Book Fight – Details, episodes & analysis

We're back! This episode kicks off a new season of the podcast, and this one's all about noir. In our first installment, guest Sarah Weinman (author of Scoundrel, and The Real Lolita) joins us to discuss a Patricia Highsmith novel, The Blunderer, about a rather hapless man who, despite not actually killing his wife, manages to convince nearly everyone that he has.

If you like the show, and want more of it in your life, consider subscribing to our Patreon, where during this season we'll be watching a series of noir and neo-noir films, including Double Indemnity, The Third Man, Blade Runner, and more. Five bucks a month gets you those bonus episodes, plus access to our entire back catalog of bonus material: https://www.patreon.com/c/BookFight

Thanks for listening!

In the final episode of our "marriage plot" season, we welcome fan favorite Dave Housley (author, most recently, of The Other Ones, and founding editor of Barrelhouse Magazine) to talk about a book that updated the 19th-century marriage plot novel for the 1990s: Helen Fielding's Bridget Jones's Diary.

Dave had seen the movie version of the novel multiple times. But none of us had ever read the novel, which began as a jokey column in a London newspaper. We talk about the book's quirky voice, which of its jokes still land in 2024, and whether our culture's attitudes toward diet and body image have changed significantly in the last few decades. Plus: Dave's advice to Mike for marital harmony, and is author Matthew Quick part of the sprawling QAnon conspiracy?

You can learn more about Dave, and his books, at his website: https://housleydave.com/. And keep up with all things Barrelhouse here: https://www.barrelhousemag.com/

If you like the podcast, and would like more of it in your life, please consider subscribing to our Patreon: https://www.patreon.com/BookFight

This is the eighth and final episode in our "marriage plot" season, which means we'll be taking a break until our next season drops, sometime in the fall. But we'll continue to post new episodes every two weeks on our Patreon, including our ongoing Hunt for the Worst Book of All Time, and our deep dive into the fictional portrayal of writers in movies and TV shows. If you have ideas for Patreon episodes, please don't hesitate to reach out!

And, as always, thanks for listening!

We're joined by Sal Pane--author, most recently, of the short story collection The Neorealist in Winter (winner of the 2002 Autumn House fiction prize) to discuss a pair of novellas by Italian writer Natalia Ginzburg. Plus: writing for video games, surviving winter, and cuffing season.

For more about Sal, and his books, visit his website: https://salvatore-pane.com/

If you'd like more Book Fight in your life, consider subscribing to our Patreon, where $5 gets you two bonus episodes each month, including throughout our upcoming hiatus: https://www.patreon.com/BookFight

Thanks for listening!

This week's episode asks the question: Why aren't conservatives funny? Or, put another way: Didn't conservatives used to be funny? At least some of them? And could they ever be funny again?

More specifically, we revisit a P.J. O'Rourke essay from 1982, in which the author takes a cruise to the Soviet Union sponsored by the magazine The Nation, and spends most of his time drinking vodka with the Russians on-board while making fun of the insufferable American passengers, who are sort of like the parents from Family Ties except with even less self-awareness. Shooting fish in a barrel, maybe, but also: what annoying fish!

If you like the show, and would enjoy having more Book Fight in your life, please consider joining our Patreon, where you'll get access to three bonus episodes a month: https://www.patreon.com/BookFight

This week we're talking about professional wrestling, essays with unusual structures, troubled father-son relationships, and what it's like to be one of the only non-white kids at your school. Plus: it's still November, which means we're digging into the NaNoWriMo forums to answer some of the internet's weirdest questions about writing a novel.

This week: writing about money and social class; righteous anger; and essays that spark actual class debate. Plus we begin out month-long dive into the National Novel Writing Month forums, to offer our (semi-solicited?) advice to this year's crop of prospective authors.

Our reading this week was "The Gifted Classes," an essay by Frances Lefkowitz. You can read it via The Sun: https://www.thesunmagazine.org/issues/325/the-gifted-classes

If you like our show, and would like more Book Fight in your life, please consider joining our Patreon, which gets you access to all our bonus episodes and also helps support the making of the podcast: https://www.patreon.com/BookFight

This week we're talking about research-driven memoir writing, books that are difficult to pin down, and what it means to say that writing feels "poetic."

Our reading was The Grave on the Wall, the prize-winning memoir by poet Brandon Shimoda, which begins with the author on a search to understand his grandfather's life.

In the second half of the show, we talk about strategies for talking about student work that might be offensive or otherwise problematic.

You can buy The Grave on the Wall here: https://bookshop.org/books/the-grave-on-the-wall/9780872867901

And if you like our podcast, and would like more of it in your life, you can join our Patreon and get regular bonus episodes: https://www.patreon.com/BookFight

This week's reading is an essay by Elena Passarello about birdsong. But it's also other stuff! We talk about writing that make you look at the world a bit differently, and writers who can make you care about things you never thought you cared about. In the second half of the show, we discuss a recent Twitter kerfuffle over writing and money and whether publishing a book can (or should) change your life.

The essay we discussed, "Of Singing," was published in The Iowa Review, but is also available in Passerello's 2012 collection, Let Me Clear My Throat, from Sarabande Books.

If you like the podcast, and would like some more of it in your life, please consider joining our Patreon, which gets you monthly bonus episodes and also helps support the making of the show: https://www.patreon.com/BookFight

This week we're discussing a piece of creative nonfiction that really pushes the bounds of the genre, imagining the effects of a California earthquake on animal and plant life, as well as several invented human characters. Daniel Orozco's "Shakers" appeared in an edition of Best American Essays edited by David Foster Wallace, but is it really an "essay"? 

In the second half of the show, we talk about strategies for running creative writing workshops. When we started teaching, we both adhered to the kinda "free-for-all" model favored in our own grad program, but over the years we've begun to experiment with more structured approaches, including tasking small groups with digging into various elements of a story or essay.

If you like the show, and would like some bonus Book Fight episodes in your life, consider joining our Patreon: https://www.patreon.com/BookFight

This week we're continuing our discussion of creative nonfiction by revisiting a classic in the genre: Joan Didion's essay "The White Album," which explores the author's experiences of anxiety and paranoia at "the end of the 60s." We talk about things we can learn from a master, and how to write essays that will age well. Plus: a Miss Manners column about famous authors snubbing an academic.

If you like the show, and you'd like to have some more of it in your life, you can subscribe to our Patreon for $5 a month and get access to our entire catalog of bonus episodes: Book Fight After Dark, where we explore various genres of romance novel, and Reading the Room, where we give writers (and readers) advice on how to live their lives.