This Jungian Life Podcast – Détails, épisodes et analyse

JEAN CAMPBELL  is a supermodel who from the outside looks to be living a fairy tale life. Stunningly beautiful, she has modeled on the international stage for brands including Alexander McQueen, Ralph Lauren, Louis Vuitton and Burberry. Of course, nothing is ever so simple (especially in fairy tales).

After experiencing a traumatic injury at a young age, Jean had to learn how to live with chronic pain. She underwent multiple surgeries, and confronted despair induced by the extreme physical and emotional challenges she faced. 

Shadowland is our This Jungian Life forum for exploring the lives of people who exist in the hidden places of our culture. Life with chronic pain is one of those hidden places: for many it is characterized by loneliness and fear. At home and at work, people with chronic pain conditions are often asked to mask the reality of what they’re experiencing. 

In this episode, Lisa and Deb explore the gulf Jean experienced between persona and shadow. In private, Jean searched for ways to cope with physical pain and suffering, whilst in public she built a successful career based on her exceptional physical beauty. 

According to Jean, embracing and befriending pain has been key in her path to healing. This is explored through a discussion of A Wizard of Earthsea by Ursula K. Le Guin, in which the protagonist, Ged, must confront and befriend his shadow:

 “Only in silence the word, only in dark the light, only in dying life: bright the hawk's flight on the empty sky” (A Wizard of Earthsea).

Listen to Jean Campbell’s podcast, https://www.if-podcast.com/ 

Follow Jean Campbell: https://www.instagram.com/jean_campbell/

You might also be interested in our This Jungian Life episode on  https://thisjungianlife.com/episode-68-chronic-illness/

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 EXPLORE DEPTH PSYCHOLOGY WITH OUR COMPREHENSIVE STUDIES - TRANSFORM YOUR UNDERSTANDING

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Does the Demure social media trend offer a path to true elegance or reinforce restrictive norms in an extroverted world?

The Demure social media trend has become a countercultural movement that seems to promote elegance, modesty, and introspection in stark contrast to the flamboyant exhibitionistic behaviors often seen online. It forces us to question whether its rise signifies a return to refined values or a subtle form of oppression, as it compensates the extroverted behaviors that dominate modern society. By prioritizing simplicity, restraint, and authenticity, the demure trend resonates with introverts who value inner peace, emotional well-being, and a connection to tradition. While it offers a sense of self-control and empowerment, it also raises questions about elitism and the reinforcement of traditional gender norms, making it a complex and multifaceted phenomenon.

Prepare to discover what the Demure social media trend reveals about the intersection of cultural values, modesty, and self-expression, how the trend influences personal identity, emotional regulation, and the balance between public persona and private self, which aspects of the trend empower individuals and which may reinforce traditional or restrictive norms, whether embracing the Demure trend aligns with authentic self-expression or succumbs to societal pressures, why the Demure trend resonates deeply in a world increasingly dominated by extroverted ideals and superficiality…and so much more.

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*Engage Your Inner Wisdom: Join the Philadelphia Jung General Seminar: https://bit.ly/cgjungphiladelphiaseminar

How can the shared imaginal realms of Jung and Tolkien empower us to navigate our personal journeys and transform our understanding of self and community?

In exploring the uncanny shared imaginal realms of Jung and Tolkien, author Becca Tarnas uncovers a profound intersection of depth psychology and mythopoeic literature, revealed in their seminal Red Books. Amid the early 20th century's upheaval, both authors undertook personal and universal journeys into the psyche, employing active imagination to engage archetypes such as the shadow, anima, and hero. Their works, brimming with symbolic meaning and mirroring profound psychological truths, beckon us to contemplate transformation, individuation, and the potency of the feminine principle within. By crafting intricate narratives and psychological insights, Jung and Tolkien charted the inner landscapes of human experience, underscoring the universal struggles and spiritual depths that bind us all. Their exploration of nature, the environment, and the darker facets of the psyche showcase the transformative power of literal and metaphorical journeys, guiding us toward enlightenment and self-realization.

Prepare to discover what the psychological and creative processes behind the works of Jung and Tolkien reveal about the universal journey of self-discovery; how to access and interpret your own imaginal realms to deepen your understanding of the personal and collective unconscious; which aspects of Jung's and Tolkien's methodologies can be applied to enhance self-awareness and artistic expression; whether the challenges and insights presented in their works have parallels in contemporary psychological practices and personal development; why the exploration of imaginal realms is crucial for personal growth and the cultivation of a richer, more connected sense of community…and so much more.

HERE'S SOMETHING SPECIAL: You're invited to JUNG'S AMERICAN MUSE: THE VISIONS AND ART OF CHRISTIANA MORGAN, a live podcast recording on Saturday, July 13th, at 2 pm EST. Tickets are on sale now for $5. Christiana Morgan's visions and art were pivotal to Jung's understanding of the nature of the feminine. We're thrilled to welcome her granddaughter, filmmaker Hilary Morgan, as our guest. Hilary will share Tower of Dreams, her short documentary, and then discuss her memories and reflections on her grandmother's life. BUY YOUR TICKET HERE: https://www.eventbrite.com/e/jungs-american-muse-the-visions-and-art-of-christiana-morgan-tickets-928055668487?utm-campaign=social&utm-content=attendeeshare&utm-medium=discovery&utm-term=listing&utm-source=cp&aff=ebdsshcopyurl.

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Rebecca Tarnas is an Assistant Professor in the Philosophy, Cosmology, and Consciousness program at the California Institute of Integral Studies. Her research includes depth psychology, archetypal studies, literature, philosophy, and the ecological imagination. She is an editor of Archai: The Journal of Archetypal Cosmology and author of Journey to the Imaginal Realm: A Readers Guide to J.R.R. Tolkien's The Lord of the Rings (https://a.co/d/7zIUX4K). She is researching and writing a biography of Stanislav Grof, a co-founder of transpersonal psychology.

 For more information about Becca, check out her website: https://beccatarnas.com/

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Problems can pester, persist and plague. They range from short-lived to chronic, bothersome to heart-wrenching, resolvable to unalterable. Problems cause what Jungian analyst and author James Hollis refers to as the three As: ambiguity, ambivalence, and anxiety. Ambiguity arises when a problem is complex and confusing, demanding action without certainty. Ambivalence is a state of conflicted feelings, often related to immediate versus long-term gratification. Anxiety is worry and doubt about whether we can meet a challenge or achieve a desired outcome. Problems confront us with a basic choice: action or avoidance—but action without analysis can also be a form of avoidance. We must accept the situation, tolerate the tension, and observe external and internal factors before identifying options. Jung says, “The most intense conflicts if overcome, leave behind a sense of security and calm that is not easily disturbed. It is just these intense conflicts and their conflagration which are needed to produce valuable and lasting results.”

Here’s the dream we analyzed:

“I was pregnant, and I went to a cafe with my husband. I went away and had my baby. I went to a party where some family and friends were welcoming the baby. I cradled a small plastic box with a transparent plastic lid. There were about six spaces pressed into the foam of the box and my baby, which was a tiny bee, was in the right bottom corner of the case. As the party was ending, family members encouraged me to let the bee out of the case. My husband said to do what I thought was right. I opened the case, and we left the party hall, the bee flying above us. When we got outside, it flew away. I ran to keep up with it, and it flew to a huge wooden and plexiglass hive on the lawn. My baby bee flew to a bigger bee, circled it, and was imitating it, even getting onto the big bee’s back while it flew. I wanted to catch my bee but was intimidated by the bigger bee. They flew off in a swarm with others. My husband told me it was time to go. I walked away, and we drove away with my in-laws. When we were alone again, I couldn’t stop crying. My husband took me to the same cafe, but I could hardly walk because I was crying so much. The server said I looked good for just having had a baby. I went to the bathroom, sobbing and feeling very swollen all over. I looked at my puffy face in the mirror and felt like I looked new.”

REFERENCES:

Edwards Deming: https://en.wikipedia.org/wiki/W._Edwards_Deming

Video: It’s Not About the Nail: https://www.youtube.com/watch?v=-4EDhdAHrOg

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Obsessions are unwanted, intrusive thoughts; compulsions are unwarranted, involuntary behaviors. Though different, they often go together, for compulsions pose as protection from the imagined bad consequences of obsessions. They tend to escalate, demanding more time and attention: spontaneity is sacrificed to schedule, desire surrenders to compliance, and aliveness is stifled by stiffness. OCD’s insistence on “rightness” attempts to deny feelings, especially anger, neediness, and desire, displacing them onto rigid exercise routines, midnight phone scrolling, finicky dietary convictions, and other attempts to serve performance and perfection. Marie-Louise von Franz, Jung’s close collaborator, says, “Every content of the unconscious with which one is not properly related tends to obsess one, for it gets at us from behind…You can either be possessed by a content constellated in the unconscious, or you can have a relationship to it. The more one represses it; the more one is affected by it.” When the unconscious is denied, it turns to unwanted forms of expression.

Here’s the dream we analyze:

“I am standing in a field in winter. The earth is cold and hard. I have a simple, woven cloth wrapped around my head and am carrying a basket in the crook of my arm. I am in the field harvesting potatoes. I work slowly and methodically, moving up and down the rows, but at some point, I realize that the crops I am harvesting are upside down. The potatoes sit neatly atop the earth, and it is only when I pull them up that I can see all the green parts of the plant. This realization doesn’t phase me, and I continue to harvest. As I work, I am aware of a sense of great peace. I bend to pick up yet another potato and realize there is no resistance, for the potato has no stem, leaves, or roots. It is a solitary object. I stand and hold the potato in the palm of my hand. It is fairly small and somewhat paler than the rest. All of a sudden, the potato sprouts small white wings, which begin to flutter. The potato hovers above my hand for a few moments and then flies away. I watch it against the sky and am suddenly aware that the sky has become a brilliant blue, whereas, in the beginning of the dream, it was a heavy, pearly grey that threatened snow. I awake with a feeling of enormous well-being.”

REFERENCES:

Nancy J. Dougherty and Jacqueline J. West. The Matrix and Meaning of Character: An Archetypal and Developmental Approach. https://www.amazon.com/dp/0415403006/ref=cm_sw_em_r_mt_dp_CWV9HCTBJT9N9CPJZN7N

Nancy McWilliams. Psychoanalytic Diagnosis: Understanding Personality Structure in the Clinical Process. https://www.amazon.com/dp/1462543693/ref=cm_sw_em_r_mt_dp_ZADS2EPQNM082KGVM76Z

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There is a crack in everything / That’s how the light gets in. LEONARD COHEN

Jung’s system of typology—our characteristic way of orienting to the world—led to the creation of the widely used Myers-Briggs Type Indicator. Jung observed four essential ego functions. Thinking and feeling are rational functions of assigning value and making decisions, and intuition and sensation are non-rational modes of perception and attention. Ordered hierarchically from most to least developed, our inferior function lies closest to the unconscious. It tends to manifest through tasks, people, and situations that throw us off balance: we feel confused, overloaded, and unable to get a grip. The inferior function pushes in through the cracks in ego’s efforts at supremacy and opens us to what is unknown and unlived. For Jung, however, this seeming weak spot in the personality was also “the treasure hard to attain,” for it is also the source of our aliveness, freedom, and fun.

Here’s the dream we analyze:

“I was swimming in the ocean at nighttime. I was surrounded by a school of gigantic, hot-pink jellyfish the size of hot air balloons. They were almost bioluminescent. I looked down and saw a massive sea creature rising from the depths. At first, I thought it was a blue whale. As it got closer, however, I realized it was the size of several blue whales and shaped almost like a man. I was filled with terror and awe and swam away to the shore. On the shore, I was talking urgently with Doctor Who. Suddenly, we were attacked by Daleks (a fictional alien species). As they flew toward us, we ran away toward the ocean. We didn’t go underwater; however, we ran on top of it. As we ran across the sea pursued by the Daleks, the jellyfish and whale man from before rose out of the water, running and flying around us to protect us.”

REFERENCES:

Lenore Thomson. Personality Type: An Owner’s Manual. https://www.amazon.com/dp/0877739870/ref=cm_sw_em_r_mt_dp_1EXKNRD8Y9YNCHJH7AND

Marie-Louise von Franz, Lectures on Jung’s Typology. https://www.amazon.com/dp/B00G2CBJ0K/ref=cm_sw_em_r_mt_dp_CWHRP65RJ41W03JKQW8N

Ann Ulanov. The Danger and the Treasure of the Inferior Function, Psychological Perspectives, 52: 9-53, 2009.

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Could the antidote to racism be enchantment? Chloe Valdary thinks so. Theory of Enchantment is a radical approach to anti-racism rooted in understanding that celebrates the complexity of the human spirit. Since racism derives from deep insecurities projected onto others, the work of enchantment includes shadow, acknowledges personal complexity, and affirms right relationship with self. Diversity need not be division, and inclusion does not discount differences. Empathy does not ‘fix’ but accompanies another’s suffering, and criticism can be used to uplift and empower. Valdary’s fulsome framework—from workshops to a self-paced online course--includes myth, literature, religion, and Jungian concepts. Theory of Enchantment reaches beyond conflict resolution for connection with universal principles of humanity, healing, and wholeness. It is a life practice and personal discipline that teaches that we can--actually—root everything we do in love and compassion.

REFERENCES:

Theory of Enchantment: a diversity training and inclusion program that teaches love: https://theoryofenchantment.com/

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Queen Elizabeth II is mourned around the world. The world saw stages of life live in and through her: from maiden to mate, mother to matriarch, elder to aged. She inherited her title but grew into her role, becoming a unifying image of virtue, service, stateliness, and constancy--wrapped in dedication and devotion. Above the skirmishes of ego-driven politics, the Queen balanced the mystique of majesty with human presence. She bore difficulties and disappointment with dignity, and in the 70 years of her reign modeled a standard of nobility that enabled her to preside over tumult and change. Elizabeth II first governed herself, enabling authentic representation of the archetype of queen in its beneficent aspect: steadfast, valiant, and faithful to enduring ideals of sovereignty. Queen Elizabeth II fulfilled the promise of the crown, ancient symbol of exalted life, conferring its possibility and promise upon subjects and admirers worldwide.

In Memoriam:

Elizabeth the Second, by the Grace of God, of the United Kingdom of Great Britain and Northern Ireland and of

Her other Realms and Territories Queen, Head of the Commonwealth, Defender of the Faith

Here’s the dream we analyze:

“I am in the passenger's seat in a car with my partner. He is driving and seems anxious about something--talking and gesturing, but I can't remember what he said. We are going uphill on a tarred road--it is an unfamiliar setting. Suddenly a bird flies into his side window. He quickly opens the window and shuts it close again, tearing one wing off the bird. I am shouting at him "You have broken its wing," as we watch the bird fly away with only one wing. My partner is startled, and I am very sad and shocked. I am awakened by this shocked feeling. “

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The open road beckons: bigger, better, boundless. To see and to seek is a mythological theme with an American stamp, from wagon trains to memoirs and movies. Progress and mobility have long been associated with forging ahead and hitting the trail. Cars are personal capsules of autonomy and freedom: load, stop, and go according to wish or whim. Passing through and possibility are part of the road trip’s drift and direction. The traveler may hope for treasure, pleasure, or revelation—or be in flight from stasis, failure, and alienation. A road trip can be planned or spontaneous, solo or partnered, an initiation into the next stage of life, or an effort to evade it. Many are about relinquishing ego’s desire for a well-mapped destination and opening a path to psyche and Self. A road trip is an inner journey in the outer world. What will we encounter that reveals us to ourselves?

Here’s the dream we analyze:

“I was sleeping in my apartment in Brooklyn when I heard someone trying to break the door into the hallway from outside. I stood in front of the entrance door, waiting for whatever would come, thinking it was better to face it. The door opens, and two figures walk in: one is my father (dead by then), another a shape of a man covered feet to head by a black overall.”

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Hatred is a universal human emotion related to distancing and destroying. Hatred is anger, disgust, judgment, and contempt cemented into implacable permanence. Obsessive and inflating, hatred dupes us into feeling righteous and wrathful instead of small and wounded. Hating tricks us into projecting our disowned qualities onto an outer other, making the object of our hatred into an avatar for our own split-off instincts and desires. Our fixation fuses us in a darkly intimate way with “other,” the holder of a secret we are compelled to uncover, a truth we demand to rule. Hate hides the dread of discovering the depth of our own shadow—for it is self-hatred that we seek to encapsulate and eradicate. We can face our hatreds, let them inform us, and transform them into what is brighter and more alive.

Here’s the dream we analyze:

“I am walking and find a door that leads to a stairway. I am entranced by the stairs as they look like winding, ancient stone castle steps like in the movies. I enter and see that lining the walls up and down the stairs are cages - each cage contains a snake. As I walk down the dimly lit stairs, the snakes come alive and begin slithering, dancing, and reaching their heads up and out until a good third of each snake is out and getting closer to me. I am surprised to realize that the holes in the cages are big enough for the snakes to escape, but I am not afraid. I know the snakes will not escape completely or harm me, and I wonder why the snakes have cages at all. As I get to the bottom of the stairs, I am in a large room with books, jars, shelves, and tables. It is wonderous room, like Merlin’s workshop mixed with Dumbledore’s office. There is an older, tall man standing next to a younger woman, and they are looking at a book. I have interrupted them, they were not expecting me, but neither is startled. They both look at me with curiosity. I know I have nothing to fear but also don’t understand why I am there or where, exactly, I am. I am then standing next to them, and the young woman cries, “It has drawn blood! There is blood! Blood is drawn!” The man says nothing and calmly looks at me. I raise my hand and see a few drops of blood on my palm and know that I have been pricked by a needle. I didn’t feel the prick, and it does not hurt; I am surprised to see the blood. I suddenly know that the young woman is excited as the blood indicates that it’s her time to move on to the next level and that I am to take her place as this man’s apprentice. All of this knowledge washes over me as I look at the blood. I then become woozy, and my knees fail as I faint and fall gently to the floor.”

REFERENCES:

Robert J. Sternberg. The Psychology of Hate.

https://www.amazon.com/dp/1591471842/ref=cm_sw_em_r_mt_dp_BMVXGVKJEAEW7H4DHGQS

Joshua Coleman. Rules of Estrangement: Why Adult Children Cut Ties and How to Heal the Conflict

https://www.amazon.com/dp/1529350824/ref=cm_sw_em_r_mt_dp_QQAC0BW1X9177KHY07W2

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