Editor’s note: This episode was originally published in June 2024. We’re revisiting our conversation with Scott “Doc” Varn, founder and executive director of Preserving a Picturesque America, as part of our outdoor art-themed coverage in June 2025.

What’s more exciting than an epic treasure hunt, searching for America’s wild places? Today’s guest, Scott “Doc” Varn, is the founder and executive director of Preserving a Picturesque America (PAPA). Based in Asheville, NC, this unique organization upholds the conservation work begun by Victorian artist-explorers, who documented America’s unspoiled natural beauty with prose and illustrations. Their expeditions paved the way for PAPA and its contemporary conservation efforts, which are equal parts adventure and art.

The idea for PAPA emerged when Doc, a woodcut and watercolor artist, stumbled across a popular 19th-century book of scenic engravings while searching for prints of his home in Western North Carolina. Edited by the famed Romantic poet William Cullen Bryant, Picturesque America features 900 wood engravings and 50 steel engravings, accompanied by colorful essays that describe the scenery. Initially serialized before being bound into two volumes, the bestselling book helped popularize tourism in America and sparked the country’s conservation movement following the Civil War. It also inspired Doc to found PAPA and discover the forgotten secrets of the county’s first travel guide.

Using maps and original illustrations from Picturesque America, Doc and his team of writers, historians, and artists hunt for the exact location of the book’s images. These spots are sometimes hard to find, but Doc uncovers clues by chatting with locals and absorbing regional history as he travels. Tracing Picturesque America’s footsteps, artists and writers working with PAPA document these rediscovered places with prose, sketches, and plein air paintings.

Watch the PBS episode on PAPA, The Land We Live In, to learn more about Doc and his expeditions through scenic America. The episode delves into Doc’s quest to find locations along the French Broad River, which flows through Tennessee and North Carolina, his home state. Doc uses the French Broad chapter of Picturesque America as a guide, supplementing his trek with word-of-mouth clues from residents and local historians. PAPA’s book, Rediscovering a Picturesque America, is their version of the original French Broad chapter, a modern retelling of the classic Victorian travelogue.

For more information, please visit https://www.artsvilleusa.com/preserving-a-picturesque-america

Editor’s note: This episode was originally published in April 2022. We’re revisiting our conversation with Sarah Wells Rolland, owner, founder, and resident potter of The Village Potters Clay Center, as part of our clay-themed coverage in May 2025.

In the face of adversity, creativity has a remarkable way of shining through. No one embodies this spirit more than Sarah Wells Rolland, owner and founder of The Village Potters Clay Center, which was once an iconic gallery in Asheville’s River Arts District.

After Hurricane Helene caused significant damage to their facilities, The Village Potters is navigating the challenging journey of recovery while looking forward to exciting new beginnings. They’re temporarily operating out of a warehouse as they prepare to open a brand new 18,000 sq. ft. facility this summer. In this episode, Sarah shares her inspiring story of resilience, detailing the critical support needed to rebuild, replace kilns, and transform their new space into a thriving hub for creativity and collaboration. Help The Village Potters cover the significant costs of rebuilding by making a tax-deductible donation through their new fiscal sponsor or visiting their GoFundMe campaign.

In today’s episode, Sarah reveals the path to becoming a professional ceramic artist, reflecting on her 30-year career and the challenges she’s encountered along the way. She discusses the founding of The Village Potters as a shared gallery and collective, emphasizing how its educational initiatives nurture the next generation of artists. Tune in to discover why the River Arts District is integral to their mission and how the local arts community has rallied together to support one another.

Sarah also shares her top recommendations for first-time visitors to Asheville, offering insights into the rich artistic landscape and the many ways to enjoy the local culture. From tips on expanding your ceramic collection to the best barbecue spots in town, this episode is packed with inspiration and insight. As The Village Potters solidify their future, you’ll learn how every donation—big or small—can make a significant impact in their recovery and growth.

For more information, please visit https://www.artsvilleusa.com/village-potters-clay-center

Both students and teachers in the Haywood Community College (HCC) Professional Crafts program form a prominent part of the vibrant creative community in Western North Carolina, an area with a rich history of traditional craftsmanship. Today, you’ll hear from textile artist Amy Putansu and woodworking instructor Brian Wurst about the accessible nature of the HCC Professional Crafts Program in Waynesville, North Carolina, and the professional practice training that makes this program so unique. You’ll also gain insight into what it takes to apply, what you’ll learn as a student there, what the future of craft in America looks like, and much more! For anyone who is interested in additional training in clay, fiber art, jewelry, or wood, plus the entrepreneurial skills you need to market yourself and your work, you won’t want to miss this inspiring conversation with Amy Putansu and Brian Wurst!

Key Points From This Episode:

• What HCC Professional Crafts offers, from fine craftsmanship to entrepreneurship skills.
• Things that make this program unique and how Brian became an instructor.
• Insight into the accessible application requirements and the history of the program.
• The kinds of students that typically attend the classes and what they learn.
• Fresh, contemporary takes on the traditional craft history of Western NC.
• Strong connections between economic development and craft making.
• How Brian and Amy have integrated entrepreneurship and creativity in their practices.
• Perspectives on what the future of craft in America looks like.
• A funny story about Louise’s last visit to the annual Penland School of Craft auction.

Links Mentioned in Today’s Episode:

Haywood Community College (HCC) — https://www.haywood.edu/

HCC Professional Crafts — https://www.haywood.edu/programs/professional-crafts.php 

Amy Putansu — https://www.putansutextiles.com/

Amy Putansu on Instagram — https://www.instagram.com/putansutextiles/ 

Amy Putansu on LinkedIn — https://www.linkedin.com/in/amy-putansu-76521113a/

Brian Wurst — https://southernhighlandguild.org/member/brianwurst/

Brian Wurst on LinkedIn — https://www.linkedin.com/in/brian-wurst-38378775/

Annual Penland School of Craft Auction — https://penland.org/support-penland/annual-auction/

Artsville Virtual Gallery — https://www.artsvilleusa.com/virtual-gallery/

Artsville Podcast — https://artsville.captivate.fm/

Not Real Art — https://notrealart.com/

Art Connections with Sherry Masters — https://www.arttoursasheville.com

Mountain BizWorks —

Editor’s note: This episode was originally published in April 2024. We’re revisiting our conversation with Candace Reilly, founder and executive director of the North Carolina Glass Center, as part of our July 2025 coverage themed around the Blue Ridge Craft Trails. This episode is also part of our partnership with the Blue Ridge National Heritage Area.

North Carolina's crafts scene has long been celebrated, but its pivotal role in the history of America’s Studio Glass Movement often flies under the radar. Since Harvey Littleton's arrival in the late 1970s, Western North Carolina has flourished as a hub for glassmakers and enthusiasts alike. In today’s episode, we welcome Candace Reilly, executive director of Asheville's popular North Carolina Glass Center (NCGC), to discuss the contemporary studio glass scene in WNC. 

With nearly a decade of commitment to Asheville's arts community, Candace offers valuable insights into her role. As the leader at NCGC, she drives initiatives aimed at preserving traditional techniques while advancing the future of studio glass. At the heart of her vision is the belief in the transformative power of integrated arts education, which promotes not only creative expression but also social cohesion within the community.

In our conversation, Candace discusses the NCGC's mission and impact, tracing its journey from humble beginnings to Asheville's leading public-access glass studio and gallery. She highlights North Carolina's rich connection to glass artistry, fueled by the state’s resources and landscape that support artistic innovation and collaboration. Candace details the center's educational offerings, including workshops and residencies that foster inclusivity and creativity. 

Additionally, she shares news of the center's expansion to a second location in Black Mountain, reflecting its growth and the increased demand for glass experiences. Candace underscores the diverse revenue streams that support the center, inviting community involvement to sustain its mission. For those interested, she provides ways to engage with the center online and in person. This conversation on the Artsville Podcast offers insights into NCGC’s commitment to education and creativity, enriching Asheville’s cultural landscape.

For more information, please visit https://www.artsvilleusa.com/north-carolina-glass-center

In this episode, we sit down with Wendy Neuman and Stephanie Munn to discuss the importance of art in building and strengthening communities based on their personal experiences. Stephanie is the Director of the Ferguson Family YMCA in Candler, North Carolina, and Wendy is a photographer, fashion designer, volunteer, and marketing expert.

In our conversation, Stephanie delves into the mission of the YMCA in fostering community connections and the wide range of programs they have for people of all ages and backgrounds. We discuss Wendy’s experiences as a photographer and fashion designer, including her work with cancer patients and her efforts to bring art into various organizations and events. We also talk about the importance of building friendships, building a safe place for children and families, Wendy’s Mandala and Kaleidoscope project, the role of art in bringing people together, why community engagement is essential, and much more! Join us, as we uncover the intersection of art, community, and healing with Wendy Neuman & Stephanie Munn!

Key Points From This Episode:

• A brief update on Artsville's growth and new opportunities for 2024.
• The unique art scene and community of Candler and Enka.
• YMCA’s mission to build communities through inclusive programs.
• How Stephanie realized the potential of the Candler and Enka communities.
• Fostering artist-community engagement through Wendy’s workshops.
• Discover the collaborations and wearable art featuring Wendy’s photography.
• Stephanie shares details about the latest YMCA offerings and member benefits.
• Wendy’s experiences photographing terminally ill children and cancer patients.
• Why involvement with the YMCA is critical and how to get involved.

Links Mentioned in Today’s Episode:

Artsville — https://www.artsvilleusa.com/

Wendy Neuman | Clothing — https://wendynewmandesigns.com/

Wendy Neuman | Photo — https://wendyneumanphoto.com

Wendy Neuman on Instagram — https://www.instagram.com/wendynewmandesigns/

Wendy Neuman on Facebook — https://www.facebook.com/wendynewmandesigns/

Wendy Neuman on on Pinterest — https://za.pinterest.com/WNDesigns/

Stephanie Munn on LinkedIn — https://www.linkedin.com/in/stephanie-mcgrath-munn-a11694275/

Stephanie Munn on Instagram — https://www.instagram.com/stephanie.munn/

Call Stephanie Munn — 828-273-0346

YMCA of Western North Carolina — https://ymcawnc.org/

OpenDoors Asheville — https://opendoorsasheville.org/

Arterial Network — https://artistsatriskconnection.org

Scholastic Art and Writing Awards — https://www.artandwriting.org/

Kenn Kotara —

In this episode, we introduce two bright young artists, Elizabeth Walton and Amy Massey, who are making waves in Western North Carolina and beyond. Both Elizabeth and Amy recently graduated from Artsville’s First Virtual Gallery of Artists Cohort program, a digital and live marketing initiative designed to help artists succeed in the business of art. Elizabeth is a talented jewelry designer, with a passion for metalsmithing, and Amy Massey is a 2D artist and massage therapist. In our conversation we delve into their journeys, discussing their inspirations, creative processes, and the impact of the program on their careers. We unpack what keeps them inspired, juggling different jobs, how to market yourself without a gallery, their unique approaches to their work, the biggest lessons from the Virtual Gallery of Artists program, and much more! Join us as we discuss their artistic journeys, the challenges they face, and the exciting future of arts in Asheville and beyond. Tune in now!

Key Points From This Episode:

• Introductions and background about guests Elizabeth Walton and Amy Massey.
• Elizabeth’s journey from inheriting a studio to pursuing a sustainable metalsmithing practice.
• They share their main takeaways and lessons from the Virtual Gallery of Artists program.
• Amy discusses her unique fusion of art and bodywork and where she draws inspiration from.
• Discover Elizabeth’s design process and how nature influences her work.
• New friends and networking opportunities from the Virtual Gallery of Artists program.
• Explore their diverse career paths, including galleries and self-promotion through art festivals.
• Gain insights into the challenges and opportunities present in today's competitive art market.
• The vibrant arts scene in Asheville and the exciting prospects for artists in the future.

Links Mentioned in Today’s Episode:

Amy Massey — https://www.amygmassey.com/

Amy Massey on Instagram — https://www.instagram.com/amymasseystudio/

Ren Ren Jewelry — https://redrenjewelry.com/

Ren Ren Jewelry on Instagram — https://www.instagram.com/redrenjewelry

Ren Ren Jewelry on Facebook — https://www.facebook.com/redrenjewelry/

Not Real Art — https://notrealart.com/

Arterial Network — https://artistsatriskconnection.org

Appalachian State University — https://www.appstate.edu/

Sandhill Artists Collective — https://sandhillartists.wordpress.com/

Woolworth Walk — https://www.woolworthwalk.com/

Kenn Kotara — https://www.kotarastudio.com/

Michael Manes — https://www.linkedin.com/in/michael-manes-97379a8b/

Blue Spiral 1 — https://bluespiral1.com/

Art Connections with Sherry Masters —

Artworks are regularly sold at auctions around the world for record sums of money, but today’s guest believes that auctions serve a greater purpose than just growing the highest bidder’s collection. Every object is an invitation to consider our personal and collective histories through the unique and often fascinating story it has to tell. Today, you'll hear from a local auctioneer, Southern fine art specialist, and Senior Vice President of Brunk Auctions, Lauren Brunk. Brunk is a private auction house specializing in the sale of fine art, jewelry, antique furniture, coins, and countless other areas of collecting ranging from contemporary art to antiquities. In this episode, Lauren offers some insight into the world of auctions, the types of people that make up the buyers and sellers, how auctions retell the stories of the items they sell, and so much more. For a comprehensible guide to the secondary art market, be sure to tune in today!

Key Points From This Episode:

• Defining the secondary art market and how it differs from the primary art market.
• How virtual art sales have evolved since the COVID-19 pandemic.
• The wide variety of people who make up Brunk’s buyer and seller communities.
• Ways that auctions retell the story of the items they sell.
• Insight into the relationship between auction houses and museums.
• Lauren’s relationship with the Black Potter, Jim McDowell.
• How Brunk supports the next generation of art storytellers through community outreach.
• What the objects at art auctions can teach us about value.

Links Mentioned in Today’s Episode:

Brunk Auctions — https://brunkauctions.com/

Brunk Auctions on Instagram — https://www.instagram.com/brunkauctions/

Email Brunk Auctions — info@brunkauctions.com

Lauren Brunk on LinkedIn — https://www.linkedin.com/in/lauren-brunk-291ab51/

Lauren Brunk on Instagram — https://www.instagram.com/laurenb1969/

Jim McDowell — https://blackpotter.com/

‘Jim McDowell: The Need to Look Back in Order to Move Forward’ (Episode 13) — https://www.artsvilleusa.com/jim-mcdowell/

Nasher Museum of Art — https://nasher.duke.edu/

Ogden Museum of Southern Art — https://ogdenmuseum.org/

A Question of Value: Stories from the Life of an Auctioneer — https://www.amazon.com/dp/1469678098

Artsville — https://www.artsvilleusa.com/

Scott “Sourdough” Power — https://www.notarealartist.com/

Louise Glickman — https://www.louiseglickman.com/

Daryl Slaton — http://www.tailsofwhimsy.com/

Crewest Studio —

You wouldn’t think that a town of under 500 people could be home to a thriving art gallery, let alone two competing ones across the road from one another. But in Bakersville, North Carolina, that is exactly the case. Joining us today is Andy Palmer, who co-owns the In Tandem gallery with his wife Silvia Ferrari-Palmer on the main street, and Vicki Essig, who runs Mica, another beautiful gallery just across the road. We talk with Andy and Vicki about their work as artists, and how the symbiotic relationship between their two galleries has contributed to the rich artistic community of Bakersville. Tuning in you’ll learn about the process behind Vicki’s incredible artworks (woven by silkworms!) and how her small community has supported her labor-intensive creations. She also shares the powerful story of a pair of silk overalls made in honor of civil rights activist, Joyce Ladner, how they were sold to a descendent of hers, and what this fortuitous connection demonstrates about community building. We hear from Andy about how his wife’s digital outreach transformed their gallery, the immense impact of the COVID-19 pandemic on online sales, and how he utilizes his background in ceramics to find artists for their gallery. Our conversation also covers Mica and In Tandem’s approach to branding, the Toe River Council’s important work supporting artists, and details about Artsville's new virtual gallery of artists. To hear all the fascinating details of this thriving artistic community and how to partner with other galleries, be sure to tune in!

Key Points From This Episode:

• Get to know today’s guests, Andy Palmer and Vicki Essig.
• Insight into Vicki’s weaving artworks and how she uses silkworms for her threads.
• The benefits of being part of a small community and how they have supported her process.
• Details of Andy and his wife Silvia’s gallery, In Tandem.
• How Silvia improved digital outreach and how COVID-19 increased their online sales.
• Where they find their artists and how Andy uses his expertise as a ceramics artist.
• Vicki’s gallery Mica and its location across from In Tandem in their small town, Bakersville.
• How they work together instead of competing with one another.
• Mica’s selection process and how they support their artists.
• How Bakersfield’s thriving artistic community has supported economic growth in Bakersville.
• An overview of how In Tandem and Mica approaches branding.
• The Toe River Arts Council and their impactful work supporting artists.
• Details about the Hilloween event in the Blue Ridge Mountains.
• Learn about Artsville’s exciting new virtual gallery of artists.

Links Mentioned in Today’s Episode:

Andy Palmer — https://www.intandemgallery.com/andy-palmer-bio

In Tandem Gallery — https://www.intandemgallery.com/

Vicki Essig — https://www.vickiessig.com/

Mica — https://www.micagallerync.com/

Penland School of Craft — https://penland.org/

The Toe River Arts Council — https://toeriverarts.org/

Hilloween — https://www.hilloweennc.org/

Hilloween: A Mechanism for Unity with Gina Phillips —

If you’re a regular listener of the Artsville Podcast, you are already familiar with the rich creative spirit of Asheville and the historical significance of arts and crafts in the region. We like to shout it from the rooftops! But did you know that Asheville is a world-class tourism destination for so many other reasons too? Today, we are joined by Marla Tambellini, Senior VP of Marketing at Explore Asheville, our local Convention and Visitors Bureau, to find out what makes Artsville such a desirable place to visit. “There are a lot of communities that can say they have food, they have music, they have art,” says Marla, “but I think there's a special combination that makes Asheville stand out.” In this episode, Marla highlights some of the various attractions in our special corner of North Carolina and offers some insight into the ways that Explore Asheville promotes economic development in the area, champions local artists, and invites a growing number of visitors each year. Tune in for a glimpse into what makes Asheville so unique!

Key Points From This Episode:

• The significance of arts and crafts in Asheville and why it's integral to the visitor economy.
• Asheville’s eclectic community and the vibrancy that draws people in.
• Strategic ways that Explore Asheville promotes economic development.
• Insight into the profile of visitors that Asheville attracts.
• How Explore Asheville champions local artists and elevates art organizations.
• The unique creative spirit that draws people to Asheville.
• Learn how to apply for Artsville’s Virtual Gallery of Artists!

Links Mentioned in Today’s Episode:

Marla Tambellini on LinkedIn — https://www.linkedin.com/in/marlatambellini/

Marla Tambellini on X — https://twitter.com/ashevillecvb

Asheville Convention and Visitors Bureau — https://www.ashevillecvb.com/

Explore Asheville — https://www.exploreasheville.com/

Art Connection with Sherry Masters — https://www.arttoursasheville.com/

Artsville Virtual Gallery of Artists — https://www.artsvilleusa.com/featured-artists/

Artsville — https://www.artsvilleusa.com/

Artsville Podcast — https://www.artsvilleusa.com/tag/podcast/

Scott “Sourdough” Power — https://www.notarealartist.com/

Louise Glickman — https://www.louiseglickman.com/

Daryl Slaton — http://www.tailsofwhimsy.com/

Crewest Studio — https://creweststudio.com/

Sand Hill Artists Collective (SHAC) — https://sandhillartists.com/

In today’s episode of Artsville, you’ll hear from Gina Phillips, a dear friend and someone who has played an integral part in the growth and development of Mitchell County, North Carolina. Gina’s commitments to the Penland School of Craft, the University of North Carolina School of the Arts, and rural education efforts in Mitchell County helped birth the idea for Hilloween, a countywide event that unites several areas over something we all love: spooky season! Hilloween is a natural expression of Gina's love for the theater and her years of performing and producing in New York, New Jersey, and North Carolina. Join us as she shares how the event leverages the county's strong arts heritage and introduces a new generation of Mitchell County residents to the magic and beauty of the arts. We also discuss what to expect from the 2023 edition, how Hilloween acts as a “mechanism for unity,” and Gina even sings us a few bars of 'Good Old Mountain Dew’ from Lulu Belle and Scotty Wiseman, plus so much more!

Key Points From This Episode:

• An introduction to Hilloween and the annual Halloween party that inspired it.
• Gina’s goals for economic and cultural development in Mitchell County.
• How art brings people together (and attracts outsiders to underserved communities).
• Insight into Gina’s collaboration with the University of North Carolina School of the Arts.
• Ways that Hilloween leverages Mitchell County’s strong cultural heritage.
• What you can expect from the 2023 edition of Hilloween!
• Why Gina refers to this year’s event as the “Bringing Dale McCurry Home Tour.”

Links Mentioned in Today’s Episode:

Gian Phillips on LinkedIn — https://www.linkedin.com/in/gina-phillips-a848a616/

Hilloween – https://www.hilloweennc.org/

University of North Carolina School of the Arts (UNCSA) – https://www.uncsa.edu/

Samuel L. Phillips Family Foundation – https://www.wellsfargo.com/private-foundations/phillips-family-foundation/

Artsville — https://www.artsvilleusa.com/

Artsville Podcast — https://www.artsvilleusa.com/tag/podcast/

Scott “Sourdough” Power — https://www.notarealartist.com/

Louise Glickman — https://www.louiseglickman.com/

Daryl Slaton — http://www.tailsofwhimsy.com/

Crewest Studio — https://creweststudio.com/

Sand Hill Artists Collective (SHAC) — https://sandhillartists.com/

How did Asheville become Artsville? The magic is in our partnerships! Together with our collaborators, we’re able to promote the work of emerging and established artists from our respective regions to an ever-growing audience. Today’s guest is one of those collaborators and someone who is deeply committed to helping artists build their brands and share their stories with other artists and art lovers across the world. In this episode, Artsville Founder and Director Louise Glickman steps into the host’s seat and turns the mic on our regular host, Artsville Producer, and the Founder of Crewest Studio and Not Real Art, Scott “Sourdough” Power! Tune in today to learn more about Scott’s vision for the art world, the incredible multimedia projects that he’s involved in creating, and how he strives to “spread the good news” for artists and craftspeople in Artsville and beyond, plus so much more.

Key Points From This Episode:

• Scott’s vision to build a success-driven community of artists and art lovers.
• Crewest Studio, Not Real Art, and the podcasts, videos, events, and publications they create.
• How Scott funds all of these incredible ventures (and a sneak peek of Arterial.)
• A look at Art House, an upcoming “home improvement show with an artsy spin!”
• What you can expect from Not Real Art, Crewest, and Artsville in 2024 and beyond.
• Scott flips the script and asks Louise a question about podcasting.
• How you can connect with Scott and support everything he is doing for artists.

Links Mentioned in Today’s Episode:

Scott “Sourdough” Power — https://www.notarealartist.com/

Scott “Sourdough” Power on Instagram — https://www.instagram.com/sourdoughpower/

Not Real Art — https://notrealart.com/

Not Real Art on Instagram — https://www.instagram.com/notrealartworld/

Crewest Studio — https://creweststudio.com/

The Conduit Podcast — https://www.theconduitmusicpodcast.com/

The Laugh Gallery Podcast — https://www.laugh-gallery.com/

Chevalier — https://www.imdb.com/title/tt12758486/

BLISS — https://www.biltmorelakeartists.com/

Artsville — https://www.artsvilleusa.com/

Artsville Podcast — https://www.artsvilleusa.com/tag/podcast/

Louise Glickman — https://www.louiseglickman.com/

Daryl Slaton — http://www.tailsofwhimsy.com/

Sand Hill Artists Collective (SHAC) — https://sandhillartists.com/

Today’s episode is many months in the making. We are very excited because this is the culmination of a series of features we have written about Jim McDowell and his Face Jug: A story about how it has traveled throughout our audience and how Susan and Michael Hershield made it possible to give it to the Nasher Collection. We heard from the collectors, the artists, and the museum. We are trying to do more work to explain to people how to buy art, what to look for, and what a museum looks for when they collect a piece. The conversation with our guest today was a unique opportunity to launch into a series on how to buy art. Marshall N. Price is the Curator of Modern and Contemporary Art at the Nasher Museum of Art at Duke University. He graduated from Western Maryland College and received a Master’s degree in Art History from Penn State. He also received a Ph.D. in Art History from the City University of New York. We hear from Marshall about his journey to becoming the Chief Curator at Nasher and his experience in the position. He talks about the challenges he faced and his thoughts on the benefits of being embedded in an academic community. He also talks about the collection, programs and the greatest things about the Nasher Museum. We then hear about the incredible story of Jim McDowell’s Face Jug acquisition and the history behind the Red Tails jug. You do not want to miss out on this amazing episode. So start listening now! 

Key Points From This Episode:

• Recapping the journey of Jim McDowell’s new Face Jug to the Nasher Museum
• A dream job: how Marshall got there and when he realized art would become his life.
• The experience of being the Chief Curator at Nasher and the pressures it includes.
• Marshall talks about the challenges he faced as he walked into the curator role.
• His thoughts on the benefits of being embedded in an academic community.
• More about the different programs running at Nasher (at any given time).
• Marshall talks about the collection at Nasher and the focus of the institution.
• How Nasher is working to continue to incorporate artists of Color in their collection.
• One of the great things about Nasher Museum. 
• Marshall’s story of Jim McDowell’s Face Jug acquisition: The Red Tails as homage to the Tuskegee Army Airfield. 
• How people can enjoy Jim’s work at the Nasher.
• Marshall’s thoughts on what this acquisition will mean for Jim’s career.
• Plans surrounding youth programming at Nasher and how they plan to educate the young. 

Links Mentioned in Today’s Episode:

Marshall N. Price Ph.D. on Instagram — https://www.instagram.com/mnormanprice/ 

Nasher Museum of Art at Duke University — https://nasher.duke.edu/ 

Jim McDowell — https://blackpotter.com/ 

From Concept to Collection: How Jim McDowell’s New Face Jug Made It to the Nasher Museum Collection [Part I] — https://www.artsvilleusa.com/jim-mcdowell-nasher-museum/ 

From Concept to Collection: How Jim McDowell’s New Face Jug Made It to The Nasher Museum Collection [Part II] — https://www.artsvilleusa.com/jim-mcdowell-nasher-museum-part-two/

From Concept to Collection: How Jim McDowell’s New Face Jug Made It to the Nasher Museum Collection [Part III] —

What do New Orleans and Western North Carolina have in common? Both regions were rocked by historic hurricanes, which left lasting impacts on their communities and environments. Today, host Louise Glickman explores the transformative role of art and creativity in community recovery, comparing the aftermath of Hurricane Katrina in New Orleans to the recovery efforts following recent storms in Western North Carolina. 

Louise is joined by Jan Gilbert, an artist and activist who co-founded The VESTIGES Project, and DeWayne Barton, founder of Hood Huggers International in Asheville. The VESTIGES Project, established in 1984, is a collective of artists and writers inspired by New Orleans. For its members, the city represents more than just a location; it embodies a rich tapestry of culture composed of remnants, rituals, memories, and myths, blurring the lines between fiction and reality, past and present. Hood Huggers develops sustainable strategies to support historically African-American neighborhoods in Asheville, NC, focusing on community capacity building and creating spaces that mitigate trauma while enhancing existing services.

Don't miss this episode, and be sure to check out the links referenced in the conversation listed below for more information:

jan gilbertart.com

thebestigesproject.org

bluenotejunction.com

hoodhuggers.com

ArtsvilleUSA

NOT REAL ART

For more information, visit https://www.artsvilleusa.com/vestiges-project-hood-huggers

In this episode of the Artsville Podcast, we introduce you to two of the remarkable painters taking part in the inaugural Biltmore Lake’s Imaginative Studio Stroll (BLISS), taking place on May 6th, 2023. Dynamic mother-daughter duo Bee Sieburg and Molly Courcelle are each incredible artists in their own right. From an early age, Bee encouraged Molly to view the world with an artist’s eye, and they spent hours drawing, painting, and visiting museums together. Bee is a beloved oil painter known for her rich depictions of landscapes, interiors, and animals (cows in particular) in her signature loose style. While Molly inherited her mother’s expressive flair, she went on to develop her own unique visual language, creating beautifully layered abstract oil paintings inspired by scripture. Join us today as we delve deeper into each of their practices and find out how their work is reflective of their distinct personalities. Tuning in, you’ll hear the amazing story of Molly’s adoption and why Molly and Bee were meant to find one another. We also discuss how BLISS will be mutually beneficial for artists and visitors, what you can expect to see when you visit Molly’s house during the event, and how BLISS is bringing economic development and cultural programming to Candler, plus so much more. As our cohost-in-crime Louise Glickman says, this interview provides listeners with an opportunity to “see where creativity comes from,” so be sure not to miss it!

Key Points From This Episode:

• The story of how Molly’s birth mother requested that she be adopted by an artistic family.
• Ways that Bee and Molly’s artworks reflect their different personalities.
• Opportunities that BLISS provides for people to see art in a new way.
• Molly explains why BLISS is as beneficial for the artists as it is for visitors.
• What you can expect from Bee and Molly when they open their homes to BLISS visitors.
• How our guests will cater to different budgets with artworks at various price points.
• Where you can find Bee and Molly at WEDGE Studios in the River Arts District.
• Funny anecdotes that illustrate why some of Bee’s friends call her Pig-Pen!
• Important ways that BLISS is driving economic development in Candler.
• Insight into OpenDoors Asheville, a non-profit organization that Bee and Molly support.
• Things that our guests are most grateful for, including family and creativity.
• Where Bee’s talent for floral design and her love for cows come from.
• What makes Asheville Artsville, according to Bee and Molly.

Links Mentioned in Today’s Episode:

Biltmore Lake’s Imaginative Studio Stroll (BLISS) — https://www.biltmorelakeartists.com/

Bee Sieburg — https://www.biltmorelakeartists.com/artists/bee-sieburg

Bee Sieburg Website — https://www.beesieburg.com/

Molly Courcelle — https://www.biltmorelakeartists.com/artists/molly-courcelle

Molly Courcelle Website — https://www.mollycourcelle.com/

WEDGE Studios — https://wedgestudioartists.com/

OpenDoors — https://opendoorsasheville.org/

Art Affair —

If you’re listening to this podcast, you already know that art brings beauty and joy into our lives, but it can also bring us closer as we learn about it together and share experiences. This is the objective that Sherry Masters had in mind when she created Art Connections, an Asheville-based business designed to bring art enthusiasts and artists together through art consultation and studio tours. Sherry founded Art Connections in 2013 to act as a bridge between those who are interested in art and the many highly-skilled artists in Asheville who create paintings, textile art, glassware, ceramics, sculptures, and more. As a native Ashevillan, Sherry intimately understands the phenomenal impact of these cultural art practices, and her 30 years of experience have allowed her to gain the trust of not only the local creative community but the visitors it attracts too. Tuning in today, you’ll learn more about the unique tours that Sherry organizes and why she believes it’s important to humanize the arts by facilitating these types of exchanges. She also shares some local recommendations, sheds light on her personal relationship with the arts, and more! Whether you’re a total newbie or a seasoned collector, Sherry can help you make informed selections and transform your space by including original artwork. Be sure to tune in to find out how!

Key Points From This Episode:

• Why you should seek Art Connections out next time you’re in Asheville.
• The inspiration behind Sherry’s decision to “be a bridge” between artists and art enthusiasts.
• Examples of some of the personalized art tour experiences that Sherry curates.
• Reflecting on the importance of humanizing and demystifying the arts.
• Insight into the art consultation and advisory services that Sherry provides.
• How Sherry navigates the unique needs and budgets of different collectors.
• Recommended artists if you are looking to purchase a piece of glass art.
• Where Sherry’s love for art and making things originated.
• The fundamental influence of institutions like the Penland School of Craft.
• A look at Sherry’s personal art practice, which is primarily concerned with textiles.
• The creativity that is required to make these “art connections” between people.

Links Mentioned in Today’s Episode:

Sherry Masters on LinkedIn — https://www.linkedin.com/in/sherry-masters-b791bb79/

Sherry Masters on Instagram — https://www.instagram.com/arttoursasheville/

Art Connections — https://www.arttoursasheville.com/

Mark Peiser — https://markpeiser.com/

John Littleton and Kate Vogel — https://www.littletonvogel.com/

Michael Sherrill — https://www.michaelsherrill.com/

Penland School of Craft — https://penland.org/

Artsville Podcast — https://artsville.captivate.fm/

Scott “Sourdough” Power — https://www.notarealartist.com/

Louise Glickman — https://www.louiseglickman.com/

Daryl Slaton —...

Art and culture are essential elements that keep communities healthy, vibrant, and connected. Artsville founder Louise Glickman even thinks of art as the glue that holds communities together. With this in mind, artists in Biltmore Lake, Candler, NC, have partnered with Artsville to produce a studio tour with a twist! Introducing BLISS, the first-ever Biltmore Lake’s Imaginative Studio Stroll, where 25 artists plus several guest artists will show and sell their art from their Biltmore Lake homes on Saturday, May 6th, 2023. In today’s episode of the Artsville Podcast, co-hosts Louise and Scott “Sourdough” Power are joined by fellow art enthusiast and BLISS volunteer team member, Elaine Scherer, to talk about the important role this world-class event plays in positioning Candler as a creative outpost and how it will broaden, strengthen, and acknowledge creative networks within the surrounding communities. To learn more about how you can join Biltmore Lake’s artists for their first annual studio tour, what you can expect to see on the day, and what you can do to contribute, be sure to tune in today!

Key Points From This Episode:

• Louise offers some context for this “fun, different, and imaginative” event.
• How the action-oriented Elaine became involved in BLISS.
• Why art is fundamental for any well-connected community, functioning like a glue.
• A look at what art means to Elaine as a registered nurse.
• Visitor attractions and the artists that are participating in BLISS.
• What makes BLISS a studio tour with a twist (and how we came up with the name).
• The spirit of service that drives Elaine’s unique style of leadership.
• Louise explains what attracts people to Biltmore Lake, including professional talent.
• How you can contribute to BLISS and become one of our volunteers.
• Some of the small and local businesses that are getting involved in the event.
• Why BLISS is a family-friendly event and an excellent learning opportunity for kids.

Links Mentioned in Today’s Episode:

BLISS: Biltmore Lake's Imaginative Studio Stroll — https://www.biltmorelakeartists.com/

BLISS on Instagram — https://www.instagram.com/BLArtStroll/

Elaine Scherer on Twitter — https://twitter.com/AVLRN

Elaine Scherer Email — emscherer828@gmail.com

Katrina Chenevert Gallery — https://www.katrinachenevertgallery.com/

Fractured Atlas — https://www.fracturedatlas.org/

Artsville — https://www.artsvilleusa.com/

Artsville Podcast — https://www.artsvilleusa.com/tag/podcast/

Scott “Sourdough” Power — https://www.notarealartist.com/

Louise Glickman — https://www.louiseglickman.com/

Daryl Slaton — http://www.tailsofwhimsy.com/

Crewest Studio —

If you’re listening to this podcast, you already know that there are so many reasons that art is important. It not only beautifies our surroundings, but it is a reflection of the world around us. For Mary Farmer, an artist with a long history as a women’s rights and social justice activist, art is liberation from the stresses of the world. Mary is a renowned encaustic painter based in Asheville, whose paintings create a portal into a timeless and transcendent state of being. It’s easy to get lost in Mary’s tranquil landscapes and travel to a more peaceful place in your mind, which is exactly what she hopes to achieve. At the center of her practice lies a much more quiet activism, a call to take some much-needed refuge from the onslaught of negativity that surrounds us. Referring to some of her more abstract landscape paintings as ‘soft landings’, Mary’s work is created to help you slow down and take time to decompress. Ultimately, rest is a radical and intentional act of resistance in a world that has no pause button. By looking after our physical, mental, spiritual, and emotional wellbeing, we can gather the energy we need to keep fighting for the causes we believe in. So, sit back, relax, and let Mary Farmer take you on a journey of creative self-care!

Key Points From This Episode:

• The quiet activism at the heart of Mary’s practice.
• Ways that Artsville offers healing, friendship, and comfort.
• How art provides opportunities for deeper connection.
• The ‘mental vacation’ that art offers us in a post-COVID world.
• Important causes that Mary and Louise have advocated for together.
• Insight into Mary’s decision to reincorporate activism into her artwork.
• When Mary’s commitment to women’s rights began.
• Using art to translate the spiritual connection with nature that one feels in Asheville.
• Where Mary gets the energy to keep fighting for the causes she believes in.
• The importance of speaking loudly and clearly about social justice through art.
• An understanding of Mary’s focus on comfort, shelter, and beauty.
• Why we have to make time for rest and self-care in today’s world.
• Attracting attention to the arts as a form of activism.
• Mary’s approach to marketing as a “mutual exchange of pleasure.”
• A look at the global community of International Encaustic Artists.
• Nurturing a mass market for original art to give artists a better livelihood.
• The responsibility that artists have to put their work out there.
• Bringing art, education, and activism under one umbrella with Artsville.

Links Mentioned in Today’s Episode:

Mary Farmer — https://www.maryfarmer.com/

Mary Farmer on Facebook — https://www.facebook.com/MaryFarmerArtist/

Ep. 12: Looking at the World Differently with Kenn Kotara — https://www.artsvilleusa.com/looking-at-the-world-differently-with-kenn-kotara/

International Encaustic Artists — https://www.international-encaustic-artists.org/

Thrive Asheville — https://www.thriveavl.org/

Artsville Podcast — https://artsville.captivate.fm/

Scott “Sourdough” Power — https://www.notarealartist.com/

Louise Glickman —

Textile-based products are often an underappreciated art form that does not receive the recognition it deserves and leaves many artists struggling to earn a living. What is needed is an organization that facilitates the demand for textile-based art forms and helps artists monetize their products. This is the perspective of today’s guest, Judi Jetson, who has been helping drive the recognition and economic development of textile-based local artists. Judi has a deep passion for textiles and regards herself as a fiber activist known for her love of building communities. Judi combines her experience as a business developer with her adoration for textiles to help grow the industry she cherishes so dearly. For the last 10 years, she has been leading Local Cloth, a nonprofit organization helping develop the fiber economy in North Carolina. Local Cloth achieves this through education, inclusive programming, and creating services by leveraging local farmers, artists, makers, and designers. In our conversation, we learn about the vital work that Local Cloth is doing, the challenges the industry faces, and the future vision for the organization. She also provides insight into the role of supply and demand within the textile industry, how the approach to textiles can help other art forms, and why some artists leave the industry. She also shares her approach to building relationships between artists and farmers, and reasons why this is the foundation of her vision. Tune in to learn about the textile industry and why it deserves to be recognized, with Judi Jetson!

Key Points From This Episode:

• Background about Judi and how she enables artists. 
• The motivation behind Local Cloth and what it aims to achieve.
• How Judi’s experience in economic development informed her vision.
• Why she chose textiles as her art medium and focus of her work.
• She explains the relationship between supply and demand concerning art.
• Ways in which Judi is helping to increase the demand for textile-based art.
• Outline of how her approach to textiles can be applied to other art forms.
• What her long-term plans are for Local Cloth and her overall vision.
• Hear about an exciting project she has recently started.
• The benefits of developing local and handmade textile-based art.
• Discover the role of farmers in helping drive textile-based products.
• Why handmade and local products are appealing to people.
• Judi explains her pricing strategy for products from local artists.
• We discuss the challenges regarding pricing in the current market.
• An explanation of why some artists decide to leave the industry.
• She shares her plans to scale the production of her current vision. 
• Learn about the resources Judi leverages to help grow Local Cloth.
• Whether she specifically mentions Asheville when marketing her products.
• Judi shares her opinion on the textile business in North Carolina. 
• What she loves most about Asheville and why she chooses to live there.
• Learn about the moment she fell in love with textiles. 
• The challenges of using platforms like Esty for textile-based products. 
• Details about an upcoming show that Judi has planned with Artsville. 

Links Mentioned in Today’s Episode:

Judi Jetson on LinkedIn — https://www.linkedin.com/in/judijetson/

Judi Jetson on Facebook — https://www.facebook.com/judi1jetson/

Local Cloth — https://localcloth.org/

Local Cloth on Facebook —

Art collector and entrepreneur Merrily Orsini moved to Asheville so she could be within walking distance of her four grandchildren. The fact that she and her husband have a glass art collection of over 200 pieces has necessitated some well-thought out house designing and strict enforcement of the “don’t touch the art!” rule (although, she sometimes breaks this rule herself). In today’s episode, Merrily shares the story of the artwork that brought her and her husband together, some of her favorite glass artists, how the glass art industry has changed during this century, and how she hopes to change the world for the better through her Art2025 project. If you’re interested in becoming a glass art collector, Merrily also has some valuable advice for getting started! 

Key Points From This Episode:

• Merrily explains what drew her to Asheville.
• The value that glass art brings to Merrily’s life.
• What the Art Alliance for Contemporary Glass is, and the role that Merrily has played in the organization over many years.
• How art brought Merrily and her husband together.
• The size of Merrily and her husband’s art collection.
• Advice for anyone interested in becoming an art collector.
• Different types of glass art that exist.
• Some of Merrily’s favorite glass artists.
• Where Merrily’s love of glass art began.
• Merrily’s involvement with the James Renwick Alliance.
• How the glass art world is changing and the intention behind the Art2025 project.
• The piece of glass art that Merrily would love to acquire (and why she can’t).

Links Mentioned in Today’s Episode:

Merrily Orsini Website — https://merrilyorsini.com/ 

Merrily Orsini on LinkedIn — https://www.linkedin.com/in/merrilyorsini/ 

Art Alliance for Contemporary Glass — https://contempglass.org/ 

Blue Spiral 1 — https://bluespiral1.com/ 

Blown Away — https://www.imdb.com/title/tt9908860/ 

Karen Lamont — https://www.karenlamonte.com/ 

Baldwin Guggisberg — https://www.baldwinguggisberg.com/ 

Lino Tagliapietra — https://linotagliapietra.com/ 

James Renwick Alliance — https://www.jra.org/ 

Penland School of Craft — https://penland.org/ 

Hoss Haley — https://www.hosshaley.com/ 

Artsville Podcast — https://artsville.captivate.fm/

Scott “Sourdough” Power — https://www.notarealartist.com/

Louise Glickman — https://www.louiseglickman.com/

Daryl Slaton — http://www.tailsofwhimsy.com/

Crewest Studio —

Rapid growth has its benefits, but it can also have major downfalls. Kate Pett, the Executive Director of Thrive Asheville, joins us today to explain how her organization is helping her beloved community confront the latter. The lack of high paying jobs, low levels of social mobility, and increasing gentrification in Asheville are causing a decline in the diversity that is part of what makes this place so special. During this episode, Kate explains how Thrive is addressing the interlinked issues of affordable housing and sustainable tourism in order to preserve the arts-and-culture wonder that is Asheville. Complex problems like these require a lot of thoughtfulness to solve, and Kate’s long-term approach to community building through improving communication amongst all sectors is one that cities across the world can benefit from! Tune in today to learn more.

Key Points From This Episode:

• Major problems that artists in cities across the United States are currently facing.
• Comparing Asheville 20 years ago to Asheville today. 
• Kate explains the mission of her organization, Thrive Asheville.
• The importance of working across sectors in order to achieve community wide goals. 
• How Kate’s experience of working in the Peace Corps influenced the work she does today.
• Thrive’s approach to addressing the affordable housing issues in Asheville. 
• Various elements of the affordable housing provision that Thrive focuses on.
• The role that Thrive plays in enhancing sustainable tourism. 
• Thrive’s biggest challenge right now. 
• An overview of the year-long conversation that Thrive convened. 
• A new perspective on tourism. 
• The three elements that make Asheville a stand-out city!
• Kate’s thoughts on how tourism money coming into Asheville should be redirected.
• A run-through of a typical working day in the life of Kate Pett.
• Some of the people who are helping to bring Thrive’s mission to life. 
• A look at Thrive’s origin story.
• The complexity of tourism in Asheville, and how Thrive makes it work for city residents.

Links Mentioned in Today’s Episode:

Thrive Asheville — https://www.thriveavl.org/ 

Kate Pett on LinkedIn — https://www.linkedin.com/in/kate-pett-7b82aa7/ 

Artsville Podcast — https://artsville.captivate.fm/

Scott “Sourdough” Power — https://www.notarealartist.com/

Louise Glickman — https://www.louiseglickman.com/

Daryl Slaton — http://www.tailsofwhimsy.com/

Crewest Studio — https://creweststudio.com/

Sand Hill Artists Collective (SHAC) — https://sandhillartists.com/

Today, we welcome ceramic artist, Jim McDowell, to the Artsville Podcast! Jim, known to many as the Black Potter, is a ceramicist based in Weaverville, North Carolina, who specializes in stoneware face jugs, a type of vessel that bears the likeness of the human face. Through his work, he honors the origins of these culturally rich vessels and reflects on the experience of being Black in America, in order to call out the racism and injustice endemic to this country. As you’ll discover in this episode, Jim believes that it is important to uncover the histories we don’t want to hear about, and retrieve the knowledge and skills that have been buried by centuries of oppression in order to move forward and make positive progress. This personal excavation and vulnerability is central to his work, which embodies the principles of ‘sankofa’, a Ghanaian word that means “it is not taboo to fetch what is at risk of being left behind.” Tuning in, you’ll learn how Jim honors his ancestors through his vessels and gain some insight into the history of Black potters. Jim also offers a glimpse into his process and shares some poignant words of wisdom for artists, plus so much more! You won’t want to miss today’s powerful conversation with the Black Potter, the one and only Jim McDowell!

Key Points From This Episode:

• Jim speaks to the spiritual nature of his work and how his face jugs honor his ancestors.
• The significance of the Ghanaian word, ‘sankofa’, and bringing forth knowledge and skills from the past in order to move forward.
• Making the distinction between folk potters and Jim’s work as an artist.
• What sparked his passion for throwing clay, which he says he has been drawn to all his life.
• Understanding the practical differences between an electric kiln and a wood-fired one.
• The wealth of knowledge that our guest has accumulated over his 40 years of experience.
• Insight into the history of Black potters like David Drake, who Jim sees as a personal hero.
• How he ensures this spiritual tradition is kept alive through storytelling.
• Where he garners inspiration for his face jugs and the words he inscribes on them.
• Honoring Jim’s mother and father, who instilled in him a strong work ethic and tenacity.
• How he draws inspiration and his entrepreneurial spirit from his grandparents.
• Why Jim says that his kiln is a testament not only to his parents but his ancestors too.
• A glimpse into what it feels like for our guest to receive recognition for his face jugs.
• The community he is building in Weaverville based on the principles of sankofa.
• Jim takes us through the process of creating one of his face jugs, from start to finish.
• Hear the story of how he came to call himself the Black Potter.
• How Jim channels his anger and acts of resistance into his artworks.

Links Mentioned in Today’s Episode:

Jim McDowell — https://blackpotter.com/

Jim McDowell on Facebook — https://www.facebook.com/TheBlackPotter/

David Drake: ‘The Enslaved Artist Whose Pottery Was an Act of Resistance’ — https://www.nytimes.com/2021/06/17/arts/design/-enslaved-potter-david-drake-museum.html

Roots — https://www.amazon.com/Roots-American-Family-Alex-Haley/dp/030682485X

Artsville Podcast —

Today’s guest on the Artsville Podcast is the one and only Kenn Kotara, a contemporary mixed-media abstract artist based in Asheville, North Carolina. Kenn’s practice has been shaped by his lifelong fascination with architecture, philosophy, and literature, and he masterfully expresses himself on canvas, paper, and Mylar, as well as braille, Polaroids, and site-specific installations that evoke a powerful emotional response from those who view them. In this episode, Kenn offers some insight into the evolution of his practice as he shifted from representational to abstract work and we discuss the impact that the ‘nurturing environment’ of Asheville has had on him as an artist. We dive into his work with braille and Kenn emphasizes the empathy he believes he has gained from it, as well as what it has taught him about being present and mindful in the moment. Ultimately, Kenn has devoted his career to looking at the world differently and embracing a myriad of inspirations, and his remarkable braille pieces reveal the thoughtful, multidimensional side of his practice. He also has a strong focus on education and he speaks to the power of art for bridging divides in a world where so many seek to widen them. If you’re looking for a dose of inspiration and, perhaps, a different perspective on life (and art), this is the episode for you! We hope you’ll join us.

For our full show notes, please visit: https://www.artsvilleusa.com/looking-at-the-world-differently-with-kenn-kotara/

Key Points From This Episode:

• Kenn’s upbringing, his French Cajun heritage, and the Polish origins of his name, Kotara.
• The story of what brought Kenn to Asheville more than 20 years ago.
• What he loves about living and working in the ‘nurturing environment’ of Asheville.
• The evolution of his work, from representational to abstract, and the impact Asheville has had.
• Understanding the influence of architecture, graphic design, and technology on his work.
• How Kenn cultivates discipline as an artist and navigates what he calls the chaos of creation.
• A glimpse into Kenn’s work with braille and the perspective he says it gave him on perfection.
• The relationships he has built within the visually impaired community as a result.
• What working with braille taught him about truly being present in the moment.
• Insight into the process of writing in braille and the tools and methodologies that he uses.
• One of the major literary influences on Kenn’s work: Henry David Thoreau’s Walden.
• Reflecting on the significance of his braille work for those who aren’t visually impaired.
• The power of art to bridge gaps rather than create them, like so many politicians seek to do.
• How Kenn’s site-specific installations encourage conversation and facilitate education.
• Find out how and why Kenn came to be so articulate about his artwork.
• Why Kenn is so devoted to his work in education, even as he formally retires from teaching.

Links Mentioned in Today’s Episode:

• Kenn Kotara on LinkedIn — https://www.linkedin.com/in/kenn-kotara-1a74274/
• Kenn Kotara on Instagram — https://www.instagram.com/kennkotara/
• Kenn Kotara on Facebook — https://www.facebook.com/kenn.kotara
• Kotara Studio — https://www.kotarastudio.com/
• Walden —

Creating spaces for art to thrive is becoming more and more important as the world goes digital. Marquee is one such space in Asheville that was borne of the vision of lighting designer, antique dealer, entrepreneur, and real estate developer, Robert Nicholas. In this episode, we find out all about how the grand exhibition space that is Marquee came to be, the spirit it represents, how it works in terms of curation and transaction, and so much more! Robert shares his love for seeking value in things others would discard, as well as his excitement for discovering new styles and techniques. We learn about the magnetism of antiques, the Artist Support Pledge, and the bright future ahead for the magnificent Marquee! Tune in to find out more about the institution that is sure to become one of Asheville’s major sightseeing destinations.

For our full show notes, please visit: https://www.artsvilleusa.com/robert-nicholas/

Key Points From This Episode:

• The wonderful new Marquee development in Asheville, founded by Robert Nicholas.
• What sparked his vision for Marquee and the process of turning it into what it is today!
• The challenges of Robert’s undertaking and how Covid spurred him on.
• What his studio and gallery, Splurge, specializes in and how it began.
• Robert’s curation process for Marquee.
• The size of the space and how many exhibitors (“cast members”) are currently exhibiting.
• How to make purchases at the Marquee.
• Robert’s journey from being a youth pastor to becoming a real estate developer and an antique dealer.
• The value in the discarded.
• The philosophy behind the eclectic mix of artists, artisans, and aesthetics at Marquee.
• What inspired the name, “Marquee” and the spirit Robert wanted the space to represent.
• How much space Splurge has in the Marquee.
• How the Artist Support Pledge kept Robert creative during the lockdowns.
• Robert’s vision for the future of Marquee.
• Robert explains the magnetism of antiques.
• What gave him the idea for Uncommon Market in Asheville.
• Why he encourages originals over prints at Marquee.

Links Mentioned in Today’s Episode:

Splurge Design — http://www.splurgedesign.com/

Splurge by Robert Nicholas on Instagram — @splurgedesign

Splurge by Robert Nicholas on Facebook — https://www.facebook.com/splurgedesign/

Splurge by Robert Nicholas on Twitter — https://twitter.com/splurgedesign

Marquee — https://marqueeasheville.com/

The Greatest Showman — https://www.imdb.com/title/tt1485796/

Water For Elephants — https://www.amazon.com/Water-Elephants-Novel-Sara-Gruen/dp/0340962720

Artist Support Pledge — https://artistsupportpledge.com/

Uncommon Market — https://uncommonmarketasheville.com/

Artsville Podcast — https://artsville.captivate.fm/

Scott

Art and crafts are emerging as vital engines for recovery in the wake of Hurricane Helene's devastation in Western North Carolina. Join host Louise Glickman as she chats with Angie Chandler, executive director of the Blue Ridge National Heritage Area, and Robin Johnston, the Crafts Trails coordinator, to explore how small towns and artists are working to revive their communities through creative endeavors. 

Their discussion delves into the rich history of crafts in the region, highlighting the unique cultural narratives tied to its land and people. The conversation underscores the importance of connecting artists with audiences and fostering a resilient arts economy to ensure the survival of these traditions. This episode of the ArtsvilleUSA podcast serves as a profound reminder of the resilience of Western North Carolina's artists and their significant contributions to the local economy. It highlights the role of craft as a means of expression and an essential economic driver, showcasing the historical context of craft in the region—from its Cherokee roots to the modern-day crafts movement.

Listeners will find inspiration in stories of community solidarity as artists and organizations unite to aid recovery efforts, fostering a spirit of hope and collaboration amid challenges. Our conversation with the Blue Ridge National Heritage Area emphasizes the importance of preserving the region's rich cultural heritage while inviting audiences to explore and support North Carolina's arts scene.

Don't miss this episode, & be sure to check out the links below for more information:

ArtsvilleUSA

NOT REAL ART

For more information, please visit https://www.artsvilleusa.com/blue-ridge-national-heritage-area

Most artists know their calling from a young age and enter into the creative world in early adulthood with little to no savings. This was not the case with one of the legends of the art world, Viola Spells. Viola was working as a librarian and investing in properties when she attended her daughter's parent evening where she fell in love with the idea of creating jewelry. Join us today as we hear how she was forced to put her passion on the backburner while trying to raise a family, and how she moved into the creative world full-time in her 60s! As an African American woman in the segregated South, Viola's experiences growing up in the 1950s shaped who she is today. She has returned to her childhood home of Asheville where she runs her Pink Dog Studio, and we hear all about her creative process, where she learned to make jewelry, and her advice to young artists. For all this, and so much more, tune in today!

For our full show notes, please visit: https://www.artsvilleusa.com/finding-your-calling/

Key Points From This Episode:

• Why the team is so inspired by Viola and her road to success!
• What Viola wants people to know about her work: the lightness and the tactility. 
• Viola’s family history and what she learned from her parents and her grandparents.
• How growing up in Asheville in the 1950s influenced Viola’s network and perceptions about race and society. 
• Viola’s experience as a librarian, and moving from a small town to a big city. 
• Why art took a back seat when Viola was working as a librarian. 
• Viola’s lightbulb moment: when she realized making jewelry was her calling. 
• How Viola became interested in the concept of the line.
• The difference between knitting and crocheting, and how practice made perfect. 
• Viola's process: inspirational vs sketching, and her color palette. 
• Teaching kids to make art and how Viola brings out their artistic side. 
• Her work schedule, from night owl to preparing for success!
• The Chitchat fashion show, and approaching a fashion event with an open (or a librarian’s) mind. 
• Viola’s experience coming back home to Asheville, and making her move into entrepreneurship with Pink Dog. 
• The advice she would give to other artists: you have to have plans in place and manage both time and money. 
• The changes in the "Segregated South" from the 1950s to the present day, and how Viola coped with these. 
• What the artistic community is like in Asheville, and how it’s still segregated. 
• Viola's suggestions for young Black artists to break into the community and build a platform. 
• Where you can find out more about Viola Spells’ work!

Links Mentioned in Today’s Episode:

Viola Spells on LinkedIn — https://www.linkedin.com/in/viola-spells

Zenobia Studio on Instagram — https://www.instagram.com/zenobiastudio

Pink Dog Creative — https://www.pinkdog-creative.com/

Textile Techniques in Metal: For Jewelers, Textile Artists & Sculptors — https://www.amazon.com/Textile-Techniques-Metal-Jewelers-Sculptors

Grind — https://grindavl.club/

Marquee —

Today’s guest lived and worked in many exotic parts of the world before finding her way to Artsville, where she is currently very happily residing and exhibiting her work. Whether in India, Indonesia, or Ghana, Rhona Polonsky has always sought out beauty and surprise, and therefore she has always been surrounded by inspiration for her art. Rhona describes herself as a maker and a teacher, rather than an artist, and in today’s episode, she shares what her journey as a creative has looked like, including the moment she discovered her love for clay, her experience with sgraffito, her tendency to steer towards simplicity, and some of the challenges and failures that she has gracefully dealt with along the way.

For our full show notes, please visit: https://www.artsvilleusa.com/the-beauty-of-surprise/

Key Points From This Episode:

• Appreciation for today’s guest, Rhona Polonsky, who is currently exhibiting at Artsville.
• Mentors who have helped Rhonda on her journey as an entrepreneurial artist. 
• An overview of Rhona’s professional background.
• Rhona’s first introduction to clay, and what she immediately loved about the medium.
• The many places around the world where Rhona has lived.
• Where Rhona started doing pottery.
• Sgraffito; what this type of art is, and Rhona’s experience with it.
• How the places Rhona has lived have inspired her art.
• Surprise; how Rhona incorporates this element into her work. 
• Rhona’s journey from complex to simple. 
• How Rhona approaches rejection and imperfection.
• An explanation of the Batik method. 
• What motivated Rhona to begin selling her artworks, and the challenges that she faces with pricing her pieces.
• Why Rhona refers to herself as a maker rather than an artist.
• How Rhona feels about living in Artsville and exhibiting her work at the Marquee.
• Some of the many different types of clay. 

Links Mentioned in Today’s Episode:

Scott “Sourdough” Power — https://www.notarealartist.com/

Louise Glickman — https://www.louiseglickman.com/

Daryl Slaton — http://www.tailsofwhimsy.com/

Crewest Studio — https://creweststudio.com/

Sand Hill Artists Collective (SHAC) — https://sandhillartists.com/

In this episode of Artsville, we welcome one of the driving forces behind this Asheville-based project, the inspiring and wonderful Daryl Slaton. Daryl is a lifelong artist, having worked in many different spheres, including periods as a commercial artist for some of the biggest names in corporate America! As is apparent throughout our conversation, Daryl is young at heart and full of fun and laughter. He is also husband to our very own Louise Glickman! In our chat today we chart some of Daryl's journey as an artist, all the way up to the new and exciting work he is now doing with the latest augmented reality technology. Our guest talks about the hard work and long hours that go into developing a creative skill, and how he approaches finding inspiration. We also touch on some of the exciting things happening in Artsville right now, and his involvement in these, so to hear all of this and a whole lot more, tune in!

For our full show notes, please visit: https://www.artsvilleusa.com/tails-of-whimsy-with-daryl-slaton-ep8/

Key Points From This Episode:

• Daryl's goal of bringing positivity into the world through his art and characters.
• The importance of community and the amazing network of artists in Asheville.
• Daryl's early years in North Carolina, and his childhood fascination with cartoons.
• The first drawing that Daryl remembers; depicting a trip to the toy store with his mother.
• Daryl's career working as a commercial artist in corporate America.
• The revealing of Gallagher's character; Daryl speaks about how he discovered the tiger.
• The themes that Daryl likes to explore through Gallagher's adventures. 
• How the global pandemic impacted Daryl's work and creative routine.  
• The new dimension that augmented reality brings to an artwork; Daryl explains his excitement.  
• Unpacking Daryl's creative process and its beginnings in pencil drawing.  
• Daryl's investigation into the world of NFTs and environmental improvements in the space. 
• The work that Daryl is currently exhibiting in the Artsville Gallery Space. 
• Thoughts on the warehousing of unsold artwork, and what this means for digital artists. 
• Where to find Daryl online, and more information about the Artsville Gallery Space in Asheville.  

Links Mentioned in Today’s Episode:

Daryl Slaton on Instagram — https://www.instagram.com/darylslaton/

Tails of Whimsy — http://www.tailsofwhimsy.com/

Artivive — https://artivive.com/

Marquee — https://marqueeasheville.com/

Scott “Sourdough” Power — https://www.notarealartist.com/

Louise Glickman — https://www.louiseglickman.com/

Daryl Slaton — http://www.tailsofwhimsy.com/

Crewest Studio — https://creweststudio.com/

Sand Hill Artists Collective (SHAC) — https://sandhillartists.com/

Crack open the world of pysanky, or Ukrainian Easter Eggs, with today’s guest, Andrea Kulish. Andrea, a first-generation Ukrainian-American artist and designer, specializes in pysanky eggs, a traditional Ukrainian art form created with a wax-resist or batik technique.

In this episode, Andrea reveals the deep cultural significance of pysanky, which are adorned with motifs rooted in Slavic folk art and have been crafted for centuries. Join us as we explore the detailed process of creating pysanky, from selecting the perfect egg to choosing vibrant color palettes. Andrea shares her insights into the history of this art form, including the meanings behind common symbols often seen in her work. We also delve into her mission to spread Ukrainian culture and good wishes through her art, shedding light on the importance of eggs as symbols of hope and renewal in Ukrainian traditions. 

Additionally, Andrea discusses her River Arts District studio, Studio A, located inside Pink Dog Creative, highlighting the creative community that inspires her. Our conversation touches on Andrea's efforts to fundraise for Ukrainian relief, showcasing the power of art as a means of support in challenging times. Don’t miss this enlightening discussion that not only celebrates Ukrainian culture but also emphasizes the role of artists in fostering hope and resilience. 

For more information, please visit: https://www.artsvilleusa.com/andrea-kulish

In today’s episode, we’re taking a dive into the history behind how Asheville became Artsville, with Tom Anders from Grovewood Gallery! Located in the historic Grovewood Village, which once housed the weaving and woodworking operations of Biltmore Industries, Grovewood Gallery is nationally recognized for its dedication to fine American art and craft. With 9,000 square feet of artisan-made jewelry, textiles, pottery, glass, and more, Grovewood highlights the important contributions of over 400 artists and craftspeople from across the United States. Tuning in, you’ll learn about the important contributions that the Vanderbilt family made to the artistic hub that Asheville is today and gain some insight into the handmade legacy that the Biltmore Industries Homespun Museum preserves and continues. We also touch on how the history of Grovewood Village started with a malaria remedy, the fascinating story behind the Estes-Winn Antique Car Museum and Harry Blomberg’s passion for automobiles, what you can expect from your visit to Grovewood Village in the present day, as well as Tom’s personal history in Asheville, and so much more! Tune in today to discover this local treasure that offers a glimpse into an important part of Asheville’s story!

For our full show notes, please visit: https://www.artsvilleusa.com/grovewood-village-gallery/

Key Points From This Episode:

• Get a glimpse into the history of Grovewood and Downtown Asheville from Louise and Daryl.
• Tom shares his perspective on how the Vanderbilts helped Asheville become Artsville.
• Learn more about George Vanderbilt, who founded Biltmore Estate in 1895.
• What Tom’s role as curator, manager, and local historian at Grovewood entails.
• The genesis of Biltmore Industries and how they came to be known for their woolen fabric.
• The history of Grovewood Village, which starts with Edwin Grove’s Tasteless Chill Tonic.
• What led to the decline of Biltmore Industries and how the textile industry shifted.
• How Fred Seely made Biltmore Homespun fabrics popular with people nationwide.
• The story of the Estes-Winn Antique Car Museum, founded by Harry Blomberg in 1966.
• Hear about the collection of vintage cars and horse drawn carriages that Tom oversees.
• Tom reflects on the market value of this collection, which includes some very rare cars.
• How Grovewood Village offers a little something for everyone, no matter their interests.
• Tom introduces us to some of the artists and artisans working in Grovewood today.
• Tom shares his own personal history in Ashville, where he was born in 1958.
• Unpacking Edith Vanderbilt’s progressive approach and the YMI Cultural Center.
• Parting thoughts from Tom on how George and Bill Cecil have transformed Asheville. 

Links Mentioned in Today’s Episode:

Tom Anders on LinkedIn — https://www.linkedin.com/in/tom-anders-152032152/

Tom Anders Email — tom@grovewood.com

Grovewood Village — https://www.grovewood.com/

Grovewood Gallery — https://www.grovewood.com/grovewood-gallery/

Biltmore Industries Homespun Museum — https://www.grovewood.com/biltmore-industries-homespun-museum/

Estes-Winn Antique Car Museum —

Black Mountain College has long been acknowledged as the birthplace of the true American avant-garde. The experimental school was founded in 1933 on the principles of attaining a perfect balance between academics, arts, and crafts within a purely democratic society, where all members, students, and teachers were considered to be equal. Legendary even in its own time, Black Mountain College attracted and created maverick spirits, including Williem and Elaine de Kooning, Robert Rauschenberg, Cy Twombly, Merce Cunningham, and Buckminster Fuller, to name just a few! Its history and legacy are now preserved and extended by the Black Mountain College Museum + Arts Center (BMCM+AC), located in Downtown Asheville. To tell the incredible (and sometimes scandalous) story of Black Mountain College (BMC), we welcome Kate Averett, a writer and curator based in Asheville, where she serves as Staff Historian, Project Coordinator, and Board Member at BMCM+AC. In today’s episode of Artsville, you’ll learn about the historical synchronicity that informs the connection between BMC and the Bauhaus, the legendary parties that were thrown at the college, and the role that the BMCM+AC plays in keeping the BMC legacy alive, as well as how they create space for the artists, scholars, and curators who uphold the open-mindedness that BMC was built on, plus so much more! Tune in to learn more from remarkable storyteller, Kate Averett!

For our full show notes, please visit: https://www.artsvilleusa.com/black-mountain-college/

Key Points From This Episode:

• Louise and Daryl introduce today’s guest: Kate Averett from BMCM+AC.
• Learn about some of the major influential figures who attended BMC.
• Kate starts by sharing a bit about herself and her role at BMCM+AC.
• Hear the origin story of BMC which, like all good stories, starts with a scandal!
• Insight into BMC founder John A. Rice’s educational philosophy on hands-on learning.
• How the rise of the Nazis and the closing of the Bauhaus led Josef and Anni Albers to BMC.
• Some of the influential figures that attended BMC and the relationships that developed.
• The legendary Greek Party that Jean Varda threw at BMC, complete with a Trojan Horse!
• Kate highlights the communal, democratic structure between faculty and students at BMC.
• How avant-garde artists like Robert Rauschenberg were influenced by their time at BMC.
• Learn about one of the many famous student revolts at BMC known as The Split. 
• The impact that cultural and political pressure had on BMC toward the end of the 1950s.
• Kate reflects on the role that BMCM+AC plays in keeping the BMC legacy alive.
• How BMCM+AC came to be a museum and arts center as opposed to just a museum.
• The different stories that BMCM+AC hopes to tell about BMC, not just its history.
• Looking to the future in the ReVIEWING Black Mountain College conference.
• Kate reflects on the history of identity intersection and integration at BMC.
• Kate ends on an anecdote about Harriet Sohmers Zwerling and sexual liberation at BMC.

Links Mentioned in Today’s Episode:

Kate Averett on LinkedIn — https://www.linkedin.com/in/kate-averett-b5466568/

Black Mountain College Museum + Arts Center — https://www.blackmountaincollege.org/

ReVIEWING Black Mountain College International Conference —

Today on the Artsville Podcast, we hear from Michael Manes, Gallery Director and Co-Owner at Blue Spiral 1, an art gallery in the heart of Downtown Asheville that represents up to 120 contemporary artists and the estate of turn-of-the-century modernist, Will Henry Stevens. Blue Spiral 1 exhibits the work of artists and makers in a light-filled 15,000 square-foot gallery spanning three floors. This spacious setting allows the gallery to offer considerable diversity and, in today’s episode, Michael shares how Blue Spiral has historically elevated the work of local artisans to a broader audience thanks to the legacy of the gallery’s founder, John Cram. We also touch on the rise of the studio craft movement in America, the influence that Ashville’s natural beauty has on its creative community, and gain some insight into the logistics of running and programming a gallery space on such a large scale. Michael also shares some words of wisdom for artists seeking gallery representation and art lovers building their collection. Plus so much more! Tune in today for an enlightening and engaging discussion with another key member from Asheville’s thriving creative community!

For our full show notes, please visit: https://www.artsvilleusa.com/blue-spiral-elevating-artisans/

Key Points From This Episode:

• Get to know Michael Manes and hear about his role at Blue Spiral 1.
• Learn about John Cram, who founded the gallery in 1990, and the early days of Blue Spiral.
• Micheal shares his personal journey to Asheville and what led him there.
• He reflects on the historical differentiation between art and craft and the rise of the studio craft movement in America.
• How John Cram and other art leaders paved the way for Asheville to become Artsville.
• Challenges Blue Spiral has had to overcome, including keeping up with Asheville’s growth.
• The influence that the natural environment in Asheville has on the creative community.
• Find out how Michael approaches programming and curating a 15,000 square-foot space.
• Some insight into the logistics of running a gallery that represents up to 120 artists.
• Michael’s advice for artists hoping to approach a gallery for representation: be prolific!
• His suggestion for art lovers building their collection: start by buying what you love.
• Why Blue Spiral strives to remain affordable, approachable, and accessible for all.
• What Michael wants listeners to know about Ashville; everyone is welcome!
• The beautiful sense of community that Michael believes makes Ashville unique.
• Accessibility and e-commerce; how to buy art on the Blue Spiral website.

Links Mentioned in Today’s Episode:

Michael Manes on LinkedIn — https://www.linkedin.com/in/michael-manes-97379a8b/

Blue Spiral 1 — https://bluespiral1.com/

Blue Spiral 1 on Instagram — https://www.instagram.com/bluespiral1/

Blue Spiral 1 on Facebook — https://www.facebook.com/BlueSpiral1/

Scott “Sourdough” Power — https://www.notarealartist.com/

Louise Glickman — https://www.louiseglickman.com/

Daryl Slaton —

Welcome back to another episode of Artsville, where we celebrate American contemporary arts and crafts from Asheville, North Carolina, and beyond! In today’s double-whammy episode, you’ll hear from two special guests: Stephanie Moore, Director of the Center for Craft, and Jordan Ahlers, Director and Owner of Momentum Gallery, both of which are located on Broadway Street in Downtown Asheville. Tuning in, you’ll learn about the vision and mission of both these institutions, including how they crossover, collaborate, and share knowledge to promote contemporary art and craft for the future of Asheville while also honoring its rich cultural history. We discuss what makes Asheville Artsville, the fundamental differences (and similarities) between art and craft, and how the art and craft community in Asheville is coalescing to create the Broadway Cultural Gateway, as well as how Jordan and Stephanie are using education to tell the stories of the next generation of artists and makers in Asheville and beyond. We also touch on the power of material-based traditions, how to buy art as a newbie, and so much more, so make sure to tune into this episode of the Artsville Podcast today!

For our full show notes, please visit: https://www.artsvilleusa.com/center-for-craft-momentum-gallery/

Key Points From This Episode:

• Why the Center for Craft and Momentum are considered ‘new kids’ on Broadway Street.
• An introduction to Stephanie, the Center for Craft, and their mission.
• Get to know Jordan, Momentum Gallery, and their focus on material-based traditions.
• How he believes Asheville became Artsville thanks to its rich cultural history.
• The inherent reverence and respect for art and craft that Stephanie has found in Asheville.
• Stephanie and Jordan reflect on the difference (or lack thereof) between art and craft.
• The unique framework of partnership that exists among makers and creatives in Asheville.
• Learn about the Center’s grant, fellowship, and craft research programs.
• Turning Broadway Street into an arts corridor known as the Broadway Cultural Gateway.
• Jordan’s advice for navigating and exploring the rich art landscape in Asheville.
• Find out from Stephanie how the Center works with national art school programs.
• Jordan’s words of wisdom for those new to buying art: start with something meaningful.
• Educating his clients and collectors about local artists who may be less well-known.
• Stephanie on how the Center is connected with Indigenous and Native craft traditions.
• Reconciling the sometimes uncomfortable history of craft through education.
• Some insight into the glasswork of Harvey Littleton and his relationship with Dale Chihuly.
• Stephanie highlights self-taught artists like the Bringle Sisters and Michael Sherrill.
• Learn about Stoney Lamar, the Windgate Foundation, and their contributions to craft.

Links Mentioned in Today’s Episode:

Stephanie Moore on LinkedIn — https://www.linkedin.com/in/stephanie-moore-65b4256/

Center for Craft — https://www.centerforcraft.org/

Jordan Ahlers on LinkedIn — https://www.linkedin.com/in/jordan-ahlers-b82a789/

Momentum Gallery — https://momentumgallery.com/

Lexington Glassworks —

Welcome to the first-ever episode of the Artsville Podcast, where we celebrate American contemporary arts and crafts from Asheville, North Carolina, and beyond! Today, Crewest Studio's Scott "Sourdough" Power is joined by Louise Glickman and Daryl Slaton from the Sand Hill Artists Collective (SHAC) to introduce you to Mia Hall and Robin Dreyer, the Executive Director and Communications Manager of the Penland School of Craft, an international center for craft education dedicated to helping people live creative lives. Located in North Carolina’s Blue Ridge Mountains, Penland offers immersive workshops along with artist residencies, a gallery and visitors’ center, and a variety of community programs. Tuning in, you’ll learn why Penland is an integral part of the history of art and craft in Asheville and Mia and Robin weigh in on the age-old art versus craft debate (spoiler alert: it’s not as black and white as you may think!) We also touch on Mia’s mission to “turn Penland inwards,” how the campus fosters a sense of community, and gain some insight into Penland’s robust scholarship program, as well as how the school seeks to foster a spirit of inclusivity and accessibility for all. For all this and so much more, make sure to join us for this episode of Artsville!

For our full show notes, please visit: https://www.artsvilleusa.com/penland-school-of-craft/

Key Points From This Episode:

• How Penland is essential to the legacy of art and craft in Asheville.
• An introduction to Mia and Robin and their roles at Penland.
• The distinctive structure of Penland and why they historically do not have a faculty.
• Art versus craft: Mia weighs in on the fundamental differences (and similarities).
• Robin on why he believes that art and craft exist on a continuum.
• Mia’s mission as Executive Director to turn Penland inwards and focus on accessibility.
• Some of the obstacles she has to overcome to make the school more inviting.
• Get an idea of what it feels like to visit the Penland campus from Robin.
• How the layout of the campus itself fosters a sense of community.
• Learn how occupancy and class size has been thoughtfully considered.
• Insight into the application process and Penland’s robust scholarship program.
• Robin reflects on Penland as an inclusive rather than an exclusive organization.
• Hear about their new gallery and visitors’ center and how it promotes their program.
• Celebrating the patrons, donors, board, and selfless instructors of Penland.
• Mia and Robin share their favorite stories from their time at the school.
• Parting thoughts from Robin on the power of craft and continuous learning.

Links Mentioned in Today’s Episode:

Mia Hall on LinkedIn — https://www.linkedin.com/in/mia-hall-112b4011/

Mia Hall on Instagram — https://www.instagram.com/penland_director/

Robin Dreyer on LinkedIn — https://www.linkedin.com/in/robin-dreyer-7180b9129/

Robin Dreyer on Instagram — https://www.instagram.com/robinrdreyer/

Penland School of Craft — https://penland.org/

Scott “Sourdough” Power — https://www.notarealartist.com/

Louise Glickman —

Our song says it all.

Performed by Richard Donovan and the Owls

“Artsville Theme Song” (Written by Dan Ubick)

Produced by Dan Ubick for DanUbe Productions

Richard Donovan : vocals

Jordan Katz : banjo

Adam Moss : fiddle

Ben Peeler : mandolin

Dan Ubick : guitars

Dave Wilder : upright bass

Excuse our language, but 2024 was a whirlwind—literally. Our final episode of the year explores the sweeping impact of Hurricane Helene on the Asheville arts community. NOT REAL ART founder Scott “Sourdough” Power joins ArtsvilleUSA director Louise Glickman to discuss the challenges faced by local artists and art organizations, emphasizing the urgent need for support and funding to sustain their crafts in the aftermath of the disaster. They highlight the resilience and ingenuity of the community as locals adapt to new digital platforms and outreach strategies to promote their work. The episode also introduces new initiatives, like the Helene Stories Hotline (833-622-7871), where artists can share their stories and gain visibility. In this heartfelt conversation, Scott and Louise reaffirm their commitment to amplifying the voices of artists and keeping the spirit of creativity alive in Asheville and beyond.

The resilience of Asheville's artistic community shines through in this episode, which serves as a poignant recap of a year marked by both triumphs and tribulations. Louise and Scott delve into the aftermath of Hurricane Helene and outline the significant impact on local artists and arts organizations. The conversation reveals the harsh reality of financial instability faced by artists as tourism dwindled and disaster relief funds fell short. However, amidst the challenges, the hosts spotlight the unwavering spirit of the community, showcasing various initiatives launched to support artists and keep the arts alive in Asheville. They discuss specific programs aimed at helping artists tell their stories and promote their work, emphasizing the critical role of digital platforms in reaching broader audiences. This episode chronicles the struggles and celebrates the creativity and determination of artists who refuse to be silenced by adversity. Listeners are encouraged to support local artists by purchasing their work and ensuring the continuation of Asheville's rich artistic heritage.

Tune in and join us for this special year-end recap. For more information, visit some of the links referenced in this conversation below.

Arts Connection

ArtsvilleUSA

Craft Your Commerce

NOT REAL ART

For more information, please visit https://www.artsvilleusa.com/2024-review

In the wake of Hurricane Helene's devastation, Asheville can draw valuable lessons from New Orleans, a city that faced its own struggles after Hurricane Katrina in 2005. In this month’s podcast episode, ArtsvilleUSA director Louise Glickman sits down with Michael Manes of Asheville’s Blue Spiral 1 and Arthur Roger of New Orleans’ Arthur Roger Gallery to discuss the future of Asheville’s arts community. 

To kick off the conversation, Michael shares his experience of living through Hurricane Helene and discusses some of the damage that was done to the Asheville Arts District, what needs to happen next, and how he is adjusting his gallery planning to help with recovery efforts. Arthur dives into the diverse responses of artists to water-damaged work: some want to incorporate the effects into their pieces' stories, while others seek repairs. Finally, Scott “Sourdough” Power, founder of NOT REAL ART, joins the conversation for a roundtable discussion covering the art culture in New Orleans and the role of galleries in uplifting artists who aim for a fresh start after the natural disaster. Join us for a much-needed dose of hope from these two impressive curators and thought leaders in art.

For more information, please visit https://www.artsvilleusa.com/mmichael-manes-blue-spiral-arthur-roger-gallery

When natural disasters strike, they don’t just destroy homes; they can devastate entire communities, livelihoods, and creative legacies. In this special edition of Art World Horror Stories, Asheville-based photographer Michael Freas shares the harrowing tale of Hurricane Helene’s destruction, which left hundreds of local artists without studios or income. 

Having survived multiple hurricanes, Michael offers a unique perspective on the resilience required to rebuild after such catastrophes. As a freelance photographer for ArtsvilleUSA, Michael and his images have played a crucial role in documenting the storm's devastation of the River Arts District (RAD), a low-lying creative hub located along the banks of the French Broad River. Read ArtsvilleUSA’s report on the RAD here.

For more information, please visit https://www.artsvilleusa.com/photojournalist-michael-freas

Making a living from the arts can be a tough gig. Most art schools rightfully focus on studio skills and critical thinking but place very little emphasis on their real-world applications. Artists often double as their own marketers, using dated information that doesn't translate to tech advances in social media or the contemporary arts industry. In today’s podcast episode, Asheville printmaker Jamie Karolich joins us to discuss Craft Your Commerce, a program that equips artists with essential business skills through affordable workshops.

For more information, please visit https://www.artsvilleusa.com/craft-your-commerce

When Sue Dolamore started painting, she joined a small group of Asheville-area plein-air artists. Under her leadership, the outdoor painting group ballooned from 12 members to nearly 400 over a five-year period. All the while, Sue learned to capture the breathtaking mountain vistas of Western North Carolina by working outdoors. These days, Sue also works inside a studio, but her abstract landscapes and lively sketches always retain the joyful, lighthearted energy of plein-air painting. In today’s podcast episode, ArtsvilleUSA founder Lousie Glickman sits down with Sue Dolamore to discuss the painter’s most valuable insights as an artist, educator, and marketer. 

For more information, please visit https://www.artsvilleusa.com/sue-dolamore

Ask any artist what they need to succeed; nine times out of 10, they’ll say “marketing.” In today’s podcast episode, marketing wunderkind Sarah Benoit of JB Media Institute joins us to discuss the practical tools artists and creative entrepreneurs need to grow their businesses in the digital era.

Key Points From This Episode:

• How Sarah got into the marketing business as an “appreciator of the creators”
• Reframing marketing for artists by zooming in on relationships
• Tips for choosing marketing tools wisely and creating a digital strategy that works for you
• Why Sarah recommends starting with one platform and building from there
• Challenging certain misconceptions about emerging technology
• Ethical considerations for artists regarding AI and social media
• Practical advice for buying and selling artwork online
• Where to learn more about digital marketing and content strategy for artists

For more information, please visit https://www.artsvilleusa.com/sarah-benoit

Just a year ago, fall festivals were disappearing right and left from event calendars in the Blue Ridge Mountains. Hurricane Helene may have thrown a wrench in Western North Carolina’s 2024 festival season, but 2025 is back and better than ever. This weekend marks the triumphant return of the LEAF Global Arts Festival for its 30th anniversary at Lake Eden in Black Mountain. Join host Elise Wilson and LEAF Marketing and Engagement Coordinator Natascha Van Aalst Leitner as they uncover how stories, songs, and dance connect Western North Carolina with the rest of the world—and why this year's theme, “Live Life Like a Festival,” is more relevant than ever. 

Together, Elise and Natascha unpack: 

• Why cultural preservation remains an integral part of LEAF’s mission after thirty years
• How LEAF's Artist ReLEAF Fund supports local artists affected by natural disasters
• How to Live Life Like a Festival: Pick up a copy of founder Jennifer Pickering’s new book, which celebrates 30 years of LEAF Global Arts.

How You Can Get Involved

• Purchase tickets for the 2025 LEAF Global Arts Festival, Oct. 16 - 19.
• Donate to LEAF's Artist ReLEAF Fund.
• Shop Live Life Like a Festival.
• Learn about global arts through LEAF’s Schools & Streets program. 
• Become a member of LEAF. 

About LEAF Global Arts

LEAF Global Arts is a non-profit organization that fosters community and cultural connections through world music, arts education, and global experiences. For nearly 30 years, it has worked to build relationships with communities, preserve cultural heritage, and provide arts education to thousands of youth, primarily through its festivals, the LEAF Retreat, and the Easel Rider Mobile Art Lab. Its mission is to connect cultures and create community through shared experiences with art, music, and dance. 

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In the wake of natural disasters, art can serve as a lifeline for communities in urgent need of healing. Today, we’re chatting with the curators behind A Tale of Two Cities, a cross-cultural exhibition commemorating the anniversaries of hurricanes Helene in Asheville and Katrina in New Orleans. Our guests include Kenn Kotara, an artist based in Asheville; Jan Gilbert, an artist from New Orleans; and Andrew Rogers, the executive director of the New Orleans Academy of Fine Art (NOAFA), where the exhibition will be held. 

The discussion centers on the cultural impact and aftermath of both hurricanes on their respective cities. Each guest shares their experiences and insights regarding how art has played a critical role in recovery efforts. Ken Kotara reflects on the Asheville community’s resilience, highlighting how local artists have embraced collaboration and creativity to rebuild their cultural identity. Jan Gilbert adds to this narrative by discussing the unique challenges New Orleans artists face, emphasizing their commitment to using their work as a form of healing. Andrew Rogers emphasizes the importance of showcasing the interconnected stories of artists from both cities. He encourages listeners to engage with the arts and support local talent, underscoring the healing power of creativity in the aftermath of adversity.

Through a shared platform, A Tale of Two Cities invites artists to reflect on their experiences with climate-related disasters and engage the public in meaningful conversations about hope and recovery. The exhibition emphasizes the importance of protecting and representing vulnerable artists, affirming that art can catalyze healing in communities facing existential challenges. With both physical and virtual showcases, this exhibition aspires to inspire ongoing connections between the two cities, promoting cultural exchange and reinforcing the role of art in building resilient communities.

A Tale of Two Cities opens Sept. 13 and runs through Nov. 8, 2025, at NOAFA. 

For more information, please visit https://www.artsvilleusa.com/a-tale-of-two-cities-curators-panel

Are you sitting comfortably? Because this week, we’re taking a closer look at how the Hominy Creek Comfort Makers and their Enka-Candler Library partners are combining craft and community service. Host Elise Wilson cozies up with founder Pat White, along with local library legends Kate Spratt (branch manager) and Theresa Wallace (librarian and program master), for a conversation about how a group of crafters is comforting their community, one stitch at a time.

Why the Enka-Candler Library? The Comfort Makers needed a home base, a place to gather, create, and store their ever-growing stash of materials and handmade goods. Like most regional libraries, the Enka-Candler branch has become much more than a place to pick up books. Under the guidance of Kate and Theresa, the library now serves as a monthly meeting ground for this unstoppable volunteer group. It’s a creative hub where anyone can drop in, find connection, and take part, no sewing skills required.

Episode Credits

Host: Elise Wilson

Guests: Pat White, Kate Spratt, Theresa Wallace

Produced by: ArtsvilleUSA

Special Thanks: The Friends of the Enka-Candler Library, Buncombe County Public Libraries, and everyone who’s stuffed, stitched, or crocheted alongside this crew.

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