Explorez tous les épisodes du podcast Gig Gab - The Working Musician's Podcast
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Post the Gig, Get the Gig: Social Media for Working Musicians with Edgar Solorzano
09 nov. 2026
01:07:51
You moved to a new city where nobody knows your name. Now what? When Edgar Solorzano left Venezuela for South Florida ten years ago, his answer was simple: hit record. He took a GoPro to a country gig with a band of firefighters, posted the highlights, and kept posting every day: under a minute, the best moment of the night, replying to every comment, even the mean ones. When the only calls were for country gigs, he started posting slap covers of Level 42 and the Red Hot Chili Peppers until the phone rang for everything else. It’s the same move that started it all back home, where a 2006 YouTube video landed him in the busiest band in Maracaibo, playing up to six shows a night.
Then Edgar walks you through the working week: three or more nights of weddings, corporate gigs, casinos and clubs, almost no rehearsals, and what to do when you’ve pulled up the wrong charts for a 35-minute hora. You’ll hear how VAM Band’s system makes a gig easy to walk into, why Edgar turns the nanny tracks off, the in-ear mix where kick and bass melt into one instrument, and the dead-simple rig behind all those gig videos: an Insta360 X6 and a second in-ear receiver on the same channel. There’s also a warning about talkback culture before you go live, and yes, a detour to nerd out on Rush. Post the gig, share the gig, and Always Be Performing.
00:27:41 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today, which includes access to Claude Cowork, too, when you visit https://Claude.ai/giggab
00:29:15 SPONSOR: Tidal – Visit https://Tidal.com/GIGGAB to create an account and start uploading your music for free: zero platform fees on every sale. Your music, your earnings.
Don’t Compete with the Couch: How to Get People to Your Gigs, Bar Band to Theater Band & AI for Musicians with Paul Kent
02 nov. 2026
01:17:30
Gig Gab was Paul Kent’s idea, and he’s back in the co-host chair with 27 years of running the ten-piece Houserockers behind him. You’ll hear how Dave’s Underground band learns a whole new themed set every six weeks at the Seacoast Rep, why moving from bars to an 800-seat theater starts with deciding you are a theater band, and the frequency-versus-scarcity tension every local act wrestles with. Paul’s answer to the fan who says they’ll catch you next time is blunt: stop competing with the couch. Find the people already looking to get out, let them get to know the band and each other, and host a two-hour party every single night.
Then it’s AI for working musicians: gig posters, the Kanban booking tracker Paul built in half a day, lead lists, email campaigns, and Dave’s case for AI as the ultimate procrastination killer. Plus, a condo neighbor storms a 9:55 PM rehearsal demanding the band wrap by 8:30, and finds out he picked the wrong Dave. Stick around to hear who actually coined Always Be Performing.
00:21:06 Evolving from a bar band to a theater band
00:22:57 Mixing bar gigs in with your theater band
00:24:01 SPONSOR: Warby Parker – Our listeners can buy one pair of glasses and get 20% off any additional pairs at https://WarbyParker.com/GIGGAB — and using our link helps support the show. #WarbyParker #ad
00:25:28 Frequency vs. Scarcity
00:27:29 Creating a band with a local presence
Build your mailing list!
Two ticketed, four-walled events per year
00:31:51 Audience Curation
What about: If I can see you “next time”, I won’t go “this time”?
You’re Not Their Backup Plan: How to Market Your Band’s Shows with Pat Watters
26 oct. 2026
01:09:22
Twenty years ago, Pat Watters looked at Texas country’s self-sustaining scene, where bands lift each other up and fans proudly claim their own, and asked a simple question: why only Texas? He’s spent every year since 2008 answering it in Wisconsin, building the Pat Watters Band on unapologetic regional pride. As a marketing agency partner, he knows exactly how bands get found. Stop pitching your gig like a fallback. “If you’re free Friday night” tells people you’re the last resort, so talk like you’re the best option and they just haven’t heard about it yet. Guard against oversaturation, because if fans can see you anytime, they’ll never actually come. Load your originals early while the room is still listening, and give every song a story worth leaning in for.
Then work all three relationships: artist to artist, artist to media, and artist to fan. You’ll hear how the Midwest Country Music Organization turned rival bands into a real community, and why one musicians’ dinner on a slow Monday could start the same thing in your town. Pat shares his show-promotion formula: title every Facebook event with your band name and the venue, drop the event link in the comments, and post one simple day-of line that gets your followers asking where. Don’t build on rented land. Own your domain and your mailing list, and spend a few smart dollars on Meta ads. Then dress like you meant to be on that stage. Become a bigger version of yourself, and Always Be Performing.
00:24:27 SPONSOR: Hims. With Wegovy® at Hims, lose up to 20% of your body weight when combined with diet and exercise. Visit https://hims.com/giggab to get a personalized, affordable plan that gets you.
00:25:54 Three relationships: artist-to-artist, artist-to-media, and artist-to-fan
How Every Club Sounds Great: Running SXSW Stages & Changeovers with Nate Cross
28 sept. 2026
01:04:03
Every club at SXSW sounds good, every night, all week, and we’ve often wondered how they maintain that consistency. This week Dave finally gets the answer from Nate Cross, SXSW’s Director of Production, who went from intern to Assistant Production Manager to running the whole show. You’ll hear how his team builds out 55 to 60 venues (down from 100+ before the pandemic), why they mic everything even when it looks like overkill, and how 20-minute changeovers actually run on time with bands who’ve never met. Then there’s the backline story: trading the free band beer for a drum kit and amps at every venue, which enhanced everything.
Want to be the band every festival wants back? Show up on time, keep it simple, and put your current input list first, since it matters more than your stage plot. Add one sentence describing what your band should sound like so the engineer isn’t guessing. Nate also explains how SXSW went from a flat “no” on in-ear monitors to welcoming your split snake, and shares how his two-drummer, nine-piece band Water Damage turned one showcase into a challenge accepted. Whether you’re under the lights or behind the scenes, Always Be Performing.
The Opener Sets the Tone: Set List Strategy, AI vs. the Artist & The Craft of Fronting a Band
21 sept. 2026
01:05:02
Skylar Hamilton is back by popular demand for round two of your questions, recorded across an Airbnb kitchen table in New York City where a roll of paper towels doubles as a mic stand, because it’s the right height and it kills table rumble.
Set lists first: your opener sets the tone, and the tone is yours to set. Easing a dining room into rock-band mode calls for something catchy and upper-mid-tempo with room to breathe; a room that came to see a band wants to know right away what kind of show they walked into. Start cold off a click in your ears instead of a count-off if you want crisp. Put the across-the-board crowd-pleaser second, not first. And treat the night as an exchange of energy: it’s great when the audience offers first, but you can’t plan on that, so you make the first offering. Always Be Performing, right from note one.
From there you get a genuine on-air disagreement about AI and episode artwork, and where the line sits between using a tool and removing the human creator. The audience for your art is other humans, whatever you used to make it. Then stage etiquette, with Rush handing you both answers on one tour: Anika Nilles quietly fixing a wardrobe malfunction mid-song while the show rolls on, and Geddy Lee stopping 2112 to get a dead bass sorted. The call is yours in a split second: if you’re the focal point and the problem has you distracted, name it and bring the crowd in; otherwise let it go and keep playing.
Crowd work closes it out: banter is a skill you learn to summon on demand, not a personality you’re born with. Pick one person or an avatar and talk to them, build a stage character the way Billie Joe Armstrong is already St. Jimmy every night, treat what you wear as a costume your audience assumes you chose on purpose, borrow the bits you love from the front people who inspire you, and then watch yourself back a few days later…alone, and generous enough to find one good moment for every three you’d fix.
Ask for the Gig You Want: Kevin Glendinning on SNL, Super Bowls, and 25 Years on the Road
31 août 2026
01:10:31
Monitor engineer Kevin “KG” Glendinning joins you live from a Roman amphitheater in Pula, Croatia: eight countries in seven days into the Lorde world tour…and he’s got the receipts. You’ll hear how fifteen trips through the SNL stage started with a Carson Daly taping, why the rooms that treat you well are the rooms you remember, and what happens when a 32-year veteran finally plugs in a source expander and realizes the “new guys” were right. That’s the through-line: always be learning, always be open-minded, and never let a get-off-my-lawn attitude about new tech be the reason your phone stops ringing. Then it gets into the real in-ear monitor conversations: recreating a Celestion cab with a 2.6mm armature, the one-ear trick that quietly costs Adam Levine and John Mayer another 25% of volume, and why ear fatigue deserves the same respect a pitcher gives his arm.
The road stories land hard from there. Super Bowl XLV in Dallas with snow, the Black Eyed Peas, and a lesson in letting the pros run their own show. Red Rocks (aka “Wet Rocks”) and why a mountain full of shuttle trucks is worth every minute. A locked-up console mid-residency and telling Christina Aguilera the audio will come back, all while genuinely hoping it would. A charter plane struck by lightning over the Amazon, an emergency landing at a decommissioned airfield, and waking up to the news about Taylor Hawkins. Plus the covert phone call that became seven years with Justin Timberlake, and the soft ask years earlier that made it happen. Rehearse enough that nerves turn into muscle memory, thank the people who opened doors for you, ask for the gig you want…and Always Be Performing.
From Broadway Swing to Principal: Eight Shows a Week...with Victor Carrillo Tracey
24 août 2026
01:14:25
Your voice is the most temperamental instrument you’ll ever own, and this week Victor Carrillo Tracey – original company member of Broadway’s The Outsiders – walks you through what it takes to keep one working eight shows a week. Hydration and sleep swap places at number one, alcohol and caffeine cost more than you think, and inspiration doesn’t get a vote when downbeat is 8pm. You’ll hear how a single college voice lesson with a head cold taught Victor to navigate around a compromised instrument years before he needed it on Broadway, and why nerves usually answer to preparation rather than talent. Book the room. Play your opener as the last song of soundcheck. Always Be Performing starts well before anyone’s watching.
Then it gets nerdy. Victor breaks down what a swing actually is (think relief pitcher), and how he covered nine tracks at once before working his way up to playing Paul full-time. You’ll pick up forced perspective, the staging trick that tells an audience exactly where to look and translates straight to your own stage. Plus the band sealed in the pit under the apron, monitor wedges in the floor and sidefills in the wings, a rig that tracks each voice around the house, watching a Broadway book get written in real time, and Dave’s case for mixing your in-ears in stereo instead of piling everything up the middle. Victor’s last Outsiders show is October 11th, right around performance number one thousand…and he still tells himself this is the best job ever before every show.
00:02:45 The voice is the most temperamental instrument
00:06:04 The benefits of an education
Always Be Learning – Beginner’s Mind
00:08:54 Learning to navigate around your voice when things are non-optimal
00:13:28 Taking care of your voice
The most important thing is hydration.
Except Sleep is the most important thing.
Be aware of alcohol and caffeine
00:17:01 Inspiration won’t always strike
00:18:35 And taking care of your body
00:20:55 Preparing yourself for success
Play your opener as your last soundcheck song before the house opens
You can visualize this, too!
Book the room to rehearse in advance
Always be preparing
Having a preparation mindset
00:28:40 SPONSOR: Hims. With Wegovy® at Hims, lose up to 20% of your body weight when combined with diet and exercise. Visit https://hims.com/giggab to get a personalized, affordable plan that gets you.
00:30:08 Being a Swing
Kinda like a relief pitcher
Nine tracks at once!
00:33:33 Ok, a detour into musical theater and The Outsiders
Matt Beck on Matchbox Twenty, The Outsiders, Hot Cocoa and a Green Tartan Suit
17 août 2026
01:13:15
Matt Beck taught himself guitar strung upside down and backwards and has never once found a reason to stop. He joins you this week from the pit of The Outsiders, where he’s played since opening night three years ago, and from a July that had him running Jon Anderson, the B-52’s, and Matchbox Twenty in the same month: seventies, eighties, and nineties, back to back to back. You’ll hear why a guitar player who can actually read on a staff gets calls other players never see, how orchestrators bury Easter eggs in a score, what it does to a band when the pit is closed and the audience only sees you on camera at the curtain call, and why the plight of the freelancer always comes down to the same thing: your calendar, and what you said yes to eight months ago.
Then it’s the road stories. Matt traces twenty-three years with Matchbox Twenty back to a Lisa Loeb tour with Dweezil Zappa standing next to him, and the Zappa family connection that put his name in the right room. He talks about building parts alongside Bono and The Edge for the Spider-Man musical, writing live arrangements for Rod Stewart, and finally getting Sugarjar out the door with Richard Hammond and Sammy Merendino. You’ll also get a Matchbox soundcheck shut down by something nesting in the rafters, three cups of hotel cocoa and a green tartan suit that taught Matt everything he needed to know about a pre-show routine, and the discipline underneath all of it: on Band Geeks off-days, he ran the entire Jon Anderson show every single morning. Always be performing and, as Matt adds on his way out, always be practicing.
00:03:48 Musicals trying to make it on to Broadway
00:04:50 Theater work in NYC
Playing, orchestrating
“Play like Steve Gadd”
“Play like Steve Vai”
“A la Larry Campbell”
00:09:45 Acknowledging the band
00:11:56 Reading guitar on staff music
00:14:36 Knowing your castmates
00:15:59 Managing the schedules of multiple projects
Going from Jon Anderson to B-52’s to Matchbox Twenty…in a month!
00:22:07 Logistics of travel on gig day
00:24:37 Matchbox Twenty…23 years!
Got the call for…Lisa Loeb, alongside Dweezil Zappa.
And the Zappa family connection delivers, along with great networking.
00:30:38 Studio vs. Live
00:32:28 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today, which includes access to Claude Cowork, too, when you visit https://Claude.ai/giggab
00:34:15 Working with Bono and Edge on the Spiderman Musical
Creating those signature moments
00:35:32 Live arrangements with Rod Stewart
00:37:03 Creative collaboration is the key
00:38:06 Playing in original bands as an informative piece of the career
00:39:27 Learning how to be in a band
00:40:24 Sugarjar, Matt’s 3 piece band
Richard Hammond
Sammy Merendino
00:42:30 Learn to play every style authentically
And play with as many people as you can.
Diversify!
00:45:01 Growing up with professional musician parents
00:47:09 The risk of a day job
00:48:21 As if a swarm of bees
00:50:44 Slipping through the crowd in a green suit!
00:54:47 Pre-show routines and biological imperative
Hired From an 11-View Video: Sean Mullaney on Opportunity and Owning the Stage
11 août 2026
01:22:22
Guest co-host Sean Mullaney joins Dave Hamilton to prove that the gig you want is usually hiding inside the gig you almost skipped. A video with eleven views got Sean hired, the same way a YouTube clip landed Alexandra Mullaney in The Book of Mormon, so the lesson is simple: put the work out there, then be ready to say yes when someone finds it. You’ll dig into managing your niche without getting trapped by it, and the bigger question every bandleader eventually faces: who do you want to be as a frontman? You can’t make a face unless you’ve seen it, so study the greats, then get authentic to who you actually are. Preaching from the stage is hard. Performing as yourself is harder, and better.
Then things get deliciously specific. You’ll hear what it’s like to chase Robert Plant with Mr. Jimmy, where nobody’s speaking English, everybody’s in full costume, and the details are so meticulous that imposter syndrome becomes something you manage rather than something that eats you. Sean said no. Then Sean said yes…and ended up on a sold-out stage at the Whisky a Go Go, a little petrified because the stakes were higher. That’s the point. You’ll get the upcoming Whole Lotta Heart show, why theater runs are a fun grind, what happens when you make that first mistake in front of everyone, how to honor your influences by studying the film instead of copying the notes, and how to manage your voice so you can keep doing this. Always Be Performing! Even when nobody’s watching yet, because view number eleven might be the one.
00:26:36 SPONSOR: Warby Parker – Our listeners can buy one pair of glasses and get 20% off any additional pairs at https://WarbyParker.com/GIGGAB — and using our link helps support the show. #WarbyParker #ad
00:28:37 Do you want to be Robert Plant in Led Zeppelin?
No one’s speaking English, and everyone’s in full costume
It’s just you and Dave this week for a full mailbag episode, with road stories up front: Matt Musty behind the kit with Train at Great Woods, three nights of Phish and Rush at MSG, and the Rush policy worth stealing: when a mistake is a one-off, don’t talk about it. Then into your questions. Should the front-of-house feed live in your in-ears? Here’s pre-fader versus post-fader, and why the answer’s usually no unless you’re a drummer. Maybe. Bass distorting in your IEMs? Start with gain structure, work down the chain one variable at a time, and suspect your earphones. Plus the cable fix for that hummy mono click, and the Zoom Q2n-4K for filming your gigs.
Nobody bought a ticket to watch load-in. That old adage – you’re not paid to play, you’re paid to haul gear – gets retired here, because the performance is the product, and that’s exactly why we Always Be Performing. From there: sitting ahead of, behind, or dead on the click and why none of it’s wrong, how to stop cringing at your own stage videos using the Alter Ego Effect, and why demand for small-act live music has softened: drinking age, drinking habits, and the couch you’re competing against.
00:23:42 Steve-Solving the mono click hum problem?
00:27:42 Drew-Recording Your Gigs with a Zoom Q2n-4K
00:31:50 Adam-Playing for free vs. being paid to load gear
00:37:10 SPONSOR: Hims. With Wegovy® at Hims, lose up to 20% of your body weight when combined with diet and exercise. Visit https://hims.com/giggab to get a personalized, affordable plan that gets you.
00:39:00 Joe-Playing with the click vs. ahead or behind
When Your Worlds Collide...and the Drummer Becomes the Sound Guy
27 juil. 2026
01:27:49
Daniel East is back for a no-agenda episode that turns into Gig Gab therapy. You’ll hear about Brit Drozda’s fifth record in pre-production, unannounced pop-up gigs built from cajon, guitar, and keys, and the Rayvel grand opening on Florida’s Space Coast, where a rocket went up over the stage during Starman. Then Daniel gets into those moments of bliss you can’t fish for…the ones that arrive because you prepared enough to stop thinking. If you’re feeling it, they’re feeling it. And when a piece of the puzzle is missing, that’s your cue to admit a gig isn’t the right fit for you and be willing to walk.
Then Dave takes the couch: three gigs in a row where he became the accidental sound savior. A theater where nobody knew how Dante was routed. An outdoor stage hard-panned left with monitors EQ’d to the disco smile. A club that handed him the iPad at line check. Daniel’s prescription: an expectations agreement when you don’t have a contract, an audio tech who also speaks IT, and permission to say no. Always Be Performing is real, but you set a standard, you don’t meet one.
Plus: find your clock first, and Gear Gab on Earthworks drum mics, the Kompakt 421, and why a high-pass filter beats deep EQ cuts every time.
September 12th, 2026, Fence Road Farm Brewery in Warwick, NY.
Benefits To Write Love On Her Arms and Memorial Sloan Kettering.
Bo Bice on the lineup
00:12:46 Those moments of bliss on stage
00:16:21 If you’re feeling it, they’re feeling it
Find the groove
Preparation helps
Shoutout to Paul Kent!
00:22:16 Recognizing when a gig is not the right fit for YOU
00:24:46 Nobody’s Perfect
00:25:11 SPONSOR: Warby Parker – Our listeners can buy one pair of glasses and get 20% off any additional pairs at https://WarbyParker.com/GIGGAB — and using our link helps support the show. #WarbyParker #ad
00:27:21 Dave’s Had Three Gigs…and needs therapy
Allen Heath SQ7
00:40:12 Were there contracts?
00:41:59 Option A: Bring your own audio tech with you to every gig
The Wrong Audience Is Still an Audience: Freddy Vinehill-Cliffe on the Gigging Life
20 juil. 2026
01:09:11
Episode 543 lands on National Fortune Cookie Day, and guest co-host Freddy Vinehill-Cliffe of NUGEN Audio opens by demystifying how your masters actually translate across streaming. You learn that MasterCheck lets you audition one master against every platform before release day blindsides you, because you should still submit a single master everywhere, not a separate file per service. From there you dig into possible reasons why Spotify felt so flat for so long, the crucial difference between data compression and dynamic compression as a way to tame your audio, and how compression ratios shape the result.
Then Freddy flips to the gigging life: guitar and vocals in Thank, bass in the gleefully unappealing Solderer, touring Europe and the UK on DIY tours he’s been booking since 2014. You’ll chew on his theory that drummers can fake their way through a set more easily than anyone else, the cover-band mentality (Tommy Igoe’s gospel: he’ll teach you to play other people’s music, not your originals), and playing for the nerds who clock every groove (like the white-knuckle eleven-beat break in Steely Dan’s Josie).
The throughline is reading the room, even when it’s the wrong room: sometimes the crowd’s on mushrooms, sometimes you just throw them a party regardless, and either way you Always Be Performing.
00:18:44 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today, which includes access to Claude Cowork, too, when you visit https://Claude.ai/giggab
00:20:17 Freddy, the gigging musicians
Guitarist and vocalist in a band called, Thank
Plays Bass in Solderer, deliberately unappealing
Touring regularly throughout Europe & UK
00:24:17 DIY Booking of Tours
Freddy has been booking DIY tours since 2014
00:27:45 Dave’s gigging schedule
00:31:15 Freddy’s theory about drummers
Drummers can fake it more easily!
00:36:30 Wedding bands … that aren’t wedding bands
00:37:31 Cover band mentality
Tommy Igoe: I’m not going to teach you how to play in your original band, I’m going to teach you how to play other people’s thing
Playing for nerds
The 11-beat break in Josie
00:47:35 Unexpected grooves and parts
00:50:52 Realizing the audience is the wrong audience
Mushrooms help the audience!
00:59:44 Special offer from NUGEN – 30% off of a bunch of plugins for the next few weeks!
Growing Up Statler: Wilson Fairchild on Harmony, Hustle, and the Working Musician's Life
13 juil. 2026
01:08:03
This week Wil and Langdon Reid of Wilson Fairchild pull up a chair beside Dave to show you what a life in music actually looks like from the inside. These guys grew up on a tour bus in the ’70s and ’80s watching their dads, Don and Harold Reid, play eight years with Johnny Cash before becoming The Statler Brothers, a side-stage masterclass we all wish we had. You’ll hear the advice that shaped them: nobody can put you in the music business and nobody can take you out, so you’d better love the life and want it bad. You’ll get the manager horror stories (let’s just call him Peter), the reminder that every musician is an entrepreneur, and the hard, useful stuff most players dodge: build a P&L, diversify, manage cash flow first, and when it rains, fill up your buckets. Treat every gig like it matters, because you never know who’s in the room: never punish the people who showed up, and don’t play to the empty seats.
Then you’ll dig into the craft that made the family famous: blood harmonies. Learn every part, let the piano teach you how the notes relate, and practice early in the morning just to find your pitch. You’ll discover why four voices were an act nobody wanted to follow, why going from two parts to four is an exponential lift, and where the modulation earns its keep. Through all of it runs one thread: be believable. Whether it’s a vanity song that tells your audience exactly who you are or a closer like It’s Amazing What a Hug Can Do, you sell it because you mean it. That’s the whole game: Always Be Performing, every seat, every song, every night.
Ryan Goldbacher on Touring with Tom Keifer, Mixing FOH (and Monitors), and AI
06 juil. 2026
01:10:23
This week front-of-house engineer Ryan Goldbacher calls in from the road with Tom Keifer, and you’ll quickly learn that landing the next gig comes down to two things: competence, and not being miserable to be around. Word of mouth is the real currency of touring life, so Always Be Performing applies long after you step off stage: when the tour bus is smaller than your bedroom and there are twelve people on it, how you treat the room matters. You’ll pick up honest strategies for protecting your sanity on the road, from taking a walk to renting a car and disappearing into the mountains, plus why testing your limits only works if you actually know where they are.
Then you and Ryan get deep into the craft. You’ll hear why the way FOH mixes your band one night can shape how it sounds for gigs to come, why you’ve got about thirty seconds to describe your band to a house engineer at load-in, and the EQ lessons Ryan learned the hard way dialing in loud rock guitars and high-passing the bass. Stop calling a kick a bass drum, leave some air in it, and don’t be afraid to turn the knobs until it sounds good. From the pressure-cooker of mixing monitors on Mr. Big’s final US tour to a frank take on AI mixing and building the next generation of engineers, this one’s loaded for anyone serious about live sound.
Tom Keifer goes over the entire set with the house lighting designer
00:21:12 Tom Keifer helps Ryan with producing the show for the night
The benefits of working with an artist who tells you how to make yourself more valuable to them
00:23:32 The FOH and Band relationship
The way FOH mixes the band for one gig could affect the band for the future. Respect this!
Communicate what your band sounds like to the engineer…early on as you’re loading in
00:29:42 Developing trust with your engineer first
00:31:03 Thirty seconds to describe your band
00:32:33 Making the next generation of engineers better
00:33:59 Engineers who are musicians / Musicians who are engineers
ProTools…great software, dumb name!
00:38:18 Learning from mistakes
00:40:16 Stacking EQs on Rock Guitars by mistake…and then intentionally!
Working with loud guitars on Stiff Little Fingers
Steve Smith introduced Ryan to Stiff Little Fingers
00:41:21 SPONSOR: OneSkin. Born from over a decade of longevity research, OneSkin’s OS-01 Peptide is proven to target the visible signs of aging, helping you unlock your healthiest skin now and as you age. Get 15% off OneSkin with the code GigGab athttps://oneskin.co/GigGab #oneskinpod #ad
00:43:30 Accidentally learning to drop guitar EQ between 2k-4k
Adding a high-pass filter on the bass guitar in a rock band
00:48:21 Don’t call a kick drum a “bass” drum, otherwise you’ll mix it the wrong way.
You want some air in that kick!
00:49:07 Don’t be afraid to turn the knobs until it sounds good
00:51:27 The pressure of mixing monitors makes you a great engineer
Mixing monitors for Mr. Big’s final US tour
00:55:09 RTAs are great, but be able to do it by ear
Patrice Peris on Sync, Survival, and Why You Don't Need a Backup Plan
29 juin 2026
00:52:44
This week singer-songwriter Patrice Peris joins Dave to flip the script on building a music career. That question musicians always get – what’s your backup plan? – is a terrible one, because Plan A was never required to land where you first mapped it. Through COVID, a cancer diagnosis, and a bone-marrow transplant she now calls a rebirth, Patrice kept asking what each detour was teaching her and never stopped writing, landing sync placements on Netflix, HBO Max, and The Voice along the way.
Want to break into sync licensing yourself? Get resourceful and bullheaded: take a class, build multiple streams of revenue, and gamify the grind: how many gigs can you find, how many music supervisors can you email? Every musician is an entrepreneur, and the numbers game rewards whoever keeps opening doors.
Then Patrice gets practical, because gigging musicians are athletes. You get her playbook for protecting your voice across three-set nights: a real warmup, scale work, stretching, smart placement that pulls the sound out of your throat and into the mask, and the vocal rest you keep skipping. From there comes the band conversation nobody wants to have: in-ear monitors and the whole mix exist to serve the lead vocalist, so drop the ego and decide together what you actually want your band to sound like. Build a backup bench while you’re at it, because life happens and roles need filling. Patrice stepped back from the stage but never stopped creating, and that’s the whole point: keep writing, keep adapting, and Always Be Performing.
Sub Gigs, Mic Mutes & the Art of Mixing Live with Jesus Hernandez
22 juin 2026
01:38:47
This week you start things off digging into the craft that separates good gigs from great ones. You’ll get the playbook for prepping and surviving sub gigs, learn (again!) why a splitter snake earns its place in your rig, and sort through the real options when you need a mic mute switch that actually works. Then you wrestle with a question every working band faces today: are fan-posted videos helping your brand or hurting it? It’s the kind of practical, in-the-trenches breakdown that reminds you to Always Be Performing, whether the camera’s rolling or not.
Then guest co-host Jesus Hernandez joins, and you trace his path from a Portastudio kid to the engineer bands trust with their sound, along with the philosophy he’s built along the way: you’re serving people’s ears, and the console is your instrument. You’ll hear why you should ask a band what they want to sound like before you touch a fader, why learning to mix yourself turns your engineer into a producer, and how routing a digital mixer keeps everything simple when the power flickers. He shares the gear that’s earned his trust, hard-won war stories from the road, his time subbing as a bass player in Nashville, and life on tour with a Phil Collins and Genesis tribute. By the end you’ll be listening to your own gigs with sharper ears and a hungrier inner critic.
Three Rush Fans and Rush's 2026 Comeback Tour: From the Room and From Afar
13 juin 2026
01:04:45
Three Rush fans — a father, a son, and Spartacus — walk into a podcast. There’s no punchline, just the tape rolling on a conversation that was going to happen anyway, and you get to be the fly on the wall. Two of them just flew home from LA, where they stood in the room and watched Rush kick off the tour nobody was sure would ever come. The third has been taking it all in from a distance, which is its own peculiar thing when you once mixed front of house for the band for years. You’ll get the origin stories — a kite-flying contest in early-seventies St. Louis, an R40 playlist that turned a kid into a lifer — plus enough on the drummer question (yes, Anika Nilles) and show-count stats to earn the Rush-nerd badge none of them will quite cop to.
Then it gets real. This is a band that fans and insiders alike once quietly accepted was finished, now back out there proving otherwise, and that turns the talk toward something bigger than setlists. You get to do this. Whether it’s thousands of people or a Tuesday night for a dozen, that gratitude is the whole game — the reason to Always Be Performing no matter how rough the bus ride was. Stick around for a ten-year-old’s perfectly timed gut check that still lands two decades later. Press play, and join Lucas Hamilton, Robert Scovill, and Dave Hamilton for a tour through the opening of Rush’s comeback — from inside the room, and from afar.
Road Stories, Recording Secrets, and the Perfect Pop Song – with Rand Lempert from The Broken Rings
08 juin 2026
01:16:35
This week on Gig Gab, Dave Hamilton sits down with guest co-host Rand Lempert of the Broken Rings, a two-piece recording project built on 15 years of musical kinship between Rand and guitarist Gio da Silva. You’ll hear how these two have crafted an intentional, travel-fueled recording process across cities, cutting live instruments and vocals together, passing files between New Orleans, Tampa, and now Denver, and why that friction and urgency is exactly the point. Rand makes a compelling case for keeping things analog as long as possible: real amps, minimal pedals, old-school mic placements like a modified Glyn Johns setup, and the conviction that nothing replaces the feeling of having a human being in the room when the tape (or hard drive) is rolling.
The conversation ranges wide, from Rand’s vivid 9/11 tour story, stranded in St. John’s Newfoundland on one of the last planes to land before U.S. airspace shut down, to a deep dive into the art of the perfect pop song, with nominations for Tempted by Squeeze, Big Star’s Thirteen, Bryan Adams’ Cuts Like a Knife, and Fastball’s Out of My Head. Whether you’re a working drummer obsessing over beat placement, a songwriter who only writes when the muse actually shows up, or a road veteran who knows that idle days on tour are far worse than grueling ones, this episode has your number. Get out there, stay curious, and Always Be Performing.
00:07:03 Recording remotely doesn’t have the muse of travel
So many different avenues to approach recording
Finding a way to record with technology in a less sterile way
00:15:08 Preserving analog recording to digital “tape”
00:17:07 The process of recording drums
Don’t mess up the end of the track!
00:21:14 Country music
00:23:25 Drummer kinship: Tris Imboden saves the day!
Learning by visual
00:31:41 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today, which includes access to Claude Cowork, too, when you visit https://Claude.ai/giggab
00:33:37 Surviving the road
00:34:45 Road story: hanging out in St. John’s Newfoundland for 5 days
AI and Music for Working Musicians: Tool, Threat, or Bandmate?
01 juin 2026
01:21:20
This week Stu Dias joins Dave from a slightly different corner of Durham, New Hampshire, and after a quick detour through barefoot drumming, sweaty-hand fixes, and oversized triangle guitar picks, the conversation locks onto the question every working musician is wrestling with right now: what does AI mean for music? You’ll hear why Dave reframes it as Assistive Intelligence (and the best procrastination-killer and writer’s-block-buster going) even as you stare down the harder stuff: Suno-generated tracks, Jack Tempchin’s AI-assisted album, and the ouroboros of machines learning from the music we make. Should AI art be labeled? What happens when it conjures someone’s likeness? And does any of it move you the way a human in a room can?
That last question is the heartbeat of the episode. Dave and Stu weigh AI music against the cover-band hustle, remember what COVID lockdowns taught us about humans craving real humans together, and get honest about whose jobs are actually on the line and where AI mixing fits in your workflow. The kicker for every gigging musician: if the machines are going to use your voice and your playing, take a long-term cut of the sales. It’s a sharp, funny, occasionally unsettling look at the line between tool and threat…and a reminder that however the tech shakes out, you Always Be Performing. Hit play for the full conversation.
Ride shotgun with Dave as he records GigGab on the drive home from a Casual Gravity gig, finally living out the show’s original mission. You’ll hear why packing your own mixer saves the night when the venue only wants a single feed from the band, what it’s like when an in-ear band plays its first fully sober gig, and why counting songs in to a click track changes everything once adrenaline stops driving your tempo.
Then dig into relearning vocal harmonies for the Underground Band: using the Moises app to isolate vocals, pulling sheet music, and plunking out intervals on piano to lock stacks into your ear. Buddy Gibbons sparks a drumming debate on single strokes versus marching-style sticking through the Foreplay/Long Time triplets, and Dave gets honest about throat fatigue, Lyme disease aftermath, dust mite allergies, and the sublingual immunotherapy bringing his voice back. Listen to your body, learn the parts, and Always Be Performing.
OG co-host Paul Kent rejoins Dave Hamilton to talk about how The Houserockers have stayed booked into their 27th year, and what your band can steal from their playbook. You’ll dig into the social media reality of 2026 (Reels are currently king), why your mailing list is the asset you actually own, and how to grow to 10,000 followers without losing your soul. Paul makes the case that if you want gigs, your band has to be a business, which means alignment on mission, passion, and musical style with the partners or employees standing next to you on stage. There’s nothing wrong with playing for fun, but go in eyes wide open about what you’re chasing.
From there you’ll dive into the value of scarcity, Kevin Kelly’s thousand true fans, and why mixing up your setlists is one way to keep audiences coming back. Paul breaks down the current Houserockers formula (civic concert series, experiential marketing, and ticketed off-season events) and why aging-up audiences mean you have to market harder and talk to fans like Springsteen does: a lifetime conversation, all with individuals. You’ll also get the real talk on finding bandmates (Craigslist included), the Gig Gab bookable-band checklist, and Paul’s (joking?) pitch for two new show segments. Whatever your lane, Always Be Performing, and start treating every touchpoint like the gig it is.
Relentless Consistency and the Scarcity Premium with Mike Schulte from The Pork Tornadoes
11 mai 2026
01:01:55
Guest co-host Mike Schulte joins Dave with 15 years of Pork Tornadoes social media wisdom, and the message is blunt: relentless consistency wins. You literally can’t post too much in 2026—nobody sees everything anymore, so repost that same flyer as a fresh post (not a share) and keep going. Give it 45 days before you judge results. Why invest? More fans mean more bodies at the gig, plus the social proof that signals to newcomers that other people already love you. And remember—you’re not competing with other bands, you’re competing with people’s couches.
From there, Dave and Mike dig into the live-show craft. Build a sound check formula so it stops being a nightmare, then cook up a Suno-generated theme song to walk on to—Always Be Performing means the show starts before the first chord lands. Treat your setlist like art: the opener’s a throwaway, but song three is the most important slot of the night. Then think about your saturation—the Pork Tornadoes cap themselves at two ticketed gigs per year inside a 30-mile radius, and the minute they got scarce, their pay jumped tenfold. Simple, not easy.
“You can never post too much” – Mike Schulte, May 11, 2026
Mike has been running social media for Pork Tornadoes for 15 years
Everyone doesn’t see every post (anymore)
It’s money-driven
Repost the same thing, the same flyer, the same idea (as a new post, not a “share”)
00:09:49 Getting “started” on social media in 2026
I tried to follow your model and nothing changed. In two weeks.
You’ve gotta spend a month or more (Dave says 45 days)
00:14:05 What’s the benefit of investing in social media
The more fans you have, there WILL be more people who come to your events
Also: social proof. Showing people that other people like you.
00:18:55 Social Proof + Bullheaded Persistence = Success.
00:22:00 People don’t go out like they used to
You’re not competing with other bands, you’re competing with people’s couches
00:24:39 A band retreat!
If 2020 hadn’t happened, Pork Tornadoes would’ve probably gone full time
00:26:04 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today, which includes access to Claude Cowork, too, when you visit https://Claude.ai/giggab
From Wedges to In-Ears: A Monitor Engineer's Playbook with Paul Klimson
04 mai 2026
01:07:01
Ready to make the leap from wedges to in-ear monitors? Or finally get the stage mix you’ve always wanted? Dave Hamilton welcomes back monitor engineer Paul Klimson, the man who mixed 32 stereo IEM feeds for Justin Timberlake, for a working musician’s deep dive on monitor world. You’ll learn how to build a default mix from scratch (start yourself at 0dB, your instrument at -5, everything else at -15), why drummers have an easier transition to in-ears than most assume, and how a split snake lets you take care of yourself when the gig demands it. Paul digs into hi-hat pitfalls, drum overheads as stage wash, and why bands who mix themselves on stage make life better for their FOH engineer, too.
Then it gets practical. Paul walks you through IEM fittings (pain is always bad, the seal is everything, and yes, drop an AirTag in your case) plus the universal-versus-custom decision, vetting vendor customer service before you buy, and the repair costs nobody talks about until they need to. You’ll get honest talkback etiquette (keep the drama off-stage, give everyone a voice, remember that your monitor engineer is a short-order cook), the post-mortem habit every band should adopt, and a peek at SoulSeed.tv. Wherever you sit on stage, this is the episode that sharpens how you Always Be Performing.
Stop Guessing, Start Growing: Fix Your Band’s Biggest Pain Points (with Dan Chantrey)
27 avr. 2026
01:01:43
You trace Dan Chantrey’s path from drummer dad influence to choosing music over football, and quickly see the real lesson: the game has flipped. You’re no longer playing gigs to sell music, you’re using music to sell gigs. From record deals fading to booking agents becoming the new gatekeepers, you learn why every band feels like it’s on the brink and how surviving means thinking beyond the stage. GIGNITE emerges as the modern answer, a virtual tour manager that helps you route tours, analyze audiences, and break into new markets with data instead of guesswork. If you want to grow, you stop hoping for “yes” and start building a system that makes it inevitable.
You rethink what it means to be a working musician: your brand matters as much as your chops, your off-stage work is where the money lives, and yes, it’s okay to get paid for your art. From finding sponsors in your local pizza joint to solving real-world problems like parking the van and booking rooms, you’re shown how to remove friction and scale your gig life intelligently. The stories drive it home: don’t punish the audience that showed up, audition gigs still sting, and your toughest hometown show might teach you the most. The throughline is clear: treat this like a business, leverage the tools, and Always Be Performing.
50 Years of Rush: Howard Ungerleider on Lighting the Lighted Stage
20 avr. 2026
01:10:13
Step inside five decades of rock history with lighting legend Howard Ungerleider, the man who’s been designing and directing Rush’s light shows since 1974. Hear how a $75-a-week mailroom gig at American Talent International — where he pulled off a rogue booking of Fleetwood Mac before he was even an agent — turned into a lifetime behind the console. Get the story of Howard landing in Toronto to babysit “a club band called Rush,” sleeping on the floor at the manager’s house with a St. Bernard, freezing his hand to a car door at -40 in Cochrane, Ontario, and later jamming with Neil Peart at his house to Genesis and Supertramp records. Howard also talks designing Roll The Bones (the one Rush tour he couldn’t operate), embedding at See Factor to build custom gear nobody else could get, and how Blue Öyster Cult first put him in front of a laser: the same craft he now brings to Foo Fighters, Tool, and Janet Jackson.
Then the conversation turns to the upcoming Rush Fifty Something tour — a four-piece now with Anika Nilles on drums and Loren Gold on keys, freeing Geddy to focus on bass and vocals. Learn why Howard still “plays” the lighting console live with two boards and thousands of touch cues, how robotic spots are quietly changing the craft, and why he and Phish’s Chris Kuroda will be swapping rigs at Madison Square Garden. You’ll also hear the Paul McCartney moment in the Taylor Hawkins tribute dressing room that may have sparked the whole tour, and why Howard insists this is a rejuvenation, a celebration, and proof that no matter the rig, the room, or the era, you’ve gotta ALWAYS BE PERFORMING.
00:36:40 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today, which includes access to Claude Cowork, too, when you visit https://Claude.ai/giggab
00:38:10 Howard first saw lasers with Blue Oyster Cult
The Crowd Is the Star: Piano Bar Secrets for Entertaining Any Room with Cliff & Susan Prowse
13 avr. 2026
01:02:16
You don’t need a traditional path to build a thriving music career! Just ask Cliff and Susan Prowse, who turned classical piano chops and play-by-ear instincts into a full-blown lifestyle business. Whether you learned to read music first or figured out theory after the fact, what matters is training your ear to hear intervals, stacking up reps, and putting in the practice until harmony feels like second nature. Use your DAW to sharpen your pitch, but don’t psych yourself or your bandmates out: true tone deafness is rare, and confidence is currency on stage. The bottom line: making a real living in music is absolutely possible when you treat your craft like a skill you never stop sharpening.
Once you hit the stage, remember that the crowd is the star and you’re the emcee who just happens to sing and play. Take your audience on a journey: open at mid-energy, build it up, let it breathe, then hit them again. Mix genres, swap instruments, toss in some comedy, and never leave dead air between songs; keep every second purposeful. Think of your set like a video game where you’re always leveling up the room. Manage your breaks with music that matches the vibe so the party never stalls. Playing covers isn’t just a gig — it’s a masterclass in entertainment, and entertainment is its own art form. Always Be Performing.
Monitoring the Artists' Monitors: IEM Wisdom from Kevin Glendinning
06 avr. 2026
01:19:21
In this episode of Gig Gab, you get the full story of how Kevin “KG” Glendinning cold-emailed his way from a Chicago suburb into a 25-year career mixing monitors for Alicia Keys, Maroon 5, Justin Timberlake, Miley Cyrus, Lorde, and more. You hear how a kid sweeping floors at dB Sound ended up on a Metallica tour bus with one piece of advice ringing in his ears: ask questions, stay late, and get a second job because you’re gonna need it. Kevin walks you through migrating artists to in-ear monitors, managing talkback culture for everyone from Eddie Vedder wanting baseball scores to Lorde’s tight production team, and what it takes to help reluctant guitar players finally ditch the wedges. If you’ve ever wondered what separates a good monitor engineer from a great one, this conversation lays it out.
You also dive deep into the art and science of making IEMs sound right in every room, every night. Kevin shares his process of minimal reduction: fixing a bad mix by figuring out what to take away, not what to add, and explains why tuning for in-ears is just as critical as tuning a PA. You learn why he flies 4,700 miles for a single gig, why the best mixes sometimes come from a throw-and-go, and how setting up dummy channels lets you experiment without wrecking the artist’s mix. He and Dave talk hearing health, audiograms, the DPA capsule as the only open mic on the Lorde stage, and why knowing your own ears matters more than knowing your gear. Whether you’re mixing monitors at an arena or running sound at a club gig, this episode is packed with wisdom you can use tonight. Always Be Performing, folks!
Watched the credits of a Metallica documentary, realized DB Sound was near the house, emailed Harry… “Hi, I’m Kevin, and I’m interested in audio…” and the rest is history!
00:07:58 Got put on the road as an audio team assistant
Trial by fire
Advice from the team:
Here’s what to do
Here’s what not to do
Ask questions, stay late, and get a second job because you’re gonna need it
00:11:22 Learning the personal touch parts of being on tour
00:12:52 Being the stage left PA tech, Kevin gravitated towards monitors
00:13:50 Talkback Culture
Eddie Vedder wanted baseball scores in his talkback
Stop Winging It: Dial In Your Show with Clicks, Setlists, Insurance, and Gig Prep
30 mars 2026
00:58:46
You tighten your gig prep by treating every show like a pro mission: build rock-solid routines, line-check your gear and apps, and know your insurance, splitter snake, setlist, click, and IEM plan before you ever hit the stage. You walk into a wedding or club already covered with proper liability, routing, charts, and monitoring so you can stop worrying about logistics and start playing the room. Always Be Performing.
Onstage, you think like a storyteller, not just a musician: you record full shows to review your banter and flow, you decide when the click helps and when to ditch it, and you refine what makes your band distinctive so people remember your name and feel the FOMO.
Offstage, you act like a lab: you binge showcases at events like SXSW, steal the best ideas, use AI to critique rehearsals, and keep your gig bag dialed so every performance gets sharper, louder, and more undeniable.
00:24:20 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today, which includes access to Claude Cowork, too, when you visit Claude.ai/giggab
00:27:05 I’m a band guy…how about you?
00:30:15 SXSW 2026 — bands seen and lessons learned:
Touring Brains: Boundaries, Burnout, and Being OK, with Courtney and Paul Klimson
23 mars 2026
00:59:28
You see how life on the road quietly rewires your brain, from grief and burnout to decision fatigue and STC (Sleepy, Tired, and Crabby), and how Courtney and Paul built The Roadie Clinic to give crews a place to tell their story and get real help. Through flights, heat‑canceled shows, and jumps from Fallon to Timberlake, John Legend, Drake, and beyond, you learn to Always Be Performing for your own mental health with boundaries, support systems, and even AI to protect your headspace.
You’re handed concrete ways to care for yourself and your people: snow policies and “last chance to say no” moments, non‑negotiable laundry time, color‑coded calendars that lower stress, and simple communication habits that keep relationships from snapping under pressure. By the end, you’re invited to treat your brain like your most critical piece of touring gear—and to build a crew culture where dignity, respect, and mental health are baked into every gig.
From Wall Street Hacker to Music Mogul: Mike Grande’s Journey
16 mars 2026
01:04:07
You get a front-row seat to how Michael Grande turned hard-won tech chops and late-night studio hacks into real music-business wins. From escaping NAMM chaos and leveraging smart PR and management, to transforming a throwaway “stupid idea” into Card Chords—an Amazon-topping guitar tool born from a Cricut, Guitar Center testing, and sheer persistence—you see how necessity, experimentation, and saying yes the first time landed him in Jimi Hendrix’s old bedroom at Electric Lady Studios, shredding in the lineage of Vai and Satriani, and inventing Tone Picks on the fly. Along the way, you’re reminded that when you know you’re right, you embrace it, protect your IP, and keep swinging big—whether that’s launching music schools, eyeing Shark Tank with a bold offer, or pivoting your career from Wall Street CTO and Certified Ethical Hacker to full-on guitar innovator.
Then you’re pushed to rethink how you teach, lead, and build your own music brand. You learn why great schools and studios run on clear mission statements, strong unique selling propositions, and a coaching mindset that focuses on the student, not the curriculum—getting them hooked on the songs they actually want to play, then turning them toward what they need. You see how asking potential customers for their own answers, treating every audience like they matter, and showing up like a coach instead of a teacher all point to one core operating principle: you’re never off-duty, because you Always Be Performing—ALWAYS.
Taped two picks together to simulate a 12-string sound.
00:21:41 How did you get on the list of Electric Lady Studios session players?
Mike was a shredder after Steve Vai, Joe Satriani, etc
00:22:27 Recording in Jimi Hendrix’s old bedroom at Electric Lady Studios!
Say yes the first time!
Sponsors
00:25:39 SPONSOR: Factor, America’s #1 Ready-To-Eat Meal Kit, can help you fuel up fast with flavorful and nutritious ready-to-eat meals delivered straight to your door. Visit FactorMeals.com/giggab50off and use code giggab50off for 50% off!
00:27:22 SPONSOR: Gusto. Get three months free when you run your first payroll when you start at https://gusto.com/giggab
De-Feedback Plugin for Working Musicians: More Gain, Less Feedback with Devin Sheets
09 mars 2026
01:20:15
You’re invited into a legacy family audio business that refused to accept “good enough” on feedback control and instead chased the impossible: a truly zero‑latency, AI‑driven way to push your PA louder without squeals. You follow Devin Sheets from growing up on sound gigs to roaming European stages, then back home to build De‑Feedback plugin for working musicians, a live sound feedback plugin and on‑the‑fly impulse‑response generator that listens like a seasoned engineer: separating human voice, room reverb, background noise, and feedback in real time so you can grab at least 6 dB more gain before things start to howl. Along the way you see how NAMM sparked the idea, how inverse impulse responses and probability math beat old EQ and gate tricks, and how “homebrew AI” meant sneaking into every empty church at 3 a.m. just to teach the model what real rooms actually sound like.
You also learn how to think like a modern working musician: using social media to find the right AI programmers across the world, leaning on LLMs to translate, collaborate, and even rate contractor work so you can move faster without losing control. You come away knowing you can drop a dedicated De‑Feedback box or plugin into almost any rig, from churches to touring consoles to tiny clubs, take it with you even when someone else is behind the board, and quietly stack the deck in your favor. In the end, it’s a roadmap for how you run your own gigs and career: stay curious, embrace new tools, protect your sound, and Always Be Performing.
00:12:35 Training the AI to listen for three things: human voice, reverb, and feedback
Created a de-reverb algorithm and went beyond that
A probability calculation does the math
00:16:05 Truly zero latency for the plugin
Workflow latency remains
00:19:32 I don’t have any coding or AI background, but I have a gut feeling AI will fix this feedback problem
Others: It’s harder than you think
Devin: I knew that it needed to happen
00:20:58 Finding an AI programmer who was interested in doing
Experimented with some programmers, failed, learned some things!
00:21:09 Social Media to the rescue!
Late 2023: Devin found a group of AI programmers who would be interested
Sending large amounts of money to China…it’s a risk!
00:26:30 At 3am, a text message: I think I’ve done it.
Devin immediately started testing it himself
“It seemed to work.”
00:27:17 Installing De-Feedback in Churches
Sponsors
00:30:57 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today, which includes access to Claude Cowork, too, when you visit Claude.ai/giggab
From Festival Gigs to SXSW: Survival Tips for Musicians and Attendees
02 mars 2026
01:13:02
You get dropped into a two-show day where you’re juggling festival chaos, a paramedic emergency during set change, and a mysteriously mudded-out bass that turns out to be a rogue low‑pass filter at 90 Hz, all while keeping the gig on the rails because you Always Be Performing.
Then you pivot into first‑timer survival tactics for attending SXSW: locking in reservations weeks out, over‑planning so you can gleefully abandon those plans, and treating the whole thing as a marathon and a sprint while your calendar app becomes your best friend…and your worst enemy.
Throughout it all, you’re thinking like a pro: dialing in efficient monitor setups for festival stages, dealing with sketchy solder joints on a microphone (or is that a mic cable issue?), staying sane amid SXSW security, and never underestimating the power of great brisket, BBQ, and a solid spot to reset your brain. You’ll also get the practical stuff no one tells you: what to wear, why you always keep your badge on you, and how finding a seasoned SXSW Sherpa can save your week (and your feet) before you ever hit your first line.
From Festival Gigs to SXSW: Essential Survival Tips for Musicians and Attendees
From the Eric Church Tour to the Grammys: On the Bus with Cellist Kaitlyn Raitz
23 févr. 2026
00:50:06
You’re riding along with Kaitlyn Raitz as she breaks down the real mechanics of touring at scale: staying human on a bus, finding tiny routines that keep you sane, and surviving the sleep math when you’re one of twelve buses on a massive run. Then it’s straight into the onstage reality of modern country arena production: 24 musicians, a full string quartet, choir, and horns, plus the challenge of making strings translate in a loud arena. You get the practical gear-and-tech layer too: DPA mics and pickups, dynamic EQ, managing cello loudness, and how tools like ToneDexter fit into keeping tone consistent when the room is working against you.
You also get the career side, unfiltered: how the Eric Church gig happened through the Nashville relationship web, why being excellent and easy to be around matters, and why “Nashville is a ten-year town” if you want longevity. Kaitlyn’s stories span arranging and learning charts mid-tour from iPads, to the whiplash of getting a Grammy call with barely any runway, to recording in LA and wondering how anyone actually functions there. The episode closes with the mindset and performance skills that keep pros durable: protecting your brain and nervous system, flipping a stage persona on and off, and the practical win of transitioning to IEMs for a cellist when monitors are run well. Bottom line: this is how you keep your craft sharp, your head steady, and your show consistent night after night. Always Be Performing.
Cover Band Confidential’s Dan Ray: Test the Market, Then Rehearse
16 févr. 2026
00:53:18
You kick off this week with Dan Ray by reframing failure as a tool, not a verdict. Instead of obsessing over the “vanity listen” after a gig or rehearsal, you do the check-in listen and extract the lesson. You learn to fail fast the right way by making small bets that generate real data quickly, including testing demand before you invest rehearsal time. That mindset carries into band direction changes and the leadership realities that come with them: different people want different levels of ownership, and the job is to be a benevolent dictator who listens widely but decides cleanly. You also get practical about managing public perception and egos, taking cues from bands that protected the brand by being intentional about roles and visibility.
Then you dig into Dan’s origin stories and the nuts-and-bolts that keep working musicians moving: starting a band young, landing monthly gigs, and learning obvious-in-hindsight lessons like not running a vocal mic through a guitar amp. You hear how scrappy tools like a Tascam 4-track can solve real problems, why running a PA from the stage demands discipline, and why the room you rehearse in changes what you think you’re hearing. From there it gets wonderfully nerdy with quick hits that matter in real life, like using low-pass filters aggressively and remembering that time alignment starts with where sound sources physically live. You close in the feels with theater life and the emotional punch of closing night, a reminder that the tech and the business serve the same goal: show up ready, stay present, and Always Be Performing.
00:12:52 AI solves the blank page problem – use it often!
00:14:28 Leading bands (and people)
Be ready for people who want to engage with different levels of ownership
Learning how to be a benevolent dictator… but also learn to be the leader, and the decision-maker, the ultimate arbiter. Don’t do it in a vacuum, but I’ll be the last word.
The Pork Tornadoes are a democracy-ish. But decision-makers are pre-decided by a healthy division of labor.
Learning to manage the public perception of your band (and your egos) like R.E.M. and RUSH did.
00:22:37 Do you name your band after yourself?
My Thanks to Our Sponsors
00:25:09 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today and get 50% off Claude Pro, which includes access to Claude Cowork, too, when you visit Claude.ai/giggab
00:26:50 SPONSOR: Factor, America’s #1 Ready-To-Eat Meal Kit, can help you fuel up fast with flavorful and nutritious ready-to-eat meals delivered straight to your door. Visit FactorMeals.com/giggab50off and use code giggab50off for 50% off!
00:28:38 First kid in high school to start a band
Grew out of the school-run rock band
Decided to play some originals and covers at home, and got a gig!
The school librarian booked them monthly!
Lesson: don’t put a vocal mic through the guitar amp
Tascam 4-Track cassette recorder to use as a mixer
00:33:27 Dan Manages the PA from the stage
We rehearse in a 15×20 indoor, climate-controlled storage unit
00:36:32 Quick Tip: Use Low Pass Filters on everything
00:37:35 Time Alignment: A reminder that sound source locations matter
Creating the Room You Want to Be In: Laura Whitmore and the She Rocks Story
09 févr. 2026
01:14:22
You jump into this episode balancing the reality of working gigs with the mindset that keeps musicians moving forward. From Dave’s recent experiences playing atypical rooms with Bitter Pill to cramming new material for Casual Gravity, you’re reminded that momentum matters even when the crowd is small. Always Be Performing is not about scale, it’s about consistency. That theme carries straight into the conversation with Laura Whitmore, whose career has been shaped by connecting people, creating opportunities, and knowing when to pull back just enough to build a sustainable life alongside the work.
As Laura walks you through the birth and growth of the She Rocks Awards, you hear what it actually takes to build something lasting. It started small, grew through trust and partnerships, and evolved by treating the event like a show, with pacing, flow, and intention. You dig into what real visibility looks like, how to define success on your own terms, and why borrowed platforms are never enough to build a career. The takeaway is practical and clear: start with a big vision, set measurable goals, build community deliberately, and own your audience.
This episode is a reminder that longevity comes from intention, preparation, and showing up with purpose, gig after gig.
You walk into NAMM 2026 thinking you will just wander and see what grabs you. You leave reminded that wandering works best when paired with a plan and a willingness to torch a few sacred cows along the way. This episode is a fast-moving field report from the floor, where the real takeaway is not just gear but mindset. You hear why talking with people matters more than chasing booths, why listening beats pitching, and how staying flexible turns a chaotic show into a productive one. NAMM rewards curiosity, but only if you stay intentional and remember that Always Be Performing is not about being loud, it is about being present.
From there, you get a tight rundown of what actually stood out. You hear about clever mic and monitoring solutions, portable PA ideas that punch above their weight, smart tools for managing stage volume and feedback, and electronic drums and keyboards that feel less like compromises and more like real instruments. There is a clear throughline here: gear is getting smaller, smarter, and more musician-centric, solving real problems instead of adding features for the spec sheet. By the end, you are not just caught up on what Dave saw at NAMM 2026, you are thinking differently about how to approach shows, stages, and decisions long after the badges come off.
Gumbo, Gigs, and Grit: Bill Wharton’s Sauce Boss Path
26 janv. 2026
01:08:29
Dave’s back from NAMM 2026 and has a little something to share about that. Actually three little somethings, so that’s where we start. But there’s more to say about that, and it’s not yet time, so we’ll extend the NAMM discussions into next week (and beyond?).
For today, well, you don’t become the Sauce Boss by chasing a gimmick. You hear how Bill Wharton built a real, working-musician career by leaning hard into what felt natural to him, starting with a Datil pepper, a pot of gumbo, and a simple idea: turn the gig into a gathering. From cooking onstage on New Year’s Eve 1989 to feeding hundreds of people at festivals and never charging a dime for the food, Bill shows how blending music and food transformed shows from transactions into shared experiences. By creating a kitchen onstage, he stopped entertaining people just long enough to take their money and run, and instead built something with a life of its own, something that keeps audiences leaning in and coming back.
As the conversation unfolds, you trace Bill’s path from top-40 bar gigs to one-man-band independence, full-band firepower, and stages as far-flung as Saudi Arabia. You hear why learning your strengths and ruthlessly discarding what doesn’t matter is not selfish, it’s survival. From dynamics, gear choices, and in-ear monitors to the lessons behind Blind Boy Billy, Bill makes the case that longevity comes from clarity, connection, and doing your thing without apology. The message for working musicians is direct and empowering: build the show you want to play, build the life that supports it, and keep showing up ready to give. Always Be Performing.
The Engineer Is in the Band: Instinct, Ears, and Live Sound with Mike deAlmeida
19 janv. 2026
01:02:55
You’ve done gigs where nothing goes according to plan, but this episode reminds you that chaos is often the classroom. From sleeping on road cases at the Puerto Rican Day Parade to riding a flatbed packed with servo-driven subs that overwhelmed even earplugs and shooting cans, you hear how real-world pressure forges real skills. Mike deAlmeida walks you through learning to roll with it, figuring out systems on the fly before tools like Smaart were common, and walking into unknown gigs where the unknown singer/songwriter turns out to be Shawn Colvin. The lesson is clear: when you don’t know the band, communication is everything. Ask how they sound, listen closely, and remember that for that moment, you are part of the band. You’re playing the “mixing keyboard” today, so Always Be Performing.
As the night wears on, the room changes and so must you. Heat, humidity, and ear fatigue quietly shift the mix, especially in the highs and high-mids, and Mike explains why gradual adjustments beat drastic moves every time. You’re reminded to watch the show, not just the meters, and to listen first before using tools like Smaart to confirm what your ears already know. From sweating out microphones and treating them like EQ devices to protecting your hearing with custom molds, active earplugs, and smart exposure management, this episode ties craft, tech, and longevity together. Layer in legendary Celebrity Week stories, the Van Halen M&Ms lesson, and Beach Boys theatrics, and you’re left with one guiding principle: mix a good show, every time, because that’s how careers last.
Be Prepared and Predictable: How Richie Castellano Stays Gig-Ready
12 janv. 2026
01:07:17
You jump straight into the deep end with Richie Castellano as you explore what happens when preparation collides with opportunity. You follow his path from mixing weddings to standing behind massive analog rigs, wrangling six guitar channels, chasing down mysterious hums, and learning fast that the gremlins always show up when you least expect them. When the call comes to go from being Blue Oyster Cult’s sub sound engineer to bass player in four days with 21 songs to learn, the lesson is clear: play something you know, rehearse smart, and build a Just In Case bag that saves the gig. Success is not luck. It is preparation meeting the moment, and you are either ready or you are not. In order to Always Be Performing you need to Always Be Preparing!
As the conversation deepens, you learn how adaptability gets and keeps gigs, from joining the culture of a band to solving problems so painlessly you become indispensable. Richie breaks down the craft of learning, teaching, and arranging vocal harmonies, including Yes music at the highest level, where not nailing the vocals means the whole thing falls apart. You hear why simplifying is sometimes the smart move, how spreadsheets can ease rehearsals, and why blending matters more than showing off. The episode closes with practical wisdom on collaboration with front of house, constant communication inside the band, and surrounding yourself with people on the same mission. This is a masterclass in being prepared, predictable, drama-free, and trusted when it counts.
Mixing Legends Live: Robert Scovill at the Rock and Roll Hall of Fame
05 janv. 2026
01:32:08
You step into the pressure cooker of elite live sound, where Robert Scovill shows you why chaos is often the best teacher. From mixing Rock and Roll Hall of Fame inductions with zero margin for error to handling full-band changeovers on the fly, you learn that perfection is worth chasing but dangerous to demand. You hear why live mixing beats the studio for him. It is about capturing ensemble moments, not polishing parts. Even when the doubt creeps in before showtime, the lights come up, the band hits, and the moment reminds you why you do this. This is the mindset of Always Be Performing.
You also get practical, battle-tested tactics for surviving high-stakes gigs. Learn how to study a band fast, who sings, who solos, and when, using recordings and YouTube as prep tools. You hear what it takes to mix legendary harmony vocals, why artists like Def Leppard insist on singing live, and how those expectations shape your approach.
Then it gets nerdy in the best way, with the evolution of De-Feedback, real-world use at the Rock Hall, and how tools like reverse impulse responses can clean up wedges, vocals, and even IEMs. The takeaway is clear. Preparation, adaptability, and relentless curiosity are what keep you in the game.
The Hidden Work of Fun: Systems for Working Musicians with Richard Page
29 déc. 2025
01:11:45
You love the music, but being a working musician comes with friction, and this episode tackles it head-on. You dig into the real difference between tribute bands and celebration projects, how to prep when multiple gigs stack up fast, and why anxiety creeps in when preparation gets sloppy. You explore how much rehearsal is enough, when studio versions help versus live recordings, and why fun disappears when expectations are unclear. The big takeaway is simple: intention matters. When you walk into rehearsal with a plan, a personal worklist, and shared expectations, you protect your energy and stay focused on what matters most. That focus is how you keep growing while Always Be Performing.
From rehearsals to gig day, you learn how systems save your sanity. You hear why rehearsal recordings only work if someone is actually assigned to listen, how shared calendars prevent chaos, and why group texts quietly sabotage bands. You break down practical tools for managing gigs, promotion, and communication, from punchlist spreadsheets to task masters who own the details. You even get into tech expectations for bandmates and why alignment matters more than gear. The message is clear: externalize the details, reduce decision fatigue, and free your head to show up present, prepared, and confident on stage.
00:06:07 Dave’s got three different shows to learn and play in 2 weeks
The anxiety of preparing for too many gigs at once
When prepping celebration shows, do you do all studio? Some live?
00:24:33 SPONSOR: Rula patients typically pay $15 per session when using insurance. Connect with quality therapists and mental health experts who specialize in you at rula.com/giggab #rulapod
Lindsay Manfredi’s Road to Cold: Music, Micro-Pivots, and Radical Self-Worth
22 déc. 2025
01:06:07
You follow Lindsay Manfredi’s wild, non-linear path from merch table to main stage, and she shows you exactly how saying yes, showing up, and outworking your fear can change your entire trajectory. You hear how she moved to Florida at twenty chasing a rock-star dream, became an instant Cold superfan, and eventually landed the bass gig through a Twitter message that felt too unreal to be real. She talks candidly about law-of-attraction moments, why every Cold song has to matter, and where the line sits between authentic human creativity and formulaic or AI-generated music. Through it all, she reminds you that most fears never materialize and it takes the same effort to believe in yourself as it does to doubt yourself. Always Be Performing.
From there, you shift into the discipline behind her artistry: preparing for tours months in advance, running the set nearly every day, and over-preparing so the stage actually feels fun. She shares how making the road feel like home keeps her grounded, and how her book “The Girl Who Cried Love” came from losing her sense of self and rebuilding true self-worth, not just confidence. You explore dropping habits that don’t serve you, reconnecting with what you really value, and even why revisiting Mad Men taught her to only compete with herself. Finally, you wrap with a deep dive into in-ear monitor strategy, why a great mix beats great gear, and the small decisions that make performing sustainable for the long haul.
Booking Smarter, Singing Harder: Demetri Papanicolau on Gig Life
15 déc. 2025
01:10:51
You follow Demetri Papanicolau’s winding path from Fidelity financial consultant to full-time booking agent and working musician, discovering how taking risks, saying yes to scary gigs, and learning from every stage moment shaped his career. You hear how singing AC/DC and Zeppelin in high school, drilling Beatles harmonies, and navigating the evolution from originals to covers built the chops he still relies on today. As you ride through stories of surprise band formations, COVID-era pivots, and the birth of Rotten Apple, you’re reminded that you must Always Be Performing, even when the gig you expected turns into something entirely different.
You also step inside Demetri’s world at Notso Costley Productions, where booking is equal parts diplomacy, coaching, and reading the room. He breaks down what venues actually want, what musicians consistently get wrong, and how reliability wins more than draw. You learn how he balances the needs of solos, duos, trios, and full bands; why non-verbal communication and a good hang matter; how to build an EPK that gets you on a roster; and what happens when rates rise across the scene. Through it all, Demetri shows how being both booker and performer lets him guide bands and venues toward smoother nights, stronger partnerships, and gigs that keep everyone coming back.
From Hiatus to 250K Streams: The Gale Bird Story with Sean Monahan
08 déc. 2025
00:58:56
Sean Monahan from Gale Bird joins Dave Hamilton to walk you through their path of being successful working musicians in an original band. You follow Gale Bird’s path from college songwriting to a 13-year hiatus and a full-tilt return that finally landed Gale Bird on a label. You hear how the band treats music as both passion and business, blending Sean’s production chops with Joshua’s marketing instincts to create songs that connect. You get reminded that “overnight success” takes decades, and that everyone who hires you is thinking in terms of return. Failure, lineup changes, stalled gigs… they’re not roadblocks, folks, they’re prep for the next shot. That’s where you lean into the mindset: Always Be Performing.
You also learn how the label helps identify the songs that will land, how playlist strategy works, and how Gale Bird built a digital identity alongside their live-show firepower. You dig into their content engine, daily-posting experiments, AI reels, and the push to film everything. Collaboration becomes a skill, not an accident, and you see how respecting different strengths keeps the whole machine running. Gear Gab rounds it out with a bit of a wishlist: Kempers, custom Teles, splitter snakes, and the stress test of soundcheck when tech goes sideways. Press play and enjoy!
00:24:25 SPONSOR: Rula patients typically pay $15 per session when using insurance. Connect with quality therapists and mental health experts who specialize in you at rula.com/giggab #rulapod
00:26:12 Creating a social media system for your band
An experiment: post every day for 2 months and see what happens
Lesson learned: go heavy for a shorter period of time
Always be thinking about future content. Film, film, film
Gig Wisdom & Scheduled Fun Time with Matt Musty of Train
01 déc. 2025
01:04:01
Get an exclusive behind-the-scenes look with Train’s drummer Matt Musty and host Dave Hamilton as they dive deep into gig wisdom, touring tips, and pro gear secrets. Learn why being on time, managing your role smartly, and balancing music, money, and the hang is essential for a successful music career. From handling days off and staying rested on the road to mastering in-ear monitors with creative mic setups, this episode is packed with actionable advice every touring musician needs. Always Be Performing with fresh insights that keep you inspired and ready for every show.
Discover how Matt approaches touring with diplomacy, band dynamics, and staying connected to home life while on the road. Explore favorite microphones for perfect in-ear sound, how to avoid a sterile IEM mix, and the importance of scheduled fun time to keep social media engaging. Whether you’re a musician, live sound enthusiast, or fan of the tour life, this episode offers a masterclass in professionalism and passion to elevate your musical journey and keep your performance sharp night after night.
Matt put a “crotch mic in place: a Beyer M160 underneath the snare to grab the sound of the kit and put it through some reverb with compression AFTER the reverb
Audience Mics
Adding reverb to the drums and vocal mics
Play every song like it’s the first time. Be inspired!
00:41:39 Finding the right microphones to capture your instrument for your in-ears
Inside Brian Wilson, The Beach Boys, and The Beatles with David Leaf
24 nov. 2025
01:02:35
You drop into this episode walking side-by-side with David Leaf as he revisits the moments that shaped his life around Brian Wilson’s genius. You hear how Brian needed unconditional connection to create, how Leaf found himself driving tour vans, sitting in private Sinatra rehearsals, and realizing he had to earn his place in those rooms. From LA trips with legends to the spark that made him pack up, move west, and chase Brian’s story head-on, you feel the lesson hit hard: keep moving forward and Always Be Performing.
You also get a front-row view into the musical engine behind Brian Wilson’s world. Leaf breaks down the jazz-rooted harmonies, the devotion of Brian’s touring band, and the emotional work that helped Brian reclaim his confidence. You learn how Pet Sounds floored Lennon and McCartney, why Paul might be the biggest Beatles fan alive, and why Leaf argues Brian deserves solo induction into the Rock Hall. Along the way, you’re guided through The Reel Beatles class, the making of Smile, and the books that document it all, leaving you with the sense that loving music isn’t passive… it’s a craft you show up for every day.
00:31:29 SPONSOR: Rula patients typically pay $15 per session when using insurance. Connect with quality therapists and mental health experts who specialize in you at https://www.rula.com/giggab #rulapod
00:33:29 Brian Wilson singing Brian Wilson
00:38:45 Brian Wilson had initial confidence, and then it was beaten out of him
You know that moment when a gig just clicks — when everyone on stage suddenly realizes it’s more than just a show? That’s where this episode starts. You’ll hear how saying “yes” to new gigs can lead to unexpected magic, how the right players bring out the best in each other, and why being open to unfamiliar styles can change everything.
Then the conversation gets gloriously geeky as Dave Hamilton and guest co-host Daniel East dive into using Waves plugins live, connecting your Mac to a console via Dante, and why automixing is almost—but not quite—ready for primetime. From heart to hardware, it’s all about finding balance between feel and finesse. Always Be Performing.
Tangents, Tracks, and Tenacity with Adam Moskowitz
10 nov. 2025
01:21:38
In this episode, you’ll join Dave and returning guest co-host Adam Moskowitz, Chief Groove Officer of VAM Band, as they dive headfirst into the world of nanny tracks, first-gig chaos, and future-proofing your sound. From building tracks in Reaper to rehearsing smarter—not longer—you’ll learn how technology can help you bring your band’s best show to the stage fast.
Then, it’s all about mindset: dealing with last-minute cancellations, navigating new players, and keeping your cool when the curveballs fly. Whether you’re warming up your voice with R.E.M. or re-negotiating pay on a sub gig, this episode reminds you that gigging is equal parts art, attitude, and adaptability. Keep your groove steady and—Always Be Performing.
Sound Better, Gig Smarter: Tools, Tips, and Gear That Work
03 nov. 2025
00:58:34
In this solo hang, you dig into the real tools that keep your sound clean and your gigs tight. You’ll learn how to tame noisy tracks with the Accusonus ERA bundle, Waves Clarity Vx, and iZotope RX, plus a few quick tricks from SoundDesk to make your mixes shine. Then it’s time to talk ears—Huberman-style—with magnesium and NAC tips for keeping your hearing sharp long-term. Because if you can’t hear it, you can’t play it.
Listener questions hit everything from cleaning your old Ultimate Ears to handling last-minute gig cancellations, balancing bar shows with private gigs, and keeping your band’s calendar under control. You’ll even pick up some practical gig wisdom—like the right way to tie up cables and hoses. Finally, gear gets its due with reviews of the Alesis Turbo Max electronic kit and Dark Matter DMA6 custom IEMs, plus hot takes on the Roland DrumLink, D’Addario Backline backpack, Zoom Q2n-4K, and microphone troubleshooting. It’s all about sharpening your setup, your sound, and your mindset—because you know the rule: Always Be Performing.
00:16:06 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today and get 50% off Claude Pro, which includes access to Claude Code, when you visit Claude.ai/giggab
Laughs, Life, and Lessons with James "Diamond" Williams from The Ohio Players
27 oct. 2025
00:48:20
This week, you’re sitting down with funk legend James “Diamond” Williams from The Ohio Players! From his jazz roots and early gigs at age 14 to shaping the groove of “Love Rollercoaster” and “Fire,” Diamond shares how precision, persistence, and passion built one of the most iconic sounds in funk. You’ll hear stories of wild recording schedules, late-night gigs, and the unforgettable moment Stevie Wonder first heard “Fire.” Through it all, Diamond reminds you that love—and music—is truly a rollercoaster.
Diamond also talks about what it takes to keep a band together, why preparation is everything, and how to push your career forward when no one else will. His message? Stay seated, stay belted, and enjoy the ride. Always Be Performing.