The Art of Crime – Détails, épisodes et analyse

In the late 1860s, gentleman bank robber George L. Leslie arrived in New York and started working for Fredericka Mandelbaum, one of the city’s most notorious crime bosses. Leslie always claimed to have studied architecture in college and drew on his training to mastermind some of the most daring heists of the century, earning the nickname of “King of Bank Robbers.” His reign would prove short-lived, however, after a robbery went bad in 1878.

Show notes and full transcripts available at www.artofcrimepodcast.com.

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In 1817, Italian-born painter Francesco Mezzara had a spat with his patron, New York attorney Aaron Palmer. As the feud escalated, Mezzara painted an insulting picture of Palmer and put it up for auction. Mezzara was giddy when the picture fetched $40—but not for long. Soon, he stood accused of criminal libel on account of the offensive portrait.

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Show notes and full transcripts available at www.artofcrimepodcast.com. 

In 1823, John Thurtell murdered the gambler William Weare while the two were riding in a horse-drawn gig. Cashing in on public fascination with the case, the Surrey Theatre staged The Gamblers, a play that recreated the murder and incorporated the actual horse-drawn gig in which the crime took place. The Gamblers became one of the most explosive melodramas of the nineteenth century and came back to haunt Madame Tussaud more than two decades later. 

For show notes and full transcripts, visit www.artofcrimepodcast.com.

If you'd like to support the show, please consider becoming a patron at www.patreon.com/artofcrimepodcast.

A surprising number of crime stories from the Golden Age of Detective Fiction take place in wax museums. Today, we're joined by Caroline Crampton, host and creator of Shedunnit, a podcast that unravels the mysteries behind classic detective stories, to talk about why the wax museum has fueled the imagination of so many crime writers.

Link to "Waxworks" by Ethel Lina White: https://trove.nla.gov.au/newspaper/article/47480274/4608076. 

Spoiled Stories:

"Waxworks" by Ethel Lina White

Hound of the Baskervilles by Arthur Conan Doyle

It Walks by Night by John Dickson Carr

"The Abominable History of the Man With Copper Fingers" by Dorothy L. Sayers

"The Empty House" by Arthur Conan Doyle

"Poison in the Garden Suburb" by G.D.H. and Margaret Cole

For show notes and full transcripts, visit www.artofcrimepodcast.com.

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Beaumarchais’s madcap comedy, The Marriage of Figaro, smashed box-office records when it opened in Paris in 1784. The following year, a team of real-life con artists drew inspiration from a crucial scene in the play as they planned—and pulled off—the swindle of the century.

Show notes and full transcripts available at www.artofcrimepodcast.com.

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In 1849, George and Maria Manning murdered a guest in their London home and fled the British capital . A dramatic hunt for the killers ensued. After the law caught up with the Mannings, the glamorous Maria achieved near-celebrity status as she made her way through the justice system. A staggering thirty thousand spectators gathered to watch her and George's public execution, triggering a ferocious debate about the ethics of capital punishment. When renowned wax modeler Madame Tussaud unveiled a likeness of Maria in the Chamber of Horrors, a showroom in her wax museum that exhibited effigies of notorious criminals, Tussaud met with perhaps the fiercest criticism she had ever faced in her career.

Show notes and full transcripts available at www.artofcrimepodcast.com. 

If you'd like to support the show, please consider becoming a patron at www.patreon.com/artofcrimepodcast.

 

After more than three decades of touring the provinces, Madame Tussaud made the unexpected decision to settle down in London in 1835. Within a matter of years, Tussaud was running the metropolis’s number-one tourist destination, and she updated the Chamber of Horrors more frequently than ever before. In 1838, she unveiled an effigy of Sir William Courtenay, a charismatic cult leader who committed a murder that led to a government massacre of his followers.

Show notes and full transcripts available at www.artofcrimepodcast.com.

If you'd like to support the show, please consider becoming a patron at www.patreon.com/artofcrimepodcast. 

For more than three decades, Madame Tussaud toured England, Scotland, and Ireland, winning nationwide acclaim. Over the years, her enterprise morphed into a family business, with both her sons dedicating their lives to the wax museum. In 1829, Madame Tussaud and Sons scored one of their biggest hits of the ’20s with controversial effigies of Burke and Hare, Edinburgh-based murderers who sold their victims' cadavers to anatomists for dissection. 

Show notes and full transcripts available at www.artofcrimepodcast.com.

If you'd like to suppor the show, please consider becoming a patron at www.patreon.com/artofcrimepodcast.

From 1803 to 1808, Madame Tussaud toured Scotland and Ireland, exhibiting her handiwork in major cities. During this time, she took drastic measures to win her freedom from her exploitative business partner, Paul Philipstahl. Tussaud went years without creating new figures related to crime, but in 1828 she introduced a likeness of William Corder, perpetrator of the infamous Red Barn Murder. This brutal homicide sparked a cultural phenomenon that lasted for the rest of the nineteenth century and beyond, inspiring books, broadsides, murder ballads, peepshows, plays, and even movies.

Show notes and full transcripts available at www.artofcrimepodcast.com.

If you'd like to support the show, please consider becoming a patron at www.patreon.com/artofcrimepodcast.

After marrying and starting a family, Madame Tussaud accepted an offer to partner with another showman and exhibit her handiwork in London. To her dismay, she soon realized that she had teamed up with a snake. Despite a rough start in the British capital, Tussaud scored a major hit with a wax effigy of Colonel Edward Marcus Despard, a convicted traitor who was hanged, drawn, and quartered in February 1803.

For show notes and full transcripts, visit www.artofcrimepodcast.com.

If you'd like to support the show, please consider becoming a patron at www.patreon.com/artofcrimepodcast.