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Welcome back to Bad Dads Film Review! Today, we're diving into the adrenaline-pumping world of Boss Level, a 2021 action-thriller directed by Joe Carnahan. This film combines the relentless pace of action movies with the intriguing concept of a time loop, featuring Frank Grillo in a performance that's both gritty and engaging.

Boss Level stars Frank Grillo as Roy Pulver, a retired special forces soldier who finds himself trapped in a time loop, reliving the day of his murder in various brutal ways. Each day resets after his death, forcing him to experience a series of relentless and inventive attacks by skilled assassins.

As Roy attempts to survive long enough to uncover the reason behind his situation, he discovers a connection to his ex-wife, Jemma (played by Naomi Watts), and her scientific research. This revelation propels him into a desperate battle to save her and their son before time runs out. With each reset, Roy learns more about his adversaries, their techniques, and how he might outmanoeuvre them, turning his predicament into a brutal game of cat and mouse.

At its core, Boss Level explores themes of determination and redemption. Roy's journey through the time loop becomes a metaphor for personal growth and overcoming past failures. Each loop offers him a chance to refine his strategies, reflecting the real-life process of learning from mistakes and striving to improve.

A Dad’s Take For an action-packed movie night that keeps you on the edge of your seat, Boss Level is a perfect choice. Ideal for viewers who enjoy fast-paced narratives and intricate action choreography, it offers a mix of humour, heart, and relentless action that appeals to a broad audience, especially older teens and adults.

Boss Level is a must-watch for fans of action and science fiction genres. It successfully combines the excitement of time loop puzzles with the thrill of an action thriller, creating a unique viewing experience that's both intellectually engaging and wildly entertaining.

So, gear up and join us as we delve into the action-packed world of Boss Level, where every reset not only brings Roy closer to unraveling the mystery but also takes us on a thrilling ride of self-discovery and relentless adventure. Whether you’re a fan of mind-bending plots or explosive action scenes, there’s plenty to enjoy in this cinematic thrill ride. 🎬⏰👨‍👧‍👦🍿

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Welcome back to Bad Dads Film Review! Today, we're diving into the charming world of The Map of Tiny Perfect Things. Released in 2021 and directed by Ian Samuels, this film is a refreshing take on the time loop narrative, blending elements of young adult romance with thoughtful reflections on life and time.

 The Map of Tiny Perfect Things follows Mark, played by Kyle Allen, a teenager who discovers he’s stuck in a time loop, reliving the same day repeatedly. His life takes a turn when he meets Margaret, portrayed by Kathryn Newton, who is also aware of the time loop. Together, they embark on a quest not to break the loop but to find all the small, perfect moments that one might easily overlook in daily life.

As Mark and Margaret journey through their never-ending day, they create a map of moments that encapsulate beauty in the mundane. From a janitor’s perfect piano melody to a hawk soaring at sunset, these moments serve as the film’s heartbeat. The story deepens as the two grapple with what it means to be stuck in time and how to find significance when every day is the same.

Why It Stands Out

• Innovative Take on a Familiar Concept: While time loops are not new in cinema, the film uses this setup to explore themes of mindfulness and appreciation for the little things in life, rather than focusing solely on breaking free from the loop.
• Chemistry Between Leads: Allen and Newton deliver compelling performances, bringing depth and likability to their roles. Their chemistry is palpable, driving the narrative with a blend of wit and warmth.
• Visual and Emotional Aesthetics: The film is visually engaging, with each "tiny perfect thing" captured in a way that invites the audience to pause and appreciate the beauty. This aesthetic choice underscores the film’s themes of mindfulness and the transient nature of moments.

The Map of Tiny Perfect Things thoughtfully explores the concept of time—not just how we use it but how we experience it. It encourages a mindfulness about the present moment and poses poignant questions about acceptance, particularly in terms of personal growth and relationships.

A Dad’s Take This film is excellent for a family movie night, especially with teenagers. It offers a mix of humor and heartfelt moments, along with valuable discussions about appreciating life's smaller joys and the importance of living in the present.

So, join us as we explore the beautiful journey of Mark and Margaret in The Map of Tiny Perfect Things, appreciating the art of finding beauty in the everyday. Whether you’re looking for a light-hearted yet meaningful film or simply a new take on a familiar premise, this movie promises to deliver both. 🎬🕰️👨‍👧‍👦🍿

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Welcome back to Bad Dads Film Review! Today, we're setting sail to explore our Top 5 Islands in film and television, showcasing settings that have become iconic in their own right. Following that, we'll catch the waves with a review of Moana and then take a detour to the charming yet mysterious island setting of the TV series Bergerac.

Top 5 Islands in Film and Television:

1. Isla Nublar from Jurassic Park (1993) - This infamous island, home to the groundbreaking but ill-fated Jurassic Park, stands out as a landmark in cinema for its awe-inspiring (and terrifying) clash of nature and technology.
2. Skull Island from King Kong (Various Versions) - The mysterious and perilous Skull Island, with its monstrous inhabitants and primordial landscapes, has captivated audiences since King Kong first appeared on the screen in 1933.
3. Amity Island from Jaws (1975) - The quintessential small island community turned nightmare locale, Amity Island is synonymous with the lurking dangers of the deep, forever changing our view of a dip in the ocean.
4. The Island from Lost (TV Series, 2004-2010) - More than just a physical location, the Island in Lost is a complex character in its own right, full of mysteries, supernatural occurrences, and philosophical dilemmas.
5. Shutter Island from Shutter Island (2010) - This eerie island serves as the setting for a psychological thriller that blurs the lines between reality and madness, making it a haunting backdrop for its twisty plot.

Moana is a vibrant Disney animated film that celebrates Polynesian culture and mythology. The island of Motunui, home to Moana herself, plays a crucial role in the story. It's not just a setting but a symbol of the community and tradition Moana struggles to balance with her adventurous spirit. The film is a delightful journey across the seas, exploring themes of identity, bravery, and environmental stewardship.

 Shifting gears, Bergerac transports us to the island of Jersey in the Channel Islands, where the titular detective, Jim Bergerac, solves crimes. While it may not be the tropical locale typically envisioned in island stories, Jersey’s charm and mystery provide a captivating backdrop for this classic British series. It's a great show for introducing older themes in a less intense setting, making it suitable for family viewing with older children.

Whether you're into the adventurous seas of Moana or the crime-solving escapades in Bergerac, today's episode promises a fascinating look at how islands shape stories in film and television. Join us as we navigate the waters of cinematic islands, where every shore brings a new tale. 🎬🌴👨‍👧‍👦🍿

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Join us for more incredible insights, as we get to grips with Ballerina. Not the Ana de Armas one, because that isn't out until 2024, and this is 2023.

We getting stuck into the Korean revenge movie directed by Lee Chung-hyun which features so excellent action and great performances. The dads all really enjoyed this one, especially the innovatively shot action sequences. 

Dan thought the he enjoyed it, but had forgotten a lot of it, having seen it a massive 24 hours before this review. That's what happens when you get old.

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

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Hey there, Dads! Are you ready for another thrilling ride? This week on Bad Dads Film Review, we're diving headfirst into a suspenseful little number that will have you questioning everything you thought you knew about your neighbors.

Enter "10 x 10". A seemingly simple title for a movie that's anything but. Picture this: Luke Evans, playing the intense yet mysterious Lewis, kidnaps Cathy, played by the ever-talented Kelly Reilly, and confines her in a soundproofed 10 x 10 cell. But here's the kicker: it's not about money, it's not random, and as the layers peel back, we realize there's a twisted web of vengeance at play here.

The confines of the cell become a battleground, a place where secrets are revealed, and every suppressed emotion comes pouring out. The question we're left grappling with: Who's truly the victim here? The film does a stellar job of building tension, with a narrative that keeps zigging when you expect it to zag. And just when you think you've got it all figured out – bam! – another twist.

Now, while the movie serves up some white-knuckle moments, we Dads here at Bad Dads Film Review like to keep things balanced. So stick around post-discussion, where we'll lighten the mood with some classic dad banter, and maybe even try to solve the age-old mystery of why the remote control always goes missing right when you need it.

So, Dads, put the kids to bed, grab your favorite snack, and get comfy. It's time to unlock the secrets of "10 x 10" and delve into another episode of Bad Dads Film Review. We promise not to lock you in... or do we? 🚪🔑📽️🍿

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We're on holiday! Well, more accurately, Sidey is on holiday which means the the Bad Dads gears come to a grinding halt. Never fear though because Dan and I sat down to discuss Spanish director Galder Gaztelu-Urrutia's THE PLATFORM. A single location horror with a searing anti-capitalist message, we loved the utterly unique premise, minimalist set design and it's single blunt metaphor hammered home over the duration of the movie.

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It's time for a deep dive – literally – as we plunge into the abyss on this aquatic edition of Bad Dads Film Review.

First up, let's submerge ourselves in the world of submarines! Over the years, there have been so many iconic submarines that have graced the big screen, haven't there? Remember The Nautilus from "20,000 Leagues Under the Sea"? A true marvel of underwater engineering! Then, of course, there's The Red October from "The Hunt for Red October" – Sean Connery's Russian accent and a game of underwater cat-and-mouse? Classic! And how can we forget U-96 from "Das Boot", giving us an unflinching look at life aboard a German U-boat during WWII. We also have The USS Alabama from "Crimson Tide", where Denzel and Gene Hackman go head-to-head in a battle of wills. And, to round off our list, there's the USS Dallas from "The Hunt for Red October" – a fine piece of American craftsmanship involved in the hunt for its Russian counterpart.

With our heads still submerged, our Movie of the Week is "Submarine". Richard Ayoade's directorial debut, this coming-of-age film is dry, witty, and beautifully shot. It’s not about submarines in the way you might think, but it's a deep dive into the complexities of adolescence, family dynamics, and the ever-challenging journey of growing up.

Then, for a trip down nostalgia lane, let's journey into the depths with "Stingray". It's a blast from the past for some of us! This marionette-filled adventure was a staple of kids' TV back in the day. "Anything can happen in the next half hour" was the promise, and boy, did it deliver! Aquatic adventures, villains, and of course, Marina, the mute mermaid. It might be a little cheesy by today's standards, but it's got a charm that's undeniable.

So whether you're all about the deep-sea adventures, navigating the tumultuous waters of teenage life, or just in the mood for some retro TV memories, we've got you covered. Make sure your periscope's up, and let's set sail on another episode of Bad Dads Film Review! 🌊🚢📺 

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Today, we're venturing into the icy depths of the Cold War in an episode of Bad Dads Film Review that promises to be both chilling and thrilling.

Let's dive deep into "K-19: The Widowmaker". This one isn't just a film – it's an experience. Directed by Kathryn Bigelow, this gripping drama, led by Harrison Ford and Liam Neeson, takes us aboard the Soviet Union's first ballistic missile nuclear submarine. They called it K-19, but due to its string of unfortunate events, it became notoriously dubbed as "The Widowmaker". Without giving away any spoilers, let's just say it's a tense voyage that tests the mettle of its crew as they confront their worst nightmares.

It's a masterclass in building tension. The confined spaces of the submarine, the echoing sound of sonar pings, and the weight of an impending disaster make for a viewing experience that'll have you gripping your armrests. And let's be real: with Ford and Neeson at the helm, you know you're in for some powerhouse performances.

But beyond the suspense, it's a poignant exploration of duty, sacrifice, and leadership during one of the most volatile periods in history. It's a tale of men pushed to their limits, where every decision could mean the difference between life and death, not just for them, but potentially for millions.

And for those of us who may not be up on our Cold War history, it's an eye-opening look into a world where the stakes were unimaginably high, and the margin for error was razor-thin.

So, whether you're a history buff, a submarine enthusiast, or just a fan of intense drama, "K-19: The Widowmaker" is bound to leave an impression. And who knows, maybe after this, you'll think twice about complaining about the thermostat being set a degree too low!

Join us as we dive beneath the surface, navigate through treacherous waters, and resurface with a renewed appreciation for those who've lived through the unimaginable! 🌊🚢🎬 

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

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Welcome back to another delightful episode of Bad Dads Film Review! Today, we're getting a little bit piggy, a tad mystical, and even diving into the digital realm. Hope you Dads are strapped in for the ride!

First up, it's pig time! Now, who doesn’t love a good pig? They're cute, often quite smart, and they've given us some of the best characters in books and movies. Babe, for instance – the little piggy who thought he was a sheepdog. An absolute classic. And then there’s Pumbaa from "The Lion King" – a warthog sure, but in the pig family and with a heart of gold! How about Wilbur from "Charlotte's Web"? The epitome of friendship goals. Oh, and let’s not forget Porky Pig with that iconic "Th-th-th-that's all, folks!" And last but not least, Miss Piggy – fierce, fabulous, and absolutely unforgettable.

But enough about our hooved friends, let's travel to the realm of the mysterious with our Movie of the Week - "The Wonderful Story of Henry Sugar". Roald Dahl always knows how to weave a tale that's both intriguing and unexpected. With its blend of reality and magic, it’s one of those stories that leaves an imprint on your mind long after the credits roll.

Finally, for our more digital-savvy Dads, or those just trying to keep up with what the kids are into these days, we're diving into the world of SSSniperWolf. She's a massive name on YouTube, bringing her humor, gameplay, and reactions to the screen. While it might be a far cry from Saturday morning cartoons or classic family shows, it's a peek into what modern entertainment looks like, and hey, maybe even a chance for some bonding over shared YouTube faves.

So, whether you're snuggling up with a beloved pig plushie or trying to crack the code of internet stardom, today's episode is chock-full of fun, intrigue, and maybe a bacon joke or two. Let's get started and dive right in on this episode of Bad Dads Film Review! 🐷🎬🖥️

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Writer and producer George Miller spent nearly a decade attempting to bring his adaptation of Dick King-Smith's novel The Sheep-Pig to the big screen, eventually teaming with co-writer and director Christopher Noonan for 1993's BABE, the story of a pig who wants to be a sheepdog.
 
Completely timeless with moments of sweet sincerity balanced against the movies desire to stay true to the animals perspective and its theme of animals needing a purpose other than to be eaten, James Cromwell steals the show as far as the humans are concerned as the quietly nurturing Farmer Hoggett. With so many great messages, practical effects which continue to impress and heart-warming performances of course one of us will provide a dissenting voice against this universally acknowledged classic. 

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Unless you’re grifting for oil companies or are the kind of person who uses the phrase "mainstream media" unironically you understand that mankind has perpetrated significant and seemingly irreversible damage to our planet through intensive industrial agriculture, over population, over fishing, deforestation, pollution and the burning of fossil fuels which has triggered climate change, destroyed eco systems and is probably responsible for the bastard mosquito who tortured me as I tried to sleep last night.

And, let’s face it, whilst we could do something about it right now, albeit by taking painful, expensive and potentially arduous collective measures that could safeguard our existence and our children’s existence against a bleak future, we almost certainly won’t because it all sounds a bit too hard really and as for our children, well screw them amirite but also should we be doing something more about it?

That’s right, nothing dates a podcast more than the subject matter being topical so inspired by recent announcements of a major U-Turn in the UK governments net Zero goals, we commissioned 4 private jets to fly us to the man cave tonight, which is of course powered by burning orangutans so that we can bring you our thoughts on the environment, starting with a discussion of the Top 5 Eco-Warriors/Activists.
 
Based on a non-fiction book by Andreas Malm, HOW TO BLOW UP A PIPELINE (2022) explains exactly who, how and why a group of people might do exactly that in a gripping and authentic feeling environmental heist movie which steers refreshingly clear of glorifying its protagonists or any "have they gone too far" style moralising. Lukas Gage deserves better than being known for some clip of an overly privileged director thinking his  apartment is a bit shitty, and having his hoop licked clean on THE WHITE LOTUS, perhaps this ensemble thriller will give him his just reward. A moody Tangerine Dream inspired score adds extra panache.
 
We finish things up with a nostalgic stroll across Wimbledon common as we take a look back at classic 70's stop-motion animation THE WOMBLES. Based on a series of books by Elisabeth Beresford and directed by the legendary Ivor Wood (not a pornstar), it’s all well and good having a light years ahead of your time message about recycling but I bet they spread TB. We ask the important questions like just how big is a Womble? Are they some kind of badger? and why is there always a sexy french one?

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This is going to take some imagination because it is a very subtle movie but IDIOCRACY (2006) asks us to visualise a world  in which America is in danger of becoming a dry, polluted wasteland ruled by a crude reality tv star who cannot pronounce the word ‘nuclear’ properly, where corporations manipulate and corrupt a vulgar, angry and willfully ignorant population using a combination of fake news and pseudo-science.

Mike Judge's angry and very stupid comedy polemic has an inherently cruel and unlikeable premise which it lays out in the first two minutes, explicitly laying the blame for the dumbening down of society at the feet of the poverty stricken and working class whilst simultaneously softly advocating for eugenics as a method to make a better world. It's also bizarrely silent or even underhanded on race, with the US depicted here a post-racial society having elected a black President which seems like a progressive idea at first but contrast that with Maya Rudolph's character where the joke is "what if a black prostitute became the smartest woman in America?".
 
Safe to say this is a pretty flawed movie then, but its furiously primitive and ridiculous vision plays out less absurd and more eerily prescient given the numerous predictions about society and culture it makes which have already come to fruition, and the movie's anarchic disregard for corporatism, expressed beautifully through production design makes this worth checking out. 

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

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Hey Dads, welcome back to the Jurassic edition of the Bad Dads Film Review! Hope you've got your archaeologist gear on hand because today we're diving deep into the prehistoric world.

Let's kick things off with some dino talk. We all have our favourite dinosaurs, whether it's from a movie, a book, or that one trip to the Natural History Museum. Remember the big ol' T-Rex? Of course, you do! King of the dinosaurs, and the guy that probably haunted a few of your dreams. But then, there's the graceful Brachiosaurus – so tall and magestic, stretching its neck to munch on treetops. Oh, and how about the Triceratops, with those iconic three horns? For those who like their dinos with a little bit of pizzazz, the Velociraptor is sure to be a hit – smart, sneaky, and swift. And rounding up our list, maybe there's the Stegosaurus, sporting those cool plates down its back.

But, moving on from the ancient world, let's jump into today's Movie of the Week. Now, I know what you're thinking - the title says '65', but it's not a throwback to the year 1965, fellas. Instead, we're talking about the movie "65" - a suspenseful ride that might just redefine how we look at dinosaur movies. Will it roar its way into our hearts or be a dino-dud? Let's see!

Alright, for the kiddos (and the kid in all of us), we've got the lively "Jurassic Park: Camp Cretaceous". This animated series packs in the thrills and spills of our favourite dino-park but through the eyes of a group of teenagers. Think "Jurassic Park" meets summer camp – but with more danger and less marshmallows. It's suspenseful, adventurous, and just the right amount of scary for a family watch.

So, whether you're team T-Rex or rooting for the under-raptors, today's episode is going to be a dino-tastic adventure. Sharpen those claws, polish those scales, and let's dive into another fun episode of Bad Dads Film Review! 🦕🎥🍿

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Welcome back to Bad Dads Film Review! Today, we're taking a closer look at the romantic adventure comedy, Six Days, Seven Nights. Released in 1998 and directed by Ivan Reitman, this film stars Harrison Ford and Anne Heche in a story that mixes elements of action, romance, and survival.

Six Days, Seven Nights sees Anne Heche as Robin Monroe, a New York City magazine editor, who ends up stranded on a deserted South Pacific island with Quinn Harris, played by Harrison Ford, a gruff cargo pilot. Their adventure begins unexpectedly when Robin hires Quinn to fly her to Tahiti, but a storm forces them to crash-land on a remote island.

Initially, Robin and Quinn are anything but fond of each other. However, as they navigate the challenges of survival in a remote jungle, their antagonistic relationship evolves. Amidst dodging pirates and the elements, their initial disdain transforms into a budding romance, providing plenty of comedic and tender moments.

At its core, Six Days, Seven Nights is about more than just physical survival; it’s also about personal growth and finding love in unexpected places. Both main characters discover traits and strengths they didn’t know they had, reflecting the movie's themes of resilience and adaptability.

If you’re in the mood for a film that doesn’t take itself too seriously but provides entertainment with a scenic backdrop, charming leads, and a satisfying mix of romance and adventure, Six Days, Seven Nights is a great pick. It encapsulates the late '90s era of romantic comedies with a twist of adventure, making it a light-hearted film to revisit.

So, buckle up and join us as we revisit this escapade in Six Days, Seven Nights, exploring how adversity can lead to unexpected companionship and how sometimes, getting lost means finding what you didn’t know you were looking for. 🎬🌴👨‍👧‍👦🍿

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

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Welcome back to another roaring episode of Bad Dads Film Review, where the stakes are high and the dinosaurs are... well, life-sized!

Alright Dads, we're hopping in the time machine today, not to the era of neon shirts or cassette tapes, but much, much further. We're going to an island where the impossible becomes possible: the magical, the mythical, the legendary – Jurassic Park.

You remember the first time you heard that resonant T-Rex roar, right? Or the shimmering ripples in the glass of water? Those Velociraptors in the kitchen? Spielberg didn’t just serve us a film; he handed over a cinematic experience that has been etched into our minds forever. It’s about more than just a bunch of dinos on the loose; it's a tale of ambition, nature vs. science, and, of course, the timeless lesson that just because we can doesn’t mean we should.

And let’s take a moment for that iconic score by John Williams. Doesn't it give you chills every time? Whether it’s the grandiose theme when we first see the park or the suspenseful tones during T-Rex’s debut, the music is a character in itself.

But, for all the cinematic majesty of "Jurassic Park", there are Dad moments too. Dr. Alan Grant’s transformation from a dino-expert who’s not too fond of kids, to a pseudo-dad who’s quite literally holding their hands through the dangers of a dino-infested park? Heartwarming and utterly relatable!

And, speaking of kids, remember trying to get them to watch this masterpiece? The mix of wonder and "Dad, why did they go into the park in the first place?" questions. It's a rite of passage in the Dad's movie handbook.

So, grab your safari hat, maybe a flare or two (just in case), and join us on this prehistoric journey. Let’s dive deep into "Jurassic Park", chat about our favorite scenes, the groundbreaking CGI, and why it remains a cinematic gem nearly 30 years later. Keep your arms and legs inside the vehicle and hold on tight; it’s gonna be a wild ride here at Bad Dads Film Review! 🦖🎬🍿

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

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We're going on a bit of a detective spree today, and what better way to kick things off than with a little chat about pipes? We all know how Sherlock loved his, and honestly, who can resist the allure of a finely crafted smoking instrument?

First up, there's the iconic Briar Pipe. You've likely seen this one in the hands of wise old gentlemen – it's got that vintage charm, doesn't it? Then there's the artistic Meerschaum. It's not just a pipe but a piece of art. Oh, and how can we forget the rustic Corncob, famously loved by none other than Mark Twain? If you're channelling your inner Sherlock, then the Calabash is your go-to with its unique gourd shape. And for those long, thoughtful evening puffs, the Churchwarden, with its elongated stem, is just sublime.....

Speaking of sublime, our Movie of the Week is none other than "Sherlock Holmes: A Game of Shadows". Guy Ritchie has truly outdone himself with this one. With Robert Downey Jr. and Jude Law returning as our beloved Holmes-Watson duo, the stakes are high, and the suspense is palpable. Moriarty's dark schemes, some heart-pounding action, and that climactic chess game — pure cinematic gold! And, Dads, let's chat about that epic showdown at the Reichenbach Falls. It's one for the books!

Now, for a blast from the past, who remembers "Sherlock Holmes in the 22nd Century"? It's a futuristic twist with our detective being resurrected, flying drones, a techy London, and – wait for it – a robotic Watson! If you're looking for some quality time with the kiddos, this animated series is just the ticket. It's a delightful reminder that Holmes' magic never fades, no matter the era.

So, Dads, whether you're a budding detective, a pipe aficionado, or just here for the nostalgia, we've got a treat for you today. Put on your thinking caps, maybe light up a pipe, and let's dive into this mystery-filled episode of Bad Dads Film Review! 🕵️‍♂️🔍

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Welcome back to another thrilling episode of Bad Dads Film Review! Fellow Dads, it's time to cozy up, perhaps with a cup of your favorite brew, as we immerse ourselves in the captivating world of Sherlock Holmes, with a spotlight on one of Sir Arthur Conan Doyle's cheekiest tales: "The Red-Headed League."

Imagine answering an advertisement because of the color of your hair! Jabez Wilson, a straightforward pawnbroker, finds himself caught up in such a bizarre scheme. At first, it all seems innocent enough—copying out the Encyclopedia Britannica for a handsome wage. But as the story unfurls, it’s evident that things are not what they seem. And who better to unravel these threads of mystery than our iconic detective duo, Sherlock Holmes and Dr. John Watson?

Conan Doyle's knack for blending humor with suspense is truly a treat in this story. The whole idea of forming a league just for red-headed men? It's equal parts absurd and brilliant! As Dads, we can't help but chuckle thinking about how many of us would've even qualified for such a league.

Speaking of Holmes and Watson, their camaraderie is friendship goals, isn’t it? They're the perfect pair, complementing each other's strengths and quirks. It's heartwarming to see, and it reminds us of the partnerships we cherish in our own lives. Whether it's with our co-parents, our buddies, or that one friend who's always up for a DIY challenge, there's a little bit of Holmes and Watson in all of us.

And, of course, we can't forget Holmes' uncanny deductive skills. There’s always that delightful 'aha' moment in every Holmes story, where he pieces everything together. It’s moments like these that make us wonder: Could we perhaps channel a bit of that Sherlockian brilliance the next time we're trying to figure out which of our little rascals is responsible for the cookie jar heist?

So, whether you're a seasoned Holmes aficionado or simply in the mood for a captivating tale, pull up a chair with us on Bad Dads Film Review. Dive into the mystery, relish the camaraderie, and enjoy the heartwarming blend of suspense and humor. The adventure awaits!

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Hello and welcome to another harmonious episode of Bad Dads Film Review! Dads, grab your air guitars, don your freshest 90s threads, and let’s explore the collision of music, movies, and some serious sitcom nostalgia.

Top 5: Musician Cameos in Movies: Have you ever been watching a movie and suddenly thought, "Wait, isn't that...?" Musicians popping up in our favorite films can be a delightful surprise. From David Bowie in "Zoolander" to Keith Richards in "Pirates of the Caribbean," we’ll rank and rave about the most memorable, unexpected, and downright hilarious musician cameos on the big screen. Plus, as Dads, we'll have a few personal stories up our sleeves about explaining to our kids who that “old guy” is playing Jack Sparrow's dad.

Movie of the Week: American Utopia: Directed by Spike Lee and featuring the eclectic David Byrne (yes, him again), "American Utopia" is a live Broadway adaptation of Byrne’s album and tour of the same name. We’ll dive into the visuals, the music, the raw energy, and the impactful themes interwoven throughout this stage-to-screen experience. From sociopolitical messages to heart-pounding choreography, we’ll dissect how "American Utopia" creates, well, its own version of Utopia for its audience.

Kids TV: The Fresh Prince of Bel-Air: Now, this is a story all about how... we get nostalgic about one of the most iconic sitcoms of the 90s. We Dads will not only reminisce about our favorite Fresh Prince moments but also discuss the cultural impact the show had and the lessons it brought to the living rooms around the world. And as we recount the comedic genius of Will Smith and the charm of the Banks family, we’ll also touch upon the show’s deeper themes of identity, class, and familial bonds.

Whether you're in for the musical musings, stage spectacles, or just eager to do the Carlton dance, we've got you covered. Tune into Bad Dads Film Review, where every episode is a mixtape of cinematic insights and Dad-level humor. Time to drop the beat!

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Welcome back to another rhythm-infused episode of Bad Dads Film Review! Fellow Dad aficionados, dust off your giant suits and get ready to groove, because this week, we're diving headfirst into the world of concert films with the iconic "Stop Making Sense."

Directed by Jonathan Demme and showcasing the inimitable Talking Heads, led by the always dynamic David Byrne, "Stop Making Sense" is not just a concert film—it's an experience. Filmed over four nights at Hollywood's Pantages Theater in 1983, this film is often touted as one of the greatest concert movies ever made, if not the greatest.

We'll discuss the magnetic energy of the band, Byrne's eccentric stage presence, and how the film blends music with mesmerizing visuals, creating a sensory feast. From the gradual build-up of "Psycho Killer" with Byrne alone on stage to the full-blown band euphoria in "Burning Down the House," we'll unpack the film's unique structure and its innovative approach to presenting a live show.

And beyond the incredible music, there's a fascinating dive into art, performance, and what it means to connect with an audience. We'll touch on the behind-the-scenes dynamics, the role of Demme as a filmmaker, and the boundary-pushing aesthetics that made "Stop Making Sense" so revolutionary.

So, whether you're a lifelong Talking Heads fan or just discovering the magic of David Byrne and company, tune in. Here on Bad Dads Film Review, we're ready to dive deep, rock out, and maybe, just maybe, attempt some of those signature dance moves. Let's make sense of this legendary performance together!

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

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Welcome back to another flavourful episode of Bad Dads Film Review! Pull up a chair, fellow Dad cinephiles, as we pour over the dynamic world of servers and explore action-packed precincts, all the while indulging in some animated nostalgia.

Top 5: Waiters/Waitresses in Film & TV: Serving isn't just a job, it's an art form. We start off by paying homage to the most iconic waiters and waitresses to grace our screens. From the sassy Diane Chambers of "Cheers" to the endearingly clumsy Amelia Bedelia, we'll rank, debate, and toast to the ones who've added the perfect touch of spice to their roles. We might also toss in a few memorable, albeit cringe-worthy, serving faux pas that had us rolling with laughter or hiding behind our popcorn.

Movie of the Week: Copshop: Directed by Joe Carnahan and starring Gerard Butler and Frank Grillo, "Copshop" is a gripping dive into the world of crime and betrayal, with a precinct holding cell as its battleground. We'll unravel the film's intense action sequences, its intriguing character dynamics, and whether it passes the Dad test of providing a perfect blend of thrills, plot depth, and popcorn-munching moments.

Kids TV - Mr Bean: The Animated Series: Ah, Mr. Bean. Few characters have the universal, timeless appeal of this bumbling Brit. As we delve into the animated adventures of Rowan Atkinson's iconic character, we'll discuss how Mr. Bean continues to captivate new generations without uttering a single word. We Dads will reminisce about our favourite Bean moments and chat about the life lessons – intended or otherwise – our kids might glean from his antics.

So whether you're in for the cinematic service, crime capers, or cartoon chuckles, we've got your table set.  Bon appétit!

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

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Welcome back, listeners, to another edition of Bad Dads Film Review! This time, your favourite crew of Dad film buffs is taking a deep dive into the world of minimum wage, crazy co-workers, and the chaos of the service industry with the 2005 comedy, "Waiting..."

Directed by Rob McKittrick and starring Ryan Reynolds, Anna Faris, and Justin Long, "Waiting..." provides a behind-the-scenes look at the antics and dramas of the staff at Shenaniganz restaurant. From the servers who mess with rude customers' food to the kitchen staff with their unique games, we’re served a hilarious platter of the everyday absurdities that come with waiting tables.

We'll chat about our favourite laugh-out-loud moments and discuss how "Waiting..." manages to blend crude humour with genuine heart. Plus, as Dads, we can't help but share our own experiences - from our younger days of working odd jobs to the life lessons we hope our kids glean from their first gigs.

Beyond the comedy, we'll touch upon the film's more poignant messages about being stuck in a rut, the fear of change, and the courage it takes to chase after your ambitions. After all, isn’t life, in many ways, a waiting game?

We'll also have a dad-level debate on the ethical implications of messing with someone's food (all in good fun, of course). And maybe, just maybe, we'll share some stories of our own restaurant escapades – without the food tampering, we promise!

So, whether you've ever donned an apron, been on the receiving end of a disgruntled server's mischief, or simply enjoyed the chaos of the dining scene, join us as we serve up a hearty helping of comedy and life lessons from "Waiting..." 

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Prepare yourselves for a cinematic gang bang as Peter brings us a Gang themed week. We've scoured the depths of the criminal underworld to bring you the top 5 gangs to grace the silver screen.
 
2019 Mexican drama I'M NO LONGER HERE tells the story of Ulises, the leader of a Cholombiano street gang in Monterrey, Mexico, who's forced to relocate to New York after accidentally becoming involved in a dispute with a local cartel. You guys probably knew already that Cholombiano culture involved flamboyant fashion and listening to slowed down Cumbian folk music but this was all new to me. Full of accordions, vibrant colours and contrastingly muted tones, we spend a good chunk of the review describing the main characters haircut, because it turns out to be thematically relevant as well as quite a remarkable sight. Peter claims to have watched this movie more than a hundred times or something but I'm not so sure and when Dan describes this as Spanish PATERSON that resonated with me as it captures the vibe of this slow and thoughtful meditation on identity, alienation, immigration and artistic expression.

We finish things up with a look back at WACKY RACES and if that gets your nostalgia vein throbbing I'm afraid it's time to get flaccid again because this was awful and the races were obviously fixed. On the plus side Peter Perfect's car is essentially a motorised dildo.

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

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ONCE WERE WARRIORS (1994) is Lee Tamahori's adaptation of the first instalment of a powerful drama exploring the lives of the Māori Heke family. An unflinching and often brutal depiction of the effects of alcoholism, domestic violence and extreme poverty, Temuera Morrisson garnered critical acclaim and went on to become an international star but he is ably supported by Rena Owen, Cliff Curtis and especially Mamaengaroa Kerr-Bell who delivers a moving performance as tragic eldest daughter Grace, in what turns out to have been her only big screen appearance. Morrisson of course went on to feature as a Fett - two in fact, as Peter reminds me - whereas Director Tamahori went on to direct the preposterous Nicolas Cage thriller NEXT, reviewed on this pod and much loved by all. 

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

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Buckle up as your friendly neighborhood Dad film critics take a dive into one of the most debated films in recent memory – M. Night Shyamalan's 2008 thriller, "The Happening."

This oddball environmental horror flick, starring Mark Wahlberg and Zooey Deschanel, presents a world where nature seems to be mysteriously and violently turning against humanity. From the eerie opening sequence to the downright bizarre moments that follow, we’ll unpack what makes "The Happening" so polarizing.

We'll dissect Shyamalan’s unique style – his masterful suspense-building and those infamous plot twists. Was "The Happening" a misunderstood stroke of genius, a well-intentioned miss, or something else entirely? We’ll have a Dad-level debate about whether the film's underlying message about environmental protection lands effectively or gets lost in the eccentric execution.

We'll also revel in Mark Wahlberg’s unconventional performance as a high-school science teacher. We Dads will have a hearty chat about how his portrayal resonates (or doesn't) and discuss some of the film's most "so bad it’s good" moments.

We’ll also explore the film's themes of panic and survival, relating them to our own Dad instincts – would we be calm protectors of our families in a crisis, or would we find ourselves as baffled as Wahlberg’s character?

So, grab your plants (they’re the only ones you can trust, after all) and join us as we venture into the mysterious and unsettling world of "The Happening." You’re tuned into Bad Dads Film Review, where we bring a Dad’s wisdom (and humor) to the wild world of cinema. Let’s unravel this enigma together!

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

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Welcome back to Bad Dads Film Review! Today, we're diving into the flashy and often thrilling world of cinematic money scenes as we count down our Top 5 Cash Scenes in movies. We'll also discuss the complexities of financial manipulation in The Laundromat (2019) and switch gears to the animated high stakes of Thunderbirds Are Go.

Top 5 Cash Scenes in Movies:

1. The Dark Knight (2008) - The Joker’s notorious scene where he burns a mountain of cash is not only visually striking but also serves as a profound statement on his anarchistic views towards money and power.
2. No Country for Old Men (2007) - The suspenseful scene where Llewelyn Moss discovers a case full of cash amidst a drug deal gone wrong is pivotal. It sets the tone for the cat-and-mouse chase that underpins the movie's tension.
3. Scarface (1983) - Tony Montana’s famous “money laundering” montage showcases his rise to power. The visual of cash flowing through counting machines as he builds his empire is iconic in cinema history.
4. The Wolf of Wall Street (2013) - Jordan Belfort’s indulgent lifestyle fueled by ill-gotten gains is epitomized in the scene where he and his cohorts toss cash around their office, highlighting the excess and moral decay of his financial practices.
5. It’s a Mad, Mad, Mad, Mad World (1963) - The chaotic scramble for cash buried under the "big W" provides not only comedic gold but also a critical look at greed and desperation as every character vies for the hidden treasure.

The Laundromat, directed by Steven Soderbergh and starring Meryl Streep, delves into the shadowy world of financial fraud and the repercussions of the Panama Papers. The film intertwines multiple narratives to explore how money laundering affects people from different walks of life. While it aims to shed light on complex financial deceptions, the film’s sprawling approach to storytelling sometimes dilutes its impact, leaving us wishing for a tighter narrative focus.

 Shifting to a more family-friendly portrayal of high-tech adventures, Thunderbirds Are Go revisits the beloved world of the Tracy family and their life-saving missions. Although not focused on cash per se, the show’s funding by the secretive and wealthy Tracy family and their high-stakes rescues offer a lighter way to discuss the power and responsibilities that come with great wealth. We hated it.

Whether you're drawn to the dramatic flair of cash flying around in films or intrigued by the intricate depictions of financial malfeasance in modern cinema, today’s episode promises a rich exploration of money’s cinematic allure and its real-world implications. Join us as we unravel the tales of treasure and treachery that make these cash scenes so compelling. 🎬💸👨‍👧‍👦🍿

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

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Today, your trusted team of Dad cinephiles is standing at attention to revisit a classic courtroom drama that remains as sharp and relevant as ever – A FEW GOOD MEN.

Directed by Rob Reiner and written by the renowned Aaron Sorkin, "A Few Good Men" invites us into a military courtroom where young Navy lawyer Lt. Daniel Kaffee, played by Tom Cruise, is tasked with defending two Marines accused of murder. Kaffee faces off against the intimidating Colonel Nathan R. Jessup, played by the legendary Jack Nicholson in one of his most memorable roles.

We'll discuss the tight, crackling dialogue that Sorkin is known for and how it elevates the courtroom scenes into riveting exchanges. We’ll also delve into the powerful performances, not only from Cruise and Nicholson but also from a stellar supporting cast including Demi Moore, Kevin Bacon, and Kiefer Sutherland.

We'll explore the ethical dilemmas at the heart of the story: the tension between duty and morality, the consequences of blind obedience, and the courage it takes to stand up for the truth. As Dads, we’ll talk about the lessons we hope to teach our kids about integrity and standing up for what is right, even when it’s not easy.

Plus, we can't resist breaking down that iconic showdown in the courtroom — "You can't handle the truth!" — and discussing how this line has become ingrained in pop culture.

So, suit up and join us as we march into the compelling and morally complex world of "A Few Good Men". You're tuned into Bad Dads Film Review, where we navigate the highs and lows of cinema, one dad joke at a time. Order in the court!

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

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I kick things off this week with a rant about tattoos proving that only those people who don't have them care enough to be vocal about them as we chat about the Top 5 Tattoos in movies.

THE INTERN sees Robert De Niro play seventy-year-old widower Ben Whittaker,  a retired executive from a phone directory company who starts a new chapter in his life by joining a fast-growing e-commerce fashion startup helmed by visionary entrepreneur Jules Ostin (Anna Hathaway), surprising his new boss with the skills, insights and professional and personal experience he can draw from a life lived to the full along the way. An affable, predictable, and somewhat bland but pleasantly upbeat comedy with some gorgeous styling, De Niro is charming as the wise Ben who teaches us about persistence, patience and how to be a gentleman as Jules grapples with the demands of being an entrepreneur, wife and mother. Subject matter such as celebrating the role of older people in the workplace and the painful sacrifices women must make are of course excellent topics but some more humour would have helped to offset the tediously long-running sub-plots featuring a cast of monotonous supporting characters. Manages to be bafflingly devoid of racial diversity despite being set in Brooklyn.
 
Bad Dad Dan often laments that the world is conspiring against him so he should have some sympathy with his namesake in DAN VS. in which the titular Dan finds himself on the trail of a Wolf-Man when his car is vandalised. If there has been a theme with this week’s choices, it's "not enough good jokes" and DAN VS. continues that trend. 

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

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Inspired by the recent testimony of respected former defence official David Grusch, who confirmed before a congressional comittee that the US has been operating an extra-terrestrial crash retrieval and reverse engineering programme for decades, Dan chose the 2001 sci-fi K-PAX for us to cast our eye over.

Iain Softley brings an adaptation of Gene Brewer's 1995 novel telling the tale of "prot" (Kevin Spacey), committed to the Psychiatric Institute of Manhattan and placed into the care of wearied workaholic, doctor Mark Powell (Jeff Bridges). Claiming to be an extraterrestrial from the planet 'K-PAX', Powell attempts to gently pierce prot's delusion by piecing together his backstory even as he comes to doubt exactly what he has uncovered. Both leads are excellent - Spacey does smugly vulnerable to perfection - and with an interestingly ambiguous ending and themes about hope and who we turn to for spiritual guidance, even an initially reluctant Sidey found himself engaged by this one.

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

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This week you might need to grab a box of tissues and that’s not just because of our unrelenting dad sexiness but also because we’re going to be getting all emotional in emotions week as we start things off by counting down the top 5 Tearjerkers, the movies that squeezed tears out of the empty space where our souls used to be.

Todd Solondz's 1998 black comedy HAPPINESS is a movie so relentlessly dark I had to watch it with night vision goggles on. Sort of focusing on the unhealthy relationship between the Jordan sisters; Helen, a bored celebrity ice queen author with fantasies of sexual violence, Trish, an unfulfilled housewife trapped in a sham marriage and Joy, a sensitive but dim-witted free-spirit searching for love, this is also the kind of movie where mouth-breathing incels lounge around in their underwear making abusive phone calls whilst jacking off, a lonely frump seeking connection murders and dismembers her neighbourhood rapist and the final scene features an 11 year old boy triumphantly announcing they've achieved their first ever orgasm. Not to mention the film’s most infamous scenes featuring Dylan Baker's Bill, a predatory psychiatrist which I have in fact now mentioned. HAPPINESS is not a bad movie but it is a deeply unpleasant one, with its depressive mood and view of mankind as putrid, self-involved slaves to their nastiest impulses becoming absolutely over-bearing by the end. Maybe that's the point, this isn’t the most profound movie of all time.

In our final section of the show we'll be exploring anger via the medium of animated birds and fascist pigs trapped in an endless cycle of violence with Netflix’s ANGRY BIRDS SLINGSHOT SERIES.  Slingshot? Slingshit more like.

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

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Welcome back to another episode of Bad Dads Film Review! Your favourite crew of film-loving Dads are back, and this time we're buckling in for an unsettling ride with the chilling thriller, Misery.

Directed by Rob Reiner and based on the novel by Stephen King, Misery plunges us into the terrifying ordeal of a successful novelist, Paul Sheldon, played by James Caan. After a car accident in a remote area, Paul finds himself 'rescued' and held captive by his biggest fan, the deranged Annie Wilkes, played with terrifying intensity by Kathy Bates in an Oscar-winning performance.

We'll discuss the nail-biting suspense and psychological horror that sets Misery apart from typical thrillers. We'll delve into the masterful performances by Bates and Caan, exploring how their cat-and-mouse dynamic and the claustrophobic setting create a mounting sense of dread.

We'll also analyze the film's exploration of fandom and obsession. And of course, we won't shy away from discussing that notorious 'hobbling' scene, which remains one of the most shocking in cinema history.

So, pull up a chair, but maybe keep one eye on the door, as we delve into the chilling world of Misery. Don't forget, we're your number one fan!

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

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It seems absurd that a podcast devoted to parents rekindling their love for cinema has taken three hundred and fifty something episodes to get around to discussing the Top 5 Births but here we are. Most of our examples are either comedies or horrors which tells you everything you need to know about our experiences or parenting in general.
 
While the rest of the world goes BARBIE crazy, we thought we would take a look back at writer/director Greta Gerwig's solo feature debut LADY BIRD, in which the self-monikered high schooler attempts to navigate the cliques of her senior year at the Immaculate Heart of Mary Catholic High School, whilst dreaming of escape to college in New York, much to the disapproval of her domineering mother (Laurie Metcalf). 
 
We've seen the coming-of-age story told many times before but mostly from a male perspective and never one with such a rich and painful mother daughter relationship at its core. By equal measure funny, moving, and heart-breaking, with a terrific script full of powerful, real sounding lines and textured, layered characters, LADY BIRD is never better than when Metcalf is on screen as the emotionally abusive Marion who is at the centre of the movie’s thesis on love and attention. Sadly this didn't connect with all of us; if I'd have let them, my co-hosts would have gone on for ages about things they didn't like: Sidey thought it was pretentious though the film wears it's meaning front and centre and there weren't enough lasers or sport-cliches or something for Dan.
 
Our final section of the show is dedicated to answering one of life’s ultimate and most profound conundrums: IS IT CAKE?. Based on a brief online fad from a few years back, hosted by a man who doesn't appear to even know the meaning of the word comedy, it's 45 minutes long, the title has a question mark in it: there's a lot to potentially hate in this, and Sidey and Dan do in fact hate it. Not me though, the cakes look and sound amazing, the contestants are interesting and for some inexplicable reason, the light entertainment family element just works. Plus you can stab literally anything now and pretend you were just playing the game.

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

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Vexillologists should be delighted this week as we attempt to raise the cinematic banner as high as we can when we discuss the top 5 Flags. From fictional countries to cartoon weaponry, it's actually churches that prove to be a surprisingly good place to go to collect them, after all it's a great place to seek pennants.
 
LAST FLAG FLYING is Richard Linklater's frequently moving but not entirely successful  exploration of patriotism, friendship and loss which sees former Marine Larry "Doc" Shepherd (Steve Carell) reunite with Vietnam veterans Sal (Bryan Cranston) and the Reverend Richard Mueller (Laurence Fishburne) in order to bury his son, killed in action in Iraq.  When a dark truth emerges about Larry Jr.'s death, Doc resolves to bring his son home to bury him in his civilian clothing alongside his recently deceased wife. Along the way, the three men find themselves coming to terms with the shared experiences of a war that continues to shape their lives through painful physical and mental trauma. The meaning of heroism is a complex issue which the movie handles sensitively and the movie is at its best when the leads are allowed to breathe life into thin characters. Sitcom style asides like Sal and Mueller being arrested as terrorists or a trip to buy a newfangled thing called a mobile phone are a distraction from the more interesting thematic content of the movie.
 
Staple of 80's Sunday night television, BULLSEYE is our kids tv selection this week as we take a look back at a time when moustaches were thick, mullets were magnificent, and working class northerners were paraded on British tv for the very first time vying for the chance to win a washing machine, toaster or of course a speedboat. Jim Bowen doesn't look a day over sixty-five which is a shame because he was 44 when he hosted episode four of the first season, the instalment we watched for this review. Find out just why there were so many speedboats, reminisce about the casual sexism and homophobia and find out which serial killer was convicted using evidence from the show.

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Dan takes us back to a time he remembers fondly, the fabulous 50's and the birth of the boomer generation who single-handedly solve racism in Gary Ross's 1998 fantasy PLEASANTVILLE. I'm being unnecessarily cynical because on the one hand this is an entirely original fantasy with a great concept and unique visual style, a stirring Randy Newman score and beautiful themes about the power of self-expression but on the other it's a movie that seeks to address segregation and racism in a town populated exclusively by white people. Tobey Maguire brings the cow-eyed geek energy of Peter Parker and Reece Witherspoon teaches her mother (Joan Allen) to masturbate so hard she causes a tree to spontaneously combust.

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 Welcome back to another episode of Bad Dads Film Review, where your favorite film fanatic Dads unpack the best and worst of cinema and television. This week, it's all about schools!

To kick things off, we're hitting the books with our 'Top 5 Schools' in film and TV. We'll be rating and debating the most iconic educational institutions, from Hogwarts School of Witchcraft and Wizardry to Rydell High. Whether they're havens for superheroes, breeding grounds for drama, or just incredibly wacky, we've got them all covered.

For our 'Movie of the Week', we're going undercover at a modern high school with the 2012 action-comedy reboot, "21 Jump Street". Starring Jonah Hill and Channing Tatum as rookie cops tasked with blending in as high school students, we'll discuss the movie's clever subversion of genre clichés, the dynamic comedic duo, and how the film deftly blends high-stakes action with raucous humour.

Lastly, we take a nostalgic trip down memory lane with the classic 90s kids' TV show, "Saved by the Bell". We'll chat about the iconic characters, memorable storylines, and the series' enduring appeal. We'll also reflect on how the show portrayed high school life and the lessons we - or our kids - may have taken from it.

So grab your school bag and join us for a trip back to those locker-filled corridors. Welcome to Bad Dads Film Review, where we discuss, dissect, and occasionally detest, films and TV shows from a Dad's perspective. Class is now in session! 

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Welcome back to Bad Dads Film Review! Today, we're diving into the captivating and intricately plotted world of The Handmaiden, a 2016 psychological thriller directed by Park Chan-wook. This South Korean film, inspired by the novel Fingersmith by Sarah Waters, is a masterclass in storytelling, visual aesthetics, and suspense.

A Tale of Deceit and Desire Set in 1930s Korea during the Japanese occupation, The Handmaiden tells the story of a young Korean woman, Sook-hee, who is hired as a handmaiden to a wealthy Japanese heiress, Lady Hideko. However, Sook-hee’s employment is part of an elaborate scheme concocted by a con man named Count Fujiwara. His plan: for Sook-hee to help him seduce Lady Hideko so he can marry her, commit her to an asylum, and steal her wealth.

Layers Upon Layers As the narrative unfolds, it becomes a mesmerizing tale of double-crosses, sexual awakening, and shifting loyalties. The story is presented in three parts, each from a different character’s perspective, which gradually reveals the depths of deception and the complexities of the characters’ relationships. This structure keeps the viewer guessing and reevaluating everything they know about the characters and their motives.

Why It Stands Out

• Visual Storytelling: Park Chan-wook’s direction is visually stunning. Every frame is meticulously crafted, combining exquisite costume and set designs with a vibrant color palette that enhances the sensual and suspenseful atmosphere of the film.
• Complex Characters: The characters in The Handmaiden are richly developed, with motivations that are both hidden and explicit. This complexity adds layers to the narrative, making the character dynamics engrossing and the plot twists more impactful.
• Erotic Elements: The film incorporates strong erotic themes that are integral to the plot and character development. These elements are handled with artistry and contribute significantly to the film’s exploration of freedom, power, and identity.

At its core, The Handmaiden explores themes of manipulation and liberation. It delves into the ways individuals manipulate each other for personal gain, but also how characters can break free from societal and personal oppression. The film challenges traditional notions of power and autonomy, particularly in relation to gender and sexuality.

For fans of psychological thrillers, historical dramas, and beautifully crafted cinema, The Handmaiden is a must-watch. Its ability to blend genre elements with a profound exploration of human desires and deceptions makes it a standout film that engages the mind and the senses.

Join us as we unravel the intricate web of The Handmaiden, exploring its narrative complexities, stunning aesthetics, and the provocative questions it raises about love, betrayal, and freedom. Whether you’re discovering it for the first time or revisiting this modern classic, there’s plenty to uncover in this thrilling cinematic journey. 🎬🔍👨‍👧‍👦🍿

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Today, we're stepping into the shoes of rebellious teenagers in the satirical dark comedy classic, "Heathers".

Directed by Michael Lehmann, HEATHERS is a 1989 cult film that deconstructs the teen movie genre with a razor-sharp script by Daniel Waters. The film stars Winona Ryder as Veronica, a high school student looking to break free from her toxic friend group - the Heathers. Her life takes a dark turn when she gets involved with the school's sociopathic outsider, played with brooding charisma by Christian Slater.

We'll dive into the film's biting wit, its raw and insightful take on high school politics, and its subversive critique of teen movie tropes. We'll discuss the memorable performances from Winona Ryder and Christian Slater, who create a fascinating, morally complex duo at the heart of this dark narrative.

We'll also talk about the film's bold exploration of heavy themes like peer pressure, bullying, and teen suicide, all wrapped in a veneer of pitch-black humor and 80s aesthetics. And of course, we'll revel in the iconic one-liners and memorable scenes that have made Heathers a standout film in the dark comedy genre.

So, grab your croquet mallet and join us as we navigate the cruel hallways of Westerburg High with Heathers.

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When a notorious gangster escapes from custody while being transported to Japan, rebellious but inept cop Nick Conklin (Michael Douglas) sets out to recapture him at any cost, in Ridley Scott’s action thriller BLACK RAIN (1989). Slightly more thoughtful than it might first appear, with America's position as a global power analysed through the lens of an unengaging and drawn-out organised crime saga that never quite gets going. A likeable performance from Andy Garcia as unfortunately beheaded partner Charlie almost steals the movie, as does his karaoke scene with Ken Takakura's excellent Masahiro, but it's Douglas's mullet which truly reigns supreme and seems to grow in presence throughout the film. Oh yeah, and there's some stuff in here which tries to address the USA's role in dropping nuclear weapons on Japan during the second world war, which doesn't seem too insensitive or crass 30 years later so that's good isn't it.

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Seemingly emerging with many of his career trademarks already on display, THIEF (1981) is writer and director Michael Mann's film debut and features the auteur's usual meticulous attention to detail and commitment to realism in this terrific crime revenge thriller. When strictly freelance diamond heist expert Frank's fence meets an untimely demise he is forced into a meeting with mafia boss Leo (Robert Prosky), who persuades him to undertake one last, lucrative job. Somehow feeling fresh despite the familiar tropes (even for the time),  Mann hired ex-con John Santucci as a consultant to help bring a level of authenticity to the events of the movie which is never more evident than in the  film's opening scenes, where Caan was specifically trained how to crack a safe. After THE GODFATHER, James Caan rates this as containing some of his finest work, especially an intimate conversation in a diner scene with romantic co-lead Jessie (the incredibly named Tuesday Weld) as they share their twisted version of the American Dream. Frank is an unrepentant recidivist but is sympathetic in his own way and his strong code is at odds with the fantastically assembled cast of amoral bad guys - many making their debut including GREMLINS 2 THE NEW BATCH's Prosky - who seem like almost genial and very ordinary middle-aged men until they are suddenly terrifying and dangling you over a vat of acid. 

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BLADE RUNNER (1982) is director Ridley Scott's sci-fi masterpiece; a huge influence on both movies and popular culture as a whole, a nightmarish vision of the future, a triumph of world building, lighting, and sound design with still excellent looking special effects and also it's a total bore. Set in the grimy, rain-soaked streets of a dystopian 2019 Los Angeles, Harrison Ford stars as Rick Deckard, a weary ex-cop forced back into his old job as a 'Blade Runner', assigned to hunt down and 'retire' renegade androids known as replicants, including their inspirational leader, Roy Batty (Rutger Hauer). Way too slow and featuring an unconvincing love story, the amoral Deckard is a singularly uninteresting character, who manages to be completely devoid of anything approaching charisma, something of an achievement from the man who was Han Solo and Indiana Jones. Multiple cuts of the movie have ruined the ambiguity of the original theatrical release which is still the definitive version. 

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MEET THE PARENTS (2000) is a high water mark in cringe comedy and sees Ben Stiller's Greg Focker ready to marry girlfriend Pam but before he can pop the question, he must win over her formidable father, humourless former CIA agent Jack Byrnes (Robert De Niro), at the wedding of Pam’s sister.

Peter isn't a fan but the rest of us enjoyed the agonisingly awkward humour and some of us even thought there were quite interesting social and ethnic observations going on since the embarrassingly named hero also happens to be a male nurse and Jewish. A strong recommend simply for the line “you tried to milk him didn't you, you sick son of a bitch”. Based on an independent film from 1992 that Steven Spielberg bought the remake rights to, the movie's strong Box Office performance of course meant that we were blessed with several sequels including MEET THE FOCKERS, LITTLE FOCKERS and MOTHER FOCKER.

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SHALLOW GRAVE (1994) starts off almost like a sitcom, with three friends trying to find an interesting housemate before it evolves into a deal with the devil type plot about paranoia and how money can ruin even the closest of friendships. Danny Boyle's debut was the movie that allowed him to make the iconic TRAINSPOTTING and features many of the director's stylistic and cinematic flourishes including the use of fish eye lenses, dance music soundtracks, a constant sense of momentum in the plot and terrifying fake babies. Ewan McGregor, Kerry Fox and Christopher Eccleston are all pretty good as co-leads but the script makes them so obnoxious I didn't care who kept the money which is a bit of a problem in a movie like this and it's not even particularly clear why McGregor's Alex wins. A scene where a ginger person's Velcro shoes are cruelly mocked earns the film an additional star.

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Welcome back to another exciting episode of Bad Dads Film Review! We're your trusty band of Dad cinephiles, here to discuss, dissect, and occasionally disagree over the best and most interesting films the cinema world has to offer. Today, we delve into the murky world of drug cartels and moral ambiguity with Denis Villeneuve's gripping thriller, "Sicario".

"Sicario", a 2015 action thriller, takes us into the heart of the US-Mexican border's brutal drug war. Emily Blunt gives a powerhouse performance as Kate Macer, an idealistic FBI agent who finds herself in a task force aiming to bring down a notorious Mexican cartel leader. She's joined by the enigmatic Alejandro, portrayed masterfully by Benicio Del Toro, and the sly, all-business Matt Graver, played by Josh Brolin.

We'll dive into the incredible performances, the tight and suspenseful storytelling, and the skillful direction that makes "Sicario" a film that's hard to forget. We'll discuss how Villeneuve and screenwriter Taylor Sheridan use the brutal violence of the drug war to explore larger themes about morality, legality, and the lengths we're willing to go to achieve perceived justice.

We'll talk about the tense, climactic scenes that left us on the edge of our seats, and the questions the film leaves lingering in our minds long after the credits roll.

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The undead enjoy nothing more than eating brains so if there had been an outbreak in the man cave this week they'd be going hungry as we sit down to talk about the Top 5 Zombies. Cris isn't a fan, Reegs doesn't let his enthusiasm prevent him from flailing around on one of his  favourite subjects and Sidey and Dan were also there.
 
George A. Romero practically invented the modern concept of the cinematic zombie in 1968's NIGHT OF THE LIVING DEAD and whether they've been used as a commentary on greed and consumerism, a post 9-11 allegory for terrorism or a grim vision of our future after the next pandemic, their huge cultural appeal is evidence of some deeper primal fear. An intimidating subject to talk about then, and what better way for the Dads to celebrate cinemas most famous shufflers than with a sincere and sometimes funny but very lukewarm romantic comedy like 2013's WARM BODIES. Some stuff happens, Nicholas Hoult channels ZOOLANDER and Malkovich Malkovich Malkovich is in it for a bit and it's all played as surprisingly sweet considering the plot demands our hero eat the grey matter of romantic co-lead Julie (Teresa Palmer)'s boyfriend to absorb his memories, not to mention the massive existential weirdness that might imply which the movie certainly doesn’t. Call me a massive softy but I did like the way a simple hand gesture had such deep meaning and an excellent soundtrack made this slightly better than completely awful.
 
We’ve already discussed our preference for a slow zombie but had we considered ones that can rap and sing? Disney Channel movie Z-O-M-B-I-E-S came highly recommended by my youngest and it solves the problem of the undead’s hunger by introducing an inhibiting wrist band which stifles the urge to eat and also makes all the zombies look like pastel-shaded Joker cosplayers. Fantastically talented dancers and catchy tunes made this rightfully a sensation in our house especially if you didn’t stop for a minute to think about some of the unfortunate racial subtext that the heavy-handed segregation theme might imply.

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Obviously you've seen hundreds of movies in which a fame weary Elvis Presley didn't die and in fact switched places at the peak of his stardom with an impersonator, the real King of Rock and Roll instead winding up in a convalescence home with a cancerous lump on his penis alongside an African American John F. Kennedy, skin dyed by the C.I.A. and with portions of his brain replaced by sand, teaming up to fight the mummified remains of an Egyptian Pharaoh but BUBBA HO-TEP is the best and least typical one. PHANTASM director Don Coscarelli puts down the psychic metal death orbs for a moment to deliver an adaptation of Joe R. Lansdale's novella which turns out to be a surprisingly thoughtful meditation on aging and fading sexuality, lamenting the lack of dignity afforded to those in declining health and reminding us that being old does not make you worthless as well as giving us some good gags, some very silly special effects and that deliciously preposterous plot. All that and featuring the always beloved Bruce Campbell and, improbably, civil rights activist Ossie Davis.

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Welcome back to another riveting episode where your favourite group of Dads delve into the intriguing dimensions of film and television. This week, we're packing our virtual spaceship and setting coordinates for an intergalactic voyage that explores the realms of both cinematic universes and the cosmos!

We blast off with our 'Top 5 Space Journeys'. We'll navigate the cosmos, exploring everything from heart-stopping battles among the stars to serene celestial voyages, these movies have taken audiences on epic journeys that span galaxies far, far away. We'll tackle the real and the fantastical, the scientific and the symbolic, bringing you a variety of interstellar adventures that have left their mark on film history.

Next, for our 'Movie of the Week', we'll venture into the mind-bending reality of Christopher Nolan's 'Interstellar'. With an awe-inspiring cast led by Matthew McConaughey and Anne Hathaway, this film masterfully marries the vastness of space with the intimacy of human relationships. We’ll delve into the film’s themes of survival, love, and sacrifice, and the sublime ways in which Nolan captures the mysteries of the universe.

Finally, we touch down into the world of retro-futurism with our 'Kids TV Show of the Week' - 'The Jetsons'. This iconic animated series that painted a vibrant picture of 21st-century living from a 1960s perspective continues to captivate young viewers with its humorous and often insightful takes on technology and family dynamics. We'll explore the timeless charm

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

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Welcome back to Bad Dads Film Review! Today we’re taking a special journey down memory lane as we count down our Top 5 Bad Dads Film Review episodes. It’s been a fantastic ride filled with lots of laughs, insights, and, of course, great films. Later in the episode, we'll dive into our latest reviews for Mrs. Harris Goes to Paris and Batman: Caped Crusader.

Mrs. Harris Goes to Paris Our latest review takes us into the charming world of Mrs. Harris Goes to Paris. This delightful film tells the story of a widowed cleaning lady in the 1950s who becomes enchanted with a Dior dress, and decides she must have one of her own. It's a heart-warming tale that discusses themes of persistence, class, and the transformative power of beauty.

Batman: Caped Crusader Switching gears, Batman: Caped Crusader offers a fresh take on the iconic superhero with a return to the noir roots of the Batman character. This animated series has been praised for its sophisticated storytelling and dark aesthetic, making it appealing to both younger audiences and adult fans alike.

Whether you’re revisiting some of our best episodes or tuning in for the latest film reviews, today’s episode is packed with cinematic treasures and insightful discussions. Join us as we celebrate the films and the fun we’ve had reviewing them. 🎬📽️👨‍👧‍👦🍿

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Tune in as your motley crew of Dads voyage through the vast universe of cinema, sharing their thoughts, theories, and endless dad wisdom. Today, we are setting our sights on the cosmos with the intriguingly futuristic film, "2010: The Year We Made Contact".

As the sequel to Stanley Kubrick's pioneering "2001: A Space Odyssey", this 1984 sci-fi thriller directed by Peter Hyams carries the torch forward, exploring humanity's relationship with the unknown. The narrative picks up nine years after the disastrous voyage of Discovery One, as a joint Soviet-American team embarks on a mission to unravel the enigma of the malfunctioning HAL and the monolith in Jupiter's orbit.

We'll discuss Roy Scheider's portrayal of Dr. Heywood Floyd, burdened by the guilt of the doomed first mission, and his interactions with the equally compelling performances of Helen Mirren and John Lithgow. We’ll explore the subtle shifts in the film’s thematic approach, moving from Kubrick's philosophical musings to Hyams' focus on geopolitical tensions and humanistic themes.

We delve into the stunning special effects that make "2010: The Year We Made Contact" a visual treat, the clever intertwining of Arthur C. Clarke’s source material, and how the film, despite being steeped in Cold War anxieties, still resonates in today's context.

So gear up for a cosmic journey as we unravel the mysteries of "2010: The Year We Made Contact". This is Bad Dads - Dads who love film, delving into the heart of what makes cinema special. Ready for blast-off? 

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Welcome to another thrilling episode, where we, a merry band of Dads, deep dive into the entrancing world of film and TV, sharing our musings, reviews, and occasional dad jokes. This week, we've put together a divine roster of segments that will take you on a heavenly cinematic journey.

First off, we'll be exploring the 'Top 5 Gods in Movies'. From Greek to Norse, from benevolent to vengeful, we'll delve into the grandeur and mystique of these omnipotent beings as they've been portrayed in film. We explore how these depictions have evolved over time, reflecting society's changing attitudes and our enduring fascination with the divine. Buckle up as we ascend Mount Olympus, brave the chilling winds of Asgard, and even dare to enter Hades, all in the name of cinematic excellence.

For our moive choice, we're diving into the intricacies of religious dialogue and power dynamics with the 2019 film, 'The Two Popes'. Directed by Fernando Meirelles and penned by Anthony McCarten, this film explores the human side of the Vatican's highest echelons through the conversations between Pope Benedict XVI (Anthony Hopkins) and Cardinal Bergoglio, later Pope Francis (Jonathan Pryce). We'll dive into the incredible performances, the sharp dialogue, and the insightful commentary on faith, tradition, and reform in a world that's changing faster than ever.

Lastly, we lighten the mood with our 'Kids TV Show of the Week' - 'Young Sheldon'. This charming prequel to 'The Big Bang Theory' has won us (err, not Sidey!) and our little ones over with its humor, warmth, and relatable family dynamics. We'll discuss Sheldon's early years, his eccentric genius, and how this show brilliantly balances comedy with moments of real tenderness.

From heavenly realms to papal dialogues, from child prodigies to ordinary family life, this week's ReelTalk episode promises a divine blend of insights, laughter, and thoughtful conversation. So grab your popcorn, get comfy, and tune in!

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads

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Today, we journey back to the 18th-century Vienna with the remarkable cinematic masterpiece, "Amadeus".

This 1984 film, directed by the virtuoso Milos Forman, is an opulent dramatization of the imagined rivalry between two of history's most influential composers - Wolfgang Amadeus Mozart and Antonio Salieri. From a screenplay penned by Peter Shaffer, based on his own stage play, Forman constructs a lush tapestry of jealousy, divine talent, and the human tragedy tied to both.

We marvel at the tour de force performances of Tom Hulce (well remembered Dan!) as the youthful prodigy, Mozart, and F. Murray Abraham as the envious Salieri. The characters' intricate psychological interplay presents a rare dual protagonist-antagonist dynamic that resonates even decades later. And the meticulously crafted score, reverberating with Mozart's timeless symphonies, almost functions as a character itself.

"Amadeus" raises profound questions about talent and mediocrity, grace and obsession, making it a film that continues to stir heated discussions among us Dads. Tune in as we delve into the complex themes, the immortal music, and the brilliant cinematography that won this film eight Academy Awards, including Best Picture.

Whether you're a Mozart aficionado, a historical drama enthusiast, or a film lover who enjoys a compelling narrative, "Amadeus" offers something for everyone. Join us as we traverse this cinematic symphony, only on this week's episode of Bad Dads. Let's 'play' on!

We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com.

Until next time, we remain...

Bad Dads