Bobby Owsinski's Inner Circle Podcast – Détails, épisodes et analyse

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Bobby Owsinski's Inner Circle Podcast

Bobby Owsinski

Musique

Fréquence : 1 épisode/7j. Total Éps: 638

Interviews with music industry movers and shakers, tips, and news. Learn more at: bobbyowsinski.com.

On this show, music industry guru Bobby Owsinski gives you his personal insights into the industry of music, covering industry news, reviews, analysis, and tips, as well as offering amazing interviews with prominent industry movers and shakers on every show! If you know Bobby, you know you're in for an enlightening and engaging treat.

So enjoy the show!

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🇺🇸 États-Unis - musicCommentary
20/08/2026
#91
🇺🇸 États-Unis - musicCommentary
12/08/2026
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🇺🇸 États-Unis - musicCommentary
10/08/2026
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🇨🇦 Canada - musicCommentary
03/08/2026
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🇨🇦 Canada - musicCommentary
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🇨🇦 Canada - musicCommentary
01/08/2026
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🇨🇦 Canada - musicCommentary
31/07/2026
#54
🇺🇸 États-Unis - musicCommentary
31/07/2026
#79
🇨🇦 Canada - musicCommentary
30/07/2026
#35
🇺🇸 États-Unis - musicCommentary
30/07/2026
#85

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https://bobbyowsinski.com/best-selling-books/
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https://www.bobbyowsinskicourses.com/
112 partages

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Episode 535 – How Neural DSP Is Revolutionizing the Music Industry | Doug Castro & Francisco Cresp

mardi 27 août 2024 • Durée 32:00

In this week’s episode, I sit down with the co-founders of Neural DSP, Doug Castro and Francisco Cresp.

For those who aren’t aware, Neural DSP manufactures the highly regarded Quad Cortex amplifier modeler as well as a line of modeling plugins.

Even though Neural DSP is located in Finland, both Doug and Francisco are from Chile. They fell in love with the country and its music as high school exchange students and decided to relocate to Finland after school.

After Doug developed the Darkglass bass pedals which he eventually sold to Korg, he and Francisco created Neural DSP with the idea of developing state-of-the-art amplifier simulator tools.

In this episode, they will be sharing with us how they founded Neural DSP, why they decided to focus on plugins before the hardware when founding their company, what sets them apart from their competitors, and more.

Are you ready?

Let’s dive in.

Key Takeaways:

Introduction (00:00)

Doug and Francisco’s backstory (01:11)

Using machine learning to change the industry (06:53)

Software first, hardware later (08:36)

How to learn the pedal (15:56)

A question about bass and guitar synthesis (26:09)

What you should know about Quad Cortex (28:43)

One last question (29:56)

Additional Resources:

Access our FREE music mixing crash course training: https://www.bobbyowsinskicourses.com/crash-site-registration?utm_source=notes&utm_medium=audio&utm_campaign=podcast

Check out Bobby’s best-selling books: https://bobbyowsinski.com/best-selling-books/

Discover more mixing courses: https://www.bobbyowsinskicourses.com/

Follow Bobby on Facebook: https://www.facebook.com/BobbyOwsinskiBiz/

Follow Bobby on LinkedIn: https://www.linkedin.com/in/bobbyo/

Follow Bobby on X: @bobbyowsinski

In this podcast, music guru Bobby Owsinski shares his personal insights on the music industry, covering news, reviews, analysis, and tips, as well as offering amazing interviews with prominent industry movers and shakers.

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Episode 534 – Remastering David Bowie’s Most Iconic Albums in Dolby Atmos | Ken Scott & Emre Ramazanoglu

mardi 20 août 2024 • Durée 40:11

In this week’s episode of the podcast, I sit down with two guests who have done the most amazing work on some of David Bowie’s most beloved albums, Ken Scott and Emre Ramazanoglu.

Ken is a legendary producer and audio engineer (who also appeared on Episodes 461 and 462), who aside from being one of the five main engineers for The Beatles, has also worked on some of the most notable albums by David Bowie, Elton John, Jeff Beck, Supertramp, and so many more.

Also featured is mix engineer and producer, Emre, who has a wealth of immersive mixing experience, especially in Atmos.

Together, we will be discussing Ken and Emre’s involvement in remastering some of David Bowie’s most iconic albums. We’ll also be touching on the importance of modernizing old recordings to fit contemporary standards, the pair’s innovative use of Atmos in their work, the technical difficulties that come with working with Atmos mixing, and what it was like to collaborate on such ambitious projects.

Ready to learn more?

Tune in now.

Key Takeaways:

Introduction (00:00)

Revisiting David Bowie (01:13)

Why we shouldn’t fear innovation (02:48)

Let’s talk about Atmos (05:36)

Ken’s favored mixing approach (12:04)

Talking ambience (17:42)

Dolby Atmos in Apple Music (27:42)

One last question (33:27)

Additional Resources:

Access our FREE music mixing crash course training: https://www.bobbyowsinskicourses.com/crash-site-registration?utm_source=notes&utm_medium=audio&utm_campaign=podcast

Episode 525 – Mastering Engineer Katie Tavini, Mainstream Not What It Used To Be, And Ultimate Dad Rock

mardi 18 juin 2024 • Durée 53:39

My guest this week is 5 time MPG mastering engineer of the year Katie Tavini, who’s work includes Rudimental, Bloc Party, Ash, We Are Scientists, Nadine Shah, Arlo Parks, Los Bitchos and many more. Since starting in 2014, Katie has grown to become one of the mostin-demand mastering engineers in the UK, who’s at home with everything from the heaviest metal to the lushest orchestral works and everything in between. Katie is also a founding member of Weird Jungle, a collective of independent mastering engineers in the UK dedicated to helping bands, artists and labels release the best possible version of their work. During our interview Katie talked about becoming a mastering engineer, how mastering has changed in the last few years, things that mixers sometimes overlook, starting Weird Jungle, and so much more. I spoke with Katie via zoom from her studio in Liverpool. On the intro we look at how mainstream success isn’t as big as it used to be, and in honor of Fathers Day, ultimate Dad Rock bands. var podscribeEmbedVars = { epId: 104061708, backgroundColor: 'white', font: undefined, fontColor: undefined, speakerFontColor: undefined, height: '600px', showEditButton: false, showSpeakers: true, showTimestamps: true };

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Episode 440 – Radio Royalties Again, Google Project Caviar, And Social Media Maven Cassie Petrey

mardi 27 septembre 2022 • Durée 39:54

Photo: Mike Krstic My guest this week is Cassie Petrey who’s been behind the social media marketing for some of the music’s most iconic artists including Backstreet Boys, Camila Cabello and Britney Spears. Cassie is the co-founder of Crowd Surf, a leading marketing and music management firm. She started at age 12 creating a newsletter for the Backstreet Boys that reached fans worldwide — then years later she helped re-introduce the band to new generation of fans. At age 17 as a college rep for Warner Music Group, Cassie was among the first in the music industry to recognize the vast marketing potential of nascent mid-2000s platforms Myspace and Facebook. Today, her company Crowd Surf has worked with tech giants Apple and Google, and labels such as Universal, Disney, Sony, Warner and more. Cassie is a Forbes 30 Under 30 and Billboard 30 Under 30 recipient, and she is a leading social media and artist management Hollywood powerhouse. During the interview we spoke about convincing a major label about the value of social media, motivating artists to post, how artists may compromise their brand on TikTok, getting artists to establish their brand, and much more. I spoke with Cassie via zoom from her office in Los Angeles, CA. On the intro I’ll take a look at the new radio artist royalty bills before Congress, and Google’s new Project Caviar. var podscribeEmbedVars = { epId: 83855212, backgroundColor: 'white', font: undefined, fontColor: undefined, speakerFontColor: undefined, height: '600px', showEditButton: false, showSpeakers: true, showTimestamps: true };

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Episode 439 – Engineer Justin Cortelyou, SoundCloud Layoffs, And Unusual Effects Pedal Packages

mardi 20 septembre 2022 • Durée 58:50

My guest this week is Grammy-award nominated engineer/producer Justin Cortelyou. Justin started his career working with Chuck Ainlay at Soundstage Studios in Nashville before moving to Los Angeles to work with mix-master Mike Shipley. He eventually teamed up with artist/producer Tommy Henriksen, and in 2008 they moved their operation back to Nashville and began working with legendary producer Bob Ezrin. Through the years Justin has worked with a wide variety of artists including Paul McCartney, Alice Cooper, Ke$ha, Taylor Swift, Phish, Vince Gill, Andrea Bocelli, U2, Randy Travis, KISS, Will I Am, Lady Gaga, and many others. During the interview we spoke about personal studio dynamics, working with legendary producer Bob Ezrin, his hybrid mixing technique, the importance of a sonic signature, and much more. I spoke with Justin via zoom from his studio in Nashville. On the intro I’ll take a look at what the layoffs at Soundcloud might mean, and some unusual effects pedal packages. var podscribeEmbedVars = { epId: 83818057, backgroundColor: 'white', font: undefined, fontColor: undefined, speakerFontColor: undefined, height: '600px', showEditButton: false, showSpeakers: true, showTimestamps: true };

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Episode 438 – Former Maroon 5 Drummer Ryan Dusick, Will Your Song Be Stolen, And Constants Of Vocal Recording

mardi 13 septembre 2022 • Durée 38:48

My guest this week is Ryan Dusick, who was Maroon 5’s original drummer until he retired because of chronic nerve damage. After departing the band, Ryan struggled with anxiety and addiction for a decade before making a commitment to recovery. Founding the group Kara’s Flowers in 1994 with fellow Brentwood High School students Adam Levine, Jesse Carmichael, and Mickey Madden, Ryan and his bandmates worked tirelessly for a decade before the group changed its name to Maroon 5 and finally had its first hit album Songs About Jane. Multiple hit songs, two Grammy Awards, and 20 million albums sold later, Ryan found himself suffering and without direction when his career as a performer came to an end just as it was taking off. After years of struggling with physical and mental health challenges, Ryan finally overcame in 2016, when he began his journey of recovery, culminating in a new life path. Ryan now works as a mental health professional at the Missing Peace Center for Anxiety where he now helps others with their personal struggles, and has released a new book outlining his amazing life story. During the interview we spoke about the early days of Maroon 5, dealing with anxiety and a chronic injury, advice from U2, and much more. I spoke with RYAN via zoom from his personal studio in Los Angeles, CA. On the intro I’ll take a look at the parts of a song that are protectable, and the 9 constants of vocal recording. var podscribeEmbedVars = { epId: 83777338, backgroundColor: 'white', font: undefined, fontColor: undefined, speakerFontColor: undefined, height: '600px', showEditButton: false, showSpeakers: true, showTimestamps: true };

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Episode 437 – Song Doctor Molly Leikin, Song Codes Everyone Should Know, And The Bass Line That Crashed Computers

mardi 6 septembre 2022 • Durée 38:45

My guest this week is professional song doctor Molly Leikin, who’s coaching has helped 12 clients become Grammy winners and another 19 become Grammy nominees. Molly has been as a staff writer at Almo Music, Interworld Music and Chappell Music, and she’s written songs for and with everyone from Katy Perry to Placido Domingo to, Cher, Tina Turner, Anne Murray, Billy Preston and many others. An Emmy nominee, she’s written themes and songs for dozens of TV shows and movies, including Violet, which won an Oscar. She’s also the author of the books How to Write A Hit Song and How To Be A Hit Songwriter, and producer of the bestselling Master Class in Songwriting, which is a collection of the Master Classes she taught at UCLA. Her latest book is Insider Secrets To Hit Songwriting In The Digital Age. During the interview we spoke about being a staff writer for a publisher, the most common song problems, writing for the current marketplace, the process of creative songwriting, and much more. I spoke with Molly via zoom from her office in Santa Barbara, CA. On the intro I’ll take a look at 2 song identifier codes every artist should know, and the bassline so powerful it crashed computers. var podscribeEmbedVars = { epId: 83738631, backgroundColor: 'white', font: undefined, fontColor: undefined, speakerFontColor: undefined, height: '600px', showEditButton: false, showSpeakers: true, showTimestamps: true };

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Episode 436 – Grammy Nominee Negatives, Environmental Vinyl, And Producer/Mixer/Educator Kevin Kelly

mardi 30 août 2022 • Durée 39:59

My guest this week is Kevin Kelly, who’s a producer, mixer and long-time audio educator with a host of major label, film score and jingle credits. These include projects by Blondie, Edgar Winter and Rick Wakeman, among many others that he worked on from his well-known studio called The Workshoppe. For 14 years, Kevin was the producer/engineer for the WLIR-FM live concert series that featured Hall & Oates, Billy Joel, The Police, Charlie Daniels Band, Peter Tosh, Ziggy Marley, Pure Prairie League and many more, and also served as co-producer and chief engineer for a series of short-form radio shows for Sixty Second LP. Kevin also taught studio recording technology for 22 years at Nassau Community College, and continues to teach one adjunct course per semester there. During the interview we spoke about the importance of networking, the new generation of plugins, how mutlitasking has changed attention spans, analog summing during mixing, and much more. I spoke with Kevin via zoom from his studio in Huntington, NY. On the intro I’ll take a look at how being a Grammy nominee might be detrimental to your career, and a new kind of greener vinyl is on the horizon. var podscribeEmbedVars = { epId: 83705633, backgroundColor: 'white', font: undefined, fontColor: undefined, speakerFontColor: undefined, height: '600px', showEditButton: false, showSpeakers: true, showTimestamps: true };

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Episode 435 – Shazam Numbers, 10 Unchanged Mics, Music Sup/Radio Personality Jason Kramer

mardi 23 août 2022 • Durée 43:29

My guest this week is Jason Kramer, who’s been working in radio in Los Angeles since 1992 and has hosted an influential weekly radio show on KCRW for the past 24 years. Jason has also worked at Fox Sports TV as their full-time music supervisor for 6 years, which then led him to work as a show producer on Fox Sports Radio. He has also worked in various other aspects of music including management, publishing, creative consulting, music photography and continues to work presently as a commercial concept music supervisor for the prestigious music company, Elias Arts. During the interview we spoke about the work of a music supervisor, how music supervision has changed over the years, dealing with temp tracks, what a sports radio producer does, the future of radio, and much more. I spoke with Jason via zoom from his office in Los Angeles. On the intro I’ll take a look at some interesting Shazam numbers, and 10 microphones that haven’t changed in a really long time. var podscribeEmbedVars = { epId: 83675376, backgroundColor: 'white', font: undefined, fontColor: undefined, speakerFontColor: undefined, height: '600px', showEditButton: false, showSpeakers: true, showTimestamps: true };

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Episode 434 – Streaming Farms, Music AI, And Artist Manager Talya Elitzer

mardi 16 août 2022 • Durée 33:07

Credit: Gaston McGary My guest this week is Talya Elitzer, who along with her partner Nick Sylvester leads godmode, a company that offers label, management, publishing and creative direction services. godmode has an unorthodox approach to artist management in that they specialize in managing artists that don’t quite fit pre-existing formats. During the pandemic godmode was able to successfully stabilize their artists’ careers and help them achieve growth on streaming services andTikTok. They were even able to secure Four Apple TV ad spots in the last 12 months. Before godmode Talya began her career at the giant WME looking after tours for Britney Spears, and M.I.A. She then left for a stint in A&R at Capitol Records, taking on projects for artists like Katy Perry, Beck, and Sky Ferreira. During the interview we spoke about what it’s like to start in the mail room at William Morris, working with unique artists, the importance of the artist being involved with marketing themselves, her view on Web3, and much more. I spoke with Talya via zoom from her office in the Los Angeles. On the intro I’ll take a look at why playlists might not be as important as you think, and the reason why proper metadata is essential for your songs. var podscribeEmbedVars = { epId: 83648412, backgroundColor: 'white', font: undefined, fontColor: undefined, speakerFontColor: undefined, height: '600px', showEditButton: false, showSpeakers: true, showTimestamps: true };

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Bobby Owsinski's Inner Circle Podcast – Détails, épisodes et analyse

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