Explore every episode of the podcast Cinema Effect

Jonathan Glazer’s Under the Skin (2013) is a haunting and hypnotic sci-fi drama starring Scarlett Johansson as a mysterious woman who roams Scotland, luring unsuspecting men into her orbit. With minimal dialogue and an abstract narrative, the film is less about straightforward plot and more about atmosphere and interpretation. Glazer’s mesmerising use of sound design and otherworldly visuals creates a memorable experience, elevated immensely by the unsettling score. Johansson delivers a committed performance, complete with a convincing British accent, anchoring a film that has inspired years of analysis. So after reading the script, we attempt to bring some fresh insights to this modern cult classic and unpack what might really be going on beneath the surface.

Join a crew of wannabe film critics review a different movie every week, and discuss other nonsense. Listen to new episodes every Monday.

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In our first delve into the concert film genre, Jayden and Liam discuss Jonathan Demme and Talking Heads' seminal 1984 film, Stop Making Sense. We discuss our relationship with the band, our concert experiences, and how the film captures the concert spectacle.

Join a crew of wannabe film critics review a different movie every week, and discuss other nonsense. Listen to new episodes every Monday.

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Godzilla Minus One roars back to basics with a powerful reimagining of the iconic kaiju, set in post war Japan as a nation already devastated by World War II is pushed even further into despair by the arrival of Godzilla (hence the 'Minus One'. Directed by Takashi Yamazaki, the film blends human drama with large scale destruction, following survivors struggling with guilt and responsibility in a country left with almost nothing. Made on a remarkably small budget of just $15 million USD, the scale and quality of the visual effects are genuinely impressive, allowing the film to feel both epic and grounded as required for the story. By returning Godzilla to its post nuclear origins and using the aftermath of WWII to explore strong anti imperialist themes, the themes are well integrated into the time period, and carry weight alongside the spectacle, resulting in a very high quality modern Godzilla film (especially compared to the Hollywood slop we've received recently).Join a crew of wannabe film critics review a different movie every week, and discuss other nonsense. Listen to new episodes every Monday.Record your own podcasts with Zencastr at https://zencastr.com/?via=cinemaeffect to get 30% off today.

Josh Safdie may have gone solo without brother Benny, but Marty Supreme brings back the same nervous energy and relentless momentum that defined Uncut Gems, this time set against the world of competitive table tennis in the 1950s. Timothée Chalamet stars as Marty Mauser, a man singularly obsessed with becoming a professional ping pong champion, scraping together money, burning bridges, and moving swiftly from one chaotic situation to the next in a spiral of ambition, desperation, and survival. The film thrives on its frantic pacing, offbeat humour, and a lineup of outstanding performances, including memorable turns from celebrity appearances playing surprisingly fun characters. Questions linger over whether Chalamet’s intensity is enough to carry him toward his first Oscar, whether Marty’s increasingly wild antics stay entertaining, and whether the final act delivers a satisfying payoff. All of which place Marty Supreme firmly among the most talked about films of this awards season. Then after the review, technical hiccups are no match for a full set of predictions across every major Academy Award category heading into the 2026 Oscars.

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After an extended holiday break, Cinema Effect is back for our seventh season in 2026, picking things up exactly where we left off with the Harry Potter franchise and Alfonso Cuarón’s Harry Potter and the Prisoner of Azkaban. The story follows Harry as he returns to Hogwarts for his third year while the escape of Sirius Black sets off a darker, more mysterious chapter involving the super scary Dementors, hidden pasts, and a clever time travel twist that reshapes the entire narrative. We discuss the film’s unique visual style, the way the series begins to age up its themes and characters, and how Cuarón’s distinct directorial influence gives this entry a tone and identity all its own. Its reputation as a fan favourite is helped by how standalone the story feels, free from direct involvement by Lord Voldemore, and by the cool, suspense driven mystery at its core. Add in memorable performances from series newcomers David Thewlis and Gary Oldman alongside returning favourites like Alan Rickman, and it is clear that the Prisoner of Azkaban remains a great film that still feels fantastic no matter how many times we've seen it over the years.

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You know we had to get dressed up for the occasion, because this is indeed the most prestigious night in podcasting,. The sixth annual Cinema Effect Awards! We roll out a full awards ceremony, firstly celebrating the standout film and TV releases of 2025, highlighting the very best titles from the year that was. But that is just the beginning. Once those formalities are out of the way, we dive headfirst into the best and worst of everything we reviewed across the past twelve months. From best musical score and standout performances to the most painful misfires and our favourite episode of the year. It's crazy that another year has flown by. It's been another fun one, so thank you for listening, writing in, and sticking with us. Cinema Effect will return in Avengers Doomsday.Join a crew of wannabe film critics review a different movie every week, and discuss other nonsense. Listen to new episodes every Monday.Record your own podcasts with Zencastr at https://zencastr.com/?via=cinemaeffect to get 30% off today.

Noah Baumbach’s Jay Kelly is a fast moving character driven comedy that follows the unravelling midlife detour of Jay Kelly (George Clooney), a world famous actor whose life begins to crack under the weight of regret. Including sharp dialogue and memorable supporting players, with Adam Sandler providing a great vulnerability. Baumbach’s signature humour is front and centre with an easy rhythm that keeps the story light on its feet. While Jay's character arc touches on the push and pull of personal relationships vs the pursuit of one's career, we couldn’t help but wish the film lingered a bit longer on some of those moments. The experience is engaging enough that it leaves us wanting more! After the review, we look to big 2026 trailers including Supergirl and Street Fighter. Plus a discussion on the most impressive directing efforts by actors.

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After 5 years we finally reach the holy grail white boy film, Interstellar. Nolan's, 9th directing effort and 4th appearance on the show and another unabashed glaze session, with minor restraint shown by one white boy. The film centers on Coop, a former test pilot who has to take on one last job to save humanity at the expense of raising a daughter he loved and a son he kinda liked. We also bask in the doom and gloom of Netflix buying out Warner Brothers and what that means for cinemaaaaa.

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Chris Columbus returns for his second and final outing in the series with Harry Potter and the Chamber of Secrets, a sequel that embraces a darker and more dangerous tone as Harry, Ron, and Hermione uncover the mystery behind the attacks at Hogwarts. Even after countless rewatches, we still find plenty of entertaining moments to enjoy, and on this viewing we were surprised to find the central mystery and plot even more engaging than the first film. With fun performances from Daniel Radcliffe, Emma Watson, Rupert Grint, Kenneth Branagh, Jason Isaacs and the always brilliant recurring supporting cast, this chapter hols its own in the larger saga to come. After the review, we share our thoughts on Rian Johnson’s newest Knives Out film after seeing Wake Up Dead Man in cinemas. And we discuss which animals we would most want the magical ability to speak to.

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It’s hard to believe, but this is actually our first time covering an Edgar Wright film on the podcast, and what a way to start with his new 2025 take on The Running Man. Starring Glen Powell, Josh Brolin, Michael Cera, and many others, this Stephen King adaptation follows Ben Richards as he fights to survive a deadly televised game while navigating the constant manipulation of a corrupt media network. The movie delivers quick pacing and strong action in a fully realised cyberpunk world, making it a very entertaining action blockbuster to experience at the cinema. But did the humour always work? And can you still feel Wright's signature style on screen? Of course, we will also dive into the big question of whether the film contains truly GREAT scenes and characters that we genuinely LOVE as much as our pets. Then after the review, we have Zelda movie images to discuss, plus the new trailer for Project Hail Mary.

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We’re diving into Guillermo del Toro’s new and anticipated adaptation of Mary Shelley’s Frankenstein, a dark retelling of the classic story about a brilliant scientist who creates life, only to face the horrifying consequences of his own ambition. As big fans of the novel (with one of us having just finished reading it this week), we were eager to see how del Toro’s version reimagines the source material. The film makes several notable changes from the book, which we unpack in detail as we explore how they reshape our understanding of the story and its characters. With top-tier production design, and a strong cast including Jacob Elordi, Oscar Isaac, Mia Goth, and Christoph Waltz, the film tackles del Toro’s signature themes of humanity and monstrosity. Still, we debate whether its sleek aesthetic sometimes feels too digital and “Netflix.” After the review, stick around for a spirited discussion on whether actors are more impressive than athletes, and our picks for the best recasts in film history.

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We had the pleasure of sitting down with director Daniel V. Masciari to discuss his new film 'Stationed at Home', a sincere and personal debut feature set (and shot on location) in upstate New York. Daniel walks us through the film’s long seven year journey to being made, from its early development years to its festival premieres, and shares insight into crafting its cosy visual style and eccentric characters. We talk about his inspirations for the film, his collaboration with the cast and crew, and how his background shaped his perspective as both a storyteller and editor. This is a great conversation for anyone interested in independent filmmaking, and the many facets of the creative process. Please enjoy.

'Stationed at Home' is available to rent on November 11th wherever you get your digital movies.

We welcome our fellow Aussie Baz Luhrmann back to the show for the first time in 2025, this time diving into his bold and unconventional adaptation Romeo & Juliet. This stylish, fast-paced, and contemporary take on William Shakespeare’s tragedy keeps the original Old English dialogue intact, a creative choice that proved to be the most divisive element among us. Still, it’s hard not to admire the ambition of setting the story in a modern, 90s coated Verona Beach with Leonardo DiCaprio and Claire Danes bringing intensity to their roles as the first star crossed lovers. Where we all agree the film truly shines is in Baz’s signature visual flair, his energetic direction, and a killer soundtrack that all contributed to a clear and admirable vision for the film.Join a crew of wannabe film critics review a different movie every week, and discuss other nonsense. Listen to new episodes every Monday.

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With HBO’s new Harry Potter series now in production, we decided there’s no better time to feed our anticipation (and scepticism) by revisiting the beloved film saga month by month, starting with Harry Potter and the Philosopher’s Stone (or Sorcerer’s Stone for our US listeners). Chris Columbus’ 2001 adaptation remains a magical introduction to the wizarding world, overflowing with wonder, fun, and a sense of discovery that still feels special even after countless rewatches. Experiencing Hogwarts for the first time again through Harry’s eyes is a true delight, and the warmth of the supporting cast brings the story to life (particularly Robbie Coltrane’s Hagrid). As expected, we get caught up in the amusing little details that we notice as long-time fans, but ultimately agree this film remains a classic kids adventure which very effectively kicks off one of modern cinema’s great franchises.

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It’s time to return to the filmography of ultra friend of the show Denis Villeneuve with Enemy (2013), his debut English-language feature, which he once described as a “practice run.” If that’s the case, it’s one of the most impressive practice runs imaginable, as the film stands out as a technical showcase filled with haunting atmosphere, incredible lighting, rich colours, and an unsettling score. Starring Jake Gyllenhaal in dual roles, the story follows a man who discovers another person who looks exactly like him, leading to a tense and eerie unravelling of their intertwined lives. Beneath the surface, Enemy is loaded with symbols and metaphors (and yes, some very striking spider imagery) that invites interpretation. We dive deep into the film’s themes and mysterious storytelling. So come for our incredibly thorough explanation of what it all means, rivalling Chris Stuckmann's "Ending Explained" video.

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Boy A (2007) is a moving and emotionally heavy British drama that explores themes of second chances, rehabilitation, and whether true change is possible for those with dark pasts. Andrew Garfield delivers a powerful and empathetic performance as Jack, a young man released from prison after committing a terrible crime as a child, trying to rebuild his life under a new identity. Peter Mullan is also memorable as Jack’s mentor Terry, whose great Scottish accent and heartfelt connection with Jack add warmth and hope to the story. Supported by these believable performances and a grounded sense of realism, the film keeps you engrossed in Jack’s emotional roller coaster from start to finish. After the review, we lighten things up by revealing the new names we’d choose for ourselves and reading out your choices too.

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The long-awaited Leo and PTA collab is finally here. One Battle After Another follows stoner, ex-revolutionary Dad, Bob, and his spirited daughter, Willa, living off-grid. When an old nemesis of the family resurfaces, comedic shambles ensue as father and daughter try to reclaim their past, future, and each other. A grand premise for another personal epic of PTA’s, but does it stick the landing or collapse under the weight of its own reach? Join a crew of wannabe film critics review a different movie every week, and discuss other nonsense. Listen to new episodes every Monday.

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We’re returning to Paul Thomas Anderson’s filmography for the first time in years with Inherent Vice (2014), a pot-fuelled, bumbling detective story that plays as equal parts mystery, comedy, and fever dream. Joaquin Phoenix stars as private investigator Doc Sportello, stumbling his way through a tangle of crime, corruption, and shifting culture in 1970s Los Angeles. The film features a stacked supporting cast including Josh Brolin, Owen Wilson, Benicio del Toro, and Reese Witherspoon, all adding to the charm in different ways. We unpack its offbeat tone, surreal humour, and perhaps deliberately convoluted plot, debating just how effectively PTA balances it all in this uniquely strange ride.

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The Hidden World is by far the least watched entry in DreamWorks’ beloved How to Train Your Dragon trilogy, which made it exciting for us to finally see it for the first time. Following Hiccup, Toothless, and the whole gang of snots and louts as they face their biggest challenge yet, the film offers a heartfelt continuation of the saga, though we felt it lacked the soaring highs of the previous instalments. F. Murray Abraham did stand out with his entertaining performance as the villain Geralt. And most importantly, after years of waiting for resolution, it was rewarding to finally experience the satisfying conclusion to this iconic animated franchise. After the review, we briefly review the new trailer for The Mandalorian and Grogu, then dive into a discussion about which creatures we would most want to train.

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Thanks to our Instagram voters, we dove into The Butterfly Effect, and we ended up thoroughly enjoying the ride. Starring Ashton Kutcher and Amy Smart, this sci-fi thriller delivers shocking twists and surprises that pack serious entertainment value while still staying grounded in the core emotional weight of its story. Despite some of the wild and over the top moments, the characters remain relatable thanks to solid performances across the board. We also dig into the dramatically different endings between the theatrical and director’s cuts, which left us fascinated by how each changes the film’s impact. After the review, we switch gears and recap the highlights from this year’s exciting Emmy Awards.

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Oliver Stone drew from his own experiences as an infantryman in Vietnam to craft an unflinching portrayal of the war that feels sweaty, uncomfortable, and authentic. Platoon (1986) follows a young soldier played by Charlie Sheen, with Willem Dafoe and Tom Berenger in supporting roles (also a very young Johnny Depp), as the film immerses viewers in the chaos of combat. Stone pulls no punches in showing the conflict in a starkly negative light, which explains why the US government refused to cooperate with the production. This episode is especially fun because we disagree on almost every major aspect of the film, from the cinematography to the performances, the characters, and its standout sequences. There is plenty to unpack in this very famous war movie, so prepare yourself for some hot takes.

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Peter Weir's Dead Poets Society is a stirring drama set at an elite all-boys school, where new teacher Mr Keating (Robin Williams) inspires his students to embrace free thinking and pursue their passions, clashing with the oppressive authority figures who claim to know what is best for them. But you already knew that of course. This classic film delivers powerful and resonant emotional moments, with Williams bringing a level of charisma that makes every scene with him shine. The chemistry between the group of friends feels authentic, as if the bonding behind the scenes carried directly into their performances. Robert Sean Leonard as Neil gives a particularly standout performance, embodying the film’s central themes and heartbreak in his arc. And a young Ethan Hawke delivers strong early work as well. Even if we found Knox’s romantic subplot questionable, the film remains a moving piece of cinema.

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How to Train Your Dragon 2 continues the adventures of Hiccup (Jay Baruchel) and Toothless in a story that expands the scope of the world in some bold and emotional ways. This time we are all on the same page that this is a great movie, with DreamWorks Animation noticeably upgraded from the first film, delivering stunning visuals, and some truly impressive flying and battle sequences. The returning cast, including Gerard Butler, America Ferrera, and Jonah Hill, are all rock solid once again, While new additions bring fresh energy, most notably Cate Blanchett who blends in seamlessly as Hiccup’s long-lost mother Valka. After the review, we shift gears and debate which standalone animated movies truly deserve to be turned into full-fledged franchises.Join a crew of wannabe film critics review a different movie every week, and discuss other nonsense. Listen to new episodes every Monday.Record your own podcasts with Zencastr at https://zencastr.com/?via=cinemaeffect to get 30% off today.

Amélie is the whimsical French hit from Jean-Pierre Jeunet, starring Audrey Tautou as a shy waitress who finds joy in secretly improving the lives of those around her. With its quirky humour, inventive visual style, and a magical opening ten minutes, the film makes a striking impression. Though we found ourselves losing interest as the many story threads unfolded. It remains a unique presence in world cinema we're glad to have watched, but one that didn’t completely capture us beyond its charm. Then after the review, Jayden breaks down his eventful week at MIFF, and we’ll go through your picks for the best scenes of all time set in a movie theatre.Join a crew of wannabe film critics review a different movie every week, and discuss other nonsense. Listen to new episodes every Monday.Record your own podcasts with Zencastr at https://zencastr.com/?via=cinemaeffect to get 30% off today.

At this year’s Melbourne International Film Festival (or MIFF, as I’ve reluctantly had to start calling it), we caught some of the first showings of the Australian Stan original film One More Shot. Set on New Year’s Eve 1999, the story follows Minnie (Emily Browning) who discovers a bottle of time travelling tequila that sends her back to the start of the night with every shot, giving her only a bottle’s worth of chances to reshape the course of her millennium. Alongside Browning, the cast features Ashley Zuckerman and an actor who looks a lot like Lockie Leonard, all delivering strong central performances. The clever and entertaining script offers plenty of quality moments, including one scene that had the whole cinema in hysterics. With its unique take on the Groundhog Day style concept and a perfect runtime, One More Shot kept us hooked from start to finish. After the review, we dive into our own lives and debate which single day we would each choose to relive in a loop.

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A24's Warfare is an immensely impressive war drama that delivers a visceral and unflinching look at the reality of soldiers on the ground in Iraq. Co-directed by Alex Garland and Ray Mendoza, the film draws from Mendoza’s own experiences during the battle of Ramadi, bringing an authenticity that permeates the film. The cast is stacked (with mostly British actors) and their chemistry and precision make them feel like a genuine military unit. The performances, combined with exceptional sound design and precisely executed tense sequences, create a 90 minute experience that pulls you in.

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With a live-action remake upon us, I guess there's no better time to revisit DreamWorks’ original animated How to Train Your Dragon. Even if it’s been 15 years since its release. A near-perfect example of a fun, breezy, and emotionally resonant animated adventure, the film follows young Viking Hiccup (voiced by Jay Baruchel) as he forms a heartwarming bond with the adorable/intimidating dragon Toothless, all while navigating a strained relationship with his father (Gerard Butler) which lies at film's core. Strong voice performances and stunning animation elevate what might be DreamWorks’ most beloved effort. Now with all that in mind, we just need to convince Liam it’s not mid. Then after the review, we discuss your hot takes on the most overrated animated franchises.

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David Cronenberg’s A History of Violence (2005) presents an intimate and unsettling story of a small town man, played by Viggo Mortensen, whose past comes violently back to haunt him after a heroic act puts him in the national spotlight. With Ed Harris delivering a menacing supporting performance, the film thrives in its tense moment. But there's also no shortage of ambiguity. Jayden expertly guides us through Cronenberg’s filmography and explores how this work fits into his broader cinematic style, marked by identity and the American Dream. While some performances feel deliberately stilted, we debate whether that’s a stylistic choice or a shortcoming. There’s a lot to unpack in the film’s themes, but with such a subdued ending, we wrestle with whether it leaves us with any meaningful resonance or simply more questions.

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Easily one of the most anticipated blockbusters of the year, Superman arrives with the enormous task of launching James Gunn’s bold new vision for the DC Universe. With David Corenswet donning the cape as Clark Kent and Rachel Brosnahan stepping into the role of Lois Lane, this latest superhero epic reimagines the Man of Steel for a new generation. We break down the entire cast (including Nicholas Hoult as Lex Luther, Nathan Fillion, and Isabela Merced) and explore what each actor brings to their updated take on these iconic comic characters. The film is packed with Gunn’s trademark emotional storytelling, bright colours, and flashy action. But the big question remains: does it all come together to deliver a truly super cinematic experience? After the review, we rank our favourite iterations of Superman across his long cinematic and television history. Plus dig into this year’s newly announced Emmy nominations.

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It’s hard to believe Amadeus is over 40 years old, because from its sharp pacing to its energetic editing, this Best Picture winner feels like it could have come out just last year. Whether watching the theatrical or director’s cut, both versions absolutely fly by, driven by a riveting exploration of jealousy and genius as we witness Salieri’s bitter envy of Mozart twist into a personal war against God himself. With fully realised characters and pretty much every scene striking a perfect balance between humour and drama, it’s no wonder this movie remains endlessly entertaining. F. Murray Abraham’s portrayal of Salieri in particular stands as one of the great performances ever captured on film, anchoring a masterpiece that still resonates as a modern classic.Join a crew of wannabe film critics review a different movie every week, and discuss other nonsense. Listen to new episodes every Monday.Record your own podcasts with Zencastr at https://zencastr.com/?via=cinemaeffect to get 30% off today.

F1 flies onto the big screen with exciting, practically filmed racing sequences shot entirely in-camera. Exactly the kind of visceral spectacle you’d expect from Top Gun: Maverick director Joseph Kosinski. Starring Brad Pitt and Damson Idris, the film captures the raw speed and adrenaline of Formula 1 in a way that lives up to its summer blockbuster status, even if we found ourselves a bit less invested in its story and characters. As our resident F1 expert, Jayden also breaks down how the movie both succeeds and stumbles in representing the sport (despite it basically playing like a giant ad for it). After the review, we’ll dive into our thoughts Danny Boyle’s much anticipated 28 Years Later and, in our Question of the Week segment, pitch which sport we think Kosinski should tackle for his next big budget film.

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E.T. showcases so many of Steven Spielberg’s trademarks: fractured family at its heart, a soaring John Williams score. But what makes it truly enjoyable is just how lean and precise it is. Every scene serves a purpose, delivering simple yet deeply effective visual storytelling, which explains how it became the highest-grossing film of all time for over a decade. Henry Thomas shines as Elliott, a clever and easily likable protagonist whose tender bond with E.T. anchors the movie’s emotional power. Revisiting it now, you might be surprised by how eerie and even melancholy it is at times, especially for a family film. This is Spielberg at his most stripped-down and whimsical, crafting a timeless story full of wonder and heart with only the essential details needed to sweep audiences away. It's when you start delving into the greater lore (as we unfortunately do in this episode) that some of the lustre can be lost.

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Dìdi (2024) is a charming and sometimes painfully relatable coming-of-age story set in the mid-2000s, complete with MySpace profiles, low-res YouTube videos, and all the awkwardness of adolescence. Written and directed by Sean Wang, the film is clearly a deeply personal project inspired by his own youth, and even features his real-life grandmother playing Nai Nai. Izaac Wang stars as Chris, a teenage boy stumbling his way through friendships, family, and first crushes, while we laugh and cringe at his consistently bad choices (but hey, teenagers gonna teenager). And in our Question of the Week segment, we go over our top picks (and make an official bet) on who we think should take over the role of James Bond.

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Mountainhead is the latest satire from Jesse Armstrong, in large part tackling the terrifyingly current intersection of AI, generative content, and the existential threats they pose to modern civilisation. Written in November of last year and fast-tracked into production at an astonishing pace, the film stars Steve Carell, Jason Schwartzman, and Ramy Youssef as tech billionaires bros with way too much power on a weekend retreat. We found the film funny in the moment, though we’re not convinced it’ll have long-term staying power. Still, the ethical and technological questions it raises sparked one of our more pessimistic discussions yet, as we confront the unsettling implications this story has for the future of humanity. Apologies for the doom and gloom in advance. That's before we discuss which media/tech companies ourselves and the audience want to take over.

Join a crew of wannabe film critics review a different movie every week, and discuss other nonsense. Listen to new episodes every Monday.Record your own podcasts with Zencastr at https://zencastr.com/?via=cinemaeffect to get 30% off today.

For the second week in a row, we’ve recorded the longest episode in the show's history. Because The Last of Us: Season 2 brings out the passion, the debates, and some very strong opinions. As long time fans of the Part II game, we were deeply curious to see how HBO would tackle its already divisive story, and the result is as polarising as expected. Prepare for an at times contentious discussion packed with full spoilers, where we dive into the big character death, Ellie’s evolving characterisation, Kaitlyn Dever’s introduction as Abby, and the most memorable scenes and performances of the season. We also break down the similarities and departures from the game, and assess whether the show’s incredible production values and strong acting can live up to its ambitious source material. It’s a loaded question. And one we’re not entirely aligned on. Question Of The Week: If you could make yourself the CEO of one tech or media company, which would it be?Record your own podcasts with Zencastr at https://zencastr.com/?via=cinemaeffect to get 30% off today.

After a long production wait, it’s finally time to return to the oppressed galaxy of Andor for its second and final season. A massive 12 episode journey that inspired our longest podcast episode ever. Diego Luna leads an outstanding cast alongside Genevieve O’Reilly, Stellan Skarsgard, and of course the returning Ben Mendelsohn mate. This season offers some of the most unique writing and narrative structure we've seen from Star Wars. With jaw dropping production values that rival any theatrical experience, the series leads beautifully into Rogue One, the film which functions as the story's true finale in many ways. We break down the show’s most memorable episodes and moments, following the evolving arcs of Cassian, Mon Mothma, Luthen, Dedra, Cyril, and many others in ways that are both satisfying and surprising. Join the Rebel Alliance, and experience Star Wars at perhaps its most sophisticated and unforgettable.Join a crew of wannabe film critics review a different movie every week, and discuss other nonsense. Listen to new episodes every Monday.

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We’ve watched and reviewed every Mission Impossible film on the podcast, and it’s all led to The Final Reckoning, the apparent last chapter in this legendary franchise. Directed once again by Christopher McQuarrie, the film delivers several standout moments, including two impressive action set pieces. One of which (as teased on the poster) is so absolutely, undeniably insane, it surely has to be the culmination of Tom Cruise one upping himself with each stunt. While the movie offers plenty for long-time fans to enjoy, its bloated runtime and some underwhelming ancillary elements sap the punch and energy needed to reach true greatness. Still, for anyone who’s followed Ethan Hunt’s journey, this finale remains a worthwhile ride.

Join a crew of wannabe film critics review a different movie every week, and discuss other nonsense. Listen to new episodes every Monday.

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Fallout isn’t just the pinnacle of the Mission Impossible franchise... it’s peak cinema. Tom Cruise returns as Ethan Hunt in this action masterpiece once again directed by Christopher McQuarrie, featuring multiple jaw dropping set pieces, including the epic Paris exchange scene (which Zac won’t stop gushing about). The film’s relentless pacing, outstanding score by Lorne Balfe, and countless fun moments make it a cinematic adrenaline rush. Henry Cavill joins the cast, bringing brute force and incredible intelligence as August Walker. Alongside the incredible stunts (the Halo jump took one year to prepare!), we also attempt to dive into the myth of Ethan Hunt as a character. Hopefully he can make it out of his Final Reckoning one last time!Record your own podcasts with Zencastr at https://zencastr.com/?via=cinemaeffect to get 30% off today.

Mission Impossible: Rogue Nation officially ushers us into the McQuarrie era of the franchise, delivering a masterclass in action filmmaking with Tom Cruise’s Ethan Hunt facing off against the sinister Solomon Lane, the coolest named villain played with chilling intensity by Sean Harris. This installment also introduces Rebecca Ferguson’s Isla Faust, whose presence quickly won over many Cinema Effect fans and hosts. From the physical Vienna Opera House sequence to the breathtaking underwater heist and high-speed motorcycle chase, every action set piece hits the mark. And with a strong team dynamic featuring Simon Pegg, Jeremy Renner, and Ving Rhames, Rogue Nation stands out as one of the most tightly crafted and entertaining entries in the series. It's onwards and upwards from here folks!

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Since we've just returned from Japan, we have to stay on theme by talking about Nausicaä of the Valley of the Wind (1984). This famous anime film is widely regarded as Hayao Miyazaki’s first major success, laying the groundwork for what would soon become Studio Ghibli. The story follows Princess Nausicaä as she navigates a toxic, post-apocalyptic world filled with stunningly designed creatures and airships. With its richly imagined setting and striking character designs, it's certainly a thematically ambitious sci-fi fantasy. Our discussion dives into all of that, though we definitely veer off track now and then. Especially in our increasingly desperate attempt to determine whether Lord Yupa actually dies.

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Season 3 of The White Lotus once again delivers a sharp and sometimes shocking blend of satire, mystery, and drama, solidifying Mike White’s status as one of the most compelling creators in modern television. Set against another luxurious backdrop and featuring a phenomenal cast including Michelle Monaghan, Patrick Schwarzenegger, Parker Posey(!), Jason Isaacs, Carrie Coon, and so many more, the season offers no shortage of memorable characters and dynamics. We dive deep into the intersecting stories, the season’s surprisingly grand themes, and the show's signature mix of comedy and commentary. This season continues to prove why the show is one of the most discussed and entertaining series on TV. Hence why we need 2+ hours to do it justice.

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Megalopolis is the long-gestating passion project from legendary director Francis Ford Coppola, who personally financed the film’s reported $120 million budget after decades of development limbo. Starring Adam Driver, Nathalie Emmanuel, Aubrey Plaza, Shia LaBeouf and Giancarlo Esposito, among other Hollywood greats, the result is a bizarre cinematic experience that left us genuinely baffled. The film’s confusing plot, erratic character motivations, and wildly inconsistent performances (ranging from wacky to poor) make for an interesting watch to say the least. Much of our podcast is spent trying to make sense of what Coppola is aiming for. Though we do find some entertainment in its oddball humour and surreal interactions in moments. I guess it's fair to summarise the film as a head scratching spectacle that has to be seen to be believed.

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Coming in hot after Zodiac in 2007, David Fincher had another big swing the following year with his most expensive film ever. The Curious Case of Benjamin Button follows the life of Benjamin (Brad Pitt), a man born old who ages in reverse, and his decades spanning romance with Daisy (Cate Blanchett). With emotionally rousing scenes and some striking imagery, the film showcases its Oscar-worthy makeup and visual effects, especially the stunning work on an aging Blanchett. It holds a unique place in his otherwise dark and foggy filmography, as the movie is widely known for its standout premise, but not universally beloved. Our discussion reflects that divide, as we unpack both the film’s emotional ambition and its more middling elements. Plus, after the review we celebrate the fact we've DEFINITELY now reviewed 100% of Fincher's filmography by discussing his very best movies.

Join a crew of wannabe film critics review a different movie every week, and discuss other nonsense. Listen to new episodes every Monday.

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Mission Impossible: Ghost Protocol is the point in the franchise where they finally realised its best to drop the numbered titles. This time around Ethan Hunt (Tom Cruise) and his team are forced to go rogue after being framed for bombing the Kremlin! What ensues is the globe trotting espionage this franchise is known for, including its most heavily marketed set piece: the Dubai tower climb. Directed by Brad Bird in his live-action debut, this is a Mission Impossible entry we've all seen before, and on this rewatch, it entertained some of us more than others. The action is solid, but the film's plot and villain feel a bit uninspired. Support from Simon Pegg and Jeremy Renner helps keeps the adrenaline pumping, even if the movie doesn’t fully soar. Plus, we go rapid fire reviewing a ton of new trailers!Join a crew of wannabe film critics review a different movie every week, and discuss other nonsense. Listen to new episodes every Monday.Record your own podcasts with Zencastr at https://zencastr.com/?via=cinemaeffect to get 30% off today.Question Of The Week: What is the best David Fincher movie?Post your answer in the comments below to be featured on next week's episode.Next Week's Film: The Curious Case Of Benjamin Button (Stan, Foxtel)Join our Discord: https://discord.gg/Xd86SSFt7cFollow us on Instagram: https://instagram.com/cinema_effect?igshid=lsz7ohc33id6Subscribe on YouTube: https://youtube.com/channel/UC2T2RXUUT7jXwZVl1k9boqQ?sub_confirmation=1

Follow the crew on LetterboxdLiam: https://letterboxd.com/idealisticguy/Jayden: https://letterboxd.com/jaydentraj/Zac: https://letterboxd.com/zacfinn17/Zac's YouTube Channel: https://www.youtube.com/channel/UCVxRUtGPG9f_xIiw5NMorwQTimestamps ;)0:00 - Mission Impossible: Ghost Protocol Review53:12 - News Chat1:03:13 - What We've Been Watching#FilmDiscussion #MoviePodcast #MissionImpossibleGhostProtocol

Yes, we have in fact now amazingly been doing Cinema Effect every week for 5 years! So for this 5th anniversary special, we’re taking on the ultimate challenge: pitting every movie we’ve ever reviewed against each other in a massive bracket tournament to determine the best film in Cinema Effect history. With so many incredible movies to choose from, the debates get heated as we’re forced to make impossible decisions between some of our all-time favourites. Which films will survive the gauntlet, and which classics will fall? Join us for this wild ride through 5 years of movie discussions. We'll also close things out with by testing our knowledge of these movies with a very special quiz. Thank you to everyone who has listened, supported, or even just enjoyed a single episode of the show! Here's to the next 5 years... if the show isn't cancelled before then.

Join a crew of wannabe film critics review a different movie every week, and discuss other nonsense. Listen to new episodes every Monday.Record your own podcasts with Zencastr at https://zencastr.com/?via=cinemaeffect to get 30% off today.Next Week's Film: Mission Impossible: Ghost Protocol (Stan, Binge, Foxtel, Paramount+)Join our Discord: https://discord.gg/Xd86SSFt7cFollow us on Instagram: https://instagram.com/cinema_effect?igshid=lsz7ohc33id6Subscribe on YouTube: https://youtube.com/channel/UC2T2RXUUT7jXwZVl1k9boqQ?sub_confirmation=1

Leave us a review: https://ratethispodcast.com/cinemaeffectFollow the crew on LetterboxdLiam: https://letterboxd.com/idealisticguy/Jayden: https://letterboxd.com/jaydentraj/Zac: https://letterboxd.com/zacfinn17/Timestamps ;)0:00 - Intro6:36 - Best Movie Bracket1:19:07 - Question Of The Week

1:25:50 - 5th Anniversary Quiz!#FilmDiscussion #MoviePodcast #Bracket

George Lucas' American Graffiti (1973) is a consistently entertaining ride through one night of cruising and teenage shenanigans in the early 60's. Featuring a sharp script and great performances from the likes of Richard Dreyfuss, young Ronnie Howard, and Harrison Ford, this is a defining work of Lucas’ early career before Star Wars. The film was a massive success at the box office and remains one of the most profitable movies ever made, yet it’s surprisingly less well-known today. With its nostalgic yet sometimes bittersweet tone, we explore how the film reflects Lucas’ own youth, especially in its powerful documentary-style ending, which shifts the entire experience and left a lasting impression on some of us. Between its humour and historical significance, American Graffiti's place in the filmography of one of cinema’s most influential directors absolutely makes it worth the watch. Plus later in the episode, another year, another Oscars ceremony that must be reviewed!

Join a crew of wannabe film critics review a different movie every week, and discuss other nonsense. Listen to new episodes every Monday.

Record your own podcasts with Zencastr at https://zencastr.com/?via=cinemaeffect to get 30% off today.

Timestamps

0:00 - American Graffiti Review

1:04:30 - News Chat

1:16:59 - What We've Been Watching

1:28:45 - Question Of The Week

#FilmDiscussion #MoviePodcast #AmericanGraffiti

Experiencing Close Encounters Of The Third Kind (1977) for the first time was fantastic, as Steven Spielberg’s sci-fi classic delivers a wonderful blend of atmosphere, mystery, and awe. Richard Dreyfuss stars as Roy Neary, an ordinary man drawn into an extraordinary encounter with extraterrestrial life. Also featuring in the cast is French auteur François Truffaut. And shout out of course to One Take Cary (the child actor who plays Barry) who has a face made for the big screen. We analyse how Spielberg’s focus on family dynamics feels deeply personal, almost a precursor to the autobiographical themes we later saw in The Fabelmans. The film’s use of lighting, composition, and UFO design creates an unforgettable visual experience, while its optimistic take on alien contact subverts Cold War-era fears in favour of curiosity and optimism. We agree Spielberg shows the sci-fi genre immense reverence in this picture.Record your own podcasts with Zencastr at https://zencastr.com/?via=cinemaeffect to get 30% off today.Question Of The Week: What is your favourite car?Post your answer in the comments below to be featured on next week's episode.Next Week's Film: American Graffiti (Foxtel, Binge)Join our Discord: https://discord.gg/Xd86SSFt7cFollow us on Instagram: https://instagram.com/cinema_effect?igshid=lsz7ohc33id6Subscribe on YouTube: https://youtube.com/channel/UC2T2RXUUT7jXwZVl1k9boqQ?sub_confirmation=1Leave us a review: https://ratethispodcast.com/cinemaeffectFollow the crew on LetterboxdLiam: https://letterboxd.com/idealisticguy/Jayden: https://letterboxd.com/jaydentraj/Zac: https://letterboxd.com/zacfinn17/Timestamps ;)0:00 - Close Encounters Of The Third Kind Review1:05:15 - What We've Been Watching1:17:46 - Question Of The Week

JJ Abrams makes an explosive feature directorial debut with Mission Impossible III, and proved he has the chops for the big screen. Tom Cruise returns as Ethan Hunt, facing off against one of the franchise’s top villains, Owen Davian, played menacingly and memorably by Philip Seymour Hoffman. The film delivers thrilling set pieces, from a chaotic bridge attack to a high intensity helicopter extraction. While it might not be our favourite in the Mission series, it offers plenty of entertainment in stunning locations like the Vatican and Shanghai. MI3 undoubtedly brings a lot to the table to keep the fuse burning on the franchise. Then we have a sizable News Chat this week, with the reports of John Lithgow to play Dumbledore, and Amazon taking control of the James Bond franchise.Join a crew of wannabe film critics review a different movie every week, and discuss other nonsense. Listen to new episodes every Monday.Record your own podcasts with Zencastr at https://zencastr.com/?via=cinemaeffect to get 30% off today.Question Of The Week: What is an unconventional belief that you entertain?Post your answer in the comments below to be featured on next week's episode.Next Week's Film: Close Encounters Of The Third Kind (Foxtel, Binge)Join our Discord: https://discord.gg/Xd86SSFt7cFollow us on Instagram: https://instagram.com/cinema_effect?igshid=lsz7ohc33id6Subscribe on YouTube: https://youtube.com/channel/UC2T2RXUUT7jXwZVl1k9boqQ?sub_confirmation=1Follow the crew on LetterboxdLiam: https://letterboxd.com/idealisticguy/Jayden: https://letterboxd.com/jaydentraj/Zac: https://letterboxd.com/zacfinn17/Timestamps ;)0:00 - Intro2:32 - Mission Impossible III Review1:03:11 - News Chat1:17:00 - What We've Been Watching1:26:09 - Question Of The Week#FilmDiscussion #MoviePodcast #MissionImpossible3

With Zac and Liam on an indefinite Hiatus, a new Cinema Effect crew was assembled and recorded one of the podcasts most perfect episodes yet for a discussion on Wim Wenders' Perfect Days. The slice of life film follows the rhythmic routine of Hirayama, a Tokyo toilet custodian working with some of the most architecturally famous bathrooms in the world. The film is meditative and stunning and spurs one of the shows most impassioned discussions. We also cover what our perfect days could like like after talking about the new Thunderbolts trailer as well as some of the critics choice results as the awards season catapults to a head.

Timestamps ;)

0:00 - Intro

1:58 - Review

1:19:54 - News Chat

1:28:35 - What We've Been Watching

1:37:00 - Question Of The Week

For our second Bob Dylan film review, we dive into A Complete Unknown, a very well crafted biopic directed by James Mangold. The film chronicles the formative years of Dylan's career with Timothée Chalamet delivering a phenomenally convincing portrayal of the iconic musician (the best performance of his career!). From the impressive singing to the subtle prosthetics (real or not, they’re worth praising), the film captures Dylan’s essence with great authenticity. Shoutouts also to the supporting cast, including Edward Norton, Elle Fanning, and Monica Barbaro. With Mangold’s steady direction and a focus on the mythology of Dylan’s persona, this movie stands as a very solid addition to the growing pantheon of music biopics. Plus, two huge trailers dropped this week for Fantastic Four and Jurassic World Rebirth, as News Chat makes its triumphant return.Join a crew of wannabe film critics review a different movie every week, and discuss other nonsense. Listen to new episodes every Monday.Record your own podcasts with Zencastr at https://zencastr.com/?via=cinemaeffect to get 30% off today.Question Of The Week: What is your ideal day?Post your answer in the comments below to be featured on next week's episode.Next Week's Film: Perfect Days (Stan)Join our Discord: https://discord.gg/Xd86SSFt7cFollow us on Instagram: https://instagram.com/cinema_effect?igshid=lsz7ohc33id6Subscribe on YouTube: https://youtube.com/channel/UC2T2RXUUT7jXwZVl1k9boqQ?sub_confirmation=1Timestamps ;)0:00 - Intro1:34 - A Complete Unknown Review57:31 - News Chat1:07:08 - What We've Been Watching1:17:58 - Question Of The Week#FilmDiscussion #MoviePodcast #ACompleteUnknown