Close Readings – Details, episodes & analysis

‘I want to write a poem of a new class — a Don Juan, without the mockery and impurity,’ Elizabeth Barrett Browning wrote to a friend in 1844, ‘and admitting of as much philosophical dreaming and digression (which is in fact a characteristic of the age) as I like to use.’ The poem she had in mind turned out to be her verse novel, Aurora Leigh, published in 1854, and described by Ruskin as the greatest long poem of the 19th century. It tells the story of an aspiring poet, Aurora, born in Florence to an Italian mother and an English father, who loses both her parents as a child and moves to England and the care of her aunt. From there she pursues her poetic ambitions to London, Paris, Italy and back to England while negotiating a traumatic love triangle between the vicious Lady Waldemar, the impoverished seamstress Marian, and the austere social-reformer Romney. In this episode, Clare is joined by Stefanie Markovits and Seamus Perry to discuss the wide range of innovations Barrett Browning deploys to fulfil her commitment to immediacy and narrative drive in the poem, and the ways in which she uses her characters to explore the extent of her own emancipatory politics. Read the poem: https://www.gutenberg.org/cache/epub/56621/pg56621-images.html Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe: Directly in Apple Podcasts: https://lrb.me/applecrna In other podcast apps: https://lrb.me/closereadingsna Hosted on Acast. See acast.com/privacy for more information.

Tennyson described 'In Memoriam' as ‘rather the cry of the whole human race than mine’, and the poem achieved widespread acclaim as soon as it was published in 1850, cited by Queen Victoria as her habitual reading after the death of Prince Albert. Its subject is the death in 1833 of Tennyson’s friend Arthur Hallam at the age of 22, and in its 131 sections it explores the possibilities of elegy more extensively than any English poem before it, not least in its innovative, incantatory rhyme scheme, intended to numb the pain of grief. From its repeated dramatisations of the experience of private loss, 'In Memoriam' opens out to reflect on the intellectual turmoil running through Victorian society amid monumental advances in scientific thought. In this episode, Seamus and Mark discuss the unique emotional power of Tennyson’s style, and why his great elegy came to represent what mourning, and poetry, should be in the public imagination of his time. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe: Directly in Apple Podcasts: https://lrb.me/applecrld In other podcast apps: https://lrb.me/closereadingsld Read more in the LRB: Frank Kermode: ⁠https://www.lrb.co.uk/the-paper/v32/n09/frank-kermode/eliot-and-the-shudder⁠ Seamus Perry: ⁠https://www.lrb.co.uk/the-paper/v33/n02/seamus-perry/are-we-there-yet⁠ Hosted on Acast. See acast.com/privacy for more information.

Alice’s Adventures in Wonderland and Through the Looking-Glass are strange books, a testament to their author’s defiant unconventionality. Through them, Lewis Carroll transformed popular culture, our everyday idioms and our ideas of childhood and the fantastic, and they remain enormously popular. Anna Della Subin joins Marina Warner to explore the many puzzles of the Alice books. They discuss the way Carroll illuminates other questions raised in this series: of dream states, the nature of consciousness, the transformative power of language and the arbitrariness of authority. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe: Directly in Apple Podcasts: https://lrb.me/applecrff In other podcast apps: https://lrb.me/closereadingsff Further reading in the LRB: Marina Warner: You Must Not Ask https://www.lrb.co.uk/the-paper/v18/n01/marina-warner/you-must-not-ask Dinah Birch: Never Seen A Violet https://www.lrb.co.uk/the-paper/v23/n17/dinah-birch/never-seen-a-violet Marina Warner: Doubly Damned https://www.lrb.co.uk/the-paper/v29/n03/marina-warner/doubly-damned Get the books: https://lrb.me/crbooklist Next episode: The stories of Franz Kafka, with Adam Thirlwell. Marina Warner is a writer of history, fiction and criticism whose many books include Stranger Magic, Forms of Enchantment and Once Upon a Time: A Short History of Fairy Tale. She was awarded the Holberg Prize in 2015 and is a contributing editor at the LRB. Anna Della Subin’s study of men who unwittingly became deities, Accidental Gods, was published in 2022. She has been writing for the LRB since 2014. Hosted on Acast. See acast.com/privacy for more information.

From the first recorded instance of the word ‘fart’ in English, to nuanced vignettes of sexual power dynamics, the numerous Middle English lyrics that have survived down the centuries, often scribbled in the margins of more ‘serious’ texts, offer a vivid snapshot of everyday medieval life. In the tenth episode of Medieval Beginings, Irina and Mary analyse several of these short, fleeting verses, probably set to music, and consider their possible origins and purpose, their delicious ambiguity, and their equivocal relationship to the sacred manuscripts in which they've been found. Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up here: Directly in Apple Podcasts at the top of this feed, or here: https://apple.co/3pJoFPq In other podcast apps: lrb.me/closereadings Further reading in the LRB: https://www.lrb.co.uk/the-paper/v28/n10/barbara-newman/i-was-such-a-lovely-girl Listen to 'Sumer is icumen in' sung by The Hilliard Ensemble: https://www.youtube.com/watch?v=sMCA9nYnLWo Some of the lyrics discussed in this episode can be found online: Sumer is icumen in: https://www.luminarium.org/medlit/medlyric/cuckou.php I Have a Yong Suster https://www.luminarium.org/medlit/medlyric/suster.php Maiden in the mor https://www.luminarium.org/medlit/medlyric/maideninthemoor.php https://en.wikipedia.org/wiki/Maiden_in_the_mor_lay I have a gentil cock https://rpo.library.utoronto.ca/content/i-have-gentil-cook Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers. Hosted on Acast. See acast.com/privacy for more information.

Originally conceived as a film script, 'Gaudete' is Ted Hughes’s apocalyptic vision of an English village in the throes of pagan forces. While it may be ‘the weirdest poem by a very weird poet’, as Mark puts it in this episode, 'Gaudete' shines a light on many Hughesian preoccupations and paved the way for his best-selling collection, Birthday Letters. A strange fusion of Twin Peaks and Midsomer Murders, 'Gaudete' is the former Poet Laureate at his most uninhibited and brilliant. This is an extract from the episode. To listen in full and to our other Close Readings series, sign up: Directly in Apple Podcasts here: https://apple.co/3pJoFPq In other podcast apps here: lrb.me/closereadings Hosted on Acast. See acast.com/privacy for more information.

In the ninth episode of Among the Ancients, Emily and Tom arrive at Virgil, focusing on his 12-book epic the Aeneid, which describes the wanderings of the Trojan prince Aeneas after the fall of Troy. They discuss the political background to Virgil’s life, which saw the fall of the Roman Republic, and the complex, ambiguous space his poetry inhabits, blending the mythical and historical, the geographical and imaginary, while interrogating the costs of empire and triumph in his own time. Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe: Directly in Apple Podcasts: https://apple.co/3pJoFPq In other podcast apps: lrb.me/closereadings Further reading in the LRB: Denis Feeney: https://www.lrb.co.uk/the-paper/v29/n01/denis-feeney/simile-world Rebecca Armstrong https://www.lrb.co.uk/the-paper/v43/n05/rebecca-armstrong/all-kinds-of-unlucky Colin Burrow: https://www.lrb.co.uk/the-paper/v22/n05/colin-burrow/imperiumsinefinism https://www.lrb.co.uk/the-paper/v38/n08/colin-burrow/you-ve-listened-long-enough Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books. Hosted on Acast. See acast.com/privacy for more information.

Chaucer’s 14th century tale of ‘double sorrow’, Troilus and Criseyde, set during the siege of Troy, is the subject of Irina and Mary’s ninth episode of Medieval Beginnings. Based largely on Boccaccio’s Il Filostrato, Chaucer’s novelistic long poem displays a psychological realism that would make Henry James envious, and, with the matchmaker-uncle Pandarus, introduces a character of startling and often perplexing opacity. Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up here: Directly in Apple Podcasts at the top of this feed, or here: https://apple.co/3pJoFPq In other podcast apps: lrb.me/closereadings Further reading in the LRB: Barbara Newman: https://www.lrb.co.uk/the-paper/v41/n22/barbara-newman/kek-kek!-kokkow!-quek-quek! Irina Dumitrescu: https://www.lrb.co.uk/the-paper/v42/n17/irina-dumitrescu/how-to-read-aloud Mary Wellesley: https://www.lrb.co.uk/the-paper/v46/n11/mary-wellesley/on-the-nightingale Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers. Hosted on Acast. See acast.com/privacy for more information.

James Joyce wrote most of the short stories in his landmark collection, Dubliners, when he was still in his 20s, but a tortuous publishing history, during which printers refused or pulped them for their profanity, meant they weren’t published until 1914, when Joyce was 33. In their eighth episode, Mark and Seamus discuss the astonishing confidence of Joyce’s early work, which not only launched his literary career, but also initiated the grand project of his writing life. In Dubliners, the reader experiences already the vastness of Joyce’s literary imagination, his harsh criticism of the Catholic Church, his shameless plundering of the lives of his contemporaries, and a writer’s self-conscious vocation to ‘forge the uncreated conscience of his race’. This is an extract from the episode. To listen in full and to our other Close Readings series, sign up: Directly in Apple Podcasts here: https://apple.co/3pJoFPq In other podcast apps here: lrb.me/closereadings Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London. Hosted on Acast. See acast.com/privacy for more information.

In their eighth episode of Among the Ancients, Emily and Tom look at a contemporary of Catullus, Lucretius, and the only poem we have from him, De rerum natura (The Nature of Things), which sets out ideas about how to live one’s life based on the Epicurean philosophical tradition, embracing friends, gardens, materialism and moderation. Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe: Directly in Apple Podcasts: https://apple.co/3pJoFPq In other podcast apps: lrb.me/closereadings Further reading in the LRB: Richard Jenkyns: Coaxing and Seducing https://www.lrb.co.uk/the-paper/v20/n17/richard-jenkyns/coaxing-and-seducing Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books. Hosted on Acast. See acast.com/privacy for more information.

In this episode of Medieval Beginnings, Irina and Mary jump to the 14th century for an introspective Arthurian romance about a knight trying to live up to his perfect reputation. The mysterious and intricate Sir Gawain and the Green Knight is perhaps best understood as a series of games within games, in which our hero, a recurring character throughout medieval literature, is never sure what adventure he’s playing. Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up here: Directly in Apple Podcasts at the top of this feed, or here: https://apple.co/3pJoFPq In other podcast apps: lrb.me/closereadings Read more in the LRB:  Mary Wellesley: https://www.lrb.co.uk/the-paper/v40/n08/mary-wellesley/diary Frank Kermode: https://www.lrb.co.uk/the-paper/v29/n05/frank-kermode/who-has-the-gall Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers. Hosted on Acast. See acast.com/privacy for more information.