“What is imaginary tends to become real -- that’s a quote from the founder of Surrealism, André Breton. We daydream of a better world, and this could be a very vague daydream. The idea of utopianism that I'm putting forward in the book is not a detailed, orderly, rational model of the city utopia. It’s this free floating, desirous model of the body utopia, which is unfinished and imperfect. It's always in transformation. These dreams and daydreams that we have are guiding our actions, influencing our day-to-day behavior if we let them. Our imagination is always involved in creating reality. The opposition between the two, reality and the imaginary, is not a stark one; they're porous. I’ve just co-curated a major exhibition of Surrealism, reflecting on the 100 years since the Manifesto of Surrealism, so I'm very much in this moment where I'm trying to explain to the public the value of this movement.

S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission, The Eyelid, A Cage for Every Child, and, most recently, Utopia in the Age of Survival: Between Myth and Politics. Her essays have appeared in such venues as Public Culture, Telos, Boundary 2, and The Hedgehog Review. She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia, which runs from July to September 2024 in Saint-Cirq-Lapopie, France.

https://profiles.laps.yorku.ca/profiles/sylwiac/

www.sup.org/books/title/?id=33445
https://chbooks.com/Books/T/The-Eyelid
https://ciscm.fr/en/merveilleuse-utopie

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

Image credit:
Guy Girard, La canicule des sirènes, 1997, oil on canvas, 92 x 73 cm

As Surrealism turns 100, what can it teach us about the importance of dreaming and creating a better society? Will we wake up from the consumerist dream sold to us by capitalism and how would that change our ideas of utopia?

S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission, The Eyelid, A Cage for Every Child, and, most recently, Utopia in the Age of Survival: Between Myth and Politics. Her essays have appeared in such venues as Public Culture, Telos, Boundary 2, and The Hedgehog Review. She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia, which runs from July to September 2024 in Saint-Cirq-Lapopie, France.

“What is imaginary tends to become real -- that’s a quote from the founder of Surrealism, André Breton. We daydream of a better world, and this could be a very vague daydream. The idea of utopianism that I'm putting forward in the book is not a detailed, orderly, rational model of the city utopia. It’s this free floating, desirous model of the body utopia, which is unfinished and imperfect. It's always in transformation. These dreams and daydreams that we have are guiding our actions, influencing our day-to-day behavior if we let them. Our imagination is always involved in creating reality. The opposition between the two, reality and the imaginary, is not a stark one; they're porous. I’ve just co-curated a major exhibition of Surrealism, reflecting on the 100 years since the Manifesto of Surrealism, so I'm very much in this moment where I'm trying to explain to the public the value of this movement.”

https://profiles.laps.yorku.ca/profiles/sylwiac/
www.sup.org/books/title/?id=33445
https://chbooks.com/Books/T/The-Eyelid
https://ciscm.fr/en/merveilleuse-utopie

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.

Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London.

He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.

In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.

“​​I love working with historic sites. I've done a few events and installations working in old cathedrals; we did one with And& Festival in Leuven, and in Carlisle Church in Belfast with the AVA Festival guys, and the Acropolis of Athens, and lots of other venues. I love venues where I can turn up and map projections onto architecture. Particularly when you're using old historic buildings, they're full of feelings and ideas before you, you know, from the history and what you associate them with. That embeds itself into the music and the visuals that you're presenting, so you get this extra layer of engagement and emotion and ideas coming through, which I love. I generally use projectors rather than screens for that reason, so that I can use the architecture and try to make the show itself interact with it. Whenever I can, I try to project. It adds to the storytelling, I think, and it makes it feel more special.”

https://maxcooper.net
https://osterfestspiele.at/en/programme/2024/electro-2024
https://meshmeshmesh.net
www.kingscross.co.uk/event/the-observatory

The music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

"I love Bernstein's excitement in talking about how he says, for Beethoven, was he the best harmonist? No. Was it his orchestral abilities? Absolutely not. It was just that each note that he chose was exactly the right note to follow the note that proceeded it as if he had 'a private telephone wire to Heaven' and that he was channeling the note that created and mirrored the divine harmonies of the universe.

And it was so striking to see John Adams compare the harmonies of a great piece by Handel to the harmonies of the State. And harmony is truth, which is reason, which is the Divine, according to the classical authority. And we have not only a right, but a duty to live according to reason in order to align ourselves with the divine harmonies of the universe.

Recently, I've started writing songs, and there's just something about the golden hour of the sunrise that waits for us each day. And whatever else is going on in the world or in our lives allows us to recommit to and experience once more the glorious beauty and harmony of the universe.”

Jeffrey Rosen is President and CEO of the National Constitution Center, where he hosts We the People, a weekly podcast of constitutional debate. He is also a professor of law at the George Washington University Law School and a contributing editor at The Atlantic. Rosen is a graduate of Harvard College, Oxford University, and Yale Law School. He is the author of seven previous books, including the New York Times bestseller Conversations with RBG: Justice Ruth Bader Ginsburg on Life, Love, Liberty, and Law. His essays and commentaries have appeared in The New York Times Magazine; on NPR; in The New Republic, where he was the legal affairs editor; and in The New Yorker, where he has been a staff writer. His latest book is The Pursuit of Happiness: How Classical Writers on Virtue Inspired the Lives of the Founders and Defined America.

https://constitutioncenter.org/about/board-of-trustees/jeffrey-rosen
www.simonandschuster.com/books/The-Pursuit-of-Happiness/Jeffrey-Rosen/9781668002476
https://constitutioncenter.org/news-debate/podcasts

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

What is the true meaning of the pursuit of happiness? What can we learn from the Founding Fathers about achieving harmony, balance, tranquility, self-mastery, and pursuing the public good?

Jeffrey Rosen is President and CEO of the National Constitution Center, where he hosts We the People, a weekly podcast of constitutional debate. He is also a professor of law at the George Washington University Law School and a contributing editor at The Atlantic. Rosen is a graduate of Harvard College, Oxford University, and Yale Law School. He is the author of seven previous books, including the New York Times bestseller Conversations with RBG: Justice Ruth Bader Ginsburg on Life, Love, Liberty, and Law. His essays and commentaries have appeared in The New York Times Magazine; on NPR; in The New Republic, where he was the legal affairs editor; and in The New Yorker, where he has been a staff writer. His latest book is The Pursuit of Happiness: How Classical Writers on Virtue Inspired the Lives of the Founders and Defined America.

"I love Bernstein's excitement in talking about how he says, for Beethoven, was he the best harmonist? No. Was it his orchestral abilities? Absolutely not. It was just that each note that he chose was exactly the right note to follow the note that proceeded it as if he had 'a private telephone wire to Heaven' and that he was channeling the note that created and mirrored the divine harmonies of the universe.

And it was so striking to see John Adams compare the harmonies of a great piece by Handel to the harmonies of the State. And harmony is truth, which is reason, which is the Divine, according to the classical authority. And we have not only a right, but a duty to live according to reason in order to align ourselves with the divine harmonies of the universe.

Recently, I've started writing songs, and there's just something about the golden hour of the sunrise that waits for us each day. And whatever else is going on in the world or in our lives allows us to recommit to and experience once more the glorious beauty and harmony of the universe.”

https://constitutioncenter.org/about/board-of-trustees/jeffrey-rosen
www.simonandschuster.com/books/The-Pursuit-of-Happiness/Jeffrey-Rosen/9781668002476
https://constitutioncenter.org/news-debate/podcasts

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

"The humanities are all about representing the world, while the sciences are all about knowing the world. But I believe the roles are deeply intertwined, and that literature, the humanities, philosophy, history, and the arts are all ways of knowing the world. They do exactly the same thing in our understanding of the world. And it is really important to try to put these things together to bring people closer in talking to each other."

Paola Spinozzi is Professor of English Literature at the University of Ferrara and currently serves as Pro-Vice-Chancellor for Internationalisation. She is the coordinator of the PhD Programme in Environmental Sustainability and Wellbeing and the co-coordinator of Routes towards Sustainability. Her research encompasses the ecological humanities and ecocriticism, utopia and sustainability; literature and the visual arts; literature and science; cultural memory. She has co-edited Cultures of Sustainability and Wellbeing: Theories, Histories and Policies and published on post/apocalyptic and climate fiction, nature poetry, eco-theatre; art and aesthetics, imperialism and evolutionism in utopia as a genre; the writing of science; interart creativity.

https://docente.unife.it/paola.spinozzi https://www.unife.it/studenti/dottorato/it/corsi/riforma/environmental-sustainability-and-wellbeing
https://www.routesnetwork.net
https://www.routledge.com/Cultures-of-Sustainability-and-Wellbeing-Theories-Histories-and-Policies/Spinozzi-Mazzanti/p/book/9780367271190.

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

How can we create positive change? What does it mean to have an ecological mind? How can interdisciplinary collaborations help us move beyond educational silos and create sustainable futures?

Paola Spinozzi is Professor of English Literature at the University of Ferrara and currently serves as Pro-Vice-Chancellor for Internationalisation. She is the coordinator of the PhD Programme in Environmental Sustainability and Wellbeing and the co-coordinator of Routes towards Sustainability. Her research encompasses the ecological humanities and ecocriticism, utopia and sustainability; literature and the visual arts; literature and science; cultural memory. She has co-edited Cultures of Sustainability and Wellbeing: Theories, Histories and Policies and published on post/apocalyptic and climate fiction, nature poetry, eco-theatre; art and aesthetics, imperialism and evolutionism in utopia as a genre; the writing of science; interart creativity.

"The humanities are all about representing the world, while the sciences are all about knowing the world. But I believe the roles are deeply intertwined, and that literature, the humanities, philosophy, history, and the arts are all ways of knowing the world. They do exactly the same thing in our understanding of the world. And it is really important to try to put these things together to bring people closer in talking to each other."

https://docente.unife.it/paola.spinozzi https://www.unife.it/studenti/dottorato/it/corsi/riforma/environmental-sustainability-and-wellbeing
https://www.routesnetwork.net
https://www.routledge.com/Cultures-of-Sustainability-and-Wellbeing-Theories-Histories-and-Policies/Spinozzi-Mazzanti/p/book/9780367271190.

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

"In the paintings, the imagery that I'm looking for are images that don't feel posed or, even if they were intended to be posed, there are things in there that weren't necessarily meant for public display. So I am really interested in telling secrets in that way. You know, I've always made things made objects, but always very privately. And being married to an artist, I started to realize, and he started to really encourage me that that expression not be just kept in a drawer. And during the lockdown, when there was nothing else to do, I had all this time to really explore and give myself permission to see that part of my life as something that should be valued and exercised."

From her role as Dr. Lisa Cuddy on the hit Fox series House M.D, to her starring role as Abby McCarthy in Bravo's first scripted series Girlfriend's Guide to Divorce, Lisa Edelstein's range of roles are as diverse talent. Some of Edelstein's feature credits include Keeping the Faith, What Women Want, Daddy Daycare, As Good as It Gets, and Fathers and Sons. She played a Holocaust survivor and adopted mother in the drama television series Little Bird. The story centres on a First Nations woman who was adopted into a Jewish family during the Sixties Scoop, as she attempts to reconnect with her birth family and heritage.

Lisa’s career began by writing, composing, and performing an original AIDS awareness musical Positive Me at the renowned La Mama Experimental Theater Club in New York City. In the wake of COVID, Lisa began to paint using old family photographs as starting points. Her incredibly detailed paintings capture intimate relationships and spontaneous moments with honesty and compassion.

https://lisaedelstein.komi.io/
www.lisaedelsteinpaintings.com/
www.imdb.com/name/nm0249046

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

Artworks:
“Beach Day”, “Marsha”, “Karen” Courtesy of the Artist

Lisa Edelstein in the Studio
Photo credit: Holland Clement, Courtesy of the artist

How can the arts help us examine and engage with social issues? How do our families shape our views, memories, and experience of the world?

From her role as Dr. Lisa Cuddy on the hit Fox series House, to her starring role as Abby McCarthy in Bravo's first scripted series Girlfriend's Guide to Divorce, Lisa Edelstein's range of roles are as diverse talent. Some of Edelstein's feature credits include Keeping the Faith, What Women Want, Daddy Daycare, As Good as It Gets, and Fathers and Sons. She played a Holocaust survivor and adopted mother in the drama television series Little Bird. The story centres on a First Nations woman who was adopted into a Jewish family during the Sixties Scoop, as she attempts to reconnect with her birth family and heritage.

Lisa’s career began by writing, composing, and performing an original AIDS awareness musical Positive Me at the renowned La Mama Experimental Theater Club in New York City. In the wake of COVID, Lisa began to paint using old family photographs as starting points. Her incredibly detailed paintings capture intimate relationships and spontaneous moments with honesty and compassion.

"In the paintings, the imagery that I'm looking for are images that don't feel posed or, even if they were intended to be posed, there are things in there that weren't necessarily meant for public display. So I am really interested in telling secrets in that way. You know, I've always made things made objects, but always very privately. And being married to an artist, I started to realize, and he started to really encourage me that that expression not be just kept in a drawer. And during the lockdown, when there was nothing else to do, I had all this time to really explore and give myself permission to see that part of my life as something that should be valued and exercised."

https://lisaedelstein.komi.io/
www.lisaedelsteinpaintings.com/
www.imdb.com/name/nm0249046

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

Photo credit: Mitch Stone
Courtesy of the artist

The Making of Moon Man
“So, as we started talking and going through what this could look like. I run a creator-owned superhero universe at Image Comics called the Massive-Verse, which is spearheaded by the main book I write called Radiant Black. I like to describe it as it's like Power Rangers with adult problems. It's very contemporary kind of reimaginings of superhero storytelling for the 2020s. So in that context, talking about what any type of new superhero and, in this case, what a new black superhero in 2024 could look like, what the threats would be, what the world might look like if it's maybe not even five minutes in the future. I would argue it's like two and a half minutes in the future. And then what kind of really complex, emotionally layered journey we could put this character through?”

Kyle Higgins is an Eisner award-nominated #1 New York Times best-selling comic book author and award-winning filmmaker known for his work on DC Comics’ Batman titles as well as his critically-acclaimed reinventions of Mighty Morphin Power Rangers for Boom! Studios/Hasbro, Ultraman for Marvel Comics, and his creator-owned series Radiant Black, NO/ONE and Deep Cuts for Image Comics. Kyle is the founder and creative director of Black Market Narrative and The Massive-Verse.

Karina Manashil is the President of MAD SOLAR. After graduating from Chapman University with a BFA in Film Production, she began her career in the mailroom at WME where she became a Talent Agent. In 2020, she partnered with Scott Mescudi and Dennis Cummings to found MAD SOLAR. Its first release was the documentary “A Man Named Scott” (Amazon), and she then went on to Executive Produce Ti West trilogy “X,” “Pearl” and “MaXXXine” (A24). Manashil received an Emmy nomination as an Executive Producer on the Netflix animated event “Entergalactic." She also produced the Mescudi/Kyle Higgins comic book “Moon Man” which launched through Image Comics. She is next producing the upcoming Mescudi/Sam Levinson/The Lucas Bros film “HELL NAW” (Sony) and the animated feature “Slime” from auteur animator Jeron Braxton.

moonmancomics.com
https://imagecomics.com
https://www.imdb.com/name/nm3556462/?ref_=fn_al_nm_1
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

Audio of Scott Mescudi courtesy of Mad Solar and Moon Man Comic Book Release and Revenge Of (Eagle Rock, CA, Jan 31, 2024)

What does the future hold for our late-stage capitalist society with mega-corporations owning and controlling everything? How can the world-building skills of the makers of films and comics help us imagine a better future?

Kyle Higgins is an Eisner award-nominated #1 New York Times best-selling comic book author and award-winning filmmaker known for his work on DC Comics’ Batman titles as well as his critically-acclaimed reinventions of Mighty Morphin Power Rangers for Boom! Studios/Hasbro, Ultraman for Marvel Comics, and his creator-owned series Radiant Black, NO/ONE and Deep Cuts for Image Comics. Kyle is the founder and creative director of Black Market Narrative and The Massive-Verse.

Karina Manashil is the President of MAD SOLAR. After graduating from Chapman University with a BFA in Film Production, she began her career in the mailroom at WME where she became a Talent Agent. In 2020, she partnered with Scott Mescudi and Dennis Cummings to found MAD SOLAR. Its first release was the documentary “A Man Named Scott” (Amazon), and she then went on to Executive Produce Ti West trilogy “X,” “Pearl” and “MaXXXine” (A24). Manashil received an Emmy nomination as an Executive Producer on the Netflix animated event “Entergalactic." She also produced the Mescudi/Kyle Higgins comic book “Moon Man” which launched through Image Comics. She is next producing the upcoming Mescudi/Sam Levinson/The Lucas Bros film “HELL NAW” (Sony) and the animated feature “Slime” from auteur animator Jeron Braxton.

The Making of Moon Man

“So, as we started talking and going through what this could look like. I run a creator-owned superhero universe at Image Comics called the Massive-Verse, which is spearheaded by the main book I write called Radiant Black. I like to describe it as it's like Power Rangers with adult problems. It's very contemporary kind of reimaginings of superhero storytelling for the 2020s. So in that context, talking about what any type of new superhero and, in this case, what a new black superhero in 2024 could look like, what the threats would be, what the world might look like if it's maybe not even five minutes in the future. I would argue it's like two and a half minutes in the future. And then what kind of really complex, emotionally layered journey we could put this character through?” -Kyle Higgins

moonmancomics.com
https://imagecomics.com
https://www.imdb.com/name/nm3556462/?ref_=fn_al_nm_1
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

Audio of Scott Mescudi courtesy of Mad Solar and Moon Man Comic Book Release and Revenge Of (Eagle Rock, CA, Jan 31, 2024)

"What are you trying to do with the portrait? On a basic level, you're trying to communicate something about the essence of who someone is. You're trying to figure out who they are, not necessarily who they present themselves as. The two things can quite often be different. And then, you're trying to find ways of showing that through their face, their posture, or any other context. My instinct is always to try to reduce down to the essential elements. We read faces. It's obviously very, very deep in our DNA, really our survival instinct. We are programmed to read faces in a very fine-tuned way.

Painting is a two-dimensional thing. You're basically taking real, three-dimensional things and making them into fake, two-dimensional ones. When you get into the 3D space, some of those distinctions aren't there anymore. I remember when I showed David Hockney the VR project I'd been working on a few years ago, and he put his finger on this quite well. Most art is about perspective. Certainly, for what he is interested in. As soon as you see something in 3D, whether it's a physical sculpture or a virtual object, that's not there anymore because you're in the space with whatever's being shown, so you're in a very different place."

Jonathan Yeo is one of the world’s leading figurative artists and portrait painters. From celebrated figures such as Sir David Attenborough, peace activist Malala Yousafzai, the Duke of Edinburgh, Nicole Kidman, and Tony Blair, sitting for a portrait with Yeo is a provisional necessity for any 21st century icon. His work, which has been exhibited in museums and galleries around the world, is the subject of several major mid-career retrospectives in the UK and internationally. Yeo’s course on portrait painting is available now on BBC Maestro.

www.jonathanyeo.com
www.bbcmaestro.com

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

Images courtesy of Jonathan Yeo

Can silence be painted? How can artists capture interior states, solitude, and the passing of time? How are the homes we live in a reflection of the people who inhabit them? How can we read a painting to piece together the life of the artist?

From 1 June to 13 July 2024, Hauser & Wirth presents Vilhelm Hammershøi: Silence in its new gallery location in Basel. This exhibition celebrates the renowned Danish artist, Vilhelm Hammershøi, for its first solo exhibition, and presents 16 works from private collections curated by art historian Felix Krämer.

Art historian and writer Florian Illies commented on Hammershøi's work: “One often forgets that Hammershøi, despite this self-restraint, was an artist who had traveled a lot…who knew the artists of his time. But its effect was completely different…He does the exact opposite to everyone else. And it is precisely this difference that makes him so special. This mystery is what makes him so compelling to us today.” Hammershøi’s works defy genre or movements, utilizing elements inspired by the Old Master in combination with his present, private sphere, and speak to contemporary viewers with timeless motifs, yet communicate profound meanings between themselves.

https://www.hauserwirth.com/hauser-wirth-exhibitions/vilhelm-hammershoi-silence
www.hauserwirth.com

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

Interior with the Artist’s Wife, Seen from Behind 1901
Oil on canvas
45 x 39 cm / 17 3/4 x 15 3/8 in
Photo: Annik Wetter Photographie
Image courtesy of Hauser & Wirth

How can we free ourselves from fear and social barriers to live more fulfilling and meaningful lives? What does it take to overcome trauma and turn it into triumph, and failure into reinvention? How can we shine a light on the marginalized and misunderstood to create social change that transforms the lives of women?

Sharmeen Obaid-Chinoy is an Oscar and Emmy award-winning Canadian-Pakistani filmmaker whose work highlights extraordinary women and their stories. She earned her first Academy Award in 2012 for her documentary Saving Face, about the Pakistani women targeted by brutal acid attacks. Today, Obaid-Chinoy is the first female film director to have won two Oscars by the age of 37. In 2023, it was announced that Obaid-Chinoy will direct the next Star Wars film starring Daisy Ridley. Her most recent project, co-directed alongside Trish Dalton, is the new documentary Diane von Fürstenberg: Woman in Charge, about the trailblazing Belgian fashion designer who invented the wrap dress 50 years ago. The film had its world premiere as the opening night selection at the 2024 Tribeca Festival on June 5th and premiered on June 25th on Hulu in the U.S. and Disney+ internationally. A product of Obaid-Chinoy's incredibly talented female filmmaking team, Woman in Charge provides an intimate look into Diane von Fürstenberg’s life and accomplishments and chronicles the trajectory of her signature dress from an innovative fashion statement to a powerful symbol of feminism.

“As a filmmaker, I've always made films about extraordinary women whose lives are faced with extenuating circumstances who've had adversity thrown at them and who've risen to the occasion. And when I began to look at Diane's story, for me, Diane is a fashion designer, but she's so much more. Her central ethos is woman before fashion, and we felt it was very important to take that ethos and weave it into the spine of our film, and make it about the woman.
In making this film, every single person who we called whose voice we wanted to include wanted to contribute. They wanted to say something about Diane, because she had left such a mark on their lives. Our producers’ jobs, Tracy and Fabiola, was to juggle those schedules. How do you juggle the schedule of secretary Hillary Clinton with Oprah Winfrey? How do you make sure that Anderson Cooper and Mark Jacobs, you know, in the filming time that we had, that we could put all of these people together? But Diane's friendships run deep with people, and people made sure to make time.

You know, she was a single mother, and I think that young single mothers watching this film will feel for Diane, especially single mothers who are trying to be entrepreneurs, and creating businesses, and trying to find their way into the world to be able to raise a family. To do that as an immigrant in a new country is challenging, and Diane shows you just how challenging it is. In making choices about living her life, in being with her children or expanding her business, there were sacrifices that were made, and those sacrifices are boldly put on the screen for viewers to watch.”

www.hulu.com/movie/diane-von-furstenberg-woman-in-charge-95fb421e-b7b1-4bfc-9bbf-ea666dba0b02
https://www.disneyplus.com/movies/diane-von-furstenberg-woman-in-charge/1jrpX9AhsaJ6
https://socfilms.com

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

“As a filmmaker, I've always made films about extraordinary women whose lives are faced with extenuating circumstances who've had adversity thrown at them and who've risen to the occasion. And when I began to look at Diane's story, for me, Diane is a fashion designer, but she's so much more. Her central ethos is woman before fashion, and we felt it was very important to take that ethos and weave it into the spine of our film, and make it about the woman.
In making this film, every single person who we called whose voice we wanted to include wanted to contribute. They wanted to say something about Diane, because she had left such a mark on their lives. Our producers’ jobs, Tracy and Fabiola, was to juggle those schedules. How do you juggle the schedule of secretary Hillary Clinton with Oprah Winfrey? How do you make sure that Anderson Cooper and Mark Jacobs, you know, in the filming time that we had, that we could put all of these people together? But Diane's friendships run deep with people, and people made sure to make time.

You know, she was a single mother, and I think that young single mothers watching this film will feel for Diane, especially single mothers who are trying to be entrepreneurs, and creating businesses, and trying to find their way into the world to be able to raise a family. To do that as an immigrant in a new country is challenging, and Diane shows you just how challenging it is. In making choices about living her life, in being with her children or expanding her business, there were sacrifices that were made, and those sacrifices are boldly put on the screen for viewers to watch.”

Sharmeen Obaid-Chinoy is an Oscar and Emmy award-winning Canadian-Pakistani filmmaker whose work highlights extraordinary women and their stories. She earned her first Academy Award in 2012 for her documentary Saving Face, about the Pakistani women targeted by brutal acid attacks. Today, Obaid-Chinoy is the first female film director to have won two Oscars by the age of 37. In 2023, it was announced that Obaid-Chinoy will direct the next Star Wars film starring Daisy Ridley. Her most recent project, co-directed alongside Trish Dalton, is the new documentary Diane von Fürstenberg: Woman in Charge, about the trailblazing Belgian fashion designer who invented the wrap dress 50 years ago. The film had its world premiere as the opening night selection at the 2024 Tribeca Festival on June 5th and premiered on June 25th on Hulu in the U.S. and Disney+ internationally. A product of Obaid-Chinoy's incredibly talented female filmmaking team, Woman in Charge provides an intimate look into Diane von Fürstenberg’s life and accomplishments and chronicles the trajectory of her signature dress from an innovative fashion statement to a powerful symbol of feminism.

www.hulu.com/movie/diane-von-furstenberg-woman-in-charge-95fb421e-b7b1-4bfc-9bbf-ea666dba0b02
https://www.disneyplus.com/movies/diane-von-furstenberg-woman-in-charge/1jrpX9AhsaJ6
https://socfilms.com

www.creativeprocess.info
www.oneplanetpodcast.org
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"Imagination has a central role in teaching philosophical thinking because it's only imagination that can get us out of our biases and out of the fixating on the patterns that we've been tuned to."

Keith Frankish is an Honorary Professor of Philosophy at the University of Sheffield, a Visiting Research Fellow with The Open University, and an Adjunct Professor with the Brain and Mind Programme in Neurosciences at the University of Crete. Frankish mainly works in the philosophy of mind and has published widely about topics such as human consciousness and cognition. Profoundly inspired by Daniel Dennett, Frankish is best known for defending an “illusionist” view of consciousness. He is also editor of Illusionism as a Theory of Consciousness and co-edits, in addition to others, The Cambridge Handbook of Cognitive Science.

www.keithfrankish.com
www.cambridge.org/core/books/cambridge-handbook-of-cognitive-science/F9996E61AF5E8C0B096EBFED57596B42
www.imprint.co.uk/product/illusionism

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“Before I decided to become a philosopher, I wanted to become a filmmaker, and in my education in France, where I'm originally from, there was a lot of emphasis placed on the humanities and arts. I still have a deep passion for the arts, and when it comes to our future, I am of two minds about the role that AI will play in how we interact with creative fields. Going back to my first love of cinema, there are various young filmmakers who are experimenting with AI systems to generate shots and short videos. They’re using it creatively. I think there is a tremendous potential there to usher in a renaissance of surrealist cinema where we can generate images and shots that could never have been made with a traditional camera, certainly not without a huge budget. Lowering the barrier to entry to artistic creation is something I'm excited about. On the other hand, of course, there are the various issues we've raised about the potential for plagiarism, for exploiting human artists, and also concerns about people gradually losing artistic skills because we have these tools available, and about the homogenization of taste. How is AI going to influence the kind of art and content entertainment we like to consume? How does engagement with AI-generated artifacts change the way we relate to art? I don't have the answer to that question, and I think it could go either way. I think it could come with good and bad. It could homogenize preferences and the little quirks we have in the way we engage with music, video, and literature—but it could also, on the other hand, supercharge creativity. That's perhaps the one thing I'd like to say about the future: I hope these new technologies are used to empower human creativity and human flourishing instead of stifling it.”

Dr. Raphael Millière is Assistant Professor in Philosophy of AI at Macquarie University in Sydney, Australia. His research primarily explores the theoretical foundations and inner workings of AI systems based on deep learning, such as large language models. He investigates whether these systems can exhibit human-like cognitive capacities, drawing on theories and methods from cognitive science. He is also interested in how insights from studying AI might shed new light on human cognition. Ultimately, his work aims to advance our understanding of both artificial and natural intelligence.

https://raphaelmilliere.com
https://researchers.mq.edu.au/en/persons/raphael-milliere

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

How can we ensure that AI is aligned with human values? What can AI teach us about human cognition and creativity?

Dr. Raphael Millière is Assistant Professor in Philosophy of AI at Macquarie University in Sydney, Australia. His research primarily explores the theoretical foundations and inner workings of AI systems based on deep learning, such as large language models. He investigates whether these systems can exhibit human-like cognitive capacities, drawing on theories and methods from cognitive science. He is also interested in how insights from studying AI might shed new light on human cognition. Ultimately, his work aims to advance our understanding of both artificial and natural intelligence.

“Before I decided to become a philosopher, I wanted to become a filmmaker, and in my education in France, where I'm originally from, there was a lot of emphasis placed on the humanities and arts. I still have a deep passion for the arts, and when it comes to our future, I am of two minds about the role that AI will play in how we interact with creative fields. Going back to my first love of cinema, there are various young filmmakers who are experimenting with AI systems to generate shots and short videos. They’re using it creatively. I think there is a tremendous potential there to usher in a renaissance of surrealist cinema where we can generate images and shots that could never have been made with a traditional camera, certainly not without a huge budget. Lowering the barrier to entry to artistic creation is something I'm excited about. On the other hand, of course, there are the various issues we've raised about the potential for plagiarism, for exploiting human artists, and also concerns about people gradually losing artistic skills because we have these tools available, and about the homogenization of taste. How is AI going to influence the kind of art and content entertainment we like to consume? How does engagement with AI-generated artifacts change the way we relate to art? I don't have the answer to that question, and I think it could go either way. I think it could come with good and bad. It could homogenize preferences and the little quirks we have in the way we engage with music, video, and literature—but it could also, on the other hand, supercharge creativity. That's perhaps the one thing I'd like to say about the future: I hope these new technologies are used to empower human creativity and human flourishing instead of stifling it.”

https://raphaelmilliere.com
https://researchers.mq.edu.au/en/persons/raphael-milliere

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

“Philosophy is both an academic discipline and also something that everybody does. Everybody has to have reflective views about what's significant. They also have to justify to themselves why it's significant or important. The nature of justice itself, and the various opinions that have been written about in philosophy about justice, can get to a very high level. So there's this unusual connection between philosophy and human life. We've inherited from the Middle Ages, this incredible tradition that's now developed into a chance for young people to spend four or five years, in a way, released from the pressures of life. The idea to pursue your ideas a little further in these four years you have, exempt from the pressures of social life, allows philosophy to have a kind of position unique in the academy. In confronting what the best minds in the history of the world have had to say about these issues, the hope is that they provide for the people who are privileged enough to confront philosophy a better and more thoughtful approach to these fundamental questions that everybody has to confront.”

What is the importance of philosophy in the 21st century as we enter a post-truth world? How can we reintroduce meaning and uphold moral principles in our world shaken by crises? And what does philosophy teach us about living in harmony with the natural world?

Robert Pippin is the Evelyn Stefansson Nef Distinguished Service Professor at the University of Chicago where he teaches in the College, Committee on Social Thought, and Department of Philosophy. Pippin is widely acclaimed for his scholarship in German idealism as well as later German philosophy, including publications such as Modernism as a Philosophical Problem, and Hegel’s Idealism. In keeping with his interdisciplinary interests, Pippin’s book Henry James and Modern Moral Life explores the intersections between philosophy and literature. Pippin’s most recent published book is The Culmination: Heidegger, German Idealism, and the Fate of Philosophy.

https://socialsciences.uchicago.edu/directory/Robert-Pippin
https://press.uchicago.edu/ucp/books/book/chicago/C/bo208042246.html

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“​​I love working with historic sites. I've done a few events and installations working in old cathedrals; we did one with And& Festival in Leuven, and in Carlisle Church in Belfast with the AVA Festival guys, and the Acropolis of Athens, and lots of other venues. I love venues where I can turn up and map projections onto architecture. Particularly when you're using old historic buildings, they're full of feelings and ideas before you, you know, from the history and what you associate them with. That embeds itself into the music and the visuals that you're presenting, so you get this extra layer of engagement and emotion and ideas coming through, which I love. I generally use projectors rather than screens for that reason, so that I can use the architecture and try to make the show itself interact with it. Whenever I can, I try to project. It adds to the storytelling, I think, and it makes it feel more special.”

How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness.

Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London.

He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26.

In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st.

https://maxcooper.net
https://osterfestspiele.at/en/programme/2024/electro-2024
https://meshmeshmesh.net
www.kingscross.co.uk/event/the-observatory

The music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper.

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

“I think a lot of joy comes from helping others. One of the things that I've been really focusing on is finding that balance in life, what’s real and what’s true and what makes you happy. How can you help other people feel the same and have a happier life? I think whatever that takes. So if that's charity, if that's photography, if that's documentary, if that's music, and I can do it, then I'm going to do it.

From traveling, especially in Ethiopia, Kenya, and even South America, we just see these scenarios and situations where they don't have enough support or finances. Anything I’m involved in, a good percentage goes to The White Feather Foundation. From what I witnessed, I just wanted to be able to help. My best teacher ever was Mum because I watched her live through life with dignity, grace, respect, and empathy. To me, those are some of the key things that are most important in living life. I think you have to love everybody and yourself. Respect is a real key issue, not only for people but for this world that we live in, Mother Earth. It's of key importance that we honor and respect this beautiful little blue ball that we live on.”

Julian Lennon is a Grammy-nominated singer-songwriter, photographer, documentary filmmaker, and NYTimes bestselling author of the Touch the Earth children’s book trilogy. This autumn, Whispers – A Julian Lennon Retrospective is being presented at Le Stanze della Fotografia, culminating in the publication of Life’s Fragile Moments, his first photography book. It features a compilation of images that span over two decades of Lennon's unique life, career, adventures, and philanthropy. He founded The White Feather Foundation in 2007, whose key initiatives are education, health, conservation, and the protection of indigenous cultures. He was the executive producer of Kiss the Ground and other environmental documentaries and was named a Peace Laureate by UNESCO in 2020.

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

Photo credit: © 2024, Julian Lennon. All rights reserved.
Life’s Fragile Moments, published by teNeues, www.teneues.com, August 2024. 27,5 x 34 cm |10 5/6 x 13 3/8 in., 240 pages, Hardcover, approx. 200 color photographs, texts English & German ISBN: 978-3-96171-614-2

What is the power of photography? How do images and songs bookmark our lives, reminding us of what we care about, who we love, and what it means to be alive?

Julian Lennon is a Grammy-nominated singer-songwriter, photographer, documentary filmmaker, and NYTimes bestselling author of the Touch the Earth children’s book trilogy. This autumn, Whispers – A Julian Lennon Retrospective is being presented at Le Stanze della Fotografia, culminating in the publication of Life’s Fragile Moments, his first photography book. It features a compilation of images that span over two decades of Lennon's unique life, career, adventures, and philanthropy. He founded The White Feather Foundation in 2007, whose key initiatives are education, health, conservation, and the protection of indigenous cultures. He was the executive producer of Kiss the Ground and other environmental documentaries and was named a Peace Laureate by UNESCO in 2020.

“I think a lot of joy comes from helping others. One of the things that I've been really focusing on is finding that balance in life, what’s real and what’s true and what makes you happy. How can you help other people feel the same and have a happier life? I think whatever that takes. So if that's charity, if that's photography, if that's documentary, if that's music, and I can do it, then I'm going to do it.

From traveling, especially in Ethiopia, Kenya, and even South America, we just see these scenarios and situations where they don't have enough support or finances. Anything I’m involved in, a good percentage goes to The White Feather Foundation. From what I witnessed, I just wanted to be able to help. My best teacher ever was Mum because I watched her live through life with dignity, grace, respect, and empathy. To me, those are some of the key things that are most important in living life. I think you have to love everybody and yourself. Respect is a real key issue, not only for people but for this world that we live in, Mother Earth. It's of key importance that we honor and respect this beautiful little blue ball that we live on.”

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

Photo credit: © 2021 Marilyn Clark

“Certainly all Japanese architects have been trained in both the Japanese tradition and the Western tradition and we see a lot of very very well thought out designs in architecture that make use of features of Japanese traditional houses. Japanese buildings like many and other parts of East Asia and Europe before the modern period are held together with wooden joints and pegs and wedges and they can be dismantled. And when a Japanese house was taken down, was demolished, every part of it could be reused. All the beams and columns. There were lumber yards that sold only used timber. Someone would come to buy that. Someone would come to buy the roof shingles, the tiles. Someone would come to buy the tatami floor mats or the sliding screens or all of the metal hardware. All the stuff was reusable and was intended to be reused. There is a concept now of “building as material bank”, and there is actually an organization that is promoting this idea that when you build a building, the materials are simply being borrowed for a certain period of time, a few tens of years, a century perhaps, and when the building is at end of life, when it needs to be replaced, then those materials go back into a resource pool to be reused.

In Edo Japan, basically life was pretty good, and they recycled everything. Everything was reused, upcycled. Waste was considered taboo. A person who was wasting was considered an ugly person. So there is a lot that we could talk about: design, the layout, scale. Buildings were rarely taller than two stories. Very good use of environmental features, microclimates, use of wind for cooling, passive solar heating. Good use of planting, gardens, etc. But regarding cities of the future, I think the main thing is it needs to be a place where people feel like they belong and want to take responsibility.

I'm from New Orleans, and I am very interested in the fact that cities and the places we live in teach us. They shape us, as much as we shape them. And New Orleans was a wonderful place to grow up in because you wouldn't have said it was sustainable, but the vernacular traditional architecture was naturally cooler in summers because of the way it was built with high ceilings with deep eaves from the roof, with verandas shaded with lots of breezes and lots of gardens, plus it is full of older buildings. And things become gentle over time.”

Azby Brown is a leading authority on Japanese architecture, design, and environmentalism and the author of several groundbreaking books, including Just Enough, Small Spaces, The Japanese Dream House, The Very Small Home, and The Genius of Japanese Carpentry. He is lead researcher for Safecast, a global citizen-science organization that pioneered crowdsourced environmental monitoring. Azby Brown has lived in Japan since 1985.

· azbybrown.com
· www.safecast.org
· www.oneplanetpodcast.org
· www.creativeprocess.info

Azby Brown is a leading authority on Japanese architecture, design, and environmentalism and the author of several groundbreaking books, including Just Enough, Small Spaces, The Japanese Dream House, The Very Small Home, and The Genius of Japanese Carpentry. He is lead researcher for Safecast, a global citizen-science organization that pioneered crowdsourced environmental monitoring. Azby Brown has lived in Japan since 1985.

· azbybrown.com
· www.safecast.org
· www.oneplanetpodcast.org
· www.creativeprocess.info

“Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator. Gropius said the artist is an exalted craftsman. “In rare moments of inspiration, moments beyond the control of his will, the grace of Heaven may cause his work to blossom into art, but proficiency in his craft is essential to every artist. Therein lies the source of creative imagination." And Steve Sondheim said, "Art is craft, not inspiration." And Rilke mistrusted any artist's knowing participation in his own creative process.”

Tony Walton was an award-winning director and production designer.  His work was vast and stretches from Broadway productions and operas to films and television.  Over the course of his long and coveted career Tony  was honored with 16 Tony Award Nominations for his Broadway sets and costumes.  Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls.  In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse’s All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy.  In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.

This interview was originally aired in 2019.
· www.tonywalton.net 

· www.creativeprocess.info

Tony Walton was an award-winning director and production designer.  His work was vast and stretches from Broadway productions and operas to films and television.  Over the course of his long and coveted career Tony  was honored with 16 Tony Award Nominations for his Broadway sets and costumes.  Of those nominations he received awards for Pippin, House of Blue Leaves, and Guys and Dolls.  In his television career he worked on over 20 films and received tremendous recognition for his work on Bob Fosse’s All That Jazz where he won an Oscar and Death of a Salesman where he received an Emmy.  In 1991, Tony Walton was elected to the Theatre Hall of Fame. Until his passing in 2022, he lived in New York City with his wife Gen LeRoy Walton.

www.tonywalton.net

www.creativeprocess.info

“I like the idea that your actions in the world can be motivated by both idealism and realism about how to achieve those ideals. I like the idea that morality is not simple. There is this idea that there are the heroes and there's the villains and you can easily tell who's who, and that's not so true as it used to be in comics and that's meaningful. One thing that is interesting about the Marvel story is there’s basically nobody who's just a bad guy to be a bad guy. Everyone has their reasons. Almost everyone is capable of redemption in some way, even the worst of the worst are capable of tremendous heroism and tremendous idealism and genuinely wanting to heal the world make it a better place.

I think communicating what those ideals are and how they can change and need to change as time passes is really special, and I think that addressing those through stories, through things where there’s not necessarily a one-to-one meaning, where this is not a parable, where this is not something where character X stands for concept Y in always exactly the same way. That’s important that things can shift, that things can be different, that a better world is possible and that you can make it so, that your abilities may be things that you work very hard for for a very long time or they may come to you. Your body may be transformed in ways that are wonderful or horrible, and you can make something of it.”

Douglas Wolk is the author of the NYTimes bestseller All of the Marvels, and the Eisner Award–winning Reading Comics and the host of the podcast Voice of Latveria. A National Arts Journalism Program fellow, Wolk has written about comic books, graphic novels, pop music, and technology for The New York Times, Rolling Stone, The Washington Post, Los Angeles Times, The Believer, Slate, and Pitchfork. He has lectured and moderated panels at Comic-Con International, the Experience Music Project Pop Conference, the Center for Cartoon Studies and other events.
· douglaswolk.com
· www.creativeprocess.info

Douglas Wolk is the author of the NYTimes bestseller All of the Marvels, and the Eisner Award–winning Reading Comics and the host of the podcast Voice of Latveria. A National Arts Journalism Program fellow, Wolk has written about comic books, graphic novels, pop music, and technology for The New York Times, Rolling Stone, The Washington Post, Los Angeles Times, The Believer, Slate, and Pitchfork. He has lectured and moderated panels at Comic-Con International, the Experience Music Project Pop Conference, the Center for Cartoon Studies and other events.
· douglaswolk.com
· www.creativeprocess.info

“We're all part of a web like a dreamcatcher. Everybody knows a dreamcatcher and whatever you do that’s wrong will eventually come back and affect you because we’re all connected. What would we like people to learn about Native Americans? I was an educator for over 21 years, so for me it's probably overcoming fear from the outside and fear from the inside to know the outside, so there needs to be more understanding.”

“What really helped me as a Shinnacock person was traveling out to different nations in the country and Canada and talking with people who went to the same things. And where they're at in their historical cycle colonization cycle. Tribes that are culturally similar to ours, that's what really helped me out was actually visiting.”

The Shinnecock are a nation of Native Americans made up of 12 Algonquian-speaking tribes. This nation occupied the territory between Long Island and Connecticut, today their descendants live on a 400-acre reservation in Southampton, where they are officially called Shinnecock. They currently have over 1,200 enrolled members. Photo by Jeremy Dennis

· www.creativeprocess.info

The Shinnecock are a nation of Native Americans made up of 12 Algonquian-speaking tribes. This nation occupied the territory between Long Island and Connecticut, today their descendants live on a 400-acre reservation in Southampton and have over 1,200 enrolled members. Mia visited the Shinnecock reservation to do this interview with photographer and founder of Ma’s House BIPOC Art Studio Jeremy Dennis; beadwork artist and dancer Tohanash Tarrant; traditional singer, dancer, and artist  Standing Buffalo (Shane Weeks); and artist and educator Denise Silva Dennis.
· www.jeremynative.com
· www.thunderbirddesigns.com
· bizhiki.com
· denisesilvadennis.com
· accessgenealogy.com/new-york/shinnecock-tribe.htm
· www.creativeprocess.info
· www.oneplanetpodcast.org

“Nature is my home because. It doesn't matter where I am. It’s available and it's there and it's always giving me the same sort of nourishment. All of us have had to develop a sense of home elsewhere. With me in particular, I've been traveling and living in different countries for the last 20 years since I was 22, so it's not even that I've had a geographical place that is my new home because I've moved around every four years. I'm in a new place a new community and new friends, so nature is my home.”

Claudia Bueno is an internationally recognized Venezuela born artist renowned for creating immersive technological wonders using light, sculpture, painting and sound. Claudia creates large scale, multi-sensory experiences that communicate a profound sense of wonderment and awe. Lights, motors, wind, and video power her creations with pulsations and movements. Detailed drawings, meticulous cutouts and elaborate structures leave evidence of the intimate dedication the artist has with her work. Claudia fills her art with a quality of mystical curiosity that mirrors her personal fascination with Energy, Consciousness and Nature - ultimately transforming her art into a celebration of Life and Creation.

· www.claudiabueno.com
· www.creativeprocess.info

· www.oneplanetpodcast.org
Instagram @ClaudiaBuenoArt
Photo credit: Laurent Velazquez, "Pulse" Meow Wolf Las Vegas

Claudia Bueno is an internationally recognized Venezuela born artist renowned for creating immersive technological wonders using light, sculpture, painting and sound. Claudia creates large scale, multi-sensory experiences that communicate a profound sense of wonderment and awe. Lights, motors, wind, and video power her creations with pulsations and movements. Detailed drawings, meticulous cutouts and elaborate structures leave evidence of the intimate dedication the artist has with her work. Claudia fills her art with a quality of mystical curiosity that mirrors her personal fascination with Energy, Consciousness and Nature - ultimately transforming her art into a celebration of Life and Creation.

· www.claudiabueno.com
· www.creativeprocess.info

· www.oneplanetpodcast.org

Photo credit: Morris Weintraub

“The walks were amazing. We walked up every morning at eight o'clock. There's a waterfall on campus at Black Mountain, and we walked to this waterfall, and he explained water to me. He explained how things worked. You know, when I was a little kid, I used to take alarm clocks apart and put back together and things like that.” Dorothea Rockburne was born in 1932 in Montreal. She attended Black Mountain College where she met the mathematician Max Dehn, whose tutelage in concepts including harmonic intervals, topology, and set theory were deeply influential to her art practice. After moving to New York City in 1954, she became involved with Judson Dance Theater, and later participated in Carolee Schneemann’s Meat Joy and other performances. In the late 60s, Rockburne began exhibiting paintings made with industrial materials and creating drawings from crude oil and graphite applied to paper and chipboard. Her “visual equations” based on set theory were first exhibited in New York in 1970. Her later paintings draw on ancient systems of proportion and astronomical phenomena. She’s had solo exhibitions at the Museum of Modern Art in New York, Dia:Beacon, and a major retrospective at the Parrish Art Museum.
· www.dorothearockburne.com
· www.creativeprocess.info

Dorothea Rockburne was born in 1932 in Montreal. She attended Black Mountain College where she met the mathematician Max Dehn, whose tutelage in concepts including harmonic intervals, topology, and set theory were deeply influential to her art practice. After moving to New York City in 1954, she became involved with Judson Dance Theater, and later participated in Carolee Schneemann’s Meat Joy and other performances. In the late 60s, Rockburne began exhibiting paintings made with industrial materials and creating drawings from crude oil and graphite applied to paper and chipboard. Her “visual equations” based on set theory were first exhibited in New York in 1970. Her later paintings draw on ancient systems of proportion and astronomical phenomena. She’s had solo exhibitions at the Museum of Modern Art in New York, Dia:Beacon, and a major retrospective at the Parrish Art Museum.
· www.dorothearockburne.com
· www.creativeprocess.info

“I’m not just taking beautiful pictures. I’m collecting their voices, collecting their movement, collecting different aspects, and preserving this moment because they will not always be here. I don’t just see myself as a photographer, an artist. I also see myself as an archiver. Someone who is archiving as a researcher.”

Etinosa Yvonne is a self-taught documentary photographer and videographer born and raised in Nigeria. Her work focuses on the human condition and social injustice. She has received grants from Women Photograph, National Geographic in partnership with Lagos Photo and Art X and an award from the Royal Photographic Society for her project; It’s All In My Head. In 2020, she was one of six photographers selected the World Press Photo 6*6 Global talent in Africa.

· www.etinosayvonne.me

· www.creativeprocess.info

Richard Flood serves on the International Leadership Council and Ideas City Initiative at the New Museum. For nine years, he was the museum’s Director of Special Projects and Curator at Large, and from 2005 to 2010, he served as Chief Curator. Prior to this, he was Chief Curator and Deputy Director at the Walker Art Center. He has curated notable exhibitions of the work of Rivane Neuenschwander, Sigmar Polke, and other artists. Flood previously served as the director of Barbara Gladstone Gallery, curator at P.S. 1, and Managing Editor of Artforum. He has taught at the Rhode Island Institute of Art and Design, The Royal College of Art in London, and the National College of Art and Design in Dublin. His writing has appeared frequently in Artforum, Parkett, and Frieze. www.newmuseum.org · www.creativeprocess.info

Siri Hustvedt is the internationally acclaimed author of a book of poems, six novels, four collections of essays, and a work of nonfiction. In 2012 she was awarded the International Gabarron Prize for Thought and Humanities. Her books include What I Loved; Memories of the Future; Living, Thinking, Looking; and The Blazing World, which was longlisted for the Man Booker Prize and won the Los Angeles Book Prize for Fiction. She has also published numerous papers in scholarly and scientific journals. She has a PhD in English literature from Columbia University and is a Lecturer in Psychiatry at Weill Cornell Medical College. Her work has been translated into over thirty languages. She lives in Brooklyn, New York.

· sirihustvedt.net

· www.creativeprocess.info

Photo by Marion Ettlinger

Siri Hustvedt is the internationally acclaimed author of a book of poems, six novels, four collections of essays, and a work of nonfiction. In 2012 she was awarded the International Gabarron Prize for Thought and Humanities. Her books include What I Loved; Memories of the Future; Living, Thinking, Looking; and The Blazing World, which was longlisted for the Man Booker Prize and won the Los Angeles Book Prize for Fiction. She has also published numerous papers in scholarly and scientific journals. She has a PhD in English literature from Columbia University and is a Lecturer in Psychiatry at Weill Cornell Medical College. Her work has been translated into over thirty languages. She lives in Brooklyn, New York.

· sirihustvedt.net

· www.creativeprocess.info

Photo by Marion Ettlinger

Richard Flood serves on the International Leadership Council and Ideas City Initiative at the New Museum. For nine years, he was the museum’s Director of Special Projects and Curator at Large, and from 2005 to 2010, he served as Chief Curator. Prior to this, he was Chief Curator and Deputy Director at the Walker Art Center. He has curated notable exhibitions of the work of Rivane Neuenschwander, Sigmar Polke, and other artists. Flood previously served as the director of Barbara Gladstone Gallery, curator at P.S. 1, and Managing Editor of Artforum. He has taught at the Rhode Island Institute of Art and Design, The Royal College of Art in London, and the National College of Art and Design in Dublin. His writing has appeared frequently in Artforum, Parkett, and Frieze.
· www.newmuseum.org
· www.creativeprocess.info

Dr. George Maginis is the Academic Director of the Benaki Museum in Athens Greece. He holds a PhD in archaology and history of art. He has taught Byzantine, Islamic, and Chinese Art History at the University of London for SOAS and the Courtauld Institute of Art (University of London), the Victoria & Albert Museum, the British Museum. He has excavated in Greece, Cyprus, France and Egypt, and has worked for the Hellenic Children’s Museum and the Archaeological Museum of Ioannina. He has also acted as museum development consultant in the United Kingdom.

· www.benaki.org


· benaki.academia.edu/GeorgeManginis


· www.creativeprocess.info

Dr. George Maginis is the Academic Director of the Benaki Museum in Athens Greece. He holds a PhD in archaology and history of art. He has taught Byzantine, Islamic, and Chinese Art History at the University of London for SOAS and the Courtauld Institute of Art (University of London), the Victoria & Albert Museum, the British Museum. He has excavated in Greece, Cyprus, France and Egypt, and has worked for the Hellenic Children’s Museum and the Archaeological Museum of Ioannina. He has also acted as museum development consultant in the United Kingdom.

· www.benaki.org


· benaki.academia.edu/GeorgeManginis


· www.creativeprocess.info

Dimitrios Pandermalis is Professor Emeritus of Classical Archeology at the Aristotle University of Thessaloniki, where he has served as President of the History and Archeology Department and Dean of the Philosophical School. He is the President of the Acropolis Museum, and Director of Aristotle University's archeological excavations at the ancient site of Dion on the foothills of Mount Olympus. There  he has conducted innovative programs converting the excavated area into an archeological and environmental park. 

He has presented lectures and seminars on classical archeology at many institutions internationally and is the author of more than 60 publications on the subject. He is an ordinary member of the Archeological Society in Athens and of the German Archeological Institute in Berlin.

· https://www.theacropolismuseum.gr/en
· www.creativeprocess.info

Ian Wardropper is the Anna-Maria and Stephen Kellen Director of The Frick Collection and has organized more than twenty exhibitions in his specialties of European sculpture, earlier decorative arts, and twentieth-century design and decorative arts. Exhibitions he co-organized at the Metropolitan Museum of Art include Art of the Royal Court: Treasures in Pietre Dure for the Palaces of Europe in 2008 and Cast in Bronze: French Sculpture from Renaissance to Revolution in 2009. Recent publications include European Sculpture, 1400–1900, in The Metropolitan Museum of Art; Bernini: Sculpting in Clay; Limoges Enamels at The Frick Collection; and The Frick Collection: Director's Choice.
· www.frick.org
· www.creativeprocess.info

Self-portrait, Rembrandt

The Frick Collection

"I actually assumed in graduate school that I would become a teacher and I've taught in a number of different universities, but it was working with art objects and seeing them in museums like the Metropolitan Museum or The Frick that made me want to go into museum work and ultimately become a curator. So when I was finishing my dissertation and had to think about a career, I applied to a lot of teaching jobs and there was one job that year in America in my specialized field, which was European sculpture, and I was very lucky. But a professional career is a bit of luck as well as predisposition, so I knew I wanted to work in museums, and I was lucky enough when I was able to find my way here."

Ian Wardropper is the Anna-Maria and Stephen Kellen Director of The Frick Collection and has organized more than twenty exhibitions in his specialties of European sculpture, earlier decorative arts, and twentieth-century design and decorative arts. Exhibitions he co-organized at the Metropolitan Museum of Art include Art of the Royal Court: Treasures in Pietre Dure for the Palaces of Europe in 2008 and Cast in Bronze: French Sculpture from Renaissance to Revolution in 2009. Recent publications include European Sculpture, 1400–1900, in The Metropolitan Museum of Art; Bernini: Sculpting in Clay; Limoges Enamels at The Frick Collection; and The Frick Collection: Director's Choice.
· www.frick.org
· www.creativeprocess.info

Mark Seliger was born in Amarillo, Texas. He was Rolling Stones chief photographer for 20 years, where he shot over 150 covers silica shoots frequently for Vanity Fair, GQ, Italian Vogue, Harper's Bazaar, L, and other magazines. His advertising work includes projects for Adidas, Anheuser-Busch, Levi's, Netflix and Ralph Lauren. Seliger received the Alfred Eisenstadt Award, Clio Grand Prix, the C Award, Cannes Lions Grand Prix, The One Show, ASME, SPG and the Texas Medal of Arts were exhibited in museums and galleries around the world. 

His photographs are in the permanent collections at the National Portrait Gallery at the Smithsonian, the Museum of Fine Arts in Houston and the National Portrait Gallery in London.
· markseliger.com
· www.creativeprocess.info

"Whatever I do, quite often I say– Is this good for my work? Should I go here? Should I do that? When I had my initial debut, I became known for a book called The Somnambulist. I took 24 of those pictures in one weekend and then I worked for three years on the next 24."

Ralph Gibson began taking pictures while in the U.S. Navy in the 1950s, and later assisted Dorothea Lange and Robert Frank before establishing his own studio in New York. His work is widely exhibited and held in public collections around the world, such as the Stedelijk Museum, Amsterdam, and the Museum of Modern Art, New York. His books include The Somnambulist, Déjà-vu,, Days at Sea and Ralph Gibson: Self-Exposure. The recipient of NEA and Guggenheim grants, Gibson was made a Commander of the Order of Arts and Letters by the French government in 2002. He lives and works in New York.
· www.ralphgibson.com
· www.creativeprocess.info

Ralph Gibson began taking pictures while in the U.S. Navy in the 1950s, and later assisted Dorothea Lange and Robert Frank before establishing his own studio in New York. His work is widely exhibited and held in public collections around the world, such as the Stedelijk Museum, Amsterdam, and the Museum of Modern Art, New York. His books include The Somnambulist, Déjà-vu,, Days at Sea and Ralph Gibson: Self-Exposure.The recipient of NEA and Guggenheim grants, Gibson was made a Commander of the Order of Arts and Letters by the French government in 2002. He lives and works in New York.
· www.ralphgibson.com
· www.creativeprocess.info

"I think any time we are closer to the earth, we can feel the struggles of other human beings as well. I encourage young women to find whatever it is they are passionate about and invest their entire soul in it and go for it! Because you’ll be happy if you’re passionate about your work." –Mary Edna Fraser

"Southern Africa, south of the Sahara, they’re expecting within this century 200 million climate refugees. Where are they going to go? Who wants those refugees. We have the same thing happening in Central America. Where are they going to go? All over the world, we’re seeing because of climate change we’re seeing vast changes affecting all aspects of society. It’s very worrisome and that’s something that we’ve not been able to face politically. We need to do that.” – Orrin H. Pilkey

Duke University Professor Emeritus Orrin H. Pilkey is one of the rare academics who engages in public advocacy about science-related issues. His collaborator, Mary Edna Fraser, is an artist who highlights environmental concerns in large silk batiks and oils. They are the co-authors of A Celebration of the World’s Barrier Islands and Global Climate Change: A Primer. Their traveling exhibits, “Our Expanding Oceans” and “Shifting East Coast Barrier Islands” creatively merge science and art.

· www.maryedna.com
· www.deleteapathy.com
· https://sites.nicholas.duke.edu/orrinpilkey

· www.creativeprocess.info
· www.oneplanetpodcast.org

Duke University Professor Emeritus Orrin H. Pilkey is one of the rare academics who engages in public advocacy about science-related issues. His collaborator, Mary Edna Fraser, is an artist who highlights environmental concerns in large silk batiks and oils. They are the co-authors of A Celebration of the World’s Barrier Islands and Global Climate Change: A Primer. Their traveling exhibits, “Our Expanding Oceans” and “Shifting East Coast Barrier Islands” creatively merge science and art.

· www.maryedna.com
· www.deleteapathy.com
· https://sites.nicholas.duke.edu/orrinpilkey
· www.creativeprocess.info
· www.oneplanetpodcast.org