Mariana Muñoz-Gomez wears many hats. Gomez is a Winnipeg-based artist, writer, zine maker and curator who intricately weaves personal narratives with collective histories in their lens-based practice. In today’s episode, Gomez shares what it is like to work for yourself as an artist interested in exploring many directions.
Gomez’ exploration of identity, colonialism, and capitalist structures is not just academic; it's a deeply personal reflection on individual and collective histories that have impacted many people around the world. Gomez’ work urges us to reflect on their own connections to place and history. By employing a variety of media—ranging from photography to zines—Gomez examines how art can aid memory and resistance, offering new perspectives on our shared experiences.
During our discussion, Gomez shares the motivations behind their work and how they harness the power of art to question societal norms through a relational lens. The episode shines a spotlight on the role of the curator, where Gomez emphasizes the importance of representation and care for the artists involved, particularly BIPOC voices. Alongside this, Gomez reveals the discipline and organisation required to be a freelancer, sharing how the least glamorous parts of being an artist are almost as important as the art itself. They also offer fascinating insights into their recent curatorial projects and the journey of creating Carnation Zine, a zine uplifting marginalised artists.
Listeners will gain a deeper understanding of how art can provoke thought and inspire action within communities while navigating the complexities of a creative career. Don't miss this opportunity to engage with Gomez’ journey as they pave the way for meaningful dialogues in contemporary art. Subscribe now and be part of the conversation!
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