Welcome to Gig Gab—the podcast sanctuary for working musicians and anyone fascinated by the vibrant, often unseen world behind every note played on stage. Whether you’re a musician, a member of the crew, or just someone who loves peeking behind the curtain to discover the secrets of live performances, you’ve found your tribe.
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Données mises à jour le 03/11/2026
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Don’t Compete with the Couch: How to Get People to Your Gigs, Bar Band to Theater Band & AI for Musicians with Paul Kent
Épisode 558
lundi 2 novembre 2026 • Durée 01:17:30
Gig Gab was Paul Kent’s idea, and he’s back in the co-host chair with 27 years of running the ten-piece Houserockers behind him. You’ll hear how Dave’s Underground band learns a whole new themed set every six weeks at the Seacoast Rep, why moving from bars to an 800-seat theater starts with deciding you are a theater band, and the frequency-versus-scarcity tension every local act wrestles with. Paul’s answer to the fan who says they’ll catch you next time is blunt: stop competing with the couch. Find the people already looking to get out, let them get to know the band and each other, and host a two-hour party every single night.
Then it’s AI for working musicians: gig posters, the Kanban booking tracker Paul built in half a day, lead lists, email campaigns, and Dave’s case for AI as the ultimate procrastination killer. Plus, a condo neighbor storms a 9:55 PM rehearsal demanding the band wrap by 8:30, and finds out he picked the wrong Dave. Stick around to hear who actually coined Always Be Performing.
00:21:06 Evolving from a bar band to a theater band
00:22:57 Mixing bar gigs in with your theater band
00:24:01 SPONSOR: Warby Parker – Our listeners can buy one pair of glasses and get 20% off any additional pairs at https://WarbyParker.com/GIGGAB — and using our link helps support the show. #WarbyParker #ad
00:25:28 Frequency vs. Scarcity
00:27:29 Creating a band with a local presence
Build your mailing list!
Two ticketed, four-walled events per year
00:31:51 Audience Curation
What about: If I can see you “next time”, I won’t go “this time”?
You’re Not Their Backup Plan: How to Market Your Band’s Shows with Pat Watters
Épisode 557
lundi 26 octobre 2026 • Durée 01:09:22
Twenty years ago, Pat Watters looked at Texas country’s self-sustaining scene, where bands lift each other up and fans proudly claim their own, and asked a simple question: why only Texas? He’s spent every year since 2008 answering it in Wisconsin, building the Pat Watters Band on unapologetic regional pride. As a marketing agency partner, he knows exactly how bands get found. Stop pitching your gig like a fallback. “If you’re free Friday night” tells people you’re the last resort, so talk like you’re the best option and they just haven’t heard about it yet. Guard against oversaturation, because if fans can see you anytime, they’ll never actually come. Load your originals early while the room is still listening, and give every song a story worth leaning in for.
Then work all three relationships: artist to artist, artist to media, and artist to fan. You’ll hear how the Midwest Country Music Organization turned rival bands into a real community, and why one musicians’ dinner on a slow Monday could start the same thing in your town. Pat shares his show-promotion formula: title every Facebook event with your band name and the venue, drop the event link in the comments, and post one simple day-of line that gets your followers asking where. Don’t build on rented land. Own your domain and your mailing list, and spend a few smart dollars on Meta ads. Then dress like you meant to be on that stage. Become a bigger version of yourself, and Always Be Performing.
How Every Club Sounds Great: Running SXSW Stages & Changeovers with Nate Cross
Épisode 553
lundi 28 septembre 2026 • Durée 01:04:03
Every club at SXSW sounds good, every night, all week, and we’ve often wondered how they maintain that consistency. This week Dave finally gets the answer from Nate Cross, SXSW’s Director of Production, who went from intern to Assistant Production Manager to running the whole show. You’ll hear how his team builds out 55 to 60 venues (down from 100+ before the pandemic), why they mic everything even when it looks like overkill, and how 20-minute changeovers actually run on time with bands who’ve never met. Then there’s the backline story: trading the free band beer for a drum kit and amps at every venue, which enhanced everything.
Want to be the band every festival wants back? Show up on time, keep it simple, and put your current input list first, since it matters more than your stage plot. Add one sentence describing what your band should sound like so the engineer isn’t guessing. Nate also explains how SXSW went from a flat “no” on in-ear monitors to welcoming your split snake, and shares how his two-drummer, nine-piece band Water Damage turned one showcase into a challenge accepted. Whether you’re under the lights or behind the scenes, Always Be Performing.
00:01:16 Arrived in Austin 2003, interned with SXSW in 2006
Finally in 2012 the phone rings…Assistant Production Manager
00:07:33 Learning the SXSW flow
00:11:20 Dozens of Venues, 5-6 bands per night per venue
00:12:40 Building out stages and PAs
00:15:01 Setting up the stages for success
Everyone coming to that stage wants it to sound as good as possible…and so do we!
The Opener Sets the Tone: Set List Strategy, AI vs. the Artist & The Craft of Fronting a Band
Épisode 552
lundi 21 septembre 2026 • Durée 01:05:02
Skylar Hamilton is back by popular demand for round two of your questions, recorded across an Airbnb kitchen table in New York City where a roll of paper towels doubles as a mic stand, because it’s the right height and it kills table rumble.
Set lists first: your opener sets the tone, and the tone is yours to set. Easing a dining room into rock-band mode calls for something catchy and upper-mid-tempo with room to breathe; a room that came to see a band wants to know right away what kind of show they walked into. Start cold off a click in your ears instead of a count-off if you want crisp. Put the across-the-board crowd-pleaser second, not first. And treat the night as an exchange of energy: it’s great when the audience offers first, but you can’t plan on that, so you make the first offering. Always Be Performing, right from note one.
From there you get a genuine on-air disagreement about AI and episode artwork, and where the line sits between using a tool and removing the human creator. The audience for your art is other humans, whatever you used to make it. Then stage etiquette, with Rush handing you both answers on one tour: Anika Nilles quietly fixing a wardrobe malfunction mid-song while the show rolls on, and Geddy Lee stopping 2112 to get a dead bass sorted. The call is yours in a split second: if you’re the focal point and the problem has you distracted, name it and bring the crowd in; otherwise let it go and keep playing.
Crowd work closes it out: banter is a skill you learn to summon on demand, not a personality you’re born with. Pick one person or an avatar and talk to them, build a stage character the way Billie Joe Armstrong is already St. Jimmy every night, treat what you wear as a costume your audience assumes you chose on purpose, borrow the bits you love from the front people who inspire you, and then watch yourself back a few days later…alone, and generous enough to find one good moment for every three you’d fix.
Ask for the Gig You Want: Kevin Glendinning on SNL, Super Bowls, and 25 Years on the Road
Épisode 549
lundi 31 août 2026 • Durée 01:10:31
Monitor engineer Kevin “KG” Glendinning joins you live from a Roman amphitheater in Pula, Croatia: eight countries in seven days into the Lorde world tour…and he’s got the receipts. You’ll hear how fifteen trips through the SNL stage started with a Carson Daly taping, why the rooms that treat you well are the rooms you remember, and what happens when a 32-year veteran finally plugs in a source expander and realizes the “new guys” were right. That’s the through-line: always be learning, always be open-minded, and never let a get-off-my-lawn attitude about new tech be the reason your phone stops ringing. Then it gets into the real in-ear monitor conversations: recreating a Celestion cab with a 2.6mm armature, the one-ear trick that quietly costs Adam Levine and John Mayer another 25% of volume, and why ear fatigue deserves the same respect a pitcher gives his arm.
The road stories land hard from there. Super Bowl XLV in Dallas with snow, the Black Eyed Peas, and a lesson in letting the pros run their own show. Red Rocks (aka “Wet Rocks”) and why a mountain full of shuttle trucks is worth every minute. A locked-up console mid-residency and telling Christina Aguilera the audio will come back, all while genuinely hoping it would. A charter plane struck by lightning over the Amazon, an emergency landing at a decommissioned airfield, and waking up to the news about Taylor Hawkins. Plus the covert phone call that became seven years with Justin Timberlake, and the soft ask years earlier that made it happen. Rehearse enough that nerves turn into muscle memory, thank the people who opened doors for you, ask for the gig you want…and Always Be Performing.
00:04:36 SNL stage for The Deftones with the Carson Daly show
From Broadway Swing to Principal: Eight Shows a Week...with Victor Carrillo Tracey
Épisode 548
lundi 24 août 2026 • Durée 01:14:25
Your voice is the most temperamental instrument you’ll ever own, and this week Victor Carrillo Tracey – original company member of Broadway’s The Outsiders – walks you through what it takes to keep one working eight shows a week. Hydration and sleep swap places at number one, alcohol and caffeine cost more than you think, and inspiration doesn’t get a vote when downbeat is 8pm. You’ll hear how a single college voice lesson with a head cold taught Victor to navigate around a compromised instrument years before he needed it on Broadway, and why nerves usually answer to preparation rather than talent. Book the room. Play your opener as the last song of soundcheck. Always Be Performing starts well before anyone’s watching.
Then it gets nerdy. Victor breaks down what a swing actually is (think relief pitcher), and how he covered nine tracks at once before working his way up to playing Paul full-time. You’ll pick up forced perspective, the staging trick that tells an audience exactly where to look and translates straight to your own stage. Plus the band sealed in the pit under the apron, monitor wedges in the floor and sidefills in the wings, a rig that tracks each voice around the house, watching a Broadway book get written in real time, and Dave’s case for mixing your in-ears in stereo instead of piling everything up the middle. Victor’s last Outsiders show is October 11th, right around performance number one thousand…and he still tells himself this is the best job ever before every show.
00:02:45 The voice is the most temperamental instrument
00:06:04 The benefits of an education
Always Be Learning – Beginner’s Mind
00:08:54 Learning to navigate around your voice when things are non-optimal
Matt Beck on Matchbox Twenty, The Outsiders, Hot Cocoa and a Green Tartan Suit
Épisode 547
lundi 17 août 2026 • Durée 01:13:15
Matt Beck taught himself guitar strung upside down and backwards and has never once found a reason to stop. He joins you this week from the pit of The Outsiders, where he’s played since opening night three years ago, and from a July that had him running Jon Anderson, the B-52’s, and Matchbox Twenty in the same month: seventies, eighties, and nineties, back to back to back. You’ll hear why a guitar player who can actually read on a staff gets calls other players never see, how orchestrators bury Easter eggs in a score, what it does to a band when the pit is closed and the audience only sees you on camera at the curtain call, and why the plight of the freelancer always comes down to the same thing: your calendar, and what you said yes to eight months ago.
Then it’s the road stories. Matt traces twenty-three years with Matchbox Twenty back to a Lisa Loeb tour with Dweezil Zappa standing next to him, and the Zappa family connection that put his name in the right room. He talks about building parts alongside Bono and The Edge for the Spider-Man musical, writing live arrangements for Rod Stewart, and finally getting Sugarjar out the door with Richard Hammond and Sammy Merendino. You’ll also get a Matchbox soundcheck shut down by something nesting in the rafters, three cups of hotel cocoa and a green tartan suit that taught Matt everything he needed to know about a pre-show routine, and the discipline underneath all of it: on Band Geeks off-days, he ran the entire Jon Anderson show every single morning. Always be performing and, as Matt adds on his way out, always be practicing.
00:03:48 Musicals trying to make it on to Broadway
00:04:50 Theater work in NYC
Playing, orchestrating
Hired From an 11-View Video: Sean Mullaney on Opportunity and Owning the Stage
Épisode 546
mardi 11 août 2026 • Durée 01:22:22
Guest co-host Sean Mullaney joins Dave Hamilton to prove that the gig you want is usually hiding inside the gig you almost skipped. A video with eleven views got Sean hired, the same way a YouTube clip landed Alexandra Mullaney in The Book of Mormon, so the lesson is simple: put the work out there, then be ready to say yes when someone finds it. You’ll dig into managing your niche without getting trapped by it, and the bigger question every bandleader eventually faces: who do you want to be as a frontman? You can’t make a face unless you’ve seen it, so study the greats, then get authentic to who you actually are. Preaching from the stage is hard. Performing as yourself is harder, and better.
Then things get deliciously specific. You’ll hear what it’s like to chase Robert Plant with Mr. Jimmy, where nobody’s speaking English, everybody’s in full costume, and the details are so meticulous that imposter syndrome becomes something you manage rather than something that eats you. Sean said no. Then Sean said yes…and ended up on a sold-out stage at the Whisky a Go Go, a little petrified because the stakes were higher. That’s the point. You’ll get the upcoming Whole Lotta Heart show, why theater runs are a fun grind, what happens when you make that first mistake in front of everyone, how to honor your influences by studying the film instead of copying the notes, and how to manage your voice so you can keep doing this. Always Be Performing! Even when nobody’s watching yet, because view number eleven might be the one.
It’s just you and Dave this week for a full mailbag episode, with road stories up front: Matt Musty behind the kit with Train at Great Woods, three nights of Phish and Rush at MSG, and the Rush policy worth stealing: when a mistake is a one-off, don’t talk about it. Then into your questions. Should the front-of-house feed live in your in-ears? Here’s pre-fader versus post-fader, and why the answer’s usually no unless you’re a drummer. Maybe. Bass distorting in your IEMs? Start with gain structure, work down the chain one variable at a time, and suspect your earphones. Plus the cable fix for that hummy mono click, and the Zoom Q2n-4K for filming your gigs.
Nobody bought a ticket to watch load-in. That old adage – you’re not paid to play, you’re paid to haul gear – gets retired here, because the performance is the product, and that’s exactly why we Always Be Performing. From there: sitting ahead of, behind, or dead on the click and why none of it’s wrong, how to stop cringing at your own stage videos using the Alter Ego Effect, and why demand for small-act live music has softened: drinking age, drinking habits, and the couch you’re competing against.
00:23:42 Steve-Solving the mono click hum problem?
When Your Worlds Collide...and the Drummer Becomes the Sound Guy
Épisode 544
lundi 27 juillet 2026 • Durée 01:27:49
Daniel East is back for a no-agenda episode that turns into Gig Gab therapy. You’ll hear about Brit Drozda’s fifth record in pre-production, unannounced pop-up gigs built from cajon, guitar, and keys, and the Rayvel grand opening on Florida’s Space Coast, where a rocket went up over the stage during Starman. Then Daniel gets into those moments of bliss you can’t fish for…the ones that arrive because you prepared enough to stop thinking. If you’re feeling it, they’re feeling it. And when a piece of the puzzle is missing, that’s your cue to admit a gig isn’t the right fit for you and be willing to walk.
Then Dave takes the couch: three gigs in a row where he became the accidental sound savior. A theater where nobody knew how Dante was routed. An outdoor stage hard-panned left with monitors EQ’d to the disco smile. A club that handed him the iPad at line check. Daniel’s prescription: an expectations agreement when you don’t have a contract, an audio tech who also speaks IT, and permission to say no. Always Be Performing is real, but you set a standard, you don’t meet one.
Plus: find your clock first, and Gear Gab on Earthworks drum mics, the Kompakt 421, and why a high-pass filter beats deep EQ cuts every time.
00:24:27 SPONSOR: Hims. With Wegovy® at Hims, lose up to 20% of your body weight when combined with diet and exercise. Visit https://hims.com/giggab to get a personalized, affordable plan that gets you.
00:25:54 Three relationships: artist-to-artist, artist-to-media, and artist-to-fan
Play your opener as your last soundcheck song before the house opens
You can visualize this, too!
Book the room to rehearse in advance
Always be preparing
Having a preparation mindset
00:28:40 SPONSOR: Hims. With Wegovy® at Hims, lose up to 20% of your body weight when combined with diet and exercise. Visit https://hims.com/giggab to get a personalized, affordable plan that gets you.
00:30:08 Being a Swing
Kinda like a relief pitcher
Nine tracks at once!
00:33:33 Ok, a detour into musical theater and The Outsiders
00:15:59 Managing the schedules of multiple projects
Going from Jon Anderson to B-52’s to Matchbox Twenty…in a month!
00:22:07 Logistics of travel on gig day
00:24:37 Matchbox Twenty…23 years!
Got the call for…Lisa Loeb, alongside Dweezil Zappa.
And the Zappa family connection delivers, along with great networking.
00:30:38 Studio vs. Live
00:32:28 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today, which includes access to Claude Cowork, too, when you visit https://Claude.ai/giggab
00:34:15 Working with Bono and Edge on the Spiderman Musical
Creating those signature moments
00:35:32 Live arrangements with Rod Stewart
00:37:03 Creative collaboration is the key
00:38:06 Playing in original bands as an informative piece of the career
00:39:27 Learning how to be in a band
00:40:24 Sugarjar, Matt’s 3 piece band
Richard Hammond
Sammy Merendino
00:42:30 Learn to play every style authentically
And play with as many people as you can.
Diversify!
00:45:01 Growing up with professional musician parents
00:47:09 The risk of a day job
00:48:21 As if a swarm of bees
00:50:44 Slipping through the crowd in a green suit!
00:54:47 Pre-show routines and biological imperative
00:26:36 SPONSOR: Warby Parker – Our listeners can buy one pair of glasses and get 20% off any additional pairs at https://WarbyParker.com/GIGGAB — and using our link helps support the show. #WarbyParker #ad
00:28:37 Do you want to be Robert Plant in Led Zeppelin?
No one’s speaking English, and everyone’s in full costume
00:27:42 Drew-Recording Your Gigs with a Zoom Q2n-4K
00:31:50 Adam-Playing for free vs. being paid to load gear
00:37:10 SPONSOR: Hims. With Wegovy® at Hims, lose up to 20% of your body weight when combined with diet and exercise. Visit https://hims.com/giggab to get a personalized, affordable plan that gets you.
00:39:00 Joe-Playing with the click vs. ahead or behind
September 12th, 2026, Fence Road Farm Brewery in Warwick, NY.
Benefits To Write Love On Her Arms and Memorial Sloan Kettering.
Bo Bice on the lineup
00:12:46 Those moments of bliss on stage
00:16:21 If you’re feeling it, they’re feeling it
Find the groove
Preparation helps
Shoutout to Paul Kent!
00:22:16 Recognizing when a gig is not the right fit for YOU
00:24:46 Nobody’s Perfect
00:25:11 SPONSOR: Warby Parker – Our listeners can buy one pair of glasses and get 20% off any additional pairs at https://WarbyParker.com/GIGGAB — and using our link helps support the show. #WarbyParker #ad
00:27:21 Dave’s Had Three Gigs…and needs therapy
Allen Heath SQ7
00:40:12 Were there contracts?
00:41:59 Option A: Bring your own audio tech with you to every gig
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