (1974), Wild Zero (1999), Juan of the Dead (2011). Everyone loves zombie films. Ever since Romero brought them to the screen in 1968 with Night of the Living Dead, they have become one of the horror genre's favorite and most used monster. With this sub-genre flooding the market over the last 2 decades, there are a lot of good films that get buried or forgotten. Because of that, we decided to dig up three titles that we feel need more time in the spotlight. They are all three uniquely different, with more than a little social commentary in there, but all damn entertaining. So sit back, take some notes, and then seek these films out!

Movies mentioned in this episode:

Beneath the Planet of the Apes (1970), Blacula (1972), Castle of the Living Dead (1964), Children Shouldn’t Play with Dead Things (1972), Dawn of the Dead (1978), The Dead (2010), Death Line (1972), Juan of the Dead (2011), Night of the Living Dead (1968), Poltergeist (1982), Race with the Devil (1975), Salem’s Lot (1979), Scream Blacula Scream (1973), Serpent and the Rainbow (1988), She-Beast (1966), Six-String Samurai (1998), Sugar Hill (1974), Under the Shadow (2016), White Zombie (1932), Wild Zero (1999)

Zontar: The Thing from Venus (1967), The Chooper (1971), and Lady Terminator (1989).

Last November, in Episode 4, we discussed the Turkey. Not what some would call a "bad" film, but would probably not be on anybody's Oscar's list. These are the cinematic shipwrecks where the filmmakers tried their best, but just missed the mark in the eyes of most. But if they are still entertaining, then they can't be bad, right? Well we're back again this year to cover three more of these epic miss-adventures of cinema from directors Larry Buchanan, Ray Dennis Steckler, and H. Tjut Djalil. And boy, are you in for a treat with these!

Make sure you listen to the whole episode to get a special discount code for Pallbearer Press!

So sit back, and enjoy a nice second helping of some Turkey!

Remember, you can find us at the following sites:

Insta: https://www.instagram.com/discoverthehorror/

Facebook: https://www.facebook.com/DiscovertheHorror

Web:  https://discoverthehorror.com/

Titles mentioned this episode:

Attack of the Eye Creatures (1967), Beyond the Darkness (1979), Blood Shack (1971), Body Fever (1969), Brain from Planet Arous (1957), The Chooper (1971), Creature of Destruction (1968), Curse of the Swamp Creature (1968), Don't Look in the Basement (1973), Don't Open the Door (1974), Hand of Death (1962), Hell Raiders (1969), The Hollywood Strangler Meets the Skid Row Slasher (1979), In the Year 2889 (1969), The Incredibly Strange Creatures Who Stopped Living and Became Mixed-up Zombies (1964), It's Alive! (1969), It Conquered the World (1956), Keep My Grave Open (1977), Lady Terminator (1989), The Lost Continent (1951), The Lemon Grove Kids Meet the Monsters (1968), Mars Need Women (1968), Mystics in Bali (1981), The Naked Witch (1961), Queen of Black Magic (1981), Revenge of the Creature (1955), Scum of the Earth (1974), The She-Creature (1956), Tarantula (1955), The Thrill Killers (1964), Wild Guitar (1962), Zontar: The Thing from Venus (1967)

We've already discussed conventions from a fan's perspective, so now we're going to go to the other side of the table and discuss what goes into becoming a dealer, what that means, what it costs, and all the other fun stuff that comes with the territory, that maybe most fans might not be aware of!

The Changeling (1980), The Woman in Black (1989), and Fragile (2005). Ghost stories have been around since the very beginning of the art of storytelling itself. When done well, it can be simple and still send chills up your spine. When it comes to ghost stories in film, we can still keep it simple, have an effective story, and still give the audience the creeps enough to make them wonder what that noise you just heard. And  here we have three perfect examples in this episode.

These kinds of films are especially perfect for the Halloween season, sitting down with some friends and/or family to enjoy this time of year. So if you're looking for particular one, look no further.

Movies mentioned in this episode:

The Changeling (1980)

Fragile (2005)

Hereditary (2018)

Pat Garrett & Billy the Kid (1973)

Poltergeist (1982)

Witchfinder General (1968)

The Woman in Black (1989)

Them! (1954), The Deadly Mantis (1957), and The Black Scorpion (1957)

The decade of the 1950s gave horror fans a ton of different giant monster flicks, but usually taking something seemingly harmless, such as ants or grasshoppers, but somehow, someway, are mutated into growing into gigantic proportions! We had giant spiders, praying mantis, mollusks, and anything these creative filmmakers could come up, just make them bigger and let them loose!

While modern critics, or even those at the time when these titles came out, passed them off as something for the kiddies and not to be taken seriously. And sure, they were definitely made under the term of exploitation, but when you really look at them, there is a lot of talented people behind and in front of the camera, and some really well-made and creative craftsmanship going on as well. Some aspects may seem and are very dated by today's standards, but there is still a lot there, as well as a lot of entertainment value. So grab your can of raid, a giant size flyswatter, and maybe even some industrial strength gloves to wear so you don't have to tough any of these nasty little buggers, and listen to us have a little fun discussing some big creepy crawlers!

Movies mentioned in this episode:

Aliens (1986), Beast from 20,000 Fathoms (1953), The Beginning of the End (1957), The Black Scorpion (1957), The Blob (1958), Creature from the Black Lagoon (1954), The Deadly Mantis (1957), The Gauntlet (1977), Godzilla (1954), House of Dracula (1945), King Kong (1933), The Lost World (1925), Mighty Joe Young (1949), The Monster that Challenged the World (1957), Son of Kong (1933), S.O.S. Iceberg (1933), Sudden Impact (1983), Tarantula (1955), Them! (1954), The Thing from Another World (1951)

House of Whipcord (1974), Frightmare (1974), and House of Mortal Sin (1976). When you're talking about British horror films of the '70s, while Hammer was on their way out as they were slowly losing their audiences to more modern-day horrors, along comes Pete Walker. While he didn't make a ton of horror films, the ones he did, really make an impact. If you're not familiar with Mr. Walker and his movies, now is your chance to wet your whistle to (hopefully) make you seek out these films, and his others.

These films were mentioned in this episode:

And Now the Screaming Starts! (1973), Clockwork Orange (1971), The Comeback (1978), Count Dracula (1977), Die Screaming Marianne (1971), Dracula 1972 A.D. (1972), The Flesh and Blood Show (1972), Frightmare (1974), House of Mortal Sin aka The Confessional (1976), House of the Long Shadows (1983), House of Whipcord (1974), Schizo (1976)

Also mentioned, was this interesting article on Walker and his films on Nerdist.com. Just click HERE.

Horror movie conventions are one of the best places to be at if you are a die-hard fan. There's plenty to see, buy, and people to meet, both new and old friends, as well as celebrities. Horror conventions were a very important part of a lot of us horror fans "growing up" as we learned more and more about the genre, building our collections, or just meeting new people that have become lifelong friends, or even a wife!

This is our first part in a series of episodes on conventions, so we're going to start out at the beginning for us, such as how they all started for us, and which ones did we go to, to the current shows that we still attend.

These are the different conventions that we mention during this episode:

Chiller Theatre, Cinema Wasteland, Cinevent, Crypticon, Famous Monsters, Fangoria’s Weekend of Horrors, Fanex, Flashback Weekend, HorrorHound Weekend, Mid-Summer Scream, Monster Bash, Monsterpalooza, 25th Anniversary Night of the Living Dead Convention, Scarefest, Texas Frightmare

Lady Frankenstein (1971), Erotic Rites of Frankenstsein (1973), Flesh for Frankenstein (1973). While Frankenstein is one of the oldest monsters in the genre, and has been adapted multiple times by a variety of creators, some closer to the original source than others, there are other filmmakers that go far enough away from the orignal novel that they're not even in same library! But it is always interesting to see where these creative filmmakers take that story, giving it their own twist, and putting it out there for teh world to see!

Join us as we delve into 3 different variations on the Frankenstein theme, all that deal with sex, nudity, gore, and some of the strangest in Euro-Horror!

Films mentioned in this episode:

The Abominable Dr. Phibes (1971), Attack of the Crab Monsters (1957), The Black Cat (1934), Blood for Dracula (1974), The Brain that Wouldn’t Die (1962), Deep Red (1975), The Devil’s Nightmare (1971), The Devil’s Wedding Night (1973), The Diabolical Dr. Z (1966), Dracula, Prisoner of Frankenstein (1972), Erotic Rites of Frankenstein (1973), Flesh for Frankenstein (1973), Female Vampire (1973), Frankenstein (1910), Frankenstein (1931), Island of the Fishmen (1979), Lady Frankenstein (1971), Little Shop of Horrors (1960), The Undead (1957), Vampyros Lesbos (1971)

The importance of the movie poster is almost lost in this day and age. With the internet flooding social media with trailers, photos, and all sorts of advertisements, the poster art might get lost in the shuffle. But decades ago, it was the first thing used to promote an upcoming feature film. It had to reach out and grab hold of your eyes, telling your brain you need to see this film. Shortly after that, the poster collecting started.

Why do we collect posters? What kinds are there? What is it about it that still holds a spell over movie goers? Join us and our special guest, Alan Tromp, as we try to answer all of those questions and more, as we discuss our own obsessions with movie posters, from one-sheets to British Quads to the French Grande size!

Movie titles mentioned in this episode:

Abbott & Costello Meet Dr. Jekyll & Mr. Hyde (1953), Alabama’s Ghost (1973), An American Werewolf in London (1981), Astro Zombies (1968), Asylum (1972), The Beyond (1981), Baby Driver (2017), Blood Beast from Outer Space (1965), Blood for Dracula (1974), Blood Freak (1972), Blood of Ghastly Horrors (1967), Bloody Pit of Horror (1965), The Brain Eaters (1958), Brides of Blood (1968), Captain Kronos (1974), Cemetery Girls (1973), The Changeling (1980), Children Shouldn’t Play with Dead Things (1972), City of the Living Dead (1980), Clash of the Titans (1981), Corpse Eaters (1974), Count Dracula’s Great Love (1973), Creature from the Black Lagoon (1954), Creepshow (1982), Critters (1986), Crypt of Dark Secrets (1976), Cujo (1983), Curse of the Doll People (1961), Curse of the Voodoo (1965), The Deadly Mantis (1957), Deathdream (1974), Demon Lover (1976), Doomwatch (1972), Doctor Butcher M.D. (1980), Dracula Prince of Darkness (1966), Dracula vs Frankenstein (1971), Eaten Alive (1976), Evil Dead (1981), Evilspeak (1981), The Faculty (1998), Faster, Pussycat! Kill! Kill! (1965), Frankenstein (1931), Frankenstein 1970 (1958), Frankenstein’s Bloody Terror (1967), Frankenstein Meets the Space Monster (1965), The Garden of the Dead (1972), The Giant Claw (1957), Goke: The Body Snatcher from Hell (1968), Grave of the Vampire (1972), The Green Slime (1968), Hellraiser (1987), Halloween (1978), Halloween H20 (1998), House by the Cemetery (1981), House of Psychotic Women (1974), Horror of Dracula (1958), Horror of Party Beach (1964), Horror of the Blood Monsters (1970), Horror of the Zombies (1974), How to Make a Monster (1958), I Know What You Did Last Summer (1997), Inquisition (1977), Invaders from Mars (1953), Invasion of Astro-Monster (1965), Invasion of the Blood Farmers (1972), Invasion of the Saucer Men (1957), Kingdom of the Spiders (1977), Lady Frankenstein (1971), Last House on the Left (1974), Legend of the Bayou (1976), Legend of Blood Mountain (1965), The Legendary Curse of Lemora (1973), Little Shop of Horror (1960), Living Dead at the Manchester Morgue (1974), The Living Head (1963), Make Them Die Slowly (1981), Matango (1963), The Mighty Gorgo (1969), Motel Hell (1980), Mystics in Bali (1981), Night of the Howling Beast (1975), Night of the Living Dead (1968), Nightmare Castle (1965), Old Dark House (1931), Orgy of the Living Dead triple feature, Piranha (1978), Pit Stop (1969), Plague of the Zombies (1966), Poltergeist (1982), Pumpkinhead (1988), Rasputin the Mad Monk (1966), Rats are Coming! The Werewolves are Here! (1972), The Reptile (1966), Return of the Living Dead (1984), Robot vs the Aztec Mummy (1958), Saw (2004), Scream (1996), The She-Beast (1966), Shock Waves (1977), Slave of the Cannibal God (1978), Terror Creatures from the Grave (1965), Terror from the Year 5000 (1958), The Time Travelers (1964), Three on a Meathook (1972), Tombs of the Blind Dead (1972), Twins of Evil (1971), Up from the Depths (1979), Vampire Lovers (1970), Vampire’s Coffin (1958), Vampyres (1974), Velvet Vampire (1971), Voodoo Heartbeat (1973), War of the Gargantuas (1966), Werewolf vs the Vampire Woman (1971), Wild Beasts (1984), Wizard of Mars (1965), The Wolf Man (2010), Zombie (1979)

Poster Books Mentioned in this episode:

Art of the Horror Movies, Art of B-Movie Poster, Children of the Night, Creepy Images, Graven Images, Monsters in the Movies, Movie Collector’s World, Muchas Gracias Senior Lobo, Shock Cinema, Sleeze, Too Much Horror Business, Voluptuous Terrors. Yesterday’s Tomorrow