Explore every episode of the podcast Between the Barlines

Welcome back to Between the Barlines! It's been awhile! I've been reconfiguring my schedule for this podcast as well as recovering from some burnout. In this podcast, I talk about a concept that I just learned and needed to share with everyone: to let vs to make. In this podcast, I also speak on topics like burnout, perfectionism, emotion regulation, and pressure.

Welcome Back to Between the Barlines! I am your host, Dr. Maeve Berry! Today, we are going to continue talking about serialism, but we are going to address some other composers who latched on to Schoenberg’s new 12-tone technique. These composers did not only that, but also expanded this technique to crazy levels. We call this, total serialism. Some composers who embraced this were Milton Babbitt, Pierre Boulez, and Karlheinz Stockhausen. We will also talk about Luciano Berio in this episode.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Music mentioned in this podcast:

Babbitt Three Compositions for Piano

Boulez Structures for two pianos :https://www.youtube.com/watch?v=6sfGLoF5IUY

Stockhausen Kontra-Punkte

Stockhausen Gruppen

Berio Sequenza III for solo voice

Welcome Back to Between the Barlines! Today, we are going to speak about another composer who was particularly influential in this post-tonal timeframe that we are going through - and that was Olivier Messiaen. I know I said in the last episode we would be chatting more about serialist composers and extensions of serialism, but I think it is important that we discuss Messiaen, as many of those composers studied with him.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Music mentioned in this episode:

Quatuor pour la fin du Temps (Quartet for the End of Time)

Vingt regards sur l’enfant-jésus

Poèmes pour mi

Welcome back to Between the Barlines! I am your host, Dr. Maeve Berry! Today we have a fun episode where we are going to explore all about the composer Igor Stravinsky. I also have a special guest joining me, because I am currently in Toledo, OH where I just saw Donizetti’s Elixir of Love. Please welcome Rick Hale to the podcast!

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Music mentioned in the podcast:

Rite of Spring

Firebird

Petrushka

The Rake's Progress

Pulcinella

Requiem Canticles

Movements for Piano and Orchestra

Welcome back to Between the Barlines! Today, we move on to another genre of music that was developing in the 20th century; this was Neoclassicism. We are going to chat about specific traits of neoclassical music as well as composers who pioneered and shaped this style in today’s episode.

Welcome back to Between the Barlines! Today, we are going to chat about the other two composers from the Second Viennese School in more depth; these composers are Alban Berg and Anton Webern. We know that Arnold Schoenberg was also a part of this group of composers, so if you want to learn more about him, I suggest you listen to the last two episodes! Berg and Webern were some of his first students who got to see serialism and 12-tone technique from its inception.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Music mentioned in this episode:

Berg - Wozzeck

Berg - Lulu

Berg - Sieben frühe Lieder

Berg - Nacht from Sieben frühe Lieder: https://youtu.be/x2FpwIUMtVo

Webern - Three Little Pieces, op. 11: https://youtu.be/BzYBLDyKvYo?si=5KmEagaoKzQaEiKa

Welcome to Between the Barlines! It’s MUSIC THEORY FRIDAY! This is the first one we’ve had in a while, but I really wanted to talk about the topic we have on the docket today more in-depth. This topic is dodecaphony or the 12-tone technique. Our basic definition for this is a compositional system where all 12 notes of the chromatic scale are treated equally.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Link to analysis of Dallapiccola piece: https://drive.google.com/file/d/1HFhyGzp2qQ1QlbaFuZNxneACAZpLnADa/view?usp=share_link

Music mentioned/played in this episode:

Luigi Dallapiccola - "Contrapunctus secundus” no. 5 from Quaderno musicale di Annalibera

Schoenberg - Sechs kleine Stücke: https://www.youtube.com/watch?v=jE7RvUn1Sas

Welcome back to Between the Barlines! Today, we have another episode about a fascinating composer who was responsible for yet again changing the history of music; this composer is Arnold Schoenberg. We will learn about his compositional style, techniques, and music in today’s episode.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Music mentioned in today's podcast:

Vier Lieder, Op. 2: https://www.youtube.com/watch?v=zR3niG27Xyw

Serenade, Op. 24: https://www.youtube.com/watch?v=uG6wiQnp6pQ

Five Orchestral Pieces, Op. 16, No. 3 "Farben": https://www.youtube.com/watch?v=d4cpMepVZyc

Welcome Back to Between the Barlines! Today we are finally moving on from Modernism and will be chatting about the avant-garde. In the years prior to WW1, we were seeing a change from modernism into what we call the avant-garde. This was basically any composer who was really straying from convention.

Welcome back to Between the Barlines! I cannot wait to finally finish up our chat about modernism today! Today, we’re diving into how British composers responded to modernism, why it sounded different from its European counterparts, and how it reshaped the nation’s musical identity.

Welcome back to Between the Barlines! We have only two more short episodes talking about modernism; today we will speak about Eastern European Modernism, and next time we will talk about modernism happening in Britain. We have two very important composers to chat about today: Leoš Janáček and Jean Sibelius.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Welcome back to Between the Barlines! I hope you are enjoying season 6 so far! If I haven’t mentioned this before, the 20th century is going to split into 2 seasons; it is way too dense to just have 20 episodes and stop talking about it. Today, we are going to talk about modernism in the US and also address the nationalist movement that it brought. Today’s episode is going to be a little bit shorter because we’ve also chatted about some of these composers and features in our very first modernism episode, which was episode 3.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Welcome back to Between the Barlines! Today, we are exploring Spanish nationalism - which was essentially their modernism movement. In the early 20th century, Spain was creating its own modern musical identity. Spanish modernism is tradition meeting innovation: think of ancient folk sounds colliding with impressionism, neoclassicism, and the avant-garde.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Welcome back to Between the Barlines! Today, we’ll explore what French modernism is, why it emerged, and how Debussy and Ravel each forged unique yet complementary paths into modern music.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Welcome Back to Between the Barlines! Today, we’re diving into the bold and sometimes controversial world of Richard Strauss. He was a composer who pushed late Romantic music to its expressive limits while standing on the threshold of modernism. Strauss was a master of orchestral color, psychological drama, and sonic spectacle, and his music spans three major genres: tone poems, opera, and art song.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Welcome back to Between the Barlines! Today, we talking about one of the most memorable composers in history: Gustav Mahler. Check out below for links to the music I mentioned in today's podcast! Most of these recordings are conducted by Leonard Bernstein.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Music mentioned in this podcast:

Des Knaben Wunderhorn: https://www.youtube.com/watch?v=wXVDmBmk1ss

Symphony No. 2 (“Resurrection”): https://www.youtube.com/watch?v=Oi6ZjkXFlcU

Symphony No. 3: https://www.youtube.com/watch?v=sA7BPdZgxGk

Symphony No. 4: https://www.youtube.com/watch?v=fETsZU29AHw

Das Lied von der Erde: https://www.youtube.com/watch?v=IUZLLmUpaTk

Welcome back to Between the Barlines! I have a very fun episode planned for us today where we will take a hiatus from talking about strict classical music and explore the formation of jazz.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Welcome to Between the Barlines! We learned in our first episode a little about modernism, but to refresh your memory about this term, MODERNISM in music is less a style than a mindset. Composers questioned traditionalism in tonality, form, rhythm, and timbre. Romantic emotional excess gave way to experimentation and abstraction. Key modernist traits include:

• Fragmented melodies and asymmetrical forms
• New harmonic languages, including atonality and polytonality
• Emphasis on rhythm, percussion, and timbre
• Interest in machines, cities, and modern life
• A deliberate break from the past—or a radical reimagining of it

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Welcome Back to Between the Barlines! I am excited to talk about today’s episode topic because I feel like it is especially pertinent to the music being created in the USA during this part of the century. As we are celebrating the 250th anniversary of the USA this year, I want to draw your attention to something I mentioned last season; that is, if you think about it, our country was really shaped by foreigners in many senses of the word “shape.” It wasn’t until about the 20th century where America embodied nationalism and created their own voice - vernacular music was a humongous part of this transformation.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Welcome back to Between the Barlines! Happy New Year! This season, we are exploring the 20th century up until 1950. Today, we will talk about Modernism and technology's impact on music during the 20th century.

Welcome back to Between the Barlines. We’ve made it to the last episode of season 5! Thanks for joining me this season. I’m excited about next season, because we will be exploring the first half of the 20th century. This is also where our musical history becomes extremely dense - I’m going to split the 20th century into at least 2 seasons, so be on the lookout! Today, we are going to chat about the transition from the 19th century into the 20th century to wrap up the season.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Welcome back to Between the Barlines! Today, we are going to continue our chat about nationalism, but this time we will be focusing on American nationalism in the late 19th century.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Welcome back to Between the Barlines! Today, we’re going to speak about England in the 19th century. As you may have noticed, we really haven’t spoken too much about this country in our episodes since maybe the renaissance era. I think that is especially poignant in today’s episode because we can finally understand why - it took a while, but eventually England was able to find its own national voice, much like other countries that we’ve spoken about at the end of the 19th century. This is the topic of the English Musical Renaissance.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Music mentioned in this podcast:

Hubert Parry - Jerusalem: https://www.youtube.com/watch?v=-XfbEOFLqPE

C. V. Stanford - Three Latin Motets, Op. 38: https://www.youtube.com/watch?v=D4uvUwD81-8

Edward Elgar - The Enigma Variations: https://www.youtube.com/watch?v=vLNLvcBmoqo

Elgar - Sea Pictures: https://www.youtube.com/watch?v=GauIMo8Manc

Welcome back to Between the Barlines! Today, we turn our attention to 19th-century Russia, which at this time was a country bursting with folk traditions, vast landscapes, and an identity that hadn’t yet found its place on the classical stage. That is until five composers decided to change everything. They called themselves The Mighty Handful. We know them today as The Mighty Five: Mily Balakirev, César Cui, Modest Mussorgsky, Nikolai Rimsky-Korsakov, and Alexander Borodin.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Welcome back to Between the Barlines! I am your host, Dr. Maeve Berry! Today, we have a very interesting discussion about hybrid styles. You might be wondering what this means, and I think it actually revolves around one question: What happens when composers merge national traditions, older musical forms, and new harmonic languages all at once? Composers mentioned as hybrid composers: Franck, Fauré, Saint-Saëns, Chausson, D'Indy, Dvořák, Grieg, Tchaikovsky, and Borodin.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Music mentioned in this podcast:

Franck Symphony in D minor

Franck Violin Sonata in A major

Franck Symphonic Variations

Franck String Quartet in D major

Fauré Requiem

Fauré Nocturnes

Fauré Pelléas et Mélisande Suite

Saint-Saëns Organ Symphony

Saint-Saëns Piano Concerto No. 2

Chausson Poème

Chausson Symphony in B-flat major

D'Indy Symphony on a French Mountain Air

Welcome back to Between the Barlines! Today we finally stop talk about opera and switch gears to speak strictly about what was happening in the late 19th century in Germany. Some of our most popular and renowned composers are coming from this time frame, like Brahms, Wagner, Bruckner, Wolf, and Strauss.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Music mentioned in this episode:

Brahms Symphonies 1-4

Brahms Violin Concerto

Brahms Ein Deutsches Requiem

Brahms Violin Sonatas 1-3

Brahms Clarinet Sonatas 1 & 2

Wolf Mörike Lieder

Wolf Italienisches Liederbuch 1 & 2

Strauss Don Juan

Strauss Till Eulenspiegel

Strauss Also sprach Zarathustra

Strauss Allerseelen

Strauss September

Welcome back to Between the Barlines! I am your host, Dr. Maeve Berry! Today, we’re discussing the changes happening in the late 19th century. This was the era of French lyricism, Italian verismo, and the beginnings of Russian opera. By the 1870s and 1880s, audiences wanted something new. The grandeur of earlier Romantic opera was there, but people yearned for realism and emotional immediacy. The result was an operatic world more intimate, visceral, and recognizably human than ever before.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Operas mentioned in this episode:

Gounod - Faust

Bizet - Carmen

Massenet - Manon

Massenet - Werther

Saint-Saëns - Samson et Dalila

Delibes - Lakmé

Mascagni - Cavalleria rusticana

Leoncavallo - Pagliacci

Tchaikovsky - Eugene Onegin

Tchaikovsky - The Queen of Spades

Mussorgsky - Boris Godunov

Welcome back to Between the Barlines! We are almost done with our episodes addressing opera in the 19th century. Today’s episode is one that I have been looking forward to the most, because as of last year, Giacomo Puccini broke into my top five favorite composers, specifically because of his operas Tosca and Madama Butterfly that we did at Pittsburgh Opera. I’m really excited to talk to you about him today and encourage you to take a listen to some of the operas listed in the episode notes for an extended treat. In this episode, we will also discuss the verismo style of Italian opera.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Operas mentioned in this episode:

Manon Lescaut

La Bohème

Tosca

Madama Butterfly

La Fanciulla del West

Gianni Schicchi

Turandot

Welcome back to Between the Barlines! We are going to continue our chat on 19th century opera today with another innovator of opera, Giuseppe Verdi. Or as we refer to him sometimes in the opera world - Mean Joe Green!! Throughout Verdi’s lifetime, he wrote 28 operas, all of which continued the innovations that we saw at the beginning of the century with bel canto singing. Today we will see what these traits and innovations were as well as touch on many of his operas.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Operas mentioned in this episode:

Oberto

Nabucco

Ernani

Macbeth

Luisa Miller

Rigoletto

Il Trovatore

La Traviata

Don Carlos

Aida

Otello

Falstaff

Welcome back to Between the Barlines! I am excited again to continue our chat about 19th century opera, with today’s focus being on the works of Richard Wagner. We will learn that Wagner wasn’t just a composer; he was a dramatist, philosopher, and provocateur whose ideas reshaped what opera could be. His music is monumental and his legacy is deeply complicated. TW: discussing antisemitism, Hitler, Third Reich.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Operas mentioned in this episode:

The Flying Dutchman

Tannhäuser

Lohengrin

Der Ring des Nibelungen

Tristan und Isolde

Die Meistersinger von Nürnberg

Parsifal

Welcome Back to Between the Barlines! I am your host, Dr. Maeve Berry! Today, we are going to continue our chat about 19th century opera by taking a closer look at the Bel Canto era of singing and operatic composition. We will be diving deeper into the works of the main three bel canto composers: Gioachino Rossini, Vincenzo Bellini, and Gaetano Donizetti.

Buy me a Coffee:

Operas mentioned in this episode:

Rossini - The Barber of Seville

Rossini - La Cenerentola

Rossini - Guillaume Tell

Bellini - Norma

Bellini - La Sonnambula

Bellini - I Puritani

Donizetti - Lucia di Lammermoor

Donizetti - L’elisir d’amore

Donizetti - Don Pasquale

Welcome back to Between the Barlines! I am your host, Dr. Maeve Berry! Opera became more than entertainment during this time; it became a mirror of political upheaval, national identity, and human passion. From the grandeur of Italian bel canto to the sweeping psychological landscapes of Wagner, 19th-century opera redefined what it meant to tell stories through music.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Operas mentioned in this episode:

Rossini -The Barber of Seville

Bellini - Norma,

Donizetti - Lucia di Lammermoor

Verdi - Nabucco

Verdi - Rigoletto

Verdi - La Traviata

Verdi - Aida

Wagner - Tristan und Isolde

Wagner -The Flying Dutchman

Wagner - The Ring Cycle

Meyerbeer - Robert le diable

Meyerbeer - Les Huguenots

Gounod - Faust

Bizet - Carmen

Mascagni - Cavalleria Rusticana

Puccini - La bohème

Puccini - Tosca

Puccini - Madama Butterfly

Puccini - Turandot

Welcome back to Between the Barlines! Today, we’re exploring programmatic music—music that tells a story, paints a picture, or captures an emotion beyond the notes on the page.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Music used and mentioned in this episode:

Berlioz - Symphonie fantastique idée fixe: https://www.youtube.com/watch?v=mTWbh4ffwGY

Smetana - Má vlast: https://www.youtube.com/watch?v=Kl0-Pdo0vi8

Strauss - Don Juan: https://youtu.be/XG4uBRBMdzY?si=qGI8lya-loOJm5Bd

Strauss - Till Eulenspiegel’s Merry Pranks: https://youtu.be/K02qkwc7dxQ?si=-vpyP1hVYLEcPIfF

Strauss - Also sprach Zarathustra: https://youtu.be/GfwAPg4rQQE?si=xovQLvoLiDmLBQ0z

Welcome back to Between the Barlines! I am your host, Dr. Maeve Berry! We have somewhat of a baseline episode today; what I mean by that is we are going to touch on a few composers and what they did for orchestral and chamber music in the 19th century. These are composers like Berlioz, Liszt, Brahms, Wagner and more. Let’s get started!

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Music mentioned in this episode:

Beethoven - Symphony No. 9: https://www.youtube.com/watch?v=4IqnVCc-Yqo

Berlioz - Symphonie Fantastique: https://www.youtube.com/watch?v=AgXW-57UDMc

Welcome Back to Between the Barlines! I am very very excited to introduce today’s episode to you because it is all about choral music! This is a genre that is very near and dear to my heart, and this repertoire coupled with renaissance choral music is some of my favorite to study AND sing! When most of us think of the Romantic period, we imagine the piano works of Chopin or the symphonies of Tchaikovsky. But alongside those grand orchestral gestures, the human voice became one of the most powerful vessels of Romantic emotion.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Music mentioned in this episode:

Brahms - Ein deutsches Requiem: https://www.youtube.com/watch?v=ZXU9vqVdudM

Mendelssohn - Elijah: https://www.youtube.com/watch?v=pduEw6cn5N0

Mendelssohn - St. Paul: https://www.youtube.com/watch?v=VunSuDNKTBY

Verdi.- Requiem: https://www.youtube.com/watch?v=Nlq9lJRElBk

Dvořák - Stabat Mater: https://www.youtube.com/watch?v=VJr5Gzaa2ig

Dvořák - Requiem: https://www.youtube.com/watch?v=q7YtmgNVGm8

Tchaikovsky - 9 Sacred Pieces: https://www.youtube.com/watch?v=rump2-cOvcc&list=PL257B60AA65EB9902

Welcome Back to Between the Barlines! Today, we’re diving into the dazzling world of Franz Liszt, who was a superstar pianist, composer, and one of the most transformative figures in all of classical music. From virtuosic piano showpieces to profound symphonic poems, Liszt’s influence echoes far beyond his own century.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Music mentioned in this episode:

Transcendental Études: https://youtu.be/1O4h0AapdbQ?si=lwkUEV4PoUK90Qop

Paganini Études: https://youtu.be/eQrPEKrECOM?si=vGjnSnZlZBuofgES

Grandes études de concert: https://youtu.be/4RCS99LVsls?si=i-2hpv1gRf9IKMsc

Piano Sonata in b minor (played by Jonathan Mamora): https://www.youtube.com/watch?v=OsCApp8yUDg

Les Préludes: https://youtu.be/jb2bkVQwtBs?si=_Y6yB1YEa7jhLvSk

Mazeppa: https://youtu.be/hb4H_9TKQ8I?si=q1kascyeIRg866gU

Missa Choralis: https://youtu.be/j3wzaiynuTc?si=3EVOUBB2OIZbUOAS

Welcome back to Between the Barlines! Today, we are going to speak about Fryderyk Chopin, a virtuoso performer, composer, and pianist. Let’s get started!

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Music mentioned in this podcast:

Piano Concerto in e minor: https://www.youtube.com/watch?v=gV_x_QY1P5c

Piano Concerto in f minor: https://www.youtube.com/watch?v=B3r4EgwLqMM

Nocturne in c-sharp minor, Op. posth.: https://www.youtube.com/watch?v=s_ST3hzMsVE

Nocturne in E-flat major, Op. 9, No. 2: https://www.youtube.com/watch?v=JVBzE0mUlSs

Polonaise in A-flat major, Op. 53: https://www.youtube.com/watch?v=aZYYoDDmg8M

Etudes Op. 10 and 25: https://www.youtube.com/watch?v=g0hoN6_HDVU

Cello Sonata in g minor: https://www.youtube.com/watch?v=0fL1CMkmGYY

Welcome back to Between the Barlines! I am very excited about today’s episode, because we will be learning about two of my favorite 19th century German composers! These two people are Clara Schumann and Fanny Mendelssohn Hensel.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Music mentioned in this episode:

C. Schumann - Piano Concerto: https://www.youtube.com/watch?v=Xol1DKul984

C. Schumann - Piano Trio: https://www.youtube.com/watch?v=9JyeWA1ZD8g

C. Schumann - Sechs Lieder, Op. 13: https://www.youtube.com/watch?v=V_qrKo1QbEk

C. Schumann - Piano Sonata in g minor: https://www.youtube.com/watch?v=Pw4fMNMO90U

F. Mendelssohn/Hensel - Das Jahr (1841): https://www.youtube.com/watch?v=lasXTtsM5hw

Welcome to Between the Barlines! I am your host, Dr. Maeve Berry! Today, we are going to talk about piano music in the 19th century. I will also mention some important composers, but we have some time this season to talk more in depth about these composers, so I will only be mentioning key points in this episode.

Buy me a coffee: buymeacoffee.com/betweenthebarlines

Music mentioned in this episode:

R. Schumann - Carnaval, op. 9: https://www.youtube.com/watch?v=H_KszUWZ3Ac

C. Schumann - Piano Sonata in g minor: https://www.youtube.com/watch?v=Pw4fMNMO90U

Welcome back to Between the Barlines! I am your host, Dr. Maeve Berry! As promised really for the last 2 episodes, I would be extremely remiss if I didn’t speak about poetry, and specifically German poetry, from the 19th century. Many of the texts of famous German lieder from this time are due to the very important figures, of which we are about to chat about. The great poets of the German Romantic movement inspired composers like Schubert, Schumann, Mendelssohn, and Brahms to create songs that gave music to emotion, language, and imagination in a way the world had never heard before.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Welcome back to Between the Barlines! Today, we are going to discover all that Franz Schubert has to offer! From songs to larger works like symphonies and masses, it really all does start from his innate ability to compose song-like melodies.

Buy me a Coffee: buymeacoffee.com/betweenthebarlines

Music mentioned in this podcast:

Schwanengesang: https://www.youtube.com/watch?v=Ym2O4hixvLE

Symphony No. 8 – The “Unfinished”: https://www.youtube.com/watch?v=3tisvEpblig

Symphony No. 9 – The “Great” C Major: https://www.youtube.com/watch?v=Ip06DEeY_U8

String Quartet No. 14 – “Death and the Maiden”: https://www.youtube.com/watch?v=CSdlrvC08lM

Piano Quintet in A Major – “The Trout”: https://www.youtube.com/watch?v=g3k81__bwrM

Impromptus (D. 899): https://www.youtube.com/watch?v=bRjKo0QEIuI

String Quintet in C Major: https://www.youtube.com/watch?v=DJ-vroCJvzo

Last Three Piano Sonatas: https://www.youtube.com/watch?v=mcnrUbSqNuY

Welcome back to Between the Barlines! I am your host, Dr. Maeve Berry! In today’s episode, we are going to dive into one of the most intimate, expressive, and beloved genres of the 19th century: German Lieder. We will address how important the relationship of the voice and piano will become as well as that relationship to poetry.

Support this podcast more: buymeacoffee.com/betweenthebarlines

Music mentioned in this episode:

Schubert - Gretchen am spinnrade: https://www.youtube.com/watch?v=MY0eeotSDi8

Schubert - Der Erlkönig: https://www.youtube.com/watch?v=XoBo8dlPcQo

Schubert - Lied des Florio: https://youtu.be/c0D1Pw9WeYI?si=krGfHn4X0maxRR9T

Schubert - Die schöne Müllerin: https://youtu.be/_YeITW9A8Rk?si=Mws_QM6oLesRulSh

Schubert - Winterreise: https://youtu.be/l0Rry-ahcHM?si=kpOkbPuNqGWgwYhy

Schumann - Dichterliebe: https://youtu.be/8xFU0IJimX4?si=EB7gyKChtoguKn1m

Schumann - Frauenliebe -und leben: https://youtu.be/Hm8tIIpFqHk?si=sm1Mt_cG5oOu5GFh

C. Schumann - Liebst du um Schönheit: https://youtu.be/2fkzvR7IRkU?si=RGat7arhz2kNysYD

Mendelssohn - Auf Flügeln des Gesanges: https://youtu.be/Xfj4thZrFj4?si=efYHwBi6--pBqryc

Mendelssohn - Neue Liebe: https://youtu.be/spI761wC29A?si=g_HRsD_eQ4gaQSh-

Hensel - Neue Liebe, neues Leben: https://youtu.be/wzmt2tpfw30?si=yZayLJa4R8XzCxNG

Welcome back to Between the Barlines! Today, we’re diving into a fascinating period of change: the Industrial Revolution, and how it transformed music, instruments, and the very sound of the concert hall. The Industrial Revolution, spanning roughly from the mid-18th to the 19th century, was a time of dramatic change. Factories replaced workshops, trains shrank distances, and cities swelled with workers. But it wasn’t only industry and economics that evolved—music, too, was reshaped by this era of invention and mass production.

I am super grateful for your support as I create this free resource for aural music history learning. If you wish to support this podcast monetarily, I have started a buy me a coffee page, where you can do just that! Even the smallest means a lot! Thanks for the support!

buymeacoffee.com/betweenthebarlines

Welcome back to Between the Barlines! I am so excited that you’re joining me today, as this is the beginning of the 5th season of this podcast! Thanks for listening along; if you are new to the podcast, I highly suggest that you take a trip back to Season 1 - this podcast has been broadcast chronologically, and its best to start the review of music history all the way from there! Today, we’re diving into the Romantic Era—a time when music became larger, more personal, more emotional, and more connected to the world outside the concert hall.

If you feel so inclined to throw a few dollars my way in continued support of my podcast, you can do so here! Thank you for your support!

buymeacoffee.com/betweenthebarlines

Welcome back to Between the Barlines! Today, we have somewhat of a special episode, based solely on opinions that are backed up by facts. As I mentioned in our last 3 episodes about Beethoven, he sits right on that historical fence between the Classical and Romantic periods, and musicologists love to argue about where he really belongs. So, today’s big question is: Is Ludwig van Beethoven a Classical era composer, or does he truly belong to the Romantic era?

Instagram Results:

classical 54%/romantic 46%

Welcome back to Between the Barlines! We have reached the final episode about Ludwig van Beethoven today. We’ve learned thus far that Beethoven’s career is often divided into three creative phases: the Early Period, inspired by Haydn and Mozart; the Middle Period, defined by heroic, bold works such as the Eroica Symphony; and finally, the Late Period, which is our focus today.

Music mentioned in this episode:

Late String Quartets Opuses 127, 130, 131, 132, 133, and 135: https://www.youtube.com/watch?v=YytQEjYRdUI&list=PLO6zBTEo45QhwK0K1NWmIDesKrduHficv

Piano Sonatas Opuses 109, 110, 111: https://www.youtube.com/watch?v=RRX3TFLA67E

Symphony No. 9: https://www.youtube.com/watch?v=4IqnVCc-Yqo

Missa Solemnis: https://www.youtube.com/watch?v=S8Yy0gSt-JE

Welcome back to Between the Barlines! Today, we continue our chat about Beethoven with a discussion on his middle period. This period, often called the “Heroic” period, stretches from about 1803 to 1814. It marks the time when Beethoven transformed from a Classical composer into a revolutionary artist who redefined what music could do.

Music mentioned in this episode:

Symphony No. 3 in E-flat major, "Eroica": https://www.youtube.com/watch?v=0kSrLK7Eems

Symphony No. 5 in c minor: https://www.youtube.com/watch?v=yKl4T5BnhOA

Symphony No. 6 in F major, "Pastoral": https://www.youtube.com/watch?v=2HbBURnt9f4

Sonata No. 17, Op. 31 No. 2 "Tempest": https://www.youtube.com/watch?v=fXDWRm-PU1Q

Sonata No.21 in C major, "Waldstein": https://www.youtube.com/watch?v=lbblMw6k1cU

Sonata No. 23 in f minor "Appassionata", Op. 57: https://www.youtube.com/watch?v=QImFm4Y_QPM&t=6s

Piano Concerto No. 4: https://www.youtube.com/watch?v=4FxT-llXZfI

Piano Concerto No. 5 "Emperor": https://www.youtube.com/watch?v=wgYA8I92ykw

Violin Sonata No. 9 "Kreutzer": https://www.youtube.com/watch?v=L8Yp3WqKN_I

Cello Sonata No. 3 in A major: https://www.youtube.com/watch?v=HjiIUOKUJpk

Welcome back to Between the Barlines! Today, we are going to start talking about a new composer, and it’ll be our final composer of the classical era. This composer is very interesting; I mentioned earlier in the season how up until I started studying for my DMA comprehensive exams last summer, I always thought of Beethoven as a classical composer. However, it seems that he is more likely to be grouped into an early romantic composer rather than a classical composer. Hopefully, in the next 3 episodes, we can figure out together why that exactly is! Today, we are going to look at the first of 3 periods in Beethoven's compositional output. This is the early period. Let’s get started!

Music mentioned in this episode:

Sonata No. 1, Op. 2: https://www.youtube.com/watch?v=te6GILsxcoQ

Sonata No. 2, Op. 2: https://www.youtube.com/watch?v=r1g4tFxdsi8

Piano Concerto No. 1: https://www.youtube.com/watch?v=MY7PKtpistE

Piano Concerto No. 2: https://www.youtube.com/watch?v=MxXtsRkTj-I

String Quartets Op. 18: https://www.youtube.com/watch?v=EbBmH9mj2R0

Symphony No. 1 in C Major: https://www.youtube.com/watch?v=2A41fuD3dUA

Welcome back to Between the Barlines! I am your host, Dr. Maeve Berry. Today we are wrapping up our conversation talking about Mozart! We have already learned about the many keyboard works, chamber works, and symphonies that he has written. Today, we’ll explore Mozart’s deep connection to the human voice—through his operas, songs, and sacred music.

Music mentioned in this episode:

Mitridate, re di Ponto: https://www.youtube.com/watch?v=5UloG5_6qeE

Le nozze di Figaro (The Marriage of Figaro): https://www.youtube.com/watch?v=_OYtlGpApc0

Don Giovanni: https://www.youtube.com/watch?v=aL2VdxseTvE

Così fan tutte: https://www.youtube.com/watch?v=Egi7fxTEUCQ

Die Zauberflöte (The Magic Flute): https://www.youtube.com/watch?v=Om_qtZ-Hm7k

Das Veilchen: https://www.youtube.com/watch?v=h0UgDx3YqwI

Abendempfindung: https://www.youtube.com/watch?v=r9-GesedW-c

Als Luise die Briefe: https://www.youtube.com/watch?v=Eykliv0Y1O0

Missa brevis in D major: https://www.youtube.com/watch?v=_7liw0vQFPI

Great Mass in C minor, K. 427: https://www.youtube.com/watch?v=Ez0kqVShFEs

Requiem in D minor: https://www.youtube.com/watch?v=XmttZ-BnwaI

Welcome back to Between the Barlines! I am your host, Dr. Maeve Berry! This is our second episode on Mozart’s compositional output and impact on the classical period. If you didn’t take a listen to the first episode, I highly suggest it to learn more about Mozart’s background. Today, we’ll look at his symphonies and his chamber music.

Music mentioned in this episode:

Symphony No. 1 in E-flat major: https://www.youtube.com/watch?v=b4IXXpTHjok

Symphony No. 25 in G minor: https://www.youtube.com/watch?v=rNeirjA65Dk

Symphony No. 39 in E-flat major: https://www.youtube.com/watch?v=clH-bMhvtAY

Symphony No. 40 in G minor: https://www.youtube.com/watch?v=-Iz-ah9ka3c

Symphony No. 41 in C major, “Jupiter”: https://www.youtube.com/watch?v=UsNk-7j9lpY

The Haydn Quartets: https://www.youtube.com/watch?v=dzzOzaWia90

Quintet in G minor, K. 516: https://www.youtube.com/watch?v=-RWsgnZZrZQ

Piano Quartet in G minor, K. 478: https://www.youtube.com/watch?v=FpK1tjbeeA0