Boogie was born and raised in Belgrade, Serbia and began photographing rebellion and unrest during the civil war that ravaged his country during the 1990s. Growing up in a war-torn country defined Boogie’s style and attraction to the darker side of human existence. He moved to New York in 1998, and turned his camera on the cities housing projects, unlocking the heart-stopping world of gangs and drugs in his seminal book IT’S ALL GOOD (powerHouse Books, 2006)
He’s gone on to publish eight more books focused on the hard side of cities all over the world and his recent solo exhibitions include Paris, New York, Tokyo, Milan, Istanbul and Los Angeles.
Selected clients include: Nike, Adidas, Puma, Apple, HBO, Lee, Tim Hortons and New Era
Greg Marinovich is co-author of The Bang Bang Club, a nonfiction book on South Africa’s transition to democracy that has been translated into six languages. He is a Pulitzer Prize-winning photographer and filmmaker.
Greg spent 25 years covering conflict around the globe, with his writing and photographs appearing in magazines and newspapers worldwide.His 2012 award-winning investigations into the Marikana massacre of miners by police was called the most important South African journalism post-Apartheid, the book will be published early in 2016.
Greg was Editor-In-Chief of the Twenty Ten project, tutoring and managing over 100 African journalists’ work in all forms of media. He gives lectures and workshops on human rights, justice photography and storytelling. He was a Nieman Fellow at Harvard University in 2013/14 and currently teaches visual journalism at Boston University’s Journalism school and the Harvard summer school.
Books The Bang-Bang Club: Snapshots from a Hidden War. Co-authored with João Silva. (Heinneman, 2000) https://amzn.eu/d/2hHakw0 A Man's Journey to Simple Abundance. (Scribner, 2000). https://amzn.eu/d/fqcimdJ Murder at Small Koppie: the real story of the Marikana Massacre. (Michigan State University Press,2017) https://amzn.eu/d/hPrRyXI Der Bang-Bang Club. Germany (Wunderhorn, 2015) https://amzn.eu/d/d3oomKw
Film: Vimeo: https://vimeo.com/channels/163209 Crime Special (1995) Shembe (1998) Ten Days in Afghanistan (1999) The Way of The Forefathers (2000) Village of the Spirits (2001) Looking for Luck (2002) The Lord's Children (2004) Small Boys, Big Guns (2004) Conversations with Goldblatt (2005) Njengue, Spirit of the Forest (2005) Dancers of God (2005) A series of films for the EU and UNICEF throughout Africa (2010)
João Silva: https://en.wikipedia.org/wiki/Jo%C3%A3o_Silva_(photographer) Kevin Carter: https://en.wikipedia.org/wiki/Kevin_Carter The Vulture and the Little Girl: https://en.wikipedia.org/wiki/The_Vulture_and_the_Little_Girl Ken Oosterbroek: https://en.wikipedia.org/wiki/Ken_Oosterbroek Leonie Marinovich: https://www.marinovichphotography.com/leoniemarinovich
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#13 Daniel Meadows - PHOTO TALK - WTF-STOP PODCAST
dimanche 13 novembre 2022 • Durée 01:13:31
Photographer, documentarian, and digital storyteller Daniel Meadows (b. 1952) has spent a lifetime recording British society, challenging the status quo by working in a collaborative way to capture extraordinary aspects of ordinary life through pictures, audio recordings, and short movies.
He is best known for his 1973-74 journey around England in the Free Photographic Omnibus when he traveled 10,000 miles in a converted double-decker and made 958 portraits in "free studio" sessions on the streets of 22 different British towns and cities. This is a project he revisited in the 1990s, photographing again some of the subjects of those portraits for his widely published series National Portraits: Now & Then.
His pioneering community storytelling project BBC Capture Wales (2001-08) encouraged many hundreds of people across Wales to embrace the arrival of the digital age in pop-up workshops by making their own two minutes of TV, framing their memories and pictures into digital stories, "multimedia sonnets from the people". Capture Wales won a BAFTA Cymru in 2002. Meadows taught the documentary photography course with David Hurn in Newport(1983-94); also photojournalism (1994-2001) and digital storytelling (2000-2012) at Cardiff School of Journalism, Media & Cultural Studies where he also completed his PhD (2005). In the 1990s he taught photojournalism workshops in the emerging democracies of eastern Europe, also in India and Bangladesh. After 2000 he traveled repeatedly to Australia and the USA lecturing about his pioneering work in participatory media.
Selected Books: Living Like This – Around Britain in the Seventies (1975) https://www.setantabooks.com/products/living-like-this Nattering In Paradise – A Word from the Suburbs (1987) National Portraits – Photographs from the 1970s (1997) https://www.setantabooks.com/products/national-portraits The Bus – The Free Photographic Omnibus 1973-2001 (2001) https://www.setantabooks.com/products/the-bus-the-free-photographic-omnibus-1973-2001 Café Royal: https://www.caferoyalbooks.com/search?q=meadows
The Daniel Meadows Archive was acquired by the Bodleian Library at the University of Oxford in March 2018.
Daniel Meadows Website: https://www.photobus.co.uk/home Facebook:https://www.facebook.com/daniel.meadows.73 Digital Stories: https://vimeo.com/showcase/5268983 Talking Stories: https://vimeo.com/showcase/5268853 Photographic Stories: https://vimeo.com/showcase/5268975 Digital Literacy: https://www.bbc.co.uk/news/in-pictures-15717619
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#12 Denis Thorpe - PHOTO TALK - WTF-STOP PODCAST
jeudi 11 août 2022 • Durée 01:03:41
Denis Thorpe joined his local newspaper with the ambition of becoming a reporter. Circumstances dictated that he was assigned to the photography department and immediately became enamoured with that medium’s creative possibilities. For Denis, photography became his passport to another world.
After National Service with the Royal Air Force, he pursued photojournalism, inspired by Picture Post and the early Magnum photographers. Thorpe embarked on a journey of freelancing through London and then the provinces working for morning and evening papers, eventually arriving at the Daily Mail in Manchester.
Denis became a Guardian staff photographer in the 1970s covering assignments across the United Kingdom, Europe, the Middle East, China, India, the Soviet Union, the United States, and Japan during a twenty-three-year career with the paper. Denis has many press awards for his picture essays and news photography including the 1979 World Press Photo Foundation Gold Medal and Ilford Photographer of the Year in 1988.
Denis has produced several books and exhibitions of his work and is an Honorary Fellow of the Royal Photographic Society, a Fellow of the British Institute of Professional Photography, and an Honorary Master of Arts degree from the University of Manchester. This book shows his beginnings, personal projects, and work from around the British Isles and clearly demonstrates why Denis Thorpe is considered by his peers as one of the greats of twentieth-century British photojournalism.
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#11 John Walmsley - PHOTO TALK - WTF-STOP PODCAST
samedi 25 juin 2022 • Durée 01:08:49
John Walmsley has been a freelance documentary photographer since leaving Art School in 1968. His final year project was on A.S. Neill and his democratic school, Summerhill, was published by Penguin Books in 1969 (updated edition planned for March/May 2021). His work has been published in 1,000+ books worldwide (He is the author or joint-author of 15 of them).
In one form or another, his work is also held at the National Portrait Gallery, the National Art Library at the V&A, the V&A Museum of Childhood, the Tate Britain Library, Liverpool Museum, and La Bibliothèque Nationale de France.
Mostly, he photographs ordinary people and the interesting things they do. His first story was the sit-in at Guildford School of Art in 1968 at the end of his final year there. It became the longest ever sit-in at a UK educational establishment and led directly to there being students and staff on the Advisory Boards of schools, colleges, and universities. The book, 'Finding Our Voice', which you can buy here: https://www.johnwalmsleyphotos.co.uk/-/galleries/store/finding-our-voice-book-of-the-exhibition is not only the catalogue of the exhibition to mark the 50th anniversary, but also records the day-by-day events throughout the sit-in (Claire Grey's diary of events and his photographs). In the 70s he was a part-time lecturer at the Architectural Association School of Architecture in London. Plus, he lived and worked with a large group of artists at the Digswell Arts Trust in Welwyn Garden City. Think, very large house, lots of creativity but very little heating.
Increasingly these days, he gives Zoom talks to students and/or professionals about having your 'ducks in a row from the beginning so you stand a better chance of making a living. In particular, protecting your copyright so you could be paid later (sometimes, years later) when someone uses your work without asking and refuses to pay anything, typically saying, "Photos are free, right?".
John Walmsley Web: https://www.johnwalmsleyphotos.co.uk/
Books: Wester Hailes: https://bit.ly/WesterHailes1979BookbyWalmsley Summerhill CRB: http://bit.ly/CRB_Summerhill School of Architecture: http://bit.ly/CRB-AA_SchoolOfArchitecture Wester Hailes CRB: http://bit.ly/CRB_WesterHailes Anna Scher Children's Theatre CRB: http://bit.ly/CRB_AnnaScherChildrensTheatre Sit-In CRB: http://bit.ly/CRB_GSA_Sit-in Grosvenor Square Demo CRB http://bit.ly/CRB_GrosvenorSquareDemo Finding Your Voice: http://bit.ly/FindingOurVoice
Interviews: National Portrait Gallery: https://www.npg.org.uk/collections/about/photographs-collection/photographers-in-focus/photographer-in-focus-john-walmsley Magistrates Association: https://www.ma100yearsofjustice.com/john-walmsley
EPUK: http://www.epuk.org/
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#10 Marilyn Stafford - PHOTO TALK - WTF-STOP PODCAST
lundi 30 mai 2022 • Durée 01:04:15
The late Marilyn Stafford was given a Rolleiflex camera by a friend in New York in 1947, which first piqued her interest in photography, and to support herself in between acting roles, she found work assisting US fashion photographer Francesco Scavullo.
Her photographic career was formally launched in autumn 1948 when she took her first portrait of Albert Einstein for friends who were making a documentary film about him. She was given a 35mm SLR camera for the first time and a quick lesson in how to use it in the back of the car on the way to his house in New Jersey.
in 1948, Marilyn joined a friend on a visit to Paris where she became friends with the war photographer and Magnum co-founder, Robert Capa.
On a ferry crossing to England in 1949, Marilyn met Mulk Raj Anand. She had been tasked by an American friend to buy some books in London and by an incredible twist of fate, the writer of those books was sat beside her on the ferry. Anand became Stafford’s life-long friend and introduced her to Henri Cartier-Bresson, who was to become her photography mentor back in Paris. It was Cartier-Bresson who encouraged her to take street photographs and following his advice, she took a bus to the end of the line where she photographed children in the working-class neighbourhoods of Cité Lesage-Bullourde near Place de la Bastille.
In 1951 Marilyn spent a short period assisting US fashion photographer, Gene Fenn, in his Paris studio and then worked for a PR agency as a fashion photographer herself, an avenue of photography that was more welcoming to women. Fashion photography of haute couture clothing at that time was normally modeled in opulent surroundings but Stafford typically took a documentary approach, preferring to photograph the models on her beloved streets of Paris. In 1958, whilst 6 months pregnant, Marilyn went on a personal mission to Tunisia to document the plight of Algerian refugees fleeing France’s aerial bombardment in the Algerian War of Independence.
In 1959 Marilyn photographed Italian writers Carlo Levi , Italo Calvino, and Alberto Moravio. In 1960 Marilyn traveled extensively in Lebanon, photographing people and places, later published in her book Silent Stories: A Photographic Journey Through Lebanon in the 60s (Saqi, London, 1998).
In the mid-1960s she moved to London as a single mother and found regular work with The Observer, Vogue, Women’s Wear Daily, and The Herald Tribune on both commissions and self-assigned projects and it was during this period that she photographed many celebrities of the day including, Donovan, Twiggy, Margot Fonteyn, and Rudolf Nureyev.
Marilyn was one of few women photographers working for national and international newspapers and magazines at the time and was also one of very few women on the camera / stills Executive Committee of ACTT / BECTU. This gave her an insight into the difficulty of balancing a career in photography with single motherhood, which many years later led her to set up the Marilyn Stafford FotoReportage Award to support women photographers globally.
In 1972 Marilyn spent a month photographing Indira Gandhi, India’s only woman Prime Minister at home and on her duties following the war with Pakistan, which created the new state of Bangladesh.
A selection of Marilyn's work is included in the archives of the University of Texas, USA. In 2017, Marilyn set up the Marilyn Stafford FotoReportage Award for women photographers, supported by Nikon UK, and in association with arts social enterprise FotoDocument In February 2019, Marilyn received an Award for Exceptional Achievement in Photography from UK publication, Amateur Photographer.
In March 2020, Marilyn received the Chairman’s Lifetime Achievement Award from the UK Picture Editors’ Guild Awards in London.
Sadly Marilyn Passed away on the 2nd January 2023 at the age of 97 years. RIP Mariyn.
Marilyn Stafford Web: https://www.marilynstaffordphotograph... Instagram: https://www.instagram.com/marilynstaf... Marilyn Stafford FotoReportage Award: https://fotodocument.org/fotoaward/
Books: A Life in Photography https://bluecoatpress.co.uk/product/m... Stories in Pictures: A Photographic Memoir 1950 Silent Stories: A Photographic Journey Through Lebanon in the Sixties https://www.marilynstaffordphotograph...
Bluecoat Press https://bluecoatpress.co.uk/
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In this episode, I talk to Daily Mail photographer Jamie Wiseman who is on the frontline documenting the unfolding events of the war in Ukraine.
Jamie Wiseman is a London-based news photographer working for The Daily Mail Newspaper. He began his career at the highly respected National Newspaper Agency in York under the guidance of the late industry giant John Pick, he moved to London in 1997 and has worked in conflict zones and photographed news events all over the world.
He has covered conflict in Afghanistan, Libya, Iraq, Syria, Lebanon, and more, natural disasters in Japan, Indonesia, and general news in more than 140 countries. He still travels internationally, reporting on world events to British newspaper readers and the worldwide readers of MailOnline. He is currently in Ukraine.
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#8 Roger Hutchings - PHOTO TALK - WTF-STOP PODCAST
mercredi 27 avril 2022 • Durée 01:20:08
Roger Hutchings is an award-winning British documentary photographer who studied at Newport School of Art in Wales mentored by the Magnum photographer David Hurn. Thereafter he worked with the London Observer Newspaper as a roving photojournalist covering British and World affairs. Subsequently, he joined the photographic agency Network Photographers undertaking assignments for many of the World's leading news magazines. Between commissions, he concentrated on personal documentary work producing books and exhibitions for an international audience. Three significant pieces of reportage have received critical acclaim. Thatcher's Britain, a long-term social documentary report about Britain; Bosnia, surviving the civil war in Former Yugoslavia and Ataturk's Children, pictures examining the relationship between the Turkish State and its Kurdish minority.
In 1996 switching tack after years as a photo-reporter, concerned with news and social issues, Hutchings started looking at creative trends in the fashion industry whose young designers were part of the growing cultural phenomena that became Cool Britannia. The pictures won the Nikon Arts’ Photographer of The Year Award in 1997 and attracted interest from the fashion industry that later led to a collaboration with Giorgio Armani resulting in two books, Backstage and Armani in China pointedly signaling withdrawal from traditional social documentary photography. From this time Hutchings’ aesthetic concerns steered him toward colour imagery evoking inner contemplation although in these images consistent undertones of geometry and intensity can still be detected, despite changing motives, influences and audiences.
According to his former editor at Network Photographers “…… as Hutchings has developed as a photographer his vision has matured in his more recent colour work. There is a surprising coherence between the event-driven imagery of his work for news media and the more recent abstracted colour studies made as self-assigned reveries. All the imagery demonstrates the photographers' curiosity in the human world, exploring relationships between the people and their environments. These scattered glimpses of individual lives and fragmented studies of colour, place, and experience weave together as one coherent overview of the world and our place in it" (Stephen Mayes, No Heroes, 2003)
In 2009 he became the Senior Lecturer in Photojournalism and Documentary Photography at The London College of Communication soon taking up the role of Course Director. He continued teaching until 2018, deciding to step down, to once again concentrate on his own photography.
Throughout his long career Hutchings has contributed to the wider photographic community as Chairman of the World Press Photo Jury, Chair of The British Press Photographer’s Awards and with talks and broadcasts about photography, photojournalism, and ethics.
In 2005 he was profiled in the BBC television series A Digital Picture of Britain a programme that examined how an artist's geographical roots influence their work and explored the importance of new technology in contemporary photography.
Most recently he presented Zeitline a body of work reflecting on the incremental development of a photographer’s evolving vision. [ April 2017, Upper Street Gallery, London College of Communication ]
AWARDS 1998 Nikon Arts Photographer of The Year 1996 Nikon News Photographer of The Year 1995 Canon Photo Essay Award, Runner Up 1995 Finalist Bayeux Award For War Reporting 1994 Media Natura Award for reporting the Developing World 1994 World Press Winner People in The News 1994 Amnesty International Award for Photojournalism 1994 Finalist POY Canon Photo Essay Award 1994 Finalist Infinity Awards International Centre For Photography New York 1994 City of Prague Award for Humanitarian Photography 1992 Nikon News Photographer of The Year 1991 Nikon Photo Essay of The Year 1988 National Union of Journalist's Press Photographer of The Year
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John Bulmer was a pioneer of colour photography in the early 1960s working for the Sunday Times Magazine from the very first issue till the 1970s.
He was brought up in Herefordshire, became a passionate photographer, and when he went to study engineering at Cambridge continued taking photographs- first for the University newspaper Varsity and then for Image, a picture magazine that he co-founded. He also started shooting stories on Cambridge for Queen Magazine, the Daily Express newspaper, and finally a story on the Night Climbers of Cambridge which sold to Life Magazine.
This ended his career at Cambridge, and he went up to London where he was offered a job as a photographer on the Daily Express. At the time the Express was the foremost paper in Britain for photography and did many assignments in association with Paris Match.
He soon started shooting stories for Town Magazine, a new fashion magazine that became well known for good photography, using others such as Terrence Donovan, David Bailey, and Don McCullin. John Bulmer did many groundbreaking stories for them including; The Black Country, Nelson, The North, as well as overseas stories in South America, Africa, New Guinea, and Indonesia.
The Sunday Times then produced the first of the Colour Supplements, later copied by all the newspapers. John Bulmer shared the cover of the first issue with David Bailey- a picture of a footballer he took surrounded by pictures of Jean Shrimpton’s armpit! This was a small start but John soon had a contract to shoot sixty pages a year and traveled to nearly 100 countries on their behalf.
The writer Martin Harrison, in his book about photography in the 60’s “The Young Meteors” describes the start of the Colour Magazines:-
“The switch to colour was, therefore, quite sudden and few photographers were prepared for it.
John Bulmer was recognised immediately for having made the necessary adjustment and thinking specifically in terms of colour became one of the most prolific contributors of colour reportage to the Sunday Times Colour Section.
Many of Bulmer’s most important assignments were abroad, but he was also acknowledged as an adroit recorder of provincial Britain. His reputation as a recorder of the industrial cityscape was probably gained at Town, where he was responsible for stories on Nelson, Lancashire, The Black Country, and The North is dead”
His work was several times singled out for awards by the Design and Art Directors Club and he has had pictures shown at the Gallery of Modern Art in New York, the Photographers' Gallery in London, and the National Museum of Photography in Bradford
By the early seventies, the Sunday Times changed course, looking for stories on “Crime, Middle-class living and Fashion” as described to Bulmer by the new editor.
It was time for a change and John Bulmer moved sideways into making documentary films. He filmed a programme on the life of Van Gogh in the South of France, directed by Mai Zetterling, and went on to direct many films on travel and untouched tribes in the most inaccessible parts of the world. These were primarily shown on BBC, Nat Geo, and Discovery Channel.
He has now returned to Herefordshire to catalogue and show his huge collection of still photographs, many of which have never been seen.
John Bulmer Web: http://www.johnbulmer.co.uk/
Books: The North https://bluecoatpress.co.uk/product/t... Wind of Change https://bluecoatpress.co.uk/product/w... A Very English Village: https://bluecoatpress.co.uk/product/a... Hartlepool 1960s https://www.caferoyalbooks.com/shop/j... Manchester 1970s https://www.caferoyalbooks.com/shop/j...
Films: Beehives and Runaway Wives https://vimeo.com/693661315 Painter and the Fighter https://vimeo.com/693629779
Bluecoat Press https://bluecoatpress.co.uk/
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Geoff Howard, documentary and reportage photographer, based in London. His archives cover commissioned editorial photography, personal and self-assigned work, and architectural photographs taken for publishers. The files contain many thousands of images, taken over five decades.
His photographs are in the National Portrait Gallery collection in London, the Museum of London collection, the London Guildhall Archive, Tokyo Metropolitan Museum of Photography, and private collections.
Geoff Howard: " I photographed the people and places that caught my attention, shooting from an interest in, and a curiosity about, what was there and what was happening, happy to be working without the restrictions which often accompany commissioned projects. People have asked why I shot with flash – in those days, most photographers would only use available light – shades of Cartier-Bresson – but in the disco pubs, it was really dark – and I wanted to see, to show more clearly, what it was like, what was happening; less atmosphere, but more information. I stopped photographing there so intensively when I felt I had done the things which demanded to be photographed, and I didn’t want to make the same pictures over again. Then the whole area, the whole character of the area, changed – with redevelopment, new building, the yuppyfication of docklands; there were lots of photographers documenting the new docklands, and if I had continued, it would have been a different story, so it seemed like a natural end, a natural place to stop. I have been back, a few times – I was there last year, to try and check some locations when I started putting this book together; it was interesting, frustrating, indeed perplexing trying to identify places I used to know well, and now so changed."
[Rotherhithe Photographs was published in 2008, although images from the project had previously appeared in the legendary Creative Camera magazine in 1975, and a selection of pictures was also exhibited at London’s Whitechapel Art Gallery in 1978. Seen from the vantage point of 2012, Geoff’s photos capture the half-forgotten ‘Interzone’ between the dock closures and Thatcherite redevelopment and demonstrate, yet again, that there is nothing quite as remote as the recent past.] Source: Dave Seacombe. The London Column. https://thelondoncolumn.com/2012/09/0...
Geoff Howard Web: http://www.geoffahoward.com/index.html National Portrait Gallery: https://www.npg.org.uk/collections/se... Dance: https://www.gallearoy.com/photo-gallery/
Selected Books: Cafe Royal Collection: https://archive.caferoyalbooks.com/ta... Rotherhithe: https://www.blurb.co.uk/b/6040715-rot... Behind the Scenes: https://www.blurb.co.uk/books/8970840... Japanese Moments: https://www.blurb.co.uk/b/739812-japa... Australian Pictures: https://www.blurb.co.uk/b/4546292-aus... The Hitching Post Of The Sun: https://www.blurb.co.uk/b/8970853-the... Chilean Fragments: https://www.blurb.co.uk/b/7950195-chi...
Serpentine Photography 73 (as discussed in this podcast) 43 photographers, including Gerry Badger John Blakemore Colin Curwood Robert Golden Paul Hill Larry Herman Geoff Howard (Couples and selected USA travel images) Bob Mazzer Daniel Meadows John Myers Martin Pover Philip Sayer Paddy Summerfield amongst others Curated by Peter Turner, as photographers under 35, working in England, who had not had a major London show of their work. (Quote from Introduction by Norbert Lynton, director of exhibitions.)
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