Cows in the field – Details, episodes & analysis

In space, no one can hear you deepfake a dead actor into your movie! We're joined by Scout Tafoya to talk Alien: Romulus. We discuss the film's thematic resonances with the Alien franchise, immigration, the fear of undifferentiation, psychoanalytic readings of the alien, human/android relationships, orphans in space, and go on many long rants about the state of movies and artificial intelligence. Join us!

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We are joined by Aaron Casias and Carly Gomes of Hit Factory to discuss William Hurt's first film, Ken Russell's wild and delirious Altered States! We discuss solipsism, God, losing faith, hallucinogens, academia, and why regressing into an ape form might be many conservatives ultimate fantasy.

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Today we explore the dark recesses of the human soul with Agnes Callard (Chicago). We discuss von Trier's minimalist staging, the movie's parable, the duality of human nature, the lies we tell ourselves and others, the film's political angle, and the role of anger in response to true evil.

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The cows hit the links with Tim Gilman (WMBR 88.1 FM Boston) to finish off 1996 with a comedy that just might be a bit deeper than it lets on. Why is Happy so angry? Could it be in reaction to the contempt shown by the moneyed elite to the working class, a response that reflects the current rise in popularity of populist demagogues across the world? Or might it be a reflection of his inner turmoil at being terrible at what he loves most? Along the way, we discuss our obligations to care for our elders, property tax rates in Connecticut, the joys of Christopher McDonald as Shooter McGavin, and the worst athlete commercials of all time. 

The cows watched Sofia Coppola's latest and came to very different conclusions, which necessitated an emergency episode to sort it all out. Join us for a maybe autobiographical discussion of the complexities of modern parenting, gendered divisions of cognitive labor, and not losing yourself when asked to shoulder the emotional labor of your friends and family. 

The cows freeze in Minnesota with friend Molly Perkins in this revisit to the Coen Brothers' 1996 folktale noir. Themes of faith, deception, encountering the inexplicable, Scandinavian roots, and ecstatic truth are all discussed, along with highlights of favorite supporting cast members and a head-to-head comparison of psycho killers Gaear Grimsrud (Peter Stormare) and Anton Chigurh (Javier Bardem).

Join the two cows on their journey into the world of fantasy basketball-star-crossover vehicles, featuring guest Vishal Dave! It's 1996 and Michael Jordan is fresh back from retirement, ready to take on the Monstars and save the NBA from a bunch of talentless hacks. Is there a tragic emptiness at the core of Space Jam, marked by Jordan's self-destructive quest for dominance? And how does it compare to what might be its polar opposite -- Kazaam, a rapping genie movie about a child who comes to accept the imperfections of his parents, starring the ebullient Shaquille O'Neal? Tune in to find out and dig in to some mid-nineties pop classics! 

The cows are joined by Mattia Acetoso (Italian Literature, Boston College) to discuss the feature debuts of Wes and Paul Thomas Anderson. What might we learn about these original and influential directors' first films? Both movies center around misfits who retreat from a random and often harsh reality to form their own surrogate families and find new ways of living. Along the way, genres are subverted, narratives obfuscated, and souls redeemed.

The two cows discuss the social complexity of female high school friendships and the sexual politics of teen horror in their reappraisal of these two '96 classics. They explore how cliques can provide social insulation as well as opportunities for emotional manipulation, and consider how the "horror movie rules" encode a Puritanical ethics towards sex and drugs while also aiming to satisfy the male gaze by providing copious instances of such behavior.

The two cows start their journey through 1996 at its blockbuster peak, revisiting Roland Emmerich's game-changing blow everything up alien disaster extravaganza, Independence Day. What made the 1990s such a fertile time for disaster flicks, and what makes ID4 one of the best movie star vehicles ever? The cows also explore neoconservative themes of US military dominance on the world stage, and discuss the case for Randy Quaid being the emotional center of the film.