Art Sense – Détails, épisodes et analyse

A conversation with John Kunemund of Alexander Gray Associates about the gallery’s recent exhibit Conjuring Tenderness: Paintings from 1987 which featured the work of the late artist Hugh Steers. Known for his evocative and deeply personal works, Steers' paintings capture moments of vulnerability and intimacy, often set against the backdrop of the AIDS crisis of the 1980s. In the conversation, we explore the context of Steers' work, his unique artistic vision, and his work’s continued ability to resonate with contemporary audiences.

https://www.alexandergray.com/exhibitions/hugh-steers4

https://www.alexandergray.com/artists/hugh-steers

A conversation with Michael Findlay about his new book "Portrait of the Art Dealer as a Young Man: New York in the Sixties." In this generously illustrated memoir, Findlay traces his journey from his childhood in Scotland to his influential career in New York, where he directed one of the first art galleries in SoHo. We discuss his experiences launching solo exhibitions for artists like John Baldessari and Hannah Wilke, his relationships with iconic figures such as Andy Warhol and Ray Johnston, and his vivid recollections of the vibrant New York art scene of the sixties and seventies.

https://www.penguinrandomhouse.com/books/746815/portrait-of-the-art-dealer-as-a-young-man-by-michael-findlay/

https://www.amazon.com/gp/product/3791377264?tag=randohouseinc7986-20

https://www.michaelfindlay.com/

A conversation with the celebrated artist Stanley Whitney. Known for his vibrant use of color and rhythmic compositions, Stanley will take us through the journey of his illustrious career, including its pivotal moments, challenges, and triumphs. Stanley currently has two major exhibitions of his work on view. First, a survey of new work titled "By the Love of Those Unloved" at Gagosian’s 980 Madison Avenue location in New York. And second, a comprehensive retrospective titled  "How High the Moon," at the Buffalo AKG Art Museum.

"Stanley Whitney: By the Love of Those Unloved" Gagosian

"Stanley Whitney: How High the Moon" Buffalo AKG Art Museum

Profile at Gagosian

A conversation with documentary film producer Debi Wisch about her latest project “The Art of Making It”. Debi (who also produced 2018’s “The Price of Everything”) discusses analyzing the art world again from the perspective of the emerging artist. She is a long-time advocate for the arts who serves on the advisory boards of the Cantor Art Museum at Stanford University and Hunter College’s Arts Advisory, while also serving on the board of the Film at Lincoln Center film society.

Another hour in conversation with artist Sarah Morris. Sarah was first on the program for Episode 51. In that conversation, we spent the hour trying to get inside the head of the noted painter and filmmaker. In contrast, this episode's conversation is more story time. Sarah shares a number of stories from the span of her career, including her entry into the New York art scene in the late 80s, her time in London during the reign of the YBAs, trying to shoot a sleep-deprived Kate Moss for Vogue and combating a museum’s power play.

The third in a series featuring conversations that took place recently at and around the world’s largest NFT conference - NFT.NYC.

This episode features a discussion with art market economist, serial entrepreneur and bestselling author Magnus Resch. At the age of 20, Magnus co-ran an art gallery in Switzerland to finance his university career. He later created a number of ventures that leveraged technologies to solve inefficiencies in the art world. Magnus holds a Ph.D. in economics and lectures on art economics at Yale. He is the author of six books on the art market, including “How to Become a Successful Artist” and his most recent book “How to Create and Sell NFTs” which we discuss in depth on today’s episode.

https://www.magnusclass.com/

A discussion with the unique and unparalleled Kenny Schachter. Kenny has been curating contemporary art exhibits in museums and galleries and teaching art history and economics at some of the top art schools for nearly 30 years. He is an obsessive collector with a home busting at the seams with renowned works and more in storage on multiple continents. Schachter has a “no nonsense” writing style that makes him a popular contributor at Artnet News. And above all else Kenny is an artist. He has been making work for years, but has found his greatest success in dragging the art world with him into the NFT space. He is so passionate about it that he has trademarked the term “NFTism” and has tattooed it on his arm.

https://www.kennyschachter.art/

The first in a series of discussions that took place recently at and around the world’s largest NFT conference - NFT.NYC.

A conversation with artist, author and collector Anne Spalter. Anne’s artwork combines traditional mark-making, digital tools and a collection of symbols to produce work that is highly collected. Her large-scale public art installations are in high demand, with one living in New York City’s busiest commuter hub for almost a year. Nearly three decades ago, Anne created the first digital art classes at Brown and the Rhode Island School of Design. That led to her writing the book “The Computer in the Visual Arts” which has become the go-to text for the instruction of the topic. In the process of writing that book, she and her husband Michael Spalter found a passion for collecting historically significant works of digital art. The Anne and Michael Spalter Digital Art Collection ( AKA Spalter Digital), is now one of the world’s largest private collections of early computer art, comprising over 900 works from the second half of the twentieth century. That being said, no one can speak with more authority about the state of digital art than today’s guest.

https://annespalter.com/

https://spalterdigital.com/

A discussion with art critic Ben Davis about his new book "Art in the After-Culture: Capitalist Crisis and Cultural Strategy". In the book, Davis (whose day job is National Art Critic for Artnet News) presents a number of essays that comment on the future of culture, politics, and capitalism through the lens of the art world. What does the future look like?

A discussion with artist Sarah Morris. Morris’s films and paintings try to capture the way in which we conceptualize the physical space of locations, while trying to reconcile our imaginations and the reality of navigation. Her works are in the collections of nearly every major contemporary museum and this coming year will see major retrospectives in both Germany and Japan.