Explorez tous les épisodes du podcast Working Drummer

A native of France, Ben Lecourt spent his childhood studying percussion with George Van Gucht of the Percussion Of Strasbourg while at conservatory in the south of France. During this time, Ben simultaneously began his discovery of bebop through private studies with various drum teachers. Spending a decade based in Paris, Ben honed his playing nightly in jazz clubs and festivals such as Montreux Jazz. He moved to LA late 2011 where he studied music production at UCLA Extension, and dove into the local music scene. He has since been busy recording with the likes of Linda Perry, Mark Stoermer from The Killers, Cat Power, Rocco DeLuca as well as playing live with Denny Laine from Wings and The Moody Blues, The Wallflowers, Aaron Lee Tasjan, Nick Waterhouse, Roger Manning Jr amongst others. He is currently on tour with Cat Power celebrating the 20th anniversary of the album “The Greatest”. When not on the road, he can be found in his home studio, Rancho Magnolia. In this episode, Ben talks about: How to be a good tour-mate Growing up in the south-east of France Moving from France to Los Angeles, US Building new friendships and relationships in a new place Discovering American Jazz while growing up in France Touring with Cat Power Preparing for a tour Performing with legends ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Jason Smay has been in Nashville for a decade and plays with his son, McKinley James. Prior to that, he was based in Rochester, NY and toured with JD McPherson, Los Strait Jackets, and others. He and McKinley are also part of the Nashville group The Tiger Beats with Patrick Sweany and Ted Pecchio. In this episode, Jason talks about: Thinking about longevity in terms of exercise and overall health His roots drumming heroes  Forming a relationship as young drummer with fellow Rochester native Steve Gadd Using one set of sounds for a whole record Why he loves producers who were/are also drummers His disposition toward the growing role of tech in all music Learning how to pursue the right opportunities for the right reasons Here's our Patreon Here's our Youtube Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Christopher Williams was born to be a drummer. Throughout high school, Williams drummed for several rock, jazz, metal, funk and blues groups, as well as the Greenville South Carolina youth orchestra. In 2004 he toured the United States as a member of the Carolina Gold Drum & Bugle corps. Christopher won a gold medal during the annual individual & ensemble competition and retained the title until 2006. Since 2008 he has been based in Nashville, Tennessee where he has built a strong reputation within the music community. During his school years, Williams was able to study with Paul Riddle of the Marshall Tucker band, Dr. Gary Robinson, Brian Tinkle of the cavaliers drum & bugle corps, Ed Shaughnessy, Jim Chapin, and Elvin Jones. During April of 2015 it was announced that Christopher would join the legendary heavy metal band Accept. Since then the group has played hundreds of shows in more than fifty countries around the world. Christopher has received global media attention, being featured in magazines and press since joining the band. When possible he performs, records, and tours with other artists & bands in a variety of genres. Some of the artists/groups he has worked with include: Gene Simmons Ace, Frehley, Accept, Andrew W.K,. Rex Brown, Derek St Holmes, John Corabi, Kaato, Mick Mars, Blackfoot, Lee Greenwood, Kid Rock, Peter Stroud, Her, A Thousand Horses, members of: Parliament Funkadelic, the Rolling Stones, Kiss, Slaughter, Cinderella, David Bowie, Rod Stewart, Alice Cooper, Steppenwolf. In this episode, Christopher talks about: The origins of his woodworking skills Managing life with a newborn son Drumming for the legendary band Accept How Christopher plans for recordings The importance of being able to read & write notation Inspiring experiences early in life How he spends his time between tours  The financial realities of touring with a legendary band ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Jason Smay has been in Nashville for a decade and plays with his son, McKinley James. Prior to that, he was based in Rochester, NY and toured with JD McPherson, Los Strait Jackets, and others. He and McKinley are also part of the Nashville group The Tiger Beats with Patrick Sweany and Ted Pecchio. In this episode, Jason talks about: Bringing his son McKinley James up on the Rochester scene Touring with JD McPherson from 2011 to 2020 Moving to Nashville because it was best for McKinley’s career   Entering the Nashville scene without expectations Committing to what you love long enough for opportunities to come to you, rather than chasing trends or money gigs How people have the power to make or break your experience, regardless of the music and the money Here's our Patreon Here's our Youtube Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Growing up in the church among talented and influential mentors, Kevin Watkins developed into a professional drummer and musician. Opportunities for recording, touring and even singing were readily available. His longest gig was with Country Gospel band, Brush Arbor. Although they were based in SoCal, they spent a lot of time in Nashville, recording and doing TV.  Later in life, Kevin’s drumming took a bit of a back seat to audio engineer and production work. He quickly became passionate about the other side of the glass in part because of his experiences as a player.  Even though live FOH and production opportunities kept him busy, drums always remained in focus. In early 2023, Kevin made it official and launched K-Wat Drum Co. In this episode, Kevin talks about: How he started building and restoring drums What makes a “go to” snare drum Creating a drum with character The reasoning behind the names of his snares The origin story of K-Wat drums Growing up playing in church Learning from Dave Williamson, Scott Williamson’s father His long time affiliation with the Christian band Brush Arbor ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Sarah has been behind the scenes in the drum industry for decades, from her longtime role at Zildjian to her podcast Sarah Hagan Backstage to founding and running the Royal Cymbal company with Paul Francis. Most recently, she stepped into her newest role as director of artist relations for both Gibraltar Hardware and Rogers Drums. In this episode, Sarah talks about: Her new gig with Rogers and Gibraltar and some of the flagship products from both companies How she got into the business side of drums as a college intern Harnessing her superpower of connecting with people and connecting people with each other The experience of hosting a podcast The Royal Cymbals venture, and what she learned from being a hands-on fabricator of cymbals How cymbal trends may be returning to “cymbal-sounding cymbals” Her perspective and advice about the social media landscape Here's our Patreon Here's our Youtube Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Born in Brooklyn, New York Rick Dior began his professional music career at the age of thirteen, freelancing in and around the metropolitan area in various small ensembles, orchestras and theater productions. He is a graduate of the Manhattan School of Music where he studied with timpanist Fred Hinger and jazz composer Bob Mintzer. He also studied extensively with famed jazz drummer Joe Morello. Rick has performed as a percussionist with a variety of superb artists in many musical genres including James Taylor, Aretha Franklin, Ray Charles, Al Jarreau, Roberta Flack, Martina McBride, BeBe and CeCe Winans, Linda Rondstadt, Glen Campbell, Bobby McFerrin, Mary Chapin Carpenter, Randy Newman, and Marvin Hamlisch. He has added his drum set talents to performances with many great jazz artists including Marvin Stamm, Bill Watrous, Rich Perry, Harold Danko, Clark Terry, Red Rodney, Chris Potter, Lionel Hampton and Russell Malone. Rick also has an extensive orchestral percussion background and has performed as principal percussionist, section percussionist and timpanist with the Charlotte Symphony Orchestra, Charlotte Ballet and Opera Carolina since 1990. As a first-call theater percussionist and drummer in Charlotte NC, Rick has performed in dozens of Broadway show tours. They include Chorus Line, Jesus Christ Superstar, Wicked, The Producers, Young Frankenstein, Spamalot, Hairspray, South Pacific, West Side Story, 9 to 5, Mary Poppins, Bring It On, Newsies, and Beautiful. His recording credits are extensive and include CD releases, movie soundtracks and commercial radio/television spots. As an engineer and producer Rick has been involved in hundreds of recordings. These include recording projects with artists such as Branford Marsalis, Delfeayo Marsalis, Ellis Marsalis, Ed Thigpen, Harry Connick Jr., Michael Spiro, Joey Calderazzo, Michael Carvin, and Jimmy Cobb. Rick is also a very active educator and has served as the Professor of Percussion at the University of North Carolina at Charlotte since 2001. He also maintains a busy private and online teaching studio. In this episode, Rick talks about: The variety of demands performing with the Charlotte Symphony Orchestra Playing percussion with touring musicals and the skills needed How important it is to develop fundamental technique at an early age Studying with and befriending the legendary Joe Morello Rick’s Youtube channel: it’s beginning and it’s appeal His custom built drumsticks ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Tim Carman is a Nashville-based drummer, author, and educator known for his deep pocket, soulful touch, and command of blues, soul jazz, and roots music. Originally from the Boston area, Carman built his reputation on the New England music scene as a first-call sideman and session musician. From 2018 to 2024, he toured internationally and recorded with GA-20, a three-time Billboard #1 blues artist on Colemine/Karma Chief Records, helping the band earn repeated Boston Music Awards for Blues Act of the Year. Now based in Nashville, Carman records and tours with Parlor Greens, an organ trio on Colemine Records, and continues to be an in-demand session drummer and bandleader. His playing draws on vintage electric blues grit, organ-jazz lineage, and a shuffle vocabulary that has made him a go-to voice for artists seeking deep feel and stylistic authenticity. Alongside performing, Carman is an active educator, offering lessons, clinics, and online content that connect technique to real-world musical situations for working drummers and emerging players alike. Carman is the author of six drum books, including The Shuffle Book Vol. 1 (2026), Philly-ISM (2023), and Haynes-ISM (2022), with the latter two nominated by Modern Drummer for Educational Product of the Year. His other titles include Groove Systems (2021), Shape Beats (2020), and Shape Beats for Kids (2017). In this episode, Tim talks about The many changes in his life and career since we last talked in 2022 The creation and unexpected success of Parlor Greens Colemine Records and other small record labels acting as aesthetic curators for recorded and live music Bouncing around to a few cities over the last few years before settling on Nashville Finding jams/hangs/residencies on a given scene, and being able to read the different vibes there Contributing to a community by creating your own projects/opportunities The process and goals of writing his book on Shuffles How generalities are more useful in considering types of shuffles than definitive categories Here's our Patreon Here's our Youtube Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Evan Hutchings was Born and raised in Arkansas, Evan grew up playing drums at his dad’s church in Fort Smith. He was the kid that would sit behind the drummer during church and soak in every detail and nuance. Once church let out, he’d jump up on the kit and play, until the next church service started a few hours later.Evan got his first drum set at the age of 8 and began serenading his whole family and neighborhood with punk rock beats and the sounds of the radio. After touring the country with his band The Exception, Evan decided it was time to move to Nashville, TN and attend Middle Tennessee State under the direction of Lalo Davila and Tom Giampietro. It was in college where Evan honed his craft and wanted to become a studio musician.Years later and having played on multiple #1 songs on the radio, Evan is now an in demand studio drummer. You can hear his drumming with , Kenny Chesney, Reba McEntire, Luke Bryan, Jimmie Allen, Sam Hunt, Ronnie Dunn,Keith Urban, Steven Tyler, Toby Keith, Matt Stell, Maddie and Tae, Tim McGraw, Lauren Alaina, Erin McCarley, Rascal Flatts, Elle Langley and many others. In this episode, Evan talks about: Performing in high pressure live scenarios like live TV The welcoming nature of people in the music industry His consistent hunger for knowledge Learning from other musicians Mindfulness practicing and how that effects your drumming Going for it in the studio and not playing it safe Less takes about skills that are needed for session work Performing at 50% - 70% of your total skill level and leaving some in the tank How to dial in a mix for a session Check out Evan's interview with us from before - #142 Here's our Patreon⁠ ⁠Here's our Youtube⁠ ⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Sterling Laws is a well-established drummer in LA, having toured and/or recorded with Chappell Roan, Olivia Rodrigo, producer Dan Nigro, Natasha Bedingfield, and many others. He is a graduate of Musicians Institute in LA where he studied with Stewart Jean and Kevin Stevens. In this episode, Sterling talks about: Playing with Natasha Bedingfield and serving as her MD Growing up in rural Washington north of Seattle, and picking up drumming from his mom Discovering a viable musical path other than being in a band and trying to “make it” Studying at Musicians Institute with Stewart Jean and Kevin Stevens Matriculating from school onto into he LA scene and getting his first opportunities from Barry Squire Financial literacy lessons learned early  The support and positivity of today’s LA drumming community Recording for Chappell Roan and Olivia Rodrigo, and how the drum tracking for a huge hit is often relatively DIY Getting comfortable with your drumming being manipulated or even discarded altogether in the record-making process How “getting the safe take” will earn you the right to do a more adventurous one Here's our Patreon Here's our Youtube Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Jeff Brown started his musical journey in Southern California, eventually moving to Nashville, TN when he was 19 years old. He cut his teeth touring and recording with rock bands throughout his 20s, working as a hired gun for both studio sessions and touring artists across many different genres. His resumé includes Reeves Gabrels (David Bowie/The Cure), Paramore, Steve Cropper, Phil Vassar, Thomas Rhett, Casey James (American Idol), Steel Magnolia (Can You Duet), Bucky Covington (American Idol) and many more. His home studio, Shrug Sound Studio is where he records drum tracks remotely and mixes songs for clients all over the world. He also engineers tracks for fellow drummers that don’t have a space to record. Repeat clients Ed Toth (The Doobie Brothers) and Kevin Murphy (Tonic/Jon Pardi), among others, rely on his accessibility, professionalism, and quick turnaround times. His studio is a comfortable and enjoyable place to record music. In this episode, Jeff talks about:     What has changed for him since our first interview in 2015    Taking control of your career     Jeff’s time as a drum tech     Tuning for a variety of scenarios     Finding the magic and energy when tracking by yourself at home     Work flow hacks in the home studio     AI vs a real person tracking     Keeping up with the tech     Taking a break from performing live ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Gustavo Cortiñas was born and raised in Mexico City. His interest in drumming and jazz took him to Loyola University in New Orleans where he studied with Johnny Vidacovich, and on to Northwestern University in Chicago, where he has lived and worked since. His sixth album as a leader is entitled "The Drum Also Sings." In this episode, Gustavo talks about: Growing up in Mexico City, the son of two educators, and being surrounded by all kinds of music Being inspired by the individuality of jazz heroes who came through Mexico City, from Dave Weckl to Dave King to Brian Blade How circumstances intervened to steer hims path toward both New Orleans and Chicago The immediacy and accessibility of seeing and hearing jazz drummers in an intimate setting “The immigrant blessing” His new record being “conceived during a period of personal and collective difficulty” The ancestral connection between drums and voice Gustavo’s new record Here's our Patreon Here's our Youtube Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Chase Adam's musical journey started when he was just three years old, collaborating with his father Thurman in the field of music. He spent many years performing in church and later pursued music education at school, specializing in various genres like concert, symphonic, jazz, and marching percussion. Throughout his early years, he played a significant role in establishing the Indianapolis Colts Drumline and the Indiana Pacers "High Octane" Drumline, while also sharing his expertise with local high school drumlines and offering private lessons. As a skilled freelance drummer living in Nashville with his wife and son, he divides his time between touring with The Frontmen, entertaining audiences at local clubs, and making valuable contributions to recording sessions. In this episode, Chase talks about:     What and how to practice as a professional     Recording on his first “master session”     Using drum corp experience in a musical way on the kit     Staying sane on the road         Drumming with The Frontmen     Grooving and making music without the click     Confidence and authority behind the kit     Playing Lower Broadway in Nashville     Dealing with a family tragedy     Home studio work ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Chris Draper is a drummer, author, and performance coach based in London. After coming up on the city's Jazz and Fusion scene as the drummer in the house band at the legendary Ronnie Scott's Jazz Club, Chris began getting opportunities in musical theatre, culminating in landing the drum chair on the West End production of Hamilton. His new book, "The Inner Athlete: A Musician's Guide to Performance Conditioning," is the result of what Chris learned through rehabilitation after sustaining two traumatic brain injuries and subsequently getting certified as a personal trainer. In this episode, Chris talks about: No longer having a home studio, and not missing it How a chance meeting at a pub led to his musical theatre career Playing in the house band at Ronnie Scott’s jazz club in London How some college programs are becoming more open to commercial music, especially when it comes to drums The traumatic brain injuries and subsequent recovery that inspired him to write “The Inner Athlete” What regulation is, physiologically, and different ways to do it The power of breath work  Why conventional weight training and athletic conditioning doesn’t work best for musicians Here's our Patreon Here's our Youtube Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Reuben Spyker is a master technician who has built his career as an educator, artist, and innovative drummer.  Reuben has developed teaching programs that emphasize efficient playing, critical observation, and creativity.  Most recently, Reuben has combined his obsession with detail and interest in art to create an original signature snare drum with the help of master snare builder Ronn Dunnett.   In this episode, Reuben talks about:     The many facets of Reubens career     Using curiosity as inspiration     Finding joy in things like drawing, building things and Davinci     Working closely with Ronn Dunnett to build a custom snare drum     The importance of critiquing yourself     The power of focus     Reuben’s different teaching courses ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Ross McReynolds has toured and recorded with artists such as Katie Pruitt, Maia Sharp, Juan Solorzano, The Muddy Magnolias, Dynamo, Cory Wong, Kelsey Waldon, Caleb Groh, Jess Nolan and many more. He attended Belmont University in Nashville and lived and worked there for many years after, but recently made the move to LA. In this episode, Ross talks about: Moving from Nashville to LA because of a general need for change Going crazy if he spends too long in the studio without connecting with an audience His experience at Belmont University in Nashville  Realizing the typical Nashville music career and some of Nashville’s musical values didn’t agree with him How patience can turn seemingly difficult decisions into no-brainers “The passivity of a streaming service” How synthesizers and other electronic instruments he like using still feel physical and tangible and analogue  Here's our Patreon Here's our Youtube Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Craig Krolicki is a versatile and musical drummer playing a wide variety of styles. He is a graduate of Youngstown State University (The Dana School of Music), with a BA in Music Education. In 1997 Craig moved to Nashville TN, and has toured as a drummer with artist such as Curb Recording Artist Jeff Carson, Hank III, Sony Recording Artist Tammy Cochran, Singer/Songwriter/Producer Gail Davies, Singer/Songwriter Billy Yates, BNA Recording Artist Kellie Coffey. From 2006-2020, Craig drum teched for the country band Rascal Flatts. In recent years, Craig has been teching for Kent Slucher of Luke Bryan. Craig continues to freelance as a drummer in and around Nashville and has even started a new fitness coaching program. In this episode, Craig talks about: Unique tech challenges during CMA week in Nashville Essential gear for playing on Lower Broadway in nashville What a drum tech actually does Being the glue between the drummer and the engineer From Pennsylvania to Nashville Staying in shape on the drums in between performances His new fitness program Coach Craig Fitness (coachcraigfit@gmail.com) ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Steve Pruitt has toured and/or recorded with Eddie Gomez, Mike Stern, Snarky Puppy, Oz Noy, and many others. He was a finalist in the 2000 Guitar Center Drum-Off and went on to study with Ed Soph at North Texas. In this episode, Steve talks about: Facing a lot of adversity quickly at North Texas The differences and similarities in his approach to straight ahead jazz vs. fusion How he things about the word "integrity" "Finding the dance" that makes the music work with certain musicians or groups Taking responsibility, "even when it isn't fair to" The chapter of his life and career spent in South Korea ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Steve Misamore has been drumming since he was 11 years old. He has been the drummer in Dierks Bentley’s band since 2002. Steve moved to Nashville in 1993 from Houston TX. Before he met Dierks, he did all sorts of gigs in town from bars to studio work, to private gigs and everything in between. Steve met Dierks playing the bars in Nashville in 1999 and helped him open some doors at Sony/ATV. Steve has been working with Dierks ever since. Steve played on some of the early stuff like "Free and Easy" "Feel That Fire" as well as a few others. In this episode, Steve talks about: Creative ways to stay engaged with drumming when not touring The evolution of the Dierks Bentley gig Working with Dierks from the very beginning Recreating the drum parts from Dierks' records Translating the studio performance into a live performance Getting his pilots license The parody group Hot Country Knights The early influence of Herman Matthews ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Matt Musty has been the drummer for Train since 2019. He has lived in Boston, New York, Nashville, and Los Angeles and in addition to Train, his touring and recording credits include Grace Potter, Gwen Stefani, Shoshana Bean, Keith Urban, and many others. In this episode, Matt talks about: Learning the recording principle that the only rule is what sounds good to you The Broadway musical in development that Train is writing music for, and learning the “many cooks in the kitchen” approach  Being a part of Train’s writing process with Pat and Jerry How to fight jadedness  “Doing everything wrong and backwards” in New York Moving to Nashville and finding himself in the drum chair with Grace Potter How the space is what makes recordings sound cool Caring enough to strive for 110%, and not caring enough to not beat the shit out of yourself when you never get there  Here's our Patreon Here's our Youtube Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Tony Leone has toured and recorded with bands like Ollabelle and Chris Robinson Brotherhood. He has also worked with a variety of musicians including Levon Helm, Phil Lesh, Anders Osborne, Lou Donaldson and others. In September 2020 he joined the legendary band Little Feat. Tony is active on the New York City jazz scene where you can catch his quintet at famous clubs like Ornithology and Smalls Jazz Club In this episode, Tony talks about:     Adapting to different musical scenarios     Being honest about styles of music you want to play     Playing with Little Feat and learning the catalogue     The realities of self doubt     Spending time & double drumming with Levon Helm     Following in his father’s footsteps     The duality of jazz and classic rock that shaped him     Studying with Art Taylor     Fronting his own jazz group in NY ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Jon Radford has been adding soul and rhythmic vibe to the Nashville music scene since 2005, when he first began visiting the city to pick up drum gigs. He would soon move to Nashville from his hometown of Clarksville, TN with his wife, acclaimed painter Kim Radford.   After transitioning to Nashville full-time, Radford began touring across the US and Europe with Charles Walker & The Dynamites and Drew Holcomb & The Neighbors. When not touring, Radford could be found fulfilling a vital tradition for Nashville’s most talented, playing the lower Broadway honky-tonk bars on Sunday nights with The Don Kelly Band. In 2012, Radford helped found the critically acclaimed Luella and the Sun, a blues and gospel-tinged rock quartet. The band released a 10” single, Fly So Free, and toured for two years, performing at festivals such as Austin City Limits and Hangout Fest before disbanding. Also in 2012, Radford joined Justin Townes Earle’s touring band, performing on The Late Show with David Letterman.    Radford’s uniquely soulful, powerful drumming style is influenced by the iconic session players of 1960s and 1970s, including Kenny Buttrey, Hal Blaine, Jim Gordon, Steve Gadd, and Al Jackson Jr. Radford’s extensive and ever-growing record collection is also a constant and evolving influence.   In recent years, Radford has been an active session musician around Nashville, recording with producers such as Jacquire King, Brendan Benson, Paul Ebersold, and Jim Abbiss. Radford is also a regular member of the Nashville-based instrumental group Steelism. In this episode, Jon talks about How his vinyl obsession and his drum obsession feed each other Being willing to be a novice at something in middle age Being married to a fellow creative, painter and visual artist Kim Crawford, whose work can be seen around Nashville   Recent renewed global interest in Sixpence None The Richer His early days in Nashville and gigging on the “old” lower Broadway  Changes in the Nashville scene  Here's our Patreon Here's our Youtube Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Matthew Atkins is a celebrated veteran of the music industry. An honours graduate of the renowned Musician’s Institute in Hollywood CA, Matthew has worked in a wide array of genres and situations. Matthew is equally at home on a stage playing pop-country to a festival audience, jazz to an intimate venue, or top 40 dance music at a high-end corporate event, as he is playing as part of a drum line at a world class sporting event.With a large catalogue of recording sessions to his credit, Matthew is known to be a diverse, creative professional. Matthew has been recognized with honours and awards from groups such as the Alberta Recording Industries Association and the Canadian Country Music Association.Having lived and worked in Asia, Mexico, and most recently Vancouver, Matthew now makes his home in St Albert, Alberta. In this episode, Matthew talks about:     The thought process while performing     His early touring experiences with Canadian artists     Favorite drummer verses biggest influence     His take on the supposed threat of AI     Experiencing of loss his wife to cancer     Nurturing life long careers in music     Unique dynamics in the Canadian music industry ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Ryan Connors is a multi-instrumentalist, MD, songwriter, and producer based in Nashville. He is currently keyboardist, MD, and backup drummer for Hozier, and has also worked with many other artists and bands including Yola, Melinda Doolittle, and Dynamo. He also writes and produces his own original music. In this episode, Ryan talks about: How smaller college programs give you more opportunities to play The virtues of multiple disciplines vs. specialization Being able to “speak drum” as an MD and producer The benefit of closing some doors Getting to play with Gadd “Finding where it feels good and not leaving there” Loving the discovery and connection that happens in rehearsal  Leading by example as an MD in any given situation  Here's our Patreon Here's our Youtube Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Matthew Atkins is a celebrated veteran of the music industry. An honours graduate of the renowned Musician’s Institute in Hollywood CA, Matthew has worked in a wide array of genres and situations. Matthew is equally at home on a stage playing pop-country to a festival audience, jazz to an intimate venue, or top 40 dance music at a high-end corporate event, as he is playing as part of a drum line at a world class sporting event.With a large catalogue of recording sessions to his credit, Matthew is known to be a diverse, creative professional. Matthew has been recognized with honours and awards from groups such as the Alberta Recording Industries Association and the Canadian Country Music Association.Having lived and worked in Asia, Mexico, and most recently Vancouver, Matthew now makes his home in St Albert, Alberta. In this episode, Matthew talks about: Understanding the importance of motion when playing His gig as a house drummer at The Mayfield Theatre Using drum charts on a pro level The power of being prepared Chart writing techniques Tapping into the most musical performances in the studio Taking direction with grace Learn more about your ad choices. Visit megaphone.fm/adchoices

Growing up in Rochester, New York, Chaun Horton was birthed into a love of music. Under the tutelage of his father, a church organist, Chaun first learned his craft by playing for local choirs, then events throughout the state. Chaun’s desire to expand on his work led him to LA, where he attended a camp held by the LA Music Academy College of Music. Chaun soon found himself enrolling in the school on a full scholarship, where he earned a Certificate of Completion. Chaun has had the privilege of sharing the stage with artist such as Macy Gray, Natasha Bedingfield, Israel Houghton, , Toni Braxton, Thundercat, Jessica Simpson, and many more. In this episode, Chaun talks about: Moving home base from LA to Sweden and establishing a “camp base” in Nashville  How the Lauren Daigle gig came his way Learning not to “take advantage of music” - “you’ve gotta be interested in it” What it means to “play in the crossroads” Setting professional goals based on how you want to feel at work  Learning how to have some stoic detachment when necessary  Getting to have a “garage band experience” with Lauren Daigle  Here's our Patreon Here's our Youtube Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

John Spittle has been the long-time drummer with Country icon Trace Adkins. John began his career on the drums in Southern California playing in bands and recording sessions since the age of 15. Since moving to Nashville, TN, in 1997, John has toured and recorded with various artists, including Sara Evans, Aaron Tippin, Chris Cagle, Kellie Coffey, Matt King, Paul Brandt, and more. When not on the road, John has a studio where he records drums on over 100 songs a year for producers/artists all over the world. TV credits include The Tonight Show with Jay Leno, Conan O Brien Show, Jimmy Kimmel, Jimmy Fallon, The Today Show, ACM Awards, CMT Awards, Craig Ferguson Show, NYC New Year's Eve Bash, Ellen DeGeneres Show, NBC Country Christmas, Grand Ol Opry Live, Emeril Live, Miss America USA, and many more. In this episode, John talks about:     Home studio work     From John’s father to his son: Three generations of drummers     Moving to Nashville from Southern California and the expectations     Developing a pocket and good time feel     Experiences before the Trace Adkins     What Trace expects from his band members     John’s new endorsement with Sonor drums ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Bruno is a Brazilian drummer and percussionist based in the Bay Area and the longtime drummer for indie rock icon Mitski. He graduated from Berklee College of Music in Boston, moved to New York in 2011 and to Los Angeles in 2020. Throughout the last 15 years, Bruno has toured every continent of the world, played drums on the hit Broadway show Hedwig and The Angry Inch (4x Tony Awards winner), appeared on many TV shows, and has performed at festivals such as Coachella, Lollapalooza, Austin City Limits, Bonnaroo, Java Jazz Festival (Indonesia), Fuji Rock Festival (Japan) and legendary concert venues such as the Hollywood Bowl, Radio City Music Hall (NYC), Red Rocks Amphitheater, Wembley Stadium, The Greek Theater, Ryman Auditorium, Kennedy Center, Central Park SummerStage amongst many more. Recording credits include records in the USA, Japan, Argentina and Brazil. In this episode, Bruno talks about: Recently moving from LA to the Bay Area, and throwing himself into the scene there Forming a global circle of friends through music The evolution of Mitzki’s creative output and artistic vision Not just supporting the song you’re playing, but supporting the artist/person you’re playing for How the theatricality of Mitzki’s performance shapes his playing  Playing in Brazil’s #1 Dave Matthews tribute band Playing “Hedwig & The Angry Inch” on Broadway Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Originally from Merrick, NY, Marc Slutsky built his reputation as both a touring and studio drummer, working with a wide range of internationally recognized artists.

Marc first gained broader visibility performing with Splender, a late-1990s/early-2000s alternative rock band signed to Columbia Records. The bands first album “Halfway Down The Sky” was produced by Todd Rundgren. The group achieved chart success with their singles “Yeah, Whatever” and “I Think God Can Explain,” helping establish Marc as a solid and expressive drummer. Splender made a second album on Clive Davis’s J records “To Whom It May Concern” which featured Slutsky’s drumming further.

After Splender, Slutsky became a highly in-demand touring and session musician. Over the years he has performed, recorded, or toured with artists including: Peter Murphy, Bauhaus, Adam Ant, Puddle Of Mudd, Kylie Minogue, Delta Goodrem, The Calling, Sons Of Silver, Alexa Ray Joel, Tom Morello (RATM), Terri Nunn (Berlin), Lou Gramm (Foreigner), Hugo, Gavin Degraw In addition, Slutsky has appeared extensively on TV including shows such as X-Factor, The View, Good Morning America, Queen Latifah Show, The Tonight Show with Jay Leno, Last Call with Carson Daily, Late Show with David Letterman, Wendy Williams Show, 2010 Rockefeller Center Christmas Tree Lighting (NBC) with Kylie Minogue, and Jimmy Kimmel Live. In this episode, Marc talks about:     Unique challenges to touring internationally     Making sure to play great every time, every gig     Staying curious and always learning     Practicing on things at the micro level     Drumming for the legend Peter Murphy (Bauhaus)     Playing as a member of the band Splender when he was young             Working with Todd Rundgren as a producer     Learning how to record from your peers ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Jeff Hamilton attended Indiana University and later studied with John Von Ohlen. Hamilton was influenced by Gene Krupa, Buddy Rich, Mel Lewis, “Philly” Joe Jones, and Shelly Manne. In 1974, he got his first big break playing with the New Tommy Dorsey Orchestra. He then joined Lionel Hampton’s Band until 1975 when he, along with bassist John Clayton, became members of the Monty Alexander Trio. He attained a childhood goal in 1977 when he joined Woody Herman and the Thundering Herd, with whom he made several recordings. In 1978, he was offered a position in the L.A.4. with Ray Brown, Bud Shank, and Laurindo Almeida. He recorded 6 albums with the L.A.4. From 1983-1987, he performed with Ella Fitzgerald, the Count Basie Orchestra, Rosemary Clooney, and Monty Alexander. Hamilton began his association with the Ray Brown Trio in 1988 and left in March of 1995 to concentrate on his own trio. From 1990-1995, he was also a member of the Oscar Peterson Quartet w/Herb Ellis and Ray Brown. Hamilton has toured with his own trio, the Clayton-Hamilton Jazz Orchestra, and Diana Krall. The latest CHJO recording LA Treasures was nominated for a GRAMMY. Hamilton has been on more than 300 recordings with artists such as Ray Brown, Natalie Cole, Diana Krall, Milt Jackson, Rosemary Clooney, Barbra Streisand, Mel Torme, John Pizzarelli, Dr. John, Paul McCartney, and many others. He appeared in Diana Krall’s Live in Paris and Rio DVDs. He is a four time winner of Modern Drummer magazine Readers’ Poll. In this episode, Jeff talks about: How the role of a mentor is to see problems and potential you can’t see in yourself  Why sound is just as important as content  His thoughts on the music business vs. the drumming business The great bassists he has played with, including Ray Brown and John Clayton  His criteria for hiring band members  Playing with Akiko Tsuruga and matching the intensity of the B3 organ, “a one man big band” The importance of letting humor and joy show in his playing  ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

As SABIAN’s Director of Artist & Public Relations, Chris Stankee leads the charge in shaping and nurturing the company’s artist program on a worldwide scale. His responsibilities span from talent recruitment to artist development and support, all while playing a pivotal role in product development and elevating SABIAN’s presence across social media platforms. In this episode, Chris talks about:     The Sabian Podcast     Chris' formative years from Berklee to life on tour     Interning at Yamaha     Events that lead to his work at Sabian     The unique steps to creating cymbals     Understanding trends in sounds and making it attainable     Working with artists that are hands-on in the R&D department     The stick/cymbal relationship     Sabian lore     Memories of Neil Peart ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Nate had been a fixture on the Nashville scene for 14 years and recently landed the proverbial big gig. He found himself in Zach Top’s drum chair when Zach was an opening act in thousand cap rooms, and the whole operation was very DIY. Not long after, Zach’s popularity exploded make him an international arena and stadium headliner seemingly overnight, and he took Nate and the rest of his band with him. In this episode, Nate talks about: Feeling a buzz around Zach Top from the moment he joined the band The show that made them realize they were huge The learning curves that come with the big gig How his approach to songs happened to match perfectly with Zach’s needs as a frontman The evolving pay situation  ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Originally from Fort Bragg, California, Zoltan Tobak started playing drums at an early age. After years of performing throughout California as well as attending the Musicians Institute in Los Angeles, he relocated to Nashville in 2014 to pursue music full time. Since 2016, Zoltan has been the live and studio drummer for Muscadine Bloodline, performing extensively and recording five full-length albums. Beyond touring, he stays active in the Nashville community, playing and recording across a range of projects. In this episode, Zoltan talks about:     Managing your social media presence     His unique name     His move from Northern California to Nashville TN     Taking a career growing gig vs taking a gig for money only     Drumming for Muscadine Bloodline     The power of space between notes     Filling in last minute on a major tour     Matt and Zoltan’s shared love of Family Feud ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Sean McDaniel is currently the drummer for Chess on Broadway.  He also played Smash, Cabaret, Some Like It Hot, Frozen, The Book Of Mormon, Spamalot, Violet, La Cage Aux Folles, and Nine To Five on Broadway.  Off-Broadway he originated Hamilton. Sean can be seen and heard in Lin-Manuel Miranda’s Tick Tick Boom.  He has played all over the country with American Idol Runner-Up Clay Aiken.  Other performances include Sutton Foster, Barry Manilow, Audra McDonald, Jennifer Hudson, Sting, Dolly Parton, Idina Menzel, Tituss Burgess, Jane Lynch, and the Tony Awards. Sean earned his BM at University of North Texas and his MFA at New York University. He is endorsed by DW, Evans, Vic Firth, and Sabian.  In this episode, Sean talks about: Not just playing to serve the song, but playing to serve the drama The importance of getting some live playing experience you can then bring into a musical theatre show  The huge variety of playing experience he got at North Texas The common thread among great Broadway drummers/drumming Playing for the Tony Awards Finding ways to love the process, not just the product ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Ben Koller is an Los Angeles based drummer who worked with bands like Converge, Mutoid Man, Killer Be Killed and All Pigs Must Die just to name a few. He is involved in the Heavy Music Collective a community of musicians and royalties professionals that are committed to getting money back to the bands. In this episode, Ben talks about: Managing the dichotomy between road life and home life The Heavy Music Collective - accessing your royalties!!! His first clinic in Costa Rica The supportive community within the hardcore scene Drumming for the legendary band Converge Drumming for band High On Fire Recording from home Surviving a bad car accident Learn more about your ad choices. Visit megaphone.fm/adchoices

Nate's formal drum set training began during high school with Grant Menefee in Baltimore, Maryland. He continued his education in Boston, Massachusetts as a performance major at the renowned Berklee College of Music, studying with drummers such as Ed Uribe, Ian Froman, John Ramsay and Ron Savage. Upon graduating in 1994, he taught and played locally in Boston until moving to Los Angeles in 1999 where he has since amassed live performance and recording credits that include Natalie Cole, Michael Bolton, Madonna, Miley Cyrus, Pink, Paulina Rubio and Thalia among others. In 2010, he was the house band drummer on Bonnie Hunt's day time talk show, as well as performing with Cher for her string of appearances at The Colosseum at Caesars Palace. Now, you can catch him grooving during prime time on the NBC hit show, THE VOICE. In this episode, Nate talks about: His thoughts on both sides of the mentorship relationship The rhythm of the rehearsal and production schedule on “The Voice” His perspective on the LA scene The constant search for balance Here's our Patreon Here's our Youtube Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Matt King is an in demand Nashville session drummer who’s performed on records for a number of country, pop, and rock artists, including several Grammy, CMA, ACM, and Dove Award winners and nominees. Some of these include artists like Brothers Osborne, Maren Morris, Janelle Arthur, Brad Hill, Jamie Floyd and countless others. Matt grew up in Hendersonville North Carolina, and attended the University of South Carolina before he moved to Nashville in the fall of 2002. In this episode, Matt talks about:     His pocket and time feel and it’s possible origins     Creating space between the notes & simplifying your parts     Developing a healthy and musical relationship with the click     The song is king     Recording with Brothers Osborne in the early days     In a sea of talent, knowing you have something to offer     Matt’s drum maintenance service     Tuning techniques for a Nashville session ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Dean is the drummer for the Chicago-based bands Worry Club and Capital Soiree. He’s a lifelong resident of the Chicago area, very much a part and a product of the Chicago scene, and has done and continues to do a lot of what it has to offer in addition to his two steady bands. In this episode, Dean talks about: Starting out in the ‘burbs of Chicago and the surrounding area Initially pursuing a history degree with an eye toward being a professor  Working his way onto the Chicago scene as the scene emerged from the pandemic Getting his gig with Worry Club through using a hashtag on IG  How he approaches live versions of songs that are recorded with programmed drums Understanding and appreciating “how a song works What sets Chicago apart  Here's our Patreon Here's our Youtube Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Rich Malloy is a jazz drummer whose career has been built through consistent work in clubs, listening rooms, studios, and festivals. He has worked across New York, New Jersey, Dallas, Nashville, Fort Worth, and New Mexico, performing straight-ahead, groove-based, and improvised jazz. His work includes performances with Carmen Bradford of the Count Basie Orchestra, Rock & Roll Hall of Fame inductee Brenda Lee, Country Music Hall of Fame member Lorrie Morgan, and Freedy Johnston, named Rolling Stone Songwriter of the Year. He has appeared at the New Mexico Jazz Festival in 2023, 2024, and 2025, and has toured throughout the United States, Ireland, Great Britain, and Italy. His performance history ranges from small listening rooms such as the Bluebird Cafe in Nashville and The Listening Room in New York City to national stages including the Grand Ole Opry, the Ryman Auditorium, and Late Show with David Letterman. Malloy also performs in Counterparts, a fully improvised duo with John Funkhouser, and builds practical music tools including Form & Time, a metronome designed to keep tempo, time signature, and musical form aligned. In this episode, Rich talks about:     Rediscovering his passion for jazz     Taking time away from music     Honoring the players before you but not replicating their style     His duo group - Counterparts     Discovering your own voice through improvised music     The power and responsibility of the drummer in improvised music     The App he developed for practicing - Form and Time ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Award winning drummer, composer & bandleader Jared Schonig has toured and/or recorded internationally with Nicholas Payton, Dr. Lonnie Smith, Chris Potter, John Patitucci, Donny McCaslin, Darcy James Argue & Secret Society, The 8-Bit Big Band, Miho Hazama & m_Unit, Dave Grusin, David Foster, Laurence Hobgood, Tim Hagans, Fred Hersch, Wycliffe Gordon, Tom Harrell, Joe Locke, and Ernie Watts among others. He has appeared on multiple Grammy-winning records, been in the orchestra on countless Tony-award musicals, and even performed on Emmy-award winning TV performances. A favorite among vocalists, Schonig has toured with Grammy Award-winners Kurt Elling, The New York Voices, Sara Gazarek, and many others. Schonig co-led The Wee Trio, which released five critically-acclaimed albums over the past 8 years. The group received praise from numerous publications and toured internationally. He recently released two solo albums of original music (one quintet and one big band) in the fall of 2021 to critical acclaim.  His groups have performed at Dizzys (Jazz At Lincoln Center), the Jazz Gallery, the Rochester International Jazz Festival, Lake George Jazz Festival, and many others. When at home in New York City, Schonig is a fixture in both the jazz and Broadway scene. In this episode, Jared talks about: The 8 Bit Big Band’s approach to arranging and performing video game music The evolution of “Just In Time” from a one-off concert to a full-fledged Broadway show  Being empowered to bring his drumming voice to a Broadway show  How “Just In Time” bucks Broadway trends of isolating the band and utilizing electronics and automation  Maintaining a balance of Broadway work and creative jazz projects  Here's our Patreon Here's our Youtube Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Antonio Sanchez has become one of the most sought-after drummers in the international jazz scene. Following 18 years and 9 albums as one of the most revered collaborators with guitarist/composer Pat Metheny, he also has recorded and performed with many other most prominent artists like Chick Corea, Gary Burton, Michael Brecker, Charlie Haden and Toots Thielemans. In 2014 Sanchez popularity soared when he scored Alejandro González Iñárritu’s Birdman which ended up winning 4 Academy awards (including best picture) and for which Antonio won a Grammy award. He currently has many recordings as a leader and solo artist. Some recent recordings include Beatrio w/ Bela Fleck, Edmar Castaneda as well as his own group Migration. You can hear Anotino’s masterful compositions and drumming on the award winning show The Studio on Apple TV In this episode, Antonio talks about  Why he calls Barcelona, Spain his home Creating a strong reputation The realities a seasoned pro has to contend with Antonio’s journey into jazz and notoriety  Staying artistically and creatively curious  Using your own voice when making music Composing for the movie Birdman & the TV series The Studio Creating a counter culture to social media ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Bryan Carter is a Grammy and Tony Award-winning drummer, vocalist, composer, arranger, orchestrator, and bandleader. After completing his training at The Juilliard School, Carter played with legendary artists including McCoy Tyner, Wynton Marsalis, Kenny Barron, and Kurt Elling. In addition to working in the worlds of film, television, and Broadway, Bryan founded "Jazz at Pride," a non-profit organization dedicated to curating performances and educational engagements featuring world-class artists from the LGBTQIA+ community. Bryan most recently served as co-orchestrator for Broadway's “Some Like It Hot,” for which he and his co-orchestrator Charlie Rosen made history as the first orchestrators to sweep all three major awards in a single season: the 76th Annual Tony Awards for Best Orchestrations, the Outer Critics Circle Awards, and the Drama Desk Awards for Outstanding Orchestrations. Rosen and Carter continued their streak of success at the 66th Annual GRAMMY Awards, winning the title of Best Musical Theater Album as producers on the recording. In the fall of 2024, Bryan premiered “Rustin in Renaissance,” a seven-movement oratorio on the life of civil-rights pioneer Bayard Rustin. The premiere was held at Jazz at Lincoln Center’s Appel Room and coincided with the 20th anniversary of “The House of Swing.” In this episode, Bryan talks about: Playing multiple instruments and musical roles since early childhood  His orchestration role on “Some Like It Hot” that garnered him a Tony and a Grammy His experience at Julliard, and feeling like the curriculum put him in too small a box Looking around for “who was hiring” in New York and what that looks like on that scene The New York tradition of older established artists seeking out younger musicians and giving them a platform Writing and playing for George Clooney’s Broadway production of “Good Night and Good Luck” How using piano for composition has made him think of drumming from an arrangement standpoint  Welcoming how different performers offer different interpretations of what he writes ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Born in Mississippi, Bryan Owings moved to Nashville in the late 1980's to pursue his career as a session drummer. His discography is vast, spanning decades and boasting credits with artists like Buddy Miller, Iris Dement, Tony Joe White, Wanda Jackson, Sue Foley, Delbert McClinton, Lucinda Williams and Emmy Lou Harris Bryan, was also included in the 2013 Muscle Shoals documentary soundtrack, playing drums for Grammy award winning artist Alicia Keys. In this episode, Bryan talks about:     Bryan’s origin story with drums     The draw to Nashville     Embracing your sound and being true to yourself     Finding the best monitor mix for the performance     Working with Iris Dement, Shelby Lynne     The reality of getting hired and fired, re-hired, fired…..     Playing drums in the Muscle Shoals documentary with Alicia Keys     Revisiting applicable technique ⁠⁠⁠ Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Jano Rix is best known as one third of The Wood Brothers. His dad Luther's drumming career spans half a century and ranges from Bob Dylan's "Rolling Thunder" tour to Rent and Tommy on Broadway. Their new album, Legacy Vol. 1 is an exploration of their shared history and musical connection. In this episode, Luther and Jano talk about: Luther’s start at Indiana University and on the Indianapolis scene, and quickly moving to New York How playing with the Wood Brothers inspired Jano to record him and his dad playing together  How the record gave them their first real opportunity to sing together Including a live track on the record The ways they trusted and relied on each other’s strengths in the recording and mixing process Getting out of the weeds of mixing and zooming out to focus on the “big gestures” of a song The moment you start to “hear yourself think” ⁠⁠Here's our Patreon⁠⁠ ⁠⁠Here's our Youtube⁠⁠ ⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Scott Williamson has been leaving his creative footprint on the Nashville musical landscape since 1990. He has drummed and/or produced for numerous artists including Blake Shelton, Reba McEntire, Brooks & Dunn, Kip Moore, Lady Antebellum, Franchesca Battistelli, Natalie Grant, Lincoln Brewster, Alice Cooper, Danny Gokey, Casting Crowns, DC Talk, Bob James, The Gaither Vocal Band & Michael W. Smith. In this episode, Scott talks about:     The differences between Nashville and L.A.     Playing the song, not the drums     Maintaining a healthy work / family balance     The pros and cons to home studio recording     Working with legendary producers like Bob Ezrin     Recording with Alice Cooper     Staying healthy     The inspiring Gregg Bissonette ⁠⁠⁠⁠⁠⁠ Here's our Patreon⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Here's our Youtube⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Jordan Rose is a New York drummer whose most recent activity includes a tour with Maggie Rogers, multiple Broadway shows including the run of "Boop", Theo Katzman, and countless recording projects. What went into his decision to accept the Maggie Rogers gig Being open to an opportunity that doesn’t necessarily align with your stated goals What he learned from the large scale of the Maggie Rogers tour Treating show days the way a quarterback treats game days  Playing with a lot of energy and volume with controlled effort Experiencing being a Broadway chair holder on “Boop” and working with producer David Foster  His new recording space in Brooklyn  Here's our Patreon Here's our Youtube Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Tim Buell is a Nashville-based drummer who has toured with several artists like Michael W. Smith (three time Grammy winner, 45 Dove awards), Cody Fry (two time Grammy nominated), Gloriana, Jana Kramer, Jerrod Niemann, Remedy Drive, and many others. He also records drums for clients all over the world from his home studio and other Nashville-based studios. In 2022, Tim received his first Latin Grammy nomination for his work on the album Alfa Y Omega by Athenas. In addition to touring and recording, Tim is passionate about creating educational resources through courses and eBooks (available at his website) and maintains a roster of private students virtually through Zoom and in-person at his studio in Nashville. Tim has also spent many years transcribing drum parts from iconic songs and drum solos and his transcriptions have been featured by Zildjian, Vic Firth, Drummerworld, and the Percussive Arts Society. He has created educational resources with Benny Greb, Ash Soan, Aaron Sterling, Aaron Spears, Stanton Moore, and many others. To view his transcriptions, learn more about lessons, or download free drumming resources - visit his website: https://www.timbuellmusic.com Email - timbuellmusic@gmail.com Podcast - https://www.timbuellmusic.com/podcast Instagram/TikTok - @timbuell YouTube - https://www.youtube.com/timplaysdrums In this episode, Tim talks about:     Building community in the drumming world     Basing decisions on your own desires     Having a healthy relationship with your instrument     Graduating from drummer to musician who plays drums     The importance of communication     Learning to record yourself one mic at a time     What the term “raw tracks” really means     Assigning value to your work ⁠⁠Here's our Patreon⁠⁠ ⁠⁠Here's our Youtube⁠⁠ ⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Sam Webster is a drummer and percussionist based in his hometown of LA. Floating between a wide variety of disciplines and genres, he has amassed an impressive list of credits both live and in the studio. His mentors include Mike Englander and Jeff Hamilton, and he is active with the Hollywood Bowl Orchestra, several groups at Disneyland, and many other projects around town. In this episode, Sam talks about: His love for vintage Ludwigs  The value of a gig that allows you to be a full time musician  Being inspired by LA’s variety and humbling himself to people on the scene who did what he wanted to do Going to the right teacher for the right reason and knowing what kind of lesson you’re signing up for  ⁠⁠Here's our Patreon⁠⁠ ⁠⁠Here's our Youtube⁠⁠ ⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

⁠Narada Michael Walden ⁠is an EMMY and multi-GRAMMY winner who has produced hits for artists as diverse as Aretha Franklin, Steve Winwood, Ray Charles, Wynonna Judd, Whitney Houston, George Michael, Mariah Carey, Barbara Streisand, Lionel Ritchie, Lisa Fischer, Stevie Wonder, Tom Jones, Jeff Beck, The Temptations, and many others.  His music flows freely from pop, rock and soul, to the rarified realms of jazz, fusion and world music. With Jeff Beck, Narada wrote and played drums on the seminal album “Wired” that earned them both their first Gold Album.  His drumming credits also include his work with Mahavishnu Orchestra (1974-76), Journey, Allan Holdsworth and many others. In this episode, Narada talks about:     Joining Mahavishnu Orchestra     Performing without judgment     Drumming on Allan Holdsworth’s album Velvet Darkness     Embracing new technology     Working with Sir George Martin       His producing style and being prepared ⁠⁠⁠⁠⁠Here's our Patreon⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Here's our Youtube⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Dave Elitch has been teaching privately for over 20 years and has developed a reputation as the technique/body mechanic specialist for drum set. He has helped many of the world's best players as well as top educators "get out of their own way" by being as efficient as possible in regards to conservation of motion and energy.The more we’re able to remove our bodies from the equation and let the instrument do the work, the more we can relax. The more relaxed you are, the better your time, tone and feel will be. Let's not forget that we're hitting wood, bronze, and mylar with sometimes a huge amount of velocity, so this conceptual/physical approach will also have a massive effect on stamina as well as shortening muscle recovery periods when performing live or in the studio. As a player, Dave Has Worked With: Weezer, The Mars Volta, Miley Cyrus, Justin Timberlake, M83, The 1975, Killer Be Killed, Antemasque, Juliette Lewis, Big Sir, Crash Kings, Daughters Of Mara, and others. In this episode, Dave talks about: Dave’s previous programs His new course: “Your Mind’s Ear” Finding your voice, your identity The different components of Dave’s new program Q&A from our audience Finding inspiration from non-music sources The best way to warm up before a gig The importance of nutrition Proper foot technique ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices