Artalogue – Détails, épisodes et analyse

Jacob Trouba's artistic practice couldn't be more connected to his day job as an NHL defenseman. When the Anaheim Ducks player (and former New York Ranger and Winnipeg Jet) starts painting, he's not leaving hockey behind. He's channelling his skills into a unique visual language.

"I think it's kind of a unique way of mark making that's special to me and ties into hockey," Trouba explains, describing how his approach clicked when he began viewing painting as mark-making rather than trying to create a representational image. Inspired by artists like Yves Klein, Trouba uses his body as the primary tool, incorporating the physical movements of hockey into his artistic process. The result is dynamic and apstract, capturing the energy and movement of the sport.

Trouba's artistic journey began unexpectedly during summers in New York while his wife completed her medical residency. What started as curiosity about what makes art "good or bad" evolved into a genuine passion. Now, he visits museums and galleries in cities across North America on the road during the NHL season, constantly expanding his artistic education. This dual identity as professional athlete and emerging artist culminated in his first gallery show at Harper's in New York .

Beyond his personal practice, Trouba and his wife founded the Trouba Creative Expressions Art Program, working with adults with epilepsy to experience the therapeutic benefits of painting. "To see the excitement that they all had about the pieces they made and just how proud they were... I think that struck both of us as pretty special," he shares. Trouba exemplifies how seemingly different worlds can meaningfully intersect. Maybe art and sport aren't so different after all. 

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What determines who gets memorialized in our public spaces? Why do some histories endure while others are erased? Dan Hicks, professor of contemporary archaeology at Oxford University and curator at the Pitt Rivers Museum, answer these questions today on the Artalogue.

In today's episode, we talk about Hicks' new book, Every Monument Will Fall, his research and how he navigates complex histories of colonialism and cultural heritage from within the institution. Every Monument Will Fall examines our memory culture: who we choose to remember through monuments and museum collections, and whose stories remain untold. Hicks challenges the notion that removing colonial monuments constitutes "erasing history," arguing instead that it creates space for different memories to emerge. "To shift a memory culture isn't to cancel history," he notes. "It's actually to decide that we want, as a society, to remember somebody else."

Particularly eye-opening is Hicks' critique of major museums' lack of transparency about their collections. We chat about some museums poor record keeping, some with millions of objects (including human remains) hidden away in storage and undocumented. On the politics surrounding restitution, he asks of museums, "how can you be looking after something if you don't even have a list of what you've got?" This powerful conversation forces us to confront the uncomfortable truths about whose heritage we preserve and whose we neglect.

Whether you're interested in museums, public history, or how societies remember and forget, this episode offers profound insights into how we might reimagine our memory culture for the 21st century. It packs a lot in just 25 minutes - prepare to learn! Follow Dan Hicks on social media @ProfDanHicks and discover his books "The Brutish Museums" and the forthcoming "Every Monument Will Fall."

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Julius Manapul transforms the pain of displacement into powerful art that challenges colonial structures and celebrates queer identity. As a Filipinx immigrant who arrived in Canada in the 90s, Manapul found themselves caught between languages and cultures—a displacement that led them to embrace visual communication as a universal language transcending verbal barriers.

Manapul's multimedia practice spans sculpture, installation, performance, and experimental film, but perhaps most striking is their transformation of pornographic imagery into intricate butterfly patterns. These works initially attract viewers with their beauty before challenging them with the revelation of their source material. "It's fascinating how the work never changed," Manapul observes. "It's people's perspective that changed." This moment of realisation become a thread Manapul continually explores in their art and teaching practice as an Assistant Professor at OCAD University.

Their most recent exhibition "Sila/Siya/Ako" (they, them, me in Tagalog) examines the connections between religion, colonisation in the Philippines and the racism experienced within queer spaces. Manapul juxtaposes Catholic symbolism with gay club music, highlighting how both institutions—ostensibly places of belonging—often alienate those who don't conform to dominant ideals. The exhibition's mannequins, adorned with replicas of King Philip's armour crafted from gay porn images and whitewashing products, confront viewers with the ongoing effects of colonisation in contemporary Filipino culture.

Manapul shares career triumphs and how they overcame barriers coming up in Toronto's art scene. When traditional gallery spaces initially rejected Manapul’s work, they strategically self-funded exhibitions and submitted to international calls—finding recognition in Europe before gaining traction in Canada. This resourcefulness reflects their powerful advice to emerging artists: "If there's no space for you at the table, make that space." Now an Assistant Professor at OCAD University, Manapul creates the representation they lacked growing up, proving that persistence and connection are essential tools for artistic success.

Want to explore more transformative art that challenges cultural boundaries? Subscribe to our podcast and join the conversation about how art creates belonging for those who exist between worlds.

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Currently based in Guelph, Ontario, Emily Laurent Henderson is a Kalaaleq (Greenlandic Inuk) and Settler curator and writer. A 2020 University of British Columbia graduate in Anthropology, Emily’s work and writing centres Inuit and Indigenous self-determination in the arts. Her writing has appeared in titles such as the Inuit Art Quarterly, Azure, Studio Magazine, and more. Her debut collection of poetry, "Hold Steady my Vision", was published in 2024 by Publication Studio Guelph.

When Emily Henderson got her first museum job—working in a gift shop—she thought it was the first step towards her dream of being a museum curator. And she was right - only her dream was so much closer to being realised than she expected. She thought it might take decades, but six years later, she's an Associate Curator of Indigenous Art at the McMichael Canadian Art Collection with a once in a lifetime exhibition opening tomorrow.

"I applied for jobs I was in no way qualified for," Emily laughs, revealing her unconventional early career strategy. Her fearless approach opened doors at the Inuit Art Quarterly, Indigenous Curatorial Collective, and Art Gallery of Ontario before landing at the McMichael, where she's currently preparing to open "Worlds on Paper," an exhibition featuring 215 drawings by 40 Kinngait (formerly Cape Dorset) artists. 

The groundbreaking show explores how Inuit artists documented their rapidly changing world between 1959-1990—a period of profound transition as communities were moved from semi-nomadic existence to permanent settlements. What makes this exhibition possible is the recent digitisation of all 90,000 drawings, creating unprecedented access to works that were often filtered out by Southern tastes and editorial committees. 

Henderson shares how Indigenous sovereignty in the arts (giving Indigenous people control over their own representation) is the "crux" of everything she does. She elaborates on what Indigenous sovereignty can look like in institutions that were built to further colonize.

For aspiring curators, Emily offers practical wisdom: apply widely regardless of qualifications, seek publishing opportunities, and embrace mentorship. Her journey proves there's no single path to curatorial work—just the courage to start somewhere and grow through continuous learning.

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Mariana Muñoz-Gomez wears many hats. Gomez is a Winnipeg-based artist, writer, zine maker and curator who intricately weaves personal narratives with collective histories in their lens-based practice. In today’s episode, Gomez shares what it is like to work for yourself as an artist interested in exploring many directions. 

Gomez’ exploration of identity, colonialism, and capitalist structures is not just academic; it's a deeply personal reflection on individual and collective histories that have impacted many people around the world. Gomez’ work urges us to reflect on their own connections to place and history. By employing a variety of media—ranging from photography to zines—Gomez examines how art can aid memory and resistance, offering new perspectives on our shared experiences.

During our discussion, Gomez shares the motivations behind their work and how they harness the power of art to question societal norms through a relational lens. The episode shines a spotlight on the role of the curator, where Gomez emphasizes the importance of representation and care for the artists involved, particularly BIPOC voices. Alongside this, Gomez reveals the discipline and organisation required to be a freelancer, sharing how the least glamorous parts of being an artist are almost as important as the art itself. They also offer fascinating insights into their recent curatorial projects and the journey of creating Carnation Zine, a zine uplifting marginalised artists. 

Listeners will gain a deeper understanding of how art can provoke thought and inspire action within communities while navigating the complexities of a creative career. Don't miss this opportunity to engage with Gomez’ journey as they pave the way for meaningful dialogues in contemporary art. Subscribe now and be part of the conversation! 

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In today’s episode of the Artalogue, Madison chats with Yayoi Shionoiri, VP of External Affairs and General Counsel at Powerhouse Arts. Coming to her legal practice with a unique blend of art history knowledge and legal expertise, Shionoiri has spent over two decades championing artists and navigating intricate legal challenges in contemporary art and estate management. From her beginnings in corporate law to her influential roles at institutions like the Guggenheim Museum and Artsy, Shionoiri‘s career journey has much to learn from for aspiring lawyers and artists alike!

We discuss how her undergraduate research into the conceptual art and subsequent trial of Genpei Akasegawa prompted her to learn more about and eventually help artists navigate the limits of artistic and free expression. 

Shionoiri also shares her personal journey from corporate law to the niche field of art law, highlighting the challenges and opportunities that come with pursuing a unique career path. Her experiences in the vibrant art scenes of Tokyo and New York provide a comparative outlook on how cultural nuances shape artistic innovation and the laws around it. 

Aspiring art lawyers will find her advice invaluable—emphasizing the importance of mastering legal fundamentals while balancing a deep understanding of the art world. Shionoiri‘s interest in the intersection of copyright, AI, and creativity in today's digital age raises crucial questions about the future of art and law. Join us for a thought-provoking conversation that promises to inspire artists, lawyers, and art enthusiasts alike.

Follow Yayoi on Instagram! 

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Madison Beale, Host

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For artist Ophelia Arc, early memories are not just echoes of the past but a rich source of inspiration for her artistic practice. In today's episode, Arc takes us through her evolving artistic practice where memories blend seamlessly with Arc's interest in theory. Arc showcases how her experiences at the Rhode Island School of Design, particularly through niche courses and critique, have fuelled her understanding of art in a broader and interdisciplinary context.

Transitioning from academia to the commercial art world is an adventure filled with unpredictable encounters and collaborations. She shares her insights on making these transitions smoother, emphasizing the powerful relationships with curators and collectors that have shaped her path. We explore the enduring value of keeping a sketchbook and active drawing practice, not just as a tool for artistic growth but as an archive of personal evolution. Arc's work can be found on Instagram and her website, offering a window into her vibrant world.

Ophelia Arc’s latest group show, "Tomorrow is Already Behind Us", opens on Friday, January 17 2025 at the New York Lyles and King gallery. 

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Today on the Artalogue, I chat with Chloe Chafe, a dynamic creative director from Winnipeg, who takes us through their unconventional journey through the art world. Raised around artists and spurred by inspiring teachers, Chloe found their true calling in high school. With an eye for innovation, Chloe co-founded Synonym Art Consultation, a venture that reshapes the way Winnipeg has thought about public art by bringing creativity to unexpected corners like local restaurants and businesses. This path wasn't easy—Chloe shares the balancing act of managing a service industry job, art school, and a budding business until Synonym Art Consultation blossomed into a full-time passion.

Chloe's story isn't just about art; it's about fostering community and trust within it. From navigating the nitty-gritty of public art project management to reinventing art experiences with technology like augmented reality, Chloe's insights are as colourful and complex as the murals they have facilitated. We explore the Wall-to-Wall Graffiti Art Festival,  Mentorship Programs, grant writing and accessible education. Moreover, Chloe discusses the importance of core values like respect and accountability in building spaces where artists can create bold and meaningful pieces. Tune in for an inspiring conversation that underscores the transformative power of art in public spaces and the relationships that sustain it.

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Madison Beale, Host

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Today on the Artalogue, we’re exploring the fascinating world of ancient Roman art with Jacqueline Giz, a passionate PhD student from the University of Michigan. Jacqueline shares her unique journey from aspiring lawyer to art historian, initially sparked by her parents' love for art and Roman history. Discover how her childhood curiosity evolved into a professional pursuit, focusing on the the lesser studied art and artefacts of the ancient  Mediterranean. We chat candidly about picking a university that’s right for you, with Giz elaborating on her choice to study at the University of Michigan, partially influenced by the Kelsey Museum's exceptional collection.

Giz also discusses transformative power of museums in making history accessible and engaging. Museums, she explains, are not just repositories of the past but vibrant spaces that can offer profound experiences to diverse audiences. We chat about the challenges of curating archaeological objects and the importance of providing meaningful context that resonates with contemporary viewers. From crafting impactful curatorial labels to engaging visitors outside traditional methods, Giz shares her insights and experiences in bridging the gap between ancient artifacts and modern audiences.

With Gladiator 2 being on everyone’s mind, we elaborate on the often-misunderstood Roman Empire and its portrayal in popular media. While movies like the second Gladiator film can ignite interest, they also risk distorting historical narratives. 

Speaking about the academic side of the art world, Giz offers her perspective on overcoming imposter syndrome, encouraging listeners to embrace their achievements amidst the academic pressure. Her reflections provide both a window into the ancient world and an inspiring message of self-belief. Join us for a captivating episode that blends art, history, and personal growth, offering a fresh perspective on the ancient Mediterranean and its relevance today.

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Madison Beale, Host

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Step into the captivating world of tattooing with our esteemed guest, Paul Booth, a legendary tattoo artist celebrated for his dark and provocative style. Paul tells us about his career journey from admiring the tattoos of a classmate to opening a 3 story tattoo shop and gallery in Manhattan. Paul opens up about his unique style evolution, rooted in the bold use of black and gray shading. 

Explore the profound journey of tattoos as keepsakes that memorialize pivotal life moments and personal histories. Paul shares heartwarming anecdotes about tattoos that symbolize cherished relationships and personal milestones, such as his face tattoo designed by his mentor. Booth’s  artistic expression transcends the skin by embracing music, clay, and even the digital domain of AI design. 

Amidst tales of artistic triumphs and challenges, Paul reflects on the division many see between tattooing and fine art.  His invaluable advice for aspiring artists underscores the importance of genuine artistry over ego, inspiring them to dedicate themselves to their craft. Join us for an inspiring conversation that highlights the enduring power of creativity and the limitless potential of art as a transformative force.

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Madison Beale, Host

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