Explore every episode of the podcast Couleurs du Soleil | Chill Out with Deep Organic House

Last Dance for You is an original deep-house record from Objects of Affection — a bright, breezy vocal cut built around summer romance, soft motion, and the promise of saving something intimate for the very end. There’s a lightness to it, but not a shallow one: Riviera air, open water, late-afternoon warmth, and the feeling that a fleeting season might still hold something lasting. The groove stays polished and effortless, while the lyric carries a quieter emotional pull — flirtation, escape, and a little devotion hiding inside the ease. Deep House / Vocal House / Chill House 124 BPM | B Minor | Camelot 10A Built for poolside drift, terrace sets, rooftop evenings, and golden-hour rooms that want softness without losing shape. Listen / download: https://hypeddit.com/objectsofaffection/lastdanceforyoufreedownload Objects of Affection: https://www.objectsofaffectioncollection.com Contact: chris@objectsofaffectioncollection.com

HUGEL’s “Movin’ To The Sun” reworked by Objects of Affection into a brighter Afro House frame built around percussive lift, controlled warmth, and open-air momentum. This version leans into the track’s natural pull toward light — rolling tribal rhythm, deep low-end restraint, and a clean emotional rise that feels made for terraces, coastlines, and late-afternoon rooms turning toward night. Familiar enough to travel, tailored enough to feel considered. Afro House / Tribal House / Deep House 123 BPM | F Minor | Camelot 4A Built for sunset sets, beach-club transitions, rooftop movement, and floors that want sunshine with structure. Listen / download: https://hypeddit.com/objectsofaffection/hugelmovintothesunobjectsofaffectioneditfre Objects of Affection: https://www.objectsofaffectioncollection.com Contact: chris@objectsofaffectioncollection.com Unofficial edit for DJ and promotional use.

Dark and the Wild is an original deep-house record from Objects of Affection — a smoky, freedom-charged vocal cut built around release, intimacy, and the pull of leaving the ordinary behind for something less controlled. With its repeated hook, soft nocturnal tension, and jazz-tinged house frame, the track moves like an invitation: not toward chaos exactly, but toward a more honest kind of surrender. Deep groove, restrained warmth, and a little wildness under the polish. Deep House / Vocal House / Old-school House | 122 BPM | F Minor | Camelot 4A. Built for warm-up sets, late-night terraces, first-drink floors, and rooms that want movement with a pulse, not a tantrum. Listen / download: https://hypeddit.com/objectsofaffection/darkandthewildfreedownload Objects of Affection: https://www.objectsofaffectioncollection.com Contact: chris@objectsofaffectioncollection.com

HUGEL’s “Hadid” reworked by Objects of Affection into a sleeker, more atmospheric house frame built around hypnotic motion, Arabic vocal tension, and controlled emotional lift. The track lives in that beautiful edge-space between drive and introspection: rolling percussion, restrained low end, cinematic pads, and a groove that keeps moving without forcing itself. Instead of pushing into obvious peak-time aggression, this version leans into elegance — nocturnal, melodic, and quietly powerful. House / Melodic House / Progressive House 123 BPM | F Minor | Camelot 4A Built for blue-hour sets, late-night rooms, long drives, and floors that want emotion without losing shape. Listen / download: https://hypeddit.com/objectsofaffection/hugelhadidobjectsofaffectioneditfreedownload Objects of Affection: https://www.objectsofaffectioncollection.com Contact: chris@objectsofaffectioncollection.com Unofficial edit for DJ and promotional use.

Mùnegu is an original vocal house record from Objects of Affection — a bright, insulated study in Monégasque intimacy, where white stone, blue water, and obscene scale dissolve into something quieter and more private. Built around speed, softness, and restraint, the track moves through the codes of the principality — Tour Odéon, seven-minute arrivals from Nice, Baccarat, Boërl & Kroff, low engines at the quay — only to reveal that the real luxury is disappearance: no calls, no posts, no proof, no news. What begins as a mood of visible wealth becomes a song about protected closeness inside it. House / Vocal House / Riviera crossover | 125 BPM | F Minor | Camelot 4A. Built for terraces, rooftops, blue-hour coastlines, and rooms where money is background, not performance. Listen / download: https://hypeddit.com/objectsofaffection/munegufreedownload Objects of Affection: https://www.objectsofaffectioncollection.com Contact: chris@objectsofaffectioncollection.com

Couleurs du Soleil Vol 17 is a 75-minute mix from Objects of Affection. A slow-burning study in light, texture, rhythm, and restraint. Built around disciplined percussion, organic melodic drift, and long-form atmosphere, the set moves through Afro House, Mediterranean and Arabic-inflected house, deep percussive architecture, and moments of cinematic introspection without ever losing its internal coherence. Rather than chase obvious peaks, the mix favors controlled resonance: shakers, wood blocks, low engines, minor-key pads, saxophone memory, and spacious transitions that dissolve track boundaries into a single continuous environment. What begins with a spoken meditation on identity and fear gradually opens into warmth, movement, and a more expansive sensuality. Organic House / Afro House / Mediterranean House 112 BPM | A Minor | Camelot 8A Built for terraces, reflective studios, gallery preludes, long drives, and rooms that want intelligence without stiffness. Free Download - https://hypeddit.com/objectsofaffection/couleursdusoleilvol17freedownload Listen / more from Objects of Affection: https://www.objectsofaffectioncollection.com Contact: chris@objectsofaffectioncollection.com

Move Fast in the Summer is an original vocal house record from Objects of Affection — bright, flirtatious, and built around the tension of pursuit, timing, and emotional speed. The track lives in that beautifully unstable space where attraction moves faster than certainty: polished on the surface, urgent underneath. Driven by a clean house framework, cool vocal presence, and a hook built for repetition, it captures the feeling of summer as a temporary permission structure — a season where things move quickly, desire sharpens, and hesitation costs you. House / Vocal House / Dance Pop 125 BPM | G♯ Minor | Camelot 1A Built for rooftops, terraces, open-air sets, and golden-hour rooms that want brightness without losing shape. Listen / download: https://hypeddit.com/objectsofaffection/catchmeifyoucanfreedownload Objects of Affection: https://www.objectsofaffectioncollection.com Contact: chris@objectsofaffectioncollection.com

Swervin’ Through the Ocean is a dark, bass-led club cut from Objects of Affection — built from fast-twitch cadence, trunk-pressure low end, and the slowed-memory influence of Southern chopped-and-screwed culture translated into a harder, more kinetic house framework. What drives the track is tension between motion and drag: sharp percussion, aggressive vocal repetition, and a sense of time stretching underneath the rhythm. It moves like a club record, but it carries the ghost of car-audio ritual, coded flex, and nocturnal drift. Bass House / Southern Club / House crossover 128 BPM | G♯ Minor | Camelot 1A. Built for dark rooms, crossover sets, car systems, and moments that need pressure without losing style. Listen / download: https://hypeddit.com/objectsofaffection/swervinthroughtheocean Objects of Affection: https://www.objectsofaffectioncollection.com Contact: chris@objectsofaffectioncollection.com

Edvard Grieg’s “In the Hall of the Mountain King” reimagined through an Afro House lens from Objects of Affection. What began in 1875 as a descent into dread becomes here a ritual ascent — hypnotic percussion, organic movement, disciplined low end, and a classical motif transformed into focus, pressure, and release. Instead of panic, this version leans into procession. Instead of chaos, it builds composure. Built around tension, repetition, and polyrhythmic lift, the track turns a familiar melody into a late-night architecture of rhythm: meditative, ceremonial, and driving without losing elegance. Afro House / Organic House / Deep House 124 BPM | B Minor | Camelot 10A. Built for late-night rooms, ritual movement, and sets that want a recognizable motif without sacrificing depth. Listen / download: https://hypeddit.com/objectsofaffection/edvardgrieginthehallofthemountainkingobjectsofaffe Objects of Affection: https://www.objectsofaffectioncollection.com Contact: chris@objectsofaffectioncollection.com Reworked and produced by Objects of Affection. Original composition by Edvard Grieg.

Awaken is a euphoric Afro House / Deep House crossover built around light, release, and collective movement — opening from a meditative vocal invocation into a full-bodied, open-air dancefloor lift. Driven by tribal percussion, deep-house atmosphere, and a rising vocal refrain centered on dawn, surrender, and rebirth, the track moves like a threshold: leaving the dark behind and stepping into something wider, warmer, and more alive. Where pressure once defined the room, Awaken chooses expansion instead. Afro House / Deep House / Tribal House 120 BPM | B♭ Minor | Camelot 3A Built for sunrise sets, emotional transitions, open-air floors, and moments where the night gives way to something bigger. Download / updates: https://hypeddit.com/objectsofaffection/awaken Objects of Affection Collection: https://www.objectsofaffectioncollection.com Bookings / promos: audio@objectsofaffectioncollection.com

Can’t Do It Like Me is a cold, luxury-heavy club cut built around one message: imitation isn’t competition. Driven by a deadpan spoken intro, a punchy, grimy vocal hook, heavy 808 weight, and a 125 BPM bass-house pulse, the track moves like a status statement on the floor — sharp, confrontational, and fully self-contained. Between fashion hierarchy, blocked access, and “league of my own” energy, this one is less about explanation and more about dominance. Bass House / UK Bass / Grime-led Club 125 BPM | E♭ Minor | Camelot 2A Built for peak-up moments, hard left turns, fashion-coded sets, and rooms that want attitude as much as impact. Download / updates: https://hypeddit.com/objectsofaffection/cantdoitlikemefreedownload Objects of Affection Collection: https://www.objectsofaffectioncollection.com Bookings / promos: audio@objectsofaffectioncollection.com

Sky in Your Eyes is an emotional Afro House record built around reassurance, closeness, and late-night atmosphere — pairing tribal movement with deep-house warmth and a simple, intimate vocal refrain that stays with you. Driven by a rolling 124 BPM pulse in E minor, the track moves through repetition and feeling rather than excess: “when the sun won’t rise / I see the sky in your eyes” as a promise, a comfort, and a quiet release on the floor. Afro House / Deep House / Tribal House 124 BPM | E Minor | Camelot 9A Built for sunset transitions, deep emotional lift, after-hours warmth, and sets that need tenderness without losing motion. Download / updates: https://hypeddit.com/objectsofaffection/skyinyoureyesfreedownload Objects of Affection Collection: https://www.objectsofaffectioncollection.com Bookings / promos: audio@objectsofaffectioncollection.com

Goals reworked for peak-time pressure from Objects of Affection — flipping the original into a louder, bolder, more out-of-pocket club version built for impact, tension, and release. Leaning into bass-house punch, electro-house energy, old-school house repetition, and pop-stadium attitude, this edit is less about restraint and more about reaction: sharper drums, bigger swing, bigger drop energy, and a floor-first approach designed to hit fast and hold attention. Bass House / Electro House / House 128 BPM | G Minor | Camelot 6A Built for main-room lift, festival turns, big transitions, and unapologetic moments. Unofficial edit for DJ / promo use. Download / updates: https://hypeddit.com/objectsofaffection/lisaanittaremagoalsobjectsofaffectioneditfree Objects of Affection Collection: https://www.objectsofaffectioncollection.com Bookings / promos: audio@objectsofaffectioncollection.com

Snap Crackle Pop is a hook-led club cut built for movement — pairing old-school house repetition, pop-forward vocal energy, and a bouncy late-night pulse into something simple, direct, and floor-ready. Driven by a chant-like topline and a body-first rhythm, the track leans into flirtation, bounce, and release: “snap, crackle, pop / wine, rotate, drop” as pure dancefloor language. Less introspective than ritual, more immediate than conceptual — this one is built to land fast and stay in the room. House / Old-school House / Dance Pop 126 BPM | B♭ Minor | Camelot 3A Built for peak-up transitions, club rooms, playful sets, and moments that need lift without overcomplication. Download / updates: https://hypeddit.com/objectsofaffection/snapcracklepopfreedownload Objects of Affection Collection: https://www.objectsofaffectioncollection.com Bookings / promos: audio@objectsofaffectioncollection.com

Alter is a dark ceremonial Afro House record built around transformation, repetition, and surrender — where desire, devotion, and rhythm begin to blur into the same language. Driven by a male/female vocal exchange and written in dense mirrored phrases, the track moves like a rite in motion: intimate but confrontational, sensual but spiritual, lyrical but physical. What begins as seduction turns into invocation, with the hook collapsing altar into alter, rite into rewrite, and rhythm into something the body understands before the mouth can say it. Afro House / Tribal House / Deep House 123 BPM | F♯ Minor | Camelot 11A Built for after-hours sets, dark rooms, ritual tension, and floors that want both thought and pressure. Download / updates: https://hypeddit.com/objectsofaffection/altarfreedownload Objects of Affection Collection: https://www.objectsofaffectioncollection.com Bookings / promos: audio@objectsofaffectioncollection.com

Obsidian Rite (Oom-Ma-Lay) sits at the meeting point of chant and machinery — a dark ceremonial electronic cut shaped by haunting vocal drones, low ritual incantation, metallic ticking percussion, industrial bass pressure, and deep organic drums. Built around contrast, the track pulls ancient and synthetic forces into the same space: human breath against machine rhythm, tribal repetition against cybernetic tension, atmosphere against impact. The result is hypnotic, cinematic, and slightly ominous — less a conventional house record than a ritual groove for darker rooms, visual worlds, and after-hours states. Organic House / Downtempo / Ritual Electronica 103 BPM | F Minor | Camelot 4A Built for leftfield club transitions, filmic moments, dark openings, and sets that want pressure without losing mystery. Download / updates: https://hypeddit.com/objectsofaffection/obsidianriteoommalayfreedownload Objects of Affection Collection: https://www.objectsofaffectioncollection.com Bookings / promos: audio@objectsofaffectioncollection.com

Wardet El Leil (Ya Warda) is a pan-African ceremonial love record — bringing Arabic longing, English intimacy, and Zulu/Twi gratitude into one Afro House pulse. Built around oud textures, deep percussion, and a male/female call-and-response structure, the track moves like a conversation between regions: a nocturnal Arabic lead, an answering English voice, and communal chant layers that open the song outward into something ritual, sensual, and collective. What begins as private desire becomes shared language — one heartbeat carried across many tongues. Afro House / Deep House / Organic Vocal House 124 BPM | G♯ minor Built for late-night sets, coastal floors, twilight tension, and moments where romance and rhythm need to feel equally sacred. Download / updates: https://hypeddit.com/objectsofaffection/wardetelleilyawardafreedownload Objects of Affection Collection: https://www.objectsofaffectioncollection.com Bookings / promos: audio@objectsofaffectioncollection.com

Ngiyabonga Nkosi is a devotional Afro House record built around a simple exchange: “I love you” answered by gratitude. Moving between English and isiZulu phrasing, the track turns intimate confession into communal praise — carried by tribal percussion, deep-house atmosphere, and the warmth of old-school house repetition. What begins as something personal gradually opens outward, becoming a shared gesture of love, thanks, and movement. Afro House / Tribal House / Deep House 123 BPM | B♭ Minor | Camelot 3A Built for sunset floors, spiritual lift, and late-night moments that need warmth as much as rhythm. Download / updates: https://hypeddit.com/objectsofaffection/ngiyabongankosifreedownload Objects of Affection Collection: https://www.objectsofaffectioncollection.com Bookings / promos: audio@objectsofaffectioncollection.com

Pillars of Light (Let It Go) opens with a spoken reading of Mary Oliver’s “In Blackwater Woods” before unfolding into a high-energy Afro House record driven by tribal percussion, deep-house atmosphere, and an Afrobeats-inspired sense of lift. Built around a female vocal performance treated with reverb and delay, the track moves from reflection into ceremony — gradually opening from spoken word into a full rhythmic release where “let it go” becomes a call-and-response mantra on the floor. Afro House / Tribal House / Progressive-leaning House 127 BPM | F Minor | Camelot 4A Made for late-night transitions, emotional peak moments, and sets that need both spirit and pressure. Download / updates: https://hypeddit.com/objectsofaffection/pillarsoflightletitgofreedownload Objects of Affection Collection: https://www.objectsofaffectioncollection.com Bookings / promos: audio@objectsofaffectioncollection.com

Imbokodo (Wathinta uMama) is a chant-led Afro House record built around repetition, percussion, and presence — a deep ceremonial groove shaped by maternal force, ancestral energy, and indigenous memory. Centered on a hypnotic vocal refrain and carried by a rolling 122 BPM pulse in F minor, the track moves between Afro House, tribal rhythm, and late-night ritual tension with weight, restraint, and elegance. Afro House / Tribal House / African Electronic 122 BPM | F Minor | Camelot 4A Built for sunset transitions, deep floor movement, and sets that need spirit as much as pressure. Download / updates: https://hypeddit.com/objectsofaffection/imbokodowathintaumamafreedownload Objects of Affection Collection: https://www.objectsofaffectioncollection.com Bookings / promos: audio@objectsofaffectioncollection.com

Baby reworked through a deeper Afro House lens from Objects of Affection — reshaping the original into a more hypnotic, percussive, club-facing version with tribal movement, deep-house atmosphere, old-school house swing, and a subtle progressive lift underneath. The result is smooth but still built for pressure: less brute force, more glide, more groove, more control. Afro House / Deep House / House 126 BPM | G Major | Camelot 9B Built for sunset transitions, warm-up lift, heads-down movement, and later sets that need rhythm without losing finesse. Free download + music updates: https://hypeddit.com/objectsofaffection/murdabeatzprospababyobjectsofaffectionreworkfree Objects of Affection Collection: https://www.objectsofaffectioncollection.com Reworked by Objects of Affection Original by Murda Beatz & Prospa Bookings / promos: audio@objectsofaffectioncollection.com

In This Bih' reworked through a darker Afro House frame from Objects of Affection — pulling the original into a more percussive, club-facing shape with tribal movement, amapiano undertow, old-school house swing, and warmer low-end pressure underneath. The result keeps the attitude intact while giving it more body, more groove, and more late-night bite. Afro House / Amapiano / House 124 BPM | B♭ Minor | Camelot 3A Built for warm-up lift, later-room pressure, and floors that want rhythm, confidence, and a little controlled trouble. Free download + music updates: https://hypeddit.com/objectsofaffection/chrislorenzokahlointhisbihobjectsofaffectionrework Objects of Affection Collection: https://www.objectsofaffectioncollection.com Reworked by Objects of Affection Original by Chris Lorenzo & Kah-Lo Bookings / promos: audio@objectsofaffectioncollection.com

My Moon, Your Spring is an original late-night cut from Objects of Affection — a darker Afro House record built around Russian-language repetition, amapiano undertow, tribal percussion, and a colder emotional distance carried inside a warm rhythmic frame. The result lives in tension: body and ghost, movement and isolation, ritual and refusal. The repeated refrain acts less like a verse than an incantation — hypnotic, unresolved, and suspended between intimacy and estrangement. Afro House / Amapiano / Deep House 120 BPM | E Minor | Camelot 9A Built for darker rooms, afterhours transitions, brutalist romance, and floors that want rhythm, mystery, and a little frost inside the heat. Free download + music updates: https://hypeddit.com/objectsofaffection/mymoonyourspringfreedownload Objects of Affection Collection: https://www.objectsofaffectioncollection.com Produced by Objects of Affection Bookings / promos: audio@objectsofaffectioncollection.com

Muted Gold is an original late-night cut from Objects of Affection — an Afro House record shaped by syncopated low-end, layered hand percussion, call-and-response female chant, and restrained orchestral movement that glows without overpowering the groove. It stays steady, hypnotic, and richly textured, balancing deep-house polish with Afro-percussive motion and a more elegant afterhours tension. Afro House / Deep House / Organic House / Progressive House 125 BPM | B Minor | Camelot 10A Built for warm rooms, island afterhours, slower-burning transitions, and floors that want rhythm, atmosphere, and a little gold in the dark. Free download + music updates: https://hypeddit.com/objectsofaffection/mutedgoldfreedownload Objects of Affection Collection: https://www.objectsofaffectioncollection.com Produced by Objects of Affection Bookings / promos: audio@objectsofaffectioncollection.com

Helele is an original Afro House cut from Objects of Affection — built around a hypnotic female chant, sub-heavy low end, syncopated pluck, woodblock percussion, and slow-building filter tension shaped for late-night movement. The track stays stripped and physical: chant first, drums first, pressure first, with enough atmosphere to keep the room suspended inside it. Afro House / Tribal House / Organic House 122 BPM | D Minor | Camelot 7A Built for warm rooms, ritual movement, afterhours lift, and floors that want repetition, tension, and release without losing elegance. Free download + music updates: https://hypeddit.com/objectsofaffection/helelefreedownload Objects of Affection Collection: https://www.objectsofaffectioncollection.com Produced by Objects of Affection Bookings / promos: audio@objectsofaffectioncollection.com

Overkill reworked through a sleeker late-night house lens from Objects of Affection — pulling the original into a cleaner, club-facing frame shaped by old-school house lift, dance-pop clarity, tropical warmth, and a little deep-house shadow underneath. The result keeps the vocal pull intact while giving it more movement, more space, and a more polished after-dark glide. House / Dance Pop / Deep House 124 BPM | C# Minor | Camelot 12A Built for warm-up sets, open-air rooms, later-night crossover moments, and floors that want emotion, polish, and momentum without losing the hook. Free download + music updates: https://hypeddit.com/objectsofaffection/lamboverkillobjectsofaffectionreworkfreedownload Objects of Affection Collection: https://www.objectsofaffectioncollection.com Reworked by Objects of Affection Original by Lamb Bookings / promos: audio@objectsofaffectioncollection.com

Dai Dai pulled into a warmer late-night house frame from Objects of Affection — smoothing the original into a deeper, more spacious groove shaped by tropical lift, deep-house weight, subtle Afro-percussive movement, and crossover pop clarity. The result stays light on its feet but club-facing: warmer, cleaner, and built for open-air rooms, sunset motion, and later transitions. Deep House / Tropical House / Afro House 118 BPM | C# Minor | Camelot 12A Built for rooftops, coastal drives, warm-up sets, and floors that want melody, movement, and a little glow without losing depth. Free download + music updates: https://hypeddit.com/objectsofaffection/shakiraburnaboydaidaiobjectsofaffectionedit Objects of Affection Collection: https://www.objectsofaffectioncollection.com Edited by Objects of Affection Original by Shakira & Burna Boy Bookings / promos: audio@objectsofaffectioncollection.com

Shore of Grace (Shatt el Kheir) is an original cut from Objects of Affection — an Afro House record shaped by Nilotic depth, spiritual weight, and the ancestral resonance of a Cairo that only reveals itself after midnight. Built around a 126 BPM pulse in C Minor / Camelot 5A, it moves through the Waha, the Shatt el Kheir, and the lunar stillness of the desert with smoked-glass tension, moonlight on the dunes, and a groove made for people who already know where they are. Afro House / Arabic House / Deep House 126 BPM | C Minor | Camelot 5A For desert sanctuaries, midnight returns, pale moonlight, and dancefloors that prefer discretion as part of the dress code. Free download + music updates: https://hypeddit.com/objectsofaffection/shoreofgraceshattelkheirfreedownload Objects of Affection: Design, theory, and cultural notes. www.objectsofaffectioncollection.com Produced by Objects of Affection Bookings / promos: audio@objectsofaffectioncollection.com

God I Love Ibiza is an original cut from Objects of Affection — an Afro House record shaped by the kinetic gravity of the White Isle and the specific hedonism found between the walls of Pacha and the open air of Ushuaïa. It is a study in the Balearic pulse, designed for the hours when the sun is a memory and the movement is all that remains. Built around a 126 BPM pulse in F Major / Camelot 7B, it moves through the geography of the island with smoked-glass tension, pale moonlight on the Mediterranean, and a groove made for people who already know where they are. Afro House / Balearic House / Deep House 126 BPM | F Major | Camelot 7B For the late tenders, the White Isle, and dancefloors that prefer discretion as part of the dress code. Free download + music updates: https://hypeddit.com/objectsofaffection/godiloveibizafreedownload Objects of Affection: Design, theory, and cultural notes. www.objectsofaffectioncollection.com Produced by Objects of Affection Bookings / promos: audio@objectsofaffectioncollection.com

Amber Meridian is an original cut from Objects of Affection — an Afro House record shaped by deep-house weight, tribal motion, and the quiet, high-texture atmosphere of the late hours. It is a study in rhythmic restraint, where every transient is a deliberate choice in a larger sonic architecture. Built around a 122 BPM pulse in A Minor / Camelot 8A, it moves with a "smoked-glass" tension and a groove made for people who already know where they are. Afro House / Organic House / Deep House 122 BPM | A Minor | Camelot 8A For the early tenders, warm rails, and dancefloors that prefer discretion as part of the dress code. Free download + music updates: https://hypeddit.com/objectsofaffection/ambermeridianfreedownload Objects of Affection: Design, theory, and cultural notes. www.objectsofaffectioncollection.com Produced by Objects of Affection Bookings / promos: audio@objectsofaffectioncollection.com

Not That Guy is an original cut from Objects of Affection — an Afro House record shaped by deep-house weight, tribal motion, and the quiet authority of knowing exactly where the boundaries lie. It is a study in discernment where the wrong vibration is met with the steady and uncompromising rhythm of the inner court. Built around a 124 BPM pulse in D# Minor / Camelot 2A, it moves with a smoked-glass tension, moonlight on the sanctuary walls, and a groove made for people who already know where they are. Afro House / Deep House / Tribal House 124 BPM | D# Minor | Camelot 2A For late tenders, warm rails, pale champagne, and dancefloors that prefer discretion and the right energy as part of the dress code. Free download + music updates: https://hypeddit.com/objectsofaffection/notthatguyfreedownload Objects of Affection: Design, theory, and cultural notes. www.objectsofaffectioncollection.com Produced by Objects of Affection Bookings / promos: audio@objectsofaffectioncollection.com

Modo Avión (Signal Zero) is an original cut from Objects of Affection — an Afro House record shaped by Latin depth, atmospheric weight, and the quiet hedonism of a city viewed from a silent high-rise. It is a study in disconnection as a form of presence, where the noise of the avenue is traded for the intimacy of the dark. Built around a 124 BPM pulse in C# Minor / Camelot 12A, it moves through the Avenida, the Sombra, and the Silencio with smoked-glass tension, moonlight on the balcony, and a groove made for people who already know where they are. Afro House / Latin House / Deep House 124 BPM | C# Minor | Camelot 12A For the late tenders, warm rails, pale champagne, and dancefloors that prefer discretion and a lost signal as part of the dress code. Free download + music updates: https://hypeddit.com/objectsofaffection/modoavionsignalzerofreedownload Objects of Affection: Design, theory, and cultural notes. www.objectsofaffectioncollection.com Produced by Objects of Affection Bookings / promos: audio@objectsofaffectioncollection.com

Galileo is an original Afro House cut from Objects of Affection — built around tribal percussion, deep-house weight, warm low-end, and a hypnotic female refrain that feels less sung than summoned. It moves with patience and pressure: spacious, rhythmic, and built for the hours when the room begins to listen differently. Afro House / Deep House / Organic House 120 BPM | E Minor | Camelot 9A Built for warm rooms, slow transitions, after-hours drift, and floors that want atmosphere, motion, and emotional pull without losing the groove. Free download + music updates: https://hypeddit.com/objectsofaffection/galileofreedownload Objects of Affection Collection: Design, theory, and cultural notes. https://www.objectsofaffectioncollection.com Produced by Objects of Affection Bookings / promos: audio@objectsofaffectioncollection.com

Good Tree (Yɛpia Wo) is an original Afro House cut from Objects of Affection — built around tribal percussion, deep-house weight, warm low-end, and a hypnotic male refrain that feels less sung than summoned. It moves with patience and pressure: spacious, rhythmic, and built for the hours when the room begins to listen differently. Afro House / Deep House / Organic House 122 BPM | E Minor | Camelot 9A Built for warm rooms, slow transitions, afterhours drift, and floors that want atmosphere, motion, and emotional pull without losing the groove. Free download + music updates: https://hypeddit.com/objectsofaffection/goodtreeypiawofreedownload Objects of Affection Collection: Design, theory, and cultural notes. https://www.objectsofaffectioncollection.com Produced by Objects of Affection Bookings / promos: audio@objectsofaffectioncollection.com

Undercurrent is an original Afro House cut from Objects of Affection — built around tribal percussion, deep-house weight, warm low-end, and a hypnotic male refrain that feels less sung than summoned. It moves with patience and pressure: spacious, rhythmic, and built for the hours when the room begins to listen differently. Afro House / Deep House / Organic House 122 BPM | G Minor | Camelot 6A Built for warm rooms, slow transitions, afterhours drift, and floors that want atmosphere, motion, and emotional pull without losing the groove. Free download + music updates: https://hypeddit.com/objectsofaffection/undercurrentfreedownload Objects of Affection Collection: Design, theory, and cultural notes. https://www.objectsofaffectioncollection.com Produced by Objects of Affection Bookings / promos: audio@objectsofaffectioncollection.com

Blue Interval is an original cut from Objects of Affection — an Afro House record written in the feeling of space, breeze, and suspension. Built around deep synth bass, syncopated percussion, muted electric guitar, and delayed male call-and-response vocals, it holds its energy in a calm, controlled loop rather than chasing obvious release. Written from the feeling of looking over the harbor in Monaco with air moving through everything, it leans into presence rather than spectacle: steady kick, layered shakers, woodblock accents, hand drums on the off-beats, and atmospheric pads that keep the whole record open and breathing. Afro House / Tribal House / Deep House 122 BPM | G Minor | Camelot 6A Built for warm air, open water, and floors that respond to restraint as much as impact. Free download + music updates: https://hypeddit.com/objectsofaffection/blueintervalfreedownload Objects of Affection Collection: https://www.objectsofaffectioncollection.com Produced by Objects of Affection Bookings / promos: audio@objectsofaffectioncollection.com

Onye M’Aye is an original cut from Objects of Affection — an Afro House record built around tribal percussion, deep-house weight, and a bilingual edge that moves between English and Russian without losing the groove. Built around a 125 BPM pulse in C# Minor / Camelot 12A, it leans into Afro House, Tribal House, and Deep House first, with just enough tech-house drive and amapiano undertow to keep the floor moving without over-explaining itself. Afro House / Tribal House / Deep House 125 BPM | C# Minor | Camelot 12A Built for warm rooms, late transitions, and dancefloors that like their rhythm with pressure, space, and a little mystery in the vocal. Free download + music updates: https://hypeddit.com/objectsofaffection/onyemayefreedownload Objects of Affection Collection: Design, theory, and cultural notes. https://www.objectsofaffectioncollection.com Produced by Objects of Affection Bookings / promos: audio@objectsofaffectioncollection.com

Je change de thème pulled into a deeper late-night house frame from Objects of Affection — warmer in the low-end, more spacious in the atmosphere, and shaped by deep-house weight, organic-house air, and a restrained after-dark pulse underneath. The result is smoother, more hypnotic, and built for rooms that open slowly. Deep House / Organic House / Downtempo 122 BPM | F Minor | Camelot 4A Built for warm-up sets, afterhours drift, and floors that want feeling, motion, and patience in the groove. Free download + music updates: https://hypeddit.com/objectsofaffection/jeannebringtownjechangedethemeobjectsofaffectioned Objects of Affection Collection: Design, theory, and cultural notes. https://www.objectsofaffectioncollection.com Edited by Objects of Affection Original by Jeanne Bringtown Bookings / promos: audio@objectsofaffectioncollection.com

Instructions pulled into a slower Afro-fusion frame from Objects of Affection — keeping the vocal energy intact while reshaping the record around warmer low-end, global-rhythm swing, dancehall touch, and a smoother late-night pulse underneath. The result is direct, sensual, and built for movement without forcing the tempo. Afrobeats / Afro Fusion / Dancehall 71 BPM | Eb Minor | Camelot 2A Built for warmer rooms, slower hips, and nights that move with pressure instead of speed. Free download + music updates: https://hypeddit.com/objectsofaffection/merylinstructionsfttheodoraobjectsofaffectionedit Objects of Affection Collection: Design, theory, and cultural notes. https://www.objectsofaffectioncollection.com Edited by Objects of Affection Original by Meryl ft. Theodora Bookings / promos: audio@objectsofaffectioncollection.com

Mozart Afterhours is a slower organic-house version from Objects of Affection — built around the emotional gravity of Mozart’s Piano Sonata No. 11 and carried into a warmer late-night frame through downtempo pulse, deep atmosphere, and Cuban piano movement. This piece was shaped with real admiration for the arrangement language behind it and moves more like an afterhours meditation than a peak-time club record: spacious, hypnotic, and quietly transportive. Organic House / Downtempo / Deep House 100 BPM | A Minor | Camelot 8A Free download + music updates: https://hypeddit.com/objectsofaffection/mozartafterhoursobjectsofaffectionversion Objects of Affection Collection: Design, theory, and cultural notes. https://www.objectsofaffectioncollection.com Version by Objects of Affection Based on Piano Sonata No. 11 by Wolfgang Amadeus Mozart Cuban piano arrangement by Óskar Ly Bookings / promos: audio@objectsofaffectioncollection.com

Bre Petrunko reimagined through an Afro House lens from Objects of Affection — built around tribal percussion, deep-house weight, progressive lift, and a ceremonial melodic tension that opens gradually into motion. The result sits between ritual and release: hypnotic, spacious, and club-facing without losing its older emotional pull. Afro House / Deep House / Progressive House 125 BPM | G Minor | Camelot 6A Built for warm rooms, later transitions, and floors that want atmosphere, movement, and a little ancestral gravity in the groove. Free download + music updates: https://hypeddit.com/objectsofaffection/brepetrunkoobjectsofaffectionversionfreedownload Objects of Affection Collection: Design, theory, and cultural notes. https://www.objectsofaffectioncollection.com Version by Objects of Affection Based on “Bre Petrunko” Bookings / promos: audio@objectsofaffectioncollection.com

Bring Your Love remixed through a smoother late-night house lens from Objects of Affection — keeping the pop lift intact while pulling the record into a warmer, more spacious frame shaped by old-school house momentum, deep-house polish, and a little after-dark swing underneath. The result is hook-forward, elegant, and built for crossover rooms. House / Dance Pop / Deep House 118 BPM | Ab Major | Camelot 4B Built for warm-up transitions, late-night gloss, and floors that want melody, motion, and a little softness without losing the groove. Free download + music updates: https://hypeddit.com/objectsofaffection/madonnaxsabrinacarpenterbringyourloveoac Objects of Affection Collection: Design, theory, and cultural notes. https://www.objectsofaffectioncollection.com Remixed by Objects of Affection Original by Madonna x Sabrina Carpenter Bookings / promos: audio@objectsofaffectioncollection.com

Darkness reworked through a deeper late-night house lens from Objects of Affection — pulling the original into a warmer, more percussive frame shaped by deep-house weight, tribal movement, and after-dark tension underneath. The vocal stays central while the groove turns more hypnotic, spacious, and club-facing. Deep House / Afro House / Tribal House 125 BPM | Bb Minor | Camelot 3A Built for warm-up tension, later-room lift, and floors that want atmosphere, pressure, and a little shadow without losing elegance. Free download + music updates: https://hypeddit.com/objectsofaffection/lionsaddledarknessobjectsofaffectionreworkfree Objects of Affection Collection: Design, theory, and cultural notes. https://www.objectsofaffectioncollection.com Reworked by Objects of Affection Original by lionsaddle Bookings / promos: audio@objectsofaffectioncollection.com

I DERREG 3LIA ZLAFTO is reworked through an after-dark Afro House lens from Objects of Affection — pulling Black9ett’s original into a deeper, more hypnotic frame shaped by tribal percussion, organic movement, and Arabic atmosphere. Built around a 124 BPM pulse in D# Minor / Camelot 2A, this version leans into Afro House, Organic House, and Middle Eastern tension — warm, percussive, and designed for the hour when the room gets darker and the groove starts doing the talking. Afro House / Organic House / Middle Eastern House 124 BPM | D# Minor | Camelot 2A Built for warm rooms, low light, and selectors who want Arabic texture with real afterhours weight. Free download + music updates: https://hypeddit.com/objectsofaffection/black9ettiderreg3liazlaftoobjectsofaffectionedit Objects of Affection Collection: Design, theory, and cultural notes. https://www.objectsofaffectioncollection.com Edited by Objects of Affection Original by Black9ett Bookings / promos: audio@objectsofaffectioncollection.com

Port de Saint-Tropez is an original cut from Objects of Affection — an Afro House record shaped by deep-house weight, tribal motion, and the afterhours elegance of the Côte d’Azur when the tables thin out and the water goes black. Built around a 122 BPM pulse in G Minor / Camelot 6A, it moves through Port de Saint-Tropez, Pampelonne, Airelles, and La Guérite with smoked-glass tension, moonlight on the bay, and a groove made for people who already know where they are. Afro House / Tribal House / Deep House 122 BPM | G Minor | Camelot 6A For late tenders, warm rails, pale champagne, and dancefloors that prefer discretion as part of the dress code. Free download + music updates: https://hypeddit.com/objectsofaffection/portdesainttropezfreedownload Objects of Affection Collection: Design, theory, and cultural notes. https://www.objectsofaffectioncollection.com Produced by Objects of Affection Bookings / promos: audio@objectsofaffectioncollection.com

Kiss Me Like a Lie is an original cut from Objects of Affection — an Afro House record pulled between tribal percussion, deep-house weight, and a vocal premise that lands somewhere between seduction and self-deception. Built around a 125 BPM pulse in B Minor / Camelot 10A, it moves through late-night tension, warm low-end pressure, and just enough progressive lift to keep the room leaning forward. Afro House / Tribal House / Deep House 125 BPM | B Minor | Camelot 10A Built for warm rooms, slow burns, and dancefloors that like their intimacy with a little danger in it. Free download + music updates: https://hypeddit.com/objectsofaffection/kissmelikealiefreedownload Objects of Affection Collection: Design, theory, and cultural notes. https://www.objectsofaffectioncollection.com Produced by Objects of Affection Bookings / promos: audio@objectsofaffectioncollection.com

Patadas de Ahogado reworked through a deeper late-night house lens from Objects of Affection — pulling the original into a warmer, more spacious frame shaped by deep-house weight, organic atmosphere, downtempo restraint, and subtle after-dark movement underneath. The result is smoother, more hypnotic, and built for rooms that open slowly. Deep House / Organic House / Downtempo 124 BPM | E Minor | Camelot 9A Built for warm-up sets, later-night transitions, and floors that want feeling, motion, and a little patience in the groove. Free download + music updates: https://hypeddit.com/objectsofaffection/hugelpatadasdeahogadoobjectsofaffectionrework Objects of Affection Collection: Design, theory, and cultural notes. https://www.objectsofaffectioncollection.com Reworked by Objects of Affection Original by HUGEL Bookings / promos: audio@objectsofaffectioncollection.com

TUYỂN BẠN GÁI reworked through a late-night house lens from Objects of Affection — pulling the original into a deeper, club-facing frame shaped by old-school house lift, clean low-end pressure, and a little extra after-dark movement. This one means something special to me. Over the past few months, Vietnam has quietly become one of the strongest homes for this project, and as we cross 1,000 fans on SoundCloud I wanted to mark that with something made as a genuine thank-you. This is my first time reworking a Vietnamese record, and I wanted to do it with real respect. House / Dance Pop / Club Rework 125 BPM | F# Minor | Camelot 11A Thank you to everyone listening, following, downloading, and helping shape this world — especially the listeners in Vietnam who have shown this project real love. Free download + music updates: https://hypeddit.com/objectsofaffection/ogenustuyenbangaiftdangrangtoobjectsofaffection Objects of Affection Collection: Design, theory, and cultural notes. https://www.objectsofaffectioncollection.com Reworked by Objects of Affection Original by OgeNus ft. Dangrangto Bookings / promos: audio@objectsofaffectioncollection.com

When I’m High pulled into a darker late-night house frame from Objects of Affection — keeping the vocal lift intact while pushing the groove deeper into old-school house momentum, clean low-end pressure, and a sharper club edge underneath. The result is direct, hooky, and floor-facing without losing control. House / Dance Pop / Bass House 130 BPM | C# Minor | Camelot 12A Built for peak-time transitions, charged warm-ups, and rooms that want attitude, movement, and a little gloss without losing bite. Free download + music updates: https://hypeddit.com/objectsofaffection/claudiavalentinawhenimhighobjectsofaffectionedit Objects of Affection Collection: Design, theory, and cultural notes. https://www.objectsofaffectioncollection.com Edited by Objects of Affection Original by Claudia Valentina Bookings / promos: audio@objectsofaffectioncollection.com

Contigo Papi pulled into a late-night Afro House frame from Objects of Affection — deeper in the drums, warmer in the low-end, and shaped by tribal movement, Latin-house energy, and clean after-dark lift. The result leans hypnotic, percussive, and club-facing while keeping the original heat intact. Afro House / Tribal House / Latin House 124 BPM | C Minor | Camelot 5A Built for warm rooms, late transitions, and floors that want groove, pressure, and a little flirtation without losing elegance. Free download + music updates: https://hypeddit.com/objectsofaffection/levikaracontigopapiobjectsofaffectioneditfree Objects of Affection Collection: Design, theory, and cultural notes. https://www.objectsofaffectioncollection.com Edited by Objects of Affection Original by LEVI KARA Bookings / promos: audio@objectsofaffectioncollection.com