Decoder Ring – Détails, épisodes et analyse

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Decoder Ring listeners write in with some excellent mysteries, and for our last episode of the year we’re solving three of them. Why do children play in boxes full of sand? Why do rock bands pretend like the show is over when everybody knows they’re coming back for an encore? And what was up with those school assemblies where you’d get to skip class to learn about…yo-yos?

The voices you’ll hear in this episode include yo-yo masters ”Dazzling Dave” Schulte and Dale Oliver, children’s book author Rob Peñas, Pulitzer Prize-winning design critic Alexandra Lange, and music journalists Brian Wise, Michael Walker, and Travis Andrews. 

You can find all the music from the segment about encores in this YouTube playlist.

This episode was produced by Max Freedman, Katie Shepherd, and Evan Chung, Decoder Ring’s supervising producer. Merritt Jacob is Senior Technical Director. We had additional production from Joel Meyer.

If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.

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In 1982, the Jane Fonda Workout became the best-selling home video of all time. Over decades, it and its 22 follow ups would spawn a fitness empire, sell more than 17 million copies, and transform Fonda into a leg-warmer-clad exercise guru. And 40 years after its initial release, when the COVID pandemic hit, the workout had a moment yet again. People began doing it alone and on Zoom, tweeting about it, writing about it. So when Jane Fonda agreed to talk to us, we set out to do an episode about it—but it did not go as planned.

On Part 1 of a special two-part Decoder Ring, originally released in 2020, we explore the decades-long relationship of Jane Fonda and Leni Cazden, a fraught friendship that birthed the VHS workout that changed the world. It’s a story of creation, fame, forgiveness, trauma, betrayal, survival, politics, and exercise. You’ll hear from Jane Fonda and Leni Cazden, the brain behind the workout, and Shelly McKenzie, author of Getting Physical: The Rise of Fitness Culture in America.

In two weeks we’ll return with Part 2: the nitty gritty story of the bestselling VHS tape of all time.

This episode was written by Willa Paskin. It was edited and produced by Benjamin Frisch. We had research assistance from Cleo Levin. Decoder Ring is produced by Katie Shepherd, Max Freedman, and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director.

If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com, or leave a message on the Decoder RIng hotline at 347-460-7281. We love to hear any and all of your ideas for the show. 

Sources for This Episode

Burke, Carol. Camp All-American, Hanoi Jane, and the High-and-Tight, Beacon Press, 2005.

Fonda, Jane. My Life So Far, Random House, 2005.

Hershberger, Mary. Jane Fonda's War: A Political Biography of an Antiwar Icon, The New Press, 2005.

Lembcke, Jerry. Hanoi Jane: War, Sex, and Fantasies of Betrayal, University of Massachusetts Press, 2010.

McKenzie, Shelly. Getting Physical: The Rise of Fitness Culture in America, University Press of Kansas, 2013.

Perlstein, Rick. Nixonland, Scribner, 2009.

Rafferty, James Michael. “Politicising Stardom: Jane Fonda, IPC Films and Hollywood, 1977-1982,” Queen Mary University of London Dissertation, 2010.

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Rats live wherever people live, with one exception: the Canadian province of Alberta. A rat sighting in Alberta is a major local event that mobilizes the local government to identify and eliminate any hint of infestation. Rat sightings makes the local news. Alberta prides itself on being the sole rat-free territory in the world, but in order to achieve this feat, it had to go to war with the rat. On this episode of Decoder Ring we recount the story of how Alberta won this war, through accidents of history and geography, advances in poison technology, interventionist government policy, mass education programs, rat patrols, killing zones and more. The explanation tells us a lot about rats and a lot about humans, two species that are more alike than we like to think.  

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In the summer of 1986, both Time Magazine and Newsweek ran blockbuster cover stories on the same subject: a secret cache of provocative, intimate paintings by Andrew Wyeth, one of America's most famous artists. These paintings were completed over fifteen years and all featured the same, often-nude model named Helga, and had been hidden from his wife and the public for 15 years. The implication was obvious: Wyeth had been having an affair with this woman. But just as the story was breaking in Time and Newsweek, it began to unravel, and something even stranger and more complex emerged.

On this episode we examine the story of these secret paintings, the backlash to that story, and question if, maybe, that backlash was itself overdrawn. This is the first episode of our winter season. If you love the show and want to support us, consider joining Slate Plus. With Slate Plus you can get ad free podcasts, bonus episodes, and much more.

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In 2001, Oprah Winfrey invited Jonathan Franzen to come on her show to discuss his new novel The Corrections. A month later she withdrew the invitation, kicking off a media firestorm. The Oprah-Franzen Book Club Dust-Up of 2001 was a moment when two ways of thinking about selling out smashed into each other, and one of them—the one that was on its way out already— crashed and burned in public, barely to be seen again. So today on Decoder Ring, what happened to selling out? This is the last episode of our current season. See you in a few months!

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Time does funny thing to everything, but especially to tattoos. Today, four stories about tattoos whose meanings have shifted with the passage of years, decades, or centuries: first, a look into an archive of 300 preserved tattooed skins, then a personal investigation into into the Tasmanian Devil tattoo, the story of the Zune tattoo guy, and finally mistranslated Chinese character tattoos.

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You know the Tootsie Shot. It’s that shot from the movies: a really busy midtown street, protagonist smack in the middle of it all, everyone going somewhere. It’s one of the most recognizable shots in film. It can be found in Working Girl, Midnight Cowboy, Wall Street, Heartburn, Elf, Bridget Jones’s Diary, The Devil Wears Prada, The Wolf of Wall Street, and so many more. This is a short, transitional moment that often comes in the middle of a montage and takes up 30 seconds max, and sometimes just two or three. It’s just someone walking down a crowded street. So why is it so sticky?

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In the year 2000, Dan Kois was a junior book agent working on selling a secretive book proposal called IT, a codename for what would eventually be revealed as the Segway personal scooter. This is the story of the invention and development of a potentially revolutionary device, how Dan may or may not have doomed it, how the hype got out of control, and how that speculation helped birth the modern internet.

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Ilona Granet was a New York art-scene fixture who won the praise of the art world when she put up anti-harassment street signs in lower Manhattan in the mid- 1980s. Her career seemed like a sure thing, but three decades on, and so much more art later, it still hasn’t materialized, even as her contemporaries are now hanging in museums. This episode is not about the familiar myth of making it, but the mystery of not making it. What happens, to an artist—to anyone—when they’re good enough, but that’s not enough?

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