Today, special guest Liz Rosenfeld discusses the choreographer Jerome Robbins. Born in New York to Jewish immigrants, Robbins pursued dance and radical politics––until, under the threat of being blacklisted and exposed for his sexuality, reporting on his former comrades to the House Committee on Unamerican Activities. As one of Broadway's star choreographers, he helped define Broadway's Golden Age with striking dance theatre that integrated ballet technique into storytelling. His charisma, abuses of power, and boundary-obliterating working methods helped define an idea of choreographer-as-genius that still disfigures dance today.

Support our show by subscribing to our monthly podcast EXTRA BAD GAYS by clicking this link and visiting our Patreon or directly through Apple Podcasts.

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SOURCES:

https://www.npr.org/2011/02/24/97274711/the-real-life-drama-behind-west-side-story

https://www.dummies.com/article/academics-the-arts/performing-arts/what-was-the-golden-age-of-broadway-297863/

https://www.commentary.org/articles/terry-teachout/what-jerome-robbins-knew-that-leonard-bernstein-didnt/

https://www.theneweuropean.co.uk/brexit-news-jerome-robbins-west-side-story-un-american-activities-committee-32460/

https://www.newyorker.com/magazine/2018/03/19/happy-hundredth-jerome-robbins   Jerome Robbins: By Himself: Selections from his letters, journals, drawings, photographs, and an Unfinished Memoir (ed. Amanda Vaill)   Wendy Lesser: Jerome Robbins: A Life in Dance   Jerome Robbins - Something to Dance About, dir. Judy Kinberg Our intro is Arpeggia Colorix by Yann Terrien. Our outro music is by DJ Michaeloswell Graphicsdesigner.

 

Starting with a reading from Martin Duberman's book Stonewall about the riots that kicked off a revolution, we reflect on the history of increasing corporate involvement in Pride, some unreasonably horny Subaru ads, a Raytheon Pride slogan from this year that made both of us momentarily speechless, and the politics and ethics of engaging with corporate pride in a moment of backlash.

Enjoy this sneak preview of EXTRA BAD GAYS, our monthly, subscriber-only show on contemporary queer politics and culture. For the full episode and a new episode every month, click 'subscribe' on Apple Podcasts or join our Patreon by clicking here.

This episode has everything: a tyrannical little boy king, a dictator who wanted to overthrow the Roman pantheon and install a meteorite as the object of a new monotheism, prostitution and vestal virgins, and drowning your party guests in rose petals. We break down Elagabalus: the myth, the legend, the gender-bending icon and the searcher for the biggest dicks in the Roman Empire.

Subscribe to our monthly podcast "Extra Bad Gays" and support the work we do to make the show.

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SOURCES:

Cassius Cocceianus Dio, Roman History: Books 71-80, trans. E. Cary, New issue of 1927 ed Edition (Harvard University Press, 1927)

Edward Gibbon and Hugh Trevor-Roper, The Decline and Fall of the Roman Empire, Volumes 1 to 6: Volumes 1-3, Volumes 4-6, Reprint Edition (Everyman’s Library, 2010)

Harry Sidebottom, The Mad Emperor: Heliogabalus and the Decadence of Rome (Oneworld Publications, 2022)

Elijah Burgher, “Our Lady of the Latrines – Western Exhibitions,” https://westernexhibitions.com/exhibition/elijah-burgher/

Anthony Birley, trans., Lives of the Later Caesars: The First Part of the Augustan History, with Newly Compiled Lives of Nerva & Trajan, Reprint edition (Harmondsworth, Eng. ; Baltimore etc.: Penguin Classics, 1976).

Our intro music is "Arpeggia Colorix" by Yann Terrien. Our outro music was made for us by DJ Michaeloswell Graphicsdesigner.

Today’s subject was an uneducated woman who was born in approximately 1880 and rose in her nearly 70 years of life from enslavement to sex work to female king. She was  a leader of her community of Enugu-Ezike in present-day Nigeria and a collaborator with British colonialism in the region. Finally removed from power by British officials and local elders because she participated in a ritual in a way that only men were supposed to, the complex life of Ahebi Ugbabe helps tell the story of the colonization and decolonization of Nigeria and of the similarities and the differences between the sex-gender systems we are used to in the contemporary west and the vast array of possibilities in those sex-gender systems throughout different human societies.

Click here to subscribe to our monthly podcast "Extra Bad Gays" and support the work we do to make the show.

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SOURCES:

Nwando Achebe, The Female King of Colonial Nigeria: Ahebi Ugbabe (Bloomington: Indiana University Press, 2011).

Our intro music is Arpeggia Colorix by Yann Terrien, our outro music was made for us by DJ Michaeloswell Graphicdesigner

Warning: this episode contains discussions of domestic violence, child sexual abuse, and suicide. Listener discretion is advised. 

A rare twofer this week on our show: we discuss the lives and careers of Joe Orton and Kenneth Halliwell. Both frustrated writers from the North of England making their way in the repressive, damp climate of the postwar UK, they were sent to prison for defacing library books into brilliant collage art. But when Orton achieved fame and success, the pressure was too much for Halliwell to bear. And their disturbing pattern of traveling to Tunisia to abuse children casts a pall on any simple attempt to recuperate them as heroes.

Click here to subscribe to our monthly podcast "Extra Bad Gays" and support the work we do to make the show.

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SOURCES:

Ilsa Colsell, Philip Hoare, and Leonie Orton Barnett, Malicious Damage: The Defaced Library Books of Kenneth Halliwell and Joe Orton (Donlon Books, 2013)

Prick Up Your Ears (Curzon Film Distributors, 1987)

James Fox, “The Life and Death of Joe Orton,” The Sunday Times, November 22, 1970

John Lahr, Prick Up Your Ears: The Biography of Joe Orton, 1st edition (Berkeley: Univ of California Pr, 2000)

Joe Orton, The Orton Diaries, Reprint edition (New York: Da Capo Press, 1996)

“Joe Orton,” Front Row (BBC Radio 4, August 11, 2017), https://www.bbc.co.uk/programmes/b08zzly6

Our intro music is Arpeggia Colorix by Yann Terrien, our outro music was made for us by DJ Michaeloswell Graphicdesigner

 

Are you wearing the Chanel boots? Yes, we are. A white-haired, powdered, starch-cuffed petty dictator who ruled over the expanding business with an iron fist, stopping every once in a while to make a misogynist or racist public comment, Karl Lagerfeld was one of the most influential figures in the fashion industry as it shifted into late capitalist hyperdrive. Come for the racist and misogynist public comments, stay for Lagerfeld's great love, Jacques de Bascher, who may more perfectly epitomize Evil Twink Energy than anyone we've discussed on our show.

Click here to subscribe to our monthly podcast "Extra Bad Gays" and support the work we do to make the show.

Click here to buy our book, BAD GAYS: A HOMOSEXUAL HISTORY.

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SOURCES:

Christian Allaire, “The Incredible Dandy Style of Jacques de Bascher, Karl Lagerfeld’s Longtime Partner | Vogue,” Vogue, April 27, 2023, https://www.vogue.com/slideshow/jacques-de-bascher-dandy-style-karl-lagerfeld-partner

Irina Baconsky, “Jacques de Bascher: An Exhibition,” 032c, March 11, 2020, https://032c.com/magazine/jacques-de-bascher-an-exhibition

Holly Brubach, “School of Chanel,” The New Yorker, February 19, 1989, https://www.newyorker.com/magazine/1989/02/27/school-of-chanel

John Colapinto, “Karl Lagerfeld’s Fashion Empire,” The New Yorker, March 12, 2007, https://www.newyorker.com/magazine/2007/03/19/in-the-now

Brock Colyar, “The Man in an 18-Year Relationship With Karl Lagerfeld,” The Cut, February 20, 2019, https://www.thecut.com/2019/02/who-was-jacques-de-bascher.html

Daniel Harris, “The Electronic Funeral: Mourning Versace,” The Antioch Review 56, no. 2 (1998): 154–63, https://doi.org/10.2307/4613651

Beatrice Hazlehurst, “Karl Lagerfeld Depicts Hitler in Political Cartoon to Criticize Angela Merkel - PAPER Magazine,” October 12, 2017, https://www.papermag.com/karl-lagerfeld-depicts-hitler-in-political-cartoon-to-criticize-angela-merkel

Michael Hobbes and Aubrey Gordon, “Diet Book Deep Dive: The Karl Lagerfeld Diet,” Maintenance Phase, accessed February 14, 2024, https://maintenancephase.buzzsprout.com/1411126/9898517

Anisha Mansuri, “The Met Gala: Ignoring Lagerfeld’s Islamophobia and Misogyny,” The New Arab (The New Arab, October 18, 2022), https://www.newarab.com/opinion/met-gala-ignoring-lagerfelds-islamophobia-and-misogyny

William Middleton, Paradise Now: The Extraordinary Life of Karl Lagerfeld (New York, NY: Harper, 2023)

Melissa Minton, “Karl Lagerfeld’s Most Controversial Quotes over the Years,” The New York Post, April 28, 2023, sec. Page Six, https://pagesix.com/article/karl-lagerfeld-most-controversial-quotes/

David Rakoff, Don’t Get Too Comfortable: The Indignities of Coach Class, The Torments of Low Thread Count, The Never- Ending Quest for Artisanal Olive Oil, and Other First World Problems, Reprint Edition (Knopf Doubleday Publishing Group, 2006).

“Karl Lagerfeld: A Line of Beauty,” The Metropolitan Museum of Art, accessed February 12, 2024, https://www.metmuseum.org/exhibitions/a-line-of-beauty

“King Karl,” Kids of Dada, accessed February 12, 2024, https://www.kidsofdada.com/blogs/magazine/11625457-king-karl

Our intro and outro music are, respectively, Arpeggia Colorix, by Yann Terrien, and a tune written for us by DJ Michael Oswell Graphic Designer.

 

Subscribe to EXTRA BAD GAYS, our monthly conversation on politics and culture, here or by clicking "Subscribe" on Apple Podcasts.

Merry Christmas! Happy holidays! As usual, we're making our contribution to family holiday entertainment with an hour-plus podcast about sodomy.

Today's program, recorded live at Podfest Berlin in October 2023, profiles two artists. We start with the gay Jewish pre-Raphaelite Simeon Solomon, whose story is a snapshot of the complexities of aa changing English society in the Victorian era, full of darkness, violence and repression, but lit too by a sense of a sort of waking dream of the possibilities of a rapidly shrinking world and modernising world. He was animated by those dreams, intoxicated by them, but his own desires would come into conflict with a society that was scared by these changes and would use all the tools in its power to halt them. Coming up the rear is Sascha Schneider, a German painter, sculptor, and bodybuilding instructor (does he, you know, run a bodybuilding academy?) whose work characterized both the Weimar-era masculinist gay political movement and four generations of Germans’ racist attitudes towards Native Americans. 

Enjoy! Wear headphones if Grandma is around. Season 7 drops very soon. 

To view the slideshow, click here.

SOURCES

Michael J. Cowen, Cult of the Will: Nervousness and German Modernity (State College: Penn State University Press, 2012)

Roberto C. Ferrari and Carolyn Conroy, "Simeon Solomon Two-Part Biography," Simeon Solomon Research Archive, 2000-2023, https://www.simeonsolomon.com/simeon-solomon-biography.html

Karl-May-Gesellschaft, https://www.karl-may-gesellschaft.de/index.php?seite=mininewsdetails&sprache=de&showdetail=133

Minneapolis Institute of Art, "Whatever Happened to the First Gay Art Star?" June 3, 2021, https://medium.com/minneapolis-institute-of-art/what-really-happened-to-the-first-gay-art-star-e5b830e19f86

H. Glenn Penny, Kindred By Choice: Germans and American Indians (Chapel Hill: University of North Carolina Press, 2013)

Erwin in het Panhuis, "Karl Mays ziemlich offen schwuler Künstfreund," queer.de, 20. September 2020, https://www.queer.de/detail.php?article_id=37110

 

What's your favorite Paul Verhoeven film? We knew you were going to say Showgirls–but we'll put in a word for his latest, Benedetta, with Charlotte Rampling acting up a storm and nuns diddling each other with dildos carved out of statues of the Virgin. Improbably, the film is based on a true story: and within it, and within its subject's life, there are important themes of power, gender transgression, sin, belief and deviance that are worth discussing in more detail. Today, we discuss the 16th century mystic nun, lesbian, possibly demonically possessed and possibly visionary heretic, Benedetta Carlini.

Our paperback is available now!

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SOURCES:

Brown, Judith C. Immodest Acts: The Life of a Lesbian Nun in Renaissance Italy. Reprint édition. New York, NY: Oxford University Press, 1986.   ———. “Lesbian Sexuality in Renaissance Italy: The Case of Sister Benedetta Carlini.” Signs 9, no. 4 (1984): 751–58.   Cohn, Norman. The Pursuit of the Millennium: Revolutionary Millenarians and Mystical Anarchists of the Middle Ages, Revised and Expanded Edition. Revised edition. New York: Oxford University Press, 1970.   Ginzburg, Carlo. The Cheese and the Worms: The Cosmos of a Sixteenth-Century Miller. Translated by John Tedeschi and Anne C. Tedeschi. Reprint edition. Baltimore: Johns Hopkins University Press, 2013.   “The Word Made Fresh: Mystical Encounter and the New Weird Divine - Journal #92.” Accessed June 6, 2023. https://www.e-flux.com/journal/92/205298/the-word-made-fresh-mystical-encounter-and-the-new-weird-divine/.   Our intro and outro music are, respectively, Arpeggia Colorix, by Yann Terrien, and a tune written for us by DJ Michael Oswell Graphic Designer.

Through the life of this 17th century Japanese shogun, we explore the role of same-sex relationships in Japanese court culture of the time, the radically different meanings of age and gender in different times and places, and a gay teen romance that ends, alas, with being stabbed to death in the bathtub. 

Order our book in paperback for a free e-book!

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SOURCES:

Louis Crompton, Homosexuality & Civilization, Annotated edition (Cambridge, Mass.: Harvard University Press, 2006)

Koichi, “The Gay of the Samurai,” Tofugu, September 30, 2015, https://www.tofugu.com/japan/gay-samurai/

Gregory M. Pflugfelder, Cartographies of Desire: Male-Male Sexuality in Japanese Discourse, 1600–1950 (Berkeley: University of California Press, 2007)

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

There’s power in being the king who sits upon the throne, but also power in being the throne upon who the king sits. This was true as ever  in the court of Emperor Ai in Han Dynasty China in 22 BC. We’re going to be talking about someone who in 21 short years of life rose from a low class status to being one of the most powerful imperial officials in China – all by becoming the favorite of the Emperor. Their passion was so renowned it led to the creation of what remains a Chinese idiomatic expression for homosexuality. But we’ll also be talking about prevailing bisexuality in the Han dynasty court, the reception culture of this story both in China and outside it then and now, and how people in both China and the West have adopted this story.

Pre-order our paperback now for a free e-book!

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Howard Chiang, “Epistemic Modernity and the Emergence of Homosexuality in China: Epistemic Modernity and the Emergence of Homosexuality in China,” Gender & History 22, no. 3 (November 2010): 629–57, https://doi.org/10.1111/j.1468-0424.2010.01612.

Bret Hinsch, Passions of the Cut Sleeve: The Male Homosexual Tradition in China, Reprint edition (Berkely, Calif.: University of California Press, 1992)

Martin W. Huang, “Male-Male Sexual Bonding and Male Friendship in Late Imperial China,” Journal of the History of Sexuality 22, no. 2 (2013): 312–31

M. P. Lau and M. L. Ng, “Homosexuality in Chinese Culture,” Culture, Medicine and Psychiatry 13, no. 4 (December 1, 1989): 465–88, https://doi.org/10.1007/BF00052053

Tze-lan Deborah Sang, “Translating Homosexuality: The Discourse of Tongxing’ai in Republican China (1912–1949),” in Translating Homosexuality: The Discourse of Tongxing’ai in Republican China (1912–1949) (Duke University Press, 2000), 276–304

James D. Seymour, review of Review of Passions of the Cut Sleeve: The Male Homosexual Tradition in China, by Bret Hinsch, Journal of the History of Sexuality 3, no. 1 (1992): 141–43

Ping-Hsuan Wang, “I’m a ‘Cut-Sleeve’: Coming out from a POC Perspective,” Narrative Inquiry 31, no. 2 (July 12, 2021): 338–57, https://doi.org/10.1075/ni.19088.wan

Intersections: Interview with Samshasha, Hong Kong’s First Gay Rights Activist and Author,” accessed May 15, 2023, http://intersections.anu.edu.au/issue4/interview_mclelland.html.

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner. 

 

Today’s figure is the sort of character who has been extinguished from British public life today, and maybe that’s for the best. He’s a mass of contradictions, the sort of mass that confuses the idea of an easy history of “lessons we can learn”. How did this man manage to be both an avant-garde poet and a gossip columnist, a communist revolutionary and a High Anglican devotee, a labour organiser and a lord? Or perhaps more accurately, how did he manage to inhabit all these roles with a level of seeming sincerity and honest commitment? Was he an honest man, or a devious one? A man driven by fidelity, or by treachery? Perhaps we’ll get to the bottom of it when we discuss the life of Tom Driberg, the Lord Bradwell, journalist, socialist, MP, Chairman of the Labour Party, and cocksucker.

Pre-order our book in paperback and get a free e-book!

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SOURCES:

Tom Driberg, Ruling Passions (London: Quartet Books, 1980).

Francis Wheen, The Soul of Indiscretion: Tom Driberg ; Poet, Philanderer, Legislator and Outlaw (London: Fourth Estate, 2001).

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner. Image via.

 

Nicki Minaj once rapped: Drug Lord Griselda, I used to move weight thru Delta. She’s referring to today’s subject, la Madrina, the drug lord of the Colombian Medellín Cartel, Griselda Blanco Restrepo, the Black Widow. Born in 1943 in Cartegena, on the north coast of Columbia, she became the so-called "Queenpin," and adopted all the macho tropes of the gangster. We argue she wasn't the biggest gangster at the head of her cartel, but one of the smallest gangsters in a whole world of cartels that have worked to bring the fruits of South America’s land into the United States market, at the cost of millions of human lives.

Pre-order our book in paperback for a free e-book!

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SOURCES:

José Guarnizo Álvarez, “Colombia’s ‘Cocaine Queen’ Living in Obscurity When She Was Shot Dead,” EL PAÍS English, September 13, 2012, sec. International, https://english.elpais.com/elpais/2012/09/13/inenglish/1347536945_696771.html

Episode 2: Berner Interviews Michael Corleone Blanco (Full Episode), 2019, https://www.youtube.com/watch?v=eODEHYQhKO0

Billy Corben, “Griselda Blanco: Hasta Nunca y Gracias Por La Coca,” Vice, May 9, 2012, https://www.vice.com/es/article/3b5jz8/griselda-blanco-so-long-and-thanks-for-all-the-cocaine

James Kelly, “South Florida: Trouble in Paradise,” Time, November 23, 1981, https://content.time.com/time/subscriber/article/0,33009,922693,00.html

Justin Vallejo, “Wild Real Life Story behind ‘Cocaine Godmother’ Portrayed by Sofia Vergara,” The Independent, April 5, 2022, sec. News, https://www.independent.co.uk/news/world/americas/griselda-blanco-sofia-vergara-netflix-b2051670.html.

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

Today's special guest is Will Tosh, Head of Research at Shakespeare's Globe, London, and the author of a new book, “Straight Acting: The Many Queer Lives of William Shakespeare.” Having answered the obvious question in the prologue, the book becomes a sort of emotional biography of Shakespeare’s private life, but uses that his life and his work to ask broader questions about Elizabethan England, and especially how they understood their own sex gender system at the time. On today's special episode, we talk about one of his contemporaries, someone probably less well known but who has been deeply influential for queer writers and theatre practitioners through the ages: Christopher Marlowe.

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SOURCES:

Lukas Erne, 'Biography, Mythography, and Criticism: The Life and Works of Christopher Marlowe', Modern Philology 103.1 (2005), 28-50 Constance Brown Kuriyama, Christopher Marlowe: A Renaissance Life (Ithaca: Cornell University Press, 2002) Stephen Orgel, 'Tobacco and Boys: How Queer Was Marlowe?', GLQ: A Journal of Lesbian and Gay Studies 6.4 (2000), 555-576 Christopher Shirley, ‘Sodomy and Stage Directions in Christopher Marlowe’s Edward(s) II’, Studies in English Literature 54.2 (2014), 279–296 Sydnee Wagner, 'New Directions: Towards a Racialized Tamburlaine', in David McInnes (ed.), Tamburlaine: A Critical Reader (London: Bloomsbury, 2020)

Our intro is Arpeggia Colorix by Yann Terrien. Our outro music is by DJ Michaeloswell Graphicsdesigner

Warning: this episode contains discussions of child sexual abuse. Listener discretion is advised. 

This week, we tackle the French author André Gide, a self-styled "immoralist" who oscillated between an austere Protestantism and a sensualism he associated with the so-called "Orient," and who elevated pederasty above sodomy in a way that helps us understand the often-disfiguring influence of upper-class male sexual desires on the construction of the 20th century gay male identity.

Pre-order our book in paperback for a free E-book!

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SOURCES:

Kadji Amin, Disturbing Attachments: Genet, Modern Pederasty, and Queer History, electronic resource, Theory Q (Durham: Duke University Press, 2017)

Andre Gide, If It Die . . .: An Autobiography, New Ed edition (New York: Vintage, 2001)

Andre Gide, The Counterfeiters (Vintage, 2012)

Andre Gide, The Immoralist, trans. Richard Howard, Reissue edition (Vintage, 2014)

Mary McAuliffe, Paris on the Brink: The 1930s Paris of Jean Renoir, Salvador Dalí, Simone de Beauvoir, André Gide, Sylvia Beach, Léon Blum, and Their Friends, Illustrated edition (Lanham Boulder New York London: Rowman & Littlefield Publishers, 2020)

George D. Painter, Andre Gide: A Critical Biography (London: Littlehampton Book Services Ltd)

Edward W. Said, Culture and Imperialism, Reprint edition (New York: Vintage, 1994).

Alan Sheridan, André Gide: A Life in the Present (Harvard University Press, 1999)

Edmund White, "On the chance that a shepherd boy...," London Review of Books, December 10, 1998, https://www.lrb.co.uk/the-paper/v20/n24/edmund-white/on-the-chance-that-a-shepherd-boy.

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

 

Today we welcome special guest (and Associate Professor in History at the University of Cambridge) Arthur Asseraf to talk about Mustapha Ben Ismaïl, a terrifyingly ambitious twink who rose from being an illiterate street beggar to Prime Minister on the strength of the king's love for him –– and whose disastrous policies helped bring an end to Tunisia's independence. 

Arthur's Twitter.

Arthur's faculty page.

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SOURCES:

Ramy Khouili & Daniel Levine-Spound, Article 230: A History of the Criminalization of Homosexuality in Tunisia, available online: https://article230.com/en/article-320-eng/…   Marcel Gandolphe, ‘Une figure tunisienne: Mustapha ben Ismaïl’, Revue tunisienne, 144, mars-avril 1921, p.83-87   Khayr al-Din al-Tunsi, Memoirs, (ed. Mohamed-Salah Mzali and Jean Pignon), Tunis, 1971.   Ibn Abi Dhiaf, Ahmad, Ithaf Ahl al-zaman bi Akhbar muluk Tunis wa 'Ahd el-Aman (إتحاف أهل الزمان بأخبار ملوك تونس وعهد الأمان), (1990 edition), Tunis.   Jean Ganiage, Les Origines du Protectorat français en Tunisie, Tunis, 1959.   Guellouz, Masmoudi, Smida, Histoire générale de la Tunisie: t.3 les temps modernes, Tunis, 1983.   Khaled el Rouayheb, Before Homosexuality in the Arab-Islamic World, 1500-1800, Chicago, 2005.   Jocelyne Dakhlia, L’Empire des passions: l'arbitraire politique en Islam, Paris, 2005.   Kenneth Perkins, A History of Modern Tunisia, Cambridge University Press, 2014.   Abdelhamid Larguèche, Les Ombres de Tunis: pauvres, marginaux et minorités aux XVIIIe et XIXe siècles, Tunis, 2000.   Abdelwahab Bouhdiba, La sexualité en islam, Paris, 1975.   Nizar ben Saad, Lella Kmar, le destin tourmenté d’une nymphe du sérail (1862-1942), Tunis.   Robert Aldrich, 'Homosexuality in the French Colonies', Journal of Homosexuality, 41:3-4, 2002   Joseph Massad, Desiring Arabs, Chicago, 2007.   Sirat Mustafa bin Isma'il (سيرة مصطفى بن اسماعيل ( edited Rashad al-Imam, Tunis, 1981   Our intro and outro music are, respectively, Arpeggia Colorix, by Yann Terrien, and a tune written for us by DJ Michael Oswell Graphic Designer.

 

Argentina, 1942: a scandal breaks. Tabloids scream about newly discovered photographs –– taken by the amateur photographer Jorge Horacio Ballvé Piñero –– at homosexual orgies in Ballvé's apartment, photos allegedly depicting young cadets from the national military university in compromising positions. 29 cadets are expelled, discharged, and/or punished, Ballvé thrown in jail, and the government collapsed, toppled by a right-wing coup promising moral cleanup. 

Pre-order our book in paperback for a free E-book!

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SOURCES:

Demaría, Gonzalo. Cacería. Primera edición. Buenos Aires: Planeta, 2020.   ———. Jugos de Amor e Guerra. Buenos Aires, Argentina: Centro Cultural de la Cooperación, 2019.   Encarnación, Omar Guillermo. Out in the Periphery: Latin America’s Gay Rights Revolution. New York: Oxford University Press, 2016.   Espinoza, Lucas E, and Rosalva Resendiz. “Los Secretos de La Redada de Los 41 (The Secrets of the Raid of the 41): A Sociohistorical Analysis of a Gay Signifier.” In NAACS Annual Conference Proceedings. San Jose State University, 2018.   Melo, Adrian. “Cadetes de San Martín | Entrevista a Gonzalo Demaría, que investiga los expedientes judiciales del conocidísimo escándalo de los cadetes.” PAGINA12, 1560903914. https://www.pagina12.com.ar/201169-cadetes-de-san-martin.  

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

She's an icon, she's a legend, and she is the moment: today’s subject caused such a scandal in her life that even its fictionalized depiction in a novel was banned by the New York Society for the Suppression of Vice. The Mozart of bisexual drama, sword-fighting crossdressing opera singer Julie D'Aubigny burned through a dizzying series of lives, loves, husbands, mistresses, swordfights, operatic performances, lovers, and successes at the Paris Opera before dying in a convent in her early 30s. 

Pre-order our book in paperback for a free E-book!

SOURCES

“Biographical Sketches and Anecdotes: Julie D’Aubigny.” In The Dublin University Magazine, 408–10. William Curry, Jun., and Company, 1854.

Blackmer, Corrine, and Patricia Juliana Smith, eds. En Travesti: Women, Gender Subversion, Opera. 0 edition. New York: Columbia University Press, 1995.

Carlton, Genevieve. “Meet The Sword-Fighting, Bisexual Opera Singer Who Broke All The Rules In 17th-Century France.” All That’s Interesting, March 3, 2022. https://allthatsinteresting.com/julie-daubigny.

Cuttle, Jade. “The Story of Julie d’Aubigny: The French Opera-Singing Sword Fighter.” Culture Trip, August 8, 2018. https://theculturetrip.com/france/articles/the-story-of-julie-daubigny-the-french-opera-singing-sword-fighter/.

Gautier, Theophile. Mademoiselle de Maupin. Translated by Patricia Duncker. Revised edition. Cambridge, London: Penguin Classics, 2005.

Giovetti, Olivia. “Women In Love.” VAN Magazine, April 9, 2020. https://van-magazine.com/mag/women-in-love/.

Harris, Joseph. Hidden Agendas: Cross-Dressing in 17th-Century France. Tübingen: Narr Dr. Gunter, 2011.

Hoddinott, Fiona Zublin, Meradith. “The Badass Rogue Who Cross-Dressed and Dueled Her Way to Infamy.” OZY(blog), January 27, 2020. http://www.ozy.com/true-and-stories/the-badass-rogue-who-cross-dressed-and-dueled-her-way-to-infamy/76908.

Interlude. “The Daring Criminal Swordswoman Who Became an Opera Star!” Interlude (blog), October 28, 2016. https://interlude.hk/lesbian-diva-swordswoman-julie-daubigny-aka-mademoiselle-maupin/.

Kelly Gardiner. “The Real Life of Julie d’Aubigny,” May 11, 2014. https://kellygardiner.com/fiction/books/goddess/the-real-life-of-julie-daubigny/.

Koestenbaum, Wayne. Queen’s Throat: Opera, Homosexuality And The Mystery Of Desire. Reprint edition. London: Da Capo Press, 2001.

“Maupin, d’Aubigny (c. 1670–1707) | Encyclopedia.Com.” Accessed January 9, 2023. https://www.encyclopedia.com/women/encyclopedias-almanacs-transcripts-and-maps/maupin-daubigny-c-1670-1707.

Tucker, Holly. City of Light, City of Poison: Murder, Magic, and the First Police Chief of Paris. Reprint edition. New York: W. W. Norton & Company, 2018.

Vitale, Alex S. The End of Policing. Updated edition. New York: Verso, 2021.

Westby, Alan. “Julie d’Aubigny: La Maupin and Early French Opera.” The Los Angeles Public Library, June 28, 2017. https://www.lapl.org/collections-resources/blogs/lapl/julie-daubigny-la-maupin-and-early-french-opera.

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

We're starting off Season Six with George Santos, who rocketed the pathological homosexual narcissism we've spent much of our show discussing to the halls of Congress. In gay bar, there is at least one delusional queen who can't stop lying about his life. If you give him firearms and crystal meth, he turns into Andrew Cunanan. If you elect him to Congress, he turns into George Santos, who we argue is as likely as anyone else to become the first gay President of the United States.

Pre-order our book in paperback for a free E-book!

SOURCES:

https://www.nytimes.com/2022/12/19/nyregion/george-santos-ny-republicans.html

https://www.theguardian.com/us-news/2019/jun/27/pete-buttigieg-police-shooting-south-bend-indiana

https://gothamist.com/news/listen-george-santos-eviction-tapes-show-him-begging-to-feed-pet-fish-mulling-public-assistance

https://forward.com/fast-forward/529798/george-santos-jewish-american-republican-congress/

https://www.independent.co.uk/news/world/americas/us-politics/george-santos-9-11-attacks-mother-lies-b2275927.html

https://www.thedailybeast.com/george-devolder-santos-maga-house-candidate-in-new-york-haunted-by-gig-at-alleged-ponzi-scheme

https://www.nytimes.com/2022/12/23/nyregion/george-santos-republican-resume.html

https://thehandbasket.substack.com/p/the-daily-santos-vol-7

https://www.vox.com/policy-and-politics/23520848/george-santos-fake-resume

https://patch.com/new-york/oysterbay/disabled-veteran-george-santos-took-3k-dying-dogs-gofundme

https://www.nytimes.com/2023/03/15/nyregion/george-santos-yacht.html

https://nymag.com/intelligencer/2023/03/the-plan-for-george-santos-magas-newest-it-girl.htm 

https://nymag.com/intelligencer/2023/03/george-santos-files-paperwork-to-run-in-2024.html

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

Happy Christmas! It's Bad Gays Live! Relive our reading of the Jack Saul chapter – covering the life and times of the Victorian sex worker and pornographer – from our book BAD GAYS: A HOMOSEXUAL HISTORY at Foyles in London, with the inimitable Shon Faye reading out the saucy bits (maybe use headphones if you're spending today with Grandma, unless you and Grandma like joking about delicious frigging up the rear), followed by a conversation with her and the audience about the project. 

Bad Gays: Season Six - Coming January 2023!

Thanks for listening!

SOURCES:

Chandler, Glenn. The Sins of Jack Saul. Surbiton, UK: Grosvenor House Publishing, 2016.

Hyde, H Montgomery. The Cleveland Street Scandal. New York: Coward, McCann & Geoghegan, 1976.

McKenna, Neil. Fanny and Stella: The Young Men Who Shocked Victorian England. London: Faber, 2014. 

Saul, Jack. The Sins of the Cities of the Plain. London: William Lazenby, 1881.

Our intro and outro music are, respectively, Arpeggia Colorix, by Yann Terrien, and a tune written for us by DJ Michael Oswell Graphic Designer.

 

It's the Magnus Hirschfeld episode. We invited Laurie Marhoefer – Jon Bridgman Endowed Professor of History at the University of Washington, and one of our most-cited historians ever – to discuss their new book on Hirschfeld, called Racism and the Making of Gay Rights: A Sexologist, His Student, and the Empire of Queer Love. On the episode, we touch on Hirschfeld's life story as a pioneering doctor who helped invent modern homosexual identities and worked on some forms of trans-affirming health care –– while also discussing the ways he integrated racism into the homosexual identities he was creating, collaborated with eugenicists, and was often willing to accept more rights for some at the expense of others. 

Our intro and outro music are, respectively, a tune written for us by DJ Michael Oswell Graphic Designer and Arpeggia Colorix, by Yann Terrien

Our UK tour has been fun -- and the US is next! Ben (sadly Huwless) will be stopping in San Francisco, LA, Chicago, New York City, and Boston in the back half of June. All the events are available for RSVP and booking –– many with great discounts on copies of the book and swag included! –– so visit badgayspod.com/book to get your spot before they're gone, as most of our UK events have sold out!

Happy Pride! We invited Ruby Hann, who completed her MA in History in 2020 and her MSc in History in 2021, both at the University of Edinburgh, to talk about Eugen Sandow, the bodybuilder who spread the cult of muscle around the world. Her research is focused on masculinity, sexuality, and the body in early twentieth century Britain. Ruby is not currently in academia, but she still occasionally writes, lectures, and attends conferences. You can follow her Twitter @RubyVolunteers to find her work. 

Our book is available at badgayspod.com/book along with tour dates in the US and the UK!

SOURCES:

Budd, M. A. The Sculpture Machine: Physical Culture and Body Politics in the Age of Empire. New York: New York University Press, 1997.

Chapman, David. Sandow the Magnificent: Eugen Sandow and the Beginnings of Bodybuilding. Urbana: University of Illinois Press, 1994.

Dyer, Richard. White: Twentieth Anniversary Edition, 2nd ed. London: Routledge, 2017.

Waller, David. The Perfect Man: The Muscular Life and Times of Eugen Sandow, Victorian Strongman. Brighton: Victorian Secrets Limited, 2011.

Waugh, Thomas. Hard to Imagine: gay male eroticism in photography and film from their beginnings to Stonewall. New York: Columbia University Press, 1996.

Brauer, Fae. ‘Virilizing and Valorizing Homoeroticism: Eugen Sandow’s Queering of Body Cultures Before and After the Wilde Trials’, Visual Culture in Britain 18:1 (2017), 35–67.

Conrad, Sebastian. ‘Globalizing the Beautiful Body: Eugen Sandow, Bodybuilding, and the Ideal of Muscular Manliness at the Turn of the Twentieth Century’, Journal of World History 32:1 (2021), 95–125.

Elledge, Jim. ‘Eugen Sandow’s gift to gay men’, The Gay & Lesbian Review Worldwide 18:4 (2011).

Mullins, Greg. ‘‘Nudes, Prudes, and Pigmies: The Desirability of Disavowal in "Physical Culture"’, Discourse 15:1 (1992), 27–48.

Snow, K. Mitchell. ‘Does this fig leaf make me look gay? Strongmen, statue posing and physique photography’, Early Popular Visual Culture 17:2 (2019), 135–155.

Watt, Carey A. ‘Cultural Exchange, Appropriation and Physical Culture: Strongman Eugen Sandow in Colonial India, 1904–1905’, The International Journal of the History of Sport 33:16 (2016), 1921–1942.

Our book, Bad Gays: A Homosexual History is now available for pre-order from Verso –– and we're making many, many stops across every corner of Great Britain (Northern Ireland, we're sorry and we'll be there soon) to promote it, including three stops in London and stops in Oxford, Cambridge, Edinburgh, Manchester, Glasgow, Bristol, and Cardiff. All the events are available for RSVP and booking –– many with great discounts on copies of the book and swag included! –– so visit badgayspod.com/book to get your spot before they're gone.

We close out our season with the story of a dashing tomboy who was the first woman to found a British political party. The only problem: that party was the British Fascists. 

Subscribe to EXTRA BAD GAYS, our monthly conversation about queer life, culture, and politics.

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SOURCES:

Colin Cross, The Fascists in Britain (London: Saint Martin's Press, 1963)

Julie Gottlieb, Feminine Fascism: Women in Britain's Fascist Movement, 1923-1945 (London: Bloomsbury, 2021)

Asa Seresin, "Lesbian Fascism on TERF Island," 2021 https://asaseresin.com/2021/02/11/lesbian-fascism-on-terf-island/

Richard Thurlow, Fascism in Britain: From Oswald Mosley's Blackshirts to the National Front (London: I. Thurbis, 1998)

Edward White, "Conservatism with Knobs On," The Paris Review, December 2, 2016, https://www.theparisreview.org/blog/2016/12/02/conservatism-with-knobs-on/ 

Our intro music is Arpeggia Colorix by Yann Terrien. Our outro music is by DJ Michaeloswell Graphicsdesigner.

For white, suburban, heterosexual middle America, Jeffrey Dahmer, like AIDS, was the natural, even the righteous, consequence of homosexual promiscuity. He remains one of the exemplary constructions of the supervillain serial killer, the perfect subject of a true crime story. Today’s episode is about Jeffrey Dahmer as man and metaphor: about the phenomenon of the serial killer-monster, about the ways in which homophobia, racism, and the various true crime myths Dahmer helped reify ironically impeded his arrest and enabled his crimes, and about the twisted, slap-happy identification with Dahmer pursued by some gay men.

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SOURCES:

ABC News. “Jeffrey Dahmer Hero Charged With Homicide.” ABC News. Accessed March 15, 2022. https://abcnews.go.com/US/jeffrey-dahmer-hero-tracy-edwards-charged-homicide/story?id=14853608.

Barron, James. “Milwaukee Police Once Queried Suspect.” The New York Times, July 27, 1991, sec. U.S. https://www.nytimes.com/1991/07/27/us/milwaukee-police-once-queried-suspect.html.

AP NEWS. “Dahmer Case Raises Complaints of Racism With PM-Dahmer Confession, Bjt.” Accessed March 15, 2022. https://apnews.com/article/6452017abebdb9eaa87e90817bf59b7e.

AP NEWS. “Dahmer Tells Judge He Blames Nobody But Himself With PM-, AM-Dahmer Sentencing, Bjt.” Accessed March 15, 2022. https://apnews.com/article/49045923cf0d3c1a0ffc82eda398b935.

AP NEWS. “Dahmer Tells Judge He Blames Nobody But Himself With PM-, AM-Dahmer Sentencing, Bjt.” Accessed March 15, 2022. https://apnews.com/article/49045923cf0d3c1a0ffc82eda398b935.

Davis, Donald A. The Jeffrey Dahmer Story: An American Nightmare. St. Martin’s Paperbacks, 1991.

Gage, Gabriella. “True Crime’s Deceits: The Genrefication of Tragedy.” Los Angeles Review of Books, June 21, 2021. https://lareviewofbooks.org/article/true-crimes-deceits-the-genrefication-of-tragedy/.

Masters, Brian. The Shrine of Jeffrey Dahmer. London: Hodder & Stoughton, 1993.

O’Brien, Brendan. “Homeless Man Who Escaped Cannibal Serial-Killer Jeffrey Dahmer Gets Prison Sentence.” National Post, January 24, 2012. https://nationalpost.com/news/homeless-man-who-escaped-canibal-serial-killer-jeffrey-dahmer-gets-prison-sentence.

Sarah McGonagall. “Did You Know? In 1991 Officer John Balcerzak Was Fired after Handing 14 Year-Old Konerak Sinthasomphone Back to the Man He Had Just Escaped from despite Two Bystanders Begging the Officer Not to. Later That Night, Konerak Was Tortured and Killed by That Same Man - Jeffrey Dahmer.” Tweet. @gothspiderbitch (blog), June 19, 2020. https://twitter.com/gothspiderbitch/status/1273785359869116421.

Toofab. “The Racist Reason White Cops Handed a Dying 14-Year-Old Back to Jeffrey Dahmer.” Accessed March 15, 2022. https://toofab.com/2020/06/19/white-cops-handed-a-dying-14-year-old-back-to-jeffrey-dahmer/.

Tithecott, Richard, and James R. Kincaid. Of Men and Monsters: Jeffrey Dahmer and the Construction of the Serial Killer. Madison: University of Wisconsin Press, 1997.

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

 

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It's a dog day afternoon: today's episode profiles the bank robber John Wojtowicz, who infamously (and as memorialized in Sidney Lumet's 1975 film DOG DAY AFTERNOON) held up a bank in 1972 to pay for gender-affirming surgery for Elizabeth Eden, his trans girlfriend. Or did he? We take a look, using the story to think through 1972 as a fault line for emerging attitudes about homosexuality and trans femininity, Wojtowicz' surprising involvement in early gay liberation activism in New York City, the DOG DAY AFTERNOON phenomenon and what it says about growing distinctions between gay men and trans women and how they were represented and compensated, and the ethical complications of Wojtowicz as a figure in history and in historical memory.

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Update:

Thanks to listener Ziz for pointing out that trans actress Elizabeth Coffey –– one of the legendary ensemble of Dreamlanders who starred in the films of extremely good gay John Waters –– was up for the role of the character in Dog Day Afternoon based on Eden and was turned down for looking ‘too feminine.’ This adds important context regarding the filmmakers’ transphobia and questions of representation and compensation in the film.

SOURCES

Check out trans historian Zagria’s three part series on Eden and Wojtowicz, with links to some fantastic digitized primary sources at the end: Zagria,  "Liz Eden and Dog Day Afternoon,” (three-part series), Gender Variance Who's Who.   -  https://zagria.blogspot.com/2020/08/liz-eden-and-dog-day-afternoon-part-i.html

- https://zagria.blogspot.com/2020/08/liz-eden-and-dog-day-afternoon-part-ii.html

 - https://zagria.blogspot.com/2020/08/liz-eden-and-dog-day-afternoon-part-iii.html

 

Check out Morgan M. Page’s show One From The Vaults, you might want to start here with her three-part series on Street Transvestite Action Revolutionaries:

Morgan M Page, “OFTV 3: STAR House, STAR People,” accessed March 1, 2022, https://soundcloud.com/onefromthevaultspodcast/oftv-3-star-house-star-people-1.

Anthony Macias, “Gay Rights and The Reception of Dog Day Afternoon (1975),” Film & History: An Interdisciplinary Journal 48, no. 1 (2018): 45–56.

Arthur Bell, “Littlejohn & the Mob: Saga of a Heist,” The Village Voice, Vol. XVII, No. 35, August 31, 1972, https://www.villagevoice.com/2011/03/11/the-bank-robbery-that-would-become-dog-day-afternoon/.

“The Boys In The Bank,” LIFE Magazine September 22, 1972, LIFE Magazine 

Garance Franke-Ruta, “The Prehistory of Gay Marriage: Watch a 1971 Protest at NYC’s Marriage License Bureau,” The Atlantic, March 26, 2013, https://www.theatlantic.com/politics/archive/2013/03/the-prehistory-of-gay-marriage-watch-a-1971-protest-at-nycs-marriage-license-bureau/274357/.

Lisa Photos, “The Dog and the Last Real Man,” Journal of Bisexuality 3, no. 2 (March 1, 2003): 43–68, https://doi.org/10.1300/J159v03n02_04.

Liz Eden Papers, Collection 6, The Lesbian, Gay, Bisexual, and Transgender Community Center Archive, New York City, New York (digitized) Morgan M. Page, “It Doesn’t Matter Who Threw the First Brick at Stonewall,” June 30, 2019, https://www.thenation.com/article/archive/trans-black-stonewall-rivera-storme/.

“The Man Who Robbed a Bank for Love,” BBC News, February 16, 2015, sec. Magazine, https://www.bbc.com/news/magazine-31457718.

Regan Reid, “Talking To the Directors Who Made a Doc About the Real Guy Behind ‘Dog Day Afternoon,’” Vice (blog), August 18, 2014, https://www.vice.com/en/article/bn3pd5/talking-to-the-directors-who-made-a-doc-about-the-real-guy-behind-dog-day-afternoon-342.

Susan Stryker, Transgender History: The Roots of Today’s Revolution second ed., (New York: Seal Press, 2008).

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

Unusually for this show, which normally focuses on long departed historical figures, today we’re going to talk about someone who’s still very much in the news. Until last week, she was the Commissioner of the Metropolitan Police, London’s police force, and was the first woman and the first LBGTQ person to hold the rank, Dame Cressida Dick. Today, part two of two: we discuss Dick's tenure at the Metropolitan Police, the extrajudicial murder of Jean Charles de Menezes, Dick's cynical deployment of her identity to deflect critique, the spy cops scandal, the botched investigation into gay serial killer Stephen Port, the Met's dismal record on race, and the protests that finally forced Dick out.

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SOURCES:

Ramzy Alwakeel, “I Covered Stephen Port’s Murders. I Know Cressida Dick’s Departure Isn’t Enough,” OpenDemocracy, accessed February 22, 2022, https://www.opendemocracy.net/en/opendemocracyuk/cressida-dick-resignation-met-police-stephen-ports-murders/

Anonymous, “Gangs Violence Matrix and Black Londoners,” Text, Mayor’s Question Time, December 10, 2018, https://www.london.gov.uk/questions/2018/5242

Jason Bennetto, “We Are Still Racist, Police Chief Admits,” The Independent, April 21, 2003, sec. News, https://www.independent.co.uk/news/uk/crime/we-are-still-racist-police-chief-admits-116145.html

Owen Bowcott and Owen Bowcott Legal affairs correspondent, “Jean Charles de Menezes: Family Lose Fight for Police Officers to Be Prosecuted,” The Guardian, March 30, 2016, sec. UK news, https://www.theguardian.com/uk-news/2016/mar/30/jean-charles-de-menezes-police-officers-shouldshould-not-be-prosecuted-echr

Graham Bowley, “Police Erred in Shooting in London, Report Finds,” The New York Times, August 18, 2005, sec. World, https://www.nytimes.com/2005/08/18/world/europe/police-erred-in-shooting-in-london-report-finds.html

Caroline Davies, “Stephen Port Laptop Not Inspected until He Had Killed Three Times, Inquest Told,” The Guardian, October 13, 2021, sec. UK news, https://www.theguardian.com/uk-news/2021/oct/13/stephen-port-laptop-not-inspected-until-he-had-killed-three-times-inquest-told

Vikram Dodd and Dan Sabbagh, “Daniel Morgan Murder: Inquiry Brands Met Police ‘Institutionally Corrupt,’” The Guardian, June 15, 2021, sec. UK news, https://www.theguardian.com/uk-news/2021/jun/15/daniel-morgan-met-chief-censured-for-hampering-corruption-inquiry

Jamie Grierson and Jamie Grierson Home affairs correspondent, “Met Carried out 22,000 Searches on Young Black Men during Lockdown,” The Guardian, July 8, 2020, sec. Law, https://www.theguardian.com/law/2020/jul/08/one-in-10-of-londons-young-black-males-stopped-by-police-in-may

Mark Hughes, “Seven Mistakes That Cost De Menezes His Life,” The Independent, December 13, 2008, sec. News, https://www.independent.co.uk/news/uk/crime/seven-mistakes-that-cost-de-menezes-his-life-1064466.html

Marina Hyde, “Farewell, Cressida Dick, the Met Chief Only Interested in One Thing: Ignoring Bad Coppers,” The Guardian, February 11, 2022, sec. Opinion, https://www.theguardian.com/commentisfree/2022/feb/11/farewell-cressida-dick-the-met-chief-only-interested-in-one-thing-ignoring-bad-coppers

Paul Lewis and Rob Evans, “Secrets and Lies: Untangling the UK ‘spy Cops’ Scandal,” The Guardian, October 28, 2020, sec. UK news, https://www.theguardian.com/uk-news/2020/oct/28/secrets-and-lies-untangling-the-uk-spy-cops-scandal

Ben Quinn, “Macpherson Report: What Was It and What Impact Did It Have?,” The Guardian, February 22, 2019, sec. UK news, https://www.theguardian.com/uk-news/2019/feb/22/macpherson-report-what-was-it-and-what-impact-did-it-have

Alex S. Vitale, “Cressida Dick Isn’t the Problem. The Police Are the Problem,” OpenDemocracy, accessed February 22, 2022, https://www.opendemocracy.net/en/opendemocracyuk/cressida-dick-metropolitan-police-alex-vitale/

“Trapped in the Gangs Matrix” (Amnesty International, May 2020), https://www.amnesty.org.uk/london-trident-gangs-matrix-metropolitan-police

“Review Identifies Eleven Opportunities for the Met to Improve on Stop and Search | Independent Office for Police Conduct” (Independent Office for Police Conduct, October 2020), https://www.policeconduct.gov.uk/news/review-identifies-eleven-opportunities-met-improve-stop-and-search

“Stephen Port: How Met Failings Contributed to the Deaths of Three Men,” BBC News, December 10, 2021, sec. UK, https://www.bbc.com/news/uk-59576717.

We also encourage people listening to this episode to learn more about organizations combating police violence. Here are some organizations in the UK and around the world engaged in activist work related to this episode:

 

London Campaign against Police and State Violence http://lcapsv.net/

United Friends and Families Campaign https://uffcampaign.org/

Sisters Uncut https://www.sistersuncut.org/

Inquest  - a charity that focuses on getting truth and accountability for state related deaths https://www.inquest.org.uk/

https://policespiesoutoflives.org.uk/

 

Kampagne für Opfer Rassistische Polizeigewalt Berlin: https://kop-berlin.de/   Critical Resistance resources on police abolition for US listeners: https://criticalresistance.org/abolish-policing/   Also, follow local Copwatches on Twitter:

@HackneyCopWatch @N15Copwatch @LambethCopwatch @CopwatchSthwrk @bizziewatch @MCRcopwatch @BristolCopwatch

@KidsOfColourHQ @npolicemonitor 

 

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

Unusually for this show, which normally focuses on long departed historical figures, today we’re going to talk about someone who’s still very much in the news. Until last week, she was the Commissioner of the Metropolitan Police, London’s police force, and was the first woman and the first LBGTQ person to hold the rank, Dame Cressida Dick. Today, part one of two: we begin telling Dick's life story and then delve into the history of the Met, its relationship with LGBTQ people, and the conflicting strands of LGBTQ politics that emphasize conflict vs collaboration with the police. Next week: more on Dick herself and her checkered career in the force.

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SOURCES:

Many of the sources we used to research this episode will be cited in next week's show notes. For this week:

Matt Houlbrook, Queer London: Perils and Pleasures in the Sexual Metropolis, 1918-1957 (Chicago, IL: University of Chicago Press, 2006

Moya Lothian-Maclean, “Lords of the Manor,” Human Resources, accessed February 15, 2022, https://podcasts.apple.com/gb/podcast/human-resources/id1565249472.

Asa Seresin, “Lesbian Fascism on TERF Island,” Asa Seresin (blog), February 11, 2021, https://asaseresin.com/2021/02/11/lesbian-fascism-on-terf-island/

“‎Untold: The Daniel Morgan Murder,” accessed February 15, 2022, https://podcasts.apple.com/gb/podcast/untold-the-daniel-morgan-murder/id1114802610.

We also encourage people listening to this episode to learn more about organizations combating police violence. Here are four organizations in the UK related to this episode - next week we will add more resources to the show notes with similar groups in the other areas where we have the highest listenership:

 

• London Campaign against Police and State Violence http://lcapsv.net/
• United Friends and Families Campaign https://uffcampaign.org/
• Sisters Uncut https://www.sistersuncut.org/
• Inquest  - a charity that focuses on getting truth and accountability for state related deaths https://www.inquest.org.uk/

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

For a time, one of the world's most famous rock stars – singer of stadium rock anthems that still signify foot-stomping machismo – existed as an avatar of the most exuberant, feared, liberation-era forms of homosexuality: going from a 1970s long hair in skin-tight leotards cut to the navel to a Castro clone with a handlebar moustache who wore fisting T-shirts in his music videos. If the legacy of Mercury and his music often seems to smooth his work, and that of his band, Queen, into a sort of middle-aged, KISS FM everyday normality, here we lean into the contradictions of the charismatic man and the nuances of queer life in the 1970s and 1980s.

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SOURCES

John Harris, “The Sins of St Freddie,” The Guardian, January 14, 2005, sec. Music, https://www.theguardian.com/music/2005/jan/14/2

Jim Hutton and Tim Wapshott, Mercury and Me (London: Bloomsbury, 1995); Lesley-Ann Jones, Bohemian Rhapsody: The Definitive Biography of Freddie Mercury (London: Touchstone Press, 2012)

Matt Richards and Mark Langthorne, Somebody to Love: The Life, Death and Legacy of Freddie Mercury (London: Weldon Owen, 2016)

“Remembering Queen’s Infamous 1981 Tour of South America,” Remezcla (blog), accessed February 8, 2022, https://remezcla.com/features/music/we-remember-queens-infamous-tour-of-latin-america/

 

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

A very special opera queen episode profiling an opera queen gone wrong: the Italian opera and film director (of 1968's famous Romeo and Juliet) who fought fascists as a partisan in the hills over Florence, mingled with Visconti and Cocteau and Marais and Chanel, and directed Callas in many of her mid-career triumphs before beginning to harden his style from lush realism to a celebration of set decoration above all. Zeffirelli, born at a time when the last composers whose works still fill the grand opera repertory were dying, faced, like all practitioners of the operatic arts in the 20th century, a choice between making living theatre or dead, ten-ton museum pieces. He chose the museum-piece approach and in so doing did tremendous artistic damage.

CONTENT WARNING: THIS EPISODE DISCUSSES CHILDHOOD SEXUAL ABUSE AND RACIST LANGUAGE.

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See Callas in Tosca in 1964 here.

See Leontyne Price's costumes for Antony and Cleopatra here and  here.

See Zeffirelli's MET Opera Turandot set here.

See Waltraud Meier sing the Liebestod here.

SOURCES:

Duane Byrge, “Franco Zeffirelli, Oscar-Nominated Director for ‘Romeo and Juliet,’ Dies at 96,” The Hollywood Reporter (blog), June 15, 2019, https://www.hollywoodreporter.com/news/general-news/franco-zeffirelli-dead-romeo-juliet-920639/

Rachel Donadio, “Maestro Still Runs the Show, Grandly,” The New York Times, August 18, 2009, sec. Arts, https://www.nytimes.com/2009/08/19/arts/music/19zeffirelli.html

Roger Ebert, “Romeo and Juliet Movie Review (1968) | Roger Ebert,” accessed January 31, 2022, https://www.rogerebert.com/reviews/romeo-and-juliet-1968

Johanna Fiedler, Molto Agitato: The Mayhem behind the Music at the Metropolitan Opera (New York: Anchor Books, 2003)

 Jonathan Kandell, “Franco Zeffirelli, Italian Director With Taste for Excess, Dies at 96,” The New York Times, June 15, 2019, sec. Arts, https://www.nytimes.com/2019/06/15/arts/music/franco-zeffirelli-dead.html

Rebecca Keegan, “The Dark Side of Franco Zeffirelli: Abuse Accusers Speak Out Upon the Famed Director’s Death,” The Hollywood Reporter (blog), June 18, 2019, https://www.hollywoodreporter.com/movies/movie-news/franco-zeffirelli-abuse-accusers-speak-1219298/

Wayne Koestenbaum, The Queen’s Throat: Opera, Homosexuality, and the Mystery of Desire (London: Da Capo Press, 2001)

Barbara McMahon, “Zeffirelli Tells All about Priest’s Sexual Assault,” The Guardian, November 21, 2006, sec. World news, https://www.theguardian.com/world/2006/nov/21/books.film

 Peter Murphy, “Bruce Robinson Interview,” The New Review, accessed January 31, 2022, https://web.archive.org/web/20070707184620/http://www.laurahird.com/newreview/brucerobinson.html

John J. O’Connor, “TV Review; Zeffirelli’s Lavish ‘Turandot’ at the Met Opera,” The New York Times, January 27, 1988, sec. Arts, https://www.nytimes.com/1988/01/27/arts/tv-review-zeffirelli-s-lavish-turandot-at-the-met-opera.html

Neda Ulaby, “Franco Zeffirelli, Creator Of Lavish Productions On Screen And Stage, Dies At 96,” NPR, June 15, 2019, sec. Obituaries, https://www.npr.org/2019/06/15/514094174/franco-zeffirelli-creator-of-lavish-productions-on-screen-and-stage-dies-at-96

Daniel J. Wakin, “For Opening Night at the Metropolitan, a New Sound: Booing,” The New York Times, September 22, 2009, sec. Arts, https://www.nytimes.com/2009/09/23/arts/music/23opera.html

Franco Zeffirelli, Zeffirelli: The Autobiography of Franco Zeffirelli, 1st American ed (New York: Weidenfeld & Nicolson, 1986)

“Opera: ‘Falstaff’ Staged by Zeffirelli; New Production of the Met Is Magnificent; Bernstein Conducts —Colzani in Title Role,” The New York Times, March 7, 1964, sec. Archives, https://www.nytimes.com/1964/03/07/archives/opera-falstaff-staged-by-zeffirelli-new-production-of-the-met-is.html

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

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Are you ready to have your timbers shivered and your mainbrace spliced? Today’s subject is a mysterious one, a historical figure whose life and reputation are confused by propaganda, romance and mythology: the Irish pirate Anne Bonny. We'll use her story to discuss gender, race, and class in the Golden Age of Piracy.

Visit www.badgayspod.com for an episode archive, a link to pre-order our book, and more information about the show.

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SOURCES:

B. R. Burg, Sodomy and the Pirate Tradition: English Sea Rovers in the Seventeenth-Century Caribbean (New York: New York University Press, 1995)

David Cordingly, Women Sailors and Sailors’ Women: An Untold Maritime History (Random House, 2001)

Philip Gosse, The History of Piracy (Mineola: Dover Publications, 2012)

Charles Johnson and David Cordingly, A General History of the Robberies & Murders of the Most Notorious Pirates (Guilford, Conn: Lyons Press, 2010)

Ulrike Klausmann, Marion Meinzerin, and Gabriel Kuhn, Women Pirates and the Politics of the Jolly Roger (Montreal: Black Rose Books, 1997)

Peter Linebaugh and Marcus Rediker, The Many-Headed Hydra: Sailors, Slaves, Commoners, and the Hidden History of the Revolutionary Atlantic, Second edition (Boston: Beacon Press, 2013)

Marcus Rediker, Villains of All Nations: Atlantic Pirates in the Golden Age (Boston: Beacon Press, 2011)

Marcus Rediker, The Amistad Rebellion: An Atlantic Odyssey of Slavery and Freedom (New York, NY: Penguin Books, 2013)

Marcus Rediker, Outlaws of the Atlantic: Sailors, Pirates, and Motley Crews in the Age of Sail (Verso Books, 2014)

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

The "Eulenberg Affair," a series of media scandals about homosexual behavior at the highest levels of the German Imperial court, dragged on in the press for years as it made and broke careers in journalism, sexology, and the court while helping define both Imperial Germany’s relationship to masculinity and the emerging homosexual emancipation movements. Plus drag ballet, Wagnerists, extremely racist paintings, songs about roses, and moustaches with names.

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SOURCES:

SOURCES:

Robert Beachy, Gay Berlin: Birthplace of a Modern Identity (New York: Vintage, 2014)

Miranda Carter, “What Happens When a Bad-Tempered, Distractible Doofus Runs an Empire?,” The New Yorker, June 6, 2018, https://www.newyorker.com/culture/culture-desk/what-happens-when-a-bad-tempered-distractible-doofus-runs-an-empire

Norman Domeier, “The Homosexual Scare and the Masculinization of German Politics before World War I,” Central European History 47, no. 4 (2014): 737–59

Norman Domeier, “Scandal & Science – The Power of Sexology in the Eulenburg Affair, 1906-1909,” n.d., http://www.hist.ceu.hu/conferences/graceh/abstracts/domeier_norman.pdf

Martin B. Duberman, Jews, Queers, Germans: A Novel/History, Seven Stories Press first edition (New York ; Oakland: Seven Stories Press, 2017)

John C. G. Röhl, The Kaiser and His Court: Wilhelm II and the Government of Germany, trans. Terence F. Cole, 1st ed. (Cambridge University Press, 1994)

Alex Ross, Wagnerism: Art and Politics in the Shadow of Music (New York: Picador Farrar, Straus and Giroux, 2021)

Klaus Theweleit, Male Fantasies, Theory and History of Literature, v. 22-23 (Minneapolis, Minn.: University of Minnesota Press, 1987).

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

The 15-second clip of "Monatsrose" by Philipp, Prince of Eulenburg is sung by tenor Marcel Wittrisch with orchestra and organ conducted by Bruno Seidler-Winkler: https://www.youtube.com/watch?v=Mq2XXG8JRNU

 

This Nazi diplomat was assassinated by the Jewish activist Herschel Grynszpan –– and his death became a pretext for the murderous pogroms of Kristallnacht. Grynszpan's lawyer, the flamboyant anti-fascist Vincent de Moro-Giafferi, pioneered in this case what was perhaps the first –– and only morally good –- use of some version of a 'gay panic' or ‘gay blackmail’ defense. But was vom Rath actually gay?

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SOURCES:

Jonathan Kirsch, The Short, Strange Life of Herschel Grynszpan: A Boy Avenger, a Nazi Diplomat, and a Murder in Paris, First Edition (New York: Liveright Publishing Corporation, A Division of W.W. Norton & Company, 2013)

Museum of Jewish Heritage, The Forgotten Life of Herschel Grynszpan, 2021, https://www.youtube.com/watch?v=SLl_iK1xiiE;

Gerald Schwab, The Day the Holocaust Began: The Odyssey of Herschel Grynszpan (New York: Praeger, 1990).

The eccentric inheritor of an enormous oil fortune and gender non-conforming-lesbian-trans man (we'll talk about it!) who dated Marlene Dietrich, raced speedboats, and turned their private Bahamian island into a domain over which they ruled over native people with an iron fist while allowing themselves and their guests every possible eccentricity and pleasure. All this accompanied by their lifelong companion: a foot-tall leather doll named Lord Tod Wadley.

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SOURCES

Michael Craton, A History of the Bahamas, 3rd ed (Waterloo, Ont., Canada: San Salvador Press, 1986).

Kate Summerscale, The Queen of Whale Cay (New York: Viking, 1998).

“Obeah: ‘Magical Art of Resistance,’” Early Caribbean Digital Archive (blog), September 2, 2018, https://ecda.northeastern.edu/home/about-exhibits/obeah-narratives-exhibit/

Tom Cheshire, “Boss of the Bahamas,” The Rake, accessed December 20, 2021, https://therake.com/stories/icons/joe-carstairs/.

Zora Neale Hurston, “‘Bahamain Obeah’ (1931),” Bahamian Fragments: Bits and Pieces from the History of the Bahamas, accessed December 20, 2021, http://www.jabezcorner.com/Grand_Bahama/Ten%20Ten/hurston1.htm

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

Enjoy a sneak preview of EXTRA BAD GAYS, our monthly, subscriber-only show on contemporary queer politics and culture. For the full episode and a new episode every month, click 'subscribe' on Apple Podcasts or join our Patreon by clicking here.

Francis Bacon was an artist whose radical generosity teetered on the edge of self-obliteration –– and he sometimes pulled others over the edge with him. Many of our listeners will be familiar with Bacon’s work, or at least would recognise his idiosyncratic style if they saw it; sweeps of fleshy paint across black fields of colour, portraying contorted, mangled bodies, racks of hanging meat, and the iconic screaming mouth. But Bacon is almost as famous for the way he lived his life: his raucous partying, brutal barbed tongue, and love of boozing made him an emblem of London’s bohemian Soho scene. What linked his work and his life was an obsession with violence, something that he knew intimately. 

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Daniel Farson, The Gilded Gutter Life of Francis Bacon (New York: Pantheon Books, 1993)

John Maybury et al., Love Is the Devil: Study for a Portrait of Francis Bacon, Biography, Drama, Romance (BBC Films, British Film Institute (BFI), Arts Council of England, 1998)

Michael Peppiatt, Francis Bacon: Anatomy of an Enigma (Abingdon-on-Thames: Routledge, 2019)

Richard Curson Smith et al., Francis Bacon: A Brush with Violence, Documentary, Biography (IWC Media, 2017)

David Sylvester, Interviews with Francis Bacon, Third edition (New York, NY: Thames & Hudson, 2016).

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

Not a huge amount is known about Pacchierotto, a sodomite who was convicted and publicly humiliated in Florence, Italy, in 1486, but his story tells us much about the changing fortunes of sodomites at the time, and the important role they played in the politics of the time. In this special episode, Huw talks to Max Fox, editor of Christopher Chitty's Sexual Hegemony: Statecraft, Sodomy, and Capital in the Rise of the World System about Florentine sodomy in the Renaissance, and Chitty's groundbreaking new book. ----more----   Sources:   Chitty, Christopher, Sexual Hegemony: Statecraft, Sodomy, and Capital in the Rise of the World System, Duke University Press, 2020   Rocke, Michael, Forbidden Friendships: Homosexuality and Male Culture in Renaissance Florence, Oxford University Press, 1996   Online Digital Map: Flynn, Aidan, Sodomy and The City: Mapping Fear, Surveillance, Sexuality, and Punishment, University of Toronto, 2018 https://utoronto.maps.arcgis.com/apps/MapJournal/index.html?appid=590a95cd059240388f003c49cd722dc9   Scelta di prediche e scritti di fra Girolamo Savonarola. [A cura di] P. Villari [e] E. Casanova. Con nuovi documenti intorno alla sua vita, https://archive.org/details/sceltadiprediche00savo

The crimes, trial and execution of Utah citizen and devout Mormon Arthur Gary Bishop seemed to be the manifestation of many of both the public fears and moral panics of the United States in the 1980s. 'Stranger Danger', pornography, homosexuality and childhood sexual abuse became the focus of heated public debate and new religiously-inspired political organisations such as the Moral Majority. Huw is joined by David Eichert, a PhD candidate studying international law, sexual violence, gender and sexuality, to discuss Bishop, his relationship with his Mormon faith, and wider social attitudes towards his crimes.

Visit our website for t-shirts, an episode archive, and more.

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SOURCES:

Carlisle, Al, The Mind of the Devil: The Cases of Arthur Gary Bishop and Westley Allan Dodd, Carlisle Legacy Books, 2020 Petrey, Taylor G., Tabernacles of Clay: Sexuality and Gender in Modern Mormonism, University of North Carolina Press, 2020 Nathan, Debbie and Snedeker, Michael, Satan's Silence: Ritual Abuse and the Making of a Modern American Witch Hunt, iUniverse, 2001 Strub, Whitney, Perversion for Profit: The Politics of Pornography and the Rise of the New Right, Columbia University Press, 2013

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

 

On the (in)famous author of the George Miles cycle, The Sluts, and many other classic works of radically transgressive gay fiction. Joining Ben to tackle Cooper's work–as challenging to traditional notions of identity-driven and self-consciously pretty gay fiction as it is to the hetero mainstream–is Diarmuid Hester, a radical cultural historian of the United States after 1950, and an authority on sexually dissident literature, art, film, and performance. He is based at the Faculty of English, University of Cambridge, and is the author of the acclaimed new critical biography of Cooper, Wrong.

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SOURCES:

Cooper, Dennis. The Sluts. New York: Da Capo Press, 2004.

Cooper, Dennis. The George Miles Cycle. Five novels, information available here: http://www.dennis-cooper.net/georgemiles.htm.

Hester, Diarmuid. Wrong: A Critical Biography of Dennis Cooper. Iowa City: The University of Iowa Press, 2020.

Dennis Cooper's blog.

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

Violette Morris, a powerhouse athlete with 14-inch biceps, discovered a love for trousers and fast driving while piloting ambulances for the Red Cross during the First World War. But her outrageous and mannish style – she dated Josephine Baker, smoked, and cut her breasts off to better fit behind the wheel of a race car – outraged the respectable upper-middle-class world of women's athletics. And when she was cast out of respectable society, she became a Nazi spy and a sadistic torturer known as the "hyena of the Gestapo."

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SOURCES:

Colvin, Kelly Ricciardi. Gender and French Identity after the Second World War, 1944-1954: Engendering Frenchness. London ; New York, NY: Bloomsbury Academic, 2017. Doyle, Jack. “How a Pioneering Lesbian Became the Nazis’ ‘Hyena.’” OZY, May 25, 2015. http://test-2017-elb-web-us-west-2.aws.ozymandias.com/flashback/how-a-pioneering-lesbian-became-the-nazis-hyena/40366. Kessler, Martin. “Violette Morris: Pioneering Female Athlete Turned Nazi Spy.” WBUR, February 24, 2017. https://www.wbur.org/onlyagame/2017/02/24/gestapo-hitler-book-anne-sebba. Mansky, Jackie, and Maya Wei-Haas. “The Rise of the Modern Sportswoman.” Smithsonian Magazine, August 18, 2016. https://www.smithsonianmag.com/science-nature/rise-modern-sportswoman-180960174/. Papirblat, Shlomo. “Sporting Champion, Feminist Icon, Nazi Spy? The Extraordinary Life of Violette Morris.” Haaretz.Com. Accessed December 21, 2020. https://www.haaretz.com/life/books/.premium-sporting-champion-feminist-icon-nazi-spy-the-crazy-life-of-violette-morris-1.6869492. Stryker, Susan. Transgender History. Seal Press, 2008. FemBio: Frauen.Biografieforschung. “Violette Morris.” Accessed December 21, 2020. https://www.fembio.org/biographie.php/frau/biographie/violette-morris/.  

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

 

Camilla Christine Hall was born on March 24th, 1945, in St Peter Minnesota. Her father was a Lutheran pastor, and her childhood was suburban and unremarkable. Like many of her generation, she would become involved in the anti-war movement and the New Left; unlike many of her generation, she would also become involved in Gay Liberation, and a  strange cult-like organization called the Symbionese Liberation Army, which became infamous for bank robberies, murders –– and the 1974 kidnapping of heiress Patty Hearst.

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SOURCES:

Hearings, Reports and Prints of the United States House   Committee on Internal Security.

Honig, Harvey Hilbert. “A Psychobiographical Study of Camilla Hall.” Loyola University of Chicago, 1979. https://ecommons.luc.edu/luc_diss/1788. Lauters, Amy. “On Camilla Hall.” Amy Lauters On Everything (blog), September 3, 2020. https://amylauters.com/2020/09/03/on-camilla-hall/. Matusitz, Jonathan Andre, and Elena Berisha. Female Terrorism in America: Past and Current Perspectives. Contemporary Terrorism Studies. Abingdon-on-Thames: Routledge, 2020.  

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

Gertrude Stein is remembered as a novelist, playwright, poet, and, art collector –– and the hostess of a Paris salon that gathered the cream of interwar modernism, including Picasso, Hemingway, Fitzgerald, and Matisse. A semi-open lesbian, her books include Q.E.D., one of the earliest English-language lesbian novels, and Tender Buttons, a book of poems full of allusion to lesbian sexuality. But in the last years of her life, as a Jew living in Nazi-occupied France, Stein sustained her lifestyle as an art collector and ensured her safety through the protection of powerful Vichy government officials – part of a pattern of involvement in far-right, antisemitic, and fascist politics. 

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SOURCES:

Johnston, Georgia. The Formation of 20th-Century Queer Autobiography: Reading Vita Sackville-West, Virginia Woolf, Hilda Doolittle, and Gertrude Stein. Palgrave Macmillan US, 2007. Malcolm, Janet. “Gertrude Stein’s War.” The New Yorker. June 2, 2003. https://www.newyorker.com/magazine/2003/06/02/gertrude-steins-war. Pavloska, Susanna. Modern Primitives: Race and Language in Gertrude Stein, Ernest Hemingway, and Zora Neale Hurston. New York: Routledge, 1999. Stein, Gertrude. Tender Buttons. Reissue edition. Mineola, N.Y: Dover Publications, 1997. ———. The Autobiography of Alice B. Toklas. Reissue edition. New York: Vintage, 1990. Wineapple, Brenda. Sister Brother: Gertrude and Leo Stein. Lincoln: Combined Academic Publishing, 2008.  

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

Today’s subject is the man who would be King, Prince Albert Victor, Duke of Clarence and Avondale, firstborn son of Edward VII, Grandson of Queen Victoria, known to his friends and family simply as “Eddy." Wrapped up in a sizzling sex scandal, he became a prime example of a British royal story: an intellectually dull man, charmless, with neither cultural interests nor creative talents, but who, due to sheer accident of birth, found himself permitted to indulge all his whims.

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SOURCES:

Ackroyd, Peter. Queer City: Gay London from the Romans to the Present Day. London: Vintage, 2018. Cook, Andrew. Prince Eddy: The King Britain Never Had. Stroud, Gloucestershire: The History Press, 2009. Cook, Matt. London and the Culture of Homosexuality, 1885-1914. Cambridge: Cambridge University Press, 2009. Hyde, H. Montgomery. The Cleveland Street Scandal. New York: Coward McCann, 1976.  

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

Born in a violent and difficult childhood in the American South, Truman Capote would rise to the highest levels of literary celebrity, praise, and fame: even joining the highly-exclusive jet set of 1960s and 1970s high society. Several of his short stories, novels, and plays have been praised as literary classics, including the novella Breakfast at Tiffany's (1958) and the true crime novel In Cold Blood (1966), which he labeled a "nonfiction novel". His works have been adapted into more than 20 films and television dramas. But Capote would be pursued by demons throughout his life – alcoholism, other forms of addiction, and crippling self-doubt which would end up leading him to destroy his own social reputation. 

Visit our website at badgayspod.com for an episode archive, T-shirts, and a link to our Patreon.

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SOURCES:

Als, Hilton. “The Shadows in Truman Capote’s Early Stories.” The New Yorker, October 13, 2015. https://www.newyorker.com/books/page-turner/the-shadows-in-truman-capotes-early-stories. Capote, Truman. Answered Prayers. Reissue edition. New York: Vintage, 1994. ———. Breakfast at Tiffany’s and Three Stories. Reprint edition. New York: Vintage, 1993. ———. In Cold Blood. Reprint edition. New York: Vintage, 1994. ———. Other Voices, Other Rooms. Reprint edition. New York: Vintage, 1994. Clarke, Gerald. Capote: A Biography. Illustrated edition. New York: Simon & Schuster, 2010.

 

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

 

A man with a passion for the dangerous, subversive, and avant garde; who eschewed the middle brow and loved the urbane and modern. Known in his life not just as a man of taste, but a tastemaker, someone who set the tone for elite cultural society in his lifetime; the white author, critic and photographer Carl Van Vechten became enchanted with the Harlem Renaissance, approached Black cultures as a source of ideas that he could take and exploit, and perpetuated racist stereotypes in his work.

Visit our website at badgayspod.com for an episode archive, T-shirts, and a link to our Patreon.

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SOURCES:

Bernard, Emily. Carl Van Vechten and the Harlem Renaissance: A Portrait in Black and White. 0 edition. Yale University Press, 2013. Holmes, David G. “Cross-Racial Voicing: Carl Van Vechten’s Imagination and the Search for an African American Ethos.” College English 68, no. 3 (2006): 291–307. https://doi.org/10.2307/25472153. Sanneh, Kelefa. “White Mischief.” The New Yorker, February 17, 2014. https://www.newyorker.com/magazine/2014/02/17/white-mischief-2. White, Edward. “The Making of an American.” The Paris Review (blog), May 14, 2014. https://www.theparisreview.org/blog/2014/05/14/the-making-of-an-american/. ———. The Tastemaker: Carl Van Vechten and the Birth of Modern America. 1st edition. New York: Farrar, Straus and Giroux, 2014. Woolner, Cookie. “‘Have We a New Sex Problem Here?’ Black Queer Women in the Early Great Migration.” Process: A Blog for American History (blog), October 24, 2017. http://www.processhistory.org/woolner-black-queer-women/.  

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

 

Today’s subject had a multi-hyphenate name and a multi-hyphenate resume––, in his 55 years of life, he was an adventurer, a geologist, a spy, a dinosaur scientist, one of the founders of paleobiology, the world’s first airplane hijacker, a founder of the field of Albanian studies, a cosplay artist, and a murderer. Born in 1877 in Transylvania, the Baron Franz Nopcsa von Felsö-Szilvás may have been, except perhaps as a pub quiz answer, lost to history since his death, but in his lifetime he had an outsized impact on several scientific disciplines, central European politics and nationalisms, and, unfortunately, the man who he lived with until a murder-suicide ended both of their lives.

Subscribe to Extra Bad Gays, our monthly conversation podcast, to support the show!

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SOURCES:

Gëzim Alpion, “Baron Franz Nopcsa and His Ambition for the Albanian Throne,” BESA Journal 6, no. 3 (Summer 2002): 25–32

Gareth Dyke, “The Dinosaur Baron of Transylvania,” Scientific American, October 1, 2011, https://www.scientificamerican.com/article/the-dinosaur-baron-of-transylvania/

Robert Elsie, “1907 | Baron Franz Nopcsa: The Baron Held Hostage in the Mountains of Dibra,” Texts and Documents of Albanian History, accessed April 18, 2024, http://www.albanianhistory.net/1907_Nopcsa2/index.html

Robert Elsie, “The Viennese Scholar Who Almost Became King of Albania: Baron Franz Nopcsa and His Contribution to Albanian Studies,” n.d., http://www.elsie.de/pdf/articles/A1999VienneseNopcsa.pdf

Emily Osterloff, “Franz Nopcsa: The Dashing Baron Who Discovered Dwarf Dinosaurs,” Natural History Museum, accessed April 18, 2024, https://www.nhm.ac.uk/discover/franz-nopcsa-the-dashing-baron-who-discovered-dwarf-dinosaurs.html

Vanessa Veselka, “History Forgot This Rogue Aristocrat Who Discovered Dinosaurs and Died Penniless,” Smithsonian Magazine, accessed April 18, 2024, https://www.smithsonianmag.com/history/history-forgot-rogue-aristocrat-discovered-dinosaurs-died-penniless-180959504/

Traveler, Scholar, Political Adventurer: A Transylvanian Baron at the Birth of Albanian Independence: The Memoirs of Franz Nopcsa, NED-New edition, 1 (Central European University Press, 2014), https://www.jstor.org/stable/10.7829/j.ctt6wpkrc;

"A Field Guide to the Long History of Skyjackings,” CrimeReads(blog), May 10, 2021, https://crimereads.com/skyjackings/.

Our intro music is Arpeggia Colorix by Yann Terrien, our outro music is by Dj Michaeloswell Graphicsdesigner.

The composer Benjamin Britten was a central figure of 20th century music; and the national composer that Britain had been searching for since the death of Henry Purcell in 1695. He never shook his Communist and pacifist sympathies –– even as he rose to the highest levels of elite British cultural production. A fervent pacifist, antinationalist, and homosexual –– with a deep, complex, and troubling love of children –– Britten, through the strength of his music and through the nation’s desire to have a musical hero of its own, became an utterly unlikely national celebrity.

Content warning: this episode contains discussions of sexual attraction to children.

Visit our website at badgayspod.com for an episode archive, T-shirts, and a link to our Patreon.

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SOURCES:

Bridcut, John. Britten’s Children. Main edition. London: Faber and Faber, 2006. Britten, Benjamin. Peter Grimes. London: BBC, 1969. https://www.youtube.com/watch?v=3MyBUetbE38&t=1705s. Conlon, James. “Message, Meaning and Code in the Operas of Benjamin Britten." Hudson Review LXVI, no. 3 (Autumn 2013). https://hudsonreview.com/2013/10/message-meaning-and-code-in-the-operas-of-benjamin-britten/. Kildea, Paul. Benjamin Britten: A Life in the Twentieth Century. Allen Lane, 2013. Ryan, Hugh. When Brooklyn Was Queer: A History. New York: St. Martin’s Press, 2019.  

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

This is a story of sex, death and political malfeasance that will make Teddy Kennedy look like Anne of Green Gables. It has everything you’ve come to expect from a Bad Gays story about the English upper classes — psychosexual repression, violence, class prejudice, hypocrisy, the brutality and cheapness of life at the heart of the political system, and plenty of people named things like Rupert, Auberon and Emlyn.

=Content warning for child sexual abuse in the early parts of this story=

But as ridiculous and kinky as the fruity rulers of Britain are, the story is darker than that. This story is also about the way the law is impervious to the informal networks of power in the British establishment, and how homosexuality was subject to a series of double standards, tolerated in the powerful but suppressed in the ordinary citizen, practiced in private and denied in public. Today we’re discussing the life of a man whose sexuality stole his chance at power, the MP and leader of the Liberal Party, the Right Honorable Jeremy Thorpe.

Visit our website at badgayspod.com for t-shirts, our Patreon, and an episode archive.

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SOURCES:

Bloch, Michael. Jeremy Thorpe. London: Time Warner Books, 2004.   Freeman, Simon, and Barrie Penrose. Rinkagate: The Rise and Fall of Jeremy Thorpe. London: Bloomsbury Publishing Plc, 1996.   Preston, John. A Very English Scandal: Sex, Lies, and a Murder Plot at the Heart of the Establishment. Illustrated edition. New York: Other Press, 2016.   Thorpe, Jeremy. In My Own Time: Reminiscences of a Liberal Leader. Edited by Duncan Brack. London: Politico’s Publishing Ltd, 1999.

 

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

This "deadly, winking, sniggering, snuggling, chromium-plated, scent-impregnated, luminous, quivering, giggling, fruit-flavored, mincing, ice-covered heap of mother love" rose to stardom playing "classical music without the boring parts" and didn't need to stay in the closet because he wore its entire contents. How could he become an emblem of Middle American family entertainment? The United States of the 1950s, 1960s, 1970s, and 1980s was undergoing enormous social change –– the Civil Rights Movement, the Summer of Love, Women’s Lib, the Stonewall Riots, Gay Liberation, and the beginning of the AIDS movement –– and Liberace was an entertainer who appealed to precisely those parts of the country who sought to resist those changes. Hated by classical music critics, he was beloved by audiences precisely because of the openness of his secret and the way he performed a kind of minstrel act that nevertheless won him fame, riches, and glory.   Visit our website for Patreon, T-shirts, and an eopside archive. ----more----   Gabler, Neal. “Robert Harrison’s Scandalous Confidential Magazine.” Vanity Fair, April 2003. https://www.vanityfair.com/hollywood/2003/04/robert-harrison-confidential-magazine. Liberace Music Video & Entrance 1981, 2008. https://www.youtube.com/watch?v=dioRwB4RvrQ. O’Connor, Pauline. “Mapping the Many Razzle-Dazzle Homes of Liberace.” Curbed LA, May 24, 2013. https://la.curbed.com/maps/mapping-the-many-razzledazzle-homes-of-liberace. Pyron, Darden Asbury. Liberace: An American Boy. Chicago: University of Chicago Press, 2013. Rechy, John. “Randy Dandy.” Los Angeles Times, August 6, 2000. https://www.latimes.com/archives/la-xpm-2000-aug-06-bk-65295-story.html. Thorson, Scott. Behind the Candelabra: My Life With Liberace. Head of Zeus, 2013.  

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.

Season 4 –– ! –– with apologies for socially-distanced audio quality. Today's victim was a British colonist and mining magnate who served as Prime Minister of the Cape Colony. An ardent white supremacist – no matter what revisionist historians and the right-wing press claim – he rose from being a sickly child to having a near-complete domination of the world diamond market. Come for the "private secretaries," stay for the Big Hole. 

Visit our website for t-shirts, an episode archive, and a link to our Patreon.

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SOURCES:

Aldrich, Robert. Colonialism and Homosexuality. Abingdon-on-Thames: Routledge, 2003.

Brown, Robin. The Secret Society: Cecil John Rhodes' Plans for a New World Order. London: Penguin Books, 2015.

Jourdan, Philip. Cecil Rhodes: His Private Life By His Private Secretary. London: Bodley Head, 1911.

Rotberg, Robert I. The Founder: Cecil Rhodes and the Pursuit of Power. Oxford: Oxford University Press, 1988.

Our intro music is Arpeggia Colorix by Yann Terrien, downloaded from WFMU's Free Music Archive and distributed under a Creative Commons Attribution-ShareAlike License. Our outro music is by DJ Michaeloswell Graphicsdesigner.