Classic Rock And Prog Almanac – Details, episodes & analysis

Peter, Shaun and Tim discuss their opinions of the third album by Yes, The Yes Album. The discussion includes: the rebirth of Yes as a group, why they decided to get rid of Tony Kaye and Peter Banks, why the band sounds so American, whether Jon Anderson’s lyrics are good or not, and whether this is an example of a perfectly programmed album. Also, we know what Tony Banks thought of this album, but what about Peter Kay? What did Heraclitus think about rivers? Who is Ray Cooper? And was the cover photo taken in an outpatient clinic?

Shaun, Peter and Tim discuss their favourite female rock artists. On the agenda for today: is cultural importance relevant to musical importance? Which is the best period for female rock stars? How do we distinguish an individual contribution from a collective one? And do women appreciate certain female artists more than men, and vice versa? Also, how many of the contributors owned a dansette? Can we get through one episode without discussing Doctor Who? And why does a fight break out every time a member of the team tries to play a Whitney Houston song in public?

Peter, Shaun and Tim discuss their opinions of the third album by Camel, The Snow Goose. The discussion includes: the quality of Camel's musicianship, why they decided to do an instrumental album, where does the band stand in the British prog canon and to what extent can music represent images? Also, were the band influenced by 70's game show music? Why did they choose duck sounds to represent a goose? Why didn't the Nazis finish off the British army at Dunkirk? And does Canterbury really exist?

Peter and Shaun were busy this week, so Tim did a monologue about the newly-rereleased Queen 1. The monologue includes: the uneven development between Queen’s songwriters, the brilliance of Brian May’s guitar playing, whether Queen’s singles are better than their albums, and is the cover an early example of ‘queering’? Also, was Freddie a Christian? Did Roger Taylor really need a drum solo? And would Leon Trotsky have liked Bohemian Rhapsody?

Peter, Shaun and Tim discuss their opinons of the second album by Led Zeppelin. The discussion includes: the British blues explosion of the sixties, the difference between English folk and American folk, why couldn’t the band think of proper names for their albums?, and did John Bonham write Whole Lotta Love? Also: are the lyrics on this album good or not? Did they understand that the name Led Zeppelin was a metaphor? And which is better: Toad by Cream or Moby Dick by Led Zeppelin? There’s only one way to find out…

Peter, Shaun and Tim rank the Genesis studio albums. There's a few surprises, and one or two good rants. Also, how many ways are there to count to 15? And what does Shaun's brother Steve think?

Peter, Shaun and Tim discuss their opinions of the fourth album by Jethro Tull, Aqualung. The discussion includes: Jethro Tull’s innovative lyrics, whether their style precipitated prog rock and heavy metal, why the album was so big in America, and, most crucially, was it a concept album or not? Also, did Ian Anderson really threaten to do a flute solo if the band didn’t nail their solos in two takes? What's the English word for pants? And what’s it like to share a bathroom with John Bonham?

Peter, Shaun and Tim discuss their opinions of the fourth album by Rush, 2112. The discussion includes: Rush’s career swerve, the band’s fascination with Ayn Rand, why the album was considered better than Caress of Steel, and whether the whole concept for the album actually came from Tchaikovsky. Also, what actually happens in the title track? Would it really be so bad to live under the rule of the Priests? And is the postcode for The Temples of Syrinx SY or SX?

Peter and Shaun were busy this week, so Tim had a debate with himself, about the eighteenth studio album by Marillion, F.E.A.R.. The ‘discussion’ includes: whether Marillion owe more to Genesis or to Pink Floyd, why the band’s abstract compositional technique is so difficult to discuss conceptually, and whether ultimately they are writing tracks or albums. Also, did they read Thomas Pikkety’s Capital in the 21st. Century? Can the band be considered political catastrophists? And who is that at the door?

Peter, Shaun and Tim discuss their opinions of the fourth (or fifth?) album by Emerson, Lake and Palmer, Brain Salad Surgery. The discussion includes: ELP's astonishing musical talent, whether this was supposed to be a concept album or not and the question of why the band chose to do so many cover versions. Also, why was everyone so keen to go to Switzerland? Can we put together a crowd funder to reclaim Carl Palmer's drum kit? And what exactly did Greg Lake need a ladder for?