A clever, perceptive, inspiring conversation, for those interested in India and its performing arts: for Indian music lovers, for Tabla lovers, for classical music lovers and Bhakti music lovers, Alok Verma delivers a master talk about different aspects to consider in Indian music and how to connect to it with authenticity, respect, love, enjoyment, understanding.
Manish Vyas interviews Alok Verma about key aspects along the path of learning, presenting and developing Indian music. Below we share some of the most significative thoughts expressed by Alok during this talk:
"This musical journey begins but never ends: any step we take is a learning curve"
"My teacher (Guru) had shown so much love towards my playing, and so was my love for the teacher - that's when the Guru Shishya Parampara (Guru discipline tradition) started"
"I have my Indian Tabla classical roots which has been kept intact - and anywhere I play I incorporate those elements into the music: the grooves may change but in the end, the foundation and the authenticity of the material is kept intact"
"I have seen some musicians who took a couple of lessons and perform... I admire their confidence, but having a couple of lessons, these musicians have not even surfaced, have not even touched down the authenticity of what is required to learn from a Guru"
“A Raga has a feel, which is needed to deliver that Raga”
"Whether it's a bhajan, a folk song or a Bollywood song, if you compose something in raga Bhairavi and you have that foundation (of Indian classical music,) it's going to sound absolutely brilliant"
"You have to learn from the person who belongs to the country or place of the tradition"
"The student-teacher relationship as a silent-communication ("silent presence and observation") is a must"
"Kirtan cannot be taught, just like I cannot teach you how to feel sadness, because it's an emotion -- it can only be felt"
"There is a fine line between holding an instrument and really knowing how to play it"