Rock That Doesn't Roll: The Story of Christian Music – Détails, épisodes et analyse

Today we're sharing an episode from another Big Questions Project podcast: Mother Is A Question. 

"This episode is called "Mother Is A Song," and we’re traveling to a place and time when mama was the muse–back when musicians in the U.S. were constantly singing about “the one who’s always true,” as one of these songs goes. One hundred years ago in the U.S., in the early days of recorded music, a lot of the songs people were listening to were about one particular person: mother. 

Thanks to Sarah Bryan, the Association for Cultural Equity, and to Dust to Digital for inspiring this episode.

Mother is a Question is created by Natasha Haverty and Julia Metzger-Traber

Our editor is Rob Rosenthal

Original Music by Raky Sastri and Julia Read"

If there's one music genre lampooned more than Christian rock, it might just be ska. And Christian ska? Expect next level ridicule. But a lovable band of misfits from Denver, Colorado managed to do something that might seem unthinkable: combine two maligned genres and become a cultural phenomenon with an enduring cult following. On the season two finale of Rock that Doesn't Roll, music journalist Andrew Gill (Sound Opinions), and historian Leah Payne (God Gave Rock and Roll to You: a History of Contemporary Christian Music) follow the unlikely rise of Five Iron Frenzy, with insight from Leanor Ortega Till, aka "Jeff the Girl," aka the saxophonist from one of the best-loved bands in the Christian rock universe.

Do you have a Christian rock story to tell? Leave us a message at (629) 777-6336.

If you want more seasons of Rock That Doesn’t Roll, you can support us on Patreon. https://www.patreon.com/rtdr

You can connect with us on Instagram or by emailing [email protected]

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In the second season of Rock That Doesn't Roll, hosts Dr. Leah Payne and Andrew Gill look at how Christian music shaped the world we're living in now. Topics covered in season two include hip hop, feminism, purity culture, hair metal and more. Episodes publish every other week starting on April 24.

Do you have a Christian rock story to tell? Leave us a message at (629) 777-6336.

If you want more seasons of Rock That Doesn’t Roll, you can support us on Patreon. https://www.patreon.com/rtdr

You can connect with us on Instagram or by emailing [email protected]

Sign up for our Substack to keep up with show developments.

In this bonus episode, Andrew and Leah talk with Lars Gotrich of NPR Music, the producer who brought Amy Grant to play a Tiny Desk Concert. Lars shares how he went from "judgy Christian punk rocker" to someone good at existing in two worlds at once.

To hear the full interview, join our Patreon at https://www.patreon.com/rtdr

Find Lars’ playlists and tea newsletter at vikingschoice.org

What happens when one of the country’s most outspoken critics of white male Christian political conservatism sits down with a well-known white male conservative Christian political pundit? Find out, as Kristin Du Mez and David French discuss politics, culture, and the desperate need for hospitality in the digital age on No Small Endeavor with Lee C. Camp.

In this bonus episode Leah and Andrew interview Jim Cooper, the composer who wrote and recorded the original score for Rock That Doesn't Roll. He talks about growing up in the DC area, getting obsessed with Fugazi and Dischord Records, then throwing away all his secular music.

The full hour-long interview is at our Patreon. The conversation goes on to talk about abandoning a theology major at Wheaton College for music, getting support from John J Thompson and True Tunes, performing at Cornerstone and eating humble pie after opening for Wilco.

Join our Patreon: https://www.patreon.com/RTDR

Some of Jim's music: https://infomercialusa.bandcamp.com/

https://detholz.bandcamp.com/

https://tyme.bandcamp.com/album/someday-in-the-ancient-future

Andrew references Ian MacKaye's Episcopalian upbringing in the discussion. Read more about that here: https://wamu.org/story/14/10/17/the_unlikely_bond_between_a_dc_church_and_the_punk_music_scene/

‘Tis the season for holiday specials and Andrew Gill (producer, Sound Opinions) and Leah Payne (author, God Gave Rock and Roll to You) of Rock that Doesn’t Roll are bringing you a surprise holiday gift: weirdly specific awards for Contemporary Christian Music Christmas tunes! So come on, ring those bells, grab your Christmas shoes, and get ready to Yo-Ho-Ho yourself into some holiday cheer - it’s Christmastime!

Do you have a CCM Christmas story to tell? Leave us a message at (629) 777-6336.

If you want more seasons of Rock That Doesn’t Roll, you can support us on Patreon. https://www.patreon.com/rtdr

You can connect with us on Instagram or by emailing [email protected]

Sign up for our Substack to keep up with show developments.

For 1990s and early aughts youth group alumni, Christian rock is often the source of embarrassment or shame - but does it have to be that way? The season finale of Rock That Doesn't Roll explores the idea that maybe, just maybe, the key to getting over angst about Christian rock isn't rejecting it or avoiding it, but coming to peace with the person you were when you fell in love with it. With insight from historian Randall J. Stephens (author, The Devil's Music), hosts Andrew Gill (producer, Sound Opinions) and Leah Payne (author, God Gave Rock & Roll to You) follow the story of David Bazan, a Pentecostal pastor's kid-turned-indie rocker who spent decades running from his CCM past. Along the way, Bazan founded Pedro the Lion, and gained critical acclaim, but his fraught relationship with evangelical Christianity and the world of Contemporary Christian Music haunted him. In the end, Bazan suggests that one way to make peace with a CCM past is to learn to be “the billy of your actual hills.”

Thanks for joining us for the first season - it’s been an incredible journey. Do you have a Christian rock story to tell? Leave us a message at (629) 777-6336.

If you want more seasons of Rock That Doesn’t Roll, you can support us on Patreon. https://www.patreon.com/rtdr

You can connect with us on Instagram or by emailing [email protected]

Sign up for our Substack to keep up with show developments.

The late 90s and early aughts were a banner time for a really specific type of rock band - the are-they-or-aren't-they a Christian band, band. Sixpence None the Richer. Creed. Evanescence. Lifehouse. Owl City. Paramore. They all had different sounds, but they left listeners wondering: are they - or aren't they - “Christian music?” This week on Rock that Doesn't Roll: does an artist who identifies as Christian have to brand their music as such? With insight from David Dark (author, We Become What We Normalize), hosts Andrew Gill (producer, Sound Opinions) and Leah Payne (author, God Gave Rock & Roll to You) follow the story of Jon Foreman, a pastor’s kid from Carlsbad, California whose band Switchfoot created songs that resonated with youth group kids and climbed the Top 40 charts. Were they, or were they not, a Christian band? We explore efforts to rethink Christian music, and how mainstream superstars U2 led the way for bands like Switchfoot to wrestle with the marketing category of “Christian” - and find an enduring connection with their fans along the way.

Did you ever love a Christian-ish band? Leave us a message at (629) 777-6336.

If you want more seasons of Rock That Doesn’t Roll, you can support us on Patreon. https://www.patreon.com/rtdr

You can connect with us on Instagram or by emailing [email protected]

Sign up for our Substack to keep up with show developments.

Who could a 1990s Christian rock aficionado turn to in order to find the latest and greatest releases? For mainstream music fans, tastemakers included record store clerks of 1990s indie music stores, or retail juggernauts like Tower Records and Wherehouse - the kind of superfans depicted by Jack Black in High Fidelity. But for many evangelical teens of the 1990s, record stores were not the place to find kid-tested, parent-approved music. For that, Christian teens usually had to go to Christian bookstores. There, among the Bibles and Precious Moments dolls and Christian-themed t-shirts, they found the records that defined their adolescence. Their guides on the journey? Bookstore Guys. This week on Rock that Doesn’t Roll: with insight from ethnomusicologist Andrew Mall (author, God Rock, Inc.), hosts Andrew Gill (producer, Sound Opinions) and Leah Payne (author, God Gave Rock & Roll to You) follow the story of John J. Thompson (True Tunes podcast), a Christian bookstore guy who dreamed of transcending the Christian bookstore and creating a music store - along with a thriving artistic community - for fans of critically-acclaimed Christian rock.

Do you have a story to share about your Christian rockstar dreams? Leave us a message at (629) 777-6336.

If you want more seasons of Rock That Doesn’t Roll, you can support us on Patreon. https://www.patreon.com/rtdr

You can connect with us on Instagram or by emailing [email protected]

Sign up for our Substack to keep up with show developments.