Changeling the Podcast – Details, episodes & analysis

What is love? (Baby, don't hurt me!) In the context of tabletop RPGs, sex and relationships and all the matter around them can be tricky business to navigate for players and Storytellers alike. In the context of romance and Changeling, there are all sorts of specific considerations to think about. What are the norms of chivalrous courtship in this or that noble's jurisdiction? How do cantrips complicate physical pleasure and emotional fulfillment? Can a redcap truly feel love? Questions of this sort abound in the pages of the supplements, as it sometimes seems like every other characters has some kind of sexual or romantic thread to their story. This episode is not an exhaustive treatment of everything that might come up in the game... but we try to cover some important topics and give some pointers about handling at the table.

As for links...! We alluded to the recent episode at our sibling-show, Mage: the Podcast, on this topic; check it out at https://magethepodcast.com/adding-romance-to-games-with-friday-stout-and-sebastian-yue/. We made reference as well to our Session Zero episode (https://changelingthepodcast.com/podcast/episode-38-session-zero/) on hashing out discussion around sensitive topics before you jump into a chronicle. And as usual, you can reach out to us strictly platonically at:

• Discord: https://discord.me/ctp
• Email: podcast@changelingthepodcast.com
• Facebook: https://www.facebook.com/profile.php?id=100082973960699
• Mastodon: https://dice.camp/@ChangelingPod
• Patreon: https://www.patreon.com/changelingthepodcast
• YouTube: https://www.youtube.com/@ChangelingThePodcast

Josh Hillerup (any pronoun) theorizes that non-binary polycules are held together by them-ical bonds. Pooka G (any pronoun/they) prefers to get to know people in the deuterocanonical sense.

Love, love is a verb; Love is a doing word Fearless on my breath— —Massive Attack, "Teardrop"

Changeling: the Dreaming's tagline is as a "game of modern fantasy", and it deals with folklore, epics, and magic... so when you talk to most people about it, they rarely bring up science fiction as a genre that the game ties into. We beg to differ. Dreams of technology, visions of futures utopian and dystopian alike, the consequences of humankind's hubris, and alien anxiety all fit very neatly into the setting. We're taking the opportunity to discuss how you might incorporate some of sci-fi's themes and ideas into your game, both generally and specifically. As with most such discussions, the topic is waaayyyy bigger than we could cover in a single episode, but we hope that this tip of the asteroid—along with the many media we name-drop throughout—will serve as inspiration for you to make your game as bombastically SCIENCE!-y as can be.

One of those name-dropped texts is the noteworthy homebrew Countless Dreams, available on the Storytellers' Vault at https://www.storytellersvault.com/product/314491?affiliate_id=3063731. Do consider giving it a flip-through and seeing if it's your kinda thing! And while you're clicking around on the intertubes, you might as well scope out some of our online presence as well:

• Discord: https://discord.me/ctp
• Email: podcast@changelingthepodcast.com
• Facebook: https://www.facebook.com/profile.php?id=100082973960699
• Mastodon: https://dice.camp/@ChangelingPod
• Patreon: https://www.patreon.com/changelingthepodcast
• YouTube: https://www.youtube.com/@ChangelingThePodcast

Josh Hillerup (any pronoun) keeps appointments in stardates to three decimal places. Pooka G (any pronoun/they) built an ansible but couldn't connect it to 5G, so the superluminal calls keep dropping.

It is said that science fiction and fantasy are two different things. Science fiction is the improbable made possible, and fantasy is the impossible made probable. —Rod Serling

Yes, we already did an episode on those long-suffering boggans, but don't you think they deserve another? Having dealt with the fanmade "old" Kithbook: Boggans previously (check out https://changelingthepodcast.com/podcast/episode-77-old-kithbook-boggans/), we are now moving on to the new Kithbook: Boggans, released as a Kickstarter goal for C20. In the spirit of the older editions' kithbooks, the text deals with boggan history and society, some famous examples of their kith, and tidbits of lore for the discerning crafty-fae. This rounds out at last the full set of kithbooks from the original commoners (because the sidhe had plenty of their own books already), and also our slate of Lost in the Library episodes before our summer hiatus...! So we hope this will tide you over for book content, for the time being.

You can purchase the book at: https://www.storytellersvault.com/product/242685?affiliate_id=3063731

Feel free to stop by our other spaces online, as long as you wipe your feet first:

• Discord: https://discord.me/ctp
• Email: podcast@changelingthepodcast.com
• Facebook: https://www.facebook.com/profile.php?id=100082973960699
• Mastodon: https://dice.camp/@ChangelingPod
• Patreon: https://www.patreon.com/changelingthepodcast
• YouTube: https://www.youtube.com/@ChangelingThePodcast

Josh Hillerup (any pronoun) judged the Craftlympics this year and doesn't regret giving a "3" to that one wilder; they know who they are. Pooka G (any pronoun/they) wonders if the Wife of Bath would be on Tinder.

It's a dangerous business, Frodo, going out your door. You step onto the road, and if you don't keep your feet, there's no knowing where you might be swept off to. —Bilbo Baggins in J.R.R. Tolkien, The Lord of the Rings

This episode we'll be talking about The Autumn People, which gave extensive information and options about Banal antagonists for Changeling as part of White Wolf's first annual event, 1995's "Year of the Hunter." It's a short book, but densely packed with information, as well as some curious layout choices. Overall, it did its job of pushing out the boundaries of the game world, even if some of the text was left out by accident (and errata'd later), and other parts are a bit difficult to parse. Our conversation centers on the various ways that the Autumn People, Dauntain, and other Banal things are presented, and how they might be useful in a game.

One of the hallmarks of this book is how there are numerous ways to divide up the Banal antagonists (Bantagonists?): mortal vs. fae, aware vs. unaware of other fae, passive vs. active, etc. Here's a graphic that hopefully will illustrate at least some of the many options the book introduces, which may or may not be diegetic and/or in-character; it's hard to tell at points.

If you're slightly baffled by this, don't worry! We were too. Suffice to say, whatever particular spin you want to put on the Autumn Person in your chronicle, chances are this book gives it at least one label.

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There are a range of abilities that these antagonists possess. The Banal Chimera have Redes that can inflict Banality; Autumn Fae get Agendas; Dauntain get Stigmas, in addition to their (possible) retention of Arts and Realms. But then, Mundane (human) Autumn People also get little blindsiders like this:

Any time a changeling comes into direct contact with an Autumn Person, the Storyteller may decide to check and see how the character is affected. This is done by rolling the Autumn Person's Banality against a difficulty of the character's Glamour. Each success causes the character to gain a point of temporary Banality. The Storyteller may choose to make this roll at any time in which the character has contact with the Autumn Person; additionally, this roll may be made multiple times if the character remains within the vicinity to the Autumn Person in question, though care should be taken that it is not overdone or the character will soon be lost to Banality.

Given that Autumn People have Banalities of 8 or higher, and changelings tend to have Glamour in the 4 to 6 range, getting four or five successes on this roll is not unlikely. And that means four or five points of Banality just from bumping into (for example) an overprotective mother or restrictive librarian. No wonder changelings were seen as imploding at the slightest whiff of stasis in 1st edition.

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On that subject, here's some shameless padding for the show notes in the form of a poem by Mark Strand that is, well, a little bit peculiar, but also has some nice pooka vs. librarian vibes:

Eating Poetry by Mark Strand Ink runs from the corners of my mouth. There is no happiness like mine. I have been eating poetry. The librarian does not believe what she sees. Her eyes are sad and she walks with her hands in her dress. The poems are gone. The light is dim. The dogs are on the basement stairs and coming up. Their eyeballs roll, their blond legs burn like brush. The poor librarian begins to stamp her feet and weep. She does not understand. When I get on my knees and lick her hand, she screams. I am a new man. I snarl at her and bark. I romp with joy in the bookish dark.

And just to end this post, here's an art piece from the book that shows an owl pooka becoming Undone, which apparently means his hair gets bleached out, his pupils and mouth go grey, and his brain gets filled up with math. Still, it's a cool picture; there's a lot of surprisingly good art in this book about the folks who would probably prefer to erase all creativity from existence.

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Josh Hillerup (he/him) is wanted for the theft of sixteen family-size jars of applesauce from the local commissary.

Pooka G (any pronoun/they) can neither confirm nor deny their whereabouts during the hour when all of the reptile house cameras were switched off.

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"Life is intrinsically boring and dangerous at the same time. At any given moment the floor may open up. Of course, it almost never does; that's what makes it so boring." —Edward Gorey

(psst! email us at podcast@changelingthepodcast.com if you want) (and join our Discord at https://discord.gg/SAryjXGm5j !) (support us on Patreon! it's now live at https://www.patreon.com/changelingthepodcast)

Another special guest joins us this week! Josh Heath from Werewolf: the Podcast is here to talk about Werewolf: the Apocalypse and its synergies with Changeling: the Dreaming. What are some of the similar themes? Do the Garou and Kithain have shared history to call out? How should one set up a crossover between the two? We tackle these questions and more, and natter for a bit about the Auspice we'd all be (because WtA astrology is a thing).

One of the interesting bits of connective tissue between WtA and CtD to bear in mind is that characters in each can often do similar things, but from different perspectives (metaphysically, spiritually, grammatically, etc.) Various kiths have the ability to change shape, as the Garou and other Changing Breeds do, but they're rarely doing it to go into battle or even commune with their nature. Delirium hides the actions of the Garou as a remnant of primal human terror; the Mists hide the actions of the fae as a form of preservation (and maybe also a bit of human terror). Each group has an otherworld they can enter with relative ease—though stepping sideways is usually simpler—and with which they have a deep spiritual connection. But those realms are entirely different in terms of their atmospheres, level of danger, their denizens, and the lessons they teach. Maybe most importantly, both groups lean heavily into the importance of social (Title/motley and Rank/pack) and familial (Kinfolk and Kinain) ties, but have very different structures for dealing with both their fellow supernaturals and mortal Kin.

There are also lots of points of similarity. There are redcaps as bloodthirsty as any Ahroun, raiding a Pentex facility is something many changelings will support just as much as a werewolf, and songs and epic tales are arguably essential to the survival of both. Aside from the mechanics that have to be organized for a crossover game, bearing thematic links like these is important to have the game feel right. Players can explore what it means to their characters to see their comrade doing the not-quite-same thing as they do, and consider whether it's an opportunity for one or both of them to grow a bit.

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Among the X20 books, there's more about crossovers in C20 than W20 (Werewolf mystics "can apparently travel to Arcadia"?? but changelings who go with them fall into Malfeas??) (these are not recommended as story elements for your game), but more solid material can be found in the older books. Some assorted tidbits that might be helpful:

• While C20 has walked this back a bit, traditionally the Black Spiral Dancers have had dealings and occasional alliances with the Shadow Court.
• There are three Fianna Kinfolk families (two of Irish background, one of Breton) called "The Kin" who have high rates of werewolf and fae blood in their lineage. 3 out of 10 of their children are Garou (triple the rate of most Kinfolk families), 1 to 3 out of the remaining 7 will be Kithain, and the rest are likely to be Kinain (in addition to Kinfolk).
• A Fianna elder apparently lives at Caer Palisades and is Queen Mab's advisor on Prodigal affairs in the Kingdom of Apples.
• House Balor insists that the fomori are not the Fomorians or their agents, and are only threats to Prodigals; they would know the difference.
• We talk about why the Get of Fenris despises the fae (especially sidhe) so much in the episode, but trolls and the Nunnehi are specifically exempt from their ire.
• In addition to the other Changing Breeds mentioned in the episode (Ananasi, Bastet, Corax, Rokea), the Kitsune and the Nuwisha are popular crossover choices, due to their tricksiness.

And on top of that, we do have an upcoming episode about Rage Across Appalachia, the specific Werewolf/Changeling crossover book! (Spoiler: it's mostly Werewolf.)

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Some places online where you can find Josh and his work:

• Werewolf: the Podcast feed (https://keepontheheathlands.podbean.com/)!
• ...as well as its Twitter (https://twitter.com/podcastwerewolf) and Facebook (https://www.facebook.com/werewolfthepodcast/)
• We should also use this as an opportunity to once again shout out Mage: the Podcast (http://www.magethepodcast.com), of which Josh is technically a host...
• ...but also, for all things Trinity Continuum related, check out the OpCast (https://anchor.fm/opcast/)!
• Stealing shamelessly from the show notes of Mage: the Podcast's chat with Josh, here's a list of the many projects he's contributed to on Storyteller's Vault
• Josh can also sometimes be found in various places on Discord, distributing truth and beauty about the Garou Nation like a Jaggling in the night

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Josh Hillerup (he/him) asks, "Werewolf?"

Pooka G (any pronoun/they) responds, "There. There, wolf. There, castle," thinking Josh wanted to talk that way.

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"The dream is not like the world of flesh... Here the same hunt can have many endings." —Hopper in Robert Jordan's The Dragon Reborn

(psst! email us at podcast@changelingthepodcast.com if you want) (and join our Discord at https://discord.gg/SAryjXGm5j !)

As we enter the Seelie half of the year, it's time to talk about Freeholds and Hidden Glens, which gave us seven thorough descriptions of the spaces where changelings get together for the doing of all manner of sundry things. Each of the freeholds is rather different, offering a range of ideas and story setting possibilities for a game. Each of us were rather partial to one or two of them, but we'll let you be the judge of which ones sound the most interesting...

Something that came up briefly in the discussion (but will not be expanded here to the voluminous amount it could be) is Stephen King as a point of reference for the trope of semi-conscious places, most of which turn out to be creepy. This is slightly different than what you'd usually get with Haunts in Wraith, where the spookiness of a haunted house or wherever gets mostly attributed to the presence of the ghosts. But when the place itself begins to take on an intelligence of its own, that's another matter entirely. Works by King like The Shining and perhaps Rose Red have this thread of a place becoming corrupted by the violence or evil deeds that took place there, which causes it to gather a malevolence of its own, which leads to more such deeds, making the place stronger.

It all seems very darkly Glamourous. But this isn't unique to horror literature, and obviously folklore is thick with mythology and superstition about the relationship between past events and present influences in specific locations. You could easily set a scene in a place that causes people to become joyful, or lustful, or whatever. The Dreaming is brimming with emotion, so it's not unreasonable that places in close contact with it, freeholds or otherwise, would have an outsize influence on the feelings of those who enter them. If the building or glade or skate park or whatever is set up as antagonistic to a motley as well, it presents slightly more of a puzzle for players: how do you fight a landscape? How do you reason with geography? How do you prevent yourself from becoming sucked into its emotional vortex when you enter to rescue the childling/find the Treasure/defeat the nocnitsa?

Ghost stories do not have a monopoly on these topics, and folding them into your chronicle can be a clever way to give changelings something a little more nebulous to deal with. But equally, it's fitting for the themes of the game; that uncertainty and sense of being out of place, what theorists since Freud have called the uncanny, reminds us that sometimes the horror in a faerie-story is from the sense that your surroundings are just somehow, indefinably wrong. Food for thought!

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It's always nice to see White Wolf folks poking fun at each other with their writing, and sometimes the artwork...

So, one of the freeholds, Gangster's Hideaway, is situated along a trod where all the abandoned objects in the world eventually end up (supposedly). Here we have some keys, a pen, matchbook advertising a phone sex line, a thumbtack... and a curious book buried underneath that old-school Vampire players may recognize. Because of course, if the Endless Trod is the place where all lost and abandoned junk ends up, VtM books will and should be there.

(J/k, VtM players. <3)

Maybe that sweatstained sock is what you're supposed to use to bookmark the page with the Vicissitude 10 power.

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Josh Hillerup (he/him) can't find the microfilm, and he's meeting his contact at midnight. What to do?

Pooka G (any pronoun/they) couldn't think of much to write for this week's show notes, because Beltaine was off the hook and life is tiring. Next time, Gadget.

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"The house shelters day-dreaming, the house protects the dreamer, the house allows one to dream in peace." —Gaston Bachelard

(psst! email us at podcast@changelingthepodcast.com if you want) (and join our Discord at https://discord.gg/SAryjXGm5j !)

This week, we're taking a look at the (debatable) "first chronicle book for the World of Darkness", Immortal Eyes: The Toybox (not to be confused with its tie-in novel, The Toybox) (things gets complicated sometimes). The first in a trilogy of game supplements that follows the oathmates of the Immortal Eyes storyline, this is primarily a Kithain's guide to San Francisco and the Bay Area, with a few stories baked in that STs can run for their group. Although a lot of the setting information has been superseded in the last 25 years—and much of it is freely available online—there is enough depth of detail and hooks to grab onto for current groups to find some use. We highlight some of the bits we find most useful in this episode, so... give a listen!

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One topic that came up early on in our discussion is tourism with relation to Glamour and Banality. Could a visitor to San Francisco seeing the Golden Gate Bridge for the first time generate Glamour, or does it simply add to Banality, flattening the rich tapestry of the city into icons to be checked off a list? Is it both, or neither? Does it depend entirely on the tourist, or possibly the landmark? There aren't any hard and fast answers in the books (that we can think of at the moment), but it's an interesting avenue of thought to wander down. As always, it raises the question of the relativity of Glamour and Banality, and might demonstrate that while Glamour is volatile, ephemeral, localized, and situational, Banality is more numbing, creeping, spreading, and generalized. We'll keep an eye out for other bits in the books that give more substance to this discussion, since it would be significant for groups running their game in a major city with lots of visitors. (Lookin' at you, NYC.)

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Late last year, Pooka published this homebrew Changeling book! It was simultaneously written to be an homage to this supplement, an update to some of the setting, a clunky pun, and an excuse for coming up with selkie business (since they make their first appearance in this book). It's available on Storyteller's Vault here: https://www.storytellersvault.com/product/375875/. Proceeds go to the medical fund for Nicky Rea, Changeling author emerita, so please consider having a browse and a purchase for a good cause. <3

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Josh is a fan of the October Daye series of novels by Seanan McGuire, as surely some of our listeners also are. (They are on Pooka's ever-lengthening to-read-someday list.) He muses that the author might have been directly inspired by CtD and/or this book, because they are set in a fae-inflected San Francisco with a changeling protagonist. There's a bunch of great inspirational reading material for the city as a whole, but this might be a particularly useful series to pair with The Toybox supplement, for a more contemporary urban fantasy feel for the place. If you like them, there are currently sixteen novels in the series—the most recent just came out!—and numerous stories, novellas, etc. McGuire has scored a few Hugo nominations for the series as well, which is a good sign.

The official publisher's page is: https://www.penguinrandomhouse.com/series/BK8/october-daye.

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The recording of this episode took place less than 24 hours after Pooka had returned from San Francisco for their first proper voyage in years. While we might be past the era of your parents renting a slide projector to inflict photos from the family vacation on everyone using a sheet hung over the living room windows (#Banality), here are a few hastily-snapped moments for your perusal and edification:

The Japanese Tea Garden—a freehold, according to the Toybox supplement!—is one of my favorite spots in the city. I like to sit and meditate there; it's astonishing how much passers-by shut up when they see someone sitting with their eyes closed in that space.

There's something indescribably powerful and mournful about being in the AIDS Memorial Garden, and seeing all the names etched into the stone. On this visit, my attention was especially captured by this particular note about Douglas Watson and Larry Silva, "who met the day humans walked on the Moon," given that event's connections to Changeling's story.

For the Easter season, this one house had some kind of ostrich made of forged metal scraps on which they had placed bunny ears and a basket. Typical décor for the area. And along Macondray Lane, there are these disembodied trousers hanging out with plants growing out of them, which feels like a chimerical representation of something, or possibly some really messed-up Inanimae.

Haight Street was the epicentre of the hippie movement, they say, and is the first setting we get (in the first corebook sample adventure) for Changeling. It's presented in pretty loving detail, and yet the last few decades have seen the neighborhood gentrify like so many other spots in the city. There are still some old head shops and clothing stores and whatnot, but then you have—for example—banking conglomerates trying to capitalize on the cultural cachet of the area. It's pretty gross.

Less gross—some truly astonishing views after you've climbed some of the holy-Christmas-what-even-is-that-hills. On the right, here's a view of Alcatraz from Russian Hill. No particular vantage point, just some random sidewalk, and you still get that vista.

One of the things I included in my selkie book above are these little faerie doors that are scattered at hidden points throughout the city. I found one my first day down the street from where I was staying and felt, yes. I chose the right place. (In my conception, there's a secret network of trods through the Bay Area that is much less onerous to travel than the local BART system.)

And then, I also talk about this Poet's Chair at City Lights Bookstore, where I've sat for many an hour browsing poetry, as a Treasure that cures writer's block. I think this is kind of how Changeling settings and adventures accrue: you remix the personal experiences and moments you've had with Glamour and situate them in these broader ideas of creativity, passion, activity, etc. Then you set them up against their contrasts, be they hard expressions of Banality or other forms of Glamour or just everyday life, dump the characters in, and you're off and running.

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Josh Hillerup (he/him) is deeply committed to the advancement of the croissant as a fashion accessory.

Pooka G (any pronoun/they) has all the tight-spot gumption and four-bit moxie of a ragamuffin turning handsprings down Baker Street.

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"It's an odd thing, but anyone who disappears is said to be seen in San Francisco." —Oscar Wilde, The Picture of Dorian Grey

(psst! email us at podcast@changelingthepodcast.com if you want) (and join our Discord at https://discord.gg/SAryjXGm5j !)

Herein we talk about the first proper supplement for Changeling: the Dreaming, 1995's Book of Storyteller Secrets (not to be confused with the identically-named supplement for Vampire: Dark Ages the following year). Following hard on the heels of the corebook, Changeling's BSS clocks in at 64 pages, most of which are taken up by a jump-start adventure that's largely separate from both the overall metaplot of the world and the Immortal Eyes chronicle that shaped a lot of the early supplements. There are also a few pages of crossover rules which, as we discuss, are kind of... just there.

The BSS also came with this swanky Storyteller's screen:

Disclaimer: the story in the book is heavily centered around mental health, forced committal to an institution, and similar psychological issues, which may not be for everyone. (For listeners: we discuss these pretty directly starting around the 18 minute mark and 45 minute mark of the episode, if you want to kind of skip over a few minutes at those points.) But it's also worth saying that this is a theme deeply embedded into the game, especially its first edition, and a prime example of how Changeling handles "darkness" as a concept. It's a more subtle, personalized kind of horror than the gore or edgelordiness that people often point to when they talk about WoD games as a whole; arguably, that makes it more insidious, and many people are less practiced in examining it.

Aside from this book, we also briefly discuss the Player's Kit, which is basically a pamphlet of kith-specific Bunks for each level of each Art (all six, at that point). The Kit also comes with a full-color pad of character sheets that are too pretty to use, really, and some additional templates for your cantrip cards. On that note...!

Here are some of the cards Pooka managed to get their hands on, purely for the purposes of this episode. It's more of a historical curiosity than anything else, but we stand by our overall assessment of them as a concept: quirky and pretty as artifacts, clunky and unnecessary for the actual playing of the game. (There is an undeniable twinge of Glamour when riffling through them, though... connecting with the past, etc.)

This is most likely the closest we'll ever get to an unboxing video on this podcast, but never say never, right?

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Josh Hillerup (he/him) rides a friendly tardigrade to work each Thursday.

Pooka G (any pronoun/they) can tune a piano, but can't tuna fish.

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"One can't build little white picket fences to keep nightmares out." —Anne Sexton

(psst! email us at podcast@changelingthepodcast.com if you want) (and join our Discord at https://discord.gg/SAryjXGm5j !)

Our first interview episode! This time around, we are chatting with noted White Wolf figure Ian Lemke. After helping to develop the Mind's Eye Theatre LARP system, he was tapped as an author and the first developer of Changeling: the Dreaming, which he steered through its formative years—note that the cantrip cards were not his idea. In this conversation, Josh and Pooka talk with Ian about his early involvement with White Wolf, some of the inspirations and conversations around the creation of Changeling, and what it was like to be involved in those halcyon days...

After parting ways with the company not long before Changeling was wound down prior to the rest of the World of Darkness, Ian worked in a few jobs before coming back to the TTRPG industry a few years ago, just in time to help out with Changeling's 20th Anniversary Edition. Some of his other recent/upcoming projects include developing the Expanse RPG for Green Ronin, the Talisman Adventures RPG*, and Nevermore, an "American Gothic Horror" RPG from his own Nepenthe Games.

* side note from Pooka: if you never played the 80s Talisman game, also known as "no, the other game from Games Workshop," this is the glorious chonky box from the 2nd edition, which sat on the games shelf in my childhood home:

It was one of those ultra-generic 80s fantasy games that you could just keep playing forever, for example if you and your siblings had nothing better to do before you had the internet and you'd run out of money for the game shop, so you just kept adding characters and circling the board, keeping each other from winning. It was like the Monopoly of fantasy board games. Weeks. Months, in one infamous case (well, in my house, anyway). Did we tire of the official game expansions to the point that we made our own? Yes, of course we did.

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This will almost certainly have to be an episode of its own at some point, especially since it's one of the most contentious topics among fans, but it came up in our conversation, so—you heard it here, from the developer himself. Science does not have to be Banal. Ian makes the good point that what's Banal is when people's dreams of science, and technology for that matter, are crushed by the reality of doing the various forms of structural tedium that have been created around it. Grant applications, spreadsheets, and just gruntwork will all very quickly drain the wonder out of creating technological marvels or uncovering mysterious phenomena.

The same is true for many non-scientific pursuits as well, of course. And certainly there is Banal science, and science whose application has caused mostly problems for the world. But it seems like it gets a worse rap in early WoD than most of the other things for which we could raise this debate. Maybe it's because as a set of disciplines, it tends to be seen as more inscrutable or more separated from the everyday public; people don't always get to see the science itself or how it directly (and hopefully positively) impacts their lives, in the immediate, emotional way that the arts very intentionally try to showcase. Part of this is why things like science museums, public demonstrations, and The Magic School Bus are so important. Keep science alive, because science is great! It's the greed and paperwork that has to go.

/soapbox

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Herewith some links and things!

• Ian's Twitter Page (https://twitter.com/theianlemke)!
• ...and Patreon (https://www.patreon.com/ianlemke), where you can see and support several examples of the aforementioned RPG projects
• his own outlet, Nepenthe Games (https://nepenthegames.com/), where you can keep up on the latest Nevermore news
• ...and the Nepenthe Twitter (https://twitter.com/NepentheGames)!
• Ian's author page for Green Ronin (https://greenronin.com/blog/author/ianlemke/)
• a small collection of information about Talisman Adventures (https://www.talismanisland.com/category/talisman/rpg/rpg-rpg/)

Otherwise, keep your eyes peeled on the trods for him...

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Josh Hillerup (he/him) was once spied emerging from the sewers under Parliament with a hatbox mysteriously similar to that reported purloined by the then-Premier.

Pooka G (any pronoun/they) walks the left-hand path of more pastries than any body should reasonably contain, and if it means damnation, then a sweet damnation it shall be.

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"Those who dream by day are cognizant of many things which escape those who dream only by night." —Edgar Allan Poe, "Eleonora" (psst! email us at podcast@changelingthepodcast.com if you want)

This is the first of our deep dives into the individual books for Changeling, so naturally, we're starting at the beginning, with the First Edition corebook. Released in July 1995, it was the last of the original lineup of five games for the World of Darkness. We go through each section of the book in detail, discuss it both in the context of its original release and the more recent editions, and talk about various themes and ideas that the text summons up. (Because the book is just short of 300 pages, this is also our longest episode by a wide margin... for now.)

Briefly, here are two examples of the full-page spreads that make up the book's prologue:

Given how the World of Darkness books are kind of grim and gritty, printed in black and white, the use of these photographs as both diegetic texts (the pages contain information about the game setting, written by one of the metaplot characters to another) and an aesthetic choice (note the signed photograph of Dr. Julian Bashir, emphasizing the 90s-ness of these pages) creates a marked contrast to the other lines. That's Changeling—starting off with a bang.

As for the other art in the book: some of the most iconic pieces are the diTerlizzi kith portraits used at the start of each chapter, which eventually became the covers for the kithbooks. But then there are things like a somewhat cartoonish satyr and sidhe (possibly) about to have a tryst. Sublime to puzzling and everything in between.

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Speaking of Dr. Bashir, some thoughts from Pooka that got cut from the episode...

To me, there are some interesting parallels between the editions of Changeling and the Star Trek franchise. In the same way that the Original Series had its grognards from 20 or so years before the Next Generation came out, 1st edition Changeling is already set against a backdrop of a 20-year-old metaplot: the Resurgence and Accordance War. The characters, as a new generation of Kithain, are still positioned against that inherited history, which defines so much of the setting.

Then you get 2nd edition, which complicates and develops the setting, moving away from the general-backdrop setting to a specific metaplot arc: the disappearance of High King David. Like Deep Space Nine (or Voyager, I suppose), following hard on the heels of TNG, there is a single continuous story arc that structures everything in the game for that era. And after a gap of several years without any active shows, C20 has come back to heavily re-invent the game—as Discovery, Picard, and Lower Decks have done, creating an entirely new audience (and potentially a new set of grognards, for those who are now 20+ years out from TNG, DS9, and Voyager).

I don't know that the "edition wars" of Changeling get quite as vicious as the flame wars Trekkies sometimes engage in, but it's interesting to think about. This is going to stick in my brain like a piece of taffy on an August day.

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Briefly, here's how the cantrip system worked in 1st edition:

1. You have bought cantrip cards in packs of 10 and/or photocopied the template at the end of the corebook and filled them in. These are divided into individual levels of Arts and Realms, Bunks, Nightmares, and Treasures. They are also collectible, with over 160 different illustrated cards.
2. The Art and Realm cards go into your hand, and correspond to the dots in each you've bought and listed on your character sheet. A number of Bunks equal to the total number of dots in Arts you have get shuffled into a deck.
3. You cast a cantrip by choosing the appropriate Art and Realm from your hand and placing them in front of you, then drawing a Bunk card. (You can spend Glamour to draw additional ones.) Each Bunk involves performing a specific action, and limits the number of successes you can gain on your cantrip roll.
4. The actual cantrip roll is determined by the Attribute associated with the Art + the Ability associated with the level of the Realm you have, against a difficulty of the target's Banality.
5. Failing the roll gives you a temporary point of Banality or puts a Nightmare card into your Bunk deck; botching gives you a permanent point of Banality. But, if the Bunk card matches the Art of the cantrip, you get a bonus success.
6. All the cards except one are returned to where they came from; Arts and Realms go back in your hand, Bunks get shuffled into the deck. You can only regain all your cards after a "deep, satisfying and prolonged rest"—the book specifies that this occurs between stories, i.e., only after several game sessions—or by engaging in Reverie or Rapture (not Ravaging), which refreshes a number equal to the Glamour you gained...

Beyond this, there are additional rules about how oathmates can share and trade cantrip cards, successes being automatically determined by the Bunk card when they're used in a freehold/on an enchanted being or chimera, changelings invoking Banality to resist a cantrip... and remember, you should be out there, buying packs of cards to shore up your deck! If it's not already apparent why this system didn't make it past the corebook (and indeed, the corebook itself has an alternate dice system), we're not sure how much clearer we can make it. But vestiges of it continue to pop up throughout 1st edition books, so we have to deal with it.

As game props, they can be fun. As a necessary part of the already-complicated system of cantrip casting, they are punitive, confusing, and frustrating, so... best left out altogether, probably.

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There's plenty to love about 1st edition, and the corebook does a nice job of setting up themes and moods, foregrounding storytelling over mechanics, and introducing a number of concepts that are helpful for getting into the spirit of the game (and in a few cases, never appear again). As introductory books go, it's a friendly and colorful one on the surface—but still with plenty of depth and complication underneath.

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Josh Hillerup (he/him) believes in the saving power of disco.

Pooka G (any pronoun/they) smells vaguely of fresh caramel and stale dreams.

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"What else is a story but a dream that has been shared with the world?" —Joanne M. Harris, Honeycomb (psst! email us at podcast@changelingthepodcast.com if you want)