Too Much of Not Enough: A Silverchair Podcast – Détails, épisodes et analyse

In this episode, we’re going all the way back to 1995 to talk about Silverchair’s first true single from their debut album Frogstomp (if you’re Australian, anyway). I wanted to take a deeper look at Pure Massacre from a songwriting perspective, from a performance and production perspective and also see if we could find hints of the later Silverchair in this early track. 

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Don’t get too excited but I’ve just uploaded a mini-episode that’s essentially a repost of the Tuna in the Brine section from the first Diorama episode. Those episodes were really long and I noticed fewer people listened to the second one so I figure maybe some people didn’t finish the first one either — but it just so happens that’s where the Tuna in the Brine stuff was. Anyway, if you happened to not make it to the end of that episode and you missed the Tuna in the Brine talk, here is in a nice 20-minute package. And if you did hear it, well, it’s here to listen to again in a more convenient way if you care to. Hopefully the next update is a bit more substantial than this one!

 Contact me:
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In this episode, I welcome a very, very special guest. David Bottrill is a legendary producer, mixer and engineer who has worked with everyone from Peter Gabriel and Rush to Tool, Dream Theater and Coheed and Cambria. He’s won three Grammys and an ARIA. He is also the producer of the one and only Diorama by Silverchair, as well as the mixer of Young Modern.
 
David Bottrill’s website is www.davidbottrill.com and is on Instagram @davidbottrillofficial 

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This episode is the conclusion to our two-parter on Silverchair’s fourth album Diorama. 

Diorama was released March 31, 2002 in Australia and debuted at number one on the ARIA chart, the band’s fourth straight album to do so. It eventually went triple platinum in Australia and won five ARIA awards. Diorama is a work of genius but it came at a cost to the band, especially Daniel Johns. But time has been kind to Diorama. Almost two decades on, it more than holds its own as an ambitious masterpiece.

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Designed to capture a positive new energy and explore a broad spectrum of emotion, 2002’s Diorama was an album that featured some of the most ambitious songs of the band’s career. Although it went triple platinum in Australia and won five ARIA awards, the album was never as successful as it should have been. The band was unable to tour the album due to Daniel developing reactive arthritis, stagnating their momentum overseas. Despite that, it remains a milestone in not just Silverchair’s career but in Australian music overall, a true masterwork.
 
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This episode is a VERY special guest episode, where I speak to the one and only Nick Launay, the producer behind Silverchair’s Freak Show, Neon Ballroom and Young Modern. Not only that, Nick has worked with some of the greatest artists in history, working with everyone from Nick Cave and Kate Bush to Arcade Fire and the Yeah, Yeah, Yeahs. We had a free-flowing talk about his time with Silverchair and shared some classic stories.
 
Nick Launay’s details:

Instagram: @nicklaunay
www.launay.com 

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Silverchair’s 1999 album Neon Ballroom is the album that drew a line in the sand. With Neon Ballroom, the band had made a definitive statement: This is who we are now and we’re going to continue on this path. You can come along for the ride or you can get off here. But make no mistake, we’re won’t be going back.

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That’s right, I’m breaking format! 

This episode is a bonus episode, where I speak to Kristen S. He, an award-winning music writer and one half of the pop duo Elle. She's always got a really interesting take on things and we had a great, wide-ranging talk about Silverchair that touched on their writing process, their perception overseas, their place in the culture and keeping their music alive into the 2020s. I really hope you enjoy.

Kristen's Lady Gaga piece:
https://www.vulture.com/article/best-lady-gaga-songs-ranked.html

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The difficult second album. Released February 3 1997, Freak Show hit number 1 on the ARIA charts and the first three singles were all in the top 10. It went double platinum in Australia and gold in the US, where it peaked at number 12 on the Billboard 200 (before slipping quickly). Was it the sophomore slump or an underrated work by a quickly maturing band?

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Recorded over nine days in late 94-early 95, Frogstomp saw a band raring to go and prove themselves as more than a one-EP wonder. Released March 27, 1995, Frogstomp hit number one on the ARIA and NZ charts, it was a top 10 hit on the US Billboard 200, the first Australian band to hit the top 10 in the US since INXS. Off the back of Frogstomp, Silverchair did a 46-date world tour, opening for the Red Hot Chili Peppers and then the Ramones. They were a legit phenomenon. But were they becoming overexposed already? 

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