Today, the podcast does something different. In this episode, we are looking at a film. And not just any film. It is perhaps the greatest film ever made. Yi Yi or A One and a Two is the magmum opus of Edward Yang, the Taiwanese filmmaker. We are going to explore the symbolism of balloons, sticks and condems in this amazing film. 

The greatest of Taiwan's modernists, Bai Xianyong's short story, "Winter Nights," is a tale about history and how little we are able to change things. These revolutionaries of Beijing's hot summer of 1919 reconvene in Taipei in the 1960's having lost their cause and their country. Lee taught this story about protestors during the height of the pro-Palestinian protests in 2024, and he describes how his students reacted to the story. 

Today, we take a look at Sima Qian's Biography of the Capitalists, chapter 129 in the Records of the Historian. This chapter is Sima Qian's two-millennia old defense of free market capitalism. The chapter is one of the most interesting his oeuvre because Sima Qian was condemned for it by later historians. 

Part 5 in our Journey to the West Series, Rob and Lee take a look at Chapters 59-61, one of the most important fights in the book. In these chapters, Monkey struggles to take the fan from the aptly named Princess Iron Fan. With the fan, he can extinguish the fire on the, again, aptly named, the Fire Mountians and continue his journey west. But there are lots of complications. Take a listen to Rob and Lee's discussion of the episode, gender and colonialism in this scintillating podcast. 

In this third part of the series on Journey to the West, Rob and Lee discuss the characters in the novel other than Monkey (but they still end up mostly talking about Monkey...he is just that much fun). 

By far the most well-known part of Journey to the West is the first 7 chapters. A quasi-divine monkey figures out how to get nearly limitless power, has a whole lot of fun with it, then starts a war with heaven. And almost wins. Join us for a discussion of one of the most beloved figures in all of Chinese literature: the Monkey King (Sun Wukong).

Today, we begin our series on on of the most influential novels in the history or China, really in the history of Asia. Today, we begin the Journey of the Journey by contextualizing the novel. 

Today is the last in our podcast series on the Song (we think...). Our subject, Ouyang Xiu is one of the most famous literatis of the 11th century, and he helped inspire the turn towards antiquarianism in Chinese culture. He was obsessed with collecting old stuff, particularly epigraphs (writing carved into rocks or other medium). This is a short prose passage/poem where we see Ouyang Xiu beginning to develop this obsession. The passage is taken from Stephen Owen's Anthology of Chinese Literature.

Brandon Folse joins us in our next installment on our Song Dynasty series. Today, we are discussing what is definitely the greatest female writer of the Song dynasty and is possibly the greatest female writer in all of Chinese literature, Li Qingzhao. Some might even consider her the greatest poet in Chinese history, though this would be a controversial claim. Still, what is not controversial is that Li is one of the greats of the Song Dynasty.

This week, Rob and I are travelling, so we have decided to go back into the vault and dig up one of our first podcasts ever...the sound quality is bad, our explanations are even worse...but the story is great. A man falls in love with a very young boy and things take off from there. This story has everything: an execution, a castration and a spontaneously-growing vagina. 

Did you know writing a poem could get you exiled? Well, it could and it did, in Su Dongpo's case. Join us in our ongoing accidental series on Song Dynasty poetry!

This is part of our accidental series on the Song, and this is also our second episode on the poetry of Wang Anshi (王安石). Today, we look at a ballad that Wang wrote upon the death of his wife and continue our debate about the merits of Wang.

Today, in the second podcast in the Sima Qian series, we take a look at some of the first literary evidence we have for the Nan Yue, the People of the Southern Yue, the ancestors to modern-day the provinces of Guangdong and Guangxi in China and the people of Vietnam. Sima Qian describes the Han Dynasty's colonial conquest of the Yue in vivid detail. 

This week, we decide, in the middle of doing the podcast, that the Song has so much interesting stuff going on during it that we have to make this series into a longer series. Today, we are going to tackle a single poem by Su Dongpo. The poem we are looking at is Su's "Waking up on a Boat at Night."

This week, we explore Jing Tsu's fascinating exploration of the history of language in her book Sound and Script in Chinese Diaspora. 

On today's podcast, we go all the way back to the Northern Song Dynasty, one of the highpoints of Chinese culture, but also a point in which consensus was breaking down. Infighting in the 1070's began a process that would weaken China to the point which it could not face up against its external threats and would collapse in 1127, losing half of Song territory. Today's podcast is on Wang Anshi, one of the scholar-politicians who was at the heart of this infighting. We'll look at three of his poems in a part of a mini-series on Song figures. 

Today's podcast is an interesting poem that functions less as a beautiful poem but more a historical artifact. In 1793, the English Ambassador met with the Chinese Emperor. After their meeting, the emperor, Qianlong, wrote an interesting poem about the encounter. In today's podcast, we dissect that poem. Below is also Lee's English translation of the poem, along with the original, straight from the pen of Qianlong.

This week's episode is a Supplement, where we will talk about China's Good War, Rana Mitter's latest book. Mitter is a historian, but a lot of the content he analyzes is literary or filmic. Mitter's argument is that China today is trying to rethink World War II in a way that is advantageous to contemporary politics, both domestic and international.

In today's podcast, we interview author Yang Huang about her new book looking at the intersection of China, the US, and the politics of family and gender. The book is titled My Good Son, and it is her third work of fiction. The book's plot revolves around two father-son pairs, one Chinese, one American. In the Chinese pair, the son does not meet the father's academic standards, while in the American pair, the father is religious while the son is gay. Join us for a fascinating talk with one of the people who actually does the hard work of making literature.

Today, we dig back into a podcast recorded several years before but never before aired. The topic is Nie Zheng (聂政), a story in the biography of the assassins, in Sima Qian's Shiji. The story may be one of the early predecessors to Kung Fu film and literature.

This is it, this is the end of our decade-by-decade exploration of Chinese Literature in the 20th Century. Lee explores Mo Yan, while Rob chooses Xi Chuan. Join them for the final episode in this series.

This week's episode looks at a Tang Dynasty Poem that cost Meituan Dianping, one of China's unicorn internet companies, 26 Billion dollars off its market capitalization. In this episode, we take a look at the Zhang Jie's "Book Burning Pit" and explore the full story behind the poem that the media is not explaining.

Today, we are rebroadcasting an episode that we did on the Three-Character Classic in honor of Chloe Zhao's quoting of the text during the Oscars. The audio quality is a little...well, you'll hear. We apologize. Just think, it has only been a year since we recorded this and already we are this much better. 

Sima Qian is not only the first historian in Chinese history, he is also one of the greatest writers that China has ever produced. Today, writers of Kung Fu novels point to Sima Qian's stories on fighters and assassins as the origins of the Kung Fu genre. Chinese business people point to his "Biography of the Capitalists" as the reason why Chinese people today are so good at business. He documents the Chinese colonization of the Yue, who once were an independent nation that straddled the border from Guangzhou to Hanoi.   

Today is the start of a series on Sima Qian. The podcast will take a look at Sima Qian the man and the broader context of China's early historiography. 

At last! Out of the Maoist wilderness and into what may be the most riveting period for literature and the arts in the entire 20th century in China.  

Today, the Chinese Literature Podcast asks the ultimate geopolitical question: Is Taiwan Chinese?

Actually, we are looking at a book titled Is Taiwan Chinese, an anthropological study by Melissa Brown that examines how identity, Chineseness and ethnicity are constituted on both sides of the Taiwan Straits...that is just a fancy way of saying that identity is something that one does rather than something that one is. We look at Brown's exploration of that process in China and Taiwan. 

The dark night lifts at last! 1976 marks the end of both the Cultural Revolution and the Maoist era. It also marks the beginning of one of the most remarkable periods of literature in Chinese history. Literature on Taiwan is also flourishing. Join us to find out more!

Okay, fine, so Prof. Chan is on our dissertation committees. But you know what? That lack of objectivity on our parts doesn't mean The Edge of Knowing isn't still a thoroughly remarkable book, because it is. Join us to find out more!

You want a hard period for a good literary discussion? Then this is your port of call. The 1960's wasn't just a bleak literary landscape in China; it was practically nonexistent. We got around the problem by going across the Straits or underground. Join us to find out more!

Shalom and welcome to the Chinese Literature Podcast. Today, we have a very special Chinese Literature Podcast in celebration of Passover. We will be looking at the book The Haggadah of the Kaifeng Jews of China by Fook-Kong Wong and Dalia Yasharpour. 

...And then there were the Maoist years. Following the Chinese Communist Party's victory in 1949, literature was tightly controlled until 1976. That means, well, it's a pretty rough period to discuss. But we still found some gems! Join us to find out more!

19 different translations of a single short Tang Dynasty poem add up to a fascinating guided tour of how rich and peculiar it is to encounter the Chinese poetic tradition. Join us to find out more!

There's only one decade whose representative writer we both agree on, and this is it. Debates are more fun, but really? It's hard to argue about Zhang Ailing.

This slim little volume has a whole lot packed into it. Not only does it give the reader a concise history of a crucial moment in Chinese history, but it also beautifully explains to a non-Chinese audience just why Du Fu was so brilliant. 

Today, we do something different. We take a look at a children's book that was originally written in English, and then translated into Chinese. Strangely, the translation into Chinese was done in a way that took the English and translated it into classical poetic forms that hark back to the Tang Dynasty. Journey with me to find out how deeply Chinese poetry has influenced the Chinese today. 

Who owned the 1930's: the author who gave us talking Martian cats, or the one who gave us a sentient decapitated head? Yes, it was a weird decade, was the 1930's. Join us to learn more!

The greatest scholar on China ever to emerge from the U.S. academy? That's Lee's line in the sand. But even Rob would agree you can't go wrong reading Jonathan Spence. Join the discussion and tell us what you think!

Lu Xun again? Really? Yes, really. But we still disagree. For Rob, the 1920's were Lu Xun's definitive decade. For Lee, it was the era of Ding Ling, who fired the opening salvo in what would become a century of powerful, innovative female writers. 

Who was the most important Chinese writer of the 1910-1919 period? Was it Li Dazhao, and his experiments with prose poetry and Marxist theory? Or was it Lu Xun, with his adaptation of Russian realism to a Chinese context? And who, most importantly, had the best moustache?

Have you ever wanted to learn more about China, but were either unsure where to start, or didn't have the money or access? Our new supplement is designed to help. Join us as we discuss our personal picks for essential works on China. Wowkrs that are challenging, but not opaque, interesting, but not amusing. It's everything you need.

Here it is: part one in our new series! We're discussing the definitive writers of each decade in China's 20th century. Along the way, you'll get a mini tour of modern Chinese history, and see how literature played a part in its development. 

This week? See how Wang Guowei and Wu Jianren were the writers who defined the last imperial decade in Chinese history.

We said we'd post something on the 24th, didn't we? And here it is. Just a friendly chat about some of the things that have changed for the podcast, and for us as podcasters and scholars.