True Techno Podcast – Détails, épisodes et analyse

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His own productions and DJ mixes blew up his international profile, seeing him tour extensively and earn a reputation as a highly influential figure in the early US hard dance movement. “When I went to my first rave, it all came together – a scene developing before my eyes, opening me up to entirely new ways of thinking about music,” he recalls.

The 1990s US dance scene was raw, experimental, and fiercely inclusive. “Everyone was welcome. Positive vibes came in, and out went the punk rock and industrial angst,” says DJ Morgan. While Europe evolved into a vast festival culture, America’s underground stayed stripped-back and communal. “Out of a thousand records, you might find twenty or so dedicated to harder styles,” he remembers. The arrival of early internet record hubs like Juno Records and Banging Tunes finally gave him access to the European records that would later inspire his mission.

In 1999, DJ Morgan launched HardNRG.com, one of the world’s first free online mix platforms – years ahead of SoundCloud or Mixcloud. “The goal was simple: get mixes from the best artists across Europe to ravers for free, and help spread the music across America.” The site became a global hub for hard house mixes. It featured some of the era’s biggest names, including Andy Farley, Anne Savage, BK, Captain Tinrib, Dynamic Intervention, Lisa Lashes, Karim, Lisa Pin-Up, Nick Sentience, Rodi Style, and Superfast Oz.

Building on that success, DJ Morgan co-founded Lotek Records, releasing tracks from Defective Audio, Dynamic Intervention, Pranksterz, Rubec, Chris C, and Madam Zu while producing his own material for Lotek and releases on Kaktai & DIP Records, including No Law, Unknown Technique, and Severe Trauma, rooted in harder-edged trance and NRG.

DJ Morgan helped pave the way for the early hard dance scene in San Francisco. “We started a club night and threw several underground parties while helping others in the scene put on events,” he explains. “Many of our DJs went on to play across North America and internationally. I had a great run of it myself, playing regularly across the US and Canada, and as far as the UK, Finland, Japan, and Australia.”

In parallel, he built a career in the video game industry, working with Activision, Sega, EA, and Blizzard on projects for major franchises including Command & Conquer and Warcraft. “My background in music allowed me to immediately speak with audio designers and engineers to hit the ground running,” he says.

Now based in Thailand, Morgan has returned to DJing with a renewed focus, performing across Techno, Hard Techno, Hard Trance, and Psy-Trance. “I play what I like, rather than chasing what is popular. This way, I’m playing the music I love and am excited to share with everyone.” With upcoming gigs in Bangkok, before heading to Pattaya and Phuket, the former US hard house pioneer continues to connect with audiences by combining the underground energy of his past with today’s global hard dance revival.

Soundcloud https://soundcloud.com/djmorgan303 Instagram @djMorgan303 Website: www.djMorgan.com

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His productions and DJ sets balance M.F.S: Obervatory’s hypnotic repetition with emotional restraint, merging the discipline of a sound designer with the pulse of a dancefloor tactician. “My first musical memories come from home,” he begins. “My brother introduced me to electronic music, while my parents played Italian artists like Pino Daniele, Fabrizio De André, and Francesco De Gregori. That mix of emotion, melody, and rhythm shaped my ear from an early age. I started experimenting with drum machines and early software, fascinated by how rhythm could control a room. That curiosity slowly evolved into DJing and then producing my own music.”

The alias came later, carrying both geographical and philosophical weight. “I’m from a village facing Mount Vesuvio, where the observatory stands, and that idea of watching and listening from above felt powerful. We started as a trio, but over time it became my solo project. The name stayed because it reflects how I approach music: always observing, studying, and experimenting with sound.”

Growing up in Naples meant being immersed in a rhythmic culture where groove is everything. “I grew up surrounded by the house and tech-house scene in Naples, which has a strong groove-based culture. Later, after moving to London and traveling through Europe, I was drawn toward deeper and more hypnotic techno. Artists and labels that build emotion through minimalism and tension influenced me most; I’ve always been attracted to music that pulls you in slowly.”

Turchetti’s formal background in sound design gave structure to that instinct. He studied Music and Sound Design in London, followed by a master’s in Sonic Arts at Goldsmiths. “Sound design taught me to treat frequencies as materials and to shape space, not just fill it,” he says. “Every sound has a role and emotional weight. I think a lot about how frequencies interact and how to use silence and dynamics to build tension – both in production and in a DJ set.”

His early career took shape through small underground labels that supported his first releases before his name began appearing on international imprints. “It started with small underground labels that believed in my early music. Those first releases helped me build connections and confidence. As my sound evolved, international labels began to notice, and my tracks started reaching new audiences across Europe. Playing abroad and hearing my music in different cities were important milestones that showed me this could grow into a real career.”

That career has now stretched across respected outlets such as Kneaded Pains, Second State, Illegal Aliens, Diffuse Reality, and his own Observatory Music, which he uses as a base for experimentation. Releases like Into The Matrix, You Get Me Flustered, and Antares mark his evolution toward a deeper, more spatial sound. “It has become more textured and focused,” he explains. “Early on I was driven by pure rhythm and energy, while now I explore space, layering, and atmosphere. My setup with the Akai Force, Elektron Syntakt, Elektron Digitone II, Eurorack, and Ableton Live helps me capture both structure and spontaneity. Recently, I’ve been experimenting with Baby Audio’s Tekno plug-in, which delivers a powerful punch on drums when combined with the analog tones I create on the Elektron machines.”

His process starts from rhythm and grows outward. “I jam on the Syntakt or Digitone II until I find a groove that feels alive. From there I record into Ableton Live and arrange using the Akai Force as the main hub. The Eurorack adds evolving atmospheres and subtle movement. I like to shape each track like a DJ set — building tension and release, making sure every element has its moment.”

That same attention to tension and release defines his approach to the booth. “I approach every set like a story. The opening tracks set the atmosphere, and from there I follow the crowd’s reactions. I never plan too tightly; I prefer to read the energy in the room and respond to it. The goal is to make people lose themselves in the flow and feel part of a shared journey.” He adjusts instinctively to different contexts. “Each city has its own energy. In Berlin, I focus on darker, hypnotic patterns; in London, I feel freer to experiment with groove and rhythm. Touring has taught me how sound behaves in different spaces.”

Parallel to his own artistry, M.F.S: Observatory teaches production and DJ techniques, often bridging technical knowledge and creative intuition. “Teaching came naturally after years in the studio and on the road. I wanted to share what I learned and help others find their sound. My philosophy is to combine technical precision with creativity. I teach students to understand their tools, listen deeply, and express their own identity. The aim is not just to finish tracks but to build confidence as artists.”

When asked what success looks like to him, his response is grounded. “Success means being able to create freely, connect with people through music, and keep that passion alive. If I can do that while growing my label and supporting other artists, then I am doing what I set out to do.”

He’s now focused on expanding Observatory Music and taking his live concept further, integrating modular synthesis and DJ performance into a single experience. “I want to expand Observatory Music and continue developing my live performance concept, bringing more of my studio process directly to the stage. I’m exploring visual elements and collaborations that combine sound design with immersive experiences. My focus is on pushing creativity forward while keeping the underground spirit alive.”

The next chapter will see M.F.S: Observatory translating his machines into a physical performance. He tells True Techno  “I am developing a new series of live shows built entirely around my machines. It brings the energy of my studio setup to the stage, combining live production and DJ performance. It feels more physical and personal, and I can’t wait to share it. I want to thank everyone who supports the underground and keeps this community strong.”

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Known for his industrial rave style productions and fast paced dj sets, Skoden has built up a world wide fan base who share the same passion for his music.

With releases on Go Hard Or Go Hardcore, Hekate, Sacred Court, Cause Records, Broken Strain, Green Fetish Records, NOW NOW along with his music being played on the worlds biggest stages, the future is looking bright for Skoden.

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AIROD’s journey into electronic music began with early inspirations from Daft Punk and artists like Sébastien Benett and Joachim Garraud. His pivotal moment came upon discovering Skrillex’s “My Name Is Skrillex,” which led him to start producing music using Fruity Loops. His breakout occurred in 2018 with a solo 12″ release on Molekül, garnering support from techno heavyweights such as Dasha Rush and Overmono. This success propelled him onto stages at renowned venues and festivals, including Suicide Circus in Berlin, The Steelyard in London, and Tomorrowland in Belgium.

AIROD has released music on esteemed labels like Exhale, KNTXT, Molekül, and Monnom Black. His collaborations with Amelie Lens, notably the “Voltage” EP on Lenske, solidified his reputation for delivering high-octane, dancefloor-ready tracks. In 2025, he released “Kiss Girl,” a track that blends groove-heavy basslines with rap/pop-influenced vocals, showcasing his versatility and willingness to push genre boundaries.

Beyond his productions, AIROD is the founder of Elixyr Records, a label dedicated to supporting emerging artists and pushing innovative sounds within the techno genre. His commitment to the scene is evident in his dynamic DJ sets, which often feature a majority of his own productions, including unreleased material, making each performance a unique experience.

AIROD’s influence extends beyond music; he has made inroads into the fashion world, collaborating with brands like Lanvin. With a relentless drive for reinvention, AIROD remains at the forefront of techno, continually redefining the genre and inspiring a new generation of artists.

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She learned piano as a child but embraced a rebellious streak inherited from her mother, which led her to explore her own path. In her teenage years, Lola Cerise became a regular at illegal raves, where she discovered acidcore, tribal, and tribe core.

Lola has spoken openly about her mother’s battle with depression following her parents’ divorce. That experience deeply shaped her independent mindset and hardworking attitude. Ironically, it was also her mother — who had herself dropped out of classical music school and joined Germany’s early techno scene — who supported Lola’s eventual career pivot into music.

At 18, Lola moved to Lyon to study art and pursued photography professionally. She later dropped out of university, supporting herself by modeling for brands like A.P.C., Eric Tibusch, and Silvian Heach. After a few years, she realized photography wasn’t her calling and relocated to Australia, where she spent three years.

During the pandemic, she reconnected with rave culture and began DJing — picking up professional gear from closing clubs. Within a year, she started producing and made a bold decision: to leave everything behind and start over in Paris, dedicating herself fully to music.

Lola Cerise has since released on Gomboc Records, Comme des les Films, Khazad Records, and Record Union. Supported by the likes of Indira Paganotto, I Hate Models, and Cera Khin, she also landed a residency at the legendary Gotec Club and launched her own label, First Date Without Panties.

Now cementing her name in the scene as a producer to watch, she’s delivered mixes for BCCO Berlin and a live stream with HÖR Berlin. In May, she’s set to release an 6-track mini-LP on Indira’s ARTCORE — a varied and exciting collection of tracks from the last two years that marks a milestone in her creative evolution.

Lola’s music is a reflection of all her experiences — sometimes fast and intense, other times emotive and layered, but always with a narrative. Her mantra: “If it doesn’t make me smile, then I won’t finish it.”

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Following the breakout success of “Hybrid Boom” in 2023, PISAPIA returned in 2025 with “Hybrid Boom V.2” on the No Mercy label—an intense, suspense-filled track marked by haunting vocals, sweeping synths, and a ferocious drop designed for peak-time rave chaos. The release reaffirmed his reputation as an innovator and cemented his place at the forefront of modern techno.

PISAPIA’s signature sound has attracted releases on respected labels such as 9X9, Etruria Beat, Taapion, and Pushmaster Discs. His work continues to earn support from genre heavyweights including Amelie Lens, Nico Moreno, SHLOMO, and Lee Ann Roberts.

The year has already seen PISAPIA deliver standout performances at major events worldwide, including a landmark set at CODE 166 at Madrid’s iconic Fabrik, where he played alongside legends like Richie Hawtin and Ben Sims. His global tour has taken him to India, Portugal, Spain, Canada, and a four-city run in Australia—culminating in a breathtaking hot air balloon set filmed against the country’s striking landscapes. In March, he went on his US tour and brought his signature sound to Miami Music Week, joining the lineup at the Domicile x HE.SHE.THEY party.

With a growing international presence and a packed schedule of upcoming releases and shows, PISAPIA continues to shape the future of hard techno. His commitment to blending orchestral elements with raw, high-BPM power marks him as one of the genre’s most exciting and forward-thinking talents. We’re delighted to welcome him to the series and showcase why the Roman hard techno wizard is so much in demand.

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Annē’s DJ sets are high-energy and dynamic, crafted to create seamless connections with her audience. In her productions, she draws inspiration from Detroit techno and the sounds of the ’90s and early 00s, channeling her emotions into tracks that resonate deeply.

Her music has earned widespread acclaim, with standout releases on renowned labels such as Hardgroove, Symbolism, Mutual Rytm, NECHTO, CROWD, Soma Records, and Out of Place. These releases have garnered significant support from major artists, with her tracks frequently charted and played across the global techno scene.

Annē’s talent has taken her to some of the world’s most iconic clubs and events, including Berghain, Bassiani, RSO Berlin, Radion, Fuse, Fold, E1, Exhale etc. She has toured extensively across continents, performing in South America, Africa, Australia,Asia and beyond. With exciting collaborations and multiple vinyl releases planned for the near future, her trajectory continues to ascend.

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His music is characterized by intense, energetic tracks that blend hypnotic soundscapes with physical grooves, maintaining a human touch in electronic music. The pandemic served as a pivotal moment for Victor, allowing him to delve deeper into his studio work and refine his artistic identity.

He has released music on notable labels such as ANAØH, Mind Medizin, and South Signatures, establishing himself as one of the most promising artists in the techno scene. Victor’s sound is a mix of his influences and the musical imagery he has built over the years, often incorporating hardware and instruments to create organic and warm music.

In addition to his solo work, Victor has expanded his artistic exploration with his parallel project, Inner Ray. Influenced by music, art, and personal experiences, Inner Ray transforms emotions into electronic music. The project debuted with the single ‘Wahat,’ released on Laurent Garnier’s label, Cod3 QR.

In 2024, Victor continues to push boundaries with his latest EPs: ‘Keep It Real’ on ANAØH Records and ‘Dissonant Realities’ on Raffaele Attanasio’s South Signatures. Known for his electrifying performances, Victor frequently plays at Gaetano Parisio’s Conform Records events and iconic clubs like Florida 135, further cementing his presence in the global techno community.

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He started out his DJ career playing in Genoa, and became recognised for his style, but felt that this wasn’t fulfilling his goals, and started to work on the idea of opening his own club. “Mantra Club was opened in 2016 and became a point of reference, and a home for all the people who love music from my city and beyond”.

He was involved in the curation of the very first Genova Dance Parade in 2023, an innovative formula combining electronic music, fun and sustainability for over 50,000 people in every street corner of the city. Its impact was significant, and gave Genoa more visibility on an international level, and he hopes to continue strengthening the city as a music destination for years to come with events like this.

Valentinø’s very first single ‘Activity’ appeared in 2017, on Marco Bailey’s Materia label as part of a VA, which lead to his debut follow up EP ‘My Way’. After its success, he secured further releases on Etruria Beat, Suara, Second State, Off Recordings and Galactica Festival’s label.

However, the turning point in his career, was his most recent release was on Indira Paganotto’s mighty ARTCORE Records, with his debut EP ‘Baba Baby’ in February 2024. Two original tracks embodying the ARTCORE aesthetic, with unearthly vocals, pummelling basslines and off-kilter drum breaks. The title track was his highest charting to date, positioned at No.4 on Beatport’s Psy-Trance chart. He followed this, with his single ‘Space Travel’ featured on their OFFSonar VA release in June 2024. A hardstyle track on a psychedelic path with razor synths, a penetrating bass and warping overtone.

Now part of the ARTCORE family, he played for the labels OFFSonar showcase in Barcelona, as well as their Ritvales showcase in Medellin, but has already amounted a lot of key club plays for Fabrik Madrid, Cocorico, ilMuretto, Khidi Tiblisi, Spazio 900, Vastion Group Festival, Complex Maastricht, Complex, and a debut at Amnesia Ibiza alongside Indira in the Club Room for her takeover as part of Joseph Capriati’s Metamorphosis party.

Looking ahead, he has secured a new residency with Bolgia Club, one of the most renowned Northen Italian venues, and will be starting his own festival, called Enigma, with his mission to curate a special line up with scenography effects. Plus shows confirmed at Tomorrowland, Dreambeach Festival, Barrakud Festival and Hi Ibiza.

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In addition to his work with Bandulu, Bissmire has released numerous solo albums and singles under his own name, as well as under the pseudonyms Space DJz, Beatjackerz, Jacknation, Dj Escobar and the Thunderground. His music has been featured on top techno labels such as NovaMute, Foundation records, 50Hz,CLR, Consumer recreation and many more. Jamie has collaborated with artists such as Chris McCormack, Dj Bam Bam, Paul Langley, Alxe Peace and long time friend Ben Long.

Bissmire is also the founder of the techno label Ground Records, Foundation Records, 50Hz and Infonet Elelectronic Recordings. Jamie continues to perform as a DJ, playing at clubs and festivals around the world and bringing his unique blend of techno and electronic music to audiences everywhere.

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