Sri Lankan writer Vajra Chandrasekera’s first novel, The Saint of Bright Doors, was shortlisted for or won nearly every major SFF award there is. Much of the buzz around this book circled the question:”what exactly is this?” Saints not only didn’t fulfill the expected tropes of the genre, but seemed to be actively working against them, subverting them. Vajra’s new book Rakesfall, however, makes his debut, for all its innovation, seem normative by comparison. Rakesfall is set both in an ancient mythic past and a far distant post-human future, calling into question where the past and the future begin and end. Rakesfall is a book with two characters (or maybe one) who are constantly dying and being reborn, changing names, changing bodies, where it isn’t always clear who is who, or where self and other begin and end. Rakesfall is continually changing shape, style and form, with stories within stories within stories, a rabbit hole of stories, a wormhole of stories, where you are never sure you will ever resurface into the “real world” again. Of course, we talk about form and trope and genre, but we also talk at-length about Sri Lankan Buddhism and how, as a political force, it has woven its own story into a mythos of nation-state and race. And how this very storytelling has led to violence, from the everyday and bureaucratic to outright genocide. Vajra’s books can be engaged with and enjoyed without any knowledge of this, but the more we explore his own interrogations of Buddhist hegemony in Sri Lanka the more the subtext of his books feels central, the more his subversion of form and genre feels outright political. In one of his essays he asks ‘how do we write in a monstrous world?’ How do we write toward liberation, toward solidarity, whatever the odds? Today’s conversation provides one great example of just that.
For the bonus audio archive Vajra translates an excerpt of a story by an award-winning Sri Lankan writer, a writer who, when he posted this story on his Facebook page, was arrested and imprisoned under the accusation that the story was anti-Buddhist. Vajra translates this excerpt and reads it for us while also contextualizing why he thinks this story was seen as blasphemous. To learn how to subscribe to the bonus audio archive and the other potential benefits of joining the Between the Covers community as a listener-supporter head over to the show’s Patreon page.
Finally, here is today’s BookShop.
