Explore every episode of the podcast Brick Podcast

Anna Lee-Popham reads “These Malignant Years” from Brick 112. . . .

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Jan Zwicky reads from “George Whalley’s Contemplative Mind” and Robert Bringhurst reads from “The Bookseller,” both pieces from Brick 113. With an introduction by Brick publisher, Laurie Graham. . . .

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Robert Bringhurst reads “Life Poem,” In memoriam Stan Dragland, from Brick 111. With an introduction by Brick publisher, Laurie Graham. . . .

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In this episode, contributors read excerpts from their pieces that appear in Brick 111. Karen Benning reads from “A Little Globule of Silver,” an essay that explores her relationship to the element lithium, both a basic ingredient of our planet . . .

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  We end our three-part series, Writer to Writer, with a conversation between Brick issue 106 contributor Cason Sharpe and novelist and Brick editor David Chariandy, which covers topics as wide-ranging as mentorship among generations of BIPOC writers in . . .

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  In the second episode of our three-part series Writer to Writer, poet and Brick issue 107 contributor Erica Violet Lee speaks with poet, professor, and author of The Dyzgraphxst Canisia Lubrin on writing against colonialism and capitalism, accepting . . .

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  The first episode in our special, three-part Writer to Writer series has writer Troy Sebastian turning the tables on the host of CBC’s Writers and Company and long-time Brick contributor Eleanor Wachtel in an interview about how she got . . .

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Brick publisher Laurie Graham speaks with poet Sharon Olds to discuss everything from Olds’ strict religious upbringing to looming environmental catastrophe. They consider how even the most difficult or seemingly private things about us has the capacity for poetry. . . .

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In this episode of Brick Podcast, Souvankham Thammavongsa pushes back against being underestimated. She discusses her new short story collection How to Pronounce Knife, her Randy Travis fandom, and giving Little Red Riding Hood a brand new ending.   . . .

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Brick editor Liz Johnston in conversation with Amitava Kumar to consider the nature of memory, the interplay of fact and fiction, and the power (and limitations) of the written word. This interview was conducted pre-pandemic, so no social distancing was . . .

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