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The Next Reel Film Podcast

The Next Reel Film Podcast

TruStory FM

Tv & Film
Tv & Film
Tv & Film

Frequency: 1 episode/7d. Total Eps: 815

Spreaker
A show about movies and how they connect. We love movies. We’ve been talking about them, one movie a week, since 2011. It’s a lot of movies, that’s true, but we’re passionate about origins and performance, directors and actors, themes and genres, and so much more. So join the community, and let’s hear about your favorite movies, too. When the movie ends, our conversation begins.
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The Gold Rush

Season 15 · Episode 25

jeudi 25 décembre 2025Duration 01:08:58

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“I’ve found it! I’ve found it! A Mountain of Gold.”

A Tale of Survival and Comedy: The Gold Rush Climbs to New Heights
In 1925, Charlie Chaplin transformed the harsh realities of the Klondike Gold Rush and the tragic Donner Party saga into what would become one of silent cinema's greatest achievements. Through United Artists, Chaplin crafted The Gold Rush as a masterful blend of physical comedy and social commentary. Join us—Pete Wright and Andy Nelson—as we wrap up our Cinema Centennial: 1925's Pioneering Visions series with a conversation about The Gold Rush.

A Complex Tale of Love and Survival
Pete and Andy explore how Chaplin's own impoverished childhood influenced the film's darker themes of starvation and social isolation. They discuss the controversial Georgia storyline, with Pete expressing particular frustration with the character's treatment of Chaplin's Lone Prospector.

Technical Innovation and Visual Effects
The conversation highlights cinematographer Roland Totheroh's groundbreaking effects work, particularly the innovative double exposure process. The hosts examine how these technical achievements influenced future filmmakers and discuss the famous rotating cabin sequence.

Key discussion points include:
  • The iconic roll dance sequence and its cultural legacy
  • Comparisons between Chaplin and Buster Keaton's distinct comedic approaches
  • The 1942 re-release's significant story changes
  • The film's connection to Chaplin's personal history
  • Mack Swain's memorable performance as Big Jim McKay
  • The controversial aspects of Chaplin's personal life, including his marriage to Lita Grey
Legacy and Impact
Pete and Andy reflect on how The Gold Rush represents a pivotal moment in cinema history, marking the transition between pure slapstick and more emotionally complex storytelling. They discuss the film's enduring influence and its place in Chaplin's artistic legacy.

We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins!

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Seven Chances

Season 15 · Episode 24

jeudi 18 décembre 2025Duration 01:05:49

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“Your grandfather has left you the sum of seven million dollars. Providing --- you are married by seven o’clock on the evening of your twenty seventh birthday.”
Running for Love and Legacy: Revisiting Seven Chances
Seven Chances (1925) stands as one of silent cinema’s most inventive romantic comedies—a perfect blend of physical precision, deadpan humor, and daring spectacle. Directed by Buster Keaton, this short feature follows the frantic day of a man who must marry by 7 p.m. to claim a fortune. Originally based on a Broadway play, the project wasn’t one Keaton sought out—it began as a studio assignment before he transformed it into one of his defining works. With its 57-minute runtime, silent slapstick brilliance, and inventive chase cinematography, Seven Chances shows why Keaton remains a cornerstone of early American filmmaking. Join us—Pete Wright and Andy Nelson—as we continue the Cinema Centennial: 1925’s Pioneering Visions series with a conversation about Seven Chances.
The Setup: From Studio Assignment to Keaton Masterpiece
In this episode, Pete and Andy explore how Seven Chances—a 1925 romantic comedy produced by Joseph Schenck and distributed by Metro-Goldwyn—evolved from a “sappy farce” into one of Keaton’s most memorable physical comedies. The hosts discuss Keaton’s initial reluctance, his eventual takeover after the original director quit, and the creative accident that produced the film’s iconic boulder sequence. Through Seven Chances, the duo highlights Keaton’s ability to blend danger, grace, and architectural precision into silent-era storytelling.
Deadpan Genius and Dangerous Comedy: What Pete and Andy Saw in Seven Chances
Both hosts unpack how Buster Keaton’s trademark stillness—his "Great Stone Face"—contrasts with the high-energy chaos of the final chase. Andy praises Keaton’s “human metronome” cameraman Elgin Lessley, whose perfect timing allowed Keaton’s stunts to land safely (most of the time). Pete connects Keaton’s physical comedy lineage to Jackie Chan and Tom Cruise, noting that Seven Chances feels like a forebear of the modern action-comedy.
They also dive into the film’s uncomfortable historical elements—its dated racial caricatures and blackface performance—and how these moments complicate contemporary appreciation. Both agree that beyond its problematic era markers, the film’s inventive cinematography and physical storytelling remain stunningly modern.
Additional Topics Covered:
  • The inheritance clause as a farcical critique of class and marriage
  • Parallels between Seven Chances and modern films like The Bachelor (1999) and Brewster’s Millions
  • Keaton’s signature underacting compared with Chaplin’s heightened emotion
  • Silent-era stunt safety—or lack thereof—and its evolution into modern production rules
  • The striking use of early two-color Technicolor in the opening sequence
  • Extraordinary precision in the climactic “bride chase” and boulder avalanche sequence
  • How Seven Chances bridges slapstick, satire, and proto-action filmmaking
The Verdict: A Fast, Funny, and Fearless Classic
In their wrap-up, Pete and Andy agree that while Seven Chances is not Keaton’s most personal film, it’s an impressive showcase of his timing, ingenuity, and comedic rhythm. They celebrate its tight runtime, luminous restoration, and enduring joy—qualities that make it a strong entry in their ongoing exploration of 1925’s defining cinematic landmarks.
We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins!
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The Aura

Season 15 · Episode 15

jeudi 30 octobre 2025Duration 01:05:17

“I know when they're going to come because a few seconds earlier, I feel something. The doctors call it ‘aura’.”

Into the Mind of a Taxidermist: Exploring The Aura
Fabián Bielinsky's final film The Aura (2005) marked his second and tragically last collaboration with Argentine star Ricardo Darín before the director's untimely death at age 47. Following their success with Nine Queens, this psychological thriller follows an epileptic taxidermist who becomes entangled in a casino heist after accidentally killing a man during a hunting trip. The film showcases Bielinsky's masterful direction and Darín's nuanced performance in what would become one of Argentine cinema's most compelling neo-noir entries. Join us—Pete Wright and Andy Nelson—as we return to our Ricardo Darín series with a conversation about The Aura.

A Study in Point of View
Pete and Andy explore how Bielinsky crafted the film's unique perspective, particularly through the protagonist's epileptic seizures. The hosts discuss the innovative camera techniques used to convey these moments, including the circular dolly track combined with zoom effects that create a deeply unsettling viewer experience. They note how this technical prowess serves the larger narrative about perception and reality.

Criminal Aspirations vs. Reality
The conversation delves into Darín's character Esteban, a taxidermist who fantasizes about perfect heists but struggles with human relationships. Andy highlights how the film subverts heist movie tropes, while Pete observes how Esteban's professional isolation mirrors his social limitations. Both hosts praise the film's exploration of the gap between criminal fantasy and brutal reality.

Key Discussion Points:
  • The film's distinctive green color palette and its relationship to the protagonist's mental state
  • A masterful transition sequence between airplane and jeep that impressed both hosts
  • The significance of the protagonist's profession as a taxidermist
  • How the episodic structure of days creates distinct character studies
  • The role of the dog in the narrative's darker elements
  • Bielinsky's planned trilogy and what might have been
Visual Storytelling and Technical Achievement
The hosts examine how Bielinsky and cinematographer Checco Varese created the film's distinctive look, praising their ability to make the forest environment both beautiful and menacing. Pete particularly notes how the desaturated green palette reinforces the protagonist's alienation from his environment.

Legacy and Impact
Andy and Pete reflect on the film's place in Argentine cinema and its tragic position as Bielinsky's final work. They discuss how The Aura builds on themes from Nine Queens while creating something entirely unique in the crime genre. We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins!

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Dialect Coach William Conacher on Ferris Bueller’s Day Off • Movies We Like

Season 13

lundi 22 avril 2024Duration 01:13:37

“Life moves pretty fast. If you don't stop and look around once in a while, you could miss it."
Talking About Ferris Bueller’s Day Off with our guest, dialect coach William ConacherIn this episode of Movies We Like, Andy Nelson and Pete Wright are joined by renowned dialect coach William Conacher to discuss his fascinating career and the beloved classic Ferris Bueller's Day Off. Conacher shares his journey from actor to dialect coach, working on projects like The Crown, Spencer, and No Time to Die, and the intricate process of teaching actors to master various accents and dialects.Conacher delves into the art of breaking down accents into teachable components, the importance of finding authentic speech samples, and the challenges well-known actors face when taking on accents, noting that they often receive more scrutiny and criticism compared to lesser-known actors, even when their accents are executed perfectly. He also shares insights on his role as a dialogue supervisor and the nuances of coaching actors in different languages and time periods.The discussion touches on Conacher's experience working with actors like Kristen Stewart, Rami Malek, and members of the cast of The Crown, as well as his approach to coaching made-up dialects in films like The Chronicles of Narnia: Prince Caspian. Conacher also explores the diversity of London accents and the influence of ethnicity and culture on speech patterns.Ferris Bueller's Day Off remains a timeless classic that continues to captivate audiences with its wit, charm, and unforgettable performances. William Conacher's expertise and insights into the world of dialect coaching add a fascinating layer to the appreciation of this beloved film. Join Andy, Pete, and William as they celebrate the enduring appeal of Ferris Bueller's Day Off and explore the art of bringing authentic voices to the screen.Film Sundries
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Mulholland Dr. • The Next Reel

Season 13 · Episode 46

jeudi 18 avril 2024Duration 01:10:15

“It'll be just like in the movies. We'll pretend to be someone else.”
A Winding Road to ProductionDavid Lynch's Mulholland Dr. started life as a television pilot for ABC, but when the network passed on the project, Lynch reworked it into a feature film. The resulting movie is a surreal, non-linear exploration of the dark side of Hollywood, blending elements of mystery, romance, and psychological horror. Join us – Pete Wright and Andy Nelson – as we continue the 2002 Film Independent Spirit Awards Best Cinematography Nominees series with a conversation about Mulholland Dr.Dreams, Illusions, and the Seedy Underbelly of TinseltownIn our discussion, we delve into the film's complex narrative structure and the various interpretations of its plot. At least how we see it. We examine how Lynch uses the concept of dreams and illusions to explore the characters' psyches and the darker aspects of the entertainment industry. The film's cinematography, nominated for a Spirit Award, is also a focal point of our conversation, as we analyze how Lynch and his team create a haunting, dreamlike atmosphere that enhances the story's themes.Unraveling the Mysteries of Mulholland Dr.
  • The stellar performances of Naomi Watts and Laura Elena Harring
  • The film's origins as a television pilot and how it influences the final product
  • Lynch's refusal to explain the film's meaning and the audience's role in interpretation
  • The use of symbolism and recurring motifs throughout the narrative
A Mesmerizing Journey into the SubconsciousMulholland Dr. is a film that demands multiple viewings and encourages deep analysis. Its enigmatic nature and layered storytelling make it a prime example of Lynch's unique style and vision. While the movie's unconventional structure and surreal elements may not appeal to everyone, it remains a fascinating exploration of identity, dreams, and the dark side of ambition. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Film Sundries
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Memento • Rebroadcast • The Next Reel

Season 13

lundi 15 avril 2024Duration 01:02:33

"You can’t trust a man’s life to your little notes and pictures.”
REBROADCASTChristopher Nolan’s second film, Memento from 2001, caught a lot of attention on its release. The clever screenplay structure where the story unfolds both forward and backward in time creates an experience much like that of our protagonist Leonard Shelby (wonderfully played by Guy Pearce), a man suffering from anterior grade memory loss. Some people said Memento was too clever for its own good or that it was all style with little substance. Others found it to be incredibly creative with a unique story exploring the psychology of our character. No matter how you approach it, Memento is a film worth looking at in greater depth. Join us – Pete Wright and Andy Nelson – as we kick off our twist endings series called ‘Spoiled. Rotten?’, in which we debate if a film is ruined if you already know the twist. Pete’s selection is Nolan’s 2001 film Memento.Here’s a hint at what we talk about.What do we think of twist endings? In the world of twist endings, what are some that work for us and some that don’t? Do we find Memento to be an effective example, even if the twist ending actually happens at the midway point of the chronological story? Guy Pearce is always wonderful, but it’s so great seeing Carrie-Anne Moss and Joe Pantoliano together again right on the heels of their success with The Matrix. How much do we actually understand the story and what are our opinions about what really happened with Leonard, Sammy, and the mysterious John G? Nolan started working with Wally Pfister here as his cinematographer and David Julyan composed music. Do we like the look and music? And how much do we love this film as compared to so many who clearly hate it?It’s a strong entry into our catalogue and one we’re glad to have discussed. The twists hold up and we have a great time talking about them. Check it out then tune in! The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.
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Hedwig and the Angry Inch • The Next Reel

Season 13 · Episode 45

jeudi 11 avril 2024Duration 48:15

“It’s what I have to work with.”
Adapted from the critically acclaimed Off-Broadway musical, Hedwig and the Angry Inch tells the story of an East German rock star on a journey of self-discovery. Directed by and starring John Cameron Mitchell, the film premiered at the 2001 Sundance Film Festival. Join us – Pete Wright and Andy Nelson – as we continue the 2002 Film Independent Spirit Awards Best Cinematography Nominees series with a conversation about Hedwig and the Angry Inch.With standout performances from Mitchell as well as Michael Pitt and Miriam Shore, Hedwig wrestles with difficult questions around gender that still resonate today. While our opinions differ on certain story elements, both agree the trailblazing musical remains an artful and subversive work.We discuss some musical numbers, the complex journeys of Hedwig, Yitzhak, and ‘antagonist’ Tommy Gnosis, as well as supporting roles from Andrea Martin and Stephen Trask. Debates emerge around how the film brings its story to a close through dreamlike imagery. Both come to appreciate Hedwig even more through discussing its timeless message of self-acceptance.With weighty themes balanced with humor and rock, the film leaves much to contemplate. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Film Sundries
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The Deep End • The Next Reel

Season 13 · Episode 43

jeudi 4 avril 2024Duration 57:04

“Make a sound and I’m going to drown you in the lake.”
A Sundance Standout That Earned Cinematography HonorsScott McGehee and David Siegel, the directing duo behind The Deep End, began developing the project in the late 1990s. Inspired by the 1940s novel The Blank Wall by Elisabeth Sanxay Holding and the 1949 film adaptation The Reckless Moment directed by Max Ophüls, they set out to create a modern noir thriller centered around a mother's fierce love and protection for her son. With the help of cinematographer Giles Nuttgens, they crafted a visually stunning and emotionally charged film that caught the attention of the Sundance Film Festival and beyond. Join us – Pete Wright and Andy Nelson – as we continue the 2002 Film Independent Spirit Awards Best Cinematography Nominees series with a conversation about The Deep End.A Mother's Love, a Son's Secret, and a Blackmailer's AgendaIn our discussion of The Deep End, we explore the central premise of the film – a mother who discovers a dead body and believes her son is responsible. Tilda Swinton portrays Margaret Hall, a woman who makes a quick decision to cover up the crime. As the plot progresses, a blackmailer enters the picture, complicating matters further. While we both appreciate aspects of the film, we find ourselves divided on the effectiveness of the story and Swinton's performance. The cinematography, however, remains a standout element, earning its Independent Spirit Award nomination.Other Discussion Points
  • The supporting performance of Goran Visnjic as the blackmailer Alek Spera and how his character evolves throughout the film
  • The film's handling of the son's sexuality and the potential consequences of his father discovering the truth
  • The use of Lake Tahoe as a setting and its contribution to the overall atmosphere
  • Pacing issues and plot points that we found problematic or unbelievable
The Deep End is an intriguing and visually captivating thriller that sparked a lively discussion between us. While we may not see eye-to-eye on all aspects of the film, particularly Tilda Swinton's performance and the overall effectiveness of the story, we agree that the cinematography is truly remarkable and worthy of its Independent Spirit Award nomination. The film's exploration of complex themes and moral dilemmas makes it a thought-provoking watch, even if it doesn't quite hit the mark in all areas. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Film Sundries
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The American Astronaut • The Next Reel

Season 13 · Episode 42

jeudi 28 mars 2024Duration 54:12

“I’ve never understood this joke, but then I’ve never been to Earth.”
Shooting for the Stars on a Shoestring BudgetIn 1996, writer/director Cory McAbee set out to make a wholly unique film that blended elements of science fiction, Western, comedy and musical genres. With a background in music and short films, McAbee threw everything he had into crafting the world of The American Astronaut. Shot on stark black and white 35mm film, this low-budget labor of love caught the attention of the Film Independent Spirit Awards, earning a Best Cinematography nomination. Join us – Pete Wright and Andy Nelson – as we kick off the 2002 Film Independent Spirit Awards Best Cinematography Nominees series with a conversation about McAbee’s 2001 film The American Astronaut.Traversing the Quirky Universe of The American AstronautOur discussion launches into the film's fascinating blend of genre tropes and cinematic influences. The lo-fi special effects, particularly in depicting space travel, somehow work perfectly in the established universe. We marvel at the creative framing and cinematography that elevate the low-budget production design. The memorable musical numbers get us singing along. At the heart of the story, we explore how this space Western playfully taps into themes of masculinity and loneliness across the cosmos.Further Points of Discussion
  • Appreciating the authentic, understated performances
  • Noting the film's multitude of cinematic influences
  • Struggling with the underdeveloped antagonist storyline
  • Reveling in the earworm-inducing soundtrack
  • Comparing The American Astronaut to other quirky genre-benders
A Flawed but Ambitious DebutThe American Astronaut is a testament to the power of a singular creative vision. While the ending stumbles a bit in its execution, the totality of Cory McAbee's debut feature is an undeniably striking and inventive piece of independent filmmaking. The cinematography rightfully earns its place among the Film Independent Spirit Awards nominees. Despite the budgetary limitations, this is a film that sticks with you long after the credits roll. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Film SundriesThe Next Reel’s Family of Film Podcasts
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Wuxia Unleashed: Leon Hunt & Chris Hamm on Martial Arts and Myth • Cinema Scope • Bonus Episode

Season 13

mercredi 27 mars 2024Duration 01:18:21

In this inaugural episode of Cinema Scope, host Andy Nelson is joined by professors Leon Hunt and Chris Hamm to explore the captivating world of wuxia, a Chinese film genre that blends philosophy, action, and legend. They discuss the key elements that define wuxia, such as the chivalrous heroes, period settings, and fantastical elements, as well as the concept of jianghu, a unique world within wuxia stories.Leon and Chris trace the evolution of wuxia from its roots in early Chinese literature to its influence on other genres, including Hollywood blockbusters. They also highlight notable works like A Touch of Zen, The Bride with White Hair, and Crouching Tiger, Hidden Dragon, analyzing their contributions to the development and popularity of wuxia cinema.This engaging and informative episode will deepen your appreciation for the richness and complexity of the wuxia genre, inspiring you to explore more of these captivating films.Film Sundries

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