Writers on Film – Détails, épisodes et analyse

Terrence Malick's first film Badlands (1973) introduced the world to a new visionary talent. Tom Shone joins me to talk through the film. The biography The Magic Hours is available from all good book shops and online sources, including here. Camille Saint-Saëns: Le Carnaval des Animaux Performers Pianos: Neil and Nancy O'Doan Orchestra: Seattle Youth Symphony, conducted by Vilem Sokol. Composed 1886; recorded c. 1980. Source The Al Goldstein collection in the Pandora Music repository at ibiblio.org. Used under the license. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Sheri Chinen Biesen is Professor of Film History at Rowan University and author of Through a Noir Lens: Adapting Film Noir Visual Style (Columbia University Press, 2024), Blackout: World War II and the Origins of Film Noir (Johns Hopkins University Press, 2005), Music in the Shadows: Noir Musical Films (Johns Hopkins University Press, 2014), and Film Censorship: Regulating America’s Screen (Columbia University Press, 2018). She received her Ph.D. at the University of Texas at Austin, M.A. and B.A. at the University of Southern California School of Cinema-Television and has taught at USC, University of California, University of Texas, and in England. She has contributed to the BBC documentary The Rules of Film Noir, Turner Classic Movies’ Public Enemies, NPR, Warner Bros. Gangster Collection, Film Criticism, Historical Journal of Film, Radio and Television, Film and History, Film Noir: The Directors, The Netflix Effect: Technology and Entertainment in the 21st Century, Hollywood on Location, Literature/Film Quarterly, Netflix Nostalgia, Quarterly Review of Film and Video, Film Noir: The Encyclopedia, Gangster Film Reader, Film Noir Reader 4, The Historian, Television and Television History, Popular Culture Review, served as Secretary of the Literature/Film Association, Founding Chair of the ‘Stars & Screen’ Film & Media History Conference, serves on the editorial board of Film Criticism, and edited The Velvet Light Trap. Learn more about your ad choices. Visit megaphone.fm/adchoices

John Bleasdale talks about Paul Verhoeven, the Coen Brothers, Paul Thomas Anderson, Quentin Tarantino, David Fincher and film bros with Adam Nayman, author of Paul Thomas Anderson Masterworks and The Coen Brothers. Adam talks about his beginnings as film critic in Toronto. He also tells John his thoughts on the current state of film criticism, including the impact on social media on the film discourse. Adam's recommended film book is Un-American Psycho: Brian De Palma and the Political Invisible by Chris Dumas. Buy Adam's latest book here. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Matt Zoller Seitz is the Editor at Large of RogerEbert.com. He is also the TV critic for New York Magazine and Vulture.com, and a finalist for the Pulitzer Prize in criticism. His writing on film and television has appeared in The New York Times, Salon.com, The New Republic and Sight and Sound. Seitz is the founder and original editor of the influential film blog The House Next Door, now a part of Slant Magazine, and the co-founder and original editor of Press Play, an IndieWire blog of film and TV criticism and video essays. A Brooklyn-based writer and filmmaker, Seitz has written, narrated, edited or produced over a hundred hours’ worth of video essays about cinema history and style for The Museum of the Moving Image, Salon.com and Vulture, among other outlets. His five-part 2009 video essay Wes Anderson: The Substance of Style was spun off into the hardcover book The Wes Anderson Collection. This book and its follow-up, The Wes Anderson Collection: Grand Budapest Hotel were New York Times bestsellers.  Other Seitz books include Mad Men Carousel: The Complete Critical Companion, The Oliver Stone Experience, and TV (The Book). He is currently working on a novel, a children's film, and a book about the history of horror, co-authored with RogerEbert.com contributor Simon Abrams. Visit his online book store HERE. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

George Stevens Jr. has had a long and illustrious career in the entertainment industry, passing over five generations. In his new book, "My Place in the Sun," Stevens Jr. provides a rare glimpse into the private lives of some of America's most famous first ladies, presidents, and celebrities. He shares personal stories and anecdotes about the Kennedys, Barack and Michelle Obama, Yo-Yo Ma, Elizabeth Taylor, Cary Grant, Bruce Springsteen, James Dean, Sidney Poitier, and many others. With humor and candor, Stevens gives readers a unique look at the American experience through the eyes of one of its most influential cultural figures. Readers will appreciate Stevens Jr.'s wit and insight as he takes them on a journey through the golden age of American film. His stories about Hollywood and Washington provide a unique perspective on a time that shaped our country's culture and history. My Place in the Sun is an enjoyable read for anyone who loves movies or wants to learn more about America's past. Now available as an Audio Book. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a burst of creativity unmatched in Hollywood history, Preston Sturges directed a string of all-time classic comedies from 1939 through 1948―The Great McGinty, The Lady Eve, Sullivan’s Travels, The Palm Beach Story, and The Miracle of Morgan’s Creek among them―all from screenplays he alone had written. Cynical and sophisticated, romantic and sexually frank, crazily breakneck and endlessly witty, his movies continue to influence filmmakers and remain popular to this day. Yet despite this acclaim, Sturges’s achievements remain underappreciated: he is too often categorized as a dialogue writer and plot engineer more than a director, or belittled as an irresponsible spinner of laughs. In Crooked, but Never Common, Stuart Klawans combines a critic’s insight and a fan’s enthusiasm to offer deeper ways to think about and enjoy Sturges’s work. He provides an in-depth appreciation of all ten of the writer-director’s major movies, presenting Sturges as a filmmaker whose work balanced slapstick and social critique, American and European traditions, and cynicism and affection for his characters. Tugging at loose threads―discontinuities, puzzles, and allusions that have dangled in plain sight―and putting the films into a broader cultural context, Klawans reveals structures, motives, and meanings underlying the uproarious pleasures of Sturges’s movies. In this new light, Sturges emerges at last as one of the truly great filmmakers―and funnier than ever. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Graham Skipper is a writer, actor, director, and producer, known for writing/directing the sci-fi/horror feature film Sequence Break, as well as his essays on horror cinema published in Fangoria and My Favourite Horror (Black Vortex Publishing, 2018). Most recently his work can be found in Simon & Schuster's Video Palace: In Search of the Eyeless Man (2020). Graham is a lifelong Godzilla fan, and was honoured work with Toho developing their Godzilla Tales series of comedic short films in 2020. Godzilla: The Ultimate illustrated Guide unites fascinating information and stunning imagery from more than 60 years of movie mayhem to show off the Earth's most enduring monster as never before. This book is the ultimate illustrated reference work to all things Godzilla, from the early days in black and white in Japan to the biggest blockbusters of the 21st century. Never before has a work united the full gamut of Godzilla incarnations. Facts and figures, actors and locations, co-starring monsters and plenty of superb illustrated material add up to make this a rampaging beast of a book! Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Will Scheibel is associate professor of English at Syracuse University, where he teaches film and screen studies. He is the coauthor of Twin Peaks, a volume in the TV Milestones Series (Wayne State University Press, 2020), with Julie Grossman. His articles have appeared in numerous journals, including Camera Obscura, Film Criticism, Journal of Gender Studies, and Celebrity Studies. Here's the blurb from the book: Gene Tierney may be one of the most recognizable faces of studio-era Hollywood: she starred in numerous classics, including Leave Her to Heaven, The Ghost and Mrs. Muir, and Laura, with the latter featuring her most iconic role. While Tierney was considered one of the most beautiful women in Hollywood, she personified "ordinariness" both on- and off-screen. Tierney portrayed roles such as a pinup type, a wartime worker, a wife, a mother, and, finally, a psychiatric patient—the last of which may have hit close to home for her, as she would soon leave Hollywood to pursue treatment for mental illness and later attempted suicide in the 1950s. After her release from psychiatric clinics, Tierney sought a comeback as one of the first stars whose treatment for mental illness became public knowledge. In this book, Will Scheibel not only examines her promotion, publicity, and reception as a star but also offers an alternative history of the United States wartime efforts demonstrated through the arc of Tierney’s career as a star working on the home front. Scheibel’s analysis aims to showcase that Tierney was more than just "the most beautiful woman in movie history," as stated by the head of production at Twentieth Century Fox in the 1940s and 1950s. He does this through an examination of her making, unmaking, and remaking at Twentieth Century Fox, rediscovering what she means as a movie legend both in past and up to the present. Film studies scholars, film students, and those interested in Hollywood history and the legacy of Gene Tierney will be delighted by this read. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

The course of events is predetermined and cannot be changed. Forces beyond our control—or even our comprehension—shape our fates. Such is the deterministic worldview embedded in a wide swath of contemporary cinema, from arthouse experiments to popular genre films, through both thematic concerns and narrative structures. These films, especially the recent spate of “elevated” science fiction and horror, tap into this deep-seated anxiety by focusing on characters who ultimately fail to transcend the patterns and structures that define them. Thomas M. Puhr identifies and analyzes the ways that cinema has dealt with the tension between fate and free will, from Stanley Kubrick’s The Shining to Christopher Nolan’s Tenet. He examines films that express deterministic ideas, including circular narratives of stasis or confinement and fatalistic portraits of external forces dictating characters’ lives. Puhr considers determinism at the levels of the individual, the family, and society, reading films in which characters are trapped by past or alternate selves, the burdens of family histories, or oppressive social structures. He explores how films such as Joel and Ethan Coen’s Inside Llewyn Davis, Ari Aster’s Hereditary, Jordan Peele’s Us, and Lucrecia Martel’s Zama confront the limits of human agency. Puhr relates deterministic themes to the nature of moviegoing: In denying characters any ability to choose alternative paths, these films mirror how viewers themselves can only sit and watch. Recasting the works of some of today’s most compelling directors, Fate in Film is an innovative critical account of an unrecognized yet crucial aspect of contemporary cinema. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rahul Desai is a freelance critic who writes regularly for The Hindu among many other publications. His columns often look at film from a personal perspective and he is also the host of his own podcast. You can find some of his writing here and follow him on twitter here. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices