Big Table – Details, episodes & analysis

In Evelyn McDonnell’s The World According to Joan Didion, readers will find an intimate exploration of the life, craft, and legacy of the revered and influential writer Joan Didion. As a groundbreaking journalist, essayist, novelist, and screenwriter, Didion was a writer’s writer—a keen observer of life’s telling little details. Her insights continue to influence creatives and admirers, encouraging a close observation of the world by unsentimental critics and meticulous stylists. McDonnell is an acclaimed journalist, essayist, and critic herself. A native Californian, feminist, and university professor, she regularly teaches Didion’s work and thus is well able to interpret her legacy for readers today. Inspired by Didion’s own words—from both published and unpublished works—and informed by the people who knew Didion and whose lives she helped shape, The World According to Joan Didion traces the path she carved from Sacramento, Portuguese Bend, Los Angeles, and Malibu to Manhattan, Miami, and Hawaii. McDonnell reveals the world as seen through Didion’s eyes and explores her work in chapters keyed to the singular physical motifs of her writing: Snake. Typewriter. Hotel. Notebook. Girl. Etc. Hat & Beard editor and fellow traveler Vivien Goldman introduced me to McDonnell’s work a decade ago. Being a big Didion head myself, I couldn’t wait to talk to McDonnell about this smart, elegant, and undeniably readable biography—the first published since Joan’s death in December of 2021.

We have a special edition of The Big Table Podcast on today’s episode. Presenting Adaptation, the inaugural event of a new literary salon series and collaboration between USC’s Dornsife Experimental Humanities Lab and Soho House. Adaptation will feature conversations between writers and screenwriters discussing the art of adapting books into TV and film. Up first, the Oscar-winning writer-director Cord Jefferson and the USC distinguished professor and novelist Percival Everett. Jefferson adapted Everett’s novel Erasure into the Oscar-nominated film, American Fiction, which opened in December 2023. Jefferson went on to win the Oscar for Best Adapted Screenplay a few days after this conversation was recorded. On the episode, Jefferson and Everett discuss the process of taking an experimental and innovative text like Erasure and turning it into something that honors the new form while staying true to the spirit of the original work. This is an initiative of Danzy Senna in collaboration with curator Margot Ross. We thank them both for including us in this incredible new series and for the opportunity to preserve these valuable conversations for posterity. It was a magical night in an intimate room and so we are very glad to be able to share it with a wider audience. MUSIC “I Didn't Know About You” by Thelonious Monk Composed by Bob Russell & Duke Ellington Performed by Thelonious Monk, Charlie Rouse, Larry Gales, Ben Riley

Darryl Pinckney arrived at Columbia University in New York City in the early 1970s and had the opportunity to enroll in Elizabeth Hardwick’s creative writing class at Barnard. It changed his life. When the semester was over, he continued to visit her, and he became close to both Hardwick and Barbara Epstein, Hardwick’s best friend, neighbor, and fellow founder of The New York Review of Books. Pinckney was drawn into a New York literary world where he encountered Susan Sontag, Robert Lowell, and Mary McCarthy, among many others. Yet the intellectual and artistic freedom that Pinckney observed on West 67th Street were in conflict with the demands of his politically minded family and their sense of the unavoidable lessons of black history.

Pinckney’s education in Hardwick’s orbit took place amidst the cultural movements then sweeping New York. In addition, through his peers and former classmates—Felice Rosser, Jim Jarmusch, Jean-Michel Basquiat, Lucy Sante, Howard Brookner, and Nan Goldin—Pinckney witnessed the coming together of the New Wave scene in the East Village. He experienced the avant-garde life while discovering the sexual freedom brought by gay liberation. It was his time for hope.

In Come Back in September: A Literary Education on West 67th Street, Manhattan (FSG, 2022), Pinckney recalls his introduction to New York and to the writing life. The critic and novelist intimately captures this revolutionary, brilliant, and troubled period in American letters. Elizabeth Hardwick was not only his link to the intellectual heart of New York but also a source of continuous support and of inspiration—in the way she worked, her artistry, and in the beauty of her voice. Through his memories of the city and of Hardwick, we see the emergence and evolution of Pinckney as a writer himself.

J.C. Gabel talked with Pinckney last fall to discuss his literary beginnings and the influence of Elizabeth Hardwick and her circle on his life and work. 

Reading by Darryl Pinckney. 

Music by The Joubert Singers. Remix by Larry Levan.

Known best for her exuberant, often large-scale sculptural works celebrating the abundance and complexity of female desire, imagination, and creativity, Niki de Saint Phalle viewed making art as a ritual, a performance―a process connecting life to art. In this unconventional, illuminated biography, Nicole Rudick, in a kind of collaboration with the artist, has assembled a gorgeous and detailed mosaic of Saint Phalle’s visual and textual works from a trove of paintings, drawings, sketches, and writings—many previously unpublished or long unavailable–that trace her mistakes and successes, her passions and her radical sense of joy.

Born in France, Niki de Saint Phalle (1930–2002) was raised in New York and began making art at age 23. Along with her celebrated large-scale projects―including the Stravinsky Fountain at the Centre Pompidou, Golem in Jerusalem, and the Tarot Garden in Tuscany―Saint Phalle also produced writing and works on paper that delve into her own biography: childhood and her break with family, marriage to novelist Harry Mathews, motherhood, a long collaborative relationship with artist Jean Tinguely, and her productive years in Southern California.

Nicole Rudick is a critic and an editor. Her writing on art, literature, and comics has been published in The New York Review of Books, the New York Times, The New Yorker, Artforum, and elsewhere. She was managing editor of The Paris Review for nearly a decade. She is the editor, most recently, of a new edition of Gary Panter’s legendary comic Jimbo: Adventures in Paradise.

In the interviewer’s chair this episode is writer and curator Yann Perreau, who organized some exhibitions of works by Saint Phalle. Originally from Paris, Yann now lives in Los Angeles.

Here’s Yann Perreau discussing the life and work of Saint Phalle with writer, critic, and biographer Nicole Rudick. 

Reading by Nicole Rudick

Music by Grace Jones

For Ingrid Rojas Contreras, magic runs in the family. Raised amid the political turmoil and violence of 1980s and ’90s Colombia, in a house bustling with her mother’s fortune-telling clients, not much surprised her as a child. Her maternal grandfather, Nono, was a renowned curandero–a community healer gifted with what the family called “the secrets”, or the power to talk to the dead, tell the future, treat the sick, and move the clouds. As the first woman to inherit those secrets, Rojas Contreras’ mother was just as powerful.

This legacy had always felt like it belonged to them, until, while living in the U.S. in her twenties, Rojas Contreras suffered a head injury that resulted in amnesia. As she regained partial memory, her family told her that this had happened before. Decades ago, her mother had suffered a fall that left her with amnesia too. When she recovered, she had gained access to the secrets.

Interweaving family stories more enchanting than those in any novel, as well as resurrected Colombian history and her own deeply personal reckonings with the bounds of reality, Rojas Contreras writes her way through the seemingly incomprehensible. The Man Who Could Move Clouds is a testament to the healing power of storytelling and an invitation to embrace the extraordinary.

Here’s my conversation with Ingrid, discussing her new memoir, The Man Who Could Move Clouds (Doubleday, 2022).

Reading by Ingrid Rojas Contreras

Music composed by Ennio Morricone

The Interview:

In the eyes of 18-year-old Hua Hsu, the problem with Ken—his passion for Dave Matthews, Abercrombie & Fitch, and his fraternity—is that he is exactly like everyone else. Ken, whose Japanese American family has been in the United States for generations, is mainstream. For Hua, the son of Taiwanese immigrants, who makes ’zines and haunts Bay Area record shops, Ken represents all that he defines himself in opposition to. The only thing Hua and Ken have in common is that, however they engage with it, American culture doesn’t seem to have a place for either of them. 

But despite his first impressions, Hua and Ken become friends, a friendship built on late-night conversations over cigarettes, long drives along the California coast, and the successes and humiliations of everyday college life. And then violently, senselessly, Ken is gone, killed in a carjacking, not even three years after the day they first meet.

Determined to hold on to his memories—all that was left of one of his closest friends—Hua turned to writing. Stay True (Doubleday, 2022) is the book he’s been working on ever since—for over 20 years by Hua’s estimation. A coming-of-age story that details both the ordinary and extraordinary, Stay True is a bracing memoir about growing up, and about moving through the world in search of meaning and belonging. It is also a book about friendship, race, grieving and recovery.

I first came to know Hua’s work through his music writing—first in the hip-hop column he wrote for The Wire, the British experimental music magazine, and more recently, in The New Yorker, where he is a staff writer. Hua teaches at Bard College, and lives in Brooklyn. He grew up in the Bay Area, where most of the book takes place while he is an undergraduate student at the University of California, Berkeley.

Hua and I have known each other loosely for many years—we have many mutual friends and are roughly the same age. I’ve always admired his work, and his beautifully written second book is a highpoint, jam-packed as it is with descriptive detail, a light and easy spare prose, and a meaningful account of an unlikely friendship.

Here’s my conversation with Hua Hsu, discussing his new memoir, Stay True.

The Reading:

Hua Hsu reads from Stay True, which was part of an audio zine he made to accompany the book’s release.

 

Music by Mobb Deep

 

Nick Drnaso, acclaimed author of Sabrina, is back with Acting Class, his third book on Drawn & Quarterly. A tapestry of disconnect, distrust, and manipulation, Acting Class brings together 10 strangers under the tutelage of John Smith, a mysterious and morally questionable leader. The group of social misfits and restless searchers have one thing in common: They are all out of step with their surroundings and desperate for a change.

With mounting unease, the class sinks deeper into Smith’s lessons, even as he demands increasing devotion. When the line between real life and imagination begins to blur, the group’s fears and desires are laid bare. Exploring the tension between who we are and how we present, Drnaso cracks open his characters’ masks and takes us through an unsettling American journey.

Like Sabrina—the first graphic novel short-listed for the Man Booker Prize—Drnaso’s latest offering is an extremely sharp study of our everyday existence and how we live. His minimalist comic-drawing style is nevertheless awash in a cinematic haze of melancholy and the color palette is hued in a realism that is uniquely his.  

A friend handed me Sabrina, several years ago, knowing I was somewhat of an outsider in the realm of underground comic culture, telling me, “You will love the book in the same way you love certain novels.” And he was right.

While Drnaso is revered all over the world for his bleak honestness and sly, dark humor, he grew up in the suburbs of Chicago. Although we are of different generations, the subtlety of his style is familiar to me as a fellow Midwesterner and Chicagoan.

Notably, this is Big Table’s first episode centered around a graphic novel. It’s certainly a change from our focus on nonfiction books, but Drnaso’s storytelling pulls so effortlessly from real life that one feels his characters are meta comics versions of people encountered in our everyday lives.

Here's my conversation with Nick Drnaso discussing his new book, Acting Class.

Music by Japan

In her latest book, Also a Poet: Frank O’Hara, My Father, and Me (Grove Atlantic, 2022), Ada Calhoun traces her fraught relationship with her father, New Yorker art critic Peter Schjeldahl, and their shared obsession with the poet Frank O’Hara. The book features exclusive material from archival recordings of literary and art world legends, living and dead.

Having stumbled upon old cassette tapes of interviews her father had conducted for his never-completed biography of O’Hara, Calhoun set out to finish the book he had started 40 years earlier. 

As a lifelong O’Hara fan who grew up amid his bohemian cohort in the East Village, she thought the project would be easy, even fun, but the deeper she dove, the more difficult it became: Calhoun had to confront not just O’Hara’s past, but also her father’s and her own.

The result is a kaleidoscopic memoir that weaves compelling literary history with the moving, honest, and tender story of a complicated father-daughter bond. In reckoning with her unique heritage, as well as providing new insights into the life of one of our most important poets, Calhoun has offered a brave and hopeful meditation on parents and children, artistic ambition, and the complexities of what we leave behind. 

For the Reading, Ada Calhoun reads from Also a Poet: Frank O’Hara, My Father, and Me.

Music by Ryuichi Sakamoto

**Other audio:

Frank O’Hara reads Ode to Joy:

Frank O'Hara Reads His Poems

 

In The Design of Childhood, acclaimed writer, architecture critic, and historian Alexandra Lange uncovered the histories of toys, classrooms, and playgrounds. Lange now turns her sharp eye to another subject we thought we knew. Chronicling the invention of the mall by postwar architects and merchants, Lange reveals how the design of these marketplaces played an integral role in their cultural ascent. Meet Me By the Fountain: An Inside History of the Mall (Bloomsbury, 2022) is Lange’s perceptive account of how these shopping centers became strange and rich with contradiction. In it, Lange describes America’s malls as places of freedom and exclusion—but also as places of undeniable community, and rampant consumerism.

Few places have been as nostalgized, or as maligned, as shopping malls. Since their birth in the 1950s, they have loomed large as temples of commerce. In their prime, they proved a powerful draw for creative thinkers such as Joan Didion, Ray Bradbury, and George Romero, who understood the mall’s appeal as critics and consumers. Yet today, amid the aftershocks of financial crises and a global pandemic, as well as the rise of online retail, the dystopian husk of an abandoned shopping center has become one of our era’s defining images. Conventional wisdom holds that the mall is dead. But what was the mall, anyway? And have rumors of its demise been greatly exaggerated?

Here’s Episode 40: The Big Table conversation with architecture critic, writer, and historian Alexandra Lange, discussing Meet My by the Fountain.

Reading by Alexandra Lange

Music by OMD

A 170-plus years ago, Henry David Thoreau began his legendary hermit walks in New England. Many of these walks were published later as some of his most cherished works as a naturalist: Walden, The Maine Woods, and Cape Cod.

Artist, writer and New England native Ben Shattuck does the same in Six Walks: In the Footsteps of Henry David Thoreau, published by Tin House Books, which charts six journeys taken by Shattuck, each one inspired by a walk once taken by Thoreau. 

With little more than a loaf of bread, brick of cheese, and a notebook, Shattuck sets out to retrace Thoreau’s path through the Cape’s outer beaches, from the elbow to Provincetown’s fingertip.

After the Cape, Shattuck walks down the coastline of his hometown, and then through the Allagash. Along the way, he encounters unexpected characters, landscapes, and stories, seeing for himself the restorative effects that walking can have on a dampened spirit. 

Shattuck finds himself uncovering new insights about family, love, friendship, and fatherhood, and understanding more deeply the lessons walking can offer through life’s changing seasons.

Shattuck splits his time between Los Angeles and Coastal Massachusetts, where he also runs a Davoll’s General Store in Dartmouth. 

We caught up during the Spring to discuss his first book, Thoreau and the therapeutic nature of walking.

Reading by Ben Shattuck

Music by Jürgen Müller